Thank you for purchasing this CuthbertPraise! download product. Your download entitles you to unlimited copies of parts and scores contained herein for your specific ministry or personal use. Please do not pass copies outside of your own use or ministry. Our prices are ridiculously low, and we give away about as much as we sell, but there is a substantial cost in both time and money to keep this collection of music growing and available to everyone. Please help us by honoring this request to keep this music for your own uses and those of your ministry, and by telling your friends and colleagues about our services. If you should ever happen to lose or misplace your copy of this music, please contact us and we’ll be more than happy to send you another copy at no cost.
Performance Suggestions Your hymn arrangement is designed to be very flexible in accommodating many different instruments. Along with the standard brass quartet/quintet and timpani parts you will also find parts written for duet and/or trio instruments. The Duet parts are interchangeable between different instruments so that if you have a trumpet, alto sax and trombone (or any other combination), each instrument may use its own part, and you can have them alternate between 1st, 2nd and descant parts. You may want to use parts for the first verse, solo or unison melody with different instruments on various middle verses, and then parts with descant on the final verse. It’s your choice depending on your needs and the abilities of your musicians. The brass arrangement will work as a trio, quartet, quintet, large brass choir or even a band of mixed brass, wind and string instruments. All the parts are marked with doublings and substitutions, and performance suggestions are listed on the bottom of the page. You may want to begin the hymn with a brass introduction – either the entire verse, or a portion of it – then have them play with the congregation for the 1st verse; the second verse can be accompanied by piano/organ alone (and guitars if you have them); for the third verse you may want to feature a solo instrument with piano/organ, and then bring in the entire ensemble along with descant for the final verse. Again, it’s your choice. Experiment with different colors and combinations. Along with duet, band and orchestra parts you will also find a guitar and voice lead sheet in this hymn edition. The guitar chords will work with the piano and instrumental parts, or you may use the guitar by itself – perfect for small gatherings, retreats or services where no piano is available. If you have any questions, or if we can ever help you in any way, please contact us. We’re here for you, and we’re always happy to help.
www.cuthbertpraise.com [email protected]
&
&
&
?
?
?
#
#
b
b
b
43
43
43
43
43
43
Bb Trumpets
Descant
*Horn in F
*Trombone
*Tuba
Timpani
œœ œœ œœ
œ œ œ œ
œ œ œ
œ œ œœ œ œ
œ œ œ
œ Œ .œ œ
˙ œœ œ œ
œ œ œ œ œ
˙ œ˙ œ˙ œ
˙ œ
œ œ œ
..˙̇
.˙
.˙
.˙ .˙
.˙
.æ̇
œœ œœ œœ
œ .œ Jœ
œ œ œ
œ œ œœ œ œ
œ œ œ
œ œ œ
˙̇ œœ
.œ Jœœ
˙ œ˙ œ˙ œ
˙ œ
œ Œ œ
..˙̇
.˙
.˙
.˙
.˙
.˙
˙ Œ
œ œ œ
œ œ œ
œ œ œœ œ œœ œ œ
œ œ œ
.æ̇
.˙
.˙
.˙
.˙ .˙
.˙
.æ̇
œœ œœ œœ
.˙
œ œ œ
œ œ œœ œ œ
œ œ œ
∑
&
&
&
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#
#
b
b
b
Trpt.
Desc.
Hn.
Tbn.
Tuba
Timp.
10
..œœjœœ œœ
.œJœ œ
.œ jœ œ
.œ jœ œ.œJœœ
.œ jœ œ
10
∑
œœ œœ# œœ
œ .œ Jœ
œ œ œ
œ œ œœ œ œ
œ œ œ∑
..œœjœœ# œœ
œ# œ œ
.œ# jœ œ
.œ# jœ œ
.œ Jœ#œ
.œjœ# œ
∑
œœ œœ œœ
œ œ œ œ œ
œ œ œ
œ œ œœ œ œ
œ œ œ
œ œ œ
.œ jœ œœ œ œ
˙ œ
œ œ œ
œ œ œœ œ œ
œ œ œ
.œ jœ œ
œœ œœ œœœ œ œ
œ œ œœ œ œœ œ œ
œ œ œ
œ œ œ
...˙̇̇
.˙
.˙
.˙ .˙
.˙
æ̇ Œ
Come, Thou Almighty King(Brass Ensemble) 365
©2006 CuthbertPraise!
