Leonardo Front Matter Source: Leonardo, Vol. 36, No. 3 (2003), pp. 177-228 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/1577356 . Accessed: 12/06/2014 23:12 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . The MIT Press and Leonardo are collaborating with JSTOR to digitize, preserve and extend access to Leonardo. http://www.jstor.org This content downloaded from 91.229.229.203 on Thu, 12 Jun 2014 23:12:21 PM All use subject to JSTOR Terms and Conditions
Transcript
Leonardo
Front MatterSource: Leonardo, Vol. 36, No. 3 (2003), pp. 177-228Published by: The MIT PressStable URL: http://www.jstor.org/stable/1577356 .
Accessed: 12/06/2014 23:12
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp
.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].
.
The MIT Press and Leonardo are collaborating with JSTOR to digitize, preserve and extend access toLeonardo.
http://www.jstor.org
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Leonardo Digital Reviews Editor-in-Chief Michael Punt
Managing Editor Bryony Dalefield
Web Coordinator Robert Pepperell
Leonardo Music Journal Editor-in-Chief Nicolas Collins E-mail: [email protected]
Design Thomas Ingalls + Associates
Production Impressions Book and Journal
Services, Inc.
Acknowledgments The editors and Board of Directors of Leonardo gratefully acknowledge the support and assistance of the College of Extended Learning, San Francisco State University; The Rockefeller Foundation; the Malina Trust; Fondation Daniel Langlois; the University of Illinois; The Ford Foundation; Donna Cox; and Al Smith.
Founder: FrankJ. Malina (1912-1981) FrankJ. Malina founded the journal Leonardo in 1967 as a professional journal for working artists to write about their own work. The journal's interdisciplinary aims and scope reflect his many achievements as an aeronautical engineer, pioneer in rocketry, research administrator, promoter of international cooperation, artist and editor.
Founding Publisher: I.R. Maxwell (1923-1991) I.R. Maxwell, as chairman of Pergamon Press, was the founding publisher of Leonardo in 1967. His vision of the future of publishing was instrumental to the establishment of contemporary scientific and scholarly publications and resulted in a major contribution to the development of modern science. His support and encouragement of Leonardo over 25 years are gratefully acknowledged.
Past Editorial Board Members L. Alcopley Pierre Auger Max Bill Jacob Bronowski John Cage R. Buckminster Fuller James J. Gibson Joseph Needham Frank Oppenheimer Cyril Stanley Smith C.P. Snow C.H. Waddington Lancelot Law Whyte
Leonardo Volume 36 Number 3, 2003
Leonardo (ISSN 0024-094X, E-ISSN 1530-9282) is published five times per year (February, April, June, August, and October) by the MIT Press, Five Cambridge Center, Cambridge, MA 02142-1407, U.S.A., for Leonardo, the International Society of the Arts, Sciences and Technology (Leonardo/ISAST). The Leonardo MusicJournal with CD (ISSN 0961-1215) is published as a companion volume. Copyright 2003 ISAST. Send address changes to Leonardo, MIT PressJournals, Five Cambridge Center, Cambridge, MA 02142-1407, U.S.A.
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Business Correspondence Address all correspondence regarding subscriptions, back issues, and bulk sales to: Leonardo MIT PressJournals Five Cambridge Center Cambridge, MA 02142-1407, U.S.A. Tel: 617-253-2889 Fax: 617-577-1545 E-mail: <[email protected]>
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LEONARDO EDITORIAL BOARD Authors interested in publishing in Leonardo are encouraged to submit their proposals or manuscripts to a member of the Leonardo editorial board. Manuscripts received at the editorial office with the endorsement of an editorial board member receive priority processingfor publishing.
