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Foundations of Art and Design Chapter 7: Space
Foundations of Art and Design
Chapter 7: Space
Sculpture
Sculpture is an example of what type of space?
Fig. 7.3 Development of a Bottle in Space by Umberto Boccioni
Sculpture
1 2
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1. Actual space
2. Implied space
Sculpture is an example of what type of space?
Fig. 7.3 Development of a Bottle in Space by Umberto Boccioni
Sculpture in which the form projects from the background in varying degrees is referred to as . . .
Sculpture
Fig. 7.5 Gates of Paradise by Lorenzo Ghiberti(Historic master of relief sculpture.)
Sculpture in which the form projects from the background in varying degrees is referred to as:
1 2 3
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1. Sculpture
2. Relief Sculpture
3. Intaglio
Sculpture
Fig. 7.5 Gates of Paradise by Lorenzo Ghiberti(Historic master of relief sculpture.)
Architecture
Gothic architecture used tall vaulted ceilings to symbolize what?
Fig. 7.8 Beauvais Cathedral
Architecture
1. The vast reaches of the heavens
2. Spirituality
3. Both the vast reaches of the heavens and spirituality
4. Neither the vast reaches of the heavens nor spirituality
Gothic architecture used tall vaulted ceilings to symbolize what?
Fig. 7.8 Beauvais Cathedral1 2 3 4
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Pictorial Space
Insert Fig. 7.10 The Oath of Horatii by Jacques-Louis(Example of modern art and the flattening of space.)
Implied Space or the illusion of space in a 2D composition is also referred to as…
Implied Space or the illusion of space in a 2D composition is also referred to as:
1 2 3 4
25% 25%25%25%1. Pictorial Space
2. Actual space
3. Outer space
4. None of these
Insert Fig. 7.10 The Oath of Horatii by Jacques-Louis(Example of modern art and the flattening of space.)
The method of using different sized figures or objects to create depth is called…
Fig. 7.12 Heirs Come to Pass, 3by Marina López
The method of using different sized figures or objects to create depth is called:
1 2 3
33% 33%33%1. Relative size
2. Overlapping
3. Transparency
Fig. 7.12 Heirs Come to Pass, 3by Marina López
The 3 Principle areas of a composition are. . .
Fig. 7.12 Heirs Come to Pass, 3by Marina López
The 3 Principle areas of a composition are:
1 2 3
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Fig. 7.12 Heirs Come to Pass, 3by Marina López
1. Foreground, Middle ground, Background
2. Front-ground, Middle ground, and Aft ground
3. None of these
A key device used to suggest depth or distance in which the artist emphasizes the relationship between objects and space by placing one object in front of, or behind a second is called…
Fig. 7.16 Tailgating by Tom Birkner
A key device used to suggest depth or distance in which the artist emphasizes the relationship between objects and space by placing one object in front of, or behind a second is called:
1 2 3
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Fig. 7.16 Tailgating by Tom Birkner
1. Relative size
2. Overlapping
3. Transparency
Transparency
When objects or shapes farther in the background can be seen through those positioned in front of them it is called…
Fig. 7.18 Fruit Dish and Cardsby Georges Braque
When objects or shapes farther in the background can be seen through those positioned in front of them it is called:
Fig. 7.18 Fruit Dish and Cardsby Georges Braque
1. Relative size
2. Overlapping
3. Transparency
1 2 3
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A technique used to ‘signify’ 3D space through the placement of figures higher up on the compositional space, but which does not create the illusion of space is called…
Fig. 7.21 Moors and Christians, Alcoy by Pilar de Aristegui
A technique used to ‘signify’ 3D space through the placement of figures higher up on the compositional space, but which does not create the illusion of space is called:
1 2 3 4
25% 25%25%25%1. Atmospheric Perspective
2. Vertical Positioning
3. One-Point Perspective
4. Linear Perspective
Fig. 7.21 Moors and Christians, Alcoy by Pilar de Aristegui
A technique for illustrating depth that incorporates such devices as texture gradient, brightness gradient, color saturation, and the interplay of warm and cool colors is called…
Fig. 7.24 The Andes of Ecuador by Edwin Church
A technique for illustrating depth that incorporates such devices as texture gradient, brightness gradient, color saturation, and the interplay of warm and cool colors is called:
1 2 3 4
25% 25%25%25%1. Atmospheric Perspective
2. Vertical Positioning
3. One-Point Perspective
4. Linear Perspective
Fig. 7.24 The Andes of Ecuador by Edwin Church
Atmospheric PerspectiveAtmospheric
Perspective is also referred to as…
Fig. 7.25 Pine Wood by Hasegawa Tohaku
Atmospheric Perspective is also referred to as:
1 2 3 4
25% 25%25%25%1. Aerial Perspective
2. Vertical Positioning
3. One-Point Perspective
4. Linear Perspective
Fig. 7.25 Pine Wood by Hasegawa Tohaku
Linear Perspective
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Which of the following terms is not used in relationship to Linear perspective?
