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CONTENTS
18
21
20
New Products6
Nawaret – The Golden program at mbc10
Smoke the miracle of after effect14
Grass Valley HD obvan for studiovision16
Petrol bags to protect cameras20
Future of TV 22
Crazy lab program24
Evertz26
Sony New Camera28
Apple Tv30
Publisher
Media Street
GM/ Editor in Chief
Hala El [email protected]
Managing Editor
Fatima [email protected]
Executive Editor
Imane [email protected]
Designer
Antoinette Moubarak
Legal Affairs
Nayla NahlehBilal Harb
Consultants - Alphabetical order
Ali Wazani, Bassem Christo, Hassan Chahine, Muhammad Irfan Gondal, Nayef Krayem, Peri Cochin, Salaheddine Awad
UAE
Alaa KrayemWael Haidar
Tel: +971 556 086 948
Cario and Turkey
Salha AlamTel: +20 100 498 4849
USA
Nathalie [email protected]
Tel: +1 904 955 5632
France
Mayssaa [email protected]
Tel: +33695085034
Kuwait
Malak [email protected]
Tel: +69555527499
Address:
Beirut - LebanonBir Hassan - quds street - Cournish Blg.
Tel: +961 1 843 422
Mob: 961 70 929 746
www.firstframe.me
Printed by:Arab Printing Press
24
22
16
30
Production-Broadcast Technology Magazine
06
launches self powered M2Mtracking and monitoring device
ORBCOMM, a global provider of satellite and cellular-based
machine-to-machine (M2M) solutions, has announced the
availability of the ORBCOMM GT 1100, a self-powered M2M
asset tracking and monitoring device targeted for markets such
as transportation and logistics, heavy equipment and oil and gas.
ORBCOMM’s device is designed to fit in between the indented
spacing on intermodal containers. Its low, one-inch height profile
and small form factor are also ideal for tracking and monitoring
trailers and other types of cargo assets. The GT 1100 is sensor-
compatible and self-powered with solar recharging technology
for low power consumption, which works well for tracking and
monitoring other remote unpowered assets such as construction
and mining equipment.
The ORBCOMM GT 1100 can support three modes of
communication – cellular, satellite and dual-mode, which blends
cellular and satellite capability.
ElitePad 900
GT 1100
Petrol Bags Deca Camera and AccessoriesBag for Sony F65 Alexa and more
Petrol Bags, part of Vitec Videocom, introduces the Deca Camera and Accessories Bag, designed for easy transport, superior protection and quick
access on the set. Featuring an ultra-wide opening, this new wheeled carrier is ideal for toting a fully equipped camera such as the Sony F65 or
ARRI Alexa and is also an easy-to-organize accessories case.
The Camera and Accessories Bag (PA1000) offers a squared design with a smooth rolling built-in wheel and trolley system to facilitate easy
transport to any set or location. For enhanced fortification, this carrier’s internal structure is made from a one-piece honeycomb frame, offering
strength and protection without adding extra weight. Within, the fully-loaded camera or other contents are cushioned with soft padded brushed
polyester in an easy to view orange color.
PA1000
New Release from HP
A new HP release which is HP ElitePad 900. It is a tablet
made for business, similar to iPad but based on Windows
8 for the first time, balances a beautiful design with
enterprise-grade features, functionality and support,
integrates easily with other devices like servers and so it
works as a remote device.
The HP Elite Pad offers a long life cycle, stable image and
HP Global Series Support, all of which IT managers expect
in an enterprise tablet. It also features a one-year standard
warranty, with the option for a three-year warranty via HP
Care Pack Services.
07
TECH NEWS
Sennheiser s Digital 9000 for the first time in Middle East
For the first time in the Middle East Sennheiser’s revolutionary Digital 9000 has been used for a live concert.
Sennheiser Group announced the use of its newly launched Digital 9000 wireless system, it is the result of
the largest R&D project in the company’s history. In addition, a number of Sennheiser’s wireless systems,
microphones and in-ear monitors were used at the concert, as per the technical rider outlined by the production
teams of both the performers. The culmination of a 10-year R&D effort, Sennheiser’s Digital 9000 is an all-digital
wireless system that can transmit completely uncompressed audio, artifact-free and with superb dynamics.
Designed for broadcasting professionals, musical theatres and high-profile live audio events, Digital 9000 sets
a new benchmark in digital wireless transmission. The system has been meticulously designed for the highest
channel counts and operation in dense frequency environments. Infrared (IR) synchronization between receivers
and transmitters greatly aids setting up of the system.
Sennheiser Digital 9000
Sennheiser Digital 9000
New Equipment for Shooting Star Academy
ISOL for Broadcast Lebanon has placed 16 new LDX Elite HD cameras systems, a Kayenne 3 M/E Video Production
Center switcher; the Trinix NXT 128X256 routing switcher with integrated multiviewer and a K2 Summit media server with
Dyno S Elite System - in its new OB van.
After a competitive review, ISOL; the major provider for MBC & LBCI, decided to work with Grass Valley through its local partner
Pharaon Broadcast as they believe that their new LDX Series camera system provides the most advanced performance available on the market
today.
The software-based features of the LDX will help ISOL keep the cameras up-to-date with the latest formats and features, no matter what the
client needs are and will also provide a cost- effective high-performance HD dual-format solution.
A key feature of the LDX Series is its new, Xensium-FT CMOS imagers, designed by Grass Valley. Xensium-FT images provide the high-quality
images in a variety of HD resolutions, while eliminating the rolling shutter effect typically found in CMOS technology.
LDX Camera Series
The Grass Valley LDX Series of camera systems includes the new LDX Flex (1080i50/59.94 or 720p50/59.94), LDX Première (1080i50/60
and 720p50/60), LDX Elite™ (1080PsF25/29.97, 1080i50/60, and 720p50/60), and LDX WorldCam™ (1080p50/60, 1080PsF/25/29.97,
1080i50/60, and 720p50/60) models. Both the LDX Première and LDX Elite models are software upgradable to the next level of LDX Series
performance.
Each LDX Series camera delivers uncompromised performance, full compatibility with Grass Valley’s line and stunning images. The LDX Series
boasts an ergonomic design with time saving features such as improved color management and automated controls, allowing operators to
concentrate on creativity.
Furthermore, the above equipment will be used to shoot the next installment of Star Academy Arabia program for endemol middle east.
ISOL
New Health educational TV channel in Oman
The Sultanate of Oman’s Ministry of Health has announced the launch of a health
education TV channel titled Hayah. The channel was developed by Oman-based IT
firm Anzyma and will engage more than 150,000 people every month including
patients, visitors and staff working in health centres across Muscat in discussions
on health. The content for the channel is centrally controlled and managed through
a remote terminal and includes the installation of SCALA, a content management
system. SCALA includes features such as built-in template, schedule-based
content distribution, a variety of integration possibilities, and media playlists to
control the network remotely through any internet-enabled device.
