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Friday 28 September 12.00noon FERMATE IL PASSO: St Bene’t ... of Italian Music... · CAMBRIDGE...

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Friday 28 September 8.00pm IN VENETIA: Trinity College Chapel, Trinity Street Ticket: £25 QuintEssential Sackbut and Cornett Ensemble Concession: £20 Nicholas Mulroy tenor Richard Thomas director The Glories of the Most Serene Republic A programme to mark the four-hundredth anniversary of the death of Giovanni Gabrieli, with music by Monteverdi, Merula, di Rore, Donato, Castello, Buonamente, Priuli, and Gabrieli himself. Seventeenth-century Venetians loved rich and sumptuous spectacle. To satisfy the expression of this opulence in musical terms, the Venetian printing presses produced a wealth of instrumental music, designed to echo around the great golden domes of St Mark’s Basilica, and also throughout La Serenissima, in the churches, the palaces and the grand houses on the banks of the canals. By the turn of the seventeenth century, instrumental writing had developed into a highly sophisticated art form, utilising the glorious spaces of Venetian architecture and the virtuosic abi- lities of the members of the basilica’s wind band. The marriage of virtuosity and out- ward extravagance led to some of the finest music ever written for the wind band, and gives us a window onto the musical tastes of our seventeenth-century ancestors. Saturday 29 September 10.00am MUSEUM GUIDED TOUR: Cambridge’s Italian Art free of charge Fitzwilliam Museum, Trumpington Street We are very privileged to have secured a private tour, lasting one hour, of the museum’s early Italian masterpieces, led by the Fitzwilliam’s Assistant Director of Collections and Keeper of Paintings, Drawings and Prints, David Scrase. Meet at the front entrance. Advance booking is essential, since the group size is limited to twenty. 12.00noon FERMATE IL PASSO: St Bene’t’s Church, Bene’t Street Ticket: £15 VivaBiancaLuna Biffi soprano, viola d’arco Concession: £10 A mini-drama about love, woven from enchanting frottole from late 15th- and early 16th-century Italy. The three acts describe different moments of the day (sunset, night and morning) which are metaphors for falling in love, the torment of love, and the victory of love over troubles. The prologue and epilogue provide the voice of cynical reality: life is short and love is uncertain. VivaBiancaLuna Biffi began her musical education on the cello in Bergamo, and went on to study medieval fiddle, renaissance gamba and singing at the Schola Cantorum Basiliensis. Unique in the world of medieval music as both an instrumentalist and singer, she has worked with some of the most important early music ensembles, including Alla Francesca (France), Les Flamboyants (Germany) and Hespèrion XXI - Capella Reial de Catalunya (Spain). She has performed across Europe, and also in Russia, the Middle East, and North and South America, and has released eight CDs. Viva writes: The frottola repertoire, simple in appearance only, is an inexhaustible source of artistic and conceptual inspiration, which never ceases to surprise. The more one delves into its endless compositional and literary variety, the more one is bewitched by its enormous potential, both musical and poetic. 2.30pm FAMILY WORKSHOP ON EARLY ITALIAN MUSIC Adult: £17 La Dante in Cambridge Adult + child: £27 The Lodge, Hawthorn Way, Cambridge CB4 1BT including lunch VivaBiancaLuna Biffi soprano, viola d’arco Cambridge Early Music in partnership with La Dante in Cambridge is hosting a special event to give children the chance to be taught by an internationally known musician. This workshop for singers and instrumentalists is suitable for all ages; children who play a stringed instrument are particularly welcome. The workshop will be preceded by an Italian-style picnic lunch at 1.30pm. Please ask for details. Applications should be received by 14th September. La Dante in Cambridge in partnership with Cambridge Early Music is proud to promote the Festival of Italian Music, 28-30 September 2012. La Dante in Cambridge promotes Italian language and culture and is part of the Società Dante Alighieri in Rome. At La Dante, we teach more than just language: students enjoy learning Italian language and culture taught by our highly qualified teachers who infuse their lessons with their passion for all things Italian. You’ll learn everything about the people and places that make the language what it is today. Based in the heart of the city, La Dante is your stepping- stone to modern-day Italian culture. Visit us at our new premises: The Lodge, Hawthorn Way, Cambridge CB4 1BT. 01223 315191 www.ladante-in-cambridge.org 8.00pm L’ESTRO ARMONICO: Great St Mary’s Church Ticket: £25, £15 La Serenissima Concession: £20, £10 Adrian Chandler director It was three hundred years ago that Vivaldi published his ground- breaking set of twelve concertos L’Estro Armonico (The Birth of Harmony). These pieces paved the way for the development of the concerto, not only by Vivaldi himself but by other composers too including Bach. Today, these concertos are among the most famous of Vivaldi’s output, including the A minor concerto for two violins and the B minor concerto for four violins. La Serenissima is the Vivaldi orchestra par excellence, playing with terrific verve and style. “Chandler and La Serenissima play with such finesse, such precision, and yet such rollicking good fun, they make every work sparkle and come alive.” “They play with animation, resilience, good sense, and passion. It’s a winning combination.” “The trademark vitality of La Serenissima’s sound is unmistakable… imaginative phrasing and considerable flair…music making of the highest calibre” - Goldberg Magazine FESTIVAL DINNER: Don Pasquale, Market Square Join the Festival team and CEM’s Trustees for a late dinner (around 10.30pm) at Don Pasquale’s family-run Italian restaurant. Please let us know by 21st September if you would like to be included in the party. Everyone pays their share! Sunday 30 September 12.00 noon CLAVICHORD RECITAL Ticket: £12 St Mary’s School, Bateman Street Concession: £10 (entrance opposite Panton Street) Julian Perkins clavichord An hour-long recital of music by Girolamo Frescobaldi and Alessandro and Domenico Scarlatti. 3.00pm A CENTURY OF VIRTUOSO VIOLIN MUSIC Ticket: £20 St Bene’t’s Church, Bene’t Street Concession: £15 Pavlo Beznosiuk violin, Paula Chateauneuf theorbo Passionate music spanning the early 17th to early 18th century, from the earliest solo sonatas by Marini, Fontana and Castello, to flamboyant works by Corelli and Vivaldi, and Tartini’s ‘Devil’s Trill’. The Ukrainian/ Irish violinist Pavlo Beznosiuk has been described as “an artist with star quality”. Renowned for his virtuosity and versatility, Pavlo has secured his reputation as one of Europe’s greatest Baroque violinists. Soloist, accompanist, teacher and linch- pin of numerous early music groups, Paula Chateauneuf has earned her reputation as one of the most respected and admired musicians in the early music world. Marco Borggreve/AAM
Transcript
Page 1: Friday 28 September 12.00noon FERMATE IL PASSO: St Bene’t ... of Italian Music... · CAMBRIDGE CAMBRIDGE EARLY MUSIC FESTIVAL OF ITALIAN MUSIC Italy was the source of many of the