1. Vantage point - or point from which the objects are viewed.
2. Vanishing Point - the point at which the objects vanish.
3. Horizon - the line at which sky meets ground and on which the vanish point often sits.
4. Converge - The act of two lines coming together at the vanishing point.
5. None of these
Fig. 7.32 The School of Athens by Raphael
When lines converge at a single vanishing point on the horizon, as demonstrated in this famous painting, this technique for creating depth is called…
When lines converge at a single vanishing point on the horizon, as demonstrated in this famous painting, this technique for creating depth is called:
1 2 3
33% 33%33%1. One-Point Perspective
2. Two-Point Perspective
3. Three-Point Perspective
Fig. 7.32 The School of Athens by Raphael
Fig. 7.35 Paris Street: Rainy Dayby Gustave Caillebotte
What type of perspective shows the recession of an object from an angle as illustrated by Paris Street: Rainy Day?
What type of perspective shows the recession of an object from an angle as illustrated by Paris Street: Rainy Day?
1 2 3
33% 33%33%1. One-Point Perspective
2. Two-Point Perspective
3. Three-Point Perspective
Fig. 7.35Paris Street: Rainy Dayby Gustave Caillebotte
What type of Perspective is illustrated in this work?
Fig. 7.42Ascending and Descendingby Maurits Escher
What type of Perspective is illustrated in this work?
1 2 3
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1. One-Point Perspective
2. Two-Point Perspective
3. Three-Point Perspective
Fig. 7.42 Ascending and Descending by Maurits Escher
Fig. 7.43 Tar Beach
by Faith Ringgold
When a work of art depicts objects from more than one vantage point and suggests the fourth dimension of time and motion, this is referred to as…
When a work of art depicts objects from more than one vantage point and suggests the fourth dimension of time and motion, this is referred to as:
1 2 3
33% 33%33%1. Conceptual
representation
2. Optical Representation
3. Multiple Perspective
Fig. 7.43 Tar Beach by Faith Ringgold
Fig. 7.46 Conversion of St. Paulby Caravaggio
Another term for perspective which can be used in regards to artwork that demonstrates Foreshortening is…
Another term for perspective which can be used in regards to artwork that demonstrates Foreshortening is:
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20% 20% 20%20%20%1. Multiple Perspective
2. Amplified Perspective
3. Isometric Projection
4. Parallel Perspective
5. Oblique Projection
Fig. 7.46 Conversion of St. Paul by Caravaggio
Fig. 7.49 Diary: December 12, 1941 by Roger Shimomura
A specific type of axonometric projection in which the top and bottom edges of the receding planes are usually drawn at an angle of 30 degrees from the horizon and means “equal in measure” is called…
A specific type of axonometric projection in which the top and bottom edges of the receding planes are usually drawn at an angle of 30 degrees from the horizon and means “equal in measure” is called:
1 2 3 4 5
20% 20% 20%20%20%1. Multiple Perspective
2. Amplified Perspective
3. Isometric Projection
4. Parallel Perspective
5. Oblique Projection
Fig. 7.49 Diary: December 12, 1941 by Roger Shimomura
Another type of parallel projection in which a kind of perspective without a vanishing point is used, and which is common in Asian scroll paintings is called…
Fig. 7.50 Kumano Mandala
Another type of parallel projection in which a kind of perspective without a vanishing point is used, and which is common in Asian scroll paintings is called:
1. Multiple Perspective
2. Amplified Perspective
3. Isometric Projection
4. Parallel Perspective
5. Oblique Projection
Fig. 7.50 Kumano Mandala 1 2 3 4 5
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