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Focal Plane October 2014 A few words from the APS President I would like to thank our enthusiastic committee for making this year a fantastic one for APS. Personally the highlights have been Darren Leal’s workshop, the Rhythm of Light Exhibition and an interesting line up of speakers. The standard of work by our members is exceptional with the continued success of entries from both the club and individuals in National and International competitions. The work of our top photographers is inspirational as is the progress made by some of our newest members. We have a big year planned for next year with another one day workshop (Audio Visual), an exhibition as part of the Auckland Festival of Photography and the defence of our Auckland Club Shoot Out title. I trust you will find the competition topics for next year interesting and challenging. Something to think about over the Christmas break, perhaps? Happy Shooting Roger Question of the Quarter The QotQ for October: “Oh no! End of year entries! What to enter???? Do I enter only those images that received Honours during the year in the hope of gaining EOY Honours too? Or do I enter some images that I feel were ‘under judged’ in the monthly competitions?” My opinion? If you have faith in an image that was not as appreciated by the judge on the night as you felt it should have been, this is absolutely the forum to put it in front of another judge(s). No set subjects apply; each image is simply viewed on its standalone merit. A personal experience: several years ago a portrait I entered during the year was awarded an Acceptance at club level. It went on to be awarded Honours in the EOY. I felt very vindicated for the faith I had in that image. It is still a favourite of mine. What do you think? Replies welcome…..
Transcript

Focal Plane October 2014

A few words from the APS President

I would like to thank our enthusiastic committee for

making this year a fantastic one for APS. Personally

the highlights have been Darren Leal’s workshop, the

Rhythm of Light Exhibition and an interesting line up

of speakers. The standard of work by our members is

exceptional with the continued success of entries

from both the club and individuals in National and

International competitions. The work of our top

photographers is inspirational as is the progress made by some of our newest

members.

We have a big year planned for next year with another one day workshop (Audio

Visual), an exhibition as part of the Auckland Festival of Photography and the

defence of our Auckland Club Shoot Out title.

I trust you will find the competition topics for next year interesting and

challenging. Something to think about over the Christmas break, perhaps?

Happy Shooting

Roger

Question of the Quarter

The QotQ for October:

“Oh no! End of year entries! What to enter???? Do I enter only those images that

received Honours during the year in the hope of gaining EOY Honours too? Or do I

enter some images that I feel were ‘under judged’ in the monthly competitions?”

My opinion? If you have faith in an image that was not as appreciated by the

judge on the night as you felt it should have been, this is absolutely the forum to

put it in front of another judge(s). No set subjects apply; each image is simply

viewed on its standalone merit.

A personal experience: several years ago a portrait I entered during the year was

awarded an Acceptance at club level. It went on to be awarded Honours in the

EOY. I felt very vindicated for the faith I had in that image. It is still a favourite of

mine.

What do you think?

Replies welcome…..

Focal Plane – October 2014

2 | P a g e

Lynn Clayton – speechless for once! Moira Blincoe LPSNZ

Recently 12 PSNZ members travelled to Turkey to participate in the FIAP Congress

hosted by the Turkish Photography Federation.

One of the highlights of the Congress was the very entertaining and enjoyable gala

dinner and closing ceremony, where there was not only a lot of ‘patting on the

back’ for those involved in the organising, but a serious side when various awards

were announced.

Thank goodness I had my listening ears turned on, as I heard Lynn Clayton being

called out. With a quick nudge in Lynn’s ribs, she was on her feet and up to the

stage – not really knowing why!

Imagine her delight when she was awarded an ESFIAP – Excellence FIAP for

Services Rendered. To say Lynn was speechless is an understatement, and after a

hearty round of applause and gasps from fellow New Zealanders, she returned to

her seat – shaking, but smiling.