International Co-Editors David Carrier, Dept. of Art History and
Art, Case Western Reserve Univ., 10900 Euclid Ave., Cleveland, OH 44106-7110, U.S.A. <[email protected]> ('02-'04)
Bulat Galeyev, Institute "Prometei," Kazan State Technical University, Academy of Sciences of Tatarstan, K. Marx Str., 10, Kazan 420111, Russia <[email protected]> ('02-'04)
Donna Cox, University of Illinois/ National Center for Supercomputing, 405 North Mathews, 4051 Beckman Institute, Urbana, IL 61801, U.S.A. <[email protected]> ('02-'04)
Michele Emmer, Dipartimento di Matematica, Universita di Roma "La Sapienza," Piazzale Aldo Moro, 2, 00185 Rome, Italy <[email protected]> ('02-'04)
George Gessert, 86070 Cougar Lane, Eugene, OR 97402, U.S.A. <[email protected]> ('02-'04)
Istvan Hargittai, Budapest Technical University, Budapest H-1521, Hungary <[email protected]> ('02-'04)
Eduardo Kac, Art and Technology Dept., The School of the Art Institute of Chicago, 112 S. Michigan Avenue, 4th Floor, Chicago, IL 60603, U.S.A. <[email protected]> ('02-'04)
Honorary Editors Rudolf Arnheim (U.S.A.) Roy Ascott (U.K.) ('02-'04) Stephen A. Benton (U.S.A.) ('02-'04) Ray Bradbury (U.S.A.) ('02-'04) Giorgio Careri (Italy) ('97-'99) Elmer Duncan (U.S.A.) ('97-'99) John E. Fobes (U.S.A.) ('02-'04) Herbert W. Franke (Germany) ('02-'04) Yona Friedman (Israel)
Judy Malloy, 5306 Ridgeview Circle #5, El Sobrante, CA 94803, U.S.A. <[email protected]> ('02-'04)
Jack Ox, #278, 1000 Bourbon St., New Orleans, LA 70116, U.S.A. <[email protected]> ('02-'04)
Sheila Pinkel, 210 N. Avenue 66, Los Angeles, CA 90042, U.S.A. <[email protected]> ('02-'04)
Christa Sommerer, ATR Media Integration and Communications Research Lab, 2-2 Hikaridai, Seika-cho, Soraku-gun, 61902 Kyoto, Japan <[email protected]> ('00-'02)
Curtis E. A. Karnow, Sonnenschein Nath & Rosenthal, 685 Market St., 6th Floor, San Francisco, CA 94105, U.S.A. <[email protected]> ('02-'04)
Raymond G. Lauzzana, 1333 Gough, #8B, San Francisco, CA 94109, U.S.A. <[email protected]> ('98-'00)
Thomas E. Linehan, Research Partners Program, College of the Arts, Ohio State Univ., 305 Mershon Auditorium, 1871 N. High Street, Columbus, OH 43210, U.S.A. <rlinehan. 11 @osu.edu> ('02-'04)
Aleksandra Maniczak, Adwentowicza 6/91, 92-536 L6di, Poland ('96-'98)
Frieder Nake, Informatik, University of Bremen, P.O. Box 330 440, D-28334 Bremen, Germany <nake@informatik. uni-bremen.de> ('02-'04)
Clifford Pickover, IBM ThomasJ. Watson Research Center, Yorktown Heights, NY 10598, U.S.A. <[email protected]> ('97-'99)
Jorge Glusberg (Argentina) ('96-'98) Vic Gray (New Zealand) ('02-'04) Richard L. Gregory (U.K.) ('02-'04) YusufA. Grillo (Nigeria) ('02-'04) John H. Holloway (U.K.) ('97-'99) Peter LloydJones (U.K.) ('97-'99) Madhoor Kapur (India) Richard I. Land (U.S.A.) ('02-'04) Jacques Mandelbrojt (France) ('02-'04)
David R. Topper, History Department, University of Winnipeg, Winnipeg, Manitoba R3B 2E9, Canada <[email protected]> ('02-'04)
Stephen Wilson, Art Dept., San Fran- cisco State Univ., 1600 Holloway, San Francisco, CA 94132, U.S.A. <[email protected]> ('02-'04)
Louise Poissant, D6partement d'arts plastiques, Universit6 du Quebec a Montreal, C.P. 8888, succ. Centre- Ville, Montreal, Quebec, Canada HSC 3P8 <[email protected]> ('00-'02)
Reviews by CLAIRE BARLIANT, ROY R. BEHRENS, CHRIS COBB, LUISA PARAGUAI DONATI, GEORGE GESSERT, AMY IONE, SIMONE OSTHOFF, ROBERT PEPPERELL, YVONNE SPIELMANN,
STEFAAN VAN RYSSEN.
