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B. Elan Dresher Foundations of Contrastive Hierarchy Theory
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Page 1: Foundations of Contrastive Hierarchy Theory

B. Elan Dresher

Foundations of Contrastive Hierarchy Theory

Page 2: Foundations of Contrastive Hierarchy Theory

Introduction

Monday 26 October 2020

Introduc)on

Part I: Historical Antecedents

Part II:A Theory of Contrast

Conclusion

2

Page 3: Foundations of Contrastive Hierarchy Theory

InthistalkIwillpresentabriefintroductiontoatheoryofcontrastivefeaturehierarchiesinphonology.

Istartfromtheassumptionthatphonologyisaboutcontrast;withoutcontrast,thereisnophonology,onlyphoneticsorthephysicsofspeech(Dresher&vanderHulsttoappear).

Introduction

Thequestion,whichContrastiveHierarchyTheoryaddresses,ishowcontrastshouldbeincorporatedintophonologicaltheory.

ContrastiveHierarchyTheoryisbuiltonessentiallytwoideas:

3

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TheEirstideaisthatphonologicalprimes(inmycase,binaryfeatures)arecomputedhierarchically,withthechoiceandorderingoftheprimesbeinglanguageparticular.

Thesecondhypothesisisthatonly contrastiveprimesarecomputedbythephonology;non-contrastivefeaturescanbeadded,forexamplebyenhancement,inapost-phonologicalcomponent.

Introduc*on

IwillshowhowthetheoryhasbeenappliedtovowelreductioninBrazilianPortugueseandtheacquisitionofitsvowelsystem.

4

IwillthenshowhowtheWestGermanicvowelsystemprovidesachallengingempiricaltestofthetheory(spoileralert:thetheorywillpassthetest!).

Page 5: Foundations of Contrastive Hierarchy Theory

Beforegettingtothat,inthefirstpartofthetalkIwillshowthatthecentralideasofContrastiveHierarchyTheory,inoneformoranother,havebeenhidinginplainsightatthecentreofthehistoryofphonology.

Introduction

IwillbeginwithHenrySweet,atthedawnofmodernphonology.

Mostdirectly,thetheoryadaptsproposalsbyRomanJakobsonandN.S.TrubetzkoytothegenerativeframeworkofNoamChomskyandMorrisHalle.

5

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Introduc)on

Part I: Historical Antecedents

Part II:A Theory of Contrast

Conclusion

Thestructureandprogressofthistalkisindicatedinthepanel:

youarehere

6

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Page 7: Foundations of Contrastive Hierarchy Theory

7

Part I: Historical Antecedents

1. Sweet 1877

Contrastive Properties and

‘Broad Romic’ Transcription

Introduc8on

Part I

1. Sweet2. Trubetzkoy

3. Jakobson

4. Halle

5. Chomsky & Halle

Part II

Conclusions

Monday 26 October 2020

Page 8: Foundations of Contrastive Hierarchy Theory

Contrast and Broad Transcription

AccordingtoDanielJones(1967:256),HenrySweet(1845–1912)wastheEirsttodistinguishadetailedphonetictranscription(whathecalled‘NarrowRomic’)fromaphonemictranscriptionsuitabletoanindividuallanguage(‘BroadRomic’).

8

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Forexample,thevowelsintheEnglishwordsbait andbet differinthreeways:thevowelinbait islongerandtenserthaninbet,andisadiphthong,whereasthevowelinbet isamonophthong.

IPA[eːj][ɛ]

Anaccuratephonetictranscriptionwouldindicateallthesedistinctions;inthecurrentnotationoftheInternationalPhoneticAlphabet(IPA),theyaretranscribedasshown.

Contrast and Broad Transcription

baitbet

long, tense, +jshort, lax, +Ø

Differences

9

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Thesethreedifferences,however,arenotindependent:recombiningthevariouspropertiestocreatenewvowelsasshownwouldnotresultinanewworddistinctfrombothbait andbet,butwouldbeheardassome(perhapsodd-sounding)variantofoneofthesewords.

baitbet

IPA[eːj][ɛ]

Sweet(1877:104)writes:“wemaylaydownasageneralrulethatonlythosedistinctionsofsoundsrequiretobesymbolizedinanyonelanguagewhichareindependentlysigniEicant.”

Contrast and Broad Transcrip*on

long, tense, +jshort, lax, +Ø

Differences Non-contrastingvowels

[eː], [ej], [e], [ɛː], [ɛj], [ɛːj]

10

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Further,“iftwocriteriaofsigniEicanceareinseparablyassociated,suchasquantityandnarrownessorwideness[i.e.,tensenessorlaxness/BED],weonlyneedindicateoneofthem.”Sweetproposes(1877:109–110)thatinbroadtranscription[eːj]shouldbetranscribed‘ei’(or,equivalently,‘ej’)and[ɛ]as‘e’.

Contrast and Broad Transcrip*on

Broadei or eje

Thus,ofthethreedifferencesinthevowels,hechoosesthepresenceofanoff-glidej assignificant,ignoringbothquantity(length)andnarrownessorwideness(tensenessorlaxness).

baitbet

IPA[eːj][ɛ]

long, tense, +jshort, lax, +Ø

Differences

11

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Inthiscasehegivestherationaleforhischoice.Heobserves(p.110):“Thenarrownessofall[English]vowelsisuncertain”,especially/ij/and/ej/.

Thatis,vowelscanvaryinthedegreetowhichtheyaretenseorlaxwithoutessentiallychangingtheidentityofthevowel,aslongasotherpropertiesdonotchange.

Contrast and Broad Transcrip*on

Broadei or eje

Narrownessnotcontrastive[e:j] or [ɛ:j][ɛ] or [e]

baitbet

IPA[eːj][ɛ]

long, tense, +jshort, lax, +Ø

Differences

12

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Similarly,heEinds(p.18)that“originallyshortvowelscanbelengthenedandyetkeptquitedistinctfromtheoriginallongs.”

Thatis,[bɛt](bet)canbelengthenedto[bɛːt]withoutpassingintobait,and[beːjt](bait)canbeshortenedto[bejt]withoutbeingperceivedasbet.

Contrast and Broad Transcrip*on

Lengthnotcontrastive[e:j] or [ej][ɛ] or [ɛ:]

Broadei or eje

baitbet

IPA[eːj][ɛ]

long, tense, +jshort, lax, +Ø

Differences

13

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Whiletensenessandlengthcanbealteredwithoutchangingonevowelphonemeintoanotherone,presumablythesameisnotthecaseforthethirddistinguishingproperty.

Addingaglidetothevowelinbet,orremovingitfrombait,couldcausetheresultingvoweltobeperceivedashavingchangedcategory.

Contrast and Broad Transcription

Glideiscontrastive[e:j] not [eː][ɛ] not [ɛj]

Broadei or eje

baitbet

IPA[eːj][ɛ]

long, tense, +jshort, lax, +Ø

Differences

14

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WecanconcludefromhisdiscussionthatSweet’sanalysispositsthatthecontrastivepropertiesofboththevowelsinbait andbet aremidandfront,withnocontrastivespecificationfortensenessorquantity.

Thedifferenceinthetwowordsresidesintheadditionofasecondsegmenttothevowelinbait.

Contrast and Broad Transcrip*on

baitbet

IPA[eːj][ɛ]

long, tense, +jshort, lax, +Ø

Differences

15

Contrastivepropertiesmid, front, off-glide jmid, front

Broadei or eje

Page 16: Foundations of Contrastive Hierarchy Theory

Sweetdidnotproposeamethodforcomputingcontrastiveproperties,nordidheconsistentlyattempttoidentifywhatthecontrastivepropertiesareforeverysegment(Dresher2016).

Contrast and Broad Transcrip*on

Thefurtherdevelopmentoftheseideas,andtheirconnectionwithfeaturehierarchies,camesomeyearslaterintheworkofthePragueSchoollinguists,notablyN.S.Trubetzkoy(1890–1938)andRomanJakobson(1896–1982).

!onlycontrastivepropertiesneedbetranscribed,

!andthesepropertiescanbeidentiEiedbyobservinghowsoundsfunctioninalanguage.