The award recognises Lynn's success over the past two years as the FIAP Resident

Correspondent and Editor for Australia and New Zealand for the FIAP's

comprehensive on-line magazine. Lynn has also been, for years, an enthusiastic

mentor and supporter of FIAP salons and activities, including being very much

involved as one of the selectors of the PSNZ entries in FIAP Biennial competitions.

We now have five living PSNZ members who have been awarded an ESFIAP. They

are: Jean Bygate Hon PSNZ ESFIAP; Terry Maguire Hon PSNZ ESFIAP; John Reece

Hon PSNZ APSA ESFIAP; Brian Cudby FPSNZ EFIAP ESFIAP; and Lynn Clayton APSNZ

EFIAP ESFIAP. Congratulations Lynn on a well-deserved award.

Lynn Clayton: Lynn with her ESFIAP award/certificate, presented in Turkey.

And Lynn writes of the Conference:

32nd FIAP Congress in Turkey

TURKEY… such an amazing country and one I thoroughly recommend visiting. In

August, 13 New Zealand photographers descended on Ankara and Cappadocia to

attend the 32nd FIAP Congress (Federation International Artiste Photographique).

From APS, Brian Cudby, Faye Hayman, Moira and Chris Blincoe and myself

travelled various routes to arrive at the Congress.

Organising a programme to suit almost 230 people, from 50 different countries is

no mean feat, and while the majority of the programme was interesting, the

organization was at time, sporadic and a little haphazard! However the warmth of

the Turkish people and the overall hospitality made sure we all had a good time

experiencing everything from fun food to language difficulties, hard beds to time

constraints and lots more in between.

Focal Plane – October 2014

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We travelled in a convoy of six large, fully air conditioned coaches, escorted by

two Police cars and an ambulance – the latter required only once when one

photographer lost his footing descending a rocky slope. His camera survived, but

he ended up with a nasty gash to his forehead and eye.

A FIAP Congress is not a ‘learning’ convention in the sense of learning new

photographic skills or techniques like attending a PSNZ Convention. Instead, you

do gain as much from the networking and meeting so many other international

photographers, as well as learning about new cultures.

This FIAP Congress was highly regarded by the Turkish Minister of Culture and

Tourism, who officiated and addressed delegates at the formal opening cocktail

evening, as well as the FIAP President, and PAFT President.

In conjunction with the Congress, FIAP host a Biennial Exhibition, which included

prints from the winning nation – in this instance Bahrain took the title with an

entry of black and white images, under the theme of ‘Reading’. Their impressive

set depicted people associated with reading. It was truly magnificent.

New Zealand did submit an entry under the theme of ‘old farm buildings’ and we

were placed 17th. Four years ago we were placed in the top 10, so let’s try for a

higher placement in two years’ time

FIAP is an international federation that affiliates - as operational members - the

national associations of photography; many PSNZ affiliated photographers

frequently enter FIAP International salons.

The 33rd FIAP Congress will be held in South Korea in 2016 – so let’s try to have an

even bigger contingent represent New Zealand at it. The cost will be around E650-

E850 per person, which includes your accommodation – usually at five star

properties; all meals, airport transfers, transport during the Congress programme,

entry to sight-seeing/cultural events – and the fabulous experience of networking

and cultural exchange.

By Lynn Clayton with help from Moira Blincoe.

Some photographic highlights of the experience ……. a view I took from the plane.

Focal Plane – October 2014

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The light show in Ankara, absolutely spectacular.

The Kiwi Contingent standing on a salt lake between Ankara and Cappadocia.

Focal Plane – October 2014

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People enjoying chatting at Congress - above Keiko Sato, Anne Burgess, and Faye

Hayman. Below Keiko Sato, Finn, Aliah Jan and Hanan from Bahrain.

Our hotel pool in Cappadocia.

The other highlight was hot air ballooning. Almost 100 balloons up at once and we

completed a ‘balloon kiss’ mid-air! The champagne celebration was well deserved.

Moira and Chris Blincoe aloft.