Friday 28 September

8.00pm IN VENETIA: Trinity College Chapel, Trinity Street

Ticket: £25 QuintEssential Sackbut and Cornett Ensemble

Concession: £20 Nicholas Mulroy tenor

Richard Thomas director

The Glories of the Most Serene Republic A programme to mark the four-hundredth anniversary of the death of Giovanni

Gabrieli, with music by Monteverdi, Merula, di Rore, Donato, Castello,

Buonamente, Priuli, and Gabrieli himself.

Seventeenth-century Venetians loved rich and sumptuous spectacle. To satisfy the

expression of this opulence in musical terms, the Venetian printing presses

produced a wealth of instrumental music, designed to echo around the great

golden domes of St Mark’s Basilica, and also throughout La Serenissima, in the

churches, the palaces and the grand houses on the banks of the canals.

By the turn of the seventeenth century, instrumental writing had developed into a

highly sophisticated art form, utilising the glorious spaces of Venetian architecture

and the virtuosic abi-

lities of the members

of the basilica’s wind

band. The marriage

of virtuosity and out-

ward extravagance

led to some of the

finest music ever

written for the wind

band, and gives us a

window onto the

musical tastes of our

seventeenth-century

ancestors.

Saturday 29 September

10.00am MUSEUM GUIDED TOUR: Cambridge’s Italian Art

free of charge Fitzwilliam Museum, Trumpington Street We are very privileged to have secured a private tour, lasting one hour, of the

museum’s early Italian masterpieces, led by the Fitzwilliam’s Assistant Director of

Collections and Keeper of Paintings, Drawings and Prints, David Scrase.

Meet at the front entrance. Advance booking is essential, since the group size is

limited to twenty.

12.00noon FERMATE IL PASSO: St Bene’t’s Church, Bene’t Street

Ticket: £15 VivaBiancaLuna Biffi soprano, viola d’arco

Concession: £10 A mini-drama about love, woven from enchanting frottole

from late 15th- and early 16th-century Italy. The three acts describe different moments of the day (sunset, night and morning)

which are metaphors for falling in love, the torment of love, and the victory of love

over troubles. The prologue and epilogue

provide the voice of cynical reality: life is

short and love is uncertain.