However,wecanseeinhisworktheideasthat:

16

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Part I: Historical Antecedents

2. Trubetzkoy 1939

Phonemic Content and

Contrast as ‘Point of View’

Introduc)on

Part I

1. Sweet2. Trubetzkoy

3. Jakobson

4. Halle

5. Chomsky & Halle

Part II

Conclusions

17

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N.S.Trubetzkoy’sGrundzügederPhonologie (1939;Englishversion1969,newcriticalSpanishedition2019)isnotableforitsinsightsintothenatureofcontrast.

Trubetzkoy’s Grundzüge der Phonologie

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AnimportantnotionofTrubetzkoy’sisphonemiccontent:“Byphonemiccontent weunderstandallphonologicallydistinctivepropertiesofaphoneme…”(Trubetzkoy1969:66).

Phonemic content

“EachphonemehasadeEinablephonemiccontentonlybecausethesystemofdistinctiveoppositionsshowsadeEiniteorderorstructure.”(1969:67–8)

“thecontentofaphonemedependsonwhatpositionthisphonemetakesinthegivenphonemicsystem …”(1969:67)

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Phonemic content and structure of the system

“thesystemofdistinctiveoppositionsshowsade=initeorderorstructure…thecontentofaphonemedependsonwhatpositionthisphonemetakesinthe

givenphonemicsystem …”

Theseremarkssuggestthatthephonemiccontentofaphoneme,thatis,thesetofitscontrastiveproperties,oughttoderive fromitspositioninthesystemofdistinctiveoppositions.

Therefore,weneedawaytodetermineaphoneme’spositioninthesystemofoppositionsbefore wehavedetermineditsdistinctiveproperties.

20

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Phonemic content and structure of the system

“thesystemofdistinctiveoppositionsshowsade=initeorderorstructure…thecontentofaphonemedependsonwhatpositionthisphonemetakesinthe

givenphonemicsystem …”

Trubetzkoydoesnotexplicitlyshowushowtodothis;however,awayofprovidinganorderorstructure tothesystemofcontrastsisviathehierarchicalbranchingtreesthatbecameprominentlaterintheworkofJakobson.

FeaturehierarchiesarealreadyimplicitinTrubetzkoy(1939);considerhisdiscussionoftheLatinvowelsystem.

21

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Thatis,thelowvowel/a/ischaracterizedonlybyitsheight;inourterms,itisassignedonlythefeature[+low].

/i/ /u/

/a/

/o//e/

The vowel system of Latin

[+low]

[–low]

TrubetzkoyobservesthatinLatin,asinmanyEive-vowelsystems,thelowvoweldoesnotparticipateintonalitycontrasts;‘tonality’referstobacknessorliprounding,thatis,propertiesthataffectthesecondformant(F2).

Latin

Buthowcanweprevent/a/fromreceivingotherfeatures?

Wecanifweassigncontrastivefeaturesinanorder,inafeaturehierarchy.

22

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Inordertoexclude/a/fromreceivingtonalityfeatures,itisnecessarytoorder[±low]atthetopofthefeaturehierarchy:thishastheeffectofseparating/a/fromtheothervowels.

Since/a/isalreadyuniquelydistinguished,itwillreceivenofurtherfeatures.

/a/[+low] [–low]

The vowel system of La*n

/i/ /u/

/a/

/o//e/

[+low]

[–low]

Latin Topofthehierarchy:[low]

23

Page 24: Foundations of Contrastive Hierarchy Theory

Whattheothertwo(or,moreunusually,three)featuresaredependsontheevidencefromthelanguage.

Commonfive-vowelsystemsusethefeatures[±back]or[±round]and[±high].

24

/a/[+low] [–low]

Topofthehierarchy:[low]

The vowel system of Latin

[–high] [+high] [–high] [+high]

[–back/round] [+back/round]

/e/ /i/ /o/ /u/

24

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Thenotionofafeaturehierarchyisonlyimplicit inTrubetzkoy’sdiscussionoftheLatinvowelsystem.

Invokingafeaturehierarchyisawaytomakesenseofhisanalysis.

InthecaseofPolabian,however,Trubetzkoyexplicitly referstoahierarchy.

Polabian: “A certain hierarchy”

Heobserves(1969:102–3;2019:156)that“acertainhierarchyexisted”inthevowelsystemofPolabian,wherebythecontrastbetweenfrontandbackvowelsishigherthanthecontrastbetweenroundedandunroundedvowels.

25

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Anotherimportantinsightiscontainedina1936articleaddressedtopsychologistsandphilosophers(Trubetzkoy2001[1936]:20):

Contrast depends on point of view

Whatdoesthismean?TosaythatthecorrectclassiEicationdependsonone’spointofviewmeansthatphonologicalcontrastscanvary fromlanguagetolanguage,andcannotbedeterminedsimplybyinspectinganinventory.

ThecorrectclassiEicationofanopposition“dependsonone’spointofview”;but“itisneithersubjectivenorarbitrary,for

thepointofviewisimpliedbythesystem.”

26

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WehaveseenthatinLatinthelowvowel/a/issetapartfromtheothervowels,inTrubetzkoy’sanalysis.

‘Point of view’ means contrast is variable

Butthisisnottheonlywaytodrawthecontrastsinafive-vowelsystem.

/i/ /u/

/a/

/o//e/

[+low]

[–low]

Latin

27

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Itispossible,forexample,togroupthelowvowel/a/withtheother[–round]vowels.Troubetzkoy proposesthatArchi(EastCaucasian,inCentralDaghestan)hasavowelsystemthatisdividedinthismanner.

[+round][–round]

Hesaysthisbecauseofthewaythesoundsbehave.

Archi

‘Point of view’ means contrast is variable

/i/ /u/

/a/

/o//e/

28

Page 29: Foundations of Contrastive Hierarchy Theory

Trubetzkoyobservesthataconsonantalroundingcontrastisneutralizedbeforeandaftertheroundedvowels/u/and/o/,contrastingthesevowelswithunrounded/i/,/e/,and/a/.

[+round][–round]Archi

‘Point of view’ means contrast is variable

/i/ /u/

/a/

/o//e/

“Thismeansthatallvowelsaredividedintoroundedandunroundedvowels,whilethebackorfrontpositionofthetongueprovesirrelevant…”(Trubetzkoy1969:100–1).

29

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Thisanalysiscorrespondstoordering[±round]Eirst,dividingthevowelsintotwogroups:/i,e,a/and/u,o/.

[+round][–round]Archi

‘Point of view’ means contrast is variable

/i/ /u/

/a/

/o//e/

Furtherdistinctionswithinthesegroupsaremadebyotherfeatures;thetreebelowshowsonepossiblefeaturehierarchy.

[round]>[high]>[low]

[+high] [–high]/i/

[+high] [–high]/u/ /o/

[–low] [+low]/e/ /a/

[–round] [+round]

30

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Japanese

InJapanese,Trubetzkoyarguesthatneutralizationoftheoppositionbetweenpalatalizedandnon-palatalizedconsonantsbefore/i/ and /e/ showsthatthesevowelsareputintooppositionwiththeothervowels/a,o,u/.

[+front] [–front]

Five-vowel systems: Japanese

Thegoverningoppositionisthatbetweenfrontandbackvowels,“liproundingbeingirrelevant”(Trubetzkoy1969:101).

/a/

/o//e/

/i/ /u/

31

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Japanese[+front] [–front]

Five-vowel systems: Japanese

/a/

/o//e/

/i/ /u/

Thisanalysiscorrespondstoordering[front]Eirst.TherestofthetreeisadaptedfromHirayama(2003).ThesefeaturetreesareimplicitinTrubetzkoy,buttheybecomeexplicitintheworkofRomanJakobsonandhiscollaborators.