Brass Quintet final verse Trp 1 plays descant, Trp 2 plays melody, Horn plays Trp 2 (transposed in Horn part) Trombone plays top line.
*Horn and Trombone 1 may substitute or sound together.*Trombone 2 and Tuba may substitute or sound together.This music in G, 537
Words: Anon. ca. 1757, altMusic: Moscow, Felice de Giardini (1716-1796); harm, The New Hymnal, 1916 based on Hymns Ancient and Modern, 1875, and Lowell Mason (1792-1872)Descant, guitar chords, brass arr: Randy Adams
Brass Trio, Quartet,Quintet or Sextet
#365 Episcopal Hymnal - Come, Thou Almighty King
Brass plays vs. 1,2,4
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&
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43
43
Bb Trumpetsvs. 1,2,4
(tacet v. 3)
Descant(1st Trpt. v. 4)
œœ œœ œœ
œ œ œ œ
˙ œœ œ œ
œ œ œ œ œ
..˙̇
.˙
œœ œœ œœ
œ .œ Jœ
˙̇ œœ
.œ Jœœ
&
&
#
#
6
..˙̇
.˙
œ œ œ
œ œ œ
.˙
.˙
œœ œœ œœ
.˙
..œœjœœ œœ
.œJœ œ
œœ œœ# œœ
œ .œ Jœ
&
&
#
#
12
..œœjœœ# œœ
œ# œ œ
œœ œœ œœ
œ œ œ œ œ
.œ jœ œœ œ œ
˙ œ
œœ œœ œœ
œ œ œ
...˙̇̇
.˙
Come, Thou Almighty King(For Two Bb Trumpets with Descant - Duet or Brass Version) 365
©2006 CuthbertPraise!
#365 Episcopal Hymnal - Come, Thou Almighty King
Bb Trumpet
*Play top line for vs. 1 and 2; v. 4 Trp. 1 plays descant and Trp. 2 plays melody line.This music in G, 537
Words: Anon. ca. 1757, altMusic: Moscow, Felice de Giardini (1716-1796); harm, The New Hymnal, 1916 based on Hymns Ancient and Modern, 1875, and Lowell Mason (1792-1872)Descant, guitar chords, brass arr: Randy Adams
*If using Brass Ensemble version2nd Trumpet should play D
*
& 43Horn in F œ œ œ ˙ œ .˙ œ œ œ ˙ œ
&6
.˙ œ œ œ .˙œ œ œ .œ jœ œ œ œ œ
&12
.œ# jœ œ œ œ œ œ œ œ œ œ œ .˙
&17
œ œ œ œ œ œ .˙ œ œ œ ˙ œ .˙ œ œ œ .˙ œ œ œ
&26
.œJœ œ œ
œ# œ .œ jœ# œ œ œ œ œ œ œ œ œ œ ..˙̇
Come, Thou Almighty King(Brass Ensemble) 365
©2006 CuthbertPraise!
Horn in F
*Horn and Trombone 1 may substitute or sound together.*Trombone 2 and Tuba may substitute or sound together.*Descant Version is Substitute part for Trpt. 2.
This music in G, 537
Words: Anon. ca. 1757, altMusic: Moscow, Felice de Giardini (1716-1796); harm, The New Hymnal, 1916 based on Hymns Ancient and Modern, 1875, and Lowell Mason (1792-1872)Descant, guitar chords, brass arr: Randy Adams
#365 Episcopal Hymnal - Come, Thou Almighty King
Verse 4 (Final) - Descant VersionPlay when 1st Trpt plays descant and 2nd Trpt plays melody
? b 43Tromboneœ œ œœ œ œ
˙ œ˙ œ.˙ .˙ œ œ œœ œ œ
˙ œ˙ œ
? b6 .˙
.˙œ œ œœ œ œ .˙ .˙
œ œ œœ œ œ
.œ jœ œ.œJœœ œ œ œœ œ œ
? b12 .œ# jœ œ
.œ Jœ#œ œ œ œœ œ œ œ œ œœ œ œ œ œ œœ œ œ
.˙ .˙
Come, Thou Almighty King(Brass Ensemble) 365
©2006 CuthbertPraise!
