Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts.
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Chairperson Dr. Forrest Pierce
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Dr. Julia Broxholm
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Dr. Kip Haaheim
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Dr. Paul Laird
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Dr. Marylee Southard
Date Defended: April 25, 2016
The Dissertation Committee for Christopher Burton
certifies that this is the approved version of the following dissertation:
RANSOM
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Chairperson Dr. Forrest Pierce
Date approved: April 25, 2016
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ABSTRACT
Ransom is an opera in two acts based on the short story The Ransom of Red Chief by O.
Henry. A gang of robbers plot their final heist before retiring. During the job, they are
discovered and attempt to make a hasty retreat. In the mayhem, one of their own is captured and
they kidnap the Sheriff’s two children in return. It turns out that the children are a handful and
the criminals are unable to hold onto them any longer. In exchange for getting rid of the kids,
they turn themselves in. The opera is written for nine roles and a chorus. The work is
accompanied by a chamber orchestra of ten musicians. In its entirety, Ransom lasts
approximately one hour and 45 minutes.
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TABLE OF CONTENTS
PAGE FRONT MATTER v ......................................................
Cast v ............................................................Orchestra v ....................................................Percussion Notes v ........................................Performance Notes vi ....................................
ESSAY vii ...................................................................
LIBRETTO xv ................................................................
Act 1, Scene 1 xv ..........................................Act 1, Scene 2 xix .........................................Act 1, Scene 3 xxiv .......................................Act 2, Scene 1 xxxiii .....................................Act 2, Scene 2 xxxviii ...................................Act 2, Scene 3 xliv ........................................
• Sections marked as “Recit” are to be performed out of time. All rhythmic values are relative to
each other.
• If a tempo accompanies a “Recit” marking, this is an approximate tempo to be used with some
flexibility.
• Sections marked only with “Tempo” appearing after a “Recit” marking are intended to return
to the previous tempo (i.e. Tempo I or a tempo)
• Bar lines during “Recit” sections serve as cues for the orchestra or to divide character lines.
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ESSAY
Ransom is based on the short story The Ransom of Red Chief by William Sydney Porter,
better known as his pen name O. Henry. The original story revolves around two criminals, Bill
Driscoll and Sam, the first person-narrator, who are in need of seed money to pull off a new
heist. While traveling through Alabama, Bill suggests that they kidnap Johnny, the child of
Ebenezer Dorset, a prominent citizen of a small community called Summit. The boy whom they
kidnap ends up being an absolute terror who throws bricks and rocks and pretends to be the
character Red Chief who attempts to scalp Bill and ride him like a horse. Unfortunately, the
ransom does not go as planned; Ebenezer, knowing his child, does not cave to their demands, but
rather turns the tables on the criminals and demands money to take Johnny back. Bill and Sam,
not seeing any other way out of this situation, pay Ebenezer and leave Summit as quickly as
possible.
In order to adapt The Ransom of Red Chief into an opera, some changes were made to the
source material. Among the largest alterations was expanding the cast from three to nine
characters. The ultimate goal was to have a work utilizing a larger singing force than three that
was compatible with most opera company’s rosters. One of the biggest logistical challenges in
producing an opera is the disproportionate balance of male roles compared to the number of men
available to sing them and the overabundance of female singers. To address this, the two
criminals have become a band of four: Clara, Addy, Tommy, and Karl, with each of these
characters inspired by different attributes of the criminals in the story. Tommy is a blend of the
two as he is the most eloquent speaker, as the narrator was, and ends up bearing the brunt of the
childish mayhem in the second act. Karl is the leader who hatches the plans and tries to maintain
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calm and reason during the kidnapping. Addy is the tough-as-nails second-in-command who is
able to wield some control over the mayhem. Clara’s character is the farthest removed from the
original tale as she is a quirky character who serves a comic foil to the other bandits. Just as in
the original story, none of the criminals are evil by definition, so care was taken to portray them
as humans, not villains. Johnny, the child, has been split into two characters, the twins Billy and
Jane who are named after Billy the Kid and Calamity Jane. These two characters function as a
unit and are never seen or heard without each other, nor do they sing for extended periods
without the other. Lastly, Ebenezer Dorset has been changed to the town sheriff, Earl. As a
result of being a small town sheriff, Earl is very calm and collected and rarely gets worked up
about any situation. In addition to these changes new characters were added to flesh out this
adaptation. Sam, the sheriff’s deputy, serves as Earl’s right-hand man and helps introduce plot
points. Bob is the town drunk who always seems to find himself locked up in a jail cell sleeping
off the previous night’s events. Bob serves both as a comic relief as well as the traditional Greek
chorus, commenting on the situations at hand.
The Ransom of Red Chief was originally set in Alabama, but this adaptation takes care to
avoid referencing to a specific time period or location in order to maximize a stage director’s
creative choices. However, the flavor and language of the American Old West was a major
influence during the creation of this piece. The fictional towns mentioned in O. Henry’s story
play a part in Ransom, with the story taking place in and around Summit while the criminals are
from Poplar Cove. The only element that does cater toward a specific locale is the dialect used
by the townspeople, which uses “yer” instead of “your” or “ya” instead of “you.” It should also
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be noted that when Karl is attempting to pull off their scheme, his dialect leans more toward the
townspeople’s in an effort to blend in.
The plot of Ransom is the largest deviation from O. Henry’s original story. While Bill
and Sam set out to Summit to pull off a kidnapping, the kidnapping in Ransom is an emergency
plan after the first scheme falls apart. Karl poses as a traveling preacher at a town revival. Their
fictional story unfolds like so: Karl and his wife (Addy) and their friend (Clara) travel across the
state preaching about the dangers of alcohol. Tommy serves as a plant in the crowd to stir up
resentment. After the revival, when all of the liquor has been delivered to Karl (mostly by the
wives) in a fit of pious devotion, it is then sent to Tommy who sells the liquor back to the
townspeople at inflated prices. Unfortunately, the plan unravels when Bob, who is all too eager
to participate in the black market of booze, drunkenly exposes the criminals, leading to a
confrontation with the sheriff. The last-minute kidnapping of the sheriff’s kids is Karl’s “hail
Mary,” since Deputy Sam has already arrested Clara.
Many lines in the libretto were borrowed or adapted directly from the source text. The
ransom letter and its response, with a few changes, are nearly word for word the same as the
original. There are even smaller references to the source that might easily go unnoticed. The
first line of the story “It looked like a good thing: but wait till I tell you” makes an appearance in
the finale as Karl laments the failure of their scheme and “To tell you the truth, Bill” appears in
Act 2 when Karl admits that the children are fraying his nerves. Tommy’s Act 2 aria is pieced
together from Bill’s quotes in the story detailing the various things he would rather put up with
than deal with the kids. There is even a reference to the Pirates of Penzance in both the original
story as well as a hint toward it in the second scene of Act 2.
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Each role was specifically fached for vocal balance reasons and dramatic reasons. For
instance, the four criminals often appear together in each scene (except for Clara in Act 2). It
made sense to cast them as a soprano, a mezzo-soprano, a tenor, and a baritone so that if any
ensemble numbers arose, the voice parts would interact easily. The same choice was made in the
roles of Earl, Sam, and Bob. A mezzo-soprano, baritone, and bass serve as a trio that often
interacts with each other. Sam was cast as a pants-role in order to limit the number of men on
stage and extend the upper range of that ensemble. However, very little in the plot specifically
says that Sam is a man, so a director could easily cast Sam as a female deputy with little effort.
With the addition of Clara in Act 2, this allows for the presence of a soprano as well. Billy and
Jane are sopranos, light lyric, possibly coloraturas, because of their childlike demeanor. Billy is
intended to be slightly lower than Jane in vocal range. Logistically, this also works out well
because the children replace Clara’s soprano range in Act 2.
There are several musical elements that serve to link the opera together. The thieves are
linked by a 7/8 rhythmic motive that appears in the first bars of Act 1 (see figure 2). Because the
gang was traveling between towns attempting to stay out of the limelight, this off-kilter march
rhythm is meant to depict them creeping through the forest. This rhythm is adapted any time the
gang is referenced in the opera. For instance, when Sam is reporting about the traveling gang,
the rhythm reappears in common time (see figure 3). Each gang member gets a minor motif that
reappears periodically throughout the opera, but is not developed thoroughly like a Wagnerian
leitmotif may be. For example, Clara’s part in the first scene’s trio (See figure 4) reappears as
she is sitting in the jail cell humming to herself in the first scene of Act 2 (see figure 5)
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Figure 2. Thieves’ theme
Figure 3. Thieves’ theme adapted
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Figure 4. Clara’s theme, Act 1, Scene 1, m.106
Figure 5. Clara’s theme, Act 2, Scene 1, m.10
Scenes involving the lawmen Earl and Sam are set to a jaunty march figure first
appearing under Earl in his first appearance in Act 1, scene 2 (see figure 6). This motif is used
later when the criminals are discussing the sheriff, as this example from the beginning of Act 2
scene 2 when Karl talks about the sheriff’s reply being due (see figure 7).
The children are depicted using two musical motifs, a “laughing” figure of jumping third
(Act 2 scene 3 m. 37) and the melodic figure found in their duet in Act 2. Their music is nearly
always written in triplets to depict the flighty and playful manner of the children. Much of their
music was inspired by the final moments of the first movement of Respighi’s The Pines of Rome,
another piece depicting the play of children.
The town of Summit is depicted in the quick 16th-note figures found at the beginning of
Act 1 scene 2, in the overture, and in the final scene. This musical figure was inspired by, but
does not directly quote, fiddle tunes. The open strings in the violas and cellos, fast fiddle-like
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Figure 6. Sheriff’s theme, Act 1, Scene 2, m.29
Figure 7. Sheriff’s theme, Act 2, Scene 2, m. 31
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passages in the violins, syncopated rhythms, and overall hustle and bustle are intended to work
toward this end.
The orchestra is fairly small in size: ten total players including single winds (flute,
clarinet, and horn), piano, percussion, and a string quintet. All percussion instruments used, with
the exception of an Anvil and Sizzle Cymbal, are standard and easily-found instruments. The size
and instrumentation of the orchestra were chosen to make the work as performable as possible.
There are many companies and programs with limited access to a full orchestra, so this ensemble
is easily reachable for universities and regional companies alike. The ten players may easily be
found in most university music departments.
The Ransom of Red Chief provided a strong impetus for the creation of a comic opera.
The comedic twist in the plot and the already fully-developed characters provide a strong basis.
In order to fully adapt O. Henry’s short story for the stage, certain changes were made in order to
enhance the story for a musical drama. These changes served to expand and enhance the story
for production on stage, to expand the list of characters to support the expanded story, and allow
a stage director a fair amount of creative discretion.
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ACT I
Scene 1
Scene: a forest path or country road. A sign reading “Summit - 10 miles” is seen alongside the path. Clara, Addy, Tommy, and Karl enter.
Karl Just a little further, almost there, just past this clearing.
Addy You’ve been saying that for twenty miles.
Karl We’re close, I can feel it.
Clara Karl, I’m not so sure.
Addy What do you mean, Clara?
Clara [points to a road sign] “Ten miles to Summit.”
Karl I guess we could camp here.
Tommy Finally! I’m tired!
Karl I get it!
Tommy No, you don’t!
Karl What do you mean, Tommy?
Tommy Traipsing through these small towns, tricking all these people into giving us their money and possessions. I’ve had it! I’m done! I’m gonna make an honest life for myself once and for all!
Karl Summit’s the last one, I promise.
Tommy [dismissive] That’s what you said last time!
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Addy Clara and I, we agree with him Karl.
Karl Tommy, Addy, Clara, you know I need you.
Tommy But we’re tired of living as grifters.
Karl This is our last con, I need you in Summit.
Clara We know, Karl! We’re a team, when we first met, you promised to take care of us.
Karl That’s what I’m doing
Addy [sigh] Karl, you don’t have to anymore. Let’s go back to Poplar Cove.
Tommy Yes Karl, Let’s go home. It’s time. I’m just trying to provide for us.
Addy You already have.
Clara We have more than enough now.
Karl Alright, this is it then, this is our last con.
Addy Really?
Clara Promise?
Karl Yes, one last con and then we’ll retire!
Clara, Addy, Tommy Do you swear?
Karl Yes, I swear.
!xvi
Tommy What our plan? What are you fixin’ to do? Don’t keep anything from us. This is it. One last con. What’s the plan, Karl? We’ve been hiding from the law too long! What’s our plan, Karl? What will we do? What do you have up your sleeve? What’s our last con.
Addy A promise is a promise. We have your word, Karl! One final score then we retire. We have an understanding, you promised all of us. So now let us in on the plan. We are trusting you. A promise is a promise. You gave your word, Karl!
Clara I’m so excited to be going home and live in a house with a white picket fence. One, Two, neighbors on either side. Won’t that be nice? I remember there were houses just like that back home. Don’t you, Karl? Then we can all live together and get a pair of chickens and a horse! Then, every evening we’ll take a long stroll. Now won’t that be nice?! I’m excited to be going home and live in a house with a white picket fence.