[front]>[open]>[low]

[+front] [–front]

[+open] [–open]/e/ /i/

[+open] [–open]/u/

[+low] [–low]/a/ /o/

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Part I: Historical Antecedents

3. Jakobson 1941

The Acquisition of

Phonological Contrasts

Introduction

Part I

1. Sweet2. Trubetzkoy

3. Jakobson

4. Halle

5. Chomsky & Halle

Part II

Conclusions

33

Monday 26 October 2020

Page 34: Foundations of Contrastive Hierarchy Theory

Jakobson’sKindersprache (1941;Englishtrans.1968,Spanish1974),advancesthenotionthatcontrasts arecrucialinphonologicalacquisitionandthattheydevelopinahierarchicalorder.

Jakobson’s Kindersprache

Inparticular,heproposesthatlearnersbeginwithbroadcontraststhataresplitbystagesintoprogressivelyEinerones. 34

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TheacquisitionofvowelsystemssetoutinJakobson(1941)andJakobson&Halle(1956)followsthisschema.

Acquisition sequences (vowels)

Atthefirststage,thereisonlyasinglevowel.Astherearenocontrasts,wecansimplydesignateit/V/.

/V/

vowel

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Jakobson&Hallewritethatthislonevowelisthemaximallyopenvowel[a],the‘optimalvowel’.

Acquisition sequences (vowels)

Butwedon’tneedtobethatspeciEic:wecanunderstandthistobeadefaultvalue,oratypicalbutnotobligatoryinstantiation.

/V/

vowel

[a]

36

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Inthenextstageitisproposedthatthesinglevowelsplitsintoanarrow(high)vowel/I/,whichistypically[i],andawide(low)vowel,/A/,typically[a].

Acquisi*on sequences (vowels)

Iwillcontinuetounderstandthesevaluesasdefaults.

vowel

/I/

widenarrow

/A/

/V/

37

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Inthenextstagethenarrowvowelsplitsintoapalatal(front)vowel/I/andavelar(backorround)vowel/U/,typically[u].

Acquisi*on sequences (vowels)

vowel

widenarrow

/A/palatal velar

/I/ /U/

/I/

38

Page 39: Foundations of Contrastive Hierarchy Theory

AftertheEirsttwostages,Jakobson&Halleallowvariationintheorderofacquisitionofvowelcontrasts.

Acquisi*on sequences (vowels)

vowel

widenarrow

palatal velar

/I/ /U/

Thewidebranchcanbeexpandedtoparallelthenarrowone.

/A/

/æ/ /a/

palatal velar

39

Page 40: Foundations of Contrastive Hierarchy Theory

Orthenarrowvowelscandeveloparoundingcontrastinoneorbothbranches.

Acquisi*on sequences (vowels)

vowel

widenarrow

palatal velar /a/

unrnd rnd

/i/ /y/

unrnd rnd

/ɨ/ /u/

40

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Contras*ve features assigned hierarchically

Thisapproachhastwonotablecharacteristics:

Continuinginthisfashionwewillarriveatacompleteinventoryofthephonemesinalanguage,witheachphonemeassignedasetofcontrastivepropertiesthatdistinguishitfromeveryotherone.

!Onlycontrastivefeaturesareassignedtoeachphoneme.

!Contrastivefeaturesareassignedhierarchically,inawaythatcanberepresentedbyabranchingtree.

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Part I: Historical Antecedents

4. Halle 1959

An argument for specification

by branching trees

Introduc)on

Part I

1. Sweet2. Trubetzkoy

3. Jakobson

4. Halle

5. Chomsky & Halle

Part II

Conclusions

42

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An argument for branching trees

InTheSoundPatternofRussian (1959;SPR), Hallemakesanargumentonbehalfofbranchingtrees;thisisthefirstsuchargumentIhavefoundintheliterature.

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Hearguesthatfeaturespecificationbyabranchingtreeistheonlywaytoensurethatsegmentsarekeptproperlydistinct.

Figure I-1 in The Sound Pattern of Russian, p. 46

44

(ThisishistreeforRussian.)

Page 45: Foundations of Contrastive Hierarchy Theory

SpeciEically,Halleproposed(1959:32)thatphonemesmustmeettheDistinctnessCondition:

Segment-type/A/willbesaidtobedifferentfromsegment-type/B/,ifandonlyifatleastonefeaturewhichisphonemicinboth,hasadifferentvaluein/A/thanin/B/;i.e.,plusintheformerandminusinthelatter,orviceversa.

TheDistinctnessCondition

Thisformulationisdesignedtodisallowcontrastsinvolvingazerovalue ofafeature.

The Distinctness Condition

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Considerthetypicalsub-inventory/p,b,m/shownbelow,andsupposewecharacterizeitintermsoftwobinaryfeatures,[±voiced]and[±nasal].

IntermsoffullspeciEications,/p/is[–voiced,–nasal],/b/is[+voiced,–nasal],and/m/is[+voiced,+nasal].

[voiced][nasal]

/b/+–

/p/––

/m/

++

Whichofthesefeaturesiscontrastive?Manypeoplereasonasfollows:

How do we establish contrasts?

46

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Weobservethat/p/and/b/aredistinguishedonlyby[voiced];sothesespeciEicationsmust becontrastive.Similarly,/b/and/m/aredistinguishedonlyby[nasal];thesespeciEicationsmustalso becontrastive.Whatabouttheuncircled speciEications?Thesearepredictablefromthecircledones:

[voiced][nasal]

/b/+–

/p/––

/m/

++

47

How do we establish contrasts?

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Since/p/istheonly[–voiced]phonemeinthisinventory,itsspeciEicationfor[nasal]ispredictable,henceredundant.Wecanwritearuleorconstraint:Similarly,/m/istheonly[+nasal]phoneme,soitsspeciEicationfor[voiced]isredundant:Thisisastill-popularwayofthinkingaboutcontrastivespeciEications;wecancallitthe‘MinimalDifference’approach(e.g.Padgett2003,Calabrese2005,Campos-Astorkiza 2009,Nevins2010).

[voiced][nasal]

/b/+–

/p/––

/m/

++ If[–voiced],then[–nasal]

If[+nasal],then[+voiced]

48

How do we establish contrasts?

Page 49: Foundations of Contrastive Hierarchy Theory

AccordingtoMinimalDifference,afeatureisonlycontrastiveinasegmentifitistheonly featurethatdistinguishesthatsegmentfromanotherone.

[voiced][nasal]

/b/+–

/p/–

/m/

+

ButaccordingtotheDistinctnessCondition,/p/isnot ‘differentfrom’/m/:whereonehasafeature,theotherhasnone.

Therefore,thesespecificationsarenotproperlycontrastive.

49

How do we establish contrasts?

Page 50: Foundations of Contrastive Hierarchy Theory

TheyviolatetheDistinctnessConditionbecausenofeaturehierarchyyieldsthisresult.

Ifweorder[voiced]>[nasal],wegeneratean‘extra’speciEicationon/m/.

[voiced][nasal]

/b/+–

/p/–

/m/

++

[–voiced] [+voiced]/p/

[–nasal] [+nasal]/b/ /m/

The Distinctness Condition

50

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[voiced][nasal]

/b/+–

/p/

–/m/

+

[–nasal] [+nasal]/m/

[–voiced] [+voiced]/p/ /b/–

Ifweorder[nasal]>[voiced],wegeneratean‘extra’specificationon/p/.

51

The Dis*nctness Condi*on

Page 52: Foundations of Contrastive Hierarchy Theory

EitherofthespeciEicationsbelowisproperlycontrastive.

[voiced][nasal]

/b/+–

/p/–

/m/

+

[–voiced] [+voiced]/p/

[–nasal] [+nasal]/b/ /m/

+

Contrastive ≠ Unpredictable

/b/+–

/p/–

/m/

+–

[–nasal] [+nasal]/m/

[–voiced] [+voiced]/p/ /b/

[voiced] > [nasal] [nasal] > [voiced]Notethatinahierarchicalapproach,acontrastivefeatureisnotnecessarilyunpredictable.

52

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Therefore, according to SPR, to ensure that all the phonemes of a language aredistinct from one another, it is necessary that their feature speciEications must begenerable by a branching tree.

53

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Contrast is hierarchical

IbelievethatHalle’sargumentiscorrect:asdemonstratedbyArchangeli (1988)andinmoredetailbyDresher(2009),theMinimalDifferenceapproachoftenfailstoyieldany intelligiblesetofspeciEications.Itisthewrongtheoryofcontrast.

