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Five Approaches to TV and Video

Date post: 22-Nov-2014
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Introductory lecture on techniques and approaches for tv and video. Advertising based. Manifesto, narrative, single visual, dialog, monolog.
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Five ways to do TV and video Edward Boches, Professor of Advertising
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Page 1: Five Approaches to TV and Video

Five ways to do TV and video

Edward Boches, Professor of Advertising

Page 2: Five Approaches to TV and Video

Some tips

• One thing you want to say: reduce it to a word

• Audience: what matters to them, or a key insight

• Look at it from multiple perspectives

Page 3: Five Approaches to TV and Video

Bookstore Chain!

One word: service, exploration, discovery, escape, knowledge

Audience: personal touch, adventure, shut out the digital world,

introduction of exposure to something new

Angle: employees, books and their content, the physical place, anti-

Amazon, persona of the reader, a belief in reading and learning

Page 4: Five Approaches to TV and Video

TV/ideo

Page 5: Five Approaches to TV and Video

Think like a creator not a viewer.

Page 6: Five Approaches to TV and Video

The message

The story

The way it’s told

Characters

Dialog

Music

Editing and pacing

Page 7: Five Approaches to TV and Video

Concept:

The core story and idea

!

Execution:

How the idea is brought to life

Page 8: Five Approaches to TV and Video

Thoughts on TV/Video

Page 9: Five Approaches to TV and Video

What are the advantages of this medium?

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• Television and video offer endless opportunities to tell a story, feature a product, bring a user to life, capture our imagination. !

• You can be serious, provocative, funny. !

• You can convey a feeling, leave an impression or educate the viewer. !

• But the one thing you have to remember is that every person sitting in front of the TV set has a remote control within reach.

Page 11: Five Approaches to TV and Video

What makes great?

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• Are you interesting enough to watch? !

• Is the idea fresh, original, new, different, awe-inspiring? !

• Are you rewarding viewers for their time? !

• Are you respecting their intelligence? !

• Would you want to watch it yourself? !

• Would you share it with a friend?

Page 13: Five Approaches to TV and Video

What come first?

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Strategy !Audience !Message !Concept !Execution !Would you want to watch it yourself?

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Strategy: client, planner, account team, CD !Audience: client, planner, media !Message: planner, account team, CD !Concept: writer, art director !Execution: CD, writer, art director, producer, director, editor,

Page 16: Five Approaches to TV and Video

Where do you start?

Page 17: Five Approaches to TV and Video

What do you want to say?

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Samsung washing machines are __________

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How can you say it?

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Samsung washing machines are vibration free.

Page 22: Five Approaches to TV and Video

Be interesting.

Page 23: Five Approaches to TV and Video

Five ways to do video

Page 24: Five Approaches to TV and Video

All are concepts that you can remember

and tell someone about. (Stories)

Page 25: Five Approaches to TV and Video

Good advertising is storytelling: it’s magic; it touches some kind of a human, universal truth; it treats the viewer with respect and intelligence; and it humanizes a product or company in a way that’s special. !Humans respond to storytelling, not just to telling—nobody wants a finger poked in their chest. Doing that well and telling a great truth about a brand or a product is the secret; it’s that easy and that difficult.”

David Lubars, Chief Creative Officer, BBDO Worldwide, BU Alum

Page 26: Five Approaches to TV and Video

Manifesto:

Narrative:

Visual:

Dialog/scene:

Monolog:

say it brilliantly in words

beginning, middle, end -- classic dramatic structure

bring a powerful image to life to convey a feeling

create a mini drama with characters and dialog

personal story or recollection

Page 27: Five Approaches to TV and Video

The Manifesto: a short, moving speech

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Page 30: Five Approaches to TV and Video

!If you let me play sports

I will like myself more;

I will have more self-confidence,

I will be 60 percent less likely to get breast cancer;

I will suffer less depression.

I will be more likely to leave a man who beats me.

I will be less likely to get pregnant

I will learn what it means to be strong.

If you let me play sports.

Page 32: Five Approaches to TV and Video

Here’s to the crazy ones.

The misfits. The rebels. The trouble-makers.

The round pegs in the square holes.

The ones who see things differently.

They're not fond of rules, and they have no respect for the status-quo.

You can quote them, disagree with them, glorify, or vilify them. About the only thing you can't do is ignore them.

Because they change things.

They push the human race forward.

And while some may see them as the crazy ones, we see genius.

Page 34: Five Approaches to TV and Video
Page 35: Five Approaches to TV and Video

When I grow up, I want to file all day.

I want to claw my way up to middle management.

Be replaced on a whim.

I want to have a brown nose.

I want to be a yes man.

Yes woman.

Yes sir. Coming Sir.

Anything for a raise sir.

When I grow up I want to be under appreciated.

Be paid less for doing the same job.

I want to be forced into early retirement.

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Page 37: Five Approaches to TV and Video

Plain was the same as it ever was.

Plainly plain.