Karl Alright! Alright! Listen up! It’s perfect, one last con, our biggest yet. Tommy, do you remember the plan?The one that was similar to our scam in Jasper? Do you remember the one?
Tommy I’ve told you before, I’m not comfortable dressing up like a…
Karl Not that plan! The other plan.
Tommy Oh, that one.
Karl Yes, that one.
Tommy It’s crazy!
Karl It’s insane
Tommy It just might work.
Karl We’ll go to Summit, a sweet little town, where the folks aren’t bright and the streets are empty at night. When the weekend comes, the town will be a’bustling, ready for our brand of hustling. We’ll tell them I am a preacher man, a traveling preacher man, out spreading the Lord’s holy word.
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Clara, Addy, and Tommy We’ll tell them you are a preacher man, a traveling preacher man, out spreading the holy word of God!
Karl Now here’s what we’ll do to get our last score, so listen up! Oh, what a trick we’ll be playing, and they’ll never see it coming. And when they figure it out, we’ll already be far away. The good Reverend Karl says, “the enemy is liquor,” But don’t you worry ladies and gents, Reverend Karl is here to cleanse your souls. My followers and I will dispose of it for you.” Then good ol’ Tommy will find those sinners who’ll buy it back for twice the price! Then we’ll be set for life!
Clara, Addy, and Tommy “The enemy is liquor!” Then good ol’ Tommy will see the demand and sell it back for twice the price.
Karl Then we’ll go home.
Clara, Addy, Tommy, and Karl So when we reach Summit, this sweet little town where the folks aren’t bright and the streets are empty at night. When the weekend comes the town will be a’bustling, ready for our brand of hustling.
Karl We’ll tell them I am a preacher man, a traveling preacher man, out spreading the Lord’s holy word.
Clara, Addy, and Tommy We’ll tell them you are a preacher man, a traveling preacher man, out spreading the holy word of God!
Karl Just spreading the holy word of God!
Addy So after this we’ll go home to Poplar Cove?
Tommy Soon we’ll go back home.
Karl Yes, my friends you know I’m a man of my word. You can believe everything I say.
Addy Except when you are swindling. From what I recall that sounds quite sincere.
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Clara Only if you’re drunk or dumb!
Karl Let’s hope they buy a pint or seven and a shot or four of moonshine each.
Clara I can’t wait to be done!
Addy Me too.
Tommy We’ll go home soon.
Karl One last con.
Scene 2
Scene: The Summit Town Jail with a view of the town square and church. Townspeople are going about their business in the square. There are three cells in the cell. One cell is occupied by Bob, the town drunk. Deputy Sam is sitting in his chair.
Sam Where is he?
Bob Where’s who?
Sam The sheriff, he’s late.
Bob [misunderstanding] What’s he “bait” for?
Sam [Sam chuckles to self] Sleep it off Bob.
[Sheriff enters]
Earl Sorry I’m late Sam
Sam What kept ya so long Sheriff?
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Earl Theresa’s got the flu, so I had to get the kids ready and out the door. And, well, you know my kids.
Sam That I do....I’m surprised you’re here this soon with the morning you must have had! Is Theresa alright?
Bob Ha ha ha! She’s probably loving the vacation.
Earl I think she’d much rather not have the flu, Bob.
Bob Ha! With those kids? I doubt it.
Earl Any news, Sam?
Sam S’matter of fact there is. We got a letter from the Sheriff over in Leeland.
Earl Really? From Joe? He hasn’t talked to me since I beat him in poker a few months back. Is he asking for a rematch?
Sam No, sir. Apparently there’s a gang of con men who’ve been moving stolen goods and running scams up and down the state. He wanted to give us a heads up.
Earl Well all right then. Let’s hear it Sam, tell me about this gang.
Bob This ought to be good. Deputy Sam’s got a flair for the dramatics!
Sam Oh, shut it, Bob!
Sam According to reports there’s a gang, two men and two women, running all sorts of schemes up and down our great state. They started out in Strongsville, selling faulty insurance to coal miners’ wives, but when time came to pay, they were nowhere to be found. That company didn’t even cover anyone south of Brown River.
Grifters! Hustlers! Let’s lock them up and throw away the key!
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We lost track of them after that until a few months later when they turned up in Jasper as travelin’ missionaries. They were collectin’ funds to build a new church. And bein’ good Christian souls, the people of Jasper emptied their pockets into the collection plate. Not 5 minutes later, those four devout missionaries had disappeared into the night.
Not three weeks ago they turned up in Smithtown telling tales of bein’ robbed by bandits on the highway. The kind of generous townspeople donated furniture, clothes, household supplies, and even travelin’ money to help them on their way.
The very next week they arrived in Leeland as travelin’ salesmen peddling their wares of furniture, clothes, and household supplies. Now they would’ve gotten away with it too, if it were not for the Sutherland Sisters: two fine, upstanding citizens, Miss Joanie and Miss Julie. See, they had been in Smithtown just the week before to visit their Aunt Sally, and just as soon as those devious schemers had set up shop, the sisters recognized them and alerted Sheriff Joe. He almost had them. Unfortunately, the cons caught wind of the situation and bailed out of town before they could be apprehended. Now it’s up to us to be on guard and catch these crooks if they should come our way.
Bob See, Sheriff? I told ya he was dramatical. You should be in one of them travelin’ shows, Sam.
Earl So we’ve got two men and two women...Did Joe say what they looked like?
Sam Nothing detailed enough to help us. The men are average build, somewhere between twenty and forty years old, and have appeared with and without beards. The women are pretty, in their twenties and apparently wear hats.
[Billy and Jane enter the Town Square and start playing a little too roughly. The townspeople give them a wide berth]
Earl Hats?
Sam Yessir. hats. The Sutherland Sisters said they were “the highest of fashion.”
Earl Hmm, So we don’t really have much to go on except to keep an eye out for two average men and two pretty women who wear hats.
Sam That’s it.
Earl Well it shouldn’t be too hard to spot strangers in town.
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Sam Except for the Revival this weekend.
Bob Ah hell, we got another revival? Mary always makes me go to those!
Sam Maybe she’s hoping you’ll give up drinking and swearing, Bob.
Bob Jesus made wine outta water. I don’t think he minds too much.
Earl Wine at a wedding is a mighty different thing than a bottle of whiskey for breakfast, Bob.
Earl It’ll be hard to spot this gang at the Revival. We should make sure…
[Billy & Jane crash through the Jail door and run to Sheriff Earl]
Billy and Jane Daddy! Daddy!
Earl Billy, Jane, what have I said about bursting through doors screaming?
Jane But Daddy he kicked me!
Billy You punched me!
Jane Nuh-uh!
Billy Yuh-huh!
Jane Nuh-uh!
Billy Yuh-huh!
Earl Enough! Apologize. Now!
Jane and Billy Sorry…
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Earl Now go play, and try to behave for once.
[Jane and Billy run out the door and begin to wreak havoc in the town, eventually leaving the stage.] [Crash!] [Sam, Earl, and Bob wince]
Earl Now what was I saying? Oh right, We should make sure that were prepared in case these no-good hustlers come to our town.
[Focus shifts to the townspeople outside who are preparing for the revival]
Townspeople Just a little to left.
Here?
More!
Stop! That’s it!
How many seats do we need?
I don’t know, ask the Reverend!
Do we have enough bibles?
I hope so, these are all we’ve got!
Watch out! Coming through!
Billy! Don’t touch that! Leave it be!
Get outta the way!
Where do ya think this goes? Over here?
I don’t know, ask the Reverend!
How many seats do we need?
How should I know? Ask the Reverend.
Does anyone know where this goes? Ask the Reverend.
[To Billy and Jane] No! Put that down!
How much more is left to do?
Sam and Earl It’s gonna be a long week.
!xxiii
Scene 3
Scene: A church revival, inside the church or just outside on the steps, possibly in the town square. The town has gathered to hear Reverend Karl deliver a message.
Karl Ladies and gentlemen there’s a plague among us, a plague I say. The devil is among us, the devil I say, causing a blackness of the heart and a darkness of the soul.
Do you feel it sisters? Do you feel it brothers?
Townspeople Oh yes! Yes! Lord!
Karl You may find yerself askin’, you may be askin’ “What is this plague?! What is this affliction among us?” It’s the gateway to Hell! Yes! The gateway to Hell!
Can you feel the sin, that disappointment from the Lord? Oh Lord, I can feel it!
Can you feel it sisters? And you, bothers, can you feel the hellfire burning?
Townspeople Yes! We feel it! Oh yes! Lord, yes!
Karl Now you be askin’ yourselves “What is this deadly affliction?” Is it envy?
Townspeople Yes, Lord, the envy, I feel it.
Karl Could it be rage?
Townpeople It’s rage, Lord. Save us from our rage!
Karl Avarice?
Townspeople Oh yes, Lord! With greed and avarice, with rage and malice, we are afflicted!
Karl I’m here to tell ya, children, what you’ve ne’r been told before. Ya been told that your greed will keep you out of heaven. Well it’s your lucky day ’cause I’m here to say: that ain’t what’s causin’ you harm.
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It’s the devil’s nectar. It’s the drink, Yes! Alcohol, oh yes, it’s the devil’s nectar. That’s what will keep you apart from God! Do you feel the truth a’risin’? Risin’ inside your soul? Do you feel a fire burnin’? Get rid of all your whiskey and turn your life around.
Townspeople Oh, I feel it risin’! Risin’ inside! A fire a’burnin’, Lord.
Lord, I feel it risin’ deep inside of me! Lord, a fire is burnin’, come and set me free! Save us from the Hellfire, save us from teh flame, Oh, I feel the spirit, Lord!
Karl Now children, this affliction goes by many names: Ale, Beer, Grog, Gin, Punch Stout…Hooch!
Townspeople Yes!
Tommy Yum!
Karl Sinner!
It may seem harmless at first but let me tell you, if you drink your morals will fail, you’ll end up in the clink! Now, my friends, it’s time to save your souls. Go home, and bring me all of your liquor. Go quick, now!
Bob But wait. Hold on. What are you gonna do with all that liquor?
Karl My child, I’ll pour it all out!
Townspeople (women) He’ll pour it out!
Karl Now my children, the bible says: “give up all for your God.”
Townspeople That’s the truth! He speaks the truth!
Karl Go quick and fetch your liquor!
[as people begin to bring liquor] Yes, come forth, my sister.
Townspeople Give it up!
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Karl Yes, children, look at it: that’s the sin!
Townspeople That’s the sin!
Karl Come forth and be healed
Townspeople Healed!
I feel it! I feel it in my arms.
In her arms, in her arms.
I feel it in my legs.
In her legs, in her legs
Karl Oh glory hallelujah! You’re cleansed of your sin!
Townspeople Oh glory hallelujah! We’re free, We’re free of our sinful ways! Praise the Lord on High!
Karl Now, ladies and gentlemen, the Lord is tellin’ me that our work is not done here. Is there anyone else who wants to be cleansed of their sin and indiscretion?
Billy Bob does.
Karl Anyone?
Jane Bob does.
Billy and Jane He’s there, over there, please pick Bob!
Earl Billy, Jane, enough now, be quiet!
Karl Now, let us sing a hymn of praise together.
Pray we, O Lord, for our sins now. Give us a revival. O Dearest Lord, please show us how. Give us a revival, Lord. Unto your great glory we bow, Give us a revival Lord.
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Townspeople Pray we, O Lord, for our sins now. Give us a revival. O Dearest Lord, please show us how. Give us a revival, Lord. Unto your great glory we bow, Give us a revival, Lord.
Karl Faithful to our father we vow. [Townspeople] Give us a revival. The seeds of faith we gladly plow. [Townspeople] Give us a revival, Lord. Unto your great glory we bow. [Townspeople] Give us a revival, Lord.
Now go forth in peace: cleansed and free of liquor!
If you did not come forward: before the sun goes down, come back to deliver yourselves from the evil by riddin’ yourselves of the temptation. Good people of this fair city, bring us your liquor and be free of sin!
Townspeople Unto your great glory we bow, Give us a revival, Lord.
Sam Ya know, that was the best revival I’ve ever been to!
Earl Really? Why?
Sam The preacher was short and to the point. We got out of there in an hour! When was the last time you remember that ever happening at a revival?
Earl [chuckles] True enough. I’m not sure I liked the message though.
Sam I didn’t think you were a drinkin' man, Sheriff. Billy and Jane driven ya to the bottom of the bottle?
Earl Hardly, Sam. I just know A lot of fellers are gonna be mighty uppity ’til the next liquor shipment arrives at the General Store.
[Tommy is on the side of the stage with a few men from the Revival including Bob]
Tommy Can you believe what that preacher man was sayin'? I swear, I almost walked out!
Townspeople (men) What? Why?
Tommy Are you kidding me? His whole message was based entirely on opinion rather than Scripture.
!xxvii
Townspeople Are you sure? I’m sure he quoted the Bible.
Tommy Of course he quoted Scripture, but was any of it actually about the sin of alcohol?
Bob ummm... Ah... ...no?
Tommy You’re absolutely right good sir! None of the Scripture was about alcohol! Who here can tell me anytime when Jesus says alcohol is evil or “the devil’s nectar”?