*Horn and Trombone 1 may substitute or sound together.*Trombone 2 and Tuba may substitute or sound together.
This music in G, 537
Words: Anon. ca. 1757, altMusic: Moscow, Felice de Giardini (1716-1796); harm, The New Hymnal, 1916 based on Hymns Ancient and Modern, 1875, and Lowell Mason (1792-1872)Descant, guitar chords, brass arr: Randy Adams
Trombone/Euph.
#365 Episcopal Hymnal - Come, Thou Almighty King
v.4 (if Trp 1 plays descant)
vs. 1,2 (tacet v.3)
*Brass Quintet Version play bottom line for vs. 1 and 2 (tacet 3) and top line for v. 4 if Trp. 1 plays descant.
? b 43Tuba œ œ œ ˙ œ .˙ œ œ œ ˙ œ
? b6
.˙œ œ œ .˙ œ œ œ .œ j
œ œ œ œ œ
? b12
.œjœ# œ œ œ œ œ œ œ œ œ œ .˙
Come, Thou Almighty King(Brass Ensemble) 365
©2006 CuthbertPraise!
*Horn and Trombone 1 may substitute or sound together.*Trombone 2 and Tuba may substitute or sound together.
This music in G, 537
Words: Anon. ca. 1757, altMusic: Moscow, Felice de Giardini (1716-1796); harm, The New Hymnal, 1916 based on Hymns Ancient and Modern, 1875, and Lowell Mason (1792-1872)Descant, guitar chords, brass arr: Randy Adams
#365 Episcopal Hymnal - Come, Thou Almighty King
Tubaor Bass Violin
Play vs. 1,2,4 (tacet v.3)
? b 43Timpani œ Œ .œ œ œ œ œ .æ̇ œ œ œ œ Œ œ ˙ Œ
? b7
.æ̇ .æ̇ ∑ ∑ ∑
? b12
∑ œ œ œ .œ jœ œ œ œ œ æ̇ Œ
Come, Thou Almighty King(Brass Ensemble) 365
©2006 CuthbertPraise!
Timpani
F C Bb
This music in G, 537
Words: Anon. ca. 1757, altMusic: Moscow, Felice de Giardini (1716-1796); harm, The New Hymnal, 1916 based on Hymns Ancient and Modern, 1875, and Lowell Mason (1792-1872)Descant, guitar chords, brass arr: Randy Adams
#365 Episcopal Hymnal - Come, Thou Almighty King
Play vs. 1,2,4 (tacet v.3)
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b
b
43
43
Flutes
Descant
œœ œœ œœ
œ œ œ œ
˙ œœ œ œ
œ œ œ œ œ
..˙̇
.˙
œœ œœ œœ
œ .œ Jœ
˙̇ œœ
.œ Jœœ
&
&
b
b
6
..˙̇
.˙
œ œ œ
œ œ œ
.˙
.˙
œœ œœ œœ
.˙
..œœjœœ œœ
.œJœ œ
œœ œœ# œœ
œ .œ Jœ
&
&
b
b
12
..œœjœœ# œœ
œ# œ œ
œœ œœ œœ
œ œ œ œ œ
.œ jœ œœ œ œ
˙ œ
œœ œœ œœ
œ œ œ
..˙̇
.˙
Come, Thou Almighty King(For Two Flutes with Descant) 365
©2006 CuthbertPraise!
Flute
This music in G, 537
Words: Anon. ca. 1757, altMusic: Moscow, Felice de Giardini (1716-1796); harm, The New Hymnal, 1916 based on Hymns Ancient and Modern, 1875, and Lowell Mason (1792-1872)Descant, guitar chords, brass arr: Randy Adams
#365 Episcopal Hymnal - Come, Thou Almighty King
&
&
#
#
43
43
Bb Trumpets
Descant
œœ œœ œœ
œ œ œ œ
˙ œœ œ œ
œ œ œ œ œ
..˙̇
.˙
œœ œœ œœ
œ .œ Jœ
˙̇ œœ
.œ Jœœ
&
&
#
#
6
..˙̇
.˙
œ œ œ
œ œ œ
.˙
.˙
œœ œœ œœ
.˙
..œœjœœ œœ
.œJœ œ
œœ œœ# œœ
œ .œ Jœ
&
&
#
#
12
..œœjœœ# œœ
œ# œ œ
œœ œœ œœ
œ œ œ œ œ
.œ jœ œœ œ œ
˙ œ
œœ œœ œœ
œ œ œ
...˙̇̇
.˙
Come, Thou Almighty King(For Two Bb Trumpets with Descant - Duet or Brass Version) 365
©2006 CuthbertPraise!