New Members Welcome to the following new members of Auckland Photographic Society

[apologies to anyone whose name has been missed]:

Nick Tan Jo McNeill Christine Mansford Patrick Bulfin Susan Blick

Focal Plane – October 2014

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Competition Results: Individual

45th Dunedin Festival of Photography

Congratulations to Liz Hardley who won Champion Open Print with

“Armageddon”…..

“Armageddon”: Champion Open Print

…. and Champion Portrait Print with “Close Cut” in this well established Salon.

Liz also received Honours for “Leaving” and “The Final Throw” and a further six

acceptances.

“Close Cut”: Champion Portrait Print [Sigma 300mm; ISO 250; 1/500 at f2.8]

Sarah Caldwell was awarded three acceptances in this Salon, two in Natural

History Projected for Bellbird and Territorial Squabble (Tui), and one in Open

Projected for a Lindis Pass landscape.

Focal Plane – October 2014

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“Bellbird”: Sarah Caldwell [Nikon D7100 with a Nikon 2x tele converter. Nikkor 70-200mm f/2.8 @

400mm ISO 200 f/5.6 1/100, Tripod.]

Sarah says: “This was made on the PSNZ trip to Tiritiri Matangi and up by the

cafeteria; as we sheltered from a light shower, a bellbird landed on the post. The

sun glimpsed through catching the fine droplets on the birds back and luckily I had

my camera on a tripod at the ready sheltering under the verandah roof.”

Note that this image was also awarded an Honours in the Rangiora Photographic

Society 2014 Salon Natural History projected section.

Karin Charteris was awarded two Acceptances for “An Emerging Teenager” in

Portraiture; and “I am the Man” in the Open category.

“An Emerging Teenager”: Karin Charteris

Karin says: These are interesting choices as a couple of others entered have done

well in almost every competition that they have been entered. These 2 are

completely new ones – maybe that is the point….

23rd Annual Photojournalism Competition

The annual Photojournalism Salon is an annual competition organised by the New

Brighton Photographic Club. This year Jo McCarthy won the Walker Trophy for

overall champion image and gained first place in the digital section for her image

“Grassroots Determination.” Jo was also awarded an Honours for “Classic Ana”

and achieved 3rd place in the print section with “We’re going to be on TV”.

Focal Plane – October 2014

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“Classic Ana”: Jo McCarthy

Jo says:

“Ana Ivanovic on her way to winning this year's ASB Classic.

Back I can't remember when, at one of the APS workshops some Salon members

led mini-workshops - and this is probably the APS workshop that has had the most

influence on my photography. I was in the group that Allan Fleischmann led, and

the discussion passed by sports photography. He challenged us to attempt in a

single shot to capture THAT moment when the ball hit the racket, sent the stumps

flying or whatever the case may be. It's not only a case of getting to know the

nuances of a sport, but also becoming familiar with your and your gear's reaction

times. I've since spent a lot of time practising that piece of advice, but it pays off

when you're trying to freeze a tennis shot!”

“Grassroots Determination”: Jo McCarthy

“While in Japan during August-September last year I had arranged to cover some

Top League rugby games (Japan's equivalent to Super 15). Not having been to any

of the venues previously, I arrived extra early - and on this occasion it definitely

paid off as some local junior rugby clubs were holding a mini tournament. Couldn't

pass up that opportunity!”

Focal Plane – October 2014

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"We're going to be on TV!!": Jo McCarthy

“This was taken during the America's Cup. I had been invited to watch racing one

day at the Royal NZ Yacht Squadron (thanks Lynn Clayton!). It was a tough location

to shoot as pretty much the only light came from the big TV screens. One of the TV

crews had lined up these three kids to do a pre-racing interview, and when I saw

them I thought I'd race over to make use of their lighting. Turned out to be a lucky

spot as this was my favourite Americas Cup image.”

Liz Hardley won the print section with “David Ferrer” and also achieved 2nd place

with “The Chase Pack” and Honours for “Backhand Control” and “One afternoon in

Queen Street” with another Honours in the digital section for “Race to the Line”.