0 LEONARDO NETWORK NEWS 253
?f These texts have accompanying material (for example, illustrations, sound files or additional texts) available on Leonardo On-Line
(http://www.leonardo.info). Visit the web site and use the search engine to find authors or topics.
ABOUT THE COVERS
Front cover: Phillip George, Parallel Universe Theory, mixed media on canvas, 100 X 150 cm, 1998. An exploration of the parallel universe theory; here the reflections are, in fact, not. Back cover: Phillip George, Seahorse, mixed media on canvas, 90 X 75 cm, 1998. This work is a critique of the nature of the clone and mutations of memory.
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http://www.leonardo.infoi i6i""" i Information on Leonardo/ISAST projects and publications, including: .
* Journal Special Projects: descriptions, calls for papers. * Leonardo Book Series: titles, summaries and proposal guidelines. * Subscription and order information and links. * Information for prospective authors. .. .s..ffi.;....
.. iiSir
;;'1" '' s~''~ . ... ' ...
LEONARDO MUSIC JOURNAL i http://mitpress.mit.edu/Leonardo/lmj Special topic volumes include: I:
* Southern Cones: Music out of Africa and South America (2000): table of contents, _ l ... i'J '''
: i ^ ?.. - ".. ,,
' !: !.. .. ].. . .
abstracts, CD info and essays from this special issue. " * Not Necessarily "English Music" (2001): table of contents, abstracts, CD info and
essays from this special issue. ... . * Pleasure (2002): table of contents, abstracts, CD info and essays from this special ; .
issue. * Groove, Pit and Wave: Recording, Transmission and Music (2003): call for papers and
project description. * Composers insideElectronics: Music afterDavid Tudor (2004): call for papers and proj- . i|
ect description.
LEONARDO ELECTRONIC ALMANAC http://mitpress.mit.edu/LEA Recent articles of interest include:
* Editorial by Nisar Keshvani. * "Myth, Mind and Meaning in New Media," by Fatima Lasay.
LEONARDO DIGITAL REVIEWS | 0,
http://mitpress.mit.edu/Leonardo/ldr.html -i Recent reviews of books, CDs, etc. include:
* Mille Gilles, a film by Ijsbrand van Veelen. Reviewed by Michael Punt. * The Scientific Temper: An Anthology of Stories on Matters of Science, by Anthony R.
Michaelis. Reviewed by David Topper. * Touch: Sensuous Theory and Multisensory Media, by Laura U. Marks. Reviewed by
Dene Grigar. * Obey The Giant: Life in the Image World, by Rick Poynor. Reviewed by Stefaan Van
Ryssen.
OBSERVATOIRE LEONARDO DES ARTS ET TECHNOSCIENCES
http://www.olats.org Special projects include:
* Pionniers et precurseurs (Pioneers & Pathbreakers) Projet. * Afrique Virtuelle (Virtual Africa) Projet. * Space and the Arts Project. I
Recent texts include: .'SS-^^
* Roy Ascott, "Planetary Technoetics" (CIREN, 28 November 2001), part of the "Cultural Roots of Globalization" special project.
* Julien Knebusch, "Planet Earth in Contemporary Electronic Artistic Production," part of the "Cultural Roots of Globalization" special project.
* Abraham Palatnik Virtual Gallery, part of the "Pioneers and Pathbreakers" spe- cial project.
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Global Crossings: The Cultural Roots of Globalization
The editors of Leonardo seek papers about the cultural roots (artistic and scientific) of globalization. Possi- ble topics include, but are not limited to:
* Planet Earth as artistic material * Creolization (the phenomenon of metissage, transnational cultural relationships) * Global climate (a sensory experience of the climate as possible corrective of global thinking) * Migrations (mobility in general) * Geography in a globalized world (places, cities, continents, world regions, approaches to space and
time in general) * Transportation in a globalized world (travel poetry in a world with new means of transportation) * The Internet and tele-technologies in their planetary dimensions * Net Art, telematic art and planetary issues * Overview effect (e.g. use and consequences of GPS and satellite technologies)
The guest editors for the project are: Julien Knebusch, Annick Bureaud, Mark Beam and Roger Malina.