#365 Episcopal Hymnal - Come, Thou Almighty King
Bb Trumpetor Clarinet/Tenor Sax
This music in G, 537
Words: Anon. ca. 1757, altMusic: Moscow, Felice de Giardini (1716-1796); harm, The New Hymnal, 1916 based on Hymns Ancient and Modern, 1875, and Lowell Mason (1792-1872)Descant, guitar chords, brass arr: Randy Adams
*If using Brass Ensemble version2nd Trumpet should play D
*
&
&
b
b
43
43
Trpt. in C
Descant
œœ œœ œœ.
œ œ œ œ
˙ œœ œ œ
œ œ œ œ œ
..˙̇
.˙
œœ œœ œœ
œ .œ Jœ
˙̇ œœ
.œ Jœœ
&
&
b
b
6
..˙̇
.˙
œ œ œ
œ œ œ
.˙
.˙
œœ œœ œœ
.˙
..œœjœœ œœ
.œJœ œ
œœ œœ# œœ
œ .œ Jœ
&
&
b
b
12
..œœjœœ# œœ
œ# œ œ
œœ œœ œœ
œ œ œ œ œ
.œ jœ œœ œ œ
˙ œ
œœ œœ œœ
œ œ œ
..˙̇
.˙
Come, Thou Almighty King(For Two C Instruments with Descant - Duet or Brass Version) 365
©2006 CuthbertPraise!
C TrumpetOboe or Violin
This music in G, 537
Words: Anon. ca. 1757, altMusic: Moscow, Felice de Giardini (1716-1796); harm, The New Hymnal, 1916 based on Hymns Ancient and Modern, 1875, and Lowell Mason (1792-1872)Descant, guitar chords, brass arr: Randy Adams
#365 Episcopal Hymnal - Come, Thou Almighty King
*If using Brass Ensemble version2nd Trumpet should play D
*
&
&
43
43
Horns in F
Descant
œœ œœ œœ
œ œ œ œ
˙ œœ œ œ
œ œ œ œ œ
..˙̇
.˙
œœ œœ œœ
œ .œ Jœ
˙̇ œœ
.œ Jœœ
&
&
6 ..˙̇
.˙
œ œ œ
œ œ œ
.˙
.˙
œœ œœ œœ
.˙
..œœJœœ œœ
.œJœ œ
œœ œœ# œœ
œ .œ Jœ
&
&
12 ..œœJœœ# œœ
œ# œ œ
œœ œœ œœ
œ œ œ œ œ
.œ jœ œœ œ œ
˙ œ
œœ œœ œœ
œ œ œ
..˙̇
.˙
Come, Thou Almighty King(For Two Horns with Descant - Duet Version) 365
©2006 CuthbertPraise!
Horns in F
This music in G, 537
Words: Anon. ca. 1757, altMusic: Moscow, Felice de Giardini (1716-1796); harm, The New Hymnal, 1916 based on Hymns Ancient and Modern, 1875, and Lowell Mason (1792-1872)Descant, guitar chords, brass arr: Randy Adams
#365 Episcopal Hymnal - Come, Thou Almighty King
?
?
b
b
43
43
Trombones
Descant
œœ œœ œœ
œ œ œ œ
˙ œœ œ œ
œ œ œ œ œ
..˙̇
.˙
œœ œœ œœ
œ .œ Jœ
˙̇ œœ
.œ Jœ œ
?
?
b
b
6 ..˙̇
.˙
œ œ œ
œ œ œ
.˙
.˙
œœ œœ œœ
.˙
..œœJœœ œœ
.œJœ œ
œœ œœ# œœ
œ .œ Jœ
?