VivaBiancaLuna Biffi began her musical

education on the cello in Bergamo, and went

on to study medieval fiddle, renaissance

gamba and singing at the Schola Cantorum

Basiliensis. Unique in the world of medieval

music as both an instrumentalist and singer,

she has worked with some of the most

important early music ensembles, including

Alla Francesca (France), Les Flamboyants

(Germany) and Hespèrion XXI - Capella Reial

de Catalunya (Spain). She has performed

across Europe, and also in Russia, the Middle

East, and North and South America, and has

released eight CDs.

Viva writes: The frottola repertoire, simple in appearance only, is an inexhaustible source

of artistic and conceptual inspiration, which never ceases to surprise. The more one delves

into its endless compositional and literary variety, the more one is bewitched by its

enormous potential, both musical and poetic.

2.30pm FAMILY WORKSHOP ON EARLY ITALIAN MUSIC

Adult: £17 La Dante in Cambridge Adult + child: £27 The Lodge, Hawthorn Way, Cambridge CB4 1BT

including lunch VivaBiancaLuna Biffi soprano, viola d’arco Cambridge Early Music in partnership with La Dante in Cambridge is hosting a

special event to give children the chance to be taught by an internationally known

musician. This workshop for singers and instrumentalists is suitable for all ages;

children who play a stringed instrument are particularly welcome. The workshop

will be preceded by an Italian-style picnic lunch at 1.30pm. Please ask for details.

Applications should be received by 14th September.

La Dante in Cambridge in partnership with Cambridge Early Music is proud to

promote the Festival of Italian Music, 28-30 September 2012.

La Dante in Cambridge promotes Italian language and culture and is part of the

Società Dante Alighieri in Rome. At La Dante, we teach more than just language: students

enjoy learning Italian language and culture taught by our highly qualified teachers who infuse their

lessons with their passion for all things Italian. You’ll learn everything about the people and places

that make the language what it is today. Based in the heart of the city, La Dante is your stepping-

stone to modern-day Italian culture. Visit us at our new premises:

The Lodge, Hawthorn Way, Cambridge CB4 1BT. 01223 315191 www.ladante-in-cambridge.org

8.00pm L’ESTRO ARMONICO: Great St Mary’s Church

Ticket: £25, £15 La Serenissima

Concession: £20, £10 Adrian Chandler director It was three hundred years ago

that Vivaldi published his ground-

breaking set of twelve concertos

L’Estro Armonico (The Birth of

Harmony). These pieces paved

the way for the development of

the concerto, not only by Vivaldi

himself but by other composers

too including Bach. Today, these

concertos are among the most famous of Vivaldi’s output, including the A minor

concerto for two violins and the B minor concerto for four violins. La Serenissima

is the Vivaldi orchestra par excellence, playing with terrific verve and style.

“Chandler and La Serenissima play with such finesse, such precision, and yet such

rollicking good fun, they make every work sparkle and come alive.” “They play with

animation, resilience, good sense, and passion. It’s a winning combination.” “The

trademark vitality of La Serenissima’s sound is unmistakable… imaginative phrasing and

considerable flair…music making of the highest calibre” - Goldberg Magazine

FESTIVAL DINNER: Don Pasquale, Market Square Join the Festival team and CEM’s Trustees for a late dinner (around 10.30pm) at

Don Pasquale’s family-run Italian restaurant. Please let us know by 21st September

if you would like to be included in the party. Everyone pays their share!

Sunday 30 September

12.00 noon CLAVICHORD RECITAL

Ticket: £12 St Mary’s School, Bateman Street Concession: £10 (entrance opposite Panton Street)

Julian Perkins clavichord An hour-long recital of music by Girolamo Frescobaldi and

Alessandro and Domenico Scarlatti.

3.00pm A CENTURY OF VIRTUOSO VIOLIN MUSIC

Ticket: £20 St Bene’t’s Church, Bene’t Street

Concession: £15 Pavlo Beznosiuk violin, Paula Chateauneuf theorbo Passionate music spanning the early 17th to early 18th

century, from the earliest solo sonatas by Marini, Fontana

and Castello, to flamboyant works by Corelli and Vivaldi,

and Tartini’s ‘Devil’s Trill’. The Ukrainian/ Irish violinist

Pavlo Beznosiuk has been described as “an artist with star

quality”. Renowned for his virtuosity and versatility, Pavlo

has secured his reputation as one of Europe’s greatest

Baroque violinists. Soloist, accompanist, teacher and linch-

pin of numerous early music groups, Paula Chateauneuf has earned her reputation

as one of the most respected and admired musicians in the early music world.

