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For Paradise Lost, Book I By John Milton. At 21 Years of Age.

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Page 1: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

for

Paradise Lost, Book I

By John Milton

John Milton Background

Page 2: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Intent to be a Poet

At 21 Years of Age

Page 3: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

School

Milton attended Christ College in Cambridge

Page 4: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

30 Years OldWhen John Milton

was about 30 years old he left his father’s estate and traveled to Italy to meet artists, scholars, philosophers, and scientists whose works he had been studying.

Page 5: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

For Twenty YearsMilton neglected his

poetry because during the Civil Wars in England he wrote pamphlets on behalf of Parliament. After the wars, he served as Latin Secretary to the State Council for the Puritan Commonwealth.

Page 6: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

TragediesDeaths of his first

two wivesThe deaths of all but

three of his childrenAt the age of forty-

four the loss his eyesight

Page 7: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

1660Milton was free to

devote himself to writing the epic poem he had planned so many years earlier.

Page 8: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

ArrestedWhen the Puritan

government was dissolved and King Charles II ascended the throne, Milton was arrested as a traitor.

Influential friends managed to save him from probable hanging, but he was forced to retire and pay heavy fines that left him nearly penniless.

Page 9: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Before Milton’s DeathIn the years before

his death, he dictated to his daughters not just one epic masterpiece, but two: Paradise Lost and its sequel, Paradise Regained.

Page 10: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

SonnetsMilton wrote twenty-

four sonnets between 1630 and 1658.

Page 11: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

The epic is a long narrative poem that tells the story of a hero and reflects the values of a culture. For seventeenth-century English writers, the ancient Greek and Roman epic poets, such as Homer, set the standard for literary greatness.

Epic Poetry

Page 12: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

AgeMilton was blind and around 53 years old when he first began composing his 10,565 line epic poem Paradise Lost.

Page 13: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

What is Paradise Lost about?

Page 14: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Blank VerseBlank verse, or

unrhymed iambic pentameter, is one of the simplest forms, in that each line is essentially a new stanza. Shakespeare used blank verse for the poetry in his plays (although not for his sonnets, which were rhymed).

Unrhymed Iambic Pentameter is five iambs per line, which is a metrical foot in verse in which an unaccented syllable is followed by an accented one, as in “a-rouse” and “a-cat.” The meter of Paradise Lost (1667) is a form so flexible and natural that even among the verse experiments of the modernist period it remains a favored structure. (Handbook of Literary

Terms: Second Edition)

Page 15: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Felt about RhymeMilton thought it was unnecessary.

Page 16: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

1600-1642Paradise Lost was

written as the dust was settling after years of war and turmoil. From 1642 to 1660, the government of England went from a monarchy to a commonwealth (rule by Parliament) to a protectorate (rule by one man, Oliver Cromwell) to a monarchy.

Page 17: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Two Decade PeriodDuring this two

decade period, no matter which side a person was on, he or she experienced both defeat and triumph. Milton sensed the nation needed an anchor, a literary work that would once again help define and unite a culture.

Page 18: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

God’s ReasonMilton’s explanation of God’s reason for allowing suffering in the world, and the dark, proud figure of the rebel Satan pitted against God in civil war, must have led readers to reflect on England’s own civil war.

Page 19: For Paradise Lost, Book I By John Milton. At 21 Years of Age.
Page 20: For Paradise Lost, Book I By John Milton. At 21 Years of Age.
Page 21: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Bradley Cooper - SATAN

Page 22: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Beezlebub, Archangel SammuelRufus Sewell

Page 23: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Gabriel (Casey Affleck)

Archangel Michael (Benjamin Walker)

Page 24: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Adam (Diego Bonita) Eve (Camilla Belle)

Page 25: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Abdiel (Djimon Hounsou) Raphael (Sam Redi)

URIEL (Callan McAuliffe)

Page 26: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

for

Paradise Lost, Book I

By John Milton

Literary Terms

Page 27: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Point of ViewThe point from

which the story is told. Usually the narrator, character or outside observer who tells the story.

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Page 28: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

First Person Point of View

When a character in the story tells the story.

Example: When “I” or “Me” is used in a story or movie to tell the story.

http://www.worth1000.com/entries/42000/42129AFhe_w.jpg

Page 29: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Third Person Limited Point of View

The narration does not use “I” or “me”. Only he/she/it.

The narrator focuses on the thoughts and feelings of just one character.