Townspeople Not once! I can’t think of anything that Jesus says about liquor! It’s all about loving your neighbor, not pouring good liquor down the sink!
Bob I think he woulda frowned on it, I mean he did turn water into wine!
Tommy Exactly my friends! And now that preacher-man’s gotten all o’ y’all to throw out yer drink!
Townspeople Dag Gummit he’s right! Whadda we do now?
Bob We riot! We go find that preacher man and get our whiskey back!
Townpeople We riot and get our whiskey back!
Tommy If only ya could boys, if only ya could. But he’s already done poured it out.
Townspeople Ah hell! I need a drink. Anybody got a bottle that was spared from the horror? Surely you do Bob!
Bob Sorry boys, Mary went on a tear and dumped all the bottles before the revival even started!
Tommy I think I may be able to help.
Townspeople Really? Tell us! How?
!xxviii
Tommy I may have a bottle or two that I’d be willing to share with ya. Of course, I’d need some compensation since I paid for ’em, ya know.
Townspeople Understandable! Completely understandable! That won’t be a problem, just let us know what you need.
Tommy Alright! Meet me back here in a little while, and be discreet, okay? I don’t want no one getting in trouble with their wives or the Sunday School teachers.
Townspeople Got it!
[Townspeople disperse - Clara and Tommy meet near the church]
Clara psst! Tommy!
Tommy Clara we’re standing right next to each other.
Clara I know, but we’re not supposed to know each other!
Tommy Then just pretend like we’re meeting for the first time. How do ya do miss?
Clara [giggles] Just fine. [giggles]
Tommy [sighs] You’re mighty pretty miss. I’ve got some errands to run, but I’d love to see you again. I’ll be over there for most of the afternoon.
Clara Over there?
Tommy That’s right.
Clara Well maybe I’ll come by and see you. I am a bit thirsty though so I think I’ll grab a drink first.
[Tommy exits and Clara goes into the church]
[Clara and Addy come out of the church, carrying boxes of liquor]
!xxix
Addy Good Lord, these are heavy. Have you ever noticed that we always do the heavy lifting, while the men just stand around?
Clara Yes. I’ve always figured they’re just lazy.
Addy Or they’re not strong enough!
[Clara and Addy burst out laughing]
Addy Shh shh shh, We’re supposed to be inconspicuous.
[Addy & Clara hide the liquor and return to the church]
Karl Is it done?
Addy Everything’s in place. It’s up to Tommy now.
Karl Well, let’s clear out then so he can finish the job.
[Tommy enters and heads over to the liquor stash. Earl, Addy, and Clara exit]
[Bob enters and heads to Tommy]
Bob Psst! You open for business, Brother?
Tommy That I am good sir! What can I do you for?
Bob Whiskey. A bottle if you’ve got it.
Tommy Absolutely! Do you have...ah...restitution?
Bob Restitution?
Tommy Of the monetary variety.
Bob Oh you mean cash! Yessir! Here ya go!
!xxx
Tommy Thank you! And remember: be discreet.
Towns person Psst! You open for business, Brother?
Tommy That I am good sir! What can I do you for?
Townsperson Gin. A bottle if you’ve got it.
Tommy Comin’ right up!
Towns person Here’s your pieces of tin.
Tommy Thank you! And remember: be discreet.
Towns person Beer. As many bottles as I can carry.
A man needs his liquor after a long day, no matter what a preacher or our wives say!
[Sam and Earl enter the Town Square to patrol and Bob is stumbling drum kinky around with his bottle of whiskey]
Bob Aw that’s it? Watch where yer goin’!
Earl Well look at that. Seems like Bob managed to keep a hold on some whiskey. Let’s go get him before he hurts himself.
Sam Or Mary drags him to listen to that preacher again!
Earl How ya doing there Bob?
!xxxi
Bob Sheriff. S’good to see ya. What are ya doin’ ’round these parts?
Sam Come on Bob, I think ya need a bit of shut-eye. Hand me that bottle.
Bob No! It’s my bottle! Ya can’t have it! Go get yer own!
Sam I can’t Bob. That preacher dumped all of it and the General Store’s all out.
[Billy and Jane enter and Townspeople are milling around]
Bob Shh, don’t you worry bout that, Sammy. My friend can take care of ya, whatever ya need he’s got.
Earl What are ya talkin’ about, Bob?
Bob My friend. [Points at Tommy] he’s got all the liquor you’ll ever want. He even had a bottle of my favorite whiskey that Mary threw out.
Earl Your friend? How do ya know him?
Bob Jus’ met him today after the Revival. He didn’t like the preacher and happened to have some liquor with him.
Sam Seems like he brought an awful lot of liquor to a revival. Look around Sheriff: lots of folks carryin’ bags around on a day when the shops are closed.
Earl Ya know, come to think of it, we never actually saw him pour out those bottles. And with Bob’s friend, that makes four.
Sam The preacher, his wife, her friend, and the liquor man. You think they’re our grifters?
Bob Whaddaya mean grifters?
Earl I think it’s worth talkin’ to ’em.
!xxxii
Bob WHADDAYA MEAN BY GRIFTERS?!
[The townspeoples’ attention is drawn to Bob. Tommy overhearsa Bob. Karl, Addy, Clara step out to check on the commotion. Everyone looks at each other awkwardly.]
Earl Evening folks. I loved the revival today, would ya mind coming over here to chat about yer message with us?
Tommy We’ve been made! RUN!
Earl STOP THEM!
[Chaos ensues onstage. Billy and Jane are running around playing tag, Tommy, Clara, Addy, and Earl keep getting separated from each other, narrowly avoiding the Sheriff and Deputy, until eventually the Sheriff grabs Clara’ and Billy and Jane end up to close to Karl, Tommy, and Addy.]
Addy They’ve got Clara!
Karl Quick grab his kids!
[Karl & Tommy grab Billy and Jane and run off stage while Earl & Sam are left holding Clara.]
ACT II
Scene 1
Scene: The Summit Town Jail. Clara and Bob each occupy a cell. Sam and Earl are sitting in chairs.
Clara Hmmmmm [humming to herself]
Clara It’s really quiet and peaceful here. That’s nice. Is it always like this?
[Sam and Earl laugh]
Clara What’s so funny?
Sam You can thank yer friends for this relaxing atmosphere.
Clara I don’t get it.
!xxxiii
Earl You see, my children are something of a...handful, and they get into quite a bit of trouble ’round here. More trouble than you and your friends, actually.
Clara That’s too bad. I like kids, I always thought they’d be wonderful to have. Little boys making mud-pies, little girls with pigtails and ribbons. Reading stories, singing lullabies, playing make-believe and dancing! Baking cookies, drinking lemonade while planting beautiful flowers! And dancing! I always imagine lots of dancing! Children really are wonderful!
Sam Some are.
Earl They all are. It’s just that some are well behaved and some are...
Bob Hell in a hand basket!
[Sam bursts out laughing]
Earl Difficult! Just like their mother.
Sam What does Theresa think about all this?
Earl You know Theresa - she’s laughing her head off! When I read her the ransom letter she said "I’ll keep ’em in my prayers cause they’re sure gonna need em!"
Clara A ransom letter? They sent you a ransom letter? What did they say? Are they threatening to come break me out or maybe tie your kids down on a railroad track with a train approaching so that you have to choose between letting me go and saving your children before they’re squished under the train?!
Earl, Sam, and Bob ...What?
Clara What?
Bob That’s completely ridiculous.
Sam How would they even coordinate that? The nearest train is 10 miles away and it doesn’t even run on schedule half the time.
!xxxiv
Clara Well fine! What did they say, then?
[Earl walks over to the desk and retrieves ransom letter and clears throat]
Earl “Sheriff, we have your children concealed in a place far away from Summit. It is useless for you or even the most skilled Lawmen to attempt to find them. The only way you will have them restored to you is if you release Clara from your jail with our money in her hand.” Ha, ha, ha! “If you agree to these terms send your answer in writing with a messenger to the road crossing at Birch Creek and Jagged Rock by tomorrow at 7 O’clock in the evening. There you will find three scraggly trees and a large flat rock with a crevice in it. Leave your reply in the crevice and return immediately to Summit. If you attempt any treachery or fail to comply with our demands as stated you will never see your children again. If you do comply with our demands your children will be returned to you safe and well within three hours. Signed, The Strong Arm Crooks.”
Clara Aww they miss me!
Bob What in tarnation type of name is The Strong Arm Crooks? That’s terrible!
Clara I never really liked it much myself, but what are you going to do? When a man gets stuck on an idea sometimes it’s easier just to go with it.
Sam Let’s hope they’re not too stuck on this ransom idea!
[Sam and Earl laugh]
Clara But I don’t understand. Why do all of you think it’s funny that my friends have your children? Aren’t you even a little worried about what will happen if you don’t let me go?
Earl Not in the slightest. Miss Clara when I say my children are difficult I don’t exaggerating. Last month Billy stole a beehive from a tree and put in his teacher’s desk.
Clara How bad was he stung?
Earl Oh, he wasn’t. I don’t know how on earth he got that hive down without getting stung, but he did.
!xxxv
Sam And the week before last Jane snuck into the general store and switched all the labels on all the food. Salt for sugar, pickles for pickled jalapeños, that sort of thing.
Clara That doesn’t sound so bad.
Sam It was the day before the Cook Off! People got sick. It was not a pretty picture.
Bob And they’re always throwing rocks at stray cats.
Earl And one time they stole Jack Brown’s horse and went out to play a game Red Chief and then they disappeared for three whole days.
Clara What happened to them?
Sam They wouldn’t tell a living soul what happened out there in the wilderness.
Bob That horse wasn’t ever the same again. He was real skittish after that and wouldn’t look anyone in the eye.
Earl Theresa was furious. They haven’t done anything like that again. That woman, bless her, she sure knows how to put the fear of God in those kids.
Clara So what you’re saying is my friends can’t handle your children?
Earl It’s not just that they can’t handle my Billy and Jane, but that my children will most likely terrorize and completely wear down your friends long before my wife and I start to get worried.
Clara Poor Karl. Poor Addy! Poor Tommy! They’re nice people, you know. What are you going to tell them?
Sam Yeah, what are you gonna say, Earl?
Earl Hmmm...well...lets see here.
!xxxvi
[Earl sits at the desk and pulls out paper and pen]
Earl I received your letter today in regard to the ransom you ask for the return of my children. I think you were a little high in your demand that I release Clara and give you the money I confiscated from your scheme.
Clara Well what do you propose then? You’ve got to give them a counter offer.
Earl I’d like to counter your proposition: You bring Billy and Jane home and I agreed to take them off your hands and keep them far away from ya if you turn yourselves in.
Clara Oh I don’t like that plan. Can we just promise never to do it again? Maybe we’ve already been punished enough.
Bob She’s got a point. A few days alone with Billy and Jane is worse than life in prison!
Earl Oh quiet Bob! Unfortunately the law’s the law and y’all are wanted in three states.
Clara But at least we’ve never hurt anyone. You can’t say that for your children!
Sam Yeah... You might want to give em a heads up to be discreet when they come, Earl. I don’t think the citizens of Summit will be too happy with anyone bringing Billy and Jane home.
Bob Amen to that.
Earl Fair point, Sam.
Earl You had better come real early in the morning for the town has been quite peaceful since my children have been gone, and I can’t be responsible for what the townsfolk might do to anybody they see bringing them back.
Earl All right, how does that sound?
Sam Sounds good to me.
Bob Except for the part about bringing the kids with ’em.
!xxxvii
Clara You forgot to sign it.
Earl Sincerely, the Sheriff.
[Earl hands letter to Sam]
Earl Do you want to do the honors, Sam.
Sam Sure thing, Sheriff!
Clara Hmmmm [humming to herself like in the beginning]
Scene 2
Scene: Somewhere in the wilderness outside of Summit. There is a cave on one side of the stage where the gang of criminals and the children have been staying.
Addy What are ya doing out here Karl?
Karl Yer supposed to be on watch right now, aren’t ya?
Addy They’re still asleep. I left ’em with Tommy - he’s not too happy about it.
Karl I don’t blame him. I rounded the corner yesterday and those little brats were trying to scalp him for a game they called Red Chief.
Addy I’m not surprised. Last night we were playing “Doctor” and the little boy said I had gangrene and need an amputation. Next thing I knew the girl has a pocket knife and starts reaching for my foot! I don’t know if we can keep this up much longer Karl.
Karl The sheriff’s reply was due last night, let’s wait till we read it before making any decisions.
[Sung off stage]
!xxxviii
Billy Tommy, Tommy,
Jane Ha aha aha!
Billy I’m hungry!
Jane I’m thirsty!
Both The sun’s awake and so are we!!!!
[Kids burst out of the cave]
Jane What do you think the grass is green? Is it because a leprechaun lives in my shoes? Why do the trees move? It is because the wind is really a giant’s breath that blowing from a high mountain?
Billy Why do you look so funny? Why are you staring at me like that? Why do you shake your head? Who are you looking for? Who? Who? Who?
Both Oh, Tommy come and play with us!
Jane What are we gonna play today?