Conceptually,themainflawofMinimalDifferenceisitsfailuretorecognizethatcontrastiverelationsinaninventoryexistnotjustbetweenpairsofsegments,butalsobetweengroups ofsegmentsatdifferentlevelsofthehierarchy.

Thus,thereisasenseinwhichcontrastisindeedminimal,almostbydeEinition;butonly whenviewedinhierarchicallayers,andnotinpairwisecomparisons.

54

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Decline of the branching trees

ItisironicthatwhileTheSoundPatternofRussian containsthisoriginalargumentonbehalfofbranchingtrees,atthesametimeitsanalysisofRussiancontributedtounderminingthewholenotionofcontrastivespeciEication(Dresher&Halltoappear).Becauseofthat,andduealsotoargumentsbyLightner(1963)andStanley(1967),underspeciEicationwasabandonedaltogetherinChomsky&Halle’sTheSoundPatternofEnglish (SPE,1968),alongwiththebranchingtrees(forreasons,seeDresher2009:96–104).Theresultwasthatlanguage-particularfeaturecontrastsdidnotplayaroleinthetheoryofgenerativegrammarthatdevelopedfromSPE.

55

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Part I: Historical Antecedents

5. Chomsky & Halle 1968

The Generative Framework

and Approach to Phonology

Introduc)on

Part I

1. Sweet2. Trubetzkoy

3. Jakobson

4. Halle

5. Chomsky & Halle

Part II

Conclusions

56

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ThoughIdepartfromSPEwithrespecttocontrastandthenatureoffeatures,Chomsky&HalleprovidethebroadgenerativeframeworkandcognitiveapproachtophonologythatIassumeinthetheoryofcontrasttowhichInowturn.

The genera*ve framework

57

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Part II: A Theory of Contrast

1. Main Tenets of Contrastive

Hierarchy Theory (CHT)

Introduction

Part I

Part II

1. CHT Main Tenets2. Features in CHT

3. Acquisition: BPvowel system

4. Synchrony:PGmc. Vowels

5. Diachrony: WestGmc. i-Umlaut

Conclusions

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Return of the branching trees

Asatheoryofphonologicalrepresentations,branchingtreeswererevived,underothernames,byClements(2001;2003;2009),andindependentlyattheUniversityofToronto,wheretheyarecalledcontrastivefeaturehierarchies(Dresher,Piggott,&Rice1994;Dyck1995;Zhang1996;Dresher1998b;Dresher&Rice2007;Hall2007;Dresher2009;Mackenzie2009;etc.).

ItisthelatterapproachIwillbepresentinghere.Ithasgoneundervariousnames:ModiEiedContrastiveSpeciEication(MCS),or‘TorontoSchool’phonology,orContrastandEnhancementTheory;IcallitContrastiveHierarchyTheory(CHT).

Idon’tclaimthereisany‘standardversion’ofthistheory;inwhatfollows,IwillpresentthetheoryasIunderstandit.

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Contrast and hierarchy

TheEirstmajorbuildingblockofourtheoryisthatcontrastsarecomputedhierarchicallybyorderedfeatures thatcanbeexpressedasabranchingtree.

BranchingtreesaregeneratedbytheSuccessiveDivisionAlgorithm (Dresher1998b,2003,2009):

Assigncontrastivefeaturesbysuccessivelydividingtheinventoryuntileveryphonemehasbeendistinguished.

TheSuccessiveDivisionAlgorithm

60

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/a/

/i/

Criteria for ordering featuresWhatarethecriteriaforselectingandorderingthefeatures?

Phoneticsisclearlyimportant,inthattheselectedfeaturesmustbeconsistentwiththephoneticpropertiesofthephonemes.

/a/

/i/

Forexample,acontrastbetween/i/and/a/wouldmostlikelyinvolveaheightfeaturelike[low]or[high],thoughotherchoicesarepossible,e.g.[front]or[advanced/retractedtongueroot].

[low]

[front]

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Inthiscase,/i/and/ə/wouldbedistinguishedbyacontrastivefeature,eventhoughtheirsurfacephoneticsareidentical.

Criteria for ordering features

/a/

/i/

[low]

InsomedialectsofInuktitut,forexample,anunderlyingcontrastbetween/i/and/ə/isneutralizedatthesurface,withboth/i/and/ə/beingrealizedasphonetic[i](Compton&Dresher2011).

Ofcourse,thecontrastivespeciEicationofaphonemecouldsometimesdeviatefromthesurfacephonetics.

/ə/[front]/u/

[round]

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A feature can be said to be active if it plays a rolein the phonological computation; that is, if it isrequired for the expression of phonologicalregularities in a language, including both staticphonotactic patterns and patterns of alternation.

PhonologicalActivity

Contrast and phonological ac*vityAstheaboveexampleshows,thewayasoundpatterns canoverrideitsphonetics(Sapir1925).

Thus,weconsiderasmostfundamentalthatfeaturesshouldbeselectedandorderedsoastoreElectthephonologicalactivity inalanguage,whereactivityisdeEinedasfollows(adaptedfromClements(2001:77):

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ThesecondmajortenethasbeenformulatedbyHall(2007)astheContrastivistHypothesis:

A theory of contras*ve specifica*on

TheContrastivistHypothesisThe phonological component of a language Loperates only on those features which are necessaryto distinguish the phonemes of L from one another.

Thatis,only contrastivefeaturescanbephonologicallyactive.Ifthishypothesisiscorrect,itfollowsasacorollarythat

CorollarytotheContrastivistHypothesisIf a feature is phonologically active, then it must becontrastive.

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Domain of the Contrastivist Hypothesis

Onthishypothesis,underlyinglexicalrepresentationsconsistonlyofcontrastivespeciEications.

Theserepresentationsformtheinputtothecontrastivephonology, whichisthedomaininwhichtheContrastivistHypothesisapplies.

OutputofContrastivePhonology

UnderlyingLexicalRepresentations Contrastivefeaturesonly

PhonologygovernedbytheContrastivistHypothesis

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Domain of the Contrastivist HypothesisStevens,Keyser&Kawasaki(1986)proposethatfeaturecontrastscanbeenhanced byotherfeatureswithsimilaracousticeffects(seealsoStevens&Keyser1989;Keyser&Stevens2001,2006).

Ourhypothesisisthatenhancementtakesplaceafterthecontrastivephonology,whenfurtherphoneticdetailisspeciEied.

SurfacePhoneticRepresentations

Phoneticprocesses:enhancement,non-contrastivefeatures

66

OutputofContrastivePhonology

UnderlyingLexicalRepresentations Contrastivefeaturesonly

PhonologygovernedbytheContrastivistHypothesis

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Enhancement of underspecified featuresForexample,avowelthatis[+back]and[–low] canenhancethesefeaturesby:

[+low]

[+back]

[–back]

Idesignateenhancementfeatureswithgreen curlybrackets{ }.

/i/ /u/

/a/

[–low]

{+round}

{+high} Theseenhancementsarenotnecessary,however,andotherrealizationsarepossible(Dyck1995;Hall2011).

adding{+round} toenhance[+back] (giving[u,ʊ,o,ɔ],not[ɨ,ɯ,ɤ,ʌ]

adding{+high} toenhance[–low] (giving[u,ʊ],not[o,ɔ]

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Markedness

Iassumethatmarkednessislanguageparticular(Rice2003;2007)andaccountsforasymmetriesbetweenthetwovaluesofafeature,wheretheseexist.

Afurtherassumptionisthatfeaturesarebinary,andthateveryfeaturehasamarked andunmarked value.

Forexample,weexpectthatunmarkedvaluesserveasdefaults,andmaybemoreorlessinert.

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Neutralization: Vowel reduction

Trubetzkoy(1939:71–5)suggestedthatneutralization—thesuspensionofacontrastincertainpositions—canhavedifferenttypesofoutcomes.

Inothercases,thereducedvowelcannotbephoneticallyequatedwithaparticularstressedvowel;thatis,neutralizationistoavowelthathasadifferentrepresentationfromboththemarkedandunmarkedstressedvowels.

