Formality in Sketches and Visual Representation
Alan Blackwell, University of CambridgeLuke Church, University of Cambridge Beryl Plimmer, Auckland UniversityDave Gray, XPLANE
Kinds of Formality
• i) Formal Intention• ii) Formal Connotation• iii) Formal Description• iv) Formal Interpretation
i) Formal Intention
• a clear formulation of objectives
ii) Formal Connotation
• professional or conservative appearance
iii) Formal Description
• representation elements are clearly differentiated – from other classes of element– from other parts of the representation (bounded and separate) – from alternatives that might have been chosen but are not
• “elements” not just visual symbols, but relations:– arrangement in the plane– topological relations– grouped graphical attributes
iv) Formal Interpretation
• Rules: things a reader should do differently in response to differences in the representation
• the “reader” may be a machine• human readers may interpret using different rules … • including rules the creator didn’t intend
Sketches and Computation
• visual representations that are created or captured by computers tend toward formality.
• computers follow interpretative rules• business and scientific visual styles have formal
connotations• user interfaces need predictable correspondences
Problems
• Are some kinds of human endeavour not supported by computer processing of visual representations, because inappropriately formalised?
• Above kinds of formalisation are conflated …• … so freedom of intention is restricted:
– as a result of representational choices – as a result of technical implementations– as a result of unnecessary connotations
Some Productive Research Approaches
• Studies of designers• Studies of pencil use
– (or other traditional drawing tools)• Studies of ‘finishedness’ in graphic communication• Studies of ‘ideation’• Philosophy of art• Sociology of knowledge
Case Studies
Describes a process(transcription)
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Capital => Protein
Discussion?