“David Ferrer”: Liz Hardley [Nikon 70-200 f2.8 VR ED IF lens @ 200mm; ISO 200; 1/1250 at f3.5]

Comments from the judges indicated that there had been “a decline in standard of

competition entries” which was “disappointing”. While the “top entries clearly

managed to demonstrate a high degree of competency in this difficult field they

suggested that “at PSNZ and club level there needs to be a positive drive to teach

photographers how to make PJ images”. Food for thought.

Focal Plane – October 2014

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Nelson National Triptych Salon 2014

Congratulations to Sarah Caldwell for her Champion print “Silo Park Triptych”

(below).

Sarah explains: “This was one of many made around mid-morning while on an Apix

workshop. We were exploring shape and light, texture and colour.

I was using my 70-200mm f/2.8 to get some close ups and therefore some slightly

abstracted view of things. Initially drawn to these tanks by their curves and seams,

the stainless steel was also showing soft hints of reflected colour from the

surroundings which I chose to enhance in Lightroom afterwards. I had several to

choose from but found these three worked best together with the lines and

colours complementing each other.”

Other print awards went to Liz Hardley who achieved Honours for “Changing of

the Guard” and Highly Commended for “Trapeze”. Sandrina Huish achieved an

Acceptance for “Years 1, 2 & 3”.

“Changing of the Guard”: Liz Hardley

Acceptances in the Digital section were achieved by Sarah Caldwell (“Reflections in

the Fog”), Roy Cernohorsky (“Maori Design”) and Karen Lawton (“Tonka”).

Focal Plane – October 2014

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The APS Set Subject competition this year for Triptychs proved a fertile ground for

producing award winning images for the National competition and it is hoped that

this will be replicated in 2015.

Black and White Spider Awards The Black and White Spider Awards are the monochrome version of the

International Color Awards featured in the July Focal Plane.

Results were announced in mid-October; 8,508 entries were received from 73

countries. “The Jury represented the industry's biggest names and tastemakers

including The Royal Photographic Society, FoMu Fotomuseum, Fratelli Alinari,

Stockholm City Museum to Torch Gallery in Amsterdam and more who reviewed

the entries online before making their nominations and honoring 298 title awards

and 957 nominees in 14 categories. The Awards could not have wished for a better

group of professionals to work with.”

Several APS members received Nominee and higher status in the amateur section:

(Karin Charteris, Liz Hardley, Sandrina Huish, Moira Blincoe and Karen Lawton),

and Lynn Clayton in the professional section. Apologies to any APS members I may

have missed in this list.

A selection of their work is featured below.

“‘Waiting in the Rain”: Liz Hardley Honourable Mention: Sport

Liz says: Taken at cross country meeting, two of the young competitors waiting on

the start line for their race to start, and it starts pouring with rain. Taken on old

camera - Nikon D70s with prime lens 180mm (270mm on D70s). 1/800s f2.8 at

ISO400…….

(and the moral of the story is…. you don't require latest model camera to do well)

Focal Plane – October 2014

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“Parnell Pools”: Lynn Clayton Nominee: Fine Art

Lynn says: This is a favourite image of mine, taken in winter from the walkway above the Parnell Pools it emphasises the shapes. The pool was empty at the time…

“Universe”: Karen Lawton Nominee: Abstract Canon 450D: Edge 80; 1/160; ISO200

Karen explains: This is the first image I took with a newly purchased Lensbaby Edge

80 lens. Other than cropping to square and converting to B&W, this image is as

captured by the Edge 80. The Edge 80 works in a similar fashion to a tilt and shift

lens. It is a flat field optic that – when tilted – creates a slice of sharp focus,

bordered by blur. When this image was entered at APS (Abstract) it was awarded

a Highly Commended, so I feel the B&W Spider Nominee status is vindication of

belief in the image.