TV channel
TECH NEWS
Al Jazeera s beIN SPORT ratchets up US offering with online TV service
Al Jazeera’s beIN SPORT has unveiled a streaming TV service for authenticated subscribers across the US.
Launching immediately, the new beIN SPORT Play will be a 24/7 streaming platform dedicated to live, exclusive coverage of
top class football from European leagues and tournaments, plus action from competitions in motor sports, cycling and other
international sports.
Authenticated beIN SPORT fans will gain full access to beIN SPORT and/or beIN SPORT en Español in accordance with their
subscription. Subscribers will receive email notifications 30 minutes prior to kick-offs of relevant news and information on their
favourite teams and games.
All programming from beIN SPORT and beIN SPORT en Español will be streamed in HD and available on any broadband-connected
PC and mobile-connected device such as a tablet or smartphone. In addition, authenticated subscribers will be able to stream live
overflow matches.
online tv
ILS Proton M launches with EUTELSAT 3D
International Launch Services (ILS) have launched their
Proton-M rocket from the Baikonur Cosmodrome in
Kazakhstan May 14 at 16.02 GMT, with lift off. The Proton’s
Briz-M (Breeze-M) Upper Stage successfully carried
out its multi-hour mission to deploy the EUTELSAT 3D
telecommunications satellite into its desired transfer orbit.
EUTELSAT 3D will bring resources, reach and flexibility
for high-growth professional video, data, telecom and
broadband services at 3 degrees east, an orbital position
that sits at the crossroads of Europe, Africa and Asia
EUTELSAT 3D will be located at 3 degrees east until the
launch in 2014 of EUTELSAT 3B that will further extend
coverage to South America. It will subsequently continue
service at 7 degrees east.
proton mproton m
08
I
I
Backstage bustling with movement... These are the
final moments before the Roll: the camera operators
readying themselves behind their cameras, the floor
manager adjusting the ambience according to the
director’s instructions, the sound and lighting team
behind the mixers in the control room and the setup
team in another room waiting for the top camera.
Guests are prepared to enter the studio all while the
fully energetic anchorwoman, Arwa, is ready to manage
a fun and diverse dialogue... The show begins ...
Latest of Technologies
Peri Cochin, the owner of “Periscoop” and the owner of
the concept of “Nawaret” says that the management of
mbc asked her for a talk show after becoming aware
of her technique in coming up with interactive shows
in a fresh and successful manner, so she prepared a
The studio resembles a sophisticated French salon amidst which sits a spiral table, the base of which is golden and the surface of which is black with golden lines. Also, there are six silver, black wood chairs, three huge golden crystal chandeliers hanging from the ceiling, two columns of lighting and seven candles of lighting which go with the chandeliers, two mirrored walls and two other walls in front of which is a small stadium for the audience. Placed on the walls are oval cadres with screens and shiny black floor with an interlarded, golden passageway surrounding the table… this is “Nawaret” studio, the tinted golden colors of which reflect and suffuse both its content and execution completely so that it give the image of a golden show, on mbc channel.
special show which was recorded as a format and submitted it to mbc.
It is known that Peri was actually an interior decorator before she had
entered into the world of television and production. The table which she has
in her home in Paris served as a model for the show’s special décor taking
the form of all-sides mirrors with chandeliers such as those portrayed in
the photos attached.
Peri says that the innovation in “Nawaret” show revealed itself through
the use of a no-cameraman-necessary, single wireless camera, known
as Sam robot cam, First Frame covers in this issue. This camera reveals
all aspects, 360 degrees, of the studio while the rest of the cameras hide
behind screens and mirrors. In addition, the chandeliers are used for the
first time in a talk show, engulfing the ambience of the show with a different
mood. Peri adds, “The contract was renewed for one whole year with mbc
and the show is subject to renewal for several years, especially that the
guests always have new topics to discuss”.
The Golden Show on
10
By: Hala Al Khatib
COVER STORY
Nawaret
screen declaring the beginning of quick questions which go hand in hand
with the red lighting, and the guest has try his/her best to answer as soon
as possible. At the end of the “Ninety Seconds” questions for all guests,
the Screen sections begin where every guest chooses a number from the
ipad screen and presses on it. According to the number, either parts of
the guest’s artistic work or professional work or a topic of controversy are
shown on the large screens. Arwa starts asking questions the time of which
is none specified, and some interaction may take place between the guest
and Arwa, according to content. All sections end with a question for the
audience present. The audience chooses a specific section, which could
be a question of multiple options, or the “Akmil al Kalam” or “Complete
the Sentence” section, where the guest has to complete the beginning of
a song, poem or story, or the VIP questions’ section, where three famous
personalities ask questions the guest has to choose one from. At the end
11
Structure of Episode
The show is presented by the famous Singer Arwa,
who manages the dialogue in a light and fun manner
and sings with her guests thus adding a smooth
spirit on the show which receives guests of various
specializations and nationalities, all to enrich and
diversify the episode.
The episode commences with the entering of the five
guests in alphabetical order, who then assume their
places on the round table before Arwa enters and
welcomes them. One chair remains empty until a sixth
guest arrives, intended for one of the five guests, in a
small section known called “Al-Dayf al-Sadis” or “The
Sixth Guest”. The guest’s role in this case is to hold the
specific guest accountable or sing or criticize or praise
or present him/her with a certain point of view.
The dialogue begins with an introductory question for
each guest, followed by the section “At-tis’een Thaniya”
or “Ninety Seconds” where the counter appears on the
Sam Robotcam was created for nawaret
of the episode, the show is concluded with a joint song either all the guests
participate in or only one particular guest, according to Arwa’s selection.
Shooting and Directing
10 cameras, belonging to the type LDK 8000 Grass Valley, were used in
“Nawaret”. These are modern HD cameras distributed in a hidden manner
behind the studio and the mirrors. The 10 combine one Luma craned
camera, a handheld camera, Sam robot cam, in addition to the seven fixed
cameras behind the decor. These depict 360 degrees of the studio in a
way that shows every single detail. The difficulty lies in the reflection of
the whole studio, which is of guests, audience and mirrors’ décor, exactly
why the cameramen and lighting engineers must take this factor into
consideration and avoid unwanted reflections.
Bassem Christo, the director, discusses harnessing of mirrors which are of
spy glass type, and says, “This show required brainstorming and its details
were tackled together, which resulted in a harmonious, integrated show
with no gaps whatsoever.”