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Page 30: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Third Person Omniscient Point of View

The all knowing narrator can tell us about the past, present and future of all the characters (godlike). http://landru.i-link-2.net/shnyves/God.creating.stars.jpeg

Page 31: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

NarratorThe person that is

telling the story.

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Page 32: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

The time and place of a literary work.Example: The setting for “The

Cask of Amontillado” is “Early evening in an Italian city during a carnival immediately preceding Lent.”  

Setting

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Page 33: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

ThemeA central message of

a literary work. It is a generalization about people or about life that is communicated through the literary work. Readers think about what the work seems to say about the nature of people or about life.

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http://victoryatseaonline.com/war/otherwars/images/patriot.gif

Page 34: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Character

A person or an animal who takes part in the action of a literary work. Characters are sometimes classified as round or flat, dynamic or static.

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Page 35: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Dynamic Character

This character develops and grows during the course of the story.

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Page 36: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Round Character

This character shows many different traits--faults as well as virtues.

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Page 37: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Static Character

This character does not change much in the story.

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Page 38: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Flat CharacterHas only one or two traits.

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Page 39: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Stock CharacterA stereotypical character that occurs

frequently in literature. Examples are the mad scientist, the battle-

scarred veteran, and the strong silent cowboy.

Page 40: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Protagonist

The main character in a literary work.

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Page 41: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Antagonist

A character or force in conflict with a main character or the protagonist.

http://www.tvcrazy.net/tvclassics/wallpaper/superman/smallville/lex-luthor.jpg

Page 42: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Plot

The sequence of events in a literary work.

http://www.cast.org/teachingeverystudent/toolkits/images/TMP_plotdiagram_large.jpg

Page 43: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Is a writing or speech that explains a process or presents information. In the plot of a story or drama, the exposition is the part of the work that introduces the characters, the setting, and the basic situation.

Exposition

Exposition

Page 44: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

All the events leading up to the climax.

Rising Action

Rising Acti

on

Page 45: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

The conflict reaches a high point of interest or suspense.

Climax

Climax

Page 46: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Follows the climax and leads to a resolution.

Falling Action

Falling

Action

Page 47: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

The end of the central conflict.

Resolution

Resolution

Page 48: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

ConflictA struggle

between opposing forces, usually it will form the basis of stories, novels, and plays.

http://www.warnerbros.co.uk/movies/troy/img/troy_main.jpg

Page 49: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Internal Conflict

Involves a character in conflict with himself or herself.

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Page 50: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

External ConflictThe main character

struggles with an outside force. Usually the outside force consists of:man vs. manman vs. natureman vs. societyman vs.

supernatural (God or gods)

Page 51: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Man vs. Man

http://www.talithamackenzie.com/pics/biog/troy.jpg

Page 52: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Man vs. Nature

http://www.canadian-titanic-society.com/book_cover.jpg

Page 53: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Man vs. Supernatural

http://www.kidsclick.com/images/hercules_action.jpg

Page 54: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Man vs. Society

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Page 55: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Terms and Definitions

Page 56: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

A word choice intended to convey a certain effect.

Example: “It was easy to use that laptop” or “It was effortless using that laptop”

Diction

Page 57: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

AllusionA reference to a well-known person, place,

event, literary work, or work of art.

http://images.barnesandnoble.com/images/7050000/7053060.jpg

http://content.answers.com/main/content/wp/en/thumb/b/b1/350px-Da_Vinci_The_last_supper_detail_Da_Vinci_code.jpg

http://www.sonypictures.de/landing/the-da-vinci-code/images/img_1.jpg

Page 58: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

The epic is a long narrative poem that tells the story of a hero and reflects the values of a culture. For seventeenth-century English writers, the ancient Greek and Roman epic poets, such as Homer, set the standard for literary greatness.

Epic Poetry

Page 59: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

The HeroCharacter Archetype

In its simplest form, this character is the one ultimately who may fulfill a necessary task and who will restore fertility, harmony, and/or justice to a community. Often he/she will embody characteristics of Young Person from the Provinces, Initiate, Innate Wisdom, Pupil and Son.

Page 60: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Blank VerseBlank verse, or

unrhymed iambic pentameter, is one of the simplest forms, in that each line is essentially a new stanza. Shakespeare used blank verse for the poetry in his plays (although not for his sonnets, which were rhymed).