Samely same.

But then, someone lit the flame.

Plain rode away on lion’s mane.

Where plain met fruits with strangely names.

Such wonderful things they did contain.

A shot of life to a hungry vein.

That kept a beast who broke the chain.

And there upon that fruited plane Is where plain became what plain became.

So much more than more than plain.

Plain will never be the same.

Page 41: Five Approaches to TV and Video

What does the product stand for and believe?

What do you want me to know about its vision?

Tell a story with words that resonate. Or with images.

Write it. Write it again. Write it again. And again.

Page 42: Five Approaches to TV and Video

Visual story telling: a little movie

Page 43: Five Approaches to TV and Video

VW’s handles great in the snow.

Mercedes Benz handles great in the snow.

Levi’s is for rebels

VW has useful features like the remote key

Certain foods/snacks demand milk

Google search has all the answers

Page 44: Five Approaches to TV and Video

How can I convey that in a story?

Is there tension and drama?

Character development?

Is there a protagonist? An enemy?

What makes me remember it?

Reasons not to speed.

How is time manipulated?

Page 46: Five Approaches to TV and Video
Page 52: Five Approaches to TV and Video

How can I dramatize what I want to convey with a story.

Come up with 100 answers.

Evaluate them based on relevance to brand, target, category convention.

Presuming they are original, fresh, unexpected.

Page 53: Five Approaches to TV and Video

One Powerful Visual: a print ad turned into a story

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What is the one thing you want to say?

Joy and happiness. Amazing color. Women’s independence. Ultimate desire. Stability.

Come up with 100 visual ways to say it.

Ask how you can bring it to life: timing, sequence, music

Page 63: Five Approaches to TV and Video

Dialog / Scene: performance and acting

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Page 69: Five Approaches to TV and Video

Is there a metaphor?

Is there a mini-drama?

Is there a simple encounter?

How can one character convert or persuade another?

Tell your story in a small scene from a longer movie or theater performance.

Page 70: Five Approaches to TV and Video

First person monolog: relate a story, remember, share

Page 75: Five Approaches to TV and Video
Page 76: Five Approaches to TV and Video

Express a virtue that is connected to the product (VW)

Share a sentiment, a wish, a regret that a product promises to address (Axe)

Talk to your audience over the shoulder of someone else.

But you are always telling a story, a narrative, that is interesting.

Page 77: Five Approaches to TV and Video

Sometimes spots combine more than one.

Page 78: Five Approaches to TV and Video
Page 79: Five Approaches to TV and Video

inform:

persuade:

inspire:

entertain:

reveal a truth:

tell me about new product or feature or benefit

convince me you’re better than the alternative

make me feel good, connect around shared beliefs

make me laugh and like your brand

tap into fundamental human beliefs

Page 80: Five Approaches to TV and Video

Get someone to like you, overcome indifference.

Page 81: Five Approaches to TV and Video

Idea first, but then the details matter.

Page 82: Five Approaches to TV and Video

Shot list

Casting

Location

Music

Editing

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Page 84: Five Approaches to TV and Video
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Most important, make me want to watch until the end.

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Idea

Story

Sequence

Storyboard/shot list (visual references)

Dialog/monolog

V/O

Logo and closing treatment

Elements of a script

Page 91: Five Approaches to TV and Video

Canal +No one can nurture your love of cinema like Canal +

Page 92: Five Approaches to TV and Video

Questions?

Who watches movies?

How can I bring them to life?

What is the benefit to them?

Is it about the movies they watch or how versed they become by watching?

Page 93: Five Approaches to TV and Video
Page 94: Five Approaches to TV and Video

There was a bear rug that watched so many Canal + movies it figured why not direct one itself. !(Show how Canal +’s nurtures your passion for cinema.)

Page 95: Five Approaches to TV and Video

This is also on Learn

Page 96: Five Approaches to TV and Video

Video: _____________________________________________ _____________________________________________

Audio: _____________________________________________ _____________________________________________

Video: _____________________________________________ _____________________________________________

Video: _____________________________________________ _____________________________________________

Audio: _____________________________________________ _____________________________________________

Video: _____________________________________________ _____________________________________________

Audio: _____________________________________________ _____________________________________________

Audio: _____________________________________________ _____________________________________________

Page 97: Five Approaches to TV and Video

Sequence of shots !Description/explanation of action !Dialog/VO !SFX/Music

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VO: Plain was the same as it ever was the same. Samely same...

It rode away... ...on a lion’s mane. Where plain met fruits with strangely names.

FAGE :45 Launch Television“PLAIN”

But then, someone lit the flame.Plainly plain...

Plain went against the grain of plain old plain.

Page 100: Five Approaches to TV and Video

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You should see the spot in your head.

Sequence of shots, angles, camera position, CU or medium or LS

Cuts from one shot/scene to another

Dialog and sound in relationship to imagery

Beginning, middle, end

What you need to know

Page 102: Five Approaches to TV and Video

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