A Leonardo Working Group for the project includes: Roger F. Malina, Annick Bureaud, Herve Fischer,
Jacques Arnould, Bernardo Cinquetti andJulien Knebusch.
Material published on-line as part of the project can be found at <http://www.olats.org> (projet singulier "Fondements Culturels de la Mondialisation"). On-line articles include:
* Roy Ascott, "Planetary Technoetics: Art, Technology and Consciousness" * Stephan Barron, "Ozone, o-o-o, Contact:... des oeuvres technoromantiques entre presence et
absence" * Karen O'Rourke and Sharon Daniel, "Mapping Databases: Online Representation of Spatiotemporal
Experience" * Julien Knebusch, "La planete Terre dans la production artistique electronique contemporaine"
Articles published in Leonardo to date include the following:
Volume 36, No. 1 (2003):
* Hisham M. Bizri: "City of Brass: The Art of Masking Reality in Digital Film" * Christopher Hight: "Stereo Types: The Operation of Sound in the Production of Racial Identity"
Volume 36, No. 2 (2003):
* Eduardo Kac: "GFP Bunny" * Celia Pearce, Sara Diamond and Mark Beam: "BRIDGES I: Interdisciplinary Collaboration as Practice"
Interested authors should contact guest editorJulien Knebusch with proposals at:
The LMJ series is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Cur- rently under the editorship of Nicolas Collins, each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series-an exciting sampling of curious and unusual, but eminently listenable, music. Indepen- dently curated and annotated by experts and aficionados, these CDs offer a feast for the ear and mind alike. LMJ is available by subscription from the MIT Press. Visit <http://mitpress.mit.edu>.
LMJ12: PLEASURE
From its naughty lyric content to the pounding physicality of its sound, Pop music is unabashedly driven by the pleasure principle. "Serious" music, however, is usually perceived as more refined, genteel or-to put it another way-repressed. And the avant-garde has traditionally found itself in the peculiar position of ac- companying bohemian, hedonistic lifestyles with a defiantly itchy and uncomfortable music. But are plea- sure and thoughtful invention necessarily at odds? Can there be no "bump and mind"?
What of the Maryanne Amacher fan who spent 2 hours at the Kitchen, body pressed close to subwoofer? What of the delight experienced by virtuosi in particular finger-tickling passages? What of the trance-like state induced by the Perfect Fifth of the tambura, and all its Western imitators? What of the gratifying, sternum-thudding din of Rhys Chatham's guitar pieces or the heaving, well-oiled muscularity of Gordon Monahan's swingers?
For nigh on a half-century, journalists have tried to raise Pop out of the gutter and convince us of its intel- lectual merit, but there has been scant critical attention paid to the feel-good factor of "serious" music. The time has come to think of libido and Ligeti in the same breath: in LMJ12 we reflect on the role of pleasure in all genres of music.
This volume includes articles by: Ben Neill, David Byrne, Bob Ostertag, Arthur Elsenaar and Remko Scha, Reinhold Friedl, Ricardo Arias, Frieder Butzmann, Gil Weinberg, Dave Soldier, Marina Rosenfeld, Robert Wilsmore, Bruce Crossman, Amnon Wolman, Yale Evelev, Robert Poss, David Rosenboom.
LMJ12 CD INCLUDED IN ISSUE
LMJ12 includes an audio CD curated by Christian Scheib and Susanna Niedermayr: From Gdansk tillDawn: Contemporary Experimental Music from Eastern Europe. The CD features works from throughout Eastern Europe by: Tigrics, Olga+Jozef, Wolfram, nicron, EA, Daniel Matej, Borut Savski, Molr Drammaz, the Abstract Monarchy Trio, Arszyn, Vladimir Djambazov, Jeanne Fremaux, Arkona, Vapori del Cuore and Martin Burlas.
Leonardo Music Journal Vol. 12, including CD, is available from the MIT Press for $30. To order, send email to <[email protected]> or visit <http://mitpress.mit.edu>.