Marco Borggreve/AAM

Page 2: Friday 28 September 12.00noon FERMATE IL PASSO: St Bene’t ... of Italian Music... · CAMBRIDGE CAMBRIDGE EARLY MUSIC FESTIVAL OF ITALIAN MUSIC Italy was the source of many of the

CAMBRIDGE EARLY MUSIC FESTIVAL OF ITALIAN MUSIC

Italy was the source of many of the musical innovations of the fifteenth, sixteenth and

seventeenth centuries. From the plainchant of church worship arose the laude, popular

devotional songs, in the fourteenth century, and from these developed frottole, both sacred and

secular; in turn these became madrigals and led to the madrigalian style of vocal music.

Meanwhile innovators such as Monteverdi and Caccini were developing their theories of the prima

and seconda prattica, ostensibly harking back to the rhetorical style used in the ancient world.

Side by side with the progress of vocal music came the transformation of the viola d’arco to the

much more versatile violin, and the development of the alta loud wind band into a more refined

incarnation; a whole new style of music infiltrated not only the secular world but also the church.

The instrumental sonata was adopted as part of the liturgy, giving it a legitimacy it might not

otherwise have attained. Suddenly instrumental music broke out of its religious and vocal bonds

and stood in its own right.

Our Festival of Italian Music explores this fertile period, which influenced the music of the world.

From the frottola to the virtuoso sonata, from the glorious brass of Gabrieli to the fully-fledged

baroque orchestra of Vivaldi, we are invited to taste the delights of the land of sunshine and

music. We welcome some of Europe’s foremost performers of these genres. La Serenissima is

the Vivaldi orchestra par excellence, playing with terrific verve and style. Pavlo Beznosiuk, known

to many in Cambridge for his work with the Academy of Ancient Music, plays the violin like a living

creature, squeezing the sweetest notes out of his tiny instrument; he is accompanied by Paula

Chateauneuf, a superb theorbo player (and also Pavlo’s wife!). VivaBiancaLuna Biffi is unique in

the world of medieval music, being equally proficient as singer and player of the viola d’arco. You

might have heard her perform for CEM with Mediva a few years ago. As well as her virtuosic solo

recital, Viva will share some of the secrets of the world of the frottola in a family-friendly

workshop. Julian Perkins, one of the leaders of the new generation of virtuoso keyboard players

in the UK, has given several Bach clavichord recitals for CEM; now he turns his hand to Italian

music, playing Frescobaldi and the Scarlattis – father and son. Our Festival begins with perhaps

what springs to mind most immediately when thinking about Italian music: the cornett and

sackbut ensemble playing Monteverdi, Gabrieli and others in the music of Venice. We’re

delighted to welcome QuintEssential and tenor Nicholas Mulroy for this opening concert. Our

Festival weekend also includes a guided tour of the Italian art in the Fitzwilliam Museum, led by a

distinguished expert.

Cambridge Early Music is delighted to present this Festival in partnership with La Dante in

Cambridge, which promotes Italian language and culture and is part of the Società Dante Alighieri

in Rome. Cambridge Early Music would also like to thank the Master and Fellows of Trinity College

and the Vicars and Churchwardens of Great St Mary’s and St Bene’t’s churches; David Scrase at the

Fitzwilliam Museum; Charlotte Avery and Sue Heath at St Mary’s School; the Benedetto family at

Don Pasquale, and Steve Turvill and his staff at Limoncello.

Have a wonderful weekend!

Cambridge Early Music, Trinity College, Cambridge CB2 1TQ, U.K.

www.CambridgeEarlyMusic.org tel. 01223 847330

Registered Charity Number 1127932

Picture credit: The lion of St Mark’s, Venice, by Vittore Carpaccio

CAMBRIDGE EARLY MUSIC FESTIVAL OF ITALIAN MUSIC

BOX OFFICE

Buy online at www.CambridgeEarlyMusic.org (01223 847330) or by post, sending a cheque payable to

Cambridge Early Music and a list of the tickets you would like. If you would like a receipt posted please

send a stamped, addressed envelope. We operate a ticketless system: at the concert you will be asked for

your surname and postcode (if we don’t already know you) to gain admission. No tickets are sent out.