Focal Plane – October 2014

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”Curved Concrete”: Moira Blincoe Nominee: Architecture

"Shadow People": Sandrina Huish

Nominee: Silhouette

Sandrina says: This image was created back in January 2012 on an APS trip to

Wynyard Quarter. I love shadows and always enjoy playing with them. The people

shadows in this image are of Karin Charteris and me. I asked her to stand there to

help balance the image. It is an image I personally have enjoyed since I made it.

ISO 100, f/5.6 @ 1/320 second.

“Beyond the Spine”: Karin Charteris

Nominee: Architecture

Karin explains: This is an image taken of the Fishbone Bridge in New Plymouth.

Cannon 50D – Polaroid Filter. ISO 500; 34mm; F22; 1.160 – hand-held.

Focal Plane – October 2014

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[Ed: Interestingly this image of Karin’s too – as my Universe image above - was

awarded a Highly Commended at Club; have faith in your images].

If you would like to view the B&W Spider results, the webcast of the Photoshow

will remain on rotation until October 31st at:

http://www.thespiderawards.com/9thshow/.

Nominated work from this year and previous can also be viewed in the virtual

Winners Gallery:

http://www.thespiderawards.com/gallery/9th/.

Competition results: Club Liz Hardley, Competitions Convener for APS, reports: Northern Regional Interclub Competition 2014

APS came second in the Northern Regional Interclub Competition 2014, with a set

of eight digital images. Tauranga Photographic Society pipped us by a mere 3

points.

Tauranga Photographic Society 84

Auckland Photographic Society 81

Howick Camera Club 77

The images entered by the club were as follows:

Close Cut by Liz Hardley

Ursus Maritimus Up Close by Pete Raymond

Ironman Swimmer by Lynn Clayton

The Pose by David Prentice

Funeral Pyre by Karin Charteris

Rowing Home by Brian Cudby

Rawnsley Bluff, Wilpena Pound by Howard Jack

Up There by Sandrina Huish

Congratulations to Howard Jack, whose image ‘Rawnsley Bluff, Wilpena Pound’

was judged the top image of the competition.

Over the past couple of issues of Focal Plane I have asked members whose

images are featured as Competition winning images to offer some words

about the who, what, where, why and how of the image.

What do members think?

Is providing a context, a bit of a back story and (where appropriate)

technical data interesting and useful to readers?

Is it a real hassle for those whose images are featured?

Focal Plane – October 2014

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The top four clubs from the Northern Regionals now go forward to contest the

Wiltshire Cup against the top four images from the Central and Southern Regional

Competitions.”

Bowron Landscape Interclub Competition 2014 Auckland Photographic Society came second in the Bowron Landscape Interclub

competition for a set of four landscape digital images. The successful images were:

Maori Bay Approaching Storm by Sarah Caldwell

Rangatua Morning by Lynn Clayton

Follow by Fruzsina Korosy

Piha in the Eye of the Storm by Bryan Lay Yee

Other Achievements Sarah Caldwell received two bronze awards in Australia’s Better Photography

magazine’s Annual Photograph of the Year competition for two Tasman Glacier

terminal Lake landscapes.

Ref: http://www.betterphotography.com/

The International Photography Awards (IPA) conducts an annual photography

competition for professional, non-professional, and student photographers on a

global level, "creating one of the most ambitious and comprehensive competitions

in the photography world today".

Liz Hardley achieved three Honorable Mentions in the Non-Professional section for

"Graphic City", "Venus Rising" and "Garth".

Ref: http://www.photoawards.com/en/Pages/Gallery/Gallery.php

Quotes A couple of quotes in local publications caught my eye this month. They

encapsulate my photographic mantra. I know not everyone agrees with this

stance. If you don’t, write a rejoinder, for Focal Plane…..