Inthecaseofvowelreduction,forexample,vowelsthatcontrastinstressedpositionmightneutralizetotheunmarkedvowelwhennotstressed.

CHTcanelegantlyrepresentbothtypesofreduction,whichariseinBrazilianPortuguese.

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Brazilian Portuguese vowel reduction

Theywrite(2004:229)thatinpre-stressedposition,“thequalityofthecorrespondingstressedvowelisroughlypreserved.”

AccordingtoBarbosa&Albano(2004),aSãoPaulospeakerhadthestressedvowelsshownbelow.

Stressedposition a ue ɔɛ oi

Beforethestress a ue oi

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AccordingtoBarbosa&Albano(2004),aSãoPaulospeakerhadthestressedvowelsshownbelow.

Theywrite(2004:229)thatinpre-stressedposition,“thequalityofthecorrespondingstressedvowelisroughlypreserved.”

ButthisisnotthecaseforunstressedvowelsinEinalposition.

Stressedposition a ue ɔɛ o

Finalunstressed ɐ

i

Beforethestress a ue oi

ɪ ʊ

Brazilian Portuguese vowel reduc*on

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Vowel reduc*on in Contras*ve Hierarchy Theory

Spahr(2012)proposesaCHTaccountofBrazilianPortuguesevowelreduction;IhavemodifiedhishierarchytothatproposedbyBohn(2015,2017)forthePaulistadialect.

[–back]2

/u/

[+high] [–high]3

[+back]

[+low]1/a/

[–low]2 [–high]3[+high]

/i/

/e/

[+ATR]

/ɛ/

[–ATR]

/o/

[+ATR]

/ɔ/

[–ATR]

72

(SeeCarvalho2011foracontrastivehierarchyanalysisoftheEuropeanPortuguesevowelsystemusingprivativeelements.)

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Inpre-stressedposition,thereareno[ATR]contrastsunderthe[–high]nodesnumbered3.

[–back]2

/u/

[+high] [–high]3

[+back]

[+low]1/a/

[–low]2 [–high]3[+high]

/i/

/e/

[+ATR]

/ɛ/

[–ATR]

/o/

[+ATR]

/ɔ/

[–ATR]

73

Spahr proposesthatthesenodesareinterpretedasarchiphonemesa laTrubetzkoy(seealsoSpahr2014).

Vowel reduc*on in Contras*ve Hierarchy Theory

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Thenewrepresentations[+back,–low,–high]and[–back,–high]receivetheirownphoneticinterpretations;inthisSoutheasterndialect,theyarerealizedas[o]and[e].

[–back]2

/u/

[+high] [–high]3

[+back]

[+low]1/a/

[–low]2 [–high]3[+high]

/i/ [e]

[o]

74

Vowel reduc*on in Contras*ve Hierarchy Theory

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BPdialectsdifferastowhether[o,e]or[ɔ,ɛ]aretheresultsofneutralization(seeNevins2012fordiscussionandreferences).

[–back]2

/u/

[+high] [–high]3

[+back]

[+low]1/a/

[–low]2 [–high]3[+high]

/i/

75

Broadlyspeaking,‘southeastern’dialectshavethe[+ATR][o,e],and‘northeastern’dialectsreduceto[–ATR][ɔ,ɛ].

[e] ~ [ɛ]

[o] ~ [ɔ]

Vowel reduc*on in Contras*ve Hierarchy Theory

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Underspecificationallowsfor‘flexibilityofinterpretation’(Nevins2012)thatallowseither[+ATR]or[–ATR]tobelessmarked.

[–back]2

/u/

[+high] [–high]3

[+back]

[+low]1/a/

[–low]2 [–high]3[+high]

/i/

76

[e] ~ [ɛ]

[o] ~ [ɔ]

Vowel reduc*on in Contras*ve Hierarchy Theory

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Inunstressedfinalpositionthecontrastsunderthenodesnumbered2aresuppressed,andthesegmentsunderthesenodesreceivedistinctphoneticinterpretationsas[ʊ]and[ɪ].

[–back]2

/u/

[+high] [–high]3

[+back]

[+low]1/a/

[–low]2 [–high]3[+high]

/i/

77

[e] ~ [ɛ]

[o] ~ [ɔ]

[ʊ]

[ɪ]

Vowel reduc*on in Contras*ve Hierarchy Theory

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Inthisnewsetofcontraststhesegmentundernode1alsoreceivesadistinctphoneticinterpretation,[ɐ].

[–back]2[+back]

[+low]1[ɐ]

[–low]2

78

[ʊ]

[ɪ]

Vowel reduction in Contrastive Hierarchy Theory

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Part II: Contrastive Hierarchy

Theory (CHT)

2. Features in Contrastive

Hierarchy Theory

Introduc)on

Part I

Part II

1. CHT Main Tenets2. Features in CHT

3. Acquisi)on: BPvowel system

4. Synchrony:PGmc. Vowels

5. Diachrony: WestGmc. i-Umlaut

Conclusions

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Mielke(2008)andSamuels(2011)arguethatphonologicalfeaturesarenotinnate,butrather‘emerge’inthecourseofacquisition.

Emergent features?

Theyarguethatinnatefeaturesaretoospecific,andnosinglesetofproposedfeaturesworksinallcases.

Butiffeaturesarenotinnate,whatcompelsthemtoemerge?

Weneedtoexplainwhyfeaturesinevitably emerge,andwhytheyhavethepropertiesthattheydo.

CHTprovidesananswertothisquestion:learnersmust arriveatasetofhierarchicallyorderedcontrastivefeatures.

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Aninventoryof3phonemesallowsexactly2contrastivefeatures.Twovariantsareshown,differinginhowmarkedfeaturesaredistributed.

How many features are there?

[–F1][+F1]

[–F2][+F2]

/1/ /2/

/3/

3 phonemes: F1 > F2

[–F1][+F1]

[–F2][+F2]

/2/ /3/

/1/

3 phonemes: F1 > F2

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A4-phonemeinventorycanhaveaminimumof2featuresandamaximumof3.

[–F1][+F1]

[–F2][+F2]

/1/ /2/

[–F1]

[–F2][+F2]

/2/

[+F1]

/1/

4 phonemes: minimum 4 phonemes: maximum

[–F2][+F2]

/3/ /4/

[+F3]

/3/

[–F3]

/4/

How many features are there?

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Ingeneral,thenumberoffeaturesrequiredbyaninventoryofn elementswillfallinthefollowingranges:

3 1.58 2 24 2 2 35 2.32 3 4

theminimumnumberoffeatures=thesmallestinteger≥log2n

themaximumnumberoffeatures=n–1

6 2.58 3 5

Phonemes log2n min max

How many features are there?

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Theminimumnumberoffeaturesgoesupveryslowlyasphonemesareadded.

7 2.81 3 68 3 3 710 3.32 4 9

Theupperlimitriseswithn.

12 3.58 4 11

Phonemes log2n min max

How many features are there?

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However,systemsthatapproachtheupperlimitareextremelyuneconomical.

16 4 4 1520 4.32 5 1925 4.64 5 24

Atthemaxlimit,eachnewcontrastusesauniquefeatureunsharedbyanyotherphonemes.

32 5 5 31

Phonemes log2n min max

How many features are there?

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Emergent features and UG

Thus,thecontrastivehierarchyandContrastivistHypothesisaccountforwhyphonologicalsystemsresembleeachotherintermsofrepresentations,withoutrequiringindividualfeaturestobeinnate.

Onthisview,theconceptofacontrastivehierarchyisaninnatepartofUniversalGrammar(UG),andisthegluethatbindsphonologicalrepresentationsandmakesthemappearsimilarfromlanguagetolanguage.

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Part II: A Theory of Contrast

3. Acquisition:

The Brazilian Portuguese

Vowel System

Introduc)on

Part I

Part II

1. CHT Main Tenets2. Features in CHT

3. Acquisi)on: BPvowel system

4. Synchrony:PGmc. Vowels

5. Diachrony: WestGmc. i-Umlaut

Conclusions

87

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Branching trees in child language

Morerecently,Bohn(2015,2017)presentsaCHTanalysisoftheacquisitionoftheBrazilianPortuguese(BP)vowelsystembythreechildren.