FESTIVAL OFFERS

(1) Friends and Patrons of Cambridge Early Music may buy discounted season tickets giving admission to

all ts, at £87 (concession £68). Please ask about how to join. (2) Buy tickets for QuintEssential, Viva-

BiancaLuna Biffi, La Serenissima and Pavlo & Paula, and get free admission to Julian Perkins. (3) Groups

may buy 10 tickets and receive one free. All offers are subject to availability; one discount per booking.

INFORMATION

Friends’ and Patrons’ seats are reserved; all other seating is unreserved. Doors open 30 minutes before

the concert start time. Tickets cannot be refunded or exchanged except in the event of a cancelled

performance. By applying for tickets you consent to your name, contact details and subscription

information (if appropriate) being held on Cambridge Early Music’s database for the purpose of

maintaining our records and contacting you about the charity and about future events. We hold your

details securely and do not share them with any other organization or individual. If you do not wish to

receive occasional mailshots and/or emails from CEM please advise us at the time of application.

HOW TO GET TO CAMBRIDGE

Visit www.CambridgeEarlyMusic.org for travel details.

WHERE TO STAY

Accommodation may be booked through the Tourist Information Centre, Peas Hill, Cambridge CB2 3AD;

tel. 0871 226 8006 or +44 1223 464732. www.visitcambridge.org

CAMBRIDGE EARLY MUSIC

Trinity College, Cambridge CB2 1TQ

Tel: +44 1223 847330

Email: [email protected]

www.CambridgeEarlyMusic.org

Cambridge Early Music is a registered charity no. 1127932. All details subject to change.

Trustees: Jane Aldridge, John Bickley, Jill Davies, Rosamond McKitterick, Tony Watts

Administration: Selene Mills, Louise Jameson, Simon Jackson

Cambridge Early Music

gratefully acknowledges the support

of its Patrons for 2012:

Dame Mary Archer

Keren & Jo Butler

Martin Darling

Sue Davies

Sue Edwards & David Lavender

Prof. Barry Kay

Gerald & Annabel Malton

Ellen Sarewitz

Edith Schlossmann

Dr George Smerdon

Christopher Thorpe

Prof. Tony Watts

and those Patrons who wish to remain anonymous

Cambridge Early Music

FORTHCOMING CONCERTS

Thursday 29 November, 7.30pm, Trinity College Chapel

SOLOMON’S KNOT: A Chamber Messiah Handel’s masterpiece

performed by Baroque orchestra and just 8 singers

Saturday 15 December, 7.30pm, Trinity College Chapel

THE MUSICAL AND AMICABLE SOCIETY

Concerti for Christmas: Vivaldi, Telemann, C.P.E. Bach

Saturday 5 January 2013, 7.30pm, Trinity College Chapel

MEDIVA: Ballare et Danzare

Italian dance music from the 14th and 15th centuries

Friday 15 March 2013, 7.30pm, Trinity College Chapel

MICHAEL CHANCE & NIGEL NORTH: Lute song recital

CAMBRIDGECAMBRIDGECAMBRIDGECAMBRIDGE EARLY MUSICEARLY MUSICEARLY MUSICEARLY MUSIC

FESTIVAL OF ITALIAN MUSICFESTIVAL OF ITALIAN MUSICFESTIVAL OF ITALIAN MUSICFESTIVAL OF ITALIAN MUSIC 28282828----30 September 201230 September 201230 September 201230 September 2012

QuintEssential | QuintEssential | QuintEssential | QuintEssential | Pavlo Beznosiuk & Paula ChateauneufPavlo Beznosiuk & Paula ChateauneufPavlo Beznosiuk & Paula ChateauneufPavlo Beznosiuk & Paula Chateauneuf VivaBiancaLuna Biffi VivaBiancaLuna Biffi VivaBiancaLuna Biffi VivaBiancaLuna Biffi |||| Julian PerkinsJulian PerkinsJulian PerkinsJulian Perkins |||| La SerenissimaLa SerenissimaLa SerenissimaLa Serenissima

Monteverdi |Monteverdi |Monteverdi |Monteverdi | GabrieliGabrieliGabrieliGabrieli | Castello | Corelli | | Castello | Corelli | | Castello | Corelli | | Castello | Corelli | ScarlattiScarlattiScarlattiScarlatti | | | | VivaldiVivaldiVivaldiVivaldi

BOX OFFICE 01223 847330

www.CambridgeEarlyMusic.org

In partnership with La Dante in Cambridge www.ladante-in-cambridge.org

concer


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