Billy Can I pick the game this time? I want to pick!
Jane Let’s play Trolls in Dungeons and Dragons in castles and princesses and we must have a jousting match!
Billy No Here’s what we’ll do: We should play pirates!
Jane What will we be the pirates of?
Billy The Pirates of Penn...of Penn... oh it doesn’t matter!
Both En guard Tommy! (Kids pull out long sticks and start circling Tommy)
!xxxix
Tommy No. I don’t want to play. Just leave me alone.
Karl Where the hell did they get those sticks?
Addy Who knows? I’m telling you, those kids...
Karl I know, but we won’t have ’em much longer?
Jane Avast ye swine!
Billy Arrrr! The curse of the sea be upon ya!!!
Billy En guard!
Jane En guard!
Tommy Ow! Don’t I get a sword too?
Jane What type of pirate doesn’t have a sword?
Billy You have to have a sword! It’s the rules!
Tommy Alright then, let me go get a sword! [Starts to look for a stick and Jane hits him]
Jane If you break the rules then you’ll have to go before the captain for yer judgement! [to Billy] Oh captain, what do you say?
Billy Walk the plank!
Both Walk the plank! Walk the plank! The captain’s ordered Walk the plank! [Both kids are jabbing at him forcing him downstage towards a cliff (orchestra pit)]
Tommy Be careful now, we’re getting mighty close to the cliff!
!xl
Enough! I am done playing ya hear! [Storms off towards Karl and Addy]
Billy Geez. What’s his problem?
Jane We’re just having a bit of fun Tommy!
[Billy and Jane follow Tommy]
Addy You really think he wants them back?
Karl They’re his family. Clara is our family and we still want her back.
Addy Quirky and intolerable are two different things, Karl. [Sighs] Let’s hope you’re right.
[Addy goes to find Tommy while Karl watches the kids from afar]
Karl Let’s hope I’m right.
Tommy Karl! I can’t take this anymore! These kids are terrible, sadistic, little monsters! Did you see them try and push me off the cliff?
Addy Tommy, it’s all right...
Tommy Don’t tell me that Addy! It ain’t right and you know it! They’re not right…they’re...
Billy Right behind you.
[Tommy jumps and yelps]
Jane Aw don’t be such a baby.
Karl Enough! [Steps in between kids and Tommy] Tommy why don’t you go check if the Sheriff has responded to our ransom.
Tommy Gladly! [Tommy storms off]
[Kids try to follow Tommy, but Addy steps in front of them]
!xli
Addy Not so fast you two! You need to stop and think real hard about what you’ve been doing.
Jane What do ya mean Miss Addy? We ain’t been doin’ no wrong!
Billy Yeah Miss Addy, we’ve just been playin’! It’s not our fault Tommy ain’t got no imagination!
Addy Like I said, just think real hard on what you’ve been doing and who you’ve been doing it to and what might happen to you if your sheriff daddy doesn’t agree to our ransom…
Billy Wait, what do you mean by that?
Addy What do ya think I mean, Billy?
Jane But, but, we’re just kids!
Addy And we’re a gang of hardened criminals used to getting our way.
Karl I think it’s best if you go back to the cave now.
[Billy and Jane run back to the cave]
Karl Are you really suggesting...
Addy Of course not Karl!
Karl Good! We’re cons and thieves not murderers.
Addy But seriously Karl...if he doesn’t agree to the switch, what do we do? I think those kids might kill us in our sleep and we can’t just leave without Clara.
Karl I know Addy, I know.
[Tommy runs back on stage to Karl and Addy]
Tommy He said no! He said no, Karl! Aw geez! what are we gonna do? I don’t wanna go to jail, but I can’t spend another day with those kids! They’ll kill me for sure! I just want to go away and
!xlii
start over. But I can’t leave Clara and what he’s proposing sounds awfully nice except for the jail part. I…
Karl Slow down Tommy! What are you saying about jail?
Tommy Read it Karl, just read it!
Karl “I received your letter today in regard to the ransom you ask for the return of my children. I think you were a little high in your demand that I release Clara and give you the money I confiscated from your scheme. I’d like to counter your proposition: You bring Billy and Jane home and I agreed to take them off your hands and keep them far away from ya, if you turn yourselves in. You had better come real early in the morning for the town has been quite peaceful since my children have been gone, and I can’t be responsible for what the townsfolk might do to anybody they see bringing them back. Signed – The Sheriff”
Addy What should we do now? We could call his bluff and wait a little bit longer, but I’m not entirely sure that he’s bluffing.
Karl I say we wait a few more days and let the Sheriff’s conscience get to working.
Tommy No! I’m putting my foot down Karl. If you won’t agree to his proposition, I’ll turn us in myself!
Tommy I’m a grown person with masculine proclivities and habits of self-defense, but there is a time when all systems of egotism and predominance fail. I have been subjugated to supernatural tortures and I’ve tried to be faithful to our cause but there is a limit to what a man can handle. Through all of our cons and schemes, and our shenanigans I have never wavered. I have never lost my nerve until we kidnapped these hell demons disguised as children. The martyrs from old times have not suffered nearly as much even in their death as I have suffered with these children. I would stand without batting an eye through earthquakes, fire and flood, poker games, dynamite, church revivals, police chases, train robberies and even a tornado but I cannot withstand these children!
Tommy It’s the only option! I’m not spending another day with those kids.
[Sounds of sawing and metal clanking comes from inside the cave]
Jane and Billy Hahaha! Hahaha! Sharpen and saw to build our game. Mousetrap is how we’ll have fun today!
!xliii
Addy That doesn’t sound good.
Tommy Please Karl! Please! I can’t take it no more!
Addy Karl, I think they’ll kill us for sure as soon as we close our eyes!
Karl Alright! Alright! To tell you the truth, these little brats are fraying my nerves too. We’ll take them back and turn ourselves in, and pray the Sheriff keeps his word to save us from his son and daughter.
Scene 3
Scene: The Summit Town Jail early in the morning. On one side of the stage, the gang arrives in town with the children. On the other side of the stage, Clara occupies a cell in the jail. As the scene goes on, more and more townspeople awake and go about their daily business.
Jane This is a bit ridiculous don’t ya think?
Billy Honestly, y’all just don’t know how to have fun!
Addy You booby trapped the cave.
Karl And tried to build a guillotine.
Billy Oh that thing? It was for educational purposes.
Jane In school we were learning about the French Revolution and we wanted to see how it worked.
Billy We were gonna use it on logs.
Tommy Only if you couldn’t get our heads in it.
Jane What was that Tommy?
!xliv
Billy Did you say you wanted to play, Tommy?
Addy That’s it, everyone stop! Now you listen to me, and you listen well. Don’t think for a minute that you have any of us fooled: you are horrible, nasty, little children. You may try to act cute and innocent, but we all know that isn’t the case. I don’t know how your parents keep you from massacring the whole town, let alone setting your house on fire just to watch it burn, but I’ve got a pretty good idea. Kids like you only respond to one thing: your mother. I don’t know your Momma or how she makes you toe the line, but I swear to high heaven, if you don’t keep your mouths shut, walk nicely and do what we say, I will tell her every single thing you’ve done and said since we took you. Now, ask yourselves, do you really want your Momma to hear all that?
Jane and Billy No ma’am.
Addy That’s what I thought. Now leave Tommy alone.
Jane and Billy Yes ma’am.
Addy And apologize.
Jane and Billy Sorry Tommy.
Karl Now that we’ve got that settled, let’s get a move on. I want to be in town by sunrise, so no one sees us bringing you two back. I don’t want a mob on our hands.
[Town Square and Jail]
[Earl enters escorting Bob into a Jail Cell. The cell door clangs shut waking up Clara.]
Clara [Yawns] What time is it?
Sam Almost 6:30.
Clara At night?!
Sam No, in the morning. It’s almost sunrise.
!xlv
Clara Why on earth are you all up this early?
Earl Doing our civic duty, Miss Clara.
Bob More like harassing law abiding citizens who are just minding their own business.
Earl You were yelling at a porch swing,
Sam And threatening to punch it right in the face.
Clara Hahahahahaha!
Bob I had the situation entirely under control.
Sam We aren’t up just to keep you from drunkenly hurting yourself Bob. We’re also waiting for Miss Clara’s friends to bring back Billy and Jane.
Bob I changed my mind. I’m glad I’m safe in this cell.
Earl [Chuckles] Well, Miss Clara’s friends can’t wait to join you.
[Billy, Jane, Karl, Addy, and Tommy enter the Town Square and head to the Jail]
Sam Looks like y’all are gonna have some company.
Clara Is someone bringing us breakfast?!
Sam What? No.
Earl Your friends have come to turn themselves in.
[Billy, Jane, Karl, Addy, and Tommy enter the Jail]
Jane & Billy Daddy! Daddy!
!xlvi
Earl Billy! Jane! Are ya glad to be back home, kids?
Jane I guess. It was fun camping out, but…
Billy It was kinda boring. They don’t really know how to play.
Earl Well your Momma and I have told you that not everyone plays the same way. Different people have different definitions of fun.
Sam Most adults don’t find havoc and chaos very fun, for example.
Bob Or destruction and dismemberment.
Tommy Isn’t that the truth!
Karl Ahem. Well Sheriff, we’ve kept our part of the bargain, are you prepared to keep yours too?
Earl Absolutely. Sam, would you like to do the honors?
Sam My pleasure. [approaches Addy] Miss…?
Addy Addy.
Sam Right this way, Miss Addy. You’ll be bunking with Miss Clara.
Clara Hi Addy! Hi Karl! Hi Tommy! I’ve missed you guys! It’s been pretty boring here without you. I hear those kids were awful, I hope you’re all all right! I’d feel so bad if…
Addy Hush now Clara, we’re fine. We’re just glad to see you.
Billy Hey what do you mean awful?!
Jane You kidnapped us, remember? We’re not the criminals here!
!xlvii
Bob Not yet, anyway.
Earl Kids, go run home to your Momma, now. She’s missed you.
Jane Okay Daddy! Bye-Bye!
Billy Okay Daddy! Bye-Bye!
[Jane & Billy exit into the Town Square where the Townspeople have begun to start their day]
Jane & Billy Good morning everyone!
Townspeople Good Morning… Billy? Jane? You’re…back? They’re back. Oh no!
Sam Karl, Tommy, You’ll be in this cell next to Bob.
Tommy You just keep those kids away from me and I’ll go wherever you want me!
Karl Speaking of which, how are you going to keep them away from us? I mean you work here, surely they’re going to come and visit you and try to torment us in the process.
Earl Don’t worry about that. You’re wanted in several towns, so I’ve arranged for you to be transferred out to the State Penitentiary next week. Once they pick you up, you’ll never have to worry about my kids again.
Karl I’ve got to ask, how…?
Earl How do I keep my kids in line?
Addy, Tommy, and Karl Yes!
Earl I do what I can, set rules and enforce them, but it’s really their Momma that makes them toe the line.
!xlviii
Addy I knew it! I told you! It’s always the mother that keeps kids in line. She must be one hell of a woman.
Earl She sure is, always has been. When I first met Theresa, I had to arrest her for breaking into the bank because she needed the money from her lockbox for some after hours business.
Sam, Bob, Clara, Addy, Tommy, & Karl What?
Earl [Chuckles] It’s a long story, but she can more than handle anything those kids throw at her.
Townspeople No! Stop! Don’t Touch that! Leave it alone! That’s not a toy!
Sam Sounds like the town’s figured out that Billy and Jane are back.
Townspeople They’re back, they’re back! Dear God, why are they back?
Karl I never thought I’d say this but, I’m glad we’re in these cells.
Bob Amen to that, Reverend!
Karl, Tommy, Addy, & Clara Amen.
[Time passes in the jail cells…]
Clara So... what have you been up to?
Karl It looked like a good thing, but wait ’til I tell you, kidnapping is not a con man’s game. But what was I to do with Clara caught up with the law? I had to think of something, but my choice was disastrous and wrong!
Addy I wish we’d gone home to Poplar Cove and never gotten into this mess. I wanted to settle down and put this swindler act to rest. But life’s full of coulda’s and shoulda’s and now I’ll just have to hope for the best.
!xlix
Tommy In order to run a successful con, one must know everything and be prepared for anything. Unfortunately for us, homicidal children are outside of our realm of knowledge, and what can I say? I’d rather live in a cell than die in that cave.
Clara Maybe prison won’t be so bad if I’m there with my family! There’s always some fun to have and new friends to make if you try.
Tommy, Karl, Addy & Clara When you get dealt a bad hand sometimes it’s better to fold and live to play again.
Bob My momma used to say “If ya fall off yer horse just get back on, unless you land on a cactus. Then ya gotta roll around and scream in pain.” And y’all done landed in two cactuses.
Sam Grifters, Hustlers living life on the lam, betcha wished you’d never tried to pull the wool over our eyes. You’ve done the crime and now you’ve gotta do your time.
Earl You know the old saying “what goes around comes around”? Years of tricking good and innocent folk has gone and landed ya up a creek. It’s time to make amends and say your prayers that my kids don’t find you again.