“Post processing is used to faithfully reproduce the natural colours and light

captured in the field. Never to create something that wasn’t there.” Joshua Holko

F11

“Valuing the truthfulness and authenticity of a photographic image, I decided not

to heavily manipulate or artificially create my images, but instead embrace the

Focal Plane – October 2014

16 | P a g e

challenge of conceptualising and crafting my abstracts in camera.” Jane Trotter, NZ

Photographer

PSNZ News

….from Moira Blincoe, PSNZ Councillor

All APS members should check the PSNZ website (www.photography.org.nz) for

upcoming events and competitions.

The Apix Regional Convention in Hutt Valley runs from 7 - 9 November 2014.

Then there's the 63rd National Convention in Tauranga 29 April - 3 May 2015. As

those members who attended the competition night last month saw via the AV

presentation, "Exploring Pixels" is guaranteed to be another well organised event

with an impressive lineup of keynote speakers.

Hosted by the Tauranga Photographic Society, it pays to make your plans in

advance and register as soon as registration opens so you can get the workshops

and field trips you want.

There is a lot of information and speaker biographies on their dedicated website:

www.psnzconvention2015.co.nz

And don't forget to consider your entries for NATEX 2015 - held in conjunction

with the 2015 National Convention. Again, all details for entries will be announced

by PSNZ blog and Facebook page.

NZ Camera: There has been a delay in the 'call for submissions' for this iconic PSNZ

publication, due to ill health on the editorial team. This is a heads up to alert you

to have your images ready for submission, IF you intend submitting.

The date will be announced very soon, BUT the submission timeframe will be very

short, compared to previous years, i.e. about three weeks in total to be

confirmed). This publication is usually distributed in February however because of

the delays we are aiming for an April delivery. PSNZ will distribute an email, blog

and Facebook announcements as soon as the timeline is finalised.

A number of APS members - Chris, myself, Lynn Clayton Brian Cudby and Faye

Hayman - enjoyed participating in the 32nd FIAP Congress in Turkey

recently. Chris and I had never travelled to one of these Congresses before so we

didn't really know what to expect, except we were excited to be going to Turkey -

a country steeped in history and one we'd had on our travel list for some time. The

trip also provided us as the reason to go to Europe this year, and combine the

Congress with visiting family, which was also great.

I can highly recommend a FIAP Congress - it is not a conference in the sense you

participate in workshops, or actually 'learn' any photographic techniques or skills,

but you are mixing with some of the best photographers in other countries from

around the globe; you are privy to some of the most amazing cultural events,

sights to die for and making new friends.The Congresses are held biannually, so

the next one will be in South Korea in 2016 - time enough to start thinking about

your travel plans.

They are an inexpensive way to see a new country and experience new cultures

(apart from the airfares to get to the destination that is), and South Korea is a lot

closer than Turkey.

Focal Plane – October 2014

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Club Outings

Auckland Botanical gardens field trip.

Roy Cernohorsky reports:

There was not a big turn-out for

this field trip (only four APS

members) but the weather was

marginal as I recall. This is a

great place to do a whole range

of photography with no

shortage of material to work

with. Canon 5D MK lll Canon 100-400m m4.5-

5.6 f5.6 1/400 ISO 400

I would imagine it will be looking great at the moment so I hope to get back out there. You can spend a lot of time in this location as the area is huge and diverse. A highly recommended destination …….

Canon 5D MK lll Canon 100-400mm 4.5-5.6 f5.6 1/400 ISO 400

2014 Lynn Clayton – Treasure Hunt at Wynyard Quarter

Sandrina Huish reports:

July this year Lynn kindly arranged another of her fantastic Treasure Hunt outings.

This year the Treasure Hunt at Wynyard Quarter consisted of fifteen set subjects

that participants were able to photograph creatively and submit for a low key

competition, the grand prize being a Chocolate Fish.

Lynn came up with some innovative subjects…… Sea anemone, Single wheel not a

car, Wind Sculpture, Yellow, Ladder, Person on cell phone, Reflection, Red Door,

Umbrella/s, Fish, Chain or Bollard, Rope, Pattern, Drinking Glass/s and Tramlines.