?
b
b
12 ..œœJœœ# œœ
œ# œ œ
œœ œœ œœ
œ œ œ œ œ
.œ jœ œœ œ œ
˙ œ
œœ œœ œœ
œ œ œ
.
.˙̇
.˙
Come, Thou Almighty King(For Two Bass Clef Instruments with Descant - Duet Version) 365
©2006 CuthbertPraise!
This music in G, 537
Words: Anon. ca. 1757, altMusic: Moscow, Felice de Giardini (1716-1796); harm, The New Hymnal, 1916 based on Hymns Ancient and Modern, 1875, and Lowell Mason (1792-1872)Descant, guitar chords, brass arr: Randy Adams
#365 Episcopal Hymnal - Come, Thou Almighty King
Trombone/Euph.Bassoon/Cello
&
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43
43
Alto Sax
Descant
œœ œœ œœ
œ œ œ œ
˙ œœ œ œ
œ œ œ œ œ
..˙̇
.˙
œœ œœ œœ
œ .œ Jœ
˙̇ œœ
.œ Jœ œ
&
&
##
##
6 ..˙̇
.˙
œ œ œ
œ œ œ
.˙
.˙
œœ œœ œœ
.˙
..œœJœœ œœ
.œJœ œ
œœ œœ# œœ
œ .œ Jœ
&
&
##
##
12 ..œœJœœ# œœ
œ# œ œ
œœ œœ œœ
œ œ œ œ œ
.œ jœ œœ œ œ
˙ œ
œœ œœ œœ
œ œ œ
.
.˙̇
.˙
Come, Thou Almighty King(For Two Eb Alto Saxophones with Descant) 365
©2006 CuthbertPraise!
Eb Alto Saxophone
#365 Episcopal Hymnal - Come, Thou Almighty King
This music in G, 537
Words: Anon. ca. 1757, altMusic: Moscow, Felice de Giardini (1716-1796); harm, The New Hymnal, 1916 based on Hymns Ancient and Modern, 1875, and Lowell Mason (1792-1872)Descant, guitar chords, brass arr: Randy Adams
?
?
&
&
b
b
b
b
43
43
43
43
Timpani
Bass Guitar
1
2
œ Œ .œ œ
œ œ œ
œ œ œ
F A m D m
1.)Come,2.)Come,3.)Come,4.)To
thouthouho
Thee,
alinly
great
œ œ œœ
œ œ œ
˙ œ
˙ œ
G m C
mightcar
ComOne
ynatefortin
œ œ œ œ œ
.æ̇
.˙
.˙
F
King,Word,
er,Three,
.˙
œ œ œ
œ œ œ
œ œ œD m C F
helpbythythe
usheaven
sahigh
thyandcredest
œ .œ Jœ
œ Œ œ
˙ œ
˙ œBb F
Nameearthwit
prais
toa
nesses
.œ Jœœ
˙ Œ
.˙
.˙C
sing,dored;bearbe,
.˙
.æ̇
œ œ œ
œ œ œhelpourin
hence
usprayer
thisev
toat
glader
œ œ œ
.æ̇
.˙
.˙praise.tend:hour:more;
.˙
-
--
--- - -
---
-
-
-
-
?
?
&
&
b
b
b
b
Timp.
Bass
9
∑
9
œ œ œ
9
œ œ œC F C7
Facome,thou,thy
therandwhosov
whosethyal
ereign
.˙
∑
.œ jœ œ
.œ jœ œ
F
lovepeo
mightma
unpley
jes
knownbless;art,ty
.œJœ œ
∑
œ œ œ
œ œ œG m D G m
allcome,nowmay
thingsgiverulewe
crethyinin
œ .œ Jœ
∑
.œjœ# œ
.œ jœ œ
A D m
atword
evglo
edsuceryry
own,cess;heart,see,
œ# œ œ
œ œ œ
œ œ œ
œ œ œ
F/A Bb D m
buildstabandand
inlishne'er
to
ourthy
frome
œ œ œ œœ
.œ jœ œ
œ œ œ
.œJœ œ
C F
heartsrightuster
thyeousdeni
throne,ness,part,
ty
˙ œ
œ œ œ
œ œ œ
œ œ œ
G m F/C C
AnSa
Spirlove
cientvior
itand
ofandofa
œ œ œ
æ̇ Œ
.˙
.˙
F
Days.friend.power.dore.