Townspeople Now you’ve learned that you reap what you sow, and someday these kids will too. You reap what you sow.
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œ œ œb œb
190
∑
pizz.
pizz.
pizz.
pizz.
P
P
P
P
P
P
Œ ‰ Jœb œ œ ŒOh, that one
œb .œ ˙ ‰ Jœ
oth er plan. Yes,
Ó Œ ‰ Jœb .
œ .˙
jœ ‰ Œ Ó
∑
∑
∑
œ œ œb œb
œ œ œb œb
œ œ œb œb
œ œ œb œb
191
∑
Tommy
Œ ‰ Jœœ .œ Œ
It’s cra zy!
œb œ Œ ‰ œ œ Jœb ‰that one. It’s in sane!
œb . œ. Œ ‰ Jœ.
Jœb .‰
jœ ‰ Œ Ó
∑
∑
∑
∑
∑
Œ ‰ jœjœ ‰ Œ
∑
Œ ‰ Jœ Jœ ‰ Œ
192
∑
‰ .œ ‰ œ ‰ œbIt just might
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
œ Œ œ œb
193
œ Œ œ œbpizz.
P
Jœb ‰ Œ Ówork.
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
jœb ‰ Œ Ó
194
jœb ‰ Œ Ó
-
-
-
Burton – 61
?
&
&
&
&
&
ã
&
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B
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# #
#
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
∑
∑
Œ œ ˙
Œ œ ˙
∑
∑
∑
∑
œ œb œ œ œ œ œ œ
œ œb œ œ
˙ Ó
195
∑
q=144-152
q=144-152
q=144-152
q=144-152
pizz.
pizz.
F
F
F
F
F
arco
195
195
195
195
∑
∑
œ ˙ œn
œ ˙ œb
∑
∑
∑
∑
œ œb œ œ œ œ œ œ
œ œb œ œ
∑
196
∑
∑
∑
w
w
∑
∑
∑
œ œb œ œ œ œ œ œ
jœ‰ Œ Ó
œ œb œ œ
˙ Ó
197
∑
Í
Í
F
arco
∑
∑
˙ œ> Œ
˙ œ>
Œ
∑
∑
∑
œ œb œ œ œ œ œ œ
∑
œ œb œ œ
∑
198
∑
f
f
œ œb œ œ œ ‰ Jœ
We’ll go to Sum mit,a
∑
∑
∑
∑
∑
∑
jœ‰ Œ Ó
œ œb œ œ œ œ œ œ
œ œb œ œ
˙ Ó
199
∑
P
P
P
P
Karlœ œ œ œb œ œ œ
sweet lit tle town, where the
∑
∑
∑
∑
∑
∑
∑
œ œb œ œ œ œ œ œ
œ œb œ œ
∑
200
∑
--
Burton – 62
?
&
&
&
&
&
ã
&
&
B
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# #
#
42
42
42
42
42
42
42
42
42
42
42
42
44
44
44
44
44
44
44
44
44
44
44
44
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
201œ œ œb œ œ
folks aren’t bright and the
201
∑
∑
∑
201
∑
∑
∑
201
œ œb œ œ œ œ œ œ
jœ ‰ Œ Ó
œ œb œ œ
˙ Ó
201
∑
œb œ œ œ œb3
streets are emp ty at
∑
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∑
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∑
∑
œ œb œ œ
∑
œ œb
∑
202
∑
wnight.
∑
Œ jœb ˙ œ.
∑
∑
∑
∑
jœ ‰ Œ Ó
œ œb œ œ œ œ œ œ
œ œb œ œ
˙ Ó
203
∑
P
˙ Ó
Œjœb ˙ œ.
∑
∑
∑
∑ ?
∑
œ œb œ œ œ œ œ œ
jœ ‰ Œ Ó
œ œb œ œ
∑
204
∑
P
∑
‰ Jœ. œ. œ. œ̂ œ.
Œ
‰ Jœ# . œ. œ. œ̂ œ. Œ
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. œœœœ. œœœœ
^ œœœœ.
Œ
jœ# ˙# œ jœ# œ.
∑
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205
˙# > œ œ.
p
p
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arco
arco
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p F
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-
Burton – 63
?
&
&
&
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&
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B
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# #
#
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
œ œ œ œ œ œ
When the week end comes, the
∑
∑
∑
∑
∑
∑
jœ ‰ Œ Ó
œ œ œ œ œ œ œ œ
œ œ œ œ
∑
206
∑
P
P
206
206
206
206
œ œb œ œ œ œ œtown will be a bus tl ing,
∑
∑
∑
∑
∑
∑
∑
œ œ œ œ œ œ œ œ
œ œ œ œ
∑
207
∑
œ œ œb œ œb œ
rea dy for our brand of
∑
∑
∑
∑
∑
∑
œ œb œ œ œ œ œ œ
jœ‰ Œ Ó
œ œb œ œ
∑
208
∑
P
˙n ˙
hust ling.
Œ œ œ œ œ# œ œ# œ œ œ3
3
3
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3 3 3
∑
∑
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∑
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∑
209
∑
F
F
- - - - - -
Burton – 64
?
&
&
&
&
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ã
&
&
B
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# #
#
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
210
∑
210œ œ œ œb œb œ œn œb œ œ œ œn
3 3 3 3
œ œ œ œb œb œ œn œb œ œ œ œn3 3 3
3
∑
210
‰œœœœb œœœœ
œœœœœœœœ> œœœœ Œ?
ww
∑
210
œ. œ. œb . œ. œ̆ œ. Œ
œ. œ. œb . œ. œfl
œ. Œ
œ. œ. œ. œ. œ̆ œ. Œ
œ. œ. œb . œ. œ̆ œ.Œ
210
œ. œ. œ. œ. œ̆ œ. Œ
arco
F
F
F
F
F
F
∑
œb . œ.Œ Ó
œn . œ. Œ Ó
∑
‰ œœ ‰ œœ ‰ œœ ‰ œœstacc.
œœ
œb œœ
œ
1Œ Ó
jœ œb Jœjœ œ Jœ
œ œ œ œ
Jœ œb jœ Jœ œ jœ
œ œb œ œ
211
œœ
œœ
f
f
pizz.
pizz.
P
arco
pizz.
P
P
P
Ppizz.
P
211
211
211
211
∑
∑
∑
∑
‰ œœ ‰ œœ ‰ œœœ ‰ œœœ
œœ
œb œœ
œ
∑
jœ œb Jœjœ œ Jœ
œ œ œ œ
Jœ œb jœ Jœ œ jœ
œ œb œ œ
212
œœ
œœ
Œ œ œ œ
We’ll tell them
∑
∑
∑
‰ œœ ‰ œœ ‰ œœ ‰ œœ
œœ
œb œœ
œ
1Œ Ó
jœ œb Jœjœ œ Jœ
œ œ œ œ
Jœ œb jœ Jœ œ jœ
œ œb œ œ
213
œœ
œœ
Fœ œ œ œb œ œ
I am a preach er man,
feigning piousness
∑
∑
∑
‰ œœ ‰ œœ ‰ œœœ ‰ œœœ
œœ
œb œœ
œ˙b
∑
jœ œb Jœjœ œ Jœ
œ œ œ œ
Jœ œb jœ Jœ œ jœ
œ œb œ œ
214
œœ
œœ
-
Burton – 65
?
&
&
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ã
&
&
B
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# #
#
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
215
Œ œ œ œ
A trave ling
215
∑
∑
∑
215
‰ œœ ‰ œœ ‰ œœ ‰ œœ
œœ
œb œœ
œw
∑
215jœ œb Jœ
jœ œ Jœ
œ œ œ œ
Jœ œb jœ Jœ œ jœ
œ œb œ œ
215
œœ
œœ
œ œ œ Ópreach er man,
∑
∑
∑
‰ œœœ ‰ œœœ ‰ œœœ ‰ œœœ
œœ
œ œœ
œ
∑
jœ œ Jœjœ œ Jœ
œ œ œ œ
Jœ œ jœ Jœ œ jœ
œ œ œ œ
216
œœ
œœ
Œ œ Jœ œ Jœb
out spread ing the
w
wn
wb
wwb
wwwbb
1Œ Ó
Jœb ‰ Œ Ó
jœ ‰ Œ Ó
Jœb ‰ Œ Ó
Jœb ‰ Œ Ó
217
Jœb ‰ Œ Ó
P
P
P
˙ œ œ
Lord’s ho ly
w
w
w
www
Ó ˙
∑
∑
∑
∑
∑
218
∑
w
word.
w
w
wn
www
ww
∑
∑
∑
∑
∑
219
∑
∑
w
w
wn
www
ww
∑
Jœœ Jœ Jœ
œ Jœ
œ œ œ œ
Jœ œ Jœ Jœ œ Jœ
œ œ œ œ
220
w
F
F
F
F
F
- - - -
Burton – 66
&
&
V
?
&
&
&
?
?
ã
&
&
B
?
?
# #
#
C.
A.
T.
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
221
Œ œ œ œWe’ll tell them
Œ œ œ œWe’ll tell them
melody
Œ œ œ œ
We’ll tell them
∑
221
∑
∑
∑
221
∑
∑
1Œ Ó
221
Jœœ Jœ Jœ
œ Jœ
œ œ œ œ
Jœ œ Jœ Jœ œ Jœ
œ œ œ œ
221
œœ
œœ
Clara
Addy
Tommy
F
F
F
œb œ œ œ œ œ
you are a preach er man,
œ œ œ œ œ œbyou are a preach er man,
œ œ œ œ œ œ
you are a preach er man,
∑
∑
∑
∑
∑
∑
∑
Jœœ Jœ Jœb œ Jœ
œ œ œ œb
Jœ œ Jœ Jœ œ Jœ
œ œ œœ
222
œœ
œœ
Œ œ œ œ
A trave ling
Œ œ œb œA trave ling
Œ œ œ œ
A trave ling
∑
∑
∑
∑
∑
∑
∑
Jœb œ Jœ Jœœ Jœ
œ œ œ œ
Jœ œb jœ Jœ œ jœ
œb œ œ œ
223
œbœb
œœ
œ œ œ œ œpreach er man, out
œ œ œ œ œpreach er man, out
œ œ œ œ œ
preach er man, out
∑
∑
∑
∑
∑
∑
∑
Jœœ Jœ Jœ
œ Jœ
œ œ œ œ
Jœ œ Jœ Jœ œ Jœ
œ œ œ œ
224
œœ
œœ
jœ .œ œ œspread ing the
jœ .œ œ œspread ing the
Jœ.œ œ œ
spread ing the
∑
∑
∑
∑
∑
∑
∑
Jœœ Jœ Jœ
œ Jœ
œ œ œ œ
Jœ œ Jœ Jœ œ Jœ
œ œ œ œ
225
œœ
œœ
.œ jœ œ œho ly word of
.œ jœ œ œho ly word of
.œ Jœ œ œ
ho ly word of
∑
∑
∑
∑
∑
∑
∑
Jœœ Jœ Jœ
œ Jœ
œ œ œ œ
Jœ œ Jœ Jœ œ Jœ
œ œ œ œ
226
œœ
œœ
- - - - -
- - - - -
- - - - -
Burton – 67
&
&
V
?
&
&
&
?
?
ã
&
&
B
?
?
# #
#
C.
A.
T.
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
227
wGod!
wGod!
w
God!
∑
227
Œ œ œ œ œ œ œ œ œ œ3
33
Œ œ œ œ œ œ œ œ œ œ3
33
∑
227
∑
∑
∑
227
Jœœ Jœ Jœ
œ Jœ
œ œ œ œ
Jœ œ Jœ Jœ œ Jœ
œ œ œ œ
227
œœ
œœ
F
F
∑
∑
∑
∑
œ œ œ œ œ œ œ œ œ œ œ œ3 3
33
œ œ œ œ œ œ œ œ œ œ œ œ3 3
3
3
∑
∑ &
∑
∑
Jœœ Jœ Jœ
œ Jœ
œ œ œ œ
Jœ œ Jœ Jœ œ Jœ
œ œ œ œ
228
œœ
œœ
∑
∑
∑
Œ œ Jœ œ Jœ
Now here’s what we’ll
œ œ Œ Ó
œ œ Œ Ó
œ œ Œ Ó
œ œ ‰ œ œ œ ‰ œ
œ œ œ œ œ œ œ œ
1Œ Ó
œ Œ Ó
œ Œ Ó
œ Œ Ó
œ Œ Ó
229
œ Œ Ó
f
f
f
F
F
F
∑
∑
∑
w
do
‰ Jœ. œ. œ. œ. œ. œ. œ.
‰ Jœ. œ. œ. œ. œ. œ. œ.
‰ Jœ. œ. œ. œ. œ. œ. œ.
œ œ ‰ œ œ œ ‰ œ
œ œ œ œ œ œ œ œ
∑
∑
∑
∑
∑
230
∑
p
p
p
∑
∑
∑
Œ œ œ œ œ3
to get our last
œ̆ œ.Œ Ó
œ̆ œ. Œ Ó
œ#fl
œ. Œ Ó
œ# œ ‰ œ œ œ ‰ œ
œ# œ œ# œ œ œ œ œ
1Œ Ó
∑
∑
∑
∑
231
∑
F
F
F
∑
∑
∑
˙# Œ œ
score, so
Ó ˙
Œ œ œ œ
Œ œ œ œ
Jœ# ‰ Œ Ó
Jœ# ‰ Œ Ó
∑
Œ .˙
Œ œ ˙
Œœ œ œ
∑
232
∑
P
P
P
arco
arco
Burton – 68
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
C.