The outing was well

attended by: Lynn

Clayton, Kirsty

Collister, Jo

McCarthy, Colin

Kropach, Roger

Hurley, Chris Piper,

Roy Cernohorsky,

Faye Haymen,

Michael Manion,

Fruzi Korosy, Roger

Hammond, Sarah

Caldwell, Liz Hardley, Moira & Chris Blincoe, Bev Winstone, Lynda Leng, Joan

Caulfield, Fredrik Moell and Sandrina Huish.

(There may have been more but they are not in my team photo.)

Focal Plane – October 2014

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Everyone who attended had a great day, especially when the predicted rain held

off. It was another fabulous opportunity for getting to know fellow photography

club members and learn along the way. The outing ended with a group get

together at a local

café to chat and

share images.

Over the next couple of weeks Lynn then had the task of viewing all of the

submitted images to come up with an overall winner. Novice member Joan

Caulfield took home the Grand Chocolate Fish Prize with the image shown

below….

[Joan explains: The photo was in the Patterns section …….. I am fascinated by

water and the reflections and patterns they make. This was a drinking fountain

and I held the button on the fountain down with one hand and took the photo

with the other].

Lynn has also subsequently put her pick of the bunch into an audio visual which

was shown at club.

A great day, Thank You Lynn!

Focal Plane – October 2014

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The Bit at the End [aka Editorial Musings]

A Personal Reflection

In terms of Editorial musing, this issue I have

been contemplating is the fact that it is not easy

when your photographic vision is constrained by

health issues and the way that photographic

therapy can help a person rationalise an

experience that – otherwise – might be

disempowering.

It is especially hard when you can see an image

– whether it be conceptually in your mind, or in

front of you in the wider landscape – but

simultaneously know that to bend, crouch, shift

to a non-tourist perspective to capture the

composition that you ‘see’ is not an option.

Not only does this alter the potential for

creative focus, it also affects the socialisation that can happen around

photography and photographers.

I know – from conversations had at APS – that some members have had their

vision constrained by health issues that quite simply get in the way and cannot be

worked around.

From a personal perspective, one way I found around this was to see how far my

camera and I could go in the public health system……always with permission.

Admittedly there were some worried glances at the in your face SLR as I walked

along some of the corridors of our biggest

public hospital and I was always super aware

that no images would involve people, random

stranger or not.

However, a smile and an explanation got me

a long way. Possibly places that I was not

really allowed to be (with my camera) but all

staff I spoke to were intrigued by the concept

of documenting the process.

I found that I became more attuned to the

various steps a patient goes through, more

attuned with my own reactions to those

processes and – most important of all – more

empowered.

Admittedly, I wasn’t allowed the camera in the operating theatre (!) and even if I

had been permitted none of those images would be showing up here, for sure. I

also found that abstracting images worked well; in other circumstances I tried to

capture or to create a bit of a surrealistic

outcome. I am thinking that maybe there is a

photo essay waiting to happen here.

There is nothing macabre in this process.

Simple empowerment.

These images became visual markers of

where I have been, images that evoke a very

positive, proactive process and outcome.

They make tangible solitary experiences that

Focal Plane – October 2014

20 | P a g e

words and mere description could not ever adequately reconstruct.

I am part of the FaceBook group Lensbaby Artistry and one of the founders of that

group (Roxanne Sahlin) is currently undergoing chemotherapy. I have been so

heartened by her ongoing photography – inspiring – and the way she is

documenting visually, not just through words.

Bottom line is – despite constraints – the muse will win out.

Perhaps the following quote encapsulates this mind set:

"Photographs are footprints of our minds, mirrors of our lives, reflections from our

hearts, frozen memories that we can hold in silent stillness in our hands -- forever

if we wish. They document not only where we have been, but also point the way

to where we might perhaps be heading, whether or not we realize this yet

ourselves..." Judy Weiser, R.Psych., A.T.R, Founder/Director of the PhotoTherapy Centre


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