Unrhymed Iambic Pentameter is five iambs per line, which is a metrical foot in verse in which an unaccented syllable is followed by an accented one, as in “a-rouse” and “a-cat.” The meter of Paradise Lost (1667) is a form so flexible and natural that even among the verse experiments of the modernist period it remains a favored structure. (Handbook of Literary

Terms: Second Edition)

Page 61: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Media Res In medias res or

medias in res (into the middle of things) is a Latin phrase denoting the literary and artistic narrative technique wherein the relation of a story begins either at the mid-point or at the conclusion, rather than at the beginning, establishing setting, character, and conflict via flashback and expository conversations relating the pertinent past

Page 62: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Irony

The general term for literary techniques that portray differences between appearance and reality, expectation and result, or meaning and intention.

Implies a twist. http://kilby.sac.on.ca/towerslibrary/pages/users/DVD%20-%20Romeo%20&%20Juliet%20(Hollywood).jpg

Page 63: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Verbal Irony

Words are used to suggest the opposite of what is meant.

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Page 64: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Dramatic Irony

There is a contradiction between what a character thinks and what the reader or audience knows to be true. http://www.sunnews.com/images/2003/0821/jasonRGB.jpg

Page 65: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Situational IronyAn event occurs that directly contradicts the expectations of the characters, the reader, or the audience.http://www.d8a.co.uk/vcd/Planet-of-the-apes.jpg

Page 66: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

APPOSITIVE

An appositive is a noun or pronoun that is placed next to another noun or pronoun to identify it or give additional information about it.Example: My brother Frank has red hair. (Frank identifies brother.)

Page 67: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

APPOSITIVE PhraseAn appositive phrase is an appositive

plus any words that modify it. Commas should be used to set off an appositive or appositive phrase that is not essential to the meaning of the sentence.Example: Mrs. Robinson, a woman of

humble origins, now owns a large retail chain. (A woman of humble origins gives additional information about Mrs. Robinson. It is not essential to the meaning of the sentence.)

Page 68: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

A complex sentence contains one independent clause and at least one dependent clause.

They can be switched, but needs a comma if the dependent clause comes first.

A dependent clause is preceded by subordinators such as: because, since, although, when, or after or a relative pronoun such as: who, which, or that.Example, “Great literature, which stirs

the imagination, also challenges the intellect.”

Complex Sentence

Page 69: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

directly addressing an imaginary person, place, thing, or abstraction, either living, dead or absent from the work. Example: Ophelia, in Hamlet, says, “O, heavenly powers, restore him.”

Apostrophe

Page 70: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Hyperbole

Is an extreme exaggeration. Example: I have so

much money, I am burning a hole in my pocket

If I told you once, I’ve told you a thousand times

Page 71: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Metaphor

A figure of speech in which one thing is spoken of as though it were something else.

Example:“Time is a monster that

cannot be reasoned with”

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Page 72: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Personification

Inanimate objects have human characteristics.“The wind cried in

the dark.”“The leaves were

dancing in the trees.” To Kill a Mockingbird

Page 73: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Simile

A figure of speech in which like or as is used to make a comparison between two basically unlike ideas. Example: Claire is as

flighty as a sparrow.

http://www.abcteach.com/circus/images/simile10.gif

Page 74: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Symbol(ism)

Anything that stands for or represents something else. An object that serves as a symbol has its own meaning, but also represents abstract ideas.

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http://www.homeschooloasis.com/wedding_rings2.jpg

Page 75: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

A word that contains a set of ideas associated with it in addition to its explicit meaning. Based on the word, it can be personal and/or based on individual experiences.

Example: “My bad” or “Sorry” “House” or “Home”

Connotation

Page 76: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Tone

The writer or speaker’s attitude toward a subject, character, or audience, and it is conveyed through the author’s choice of words and detail. Tone can be formal or informal, serious or playful, bitter or ironic, indignant, objective, etc.

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Page 77: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

Foreshadowing

The use in a literary work of clues that suggest events that have yet to occur (future action). Use of this technique helps to create suspense, keeping readers wondering and speculating about what will happen next.

http://www.hyperborea.org/journal/images/foreshadowing.jpg

Page 78: For Paradise Lost, Book I By John Milton. At 21 Years of Age.

ImageryThe descriptive or

figurative language used in literature to create word pictures for the reader. These pictures or images, are created by details of sight (visual) – p. 678, sound (auditory), taste (gustatory), touch (tactile), smell (olfactory), movement (kinesthetic), or internal (organic).

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