Also, Christo shares with First Frame, that “Behind the spy glass, which
forms two walls of the studio, screen leds are used to present reports
selected by the guest through the ipad screen. Behind it, there’s also a
black fabric to make it reflective and hide cameras, equipment and all
the details of the backstage nearby. These mirrors soften the effect of the
screens. Moreover, the lighting was designed after fully taking into account
the reflections caused by mirrors. Also, the lighting
doesn’t quite face the mirrors but rather is placed on a
specific angle which prevents reflection”.
Christo believes, “This type of show is easy and
smooth, in such a manner that it portrays a simplicity
in shape though the implementation is very accurate,
and we have adopted the robot cam to wirelessly roam
in the center of the studio and cover shots which are
difficult for the other cameras to access.”
As for the Mixer, it’s of the type Kaynne XL, from Grass
Valley company, and is known to be one of the latest,
and Bassem Christo says, “This mixer has infinite
COVER STORY
Sam Robotcam
Bassem, Rita Christo, & Georges Asmar
at the control room
possibilities and sources, and it is connected to the
ipads, monitors and control devices in the hands of
the audience, and through it we can send different
things with different windows, all at the same time”.
He adds, “The screens located within the oval cadres
are inverted 90 degrees to be linearly proportionate
with the shape of the cadre, and the mixer is capable
of turning the image in a linear manner while keeping
it intact and straight”.
13
Ipad Applications
“Nawaret” show is characterized with special ipad applications, and it uses
in its ipad sections a special system which depends on apple tv and a
special router in such a way that the data (voice, image, video) is sent from
a laptop plugged directly to the apple tv which is connected in turn to the
ipad in a wireless mode
e
of
nt
”.
es
te
e
g
10 HD cameras, special Ipad system, spy glass and a lot of creativity
Cameras behind the spy glass
The band
Control roomAudio control room
Chantal Ayoub explains how Ipad application works
The beginning of year 2013 was fruitful technologically par excellence, as the needs of professional editors working in video production, corporate video, online video and other competitive creative environments, were met by the Smoke 2013 which was designed for editing and effects requirements.
14
Reality with “Smoke”
Smoke got rid of the property of exporting files and
moving data between different creative applications
for editing, effects and plug-ins. Smoke combines a
familiar non-linear timeline editorial workflow with
the effects tools editor needs for compositing, color
correction, 3D effects, titling, and motion graphics. “In
the existence of Avid and Final cut, Autodesk decided
to compete them by creating in Smoke 2013 a timeline
which allow the users to easily edit then composite
(Connect FX). It turned normal montage to impressive”
said Joe Chahine, MBC Lebanon supervisor and senior
editor that First Frame met him lately.
“Smoke is basically about layering and compositing.
It can move any person from a layer to another. For
example, Bahlam Beek , a program that is broadcasted
on MBC, is done by Smoke software to produce a high
quality and introduce uncompressed photo”, Chahine
added”. Smoke is capable of receiving camera red
photos which are used in advertisements and video
clips, and Smoke is the only software that can endure
it”.
The best benefit of this software which attracts professional and new users
is having a one package that integrates editing and effects. The new Smoke
offers editing and effects within a single, efficient timeline-based workflow,
a sleek user interface and runs on only Apple MacBook Pro and Apple
iMac computers. The difficulty is that this software needs a very powerful
machine to process or render the video, while its new features include
the ability to drag and drop a clip from the source player into the timeline;
ability to expand/collapse the timeline FX pipeline area; and redesign and
streamlining of the UI and interface elements to speed up workflows.
“Smoke” in Lebanon
Smoke was used on two Academy Award nominated movies from this
year: “Prometheus” nominated for Best Visual Effects and “Silver Linings
Playbook” nominated for 8 Academy Awards including Best Picture.
The first Fire (father of smoke) sold in Lebanon was in March 1997, at that
time Fire was running on a big Sgi Onyx (a computer that was looking like a
“fridge”) at LBC/Lebanese Broadcasting corporation. Its little “son”, Smoke,
was released a couple of years later when Sgi released a smaller computer
named Octane. The earliest trace of the first smoke that arrived to Lebanon
would be around the end of the year 2000.
SOFTWARE
Autodesk Smoke 2013
The Professional Video Editing Affordable software at last
Twinning editing and effects
By: Fatima Kassem
UI combines familiar track-based editorial and powerful node-based compositing to connect editing and effects in a single cohesive workflow.
SOFTWARE
15
Features of Smoke 2013
“Smoke 2013 features new creative workflow that
connects traditional track based (NLE) editorial with
the power of Autodesk visual effects, compositing,
color grading and 3D tools. Now editors have a
single application that puts powerful post production
tools right inside the editorial timeline so they can
work faster and deliver high-end work without the
headache of inefficient workflows built from multiple
task-specific applications. Autodesk started the Smoke
redesign with the UI to give editors a unified creative
environment that adjusts its context around creative
tasks – letting editors stay creative and work quickly
in a single application. This new UI offers a creative
workflow for editing and effects purpose built for
editors. So anyone that can edit in Final Cut Pro, Avid
Media Composer or any track-based editing application
will be able to sit down and start using Smoke right
away”, said Marc Hamaker, Senior Product Marketing
Manager, Professional Video to First Frame Magazine.
“Editors can optionally choose to pair Smoke with high-
speed Thunderbolt storage or the AJA ioXT for video
and broadcast monitoring via Thunderbolt. Our goal is
to make sure Smoke meets the needs of the broadest
possible professional video workflows”, Hamaker said.
As a professional editor, Joe Chahine also described
Smoke’s features, “the most obstructive element when
shooting is lighting, the software created the technology
of relighting and lighting the photo. It allows changing
and making new colours, and separate them as no
other program can. Keying is a special feature too, the
points that compose the target move with it through Tracking, for instance
the programs that gather figures from different times. Tracking can change
identikit through dividing the photo into infinite divisions (subdivide), and it
can slim or fatten the target”.
Smoke software requires the tools:
Touchable tablet with a pen
Smoke media/ external hard disk 32 terra bites
Optic fiber to connect external hard disk, for quick data sharing
Driver, e.g. AJA Kona 3g
Even though Smoke software does not create three-dimensional picture, it
is derived from Autodesk family which lets the Maya software to make the
3D, then charming Smoke moves, lights and colors
Smoke is the only software that can endure receiving camera red photos which are used in adver tisements and video clips
Mask points can be tracked automatically to reduce the need to manually adjust when
cutting out elements from a background or cleaning up chroma keyed shots.
Joe Chahine - Supervisor and senior editor at mbc Lebanon
Color correction tools includes RGB color correction and the advanced Colour Warper.
Editors can perform primary and multiple secondary color corrections using a “gap” or
adjustment layer.
With growing consumer demand for high-definition (HD) content, Studiovision Lebanon looked to Grass Valley, to provide the latest outside broadcast (OB) solutions for its new state-of-the-art production truck.
