Front Matter Source: Film Quarterly, Vol. 64, No. 3 (Spring 2011), p. 3 Published by: University of California Press Stable URL: http://www.jstor.org/stable/10.1525/FQ.2011.64.3.fm . Accessed: 15/05/2014 11:43 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . University of California Press is collaborating with JSTOR to digitize, preserve and extend access to Film Quarterly. http://www.jstor.org This content downloaded from 194.29.185.88 on Thu, 15 May 2014 11:43:02 AM All use subject to JSTOR Terms and Conditions
Transcript
Front MatterSource: Film Quarterly, Vol. 64, No. 3 (Spring 2011), p. 3Published by: University of California PressStable URL: http://www.jstor.org/stable/10.1525/FQ.2011.64.3.fm .
Accessed: 15/05/2014 11:43
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp
.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].
.
University of California Press is collaborating with JSTOR to digitize, preserve and extend access to FilmQuarterly.
http://www.jstor.org
This content downloaded from 194.29.185.88 on Thu, 15 May 2014 11:43:02 AMAll use subject to JSTOR Terms and Conditions
Caetlin Benson-Allott wrote about Kathryn Bigelow in the winter 2010 issue.
Marcia Butzel teaches at Clark University.
Joshua Clover is the author of 1989: Bob Dylan Didn’t Have This to Sing About (University of California Press).
Ryan Cook is a Ph.D. candidate at Yale University.
Mark Fisher blogs at k-punk.abstractdynamics.org.
David Forgacs is the author of Rome Open City (BFI Film Classics, 2000).
Martin Fradley teaches at the University of Manchester.
Ina Rae Hark is Distinguished Professor Emerita, University of South Carolina.
D. A. Miller is the author of 8½ (BFI Film Classics, 2008).
David Nowell-Smith lives in Paris.
Geoffrey Nowell-Smith is a former editor of Screen.
Rebecca Prime teaches at Hood College.
B. Ruby Rich teaches at the University of California, Santa Cruz.
Paul Julian Smith wrote about Pan’s Labyrinth in the summer 2007 issue.
David Sterritt is chair of the National Society of Film Critics.
Dan Streible teaches at New York University.
Paul Thomas wrote about Bright Star in the spring 2010 issue.
J. M. Tyree lives in Cleveland Heights, Ohio.
Andrew Utterson teaches at Canterbury Christ Church University, U.K.
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DePartMeNts BooK reVIeWs CoNtrIButors eDItor rob White
CoNsuLtING eDItor ann Martin
BooK reVIeW eDItor Matthew h. Bernstein
eDItorIaL BoarD Christine acham, Leo Braudy, ernest Callenbach, Joshua Clover, Brian henderson, Marsha Kinder, akira Mizuta Lippit, D. a. Miller
WrIters-at-LarGe James Naremore, Nina Power, Jonathan rosenbaum, J. M. tyree
ChIeF BooK CrItIC David sterritt
DesIGN Irene Imfeld
tyPesettING Dickie Magidoff
CoNtrIButING eDItors rick altman, Dudley andrew, Caetlin Benson-allott, Charlotte Brunsdon, Mark Fisher, Jane Gaines, Lalitha Gopalan, tom Gunning, Charlie Keil, James Naremore, abé Mark Nornes, Nina Power, Joanna rapf, a. L. rees, B. ruby rich, Vivian sobchack, Janet staiger, Garrett stewart, Paul thomas, James s. Williams, emma Wilson
eDItor’s reaDers richard Brown, rob Cheek
CoVer Photo Paisan (roberto rossellini, 1946). Courtesy of the Criterion Collection.
eDItor’s thaNKs adriano aprà, Brian Carmody, Lisa Mazzella
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