Branchingtreesdidnotdisappearcompletelyfromphonology:theycontinuedtobeusedinchildlanguagestudies,fortheyareanaturalwaytodescribedevelopingphonologicalinventories.

(Someexamplesare:Pye,Ingram,&List1987;Ingram1988,1989;Levelt 1989;Dinnsen etal.1990;Dinnsen 1992,1996;Fikkert 1994;seeDresher1998aforareview).

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Brazilian Portuguese stressed vowelsThetreebelowagainshowstheBPvowels(Paulistadialect)instressedposition.Thehierarchyis[back]>[low]>[high]>[ATR].

[–back]

/u/

[+high] [–high]

[+back]

[+low]

/a/

[–low] [–high][+high]

/i/

/e/

[+ATR]

/ɛ/

[–ATR]

/o/

[+ATR]

/ɔ/

[–ATR]

89

Bohn(2015,2017) motivatesthishierarchybasedonthepatternsofactivityinthisdialect(seealsoBohn&Santos2018).

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Acquisition of the BP vowel systemChildL.seemstobeaperfectJakobsonian:thefirstvowelis[a],andthenextoneis[i].ButcontrarytoJakobson,thisisnotaheightcontrast.

[–back][+back]

[a]

90

Itlookslikeone,butBohnobservesthatsubstitutionpatternssuggestratherthatisa[back]contrast,whichisthetopBPfeature(alsocontrarytoJakobson).

[i]

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Acquisition of the BP vowel systemAm.’sfirstcontrastisbetween[a]and[e],not[i];Bohnproposesthat,aswithL.,thisrepresentsabacknesscontrast.

[–back]

91

BothL.andAm.makeaEirstcontrastthatreElectsthehighestBPfeature,whichis[back].AreallBrazilianchildrenthisfar-sighted?

[e]

[+back]

[a]

Apparentlynot!Thethirdchild,A.,beginsdifferently.

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A.’sfirstcontrastisbetween[a]and[o].

[+low]

[a]

[–low]

[o]

92

Substitutionpatternssuggestthatthisisnotabacknessorroundnesscontrastbutaheightcontrast,basedon[low].

Acquisition of the BP vowel system

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Inthenextstage,A.acquirescontrastive/i,e,u/.

/u/

[+high] [–high]

[+low]

/a/

[–low] [–high][+high]

/i/ /e/

/o/

93

Acquisition of the BP vowel system

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Inthenextstage,A.acquirescontrastive/i,e,u/.

[–back]

/u/

[+high] [–high]

[+back]

[+low]

/a/

[–low] [–high][+high]

/i/ /e/

/o/

94

AtsomepointA.hastoreorganizethefeaturehierarchyinordertoarriveattheadultBPsystem,whichhas[back]>[low].

Acquisi*on of the BP vowel system

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The[ATR]contrastbetween/e~ɛ/and/o~ɔ/isthelasttobeacquired.

[–back]

/u/

[+high] [–high]

[+low]

/a/

[–low] [–high][+high]

/i/

/e/

[+ATR]

/ɛ/

[–ATR]

/o/

[+ATR]

/ɔ/

[–ATR]

95

Thus,thethreechildrentakedifferentroutesinacquiringtheBPvowelsystem.

Acquisi*on of the BP vowel system

[+back]

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TheorderofacquisitionofcontrastsismorevariablethanJakobsonallowed.

[–back]

/u/

[+high] [–high]

[+low]

/a/

[–low] [–high][+high]

/i/

/e/

[+ATR]

/ɛ/

[–ATR]

/o/

[+ATR]

/ɔ/

[–ATR]

96

Nevertheless,thegeneralideathatlearnersacquirecontrastsinahierarchy isafruitfulwaytomodelacquisition.

Acquisi*on of the BP vowel system

[+back]

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Part II: A Theory of Contrast

4. Synchronic Phonology:

The Proto-Germanic

Short Vowel System

Introduc)on

Part I

Part II

1. CHT Main Tenets2. Features in CHT

3. Acquisi)on: BPvowel system

4. Synchrony:PGmc. Vowels

5. Diachrony: WestGmc. i-Umlaut

Conclusions

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Proto-Germanic short vowelsIwouldliketolooknowatProto-Germanic,whichiscommonlyassumedtohavehadthefourshortvowels*/i/,*/e/,*/a/,*/u/(Ringe 2006).

Shortvowels

Italsohadlongvowels,butthesewillnotberelevanthere(seeDresher2018fordiscussionofthelongvowels).WhyProto-Germanic?IpicktheProto-GermanicshortvowelsystemtoillustrateaCHTsynchronicanalysisfortworeasons:

First,becauseitslaterevolutionintoWestGermanicandOldEnglishraisessomeinterestingdiachronicissuesthatwewilllooksoon.

98

i u

e

a

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Proto-Germanic Contras*ve Features

Andsecond,becausealltheingredientsofaCHTanalysishavealreadybeenassembledbyAntonsen(1972)!

Aswehavecometoexpect,hisutilizationofacontrastivefeaturehierarchyisonlyimplicit,andnotmentioned;howeverhisarticleisaniceillustrationofCHTargumentationavantlalettre.

ElmerAntonsenwasanAmericanlinguistandrunologistwhomademanycontributionstothestudyofGermanicphonology.

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AntonsenproposesthefeaturespeciEicationsbelowfortheshortvowelsystem(1972:133):

*/a/ */u/ */i/ */e/Low + – – –Rounded + – –High + –

NoticethattheyshowapatternofunderspeciEicationthatischaracteristicofabranchingtree:theEirstfeatureappliestoallthephonemes,andthescopesoftheremainingfeaturesgetprogressivelysmaller.

Proto-Germanic Contras*ve Features

i u

e

a

100

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Antonsen(1972:132–133)supportsthesefeaturespeciEicationsbycitingpatternsofphonologicalactivity(neutralizations,harmony,anddistributionofallophones)andloanwordadaptationfromLatin.

Thus,basedontheevidencefromthedescendantdialects,heassumesthat*/a/hadallophones*[a, æ, ə, ɒ],whichallhaveincommonthattheyare[+low].

*/a/ */u/ */i/ */e/Low + – – –Rounded + – –High + –[+low]

Proto-Germanic Contras*ve Features

i u

e

a

101

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Further,thereisevidencethat*/i/and*/u/hadloweredallophonesbefore*/a/,againsuggestingthat*/a/hada[+low]featurethatcouldaffectvowelheight.

Andthereisnoevidencethat*/a/hadanyotheractivefeatures(thatis,featuresthatplayedaroleinthephonologybyaffectingneighbouringsegments,orthatgrouped*/a/withothersegmentsasanaturalclass).

*/a/ */u/ */i/ */e/Low + – – –Rounded + – –High + –

Proto-Germanic Contras*ve Features

i u

e

a

102

[+low]

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Asthefeaturethatdistinguishes*/u/from*/i/and*/e/Antonsenchooses[rounded].

Hisreasonisthatalltheallophonesof*/u/wererounded.

*/a/ */u/ */i/ */e/Low + – – –Rounded + – –High + –

[+rounded]

WewillreturnshortlytothisspeciEicaspectoftheanalysis.

Proto-Germanic Contrastive Features

i u

e

a

103

[+low]

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Antonsenobservesthatthecontrastbetween*/i/and*/e/wasneutralizedinenvironmentsthataffectedtongueheight(beforehighfrontvowels,lowvowels,andbeforenasalclusters).

Hearguesthatthissupportsdistinguishing*/i/and*/e/byonefeature,[high].

*/a/ */u/ */i/ */e/Low + – – –Rounded + – –High + –

Henotesthatthenegativespecificationsof*/e/areconsistentwithitbeing“theonlyvowelwhichdoesnotcauseumlautassimilationsinaprecedingrootsyllable”.