Grass Valley and Studiovision’s managers
Studiovision Lebanon has installed 14 cameras (12 new
LDX WorldCam multiformat HD cameras and 2 LDK 8000
Elite camera systems), a Kayenne 3 M/E Video Production
Center switcher, a Trinix NXT 256X512 routing switcher
with integrated multiviewer, a K2 Summit 3G media server,
and a K2 Dyno S Elite Replay System in its new OB vans,
making them the first 3G-capable OB vans in the region.
“It’s critical for us to be at the forefront of innovation in the
industry and to have the leading-edge production tools that
are needed to fully accomplish the creative concept of the
program, whatever it might be,” said Michel El Murr, CEO
of Studiovision. “And that’s why after a competitive review,
we decided to work with Grass Valley as we believe that
their new LDX Series™ camera system provides the most
advanced performance available on the market today.”
“Studiovision’s productions are among the best in the region and we’re
excited to be working with them as they use the LDX WorldCam to further
push their production boundaries,” said Alan Wright, Regional President for
Europe, Middle East, and Africa at Grass Valley. “With Grass Valley’s
HD and 3G production solutions Studiovision has placed
itself ahead of its competitors.”
OB VAN
A key feature of the LDX Series is its Xensium-FT
CMOS imagers, designed by Grass Valley.
Xensium-FT imagers provide high-sensitivity in a
variety of HD resolutions, and eliminate the rolling
shutter effect typically found in CMOS technology.
LDX Camera Series
The Grass Valley LDX Series is comprised of four
models: the new LDX Flex (1080i50/59.94 or
720p50/59.94), LDX Première (1080i50/59.94
and 720p50/59.94), LDX Elite (1080PsF25/29.97,
1080i50/59.94, and 720p50/59.94), and LDX
WorldCam (1080p50/59.94,
1080PsF/25/29.97, 1080i50/59.94,
720p50/59.94). The LDX Flex,
LDX Première and LDX Elite
models are software upgradable
to the next level of LDX Series
performance
Studiovision Lebanon Selects Grass Valley’s first 3G Capable OBVAN in the region
push their production boundaries,” said Alan Wright, Regional President for
Europe, Middle East, and Africa at Grass Valley. “With Grass Valley’s
HD and 3G production solutions Studiovision has placed
itself ahead of its competitors.” A key feature of the LDX Series is
CMOS imagers, designed by Grass V
Xensium-FT imagers provide high
variety of HD resolutions, and elim
shutter effect typically found in CMO
LDX Camera Series
The Grass Valley LDX Series is c
models: the new LDX Flex (10
720p50/59.94), LDX Première
and 720p50/59.94), LDX Elite (10
1080i50/59.94, and 720p50/59.94)
WorldCam (1080
1080PsF/25/29.97
720p50/59.94)
LDX Première
models are soft
to the next leve
performance
16
RASHA MZANAR
TV stations are considered most in need to use technology and be continuously updated concerning the newest releases in technology equipments. One of which a TV station mostly needs to achieve its goals safely is the server. We hear about web servers, print servers, mail servers, dedicated servers, shared servers, media servers and more. So let’s know how does the television use servers? And what is the newest issue of servers that is offered now?
16
How does the television use servers?
Depending on the uses and applications that it runs,
a media server may require large amounts of RAM,
or a powerful, multicore CPU. A RAID configuration
may be used to prevent loss of the media files due to
disk failure as well. Many Media servers also have the
ability to capture the media with specialized hardware
such as TV tuner cards. Analog TV tuner cards can
capture video from analog broadcast TV and output
from cable/satellite set top boxes. This analog video
then needs to be encoded in digital format to be stored
on the Media server. This encoding can be done with
software running on the Media server computer or by
hardware on the TV tuner card. Digital TV tuner cards
take input from broadcast digital TV. In the USA, the
ATSC standard is used. In most of the rest of the
world, DVB-T is the accepted standard. Since these
transmissions are already digital, they do not need to
be encoded
According to Wissam Abbas, the HP division manager in ICC Company, “a
server is a storage system used to save data. A media server which is used
by TV stations differs from other servers that are only capable to store data
in a way that a TV server is a regular server working with a higher level of
storage because videos, audios and motion graphics needs more space. A
TV server is a high speed server that provides a live and direct storage of
the program or any event that is running on the station with a redundancy
so that if a server stops working for any reason, another should replace it
without any interruption. This new server should be always prepared and
placed as stand by”. Abbas states that the HP Company divided the server
cabinet to four main servers: database server, internet server, SQL server
and security server as stand by servers. This way each user can link to
one specific server of the server cabinet without causing traffic in the other
servers. This allows the operation system in a company or an institution
to be more successful than others and prevent it from shutting down or
becoming slower.
Lines of Servers
This company has three lines of servers: HP Proliant servers, HP Integrity
systems which are blade servers and Telco and carrier-grade servers. Each
line provides different kinds of servers with different specifications to meet
the various needs of the costumers, and a TV station can use HP servers
from both lines according to its needs and budget. However, HP Company
provides professional consultants who can help in choosing the right kind
of servers that a customer may need.
New HP Server Generation soon
Speaking of evolution of servers, Abbas says “we had 8 generations of
servers since 1997 in a frequency of a new generation every 18 to 24
months, and each new generation should lead to a fundamental change
in performance in order to replace the old generation. However, every new
generation is developed to meet the latest needs of the costumers as a
higher speed processor, more developed main board and a higher capacity
of the memory in order to update the rapid development of software
compared to hardware. However, in June or July of this year we expect a
new generation of servers which is generation 9 of servers”.
EQUIPMENTS
In 1996, director Bassem Christo used the one shot technique for the first
time in the Arab world, and that was during the filming a clip for singer the
Mary Suleiman. The clip’s idea was executed inside a house where Mary
moves from one room to another to come out afterwards to the house lawn.
This footage was not edited or clipped; her video appeared to be so natural,
as if the viewer was with her on-site.
The Hologram technique
During the last month of Ramadan in 2012, the Arab world witnessed
a new technique for Christo. In the program “Ana wi’l A’asal”, he used
the hologram technique that attracted viewers who were interested in
technology, yet its application remained a mystery for them. In this regard,
Christo says,“ It is not the real scientific hologram. What we presented
in “Ana wi’l A’asal” was a different technique, or I’d rather say a fake
hologram. In a real hologram you see the person in front of you as if he’s
real, while in the program, we saw the person’s shape”.