A.
T.
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
233
∑
∑
∑
.˙ œ
lis ten
233
∑
∑
Œœ œ œ
233
∑
∑
∑
233
w
w
w
Œ œ œ œ
233
Œ œ œ œ
F
F
F
f
f
f
arco
arco
∑
∑
∑
œ# Œ Óup!
Œjœ ˙ œ#
∑
w
∑
∑
∑
w
w#
w
w
234
w
F
∑
∑
∑
∑
∑
Œ jœ ˙ œ#
˙ œŒ
∑
∑
∑
w
w
w
w
235
œ Œ Ó
rall.
rall.
rall.
rall.
F
∑
∑
∑
∑
∑
∑
Œjœ ˙ œ#
∑
∑
∑
w
w
˙ œ Œ
œ Œ Ó
236
∑
short
short
short
short
"
"
"
"
P
∑
∑
∑
Œ œ œb œ
Oh, what a
∑
∑
∑
∑
œ.Œ
œb . œ.
∑
∑
∑
œŒ œb œ
œŒ
œb œ
237
∑
Ploddingly slow (q=104)
Ploddingly slow (q=104)
Ploddingly slow (q=104)
Ploddingly slow (q=104)
pizz.
pizz.
P
P
P
P
237
237
237
237
∑
∑
∑
œ Œ œ œ
trick we’ll be
∑
∑
∑
∑
œ.Œ œ. œ.
∑
∑
∑
˙ œ œ
˙ œ œ
238
∑
∑
∑
∑
œb œ ‰ Jœœ
play ing, and they’ll
∑
∑
∑
∑
œb . œ. œ. œ.
∑
∑
∑
œb œ œ œ
œb œ œ œ
239
∑
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
- -
Burton – 69
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
C.
A.
T.
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
240
∑
∑
∑
Jœœb
Jœœ œ œ
nev er see it
240
∑
∑
∑
240
∑
œ. œb . œ. œ.
∑
240
∑
∑
œ œb œ œ
œ œb œ œ
240
∑
∑
∑
∑
œb œ Œ œ
com ing. And
∑
∑
∑
∑
œb . œ.œ. œ.
∑
∑
∑
œb œœ œ
œb œœ œ
241
∑
accel. poco a poco
accel. poco a poco
accel. poco a poco
accel. poco a poco
∑
∑
∑
Jœb .œ œ œ œ
when they fig ure it
∑
∑
∑
∑
œb . œ. œ. œ.
∑
∑
∑
œb œ œ œ
œb œ œ œ
242
∑
∑
∑
∑
œ Œ œb œ
out, we’ll al
∑
∑
∑
∑
œ. œ. œb . œ.
∑
∑
∑
œ œ œb œ
œ œ œb œ
243
∑
∑
∑
∑
Jœ œJœ
œ œ œb
rea dy be far a
∑
∑
∑
∑
œ. œ. œ. œ.
∑
∑
∑
œ œ œ œ
œ œ œ œ
244
∑
∑
∑
∑
Jœb .œ Óway.
∑
∑
∑
∑
œb . œ.Ó
∑
∑
∑
œb œÓ
œb œÓ
245
∑
f
f
f
f
- - -- - -
Burton – 70
&
&
V
?
&
&
&
&
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ã
&
&
B
?
?
# #
#
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
C.
A.
T.
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
√ √ √
∑
∑
∑
‰ jœ œ œ œ
The good Rev ’rend
∑
∑
∑
∑
.œ>
œ œb œ œ.
Œ3
.œ>
œ œb œ œ.
3
∑
Œ ˙bæ> œ
æ>
Œ ˙æ> œ
æ>
∑
∑
246
∑
a tempo q=144-152
a tempo q=144-152
a tempo q=144-152
a tempo q=144-152
P
P
F
F
246
246
246
246
∑
∑
∑
œb œ œ œ œ œ œ
Karl says, “the en e my is
∑
∑
∑
∑
Œ œ Œ œ
∑
Œ ˙bæ> œ
æ>
Œ ˙æ> œ
æ>
∑
∑
247
∑
∑
∑
∑
œb .˙li quor,
œ. œb . œ. œ.
œ. œn . œ. œ.
∑
∑
.œ>
œ œb œ œ.
Œ3
.œ>
œ œb œ œ.
3
∑
Œ ˙b >æ
œ>æ
Œ >̇æ
œ>æ
∑
∑
248
∑
P
P
Clara
Addy
Tommy
Œ œ
“The
Œ œb œ“The
melody
Œ œ
“The
∑
œb .Œ
œn . Œ
∑
∑
∑
1Œ
œb .Œ
œb . Œ
∑
∑
249
∑
F
F
F
F
F
.œb jœb œ œen e my is
.œb jœb œ œ œen e my is
.œ Jœœb œ
en e my is
∑
∑
∑
∑
∑
Œ œœ.
Ó
∑
∑
∑
∑
Œœ
Ó
250
Œ œ Ó
pizz.
pizz.F
F
œ .˙
li quor!”
œ .˙bli quor!”
œb .˙
li quor!”
∑
œb . œ. œb . œ.
œn . œ. œn . œ.
∑
∑
.œ>
œ œb œ œ.
Œ3
.œ>
œ œb œ œ.
3
∑
∑
∑
∑
∑
251
∑
P
P
- - --
- - -
- - -
- - -
Burton – 71
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
42
42
42
42
42
42
42
42
42
42
42
42
44
44
44
44
44
44
44
44
44
44
44
44
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
252
‰ Jœb œ œ
But don’t you
252 œb .Œ
œn .Œ
∑
252
∑
∑
∑
252
∑
∑
∑
∑
252
∑
F
F
œ œ œ œ œ3
wor ry la dies and
∑
∑
∑
∑
∑
∑
∑
˙b ˙espress.
˙ ˙espress.
œ œ œb œ
espress.
253
warco
arco
arco
arco
F
F
F
F
˙b ‰ œ Jœ
gents, Rev ’rend
∑
∑
∑
∑
∑
∑
Ó ˙espress.
wb
w
œ œ œb œ
254
w
arco
F
œb œ .œJœb
Karl is here to
∑
∑
∑
∑
∑
∑
˙b ˙
˙ ˙b
˙b ˙
œb œb œ œb
255
wb
f
f
f
f
f
.˙ œb
cleanse your
∑
∑
∑
∑
∑
∑
w
w
w
œ œ œb œ
256
w
F
w
souls.
Ó Œ œ œ œ
3
Ó Œ œ œ œ
3
∑
∑
∑
∑
˙ ˙
˙ ˙
œ ˙ œ
œ œ œb œ
257
∑
F
F
F
F
F
F
- - -
Burton – 72
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
258
Ó Œ œ
My
258 œ œb œ œ œ œJœ
‰ Œ3 3
œ œn œ œ œ œ Jœ ‰ Œ3
3
∑
258
∑
∑
∑
258˙ Jœ̆ ‰ Œ
˙ jœfl
‰ Œ
˙ Jœ̆ ‰ Œ
œ œ Jœb ˘‰ Œ
258
Œ Œ Jœ̆ ‰ Œ
f
f
f
f
f
f
f
f œ œ œ ˙ œ3
fol low ers and
∑
∑
∑
∑
∑
∑
Ó œ œlegato
Ó ˙legato
Ó œb œ œlegato
Ó ˙legato
259
Ó ˙legato
F
F
F
F
F
.˙b œ œ
I will dis
∑
∑
∑
∑
∑
∑
.œb jœ œ œ
w
wb
wb
260
wb
œ œ œ ˙ œ3
pose of it for
∑
∑
∑
∑
∑
∑
˙ ˙
˙ ˙
.˙b œ
w
261
w
wb
you.”
∑
∑
∑
∑
∑
∑
˙b œ œb
˙b œ œ
w
wb
262
wb
Œ œb œ œ œb
Then good ol’
∑
∑
∑
∑
∑
∑
œŒ Ó
œŒ Ó
œ Œ Ó
œ Œ Ó
263
œŒ Ó
263
263
263
263
- - -
Burton – 73
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
264
Jœb .œ Œ œTom my will
264
∑
∑
∑
264
∑
∑
∑
264
∑
∑
Ó œ œ
Ó œ œ
264
Ó Ó
pizz.
pizz.
P
P
.œ Jœ œ œb
find those sin
∑
∑
∑
∑
∑
∑
∑
∑
œ œ œ œb
œ œ œ œb
265
∑
˙ Óners
∑
∑
∑
∑
∑
∑
∑
∑
œ œ œn œ
œ œ œn œ
266
∑
‰ jœ œ œb œ œ
who’ll buy it back for
∑
∑
∑
∑
∑
∑
∑
∑
œ œ œb œ œ
œ œ œb œ œ
267
∑
.œJœb œ Œ
twice the price!
(chuckles)
∑
∑
∑
∑
∑
∑
∑
∑
œ œb œŒ
œ œb œœb
268
Ó Œ œbpizz.
P
Œ œJœb .œ
Then we’ll be
∑
∑
∑
∑
∑
∑
∑
∑
Œ œ œb œ
œb œ œb œ
269
œb œ Ó
- -
Burton – 74
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
C.
A.
T.
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
270
Ó Œ œ
Then
Ó Œ œThen
melody
Ó Œ œThen
œ œ œ Œset for life!
270
∑
∑
∑
270
∑
∑
∑
270
Œ œb œ œ
Œœb œ œ
œŒ Ó
œŒ Ó
270
∑
pizz.
pizz.F
F
F
F
F
.œJœ
œ œ
good ol’
.œb jœ œ œ
good ol’
.œb jœ œ œ
good ol’
∑
∑
∑
Œ œ.Œ œn .
∑
Œ œœ.
Œ œœb
b.
∑
Œ œ Œ œb
Œ œ Œ œb
Œ œ Œ œb
Œ œ Œ œb
271
Œ œ Œ œb
f
f
f
f
f
F
F
œ ˙ œ
Tom my will
œ œb ˙ œ
Tom my will
œ œb ˙ œb
Tom my will
∑
∑
∑
Œ œ. œ.Œ
∑
Œ œœ.
œœ.
Œ
∑
Œ œ œ Œ
Œ œ œ Œ
Œ œ œ Œ
Œ œ œ Œ
272
Œ œ œ Œ
˙ œ œ
see the de
.œb Jœ œ œsee the de
.œ Jœb œ œ
see the de
∑
∑
∑
Œœb . œ. œ.
∑
Œœœb
b.
œœ.
œœ.
∑
Œ œb œ œ
Œ œb œ œ
Œ œb œ œ
Œœb œ œ
273
Œ œb œ œ
.˙ œ
mand and
.˙ œmand and
.˙ œmand and
∑
∑
∑
Œ œn . œ. œ.
∑
Œ œœb
b.
œœ.
œœ.
∑
Œ œb œ œ
Œ œb œ œ
Œ œb œ œ
Œ œb œ œ
274
Œ œb œ œ
œ> œb > œ> œ>
sell it back for
œ> œb >œ> œ>
sell it back for
œ> œb >œ> œ>
sell it back for
∑
∑
∑
œ. œn . œ. œ.
∑
œœ.
œœb
b.
œœ.
œœ.
∑
œ Œ Ó
œ Œ Ó
œ œb œ œ
œ œb œ œ
275
œ œb œ œ
œ œ œb ˙
twice the price.
œ œ œb ˙twice the price.
œ œb œ ˙
twice the price.
∑
∑
∑
œ.Œ Ó
∑
œœb
b.
œœ.
œœ.
Œ
∑
Ó Œ œb
∑
œŒ Ó
œb œ œŒ
276
œb œ œ Œ
P
P
P
P
P
P
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
œb œ œ œ
œ Œ œ Œ
∑
∑
277
∑
P
- -
- -
- -
Burton – 75
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
C.
A.
T.
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
278
∑
∑
∑
Œ .˙
Then
278
∑
∑
∑
278
∑
∑
∑
278
œb œ œ œ
œ Œ œ Œ
∑
∑
278
∑
P
∑
∑
∑
Ó œ œb
we’ll go
∑
∑
∑
∑
∑
∑
œb œ œ œ
œ Œ œ œb
∑
∑
279
∑
∑
∑
∑
whome.
∑
∑
∑
∑
∑
∑
‰ œb Jœ ‰ œ Jœ
œ Œ Ó
œ œ œ œ
∑
280
∑
Ó Œ œb œ
So when
Ó Œ œb œSo when
Ó Œ œb œ
So when
Ó Œ œb œSo when
∑
Ó Œ œn . œ.
Ó Œœb . œ.