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Composers inside Electronics: Music after David Tudor
"In my electronics ... I try to find out what's there-not to make it do what I want but to release what's there.... The object should teach you what it wants to hear." With this simple but subversive recipe, David Tudor articulated a profound shift in the aesthetics of electronic music.
Inspired by Tudor (and other composer/luthiers like David Behrman and Gordon Mumma) and aided by the Lego-like modularity of integrated circuits, the experimental music community in the 1970s adopted a new working method based on seat-of-the-pants electronic engineering. The circuit-whether home-made, self-hacked or store-bought but scrutinized-to-death-became the score.
A generation later, aspects of the Tudor aesthetic have spread well beyond the avant-garde: hip-hop, house and other forms of dance music and electronica share a similar obsession with the quirks intrinsic to spe- cific pieces of audio gear. Every pop producer has a signature gizmo. The latest software plug-ins emulate obsolete but beloved hardware. We've become virtuosos of Tudor's practice of listening to the object, but the regularity and repetition of techno could not be from the tangle of Tudor's music.
For this issue of the Leonardo MusicJournal, we invite authors to submit articles on any aspect of the work of David Tudor (both in its historical context and as it applies to music and art today), on the influence of Tudor's ideas on their own work, or on the role of technological idiosyncrasies in their composition, per- formance or production.
DEADLINES
1 November 2003: rough proposals, queries
1 January 2004: submissions of finished articles
Address inquiries to Editor-in-Chief Nicolas Collins at: <[email protected]>.
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Leonardo and LMJ Editorial Board Members The following is a partial list of Leonardo and Leonardo MusicJournal editorial board members accessible on line:
The Leonardo Electronic Directory Leonardo maintains an on-line directory called the Leonardo Electronic Directory on the World Wide Web. The direc- tory covers worldwide resources, individuals and organizations in the arts, sciences and technology. The URL for the Leonardo Electronic Directory is http://mitpress.mit.edu/e-journals/Leonardo/led.dir.html
Free Listing in the Leonardo Electronic Directory for Leonardo Associate Members Leonardo/ISAST associate members wishing to be included in the directory should send e-mail to [email protected] and include their name, addresses and other information that they wish to have posted, including any links to WWW URLs. The submission MUST be submitted in hypertext markup language (HTML) so that we can post the entry immediately in the Leonardo Electronic Directory.
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The mission of the Leonardo Book Series, published by the MIT Press, is to publish texts by artists, scien-
tists, researchers and scholars that present innovative discourse on the convergence of art, science and
technology. Envisioned as a catalyst for enterprise, research and creative and scholarly experimentation, the book series enables diverse intellectual communities to explore common grounds of expertise. The
Leonardo Book Series provides for the contextualization of contemporary practice, ideas and frameworks
represented by those working at the intersection of art and science.
Book proposals addressing theory, research and practice, education, historical scholarship, discipline sum-
maries, collections, and experimental texts will be considered.
In preparing your proposal, bear in mind that we need to know as much as possible about your book, in-
cluding its scope, its intended audience, and information on how you think we could best promote the
book to that audience. We also need to be convinced that you can present what you have to say in a way that will be useful, interesting and important to your readers.
Your proposal should include the following four items:
I. A prospectus describing your intentions. II. A detailed table of contents.
III. Two to four sample chapters that demonstrate the clarity and precision of your prose and the appeal of
your expository strategy. IV. An up-to-date curriculum vita or resume.
Inquiries and proposals can be submitted to:
Joel Slayton, Chair or Doug Sery Leonardo Book Series Committee MIT Press Books
c/o LEONARDO 5 Cambridge Center 425 Market Street, 2nd Floor Cambridge, MA 02142 San Francisco, CA 94105 U.S.A. U.S.A.
The following new books are currently in development:
JUDY MALLOY: Women, Art and Technology
LINDA HENDERSON: The Fourth Dimension and Non-Euclidean Geometry in Modern Art (Reprint) To order Leonardo Books, visit <http://mitpress2.mit.edu/e-journals/isast/leobooks.html>.
I i I i [oil] L 1 :
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