“The first technique needs a very well thought out lighting that is usually
dim, with a black background to block out any light leakage. While in the
alternative method I implemented, I was shooting the person (the hologram)
in a different location, while the guest is in the studio. The visual trick I
adopted so the alternative method will look similar to the original one was
based on choosing well the right shooting angles, the standing position
of the guest in the studio, and the other guest who will face him virtually
from another location, in addition to focusing on the harmonious lighting
between the two locations which is the most important element in the
application of this technique. I used to shoot two opposite angles; one from
the behind of the person and another in front of him, so both images will
seem to be in one frame as if they are opposite to each other.”
Christo adds,“ the difficulty in the technique lies in implementing it live on
air, it’s a sensitive delicate technique; the previous filmed footage like those
RABIH DAMAJ
18
DIRECTOR
Techniques & Effects are the success keys of any program
in “Bahlam Bik” program, are less difficult though their
preparation takes more time, for we had to choose
scenes from the archives of descendent artists that
suit the trick intended to apply with the guest artist
who will perform with the late singer. Based on these
elements, we set up the scene, which also needs
the appropriate shooting angles, lighting and sound
volume, meaning that we set up the new scene with
the general ambiance of the original old scene”.
Visual Effects
In the program “A’al akid” that is aired on Future
channel, Christo used one visual effect where the light
shed on the audience is in black and white, while the
light on the interlocutor and guests is kept natural.
Christo explains that “this is not a technique in itself,
but merely a visual effect applied through special
programs, such as the “After effects”, where a general
scene of the audience is taken, and then the scene is
de-saturated, which does not require any effort, but its
usage is artistic and adds a new and unique ambiance,
different from the prevailing routine.
Robot Cam
Christo is known to be on top of the list when it comes
to the camera and its shots; he used it in its various
forms including “Sam Robot Cam” and “Wireless
Cam”, and he is currently willing to use the technique
of Spider Cam that is being used lately in international
Bassem Christo
His work formed a quantum leap in television series, he exploited modern technology for the sake of the innovative best picture he sought for, he was the pioneer in the domain of techniques’ integration with the works of art like video clips and TV programs, he was the first to use the one shot technique in the Arab world, and recently he implemented the hologram technique in some of his latest programs. First Frame Magazine met the well-known director Bassem Christo.
programs. Christo explains the difference between each one of
them: in “Nawaret” program, we used Sam Robot Cam for the first
time; it is a small robot with a small camera installed inside of it that
moves in all directions, which gives the viewer the feeling that he is
rotating with the camera. This type of filming is used in programs
and artistic works that include action scenes. The cam is of the full
wireless type, which means it can be controlled remotely without the
need of wires or rails. This technique is very practical and facilitates
the movement of the camera in certain corners, as it shoots every
small detail. It was invented by the Lebanese Sam Abdel Sater.
Wireless Cam
A Wireless Cam is a camera that does not need wires like the
Steady Cam, which is a small camera that can be placed inside
a person’s shirt or his clothes in a consistent manner, and it films
all his movements however he walked or moved. This camera was
used by Christo with Michel Fadel while playing the piano, and it
transferred his emotions and interaction with music, which was considered
a renewal in the image transfer technique for it engaged the viewer with
the feelings of Fadel.
Spider Camera
He adds: “the technique I aspire to use in my future programs is the Spider
Cam, which is a camera suspended in the air with four big cables and
captures the scene from all angles, both horizontally and vertically, and
left and right. It is usually used to transfer the general scene from above,
exactly like the cameras that capture the images via the helicopter, but here
we are inside a locked studio”.
HD and 3D
Since the prevalence of the cameras that include the feature of HD, Christo
was one of the first who used them and talked about their advantages:
“Today, most of the filming methods include HD and Full HD technologies,
and some stations in Lebanon and the Arab world broadcast using the HD,
but in fact TV screens in our markets do not support this feature, and only
few support it”.
He continued, “the purity of the picture that the viewer sees from home has
nothing to do with this technology but rather with the stations that use high
definition cameras, in addition to well-shed lighting and bandwidth; the
broader the bandwidth the purest the image”.
Bassem Christo is a Lebanese director who directed some of the most famous programs at LBC. He also
directed a large number of musical concerts including the “Beat Machine” series, Scorpions, Julio Iglesias, and
Raúl di Blasio. Outside of TV work, Christo began to direct music videos. In 2000, he began freelancing as a
director of TV programs, music videos, festivals and events. Since then, Christo has signed more than 40 TV shows, 50 music
videos and 300 concerts.
In 2006, he went into TV production and co-founded a production house called “PERIBA” (PERI-Bassem) with the renowned
French Lebanese TV producer Péri Cochin. He is currently the managing partner and Periba has since produced many of the
most famous TV programs in the Arab world, such as “Chako Mako”, “Taratata”, “Sawalefna Helwa”, “Number One Fan”
known as “Moojab Ajib”, “Zahrat Al Khalij”, “Najm Al Khalij 4 & 5”, “Hadith AL Balad”, “Nawwaret”, “Bahlam Beek”, etc...
Since 2008, Christo became a partner of Bright I; a specialized media training center that provides professional high quality
workshops and castings for “anchors-to be”.
WHO?
“On the other hand, same thing applies to the 3D
technique, but our TV screens are not equipped to
receive and understand this language. What we
actually see is 2D in a 3D way, and to see it as it’s
supposed to be, we have to buy special screens with
special glasses made for this technology”.
Regarding the best technology he ever used in his
career, Christo assures that Sam Robot Cam is his
most preferable until today. Christo reveals that he is
against copying the foreign formula of the programs
and applying it entirely to the Arabized programs, so
he is trying to diversify or leave a certain margin to
move within”. If the idea is totally local, then change is
possible, as sometimes the basic formula of the foreign
program is adopted but a new different idea is provided
with different sections, decoration and presentation.
Currently, Christo is preparing to shoot his first
movie under the title of “Sodfa” for the writer Claudia
Marchilian, and is now looking for a technician crew
that will share him this work.
He also signed his new program “Ana w Hayaty”, with
the Lebanese presenter Nishan Derharoutyounian
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Rain and water proof
The filming of Cold Sunday was threatening for the
central character, played by the new talent Adéla
Petrekova, as well as for the camera: “We had to
compete with high humidity and thick fog. That’s why
the Petrol Bags rain cover was in constant use. It has a
special water-proof zipper on the viewfinder protector
with which the cover can be almost completely sealed.
With this feature, rain and splashing water are no
problem. We were even able to cope with very windy
trips with the jeep in the rain – the hotshoe connection
on the rigid front hood section enables the one-piece
cover to be securely stabilized on the camera,” explains
German director of photography Armin Dierolf.