∑
∑
∑
‰ œb Jœ ‰ œ Jœ
∑
œ œ œ œ
Ó Œ œb œ
281
∑F
F
F
F
F
F
F
œ œb œ œ ‰ Jœ
we reach Sum mit, this
œ œb œ œ ‰ jœwe reach Sum mit, this
œ œb œ œ ‰ Jœ
we reach Sum mit, this
œ œb œ œ ‰ Jœ
we reach Sum mit, this
∑
jœ.‰ Œ Ó
jœ.
‰ Œ Ó
∑
∑
Ó!
Jœ ‰ Œ Ó
œ œb œ œ œ œ œ œ
œ œb œ œ
˙ Ó
282
∑
F
arco
F
F
282
282
282
282
œ œ œ œb œ œ œ
sweet lit tle town where the
œ œ œ œb œ œ œsweet lit tle town where the
œ œ œ œb œ œ œ
sweet lit tle town where the
œ œ œ œb œ œ œ
sweet lit tle town where the
∑
∑
∑
∑
∑
Ó!
∑
œ œb œ œ œ œ œ œ
œ œb œ œ
∑
283
∑
--
--
- -
- -
Burton – 76
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
C.
A.
T.
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
284
œ œ œ œ œ
folks aren’t bright andthe
œ œ œb œ œfolks aren’t bright andthe
œ œ œ œ œ
folks aren’t bright andthe
œ œ œb œ œ
folks aren’t bright andthe
284
∑
∑
∑
284
∑
∑
Ó!
284
œ œb œ œ œ œ œ œ
jœ ‰ Œ Ó
œ œb œ œ
˙ Ó
284
∑
arco
F
œ œ œ œ œ3
streets are emp ty at
œb œ œ œ œb3
streets are emp ty at
œ œ œ œ œ3
streets are emp ty at
œb œ œ œ œb3
streets are emp ty at
∑
∑
∑
∑
∑
∑
œ œb œ œ
∑
œ œb
∑
285
∑
w
night.
wnight.
w
night.
wnight.
∑
Œ jœb ˙ œ.
∑
∑
∑
!Ó
jœ ‰ Œ Ó
œ œb œ œ œ œ œ œ
œ œb œ œ
˙ Ó
286
∑
P
˙ Ó
˙ Ó
˙ Ó
˙ Ó
Œjœb ˙ œ.
∑
∑
∑
∑
!Ó
œ œb œ œ œ œ œ œ
jœ ‰ Œ Ó
œ œb œ œ
∑
287
∑
P
∑
∑
∑
∑
‰ Jœ. œ. œ. œ̂ œ.
Œ
‰ Jœ# . œ. œ. œ̂ œ. Œ
‰ Jœ# . œ. œ. œ̂ œ. Œ
‰Jœœœœ##. œœœœ
. œœœœ. œœœœ
^ œœœœ.
Œ
œ# ˙# œ jœ# œ.
∑
œ# œ œ œ œ œ œ œ
œ# œ œ œ œ œ œ œ
œ# œ œ œ
˙# > œ œ.
288
˙# > œ œ.
p
p
p
F
F
F
arco
arco
F
F
F
p F
-
-
-
-
Burton – 77
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
C.
A.
T.
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
œ œ œ œ œ œ
When the week end comes the
œ œ œ œ œ œWhen the week end comes the
œ œ œ œ œ œ
When the week end comes the
œ œ œ œ œ œ
When the week end comes the
∑
∑
∑
∑
∑
∑
jœ ‰ Œ Ó
œ œ œ œ œ œ œ œ
œ œ œ œ
∑
289
∑
289
289
289
289
œ œb œ œ œ œ œ
town will be a bus tl ing,
œ œb œ œ œ œ œtown will be a bus tl ing,
œ œb œ œ œ œ œ
town will be a bus tl ing,
œ œb œ œ œ œ œtown will be a bus tl ing,
∑
∑
∑
∑
∑
∑
∑
œ œ œ œ œ œ œ œ
œ œ œ œ
∑
290
∑
œ œ œ œ œ œ
rea dy for our brand of
œ œ œb œ œb œ
rea dy for our brand of
œ œ œ œ œ œ
rea dy for our brand of
œ œ œb œ œb œ
rea dy for our brand of
∑
∑
∑
∑
∑
∑
œ œb œ œ œ œ œ œ
jœ‰ Œ Ó
œ œb œ œ
∑
291
∑
arco
˙ ˙
hust ling.
˙n ˙hust ling.
˙ ˙
hust ling.
˙n ˙
hust ling.
Œ œ œ œ œ# œ œ# œ œ œ3
3
3
Œœ œ œ œ# œ œ# œ œ œ
3 3 3
∑
∑
∑
∑
œ œb œ œ œ œ œ œ
∑
œ œb œ Œ
∑
292
∑
F
F
- - - - - -
- - - - - -
- - - -
- - - -
- -
- -
Burton – 78
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
C.
A.
T.
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
293
∑
∑
∑
∑
293œ œ œ œb œb œ œn œb œ œ œ œn
3 3 3 3
œ œ œ œb œb œ œn œb œ œ œ œn3 3 3
3
∑
293
‰Jœœœœb œœœœ
œœœœœœœœ> œœœœ Œ?
ww
∑
293
œ. œ. œb . œ. œ. œ. Œ
œ. œ. œb . œ. œ. œ. Œ
œ. œ. œ. œ. œ. œ. Œ
œ. œ. œb . œ. œ. œ.Œ
293
œ. œ. œ. œ. œ. œ. Œ
f
f
f
f
f
p f
∑
∑
∑
∑
œb . œ.Œ Ó
œn . œ. Œ Ó
∑
‰ œœ ‰ œœ ‰ œœ ‰ œœ
œœ
œb œœ
œ
1Œ Ó
jœ œb Jœjœ œ Jœ
œ œ œ œ
Jœ œb jœ Jœ œ jœ
œ œb œ œ
294
œœ
œœ
f
f
pizz.
pizz.
P
arco
pizz.
P
P
P
Ppizz.
P
P
294
294
294
294
∑
∑
∑
∑
∑
∑
∑
‰ œœ ‰ œœ ‰ œœœ ‰ œœœ
œœ
œb œœ
œ
∑
jœ œb Jœjœ œ Jœ
œ œ œ œ
Jœ œb jœ Jœ œ jœ
œ œb œ œ
295
œœ
œœ
∑
∑
∑
Œ œ œ œ
We'll tell them
∑
∑
∑
‰ œœ ‰ œœ ‰ œœ ‰ œœ
œœ
œb œœ
œ
1Œ Ó
jœ œb Jœjœ œ Jœ
œ œ œ œ
Jœ œb jœ Jœ œ jœ
œ œb œ œ
296
œœ
œœ
F
∑
∑
∑
œ œ œ œb œ œ
I am a preach er man,
∑
∑
∑
‰ œœ ‰ œœ ‰ œœœ ‰ œœœ
œœ
œb œœ
œ
∑
jœ œb Jœjœ œ Jœ
œ œ œ œ
Jœ œb jœ Jœ œ jœ
œ œb œ œ
297
œœ
œœ
-
Burton – 79
&
&
V
?
&
&
&
?
?
ã
&
&
B
?
?
# #
#
C.
A.
T.
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
298
Œ œ œ œ
a trave ling
Œ œ œ œa trave ling
Œ œ œ œ
a trave ling
Œ œ œ œ
a trave ling
298
∑
∑
∑
298
‰ œœ ‰ œœ ‰ œœ ‰ œœ
œœ
œb œœ
œ
1Œ Ó
298jœ œb Jœ
jœ œ Jœ
œ œ œ œ
Jœ œb jœ Jœ œ jœ
œ œb œ œ
298
œœ
œœ
F
F
F
œ œ œ Ópreach er man,
œ œ œ Ópreach er man,
œ œ œ Ópreach er man,
œ œ œ Ópreach er man,
∑
∑
∑
‰ œœœ ‰ œœœ ‰ œœœ ‰ œœœ
œœ
œ œœ
œ
∑
jœ œ Jœjœ œ Jœ
œ œ œ œ
Jœ œ jœ Jœ œ jœ
œ œ œ œ
299
œœ
œœ
∑
∑
∑
Œ œ Jœ œ Jœb
out spread ing the
w
wn
wb
wwb
wwwbb Ó ˙b1
Œ Ó
Jœb ‰ Œ Ó
jœ ‰ Œ Ó
Jœb ‰ Œ Ó
Jœb ‰ Œ Ó
300
Jœb ‰ Œ Ó
P
P
P
∑
∑
∑
˙ œ œ
Lord’s ho ly
w
w
w
www
Ó˙
w
∑
∑
∑
∑
∑
301
∑
∑
∑
∑
w
word.
w
w
wn
www
ww
∑
∑
∑
∑
∑
302
∑
∑
∑
∑
∑
w
w
wn
www &
ww
∑
Jœœ Jœ Jœ
œ Jœ
œ œ œ œ
Jœ œ Jœ Jœ œ Jœ
œ œ œ œ
303
w
F
F
F
F
F
Œ œ œ œWe’ll tell them
Œ œ œ œWe’ll tell them
melody
Œ œ œ œ
We’ll tell them
∑
∑
∑
∑
∑ ?
∑
1Œ Ó
Jœœ Jœ Jœ
œ Jœ
œ œ œ œ
Jœ œ Jœ Jœ œ Jœ
œ œ œ œ
304
œœ
œœ
- - - -
- -
- -
- -
Burton – 80
&
&
V
?
&
&
&
?
?
ã
&
&
B
?
?
# #
#
C.
A.
T.
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
305
œb œ œ œ œ œ
you are a preach er man,
œ œ œ œ œ œbyou are a preach er man,
œ œ œ œ œ œ
you are a preach er man,
∑
305
∑
∑
∑
305
∑
∑
∑
305
Jœœ Jœ Jœb œ Jœ
œ œ œ œb
Jœ œ Jœ Jœ œ Jœ
œ œ œœ
305
œœ
œœ
Œ œ œ œ
a trave ling
Œ œ œb œa trave ling
Œ œ œ œ
a trave ling
∑
∑
∑
∑
∑
∑
1Œ Ó
Jœb œ Jœ Jœœ Jœ
œ œ œ œ
Jœ œb jœ Jœ œ jœ
œb œ œ œ
306
œbœb
œœ
œ œ œ œ œpreach er man, out
œ œ œ œ œpreach er man, out
œ œ œ œ œ
preach er man, out
∑
∑
∑
∑
∑
∑
∑
Jœœ Jœ Jœ
œ Jœ
œ œ œ œ
Jœ œ Jœ Jœ œ Jœ
œ œ œ œ
307
œœ
œœ
jœ .œ œ œspread ing the
jœ .œ œ œspread ing the
Jœ.œ œ œ
spread ing the
∑
∑
∑
∑
∑
∑
∑
Jœœ Jœ Jœ
œ Jœ
œ œ œ œ
Jœ œ Jœ Jœ œ Jœ
œ œ œ œ
308
œœ
œœ
.œ jœ œ œho ly word of
.œ jœ œ œho ly word of
.œ Jœ œ œ
ho ly word of
∑
∑
∑
∑
∑
∑
∑
Jœœ Jœ Jœ
œ Jœ
œ œ œ œ
Jœ œ Jœ Jœ œ Jœ
œ œ œ œ
309
œœ
œœ
wGod!
wGod!
w
God!
∑
∑
∑
∑
∑
∑
∑
Jœœ Jœ Jœ
œ Jœ
œ œ œ œ
Jœ œ Jœ Jœ œ Jœ
œ œ œ œ
310
œœ
œœ
- - - - -
- - - - -
- - - - -
Burton – 81
?
&
&
&
?
?
ã
&
&
B
?
?
# #
#
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
311
Ó Œ œJust
311
∑
∑
∑
311
∑
∑
Ó!
311
Jœœ Jœ œ Œ
œ œ œ Œ
Jœ œ Jœ Jœ ‰ Œ
œ œ œ Œ
311
œœ
œ Œ
œ .˙spread ing
∑
∑
∑
∑
∑
∑
Ó œ œ
Óœb œ
Ó œ œ
Ó œb œ
312
∑
rubato
rubato
rubato
rubatoarco
arco
arco
f
f
f
f
˙ ˙
the
∑
∑
∑
∑
∑
∑
w
wb
w
wb
313
∑
.œJœ ˙
ho ly word
∑
∑
∑
∑
∑
∑
w
w
w
w
314
∑
˙ ˙
of
∑
∑
∑
∑
∑
∑
˙Ó
˙Ó
˙ Ó
˙ Ó
315
∑
- -
Burton – 82
?
&
&
&
?
?
ã
&
&
B
?
?
# #
#
43
43
43
43
43
43
43
43
43
43
43
43
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
316
wGod!