.˙
-
--
--
-
-
-
- -
--
- -
-
-
-
---
---
-
Come, Thou Almighty King(For Voice, Descant, Guitar, Bass and Timpani) 365
©2006 CuthbertPraise!
The Holy Trinity
#365 Episcopal Hymnal - Come, Thou Almighty King
This music in G, 537
Words: Anon. ca. 1757, altMusic: Moscow, Felice de Giardini (1716-1796); harm, The New Hymnal, 1916 based on Hymns Ancient and Modern, 1875, and Lowell Mason (1792-1872)Descant, guitar chords, brass arr: Randy Adams
& b 43 œ œ œ
F A m D m
1.)Come,2.)Come,3.)Come,4.)To
thouthouho
Thee,
alinly
great
˙ œ
G m3fr.
C
mightcar
ComOne
ynatefortin
.˙
F
King,Word,
er,Three,
œ œ œ
D m C F
helpbythythe
usheaven
sahigh
thyandcredest
˙ œ
Bb F
Nameearthwit
prais
toa
nesses
-
--
--- - -
---
-
& b6
.˙
C
sing,dored;bearbe,
œ œ œhelpourin
hence
usprayer
thisev
toat
glader
.˙praise.tend:hour:more;
œ œ œ
C F C 7
Facome,thou,thy
therandwhosov
whosethyal
ereign
.œ jœ œ
F
lovepeo
mightma
unpley
jes
knownbless;art,ty
œ œ œ
G m3fr.
D G m3fr.
allcome,nowmay
thingsgiverulewe
crethyinin-
-
-
-
--
--
-
-
-
-
& b12
.œ jœ œ
A D m
atwordevglo
edsuceryry
own,cess;heart,see,
œ œ œ
F/A Bb D m
buildstabandand
inlishne'er
to
ourthy
frome
.œJœ œ
C F
heartsrightuster
thyeousdeni
throne,ness,part,
ty
œ œ œ
G m3fr.
F/C C
AnSa
Spirlove
cientvior
itand
ofandofa
.˙
F
Days.friend.power.dore.
-
--
- -
-
-
-
---
---
-
Come, Thou Almighty King(For Voice and Guitar) 365
©2006 CuthbertPraise!
NO CHORD
This music in G, 537
Words: Anon. ca. 1757, altMusic: Moscow, Felice de Giardini (1716-1796); harm, The New Hymnal, 1916 based on Hymns Ancient and Modern, 1875, and Lowell Mason (1792-1872)Descant, guitar chords, brass arr: Randy Adams
#365 Episcopal Hymnal - Come, Thou Almighty King
The Holy Trinity
& b 43 œ œ œ
C E m A m
2.)Come,3.)Come,4.)To
1.)Come, thouthouho
Thee,
alinly
great
˙ œ
D m G
mightcar
ComOne
ynatefortin
.˙
C
King,Word,
er,Three,
œ œ œ
A m G C
helpbythythe
usheaven
sahigh
thyandcredest
˙ œ
F C
Nameearthwit
prais
toa
nesses
-
--
--- - -
---
-
& b6
.˙
G
sing,dored;bearbe,
œ œ œhelpourin
hence
usprayer
thisev
toat
glader
.˙praise.tend:hour:more;
œ œ œ
G C G7
Facome,thou,thy
therandwhosov
whosethyal
ereign
.œ jœ œ
C
lovepeo
mightma
unpley
jes
knownbless;art,ty
œ œ œ
D m A D m
allcome,nowmay
thingsgiverulewe
crethyinin-
-
-
-
--
--
-
-
-
-
& b12
.œ jœ œ
E A m
atwordevglo
edsuceryry
own,cess;heart,see,
œ œ œ
C/E F A m
buildstabandand
inlishne'er
to
ourthy
frome
.œJœ œ
G C
heartsrightuster
thyeousdeni
throne,ness,part,
ty
œ œ œ
D m C/G G
AnSa
Spirlove
cientvior
itand
ofandofa
.˙
C
Days.friend.power.dore.
-
--
- -
-
-
-
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-
Come, Thou Almighty King(For Voice and Guitar with Capo) 365
©2006 CuthbertPraise!