Quick access and a clear view
“Cold Sunday” takes place on one cold, damp day
during the Czech fall season. A dark and threatening
atmosphere defines the film. Only 16 days were
planned for the filming of the thriller; that’s why the
equipment had to function perfectly and withstand
adverse conditions. The water-proof nylon of the rain
cover protects large full-format cameras from moisture
penetration – and does so without putting restrictions
on the camera operator. “I especially like that the
CASE STUDY
Petrol Bags make stormy weather not an obstacle for shooting the Thriller
“Cold Sunday”
The transparent Deca rain cover protects PS-Cam X35 from rain during the shooting of
“Cold Sunday”
At an old, remote mill 40 km (25 miles) away from Prague, sludge and mud are everywhere while moisture penetrates the bones. These are the filming conditions on the main set of the psychological thriller “Cold Sunday”. Autumn in the Czech Republic is damp and foggy, and the higher the altitude, the
more piercing and rainy the climate is. The other shooting locations on the Elbe, Ústí nad Labem and Decín, also have dreary weather conditions with an average of 14 days of rain per month. It is the perfect atmosphere for the film by director Ivan Pokorny, but it also poses great danger on the equipment of the director of photography Armin Dierolf’s. For this reason, he protects his PS-Cam X35 with the PR425 rain cover from the Deca product line by Petrol Bags, part of Vitec Videocom, a Vitec Group company.
^^
rain cover by Petrol Bags is almost completely transparent; this way it is
suitable for all cameras and their accessories, monitors, etc. The camera
doesn’t disappear in the bag. It is still visible with all of its displays,” says
Dierolf while explaining the advantages of the rain cover.
The sophisticated one-piece design with transparent polyurethane provides
Dierolf with especially quick and comfortable access to all of the camera
functions and optimal visibility. For example, the tally light is always clearly
recognizable on the front side of the cover in thick fog and constant rain.
On the upper part of the cover, there is also a 15 cm (6 in) long track made
of polypropylene on which a camera light, for example, can be mounted
when wet weather is combined with darkness
15
SERIES
F O X S E R I E SO’CONNOR’S SUPPORT IS CRUCIAL
Cinematographer Gordon Lonsdale, ASC, credits
O’Connor’s support for allowing his operators to
keep moves fresh and innovative on the long running
Fox series “Bones”. “Actually, I’ve been a big fan of
O’Connor throughout my career”, he says. “When I
was an assistant I used the 50 and 100, then when
the lightweight 100 came out, I thought I’d died and
gone to heaven”. O’Connor is part of Vitec Videocom,
a Vitec Group company.
Bones is filmed with ARRI Alexa cameras, Optimo
zooms and Leica primes. Lonsdale’s two operators
use 120EX OConnor heads, supplied by Otto Nemenz,
and set them up in completely different configurations.
Greg Collier, A-camera/2nd unit DP will tighten the
drag quite a bit and operate that way.
Andy Shuttleworth, B-camera/Steadicam,
has his head very loose. “Still, they both do
beautiful work,” Lonsdale says.
To keep the series fresh, he is
often putting his cameras in very
challenging positions, especially
on shots where the lead actors
are investigating some sort of grizzly
death. “This is often where the strength of the
heads allows us to use the long lenses and to put my Z-plate on
the head and hang it upside down with the camera, complete with
zoom, skimming across the ground for many shots,” he explains.
Bones, a darkly amusing procedural drama based on real-life forensic
anthropologist and novelist Kathy Reichs, opened its eighth season on
Fox in January
Bones series cast: T.J Thyne, Tamara Taylor, John Francis Daley, Michaela Conlin
Cinematographer Gordon Lonsdale
Stars of Bones: Emily Descharel
& David Boreanaz
Television has been a major success for entertainment and gaming. TV has over 80 years of history since the original BBC broadcasts of 1929. It was thought that TV technology was almost mature with analog color TV and broadcasting on air.
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Visions for the Future Television
A Vision of the Future of Interactive/Social Television
As we complete fifty-five years since the broadcast
of the first interactive TV service, it is worthwhile to
offer a glimpse into the future of interactive
Television. It has been argued that Television
is not interactive enough and that it is
primarily viewed as a household commodity.
In light of this, one can foresee five axes of
development described below with some ideas
extracted from Phil Leigh’s book “The Future of
Television” that describes how television will be
changing in the future.
After introducing digital technology with high-speed IP-based networking,
additional “freedom” to view content has been introduced. Users will
experience this freedom through multiple devices and sources of content.
However, it seems that this technology is still below average levels for
customers, because the gap between current TVs and the customer’s
demand is too large.
And as Pablo Cesar said that more “freedom” is necessary to be introduced
in display technology to meet users’ expectations during the “Consumer
Communications and Networking Conference (CCNC), on Jan 2011. The
aim of this article, and after reviewing many related studies and technical
researches, is trying to set a vision for the technologies that are necessary
to allow customers to enjoy future TV content from the viewpoints of
service, platform, and device.
TV
By: Mahmoud Awwad
03. Personalized Television: the User-Authored Content Era
Personalized Television would become a very common trend in the near
future. Personalization would spread beyond interactive Television features
and services to include TV programs too. Television has been designed to
accommodate single user interaction and selection of services. However
in most households several users actually interact with their TV sets and
set-top box and each one of them has a different set of preferences in
terms of programs and services.
04. Smart Space Television: the New Frontier
As wireless networks enter the household environment, it is anticipated
that the house of the future would consist of a collection of networked
devices and electronic appliances. In such a networked household one can
envisage a smart space Television, which apart from the prime purpose
of watching TV programs would be utilized as a media center for sharing
content amongst the household members. In such a scenario, the TV would
be aware of other networked devices of audiovisual content and would
automatically either store them locally or create a link with the devices
(iPod, Mp3 players, MP4 players, video cameras, photo cameras, mobile
phone, etc.), where the content is hosted.
05. 3D Television: Seeing Future in Depth
Content creators (“Vision for future television,” Solid-State Circuits
Conference Digest of Technical Papers (ISSCC), 2012 IEEE International,
Feb. 2012) always look for new forms and ways for improving their content
and adding new sensations to the viewer experience. High-Definition and
Ultra High-Definition video have been the latest innovation in the area of
content enrichment. 3D is the next single greatest innovation in program-
making. There has been a trend in cinema in producing films with 3D
enriched content.
As a final word the issue of spectrum allocation is also seen as one of the
key thrusts for the future development of interactive Television especially
as there are more ways to broadcast than ever before, namely, terrestrial,
cable, satellite, mobile, and the Internet. Finally, a new vision for the
future of interactive Television has been offered. As the principal drive and
innovation of the 1990s was bringing the Internet in the TV environment,
the 21st century would be about bringing the TV into the Internet and 3D
into TV to create an ambient and immersive personalized user experience.
Yet at the end of the day, no revolution ever came cheap. Your living room
is no exception
3D is the next single greatest innovation in program making
15
TV
01. IPTV: the
Internet Revolution
The Internet Protocol (IP)
is a data-oriented protocol
used for communicating data
across packet-switched networks.