[+low]

[+high] [+rounded]

i u

e

a

Proto-Germanic Contrastive Features

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Aselegantasthisanalysisis,Iwillfollowthemajority,includingLass(1994),Ringe (2006:148),andPurnell&Raimy(2015),inassumingthatthefeaturethatdistinguishes*/i,e/from*/u/is[front],not[rounded].

Thereasonisthat*/i/couldcauseallophonicfrontingof*/u/,whichsuggestsithadanactivefeature[+front].

*/a/ */u/ */i/ */e/Low + – – –Front – + +High + –

[+high][+front]

Proto-Germanic Contras*ve Features

i u

e

a

105

[+low]

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Proto-Germanic feature hierarchyWiththisamendment,thecontrastivefeaturehierarchyfortheProto-Germanicshortvowelslookslikethis.

*/a/ */u/ */i/ */e/Low + – – –

High + –

[+high]

*/i/

[–high]

*/e/

[+front] [–front]

*/u/

[–low][+low]

*/a/

[low] > [front] > [high]

Front – + +

Alltheactivefeaturesarecontrastive,aspertheContrastivistHypothesis.

Moreover,thisanalysisexplainswhycertainvowelsparticipateincertainprocessesandothersdonot.

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Proto-Germanic feature hierarchy

Noticethatthefeature[round]playsnoroleinthecontrastivephonologyatthispoint.

*/a/ */u/ */i/ */e/Low + – – –

High + –

[+high]

*/i/

[–high]

*/e/

[+front] [–front]

*/u/

[–low][+low]

*/a/

[low] > [front] > [high]

Front – + +

ThisaspectoftheanalysiswillsoonbecomeverysigniEicant!

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108

Part II: A Theory of Contrast

5. Diachronic Phonology:

West Germanic i-Umlaut

Introduc)on

Part I

Part II

1. CHT Main Tenets2. Features in CHT

3. Acquisi)on: BPvowel system

4. Synchrony:PGmc. Vowels

5. Diachrony: WestGmc. i-Umlaut

Conclusions

108

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Diachronicstudies usingcontrastivefeaturehierarchiesinclude:Zhang (1996) and Dresher & Zhang (2005) on Manchu; Barrie (2003) on Cantonese; Rohany Rahbar(2008) on Persian; Dresher (2009: 215–225) on East Slavic; Ko (2010, 2011, 2018) on Korean,Mongolic, and Tungusic; Compton & Dresher (2011) on Inuit; Gardner (2012), Roeder & Gardner(2013), and Purnell & Raimy (2013) on North American English vowel shifts; Harvey (2012) on Ob-Ugric (Khanty and Mansi); Oxford (2012, 2015) on Algonquian; Voeltzel (2016), Schalin (2017), andSandstedt (2018) on Scandinavian; and Krekoski (2017) on Chinese tonal systems.

Contrastivehierarchies havebeenfruitfullyappliedtophonologicalchangeinavarietyoflanguages.

Contrast shiX and phonological change

SomestudiesutilizingaversionofCHTarelistedbelow.

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ContrastiveHierarchyTheorycanshednewlightonalong-standingconundruminthehistoryofWestGermanic.

Itconcernstheruleofi-umlaut,andillustrateshowapost-lexicalphoneticrulecanbecomelexical,andhowanenhancementfeaturecanbecomecontrastive.

West Germanic i-umlaut

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ItalsoprovidesaniceempiricaltestofwhatNevins(2015)callsthe“Oops,INeedThat”Problem.

Thisproblemreferstoasituationwhereanon-contrastivefeatureisneededbythephonology.

The “Oops, I Need That” Problem

AccordingtotheContrastivistHypothesis,thissituationshouldnotarise,becauseonlycontrastivefeaturesshouldbeactive.

Thus,the“Oops,INeedThat”ProblemwouldindicateanapparentcounterexampletotheContrastivistHypothesis.

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Proto-Germanic feature hierarchy

Recallthat*/i/and*/u/hadloweredallophonesduetotheinEluenceofthe[+low]*/a/.

*/a/ */u/ */i/ */e/Low + – – –

High + –

[+high]

*/i/

[–high]

*/e/

[+front] [–front]

*/u/

[–low][+low]

*/a/

[low] > [front] > [high]

Front – + +

InWestGermanic,theloweredallophoneof*/u/developedintoanewphoneme*/o/.

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Thisnewphonemefilledagapinthesystemandbroughtthe[–front]branchintosymmetrywiththe[+front]branch.

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Therefore,thenewvoweldidnotrequireachangetotheinheritedProto-Germanicshortvowelfeaturehierarchy.

Notethatthefeature[round]isstillnot contrastiveatthispoint.

West Germanic feature hierarchy

[+front] [–front]

[low]>[front]>[high]

[+high] [–high]*/i/ */e/

[+high] [–high]*/u/ */o/

[–low][+low]*/a/

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West Germanic i-umlaut

*ybil *føːt+ii-umlaut*ubil *foːt+iWestGermanic‘evilN .S .’ ‘footN .P.’Gloss

Theruleofi-umlautbeganinearlyGermanicasaphoneticprocessthatcreatedfrontedallophonesofthebackvowelswhen*/i(ː)/or*/j/followed(V.Kiparsky1932;Twaddell1938;Benediktsson 1967;Antonsen1972;Penzl 1972).

Intheexamplesbelow,*/u/and*/oː/arebothfronted(to*[y]and*[ø],respectively)before/i/inthefollowingsyllable:

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i-umlautcruciallypreservestheroundednatureofthefrontedvowels;butinouranalysisoftheWestGermanicvowelsystem,[round]isnotcontrastive.

Uh-oh!Isthisan“Oops,INeedThat”Problem?

i-umlaut: Oops, I need that?

[+front] [–front]

[low]>[front]>[high]

[+high] [–high]*/i/ */e/

[+high] [–high]*/u/ */o/

[–low][+low]*/a/

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*u b i l[–low][–front][+high]{+round}

[–low][+front][+high]{–round}

*y b i l[–low][+front][+high]{+round}

[–low][+front][+high]{–round}

Therefore,{round} isavailableasanenhancementfeatureatthepointthat*/u,o/arefronted.

No!Forindependentreasons,manycommentators,beginningwithV.Kiparsky(1932)andTwaddell(1938),proposedthati-umlautbeganasalatephonetic rule,andwasnot partofthecontrastivephonology.

i-umlaut: I don’t need it, it’s an enhancement feature!

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*ybil *føːt+ii-umlaut*ubil *foːt+iPre-OldEnglish‘evilN .S .’ ‘footN .P.’Gloss

117

Pre-Old English i-umlaut

Overtime,however,thereisevidencethati-umlautbecamealexicalrule.

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i-umlaut becomes opaque

*ybil *føːt+ii-umlaut*ubil *foːt+iPre-OldEnglish‘evilN.S.’ ‘footN .P.’Gloss

AlreadyinearlyOldEnglish,theunstressed/i/triggerofi-umlautwaseitherloweredafteralightsyllable,asinyfel,

118

ordeletedafteraheavysyllable,asinføːt. Thesechangesmadei-umlautopaqueonthesurface.Inmanycases,thei-umlauttriggerbecameunrecoverabletolearners.

yfel føːt i-lowering/deletion

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i-umlaut becomes opaque

yfil —i-umlaut/ufil/ /yfel/Underlying

‘evilN .S .’ ‘evilN .S .’Gloss

Accordingtostandardaccounts,thisledtothephonologization of[y(:)] and[ø(:)] asnewphonemes.

119

Anexampleis‘evil’,whoseunderlyingformisrestructuredfrom/uEil/ to/yfel/.

yfel —i-lowering/deletion[yfel] [yfel]Surface

Oldergrammar Newergrammar

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Aslongasi-umlautremainsaphoneticprocess,itisnotclearhowitcouldsurvivethelossofitstriggeringcontexts;whydoesn’t/ufel/surfaceas*[ufel]?

Phonologization paradox

—i-umlaut

/ufel/Underlying

—i-lowering

Afterlossofi-umlauttrigger

PostlexicalPhonology

Severalscholarshavepointedoutaproblemwiththisaccount(Liberman1991;Fertig1996;Janda2003;P.Kiparsky2015).