CAPO 5
Voice and GuitarCAPO 5
#365 Episcopal Hymnal - Come, Thou Almighty King
This music in G, 537
Words: Anon. ca. 1757, altMusic: Moscow, Felice de Giardini (1716-1796); harm, The New Hymnal, 1916 based on Hymns Ancient and Modern, 1875, and Lowell Mason (1792-1872)Descant, guitar chords, brass arr: Randy Adams
? b 43Timpani œ Œ .œ œ œ œ œ .æ̇ œ œ œ œ Œ œ ˙ Œ
? b7
.æ̇ .æ̇ ∑ ∑ ∑
? b12
∑ œ œ œ .œ jœ œ œ œ œ æ̇ Œ
Come, Thou Almighty King(Brass Ensemble) 365
©2006 CuthbertPraise!
Timpani
F C Bb
This music in G, 537
Words: Anon. ca. 1757, altMusic: Moscow, Felice de Giardini (1716-1796); harm, The New Hymnal, 1916 based on Hymns Ancient and Modern, 1875, and Lowell Mason (1792-1872)Descant, guitar chords, brass arr: Randy Adams
#365 Episcopal Hymnal - Come, Thou Almighty King
&
&
?
b
b
b
43
43
43
Descant
PianoVoiceGuitar
œ œ œ œ
œ œ œ1.)Come,2.)Come,3.)Come,4.)To
thouthouho
Thee,
alinly
great
œ œ œ
œ œ œœ œ œ
F A m D m
œ œ œ œ œ
˙ œmight
carComOne
ynatefortin
˙ œ
˙ œ˙ œ
G m C
˙ œ
.˙King,Word,
er,Three,
.˙
.˙ .˙
F
œ œ œ œ
œ œ œhelpbythythe
usheaven
sahigh
thyandcredest
œ œ œ
œ œ œœ œ œ
D m C F
œ œ œ œ
˙ œNameearthwit
prais
toa
nesses
˙ œ
˙ œ˙ œ
Bb F
-
--
--- - -
---
-
&
&
?
b
b
b
6 ˙ œ
6
.˙sing,dored;bearbe,
.˙
.˙
.˙
C
œ œ œ
œ œ œhelpourin
hence
usprayer
thisev
toat
glader
œ œ œœ œ œ
NO CHORD
˙ œ
.˙praise.tend:hour:more;
.˙ .˙
˙ œ
œ œ œFa
come,thou,thy
therandwhosov
whosethyal
ereign
œ œ œ
œ œ œœ œ œ
C F C7
œ œ œ œ
.œ jœœ œlovepeo
mightma
unpley
jes
knownbless;art,ty
.œ œ
.œ jœ œ.œJœœ
F
œ œ œ œ
œ œ œall
come,nowmay
thingsgiverulewe
crethyinin
œ œ œ
œ œ œœ œ œ
G m D G m
-
-
-
-
--
--
-
-
-
-
&
&
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b
b
b
12
œ# œ œ
12
.œ jœœ œatwordevglo
edsuceryry
own,cess;heart,see,
.œ# œ
.œ# jœ œ
.œ Jœ#œ
A D m
œ œ œ œ œ
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inlishne'er
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ourthy
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œ œ œ
œ œ œœ œ œ
F/A Bb D m
˙ œ
.œ jœ œheartsrightuster
thyeousdeni
throne,ness,part,
ty
œ œ œ
œ œ œœ œ œ
C F
œ œ œ
œ œ œAnSa
Spirlove
cientvior
itand
ofandofa
œ œ œ
œ œ œœ œ œ
G m F/C C
˙ œ
.˙Days.friend.power.dore.
.˙
.˙ .˙
F
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- -
-
-
-
---
---
-
Come, Thou Almighty King365
© 2006 CuthbertPraise!
Piano Score
Moscow(Piano, Voice, Guitar, Instrumental Descant)
This music in G, 537
Words: Anon. ca. 1757, altMusic: Moscow, Felice de Giardini (1716-1796); harm, The New Hymnal, 1916 based on Hymns Ancient and Modern, 1875, and Lowell Mason (1792-1872)Descant, guitar chords, brass arr: Randy Adams
# 365 Episcopal Hymnal - Come, Thou Almighty King