The Internet Protocol is transforming
Television into a new format for content
that encapsulates TV signals within an IP
packet data stream. Since IPTV or Internet
Television employs the same protocol for the
delivery of content such as the Internet, this indicates
that IPTV content (realized as IPTV data packets) could
potentially be distributed over any IP-capable network,
such as ADSL over a cable or telephone broadband
connection or as wireless (Wi-Fi, Wi-Max). This will
result new form of webisodes would be very popular
to the “snacking” culture attributed to our current and
future busy way of life.
02. Mobile Television: the Next Trend
The proliferation of nomadic use of embedded
computing devices, along with the introduction of
Universal Mobile Telecommunications System (UMTS)
and 3rd generation (3G) mobile phones, offers for
the first time the opportunity of interactive Television
services for mobile terminals. This new opportunity for
interactive Television on the move is further expanded
with the creation of the DVB-H and DMB standards
that are aimed at providing broadcast content to low
power mobile devices. Mobile Television is one of the
most prominent areas in the context of iTV.
15
There is no doubt that a studio with standard technical measurements would not work for an experimental show as Crazy Lab; the Lebanese one-hour long family show that is filled with chemical trials and “do it yourself” experiments. The program of explosions, laughter and surprises is broadcasted on mtv channel; a Lebanese local channel where the program is filmed in one of its studios (Studiovision) which are equipped to fit all the elements that accompany each episode.
24
Crazy Lab Show:
Special Equipped Studio to Fit its Criteria
such water, oil, liquid oxygen, and liquid nitrogen. It has
the sound proofed walls and a runway in the ceiling for
the cameras.
“Before each episode, outdoor experiments are carried
out to configure the reactions, as area blast, water or
oil splash, etc… then we locate how far should we put
the cameras and what equipments to use, this way we
know if the equipment will be damaged” said Bejjani,
and added “during the production phase for example,
an experiment was done in microwave to see if the
oven will burn in case we put grapes or a lamp, or a
brandy or Cognac glass with a fork. By pre-experiment
The Experimental Studio
“The studio covers an area of about 750 meter square, and it is ten meters
high which means that the light is higher than the blast area, hence the
blast doesn’t exceed nine meters. This studio has an to access on an
elevator that bears weight up to 7 tons; it can hold a car” said Ralph Bejjani,
producer of Crazy Lab. “We use this studio on purpose because we might
have to move heavy loads down, in addition, there is a huge hood which
disposes smoke in seconds”.
A movable circular table covers the floor of the studio, and according to
Bejjani shooting is done on that floor to endure different substances used
PROGRAM
By: Fatima Kassem
25
PROGRAM
we noticed that it’s harmful and decided not to close
the glass. The blast force of such experiments can’t
be expected”.
Michelle Saliba, the program director, described how
the light is affected in such shows “the lighting is in
5 meters extra height which affects the picture, but
that is for the safety of the equipment. Unlike most
programs, we use cool light as the hosts aren’t stable,
they move so much during shooting”.
“There are ten Panasonic cameras used in shooting
Crazy Lab, which are located according to each scene,
in addition to GoPro minicameras. For the outdoor
shooting, 5 D cameras are used”, said Saliba.
The host of Crazy lab,the chemist, Nancy Iskandar and the co-host, actor Elie Mitri, told First Frame about their enjoyable experience in this program.
Nancy, how hard is for a chemist to host a program? It was a dream to have my own science show, it is great! It was easy and
good because it’s interesting for me and I can pass my messages through it.
On what bases do you choose the ideas? We prepare the experiments and Elie Mitri creates the crazy script to
perform it in funny way.
I am responsible for the whole experiments with their results and reactions.
I used to study chemistry and teaching methods; how to deliver information
in funny and easy way.
Are you aware of finding more ideas for further episodes?There are too many ideas, but the problem in Lebanon lies in providing the
material, especially the chemicals, because a list of chemicals have been
forbidden lately by the Ministry of Health.We can’t use or buy them even
in small quantities, because they’re used in manufacturing bombs. On the
other hand, sometimes the materials require longtime to be available. For
example Dry ice in Lebanon is available in only few companies.
Do you include risky experiments in the show?In this program I am the “NO”, I forbid Elie to do the hazardous experiments.
this kind of science is serious, although the studio is equipped to be safe
for all of us.
Elie, Are you bothered from being exposed to danger? It’s a lovely job! There are some experiments that I’m forbidden to do it for
my own safety.
Elie, Are you committing to the safety measurements?
People are not accustomed to such procedures, thus seeing or practicing
will let them get along with it. We try harmless experiments, because
getting hurt will cancel the episode which is not our goal.
The show’s team reminds the audience to try some of the safe experiments and share their trials on social media
Studio covers an area of about 750 meter square, and it is ten meters high which means the light is higher than the blast area
Simulsat is the world’s only true full-arc multiple satellite antenna that is capable of receiving satellite transmissions from 35 or more satellites simultaneously, without adjustment or degradation in performance from one satellite to the next. Simulsat is 2° compliant with the ability to capture signals from all C & Ku Band satellites within a 70° view arc.
26
Installation & Engineering Services provided by ATCI:
Over the last 20 years, ATCi has been the world leader in multibeam
technology, and the Simulsat has provided programming to more than 30
million cable subscribers in the U.S. and abroad.
Because satellite programming is constantly changing, satellite broadcast
users need to constantly adapt to new and different channels and
satellites. Simulsat antennas have long provided the ultimate multibeam
antenna solution to these needs. The Simulsat improves user’s ability to
take advantage of immediate and future revenue opportunities without the
need for an antenna farm and without the trouble of additional permits or
foundations that multiple antennas require.
Many systems have retrofitted parabolic dishes with dual or triple feeds
in order to view more than one satellite. Multi-feed parabolics can view
satellites across a 10° arc. However, since parabolics have but one true
focal point, the adjacent satellites are offset, resulting in a degradation in
reception quality on the fringe satellites. The Simulsat receives all satellites
across a 70° arc with uniform performance. The Simulsat curbs real estate
costs because it is the size of about 2 parabolic dishes of equivalent
performance. For those who are faced by high land costs and limited
space, Simulsat is the solution. Available in 3 different size and performance
variations, the Simulsat is the ultimate solution for Broadcasters, Cable
Television, Universities/Distance Learning, Television and Radio, Military/
Government and Business Corporations with multiple satellite reception
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70° View ArcThe unique design of the Simulsat captures signals
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Up to 35 Focal Point Each satellite illuminates a specific area on the
Simulsat. The signals reflect to their corresponding C
or Ku-Band feed and then are relayed to your receiver.