Theonlywayfori-umlauttopersistisifitentersthelexicalphonologywhile [y(:)]and[ø(:)] arestillpredictableallophonesof/u(:)/ and/o(:)/,respectively.

120

*[ufel]Surface

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Thisaccountraisestwoquestions:

! First,why doesi-umlautenterthelexicalphonologywhileitsproductsarenotcontrastive?

P.Kiparsky (2015)suggeststhatitisbecausethenewfrontroundedallophoneswereperceptuallymoresalient thantheirtriggers(cf.Jakobson,Fant,&Halle1952),whichwerebecomingprogressivelyweakerastimewhenon.

Phonologiza*on paradox

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! How dotheproductsofi-umlautenterthelexicalphonologywhentheyinvolvenon-contrastivefeaturesthatoriginateinenhancement?

TothisquestionContrastiveHierarchyTheorycancontributeanold/newsolutionbasedonthenotionofcontrastshift.

Ifindthisexplanationtobequitecompelling;butitraisesanotherquestion:

Phonologiza*on paradox

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“Onceaphonologicalchangehastakenplace,thefollowingquestionsmustbeasked:

Contrast and phonological change

Old,becauseinanarticleEirstpublishedin1931,RomanJakobsonproposedthatdiachronicphonologymustlookatcontrastshifts(Jakobson1962[1931]).

Whatexactlyhasbeenmodi=iedwithinthephonologicalsystem?

…hasthestructureofindividualoppositions[contrasts]beentransformed?Orinotherwords,hastheplaceofaspeci=icoppositionbeenchanged…?”

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Salience and contrast shiXButalsonew,becausethatprogramwasnevercarriedout;CHTgivesusawell-definedwaytolookatcontrastshifts.

Letusrevisitthestagewheni-umlautwasstillapost-enhancementrule.

AdaptingKiparsky’s idea,Iproposethattheperceptualsalienceofthefrontroundedallophonescausedlearnerstohypothesizethat{round} isacontrastivefeature.

*u b i l[–low][–front][+high]{+round}

[–low][+front][+high]{–round}

*y b i l[–low][+front][+high]{+round}

[–low][+front][+high]{–round}

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ItwasnotpartoftheearlierWestGermanicfeaturehierarchy.

Contrast shiX in West Germanic

Laterhierarchy:

[low]>[front]>[high]Earlierhierarchy:

[front]>[round]>[high]

Onesuchhierarchyisshownbelow.

Butwecanconstructanothercontrastivehierarchythatincludes[round].

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Thisnewhierarchy,however,requiresdemoting[low]tomakeroomfor[round].

Contrast shiX in West Germanic

Laterhierarchy:

[low]>[front]>[high]Earlierhierarchy:

[front]>[round]>[high]

Hopefullynotafeaturethatweneed!

Thisishowcontrastivehierarchieswork:onecanintroduceorpromoteafeature,butthereisatrade-off:anotherfeaturehastobedemoted.

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Inthenewfeaturehierarchy,thevowelsareEirstdividedinto[+front]/i,e/and[–front]/u,o,a/.

[+front]

[+high] [–high]

/i/ /e/ /a/

/u/ /o/

[+high][–high]

[–front]

[+round] [–round]

West Germanic feature hierarchy 2

127

Then[±round]divides/u,o/from/a/.

[front]>[round]>[high]

Finally,[±high]completesthecontrastivefeatures.

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Now,wheni-umlautchangesthe[–front,+round] vowels/u,o/to[+front],theresultisnewfrontroundedvowels,whichbeginasallophones.

West Germanic feature hierarchy 2

/u, o/

[–front][+round][αhigh]

[y, ø]

[+front][+round][αhigh]

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Hereiswhatthederivedtreelookslike.Thenewfrontroundedvowels[y, ø]arenotunderlying,butareallophonesof/u,o/.

[+front]

[–round]

[+high] [–high]

/i/ /e/

[+round]

[+high][–high]

[y] [ø]

/a/

/u/ /o/

[+round] [–round]

[+high][–high]

[–front]

West Germanic feature hierarchy 2

/u, o/

[–front][+round][αhigh]

[y, ø]

[+front][+round][αhigh]

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Althoughtheyareallophones,theycanariseinthecontrastivephonologybecausetheyconsistonlyofcontrastivefeatures.

[+front]

[–round]

[+high] [–high]

/i/ /e/

[+round]

[+high][–high]

[y] [ø] /u/ /o/

[+round]

[+high][–high]

[–front]

West Germanic feature hierarchy 2

/u, o/

[–front][+round][αhigh]

[y, ø]

[+front][+round][αhigh]

/a/

[–round]

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Deep allophones

Deepallophonesarepossiblebecausecontrastivefeaturescanbepredictableinahierarchicalapproach.

Wehavelefthangingonequestionthatyoumightbewonderingabout…

TheyarethuswhatMoulton(2003)calls‘deepallophones’;hewasreferringtotheOldEnglishvoicedfricatives,whichalsoariseearlyinthecontrastive(lexical)phonologyasallophonesofthevoicelessfricatives.

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Recallthetrade-offthatthisanalysisrequires:

[+front]

[+high] [–high]

/i/ /e/ /a/

/u/ /o/

[+high][–high]

[–front]

[+round] [–round]

West Germanic feature hierarchy 2: Oops, I need that?

132

Inthenewhierarchy,/a/nolongerhasa[+low]feature.

[front]>[round]>[high]

Uhoh!Dowenowhavea“Oops,INeedThat”Problem?

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No!/a/nolongerneedsa[+low]feature!

/a/

/u/ /o/

[+high][–high]

[–front]

[+round] [–round]

West Germanic feature hierarchy 2: No, I don’t need it!

133

Iknowofnoevidence— inOldEnglish,forexample—that/a/causesloweringofothersegments,orother-wiseneedsanactive[+low]feature.

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Recallthatthisisinstrikingcontrasttoearlierstagesofthelanguage,wherethereisevidencethat*/a/causedlowering.

/a/

[–front]

[–round]

West Germanic feature hierarchy 2: No, I don’t need it!

134

ThistypeofconnectionbetweencontrastandactivityisexactlywhatContrastiveHierarchyTheorypredicts.

[+low]

*/a/

Hierarchy2Hierarchy1

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Conclusion

Introduc)on

Part I: Historical Antecedents

Part II:A Theory of Contrast

Conclusion

135

Monday 26 October 2020

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Tosumup,ContrastiveHierarchyTheorymakestestableempiricalpredictionsaboutphonologicalsystems,providesinterestingaccountsofacquisition,andanewwayoflookingatphonologicalinventories.

Conclusions

Ofcourse,manyquestionsremaintobeexplored:

!CantheContrastivistHypothesisbesustainedordoesthe“Oops,INeedThat”Problem(i.e.toomuch activity)arise?

!Conversely,whathappenswhenthereistoolittle activity?Doesphoneticsplayalargerroleindeterminingthefeatures(cf.Krekoski2017)?

!Arethereconstraints,apartfromcontrast,onwhatphonologicalfeaturescanbe?

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!Howstablearecontrastivehierarchiesacrosstimeandspace?

IhavetriedtoshowthattheideasthatContrastiveHierarchyTheoryarebuiltonhavealongandevendistinguishedpedigreeinthehistoryofphonology.

!Howdolearnersacquirethefeaturehierarchyoftheirlanguage?

Forvariousreasons,thistheoryneverquitecametogetherinthe20th century.

Itismyhopethatthefullpotentialofthisapproachwillberealizedinthe21st.

Conclusions

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For discussions and ideas I would like to thank Graziela Bohn,Elizabeth Cowper, Daniel Currie Hall, Paula Fikkert, Ross Godfrey,Christopher Harvey, Norbert Hornstein, Harry van der Hulst, BillIdsardi, Ross Krekoski, David Lightfoot, Sara Mackenzie, AndrewNevins, Will Oxford, Keren Rice, Christopher Spahr, and Zhang Xi.

Andthankyou!Muitoobrigado!

https://dresher.artsci.utoronto.caFormorerecentpapersandtalks,pleasesee:

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