Uniform Signal ReceptionThe Simulsat design recreates the signal capabilities
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quality across the entire arc.
SATELLITE
WHAT IS : SIMULTAT How simultat views 35 Satellites Simultaneously
Simulsat 5 B
a view arc.
Antennas
Antennas
Saves SpaceOne Simulsat does the work of 35 parabolic antennas in the total coverage
area of about 3 parking spaces.
Visual AppealSimulsat’s single antenna approach is more aesthetically pleasing than an
antenna farm.
Sees More TranspondersSimulsat receives nearly 1,000 satellite channels simultaneously. Parabolic
Saves On Mai ntenanceSimulsat is a fixed antenna. It is not necessary to move the antenna as
programming changes from satellite to satellite.
Lowers Overall CostsReturn on initial investment is immediate.
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SATELLITE
Solution vs. FarmSIMULTAT
The FamilySIMULTAT
THE ANTENNA
Simulsat C /Ku
70° view arc.
Antennas
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Simulsat 7
systems and teleports
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arc
The latest addition to Sony’s widely-used XDCAM HD422 line-up, the new PMW-400 incorporates a 2/3-inch Exmor Full HD 3CMOS sensor for capturing beautiful images with high sensitivity and low noise. It has been designed with a host of features that make it a great fit for applications like ENG or live production. Sony announced its camcorder at the NAB Show 2013 in Las Vegas.
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Higher Picture Quality with HD422 Codec
Capable of MPEG HD422 50Mbps recording, the PMW-400 is unique among
the field of 2/3-type camcorders thanks to its noise reduction capabilities
and rich selection of formats that it can handle. Its 3 Dimensional Noise
Reducer (3DNR) accurately detects and processes images to reduce noise,
achieving a Signal-to-Noise (S/N) ratio of 60dB which is outstanding among
2/3-type camcorders. A wide variety of formats are supported by the PMW-
400, including MPEG2 HD422@50Mbps, HD420@35Mbps/25Mbps,
MPEG IMX@50Mbps, and DVCAM. The PMW-400 will also offer future
XAVC support for HD2 so users can be well-placed to meet the ever-
increasing demands for high quality image capture.
Improved Viewfinder
The supplied viewfinder features improved panel resolution of quarter HD
960(H) x 540(V) compared to previous models that had a resolution of VGA
640(H) x 480(V). In addition, contrast and viewing angles are considerably
better in the new viewfinder.
Flash Band Compensation via Internal Processing
The PMW-400 incorporates a valuable new feature – an internal Flash
Band Reducer based on a processing circuit installed inside the camcorder.
In addition to current flash band reducing processes via content browser
CAMERA
A New PMW-400 Shoulder Camcorder from Sony to enhance
XDCAM Range
after recording, the camcorder also employs a special
algorithm to detect and process flash banding inside
the camcorder before recording. This provides greater
flexibility in reducing flash banding across different
shooting environments.
Operational Flexibility
To enhance convenience and flexibility during
program production, the PMW-400 is built with 2 SDI
connections that enable, for example, the director and
cameraman to concurrently check contents shot via
two different monitors. An optional CBK-CE01 50-pin
interface lets the PMW-400 connect to two camera
adapters for greater creative possibilities through
multi-camera operation. By connecting to the CA-
FB70 optical fiber and CA-TX70 digital triax camera
adapters, the PMW-400 can be used as a studio
camera in live productions and transmit
signals over long
distances while
maintaining high
picture quality
15
PROGRAM
ITV:A Whole Different
Experience
have focused on releasing a smart
watch. It seemed as if Apple had set
aside its TV ambitions.
The information below was collected
by cross referencing the most reliable
sources in the industry:
- Release Date: The iTV may be
ready by the end of this year, though
it’s more likely to be released at the
beginning of 2014.
- Design: The iTV is supposed to be
an astounding ultra-thin LED smart TV.
- Size: 37, 46 and 55 inches.
- Price: Analysts expect the price to
range between $1500 and $2000 for US residents.
Speculated Features:
Remote Control via the traditional remote control device, iPhone, iPod
and iPad. And of course, Siri voice control!
Facetime video, iTunes and iCloud.
Using an App Store-like experience; users will be able to buy specific
channels that they want to watch rather than having hundreds or thousands
of cable channels that they don’t need or they don’t even want!
Wouldn’t it be nice to have all the remote controls centralized in one
piece? It would be even better to get rid of all the cables connecting the
DVD player and other devices to the TV.
Gaming maybe a major feature.
According to John Sculley, a former Apple CEO, “the problem with current
TV sets is that as the picture gets better and the choice of content gets
broader, the complexity of the experience of using the television gets more
complicated. And if anyone is going to change the experience of what the
first principles are, it is going to be Apple.”
In conclusion, Apple iTV speculations imply a
revolutionary product that will change our whole TV
experience, but will it succeed? We’ll have to wait
and see. And if rumors speculate the U.S. release
date at a late stage this year, this means that Apple
fans in the Middle East won’t be able to sit face to
face with an iTV before 2014 to say the least, and
they will definitely won’t be able to make the most
out of its features, which is the case with most of
iOS devices
NIZAR HAKEEM
If you are planning to shop for a new smart TV, you’ll soon have an additional smart TV brand to choose: Apple. After dominating the market of smart phones and electronic tablets, and in line with the continuous battle with Samsung, it won’t be surprising to know that Apple is planning on launching an iTV soon.
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During various occasions in year 2012, Apple’s chief
executive officer, Tim Cook made many announcements
in which he clearly implied Apple’s intentions to hit the
smart TV market and that the current Apple TV remains
a “hobby”, said Cook. It is worth noting that Apple sold
5 million units of this TV in 2012! The number is shy
compared to iOS devices sales; however, it is good
compared to competing devices of other brands.
In fact, Steve Jobs, Apple’s former CEO and co-founder
was the first to draw attention to iTV concept; after all,
he hunted for ways to alter the tv market.
Steve “cracked it”, so Apple was not willing to settle
for a small black box (Apple TV) to assume its place
under a Sony or Samsung LED Smart TV. Apple TV unit
was testing the water of the television sector and the
company is working on something “special” in order to
turn iTV into a serious category for Apple.
iTV Specs:
We are used to rumors and speculations that
accompany each and every release of an Apple
product. And with iTV being a totally new release,
analysts and Apple fans all around the globe can’t stop
predicting and speculating about what’s supposed to
be a revolutionary TV set. According to their “industry
supply chain sources” the TV is likely to support
Ultra HD, or 4K, which is the next generation of high
definition, as it will have voice and motion controls.
Apple was aiming to get TV panels that are close to 4K
quality without the 4K cost.
So far, most of the rumors on Apple products this year
TV