316
∑
∑
∑
316
∑
∑
!Ó
316
Jœœ Jœ Jœ
œ Jœ
œ œ œ œ
Jœ œ Jœ Jœ œ Jœ
œ œ œ œ
316
œœ
œœ
a tempo
a tempo
a tempo
a tempopizz.
pizz.
pizz.
pizz.
arco
F
F
F
F
F
w
∑
∑
∑
∑
∑
∑
Jœœ Jœ Jœ
œ Jœ
œ œ œ œ
Jœ œ Jœ Jœ œ Jœ
œ œ œ œ
317
œœ
œœ
∑
∑
∑
∑
∑
∑
!Ó
Jœœ Jœ Jœ
œ Jœ
œ œ œ œ
Jœ œ Jœ Jœ œ Jœ
œ œ œ œ
318
œœ
œœ
∑
∑
∑
∑
∑
∑
∑
Jœœ Jœ Jœ
œ Jœ
œ œ œ œ
Jœ œ Jœ Jœ œ Jœ
œ œ œ œ
319
œœ
œœ
∑
∑
∑
∑
∑
∑
Ó!
Ó Jœœ Jœ
Ó œ œ
Ó Jœ œ Jœ
Ó œ œ
320
Ó œœ
∑
∑
∑
∑
∑ &
∑
Ó1
Œ
Œ Œ œ Œ
Œ Œ œ Œ
Œ Œ œ Œ
Œ Œ œ Œ
321
Œ Œ œ Œ
pizz.
Burton – 83
V
&
&
&
&
?
ã
&
&
B
?
?
# #
#
43
43
43
43
43
43
43
43
43
43
43
43
A.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
‰ jœ œ œ œ œ œSo af ter this we’ll
&
Œ Œ ≈ œ œ œ œ œ
3 3
‰ œ œ œ œ œ œ œ œ œ œ3
3 3
.˙
....˙˙˙̇
....˙̇˙˙
1Œ Œ
∑
∑
∑
∑
322
∑
P
q=66
q=66
q=66
q=66
P F
Addy322
322
322
322
œ .œ œ œ œ œgo home
œ œ œ œ œ œ œ œ œ œ
3 3
Jœ ‰ œ œ œ œ œ œ œb
3 3
œ œ œb
œœœœ œœœœœœœœbbbb
œœœœ œœœœœœœœbbbb
∑
∑
∑
∑
∑
323
∑
F
F
œ œb œ œb œbto Pop lar Cove?
∑
.˙
.˙
....˙˙˙̇
....˙̇˙˙
∑
Œ Œ œb . œ. œ. œ.
Œ Œ œ. œ. œ. œ.
Œ Œ œ. œ. œ. œ.
∑
324
∑
arco
arco
arco
p
p
p
Œ ‰ œ Jœb
Soon we’ll
V
∑
∑
∑
∑
∑
Œ jœ ‰ Œ
œb . œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.sim.
œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.sim.
œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.sim.
Œ jœ ‰ Jœb ‰
325
Œ jœ ‰ Jœb ‰
pizz.
pizz.
F
F
P
P
P
Tommy
- -
Burton – 84
V
&
&
&
&
?
ã
&
&
B
?
?
# #
#
T.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
326
Jœ œ œbJœb
go back home.
?
326
∑
∑
Œ Œ ‰ jœn
326
∑
∑
jœ ‰ Œ j
œ ‰
326œb . œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
jœ ‰ Jœb ‰ jœb ‰
326
jœ ‰ Jœb ‰ jœb ‰
F
Mute
.œb œ œ ‰ Jœ
Yes, my friends you
∑
∑
œ ˙
∑
∑
∑
œb . œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
œ. œ. œb . œ. œ. œ. œ. œ. œ. œ. œ. œ.
œ. œb . œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
∑
327
∑
p
p
p
Karlœb œ œ œb
Jœ
‰3
know I'm a man
∑
∑
jœ ‰ Œ Œ
∑
∑
∑
œb . œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
œ. œ. œb . œ. œ. œ. œ. œ. œ. œ. œ. œ.
œ. œb . œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
∑
328
∑
p
‰ Jœ œ œb œ œb œ œ3
you know I'm a man of my
∑
∑
∑
∑
∑
∑
œb . œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
œ. œ. œb . œ. œ. œ. œ. œ. œ. œ. œ. œ.
œ. œb . œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
∑
329
∑
Burton – 85
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
330˙b Œ
word.
330
∑
∑
∑
330
∑
∑
∑
330œb . œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
œ. œ. œb . œ. œ. œ. œ. œ. œ. œ. œ. œ.
œ. œb . œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
∑
330
∑
œ œ œ œb œ œ œ œ3
You can be lieve ev ery thing I
∑
∑
∑
∑
∑
∑
œb . œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
œ. œ. œb . œ. œ. œ. œ. œ. œ. œ. œ. œ.
œ. œb . œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
∑
331
∑
.œ jœ œ œ œ œ
say. Ex cept when you are
&
œ.œ. œ. œb . œb . œ.
œ. œ. œ. œ. œ.œ.
œb . œ. œ.œ. œ. œ. œ.
œ. œ. œ. œ.œ.
∑
∑
Œ jœœ Œ
xæ Jx ‰ Œ
Jœ. ‰ Œ Œ
Jœ.
‰ Œ Œ
Jœb .‰ Œ Œ
∑
332
∑
p
p
p P
Addy
œ .œb œ ‰ jœswind ling. From
œ. œb . œb . œ.œ. œ. œ. œ. œ.
œ. œ. œ.
œb . œ. œ.œ. œ. œ. œ.
œ. œ. œ. œ.œ.
∑
∑
Œ Œjœ
œ
∑
∑
∑
∑
∑
333
∑
- - - - -
Burton – 86
&
&
&
&
&
?
ã
&
&
B
?
?
# #
#
42
42
42
42
42
42
42
42
42
42
42
42
# #
#
44
44
44
44
44
44
44
44
44
44
44
44
A.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno. Ÿ~
334
œb œ œ œ œ œ œ3
what I re call that sounds
334
œb . œ.œ. œ. œb . œ. œ.
œ. œ. œ. œ. œ.
œb . œ. œ.œ. œ. œ. œ.
œ. œ. œ. œ.œ.
∑
334
∑
Œ Œ jœœ
∑
334
∑
∑
∑
∑
334
∑
˙b œ œquite sin
œ. œ. œb . œb . œ.œ. œ. œ. œ. œ.
œ. œ.
œb . œ. œ.œ. œ. œ. œ.
œ. œ. œ. œ.œ.
∑
∑
∑
∑
∑
∑
∑
∑
335
∑
˙ ‰ œb œ3
cere. On ly
&
œb . œb . œ.œ. œ. œ. œ. œ.
œ. œ.œ. œ.
œb . œ. œ.œ. œ. œ. œ.
œ. œ. œ. œ. œn .
∑
∑
∑
∑
Œ œ œ œ œb Jœ3
3
solomolto portamento
∑
∑
∑
336
∑
F
Claraœ Jœ œ Jœ3 3
if they’re drunk or
Jœ. ‰ Œ
œjœ. œ
jœ.3 3
∑
∑
∑
∑
œ Jœ œ Jœ3 3
∑
∑
∑
337
∑
œb Œdumb!
∑
œnŒ
Œ œ?
∑
Œ œ# Á
∑
œb Œ
∑
∑
∑
338
∑
F
F
Open
Œ œbLet’s
?
∑
∑
jœ ‰ Œ &
∑
jœ# ‰ Œ
∑
∑
∑
∑
∑
339
∑
PKarl
- - -
Burton – 87
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
44
44
44
44
44
44
44
44
44
44
44
44
# #
#
87
87
87
87
87
87
87
87
87
87
87
87
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
œb . œ. œb . œ. œ. œ. œ. œ.
hope they buy a pint or se ven
∑
œn . œ. œn . œ. œ. œ. œ. œ.
∑
∑
∑
∑
∑
∑
œb œ œb Ó
œb œ œb Ó
340
∑
pizz.
pizz.
p
Quicker q=ca.112
Quicker q=ca.112
Quicker q=ca.112
Quicker q=ca.112
P
P
340
340
340
340
Ó Œ ‰ œb . œ.
and a
∑
∑
∑
∑
∑
∑
Œ ‰ jœb œ œ œ
Œ ‰ jœb œ œ œ
œb œ œb Ó
œb œ œb Ó
341
∑
pizz.
pizz.
P
P
œb . œ. œb . œ. œ œ
shot or four of moon shine
∑
œn . œ. œn . œ. œ- œ-
∑
∑
∑
∑
Œ ‰ jœb œ œ œ œ
Œ ‰ jœb œ œ œ œ
œb œ œb Ó
œb œ œb Ó
342
∑
pizz.
pizz.
Œ œ Óeach.
∑
∑
∑
∑
∑ &
∑
∑
∑
∑
∑
343
∑
Œ œ œ œ œ œ
I can’t wait to be
&
∑
∑
∑
Jœœœœ ‰ Œ Ó
Jœœœ ‰ Œ Ó
∑
wæ
wæ
wæ
∑
344
∑
Í
Í
Í
arco
arco
arco
Clara
f
- -
Burton – 88
&
&
&
&
&
&
ã
&
&
B
?
?
# #
#
87
87
87
87
87
87
87
87
87
87
87
87
42
42
42
42
42
42
42
42
42
42
42
42
C.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
œ ‰ Œ œdone! Me
∑
∑
∑
∑
∑
œx x x ‰ Jx ‰ œ œ
brushes
‰ œ. œ. œ. œ.‰ jœ.
‰ œ. œ.
‰œ. œ. œ. œ.
‰ jœ.‰
œ. œ.
‰ œ. œ. œ. œ.‰ jœ.
‰ œ. œ.
.œŒ Œ
345
.œœ œpizz.
F
F
F
F
F
As in the beginning q.=56-60 (e=170-180)
As in the beginning q.=56-60 (e=170-180)
As in the beginning q.=56-60 (e=170-180)
As in the beginning q.=56-60 (e=170-180)
to Bass Cl.
p
Addy
arco
345
345
345
345
œ œ ‰ Ótoo.
∑
∑
∑
∑
∑
œx x x ‰ Jx ‰ Jx
‰ œ. œ. œ. œ.‰ jœ.
‰ œ. œ.
‰œ. œ. œ. œ.
‰ jœ.‰
œ. œ.
‰ œ. œ. œ. œ.‰ jœ.
‰ œ. œ.
.œŒ Œ
346
.œœ œ
Œ . ‰ .Rœ œ œ
We’ll go home
V
∑
∑
∑
∑
∑
œx x x ‰ Jx Œ
‰ œ. œ. œ. œ.jœ
fl‰ Œ
‰œ. œ. œ. œ.
jœfl
‰ Œ
‰ œ. œ. œ. œ.jœ
fl‰ Œ
.œŒ Œ
347
.œœ
Œ
Tommy.œ Ó
soon.
∑
∑
∑
∑
∑
‰ x x x ‰ Jx ‰ Jx
‰ œ. œ. œ. œ.‰ jœ.
‰ œ. œ.
‰œ. œ. œ. œ.
‰ jœ.‰
œ. œ.
‰ œ. œ. œ. œ.‰ jœ.
‰ œ. œ.
.œŒ Œ
348
.œœ œ
∑
∑
∑
∑
∑
∑
œx x x ‰ Jx ‰ Jx
‰ œ. œ. œ. œ.‰ jœ.
Œ
‰œ. œ. œ. œ.
‰ jœ.‰
œ. œ.
‰ œ. œ. œ. œ.‰ jœ.
‰ œ. œ.
.œŒ Œ
349
.œœ œ
Burton – 89
V
&
&
&
&
&
ã
&
&
B
?
?
# #
#
42
42
42
42
42
42
42
42
42
42
42
42
87
87
87
87
87
87
87
87
87
87
87
87
85
85
85
85
85
85
85
85
85
85
85
85
41
41
41
41
41
41
41
41
41
41
41
41
T.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
350
∑U ?
350 ˙#U
∑U
∑U
350
∑U
∑U
!U
350 U̇
∑U
∑U
U̇
350
∑U
Freely
Freely
Freely
Freely
p
p
p
.œJœ#
One last
˙
∑
∑
∑
∑
∑
˙
∑
∑
˙
351
∑
Karlœ#U
Œcon.
œUŒ
ŒU œ œ œ œ#marc.
ŒUœ œ œ œ#marc.
ŒU Œ
ŒUœ œ œ œ#marc.
?
ŒUœ œ œ œ
œUŒ
ŒU Œ
ŒUœ œ œ œ#marc.
œUœ œ œ œ#marc.
352
ŒU Œ
f
f
f
f
Bass Cl.
f
∑
œœ. œ.
‰ Jœ.
‰ Jœ.
marc.
.œ Ó
.œÓ
∑
.œœ œ
œx x x ‰ Jx ‰ œ œ
‰ œ œ œ œ ‰ Jœ.
‰ Jœ.marc.
‰ œ œ œ œ ‰ Jœ. ‰ Jœ
.marc.
œœ œ œ œ ‰ Jœ
.‰ Jœ
.
.œœ œ
353
.œ-Ó
A tempo
A tempo
A tempo
A tempo
arco
f
f
f
f
F
∑
‰œ. œ.
‰ Jœ.
‰ Jœ.
.œ Ó
.œÓ
∑
.œœ œ
œx x x ‰ Jx ‰ Jx
‰ œ œ œ œ ‰ Jœ. ‰ Jœ
.
‰ œ œ œ œ ‰ Jœ. ‰ Jœ
.
‰ œ œ œ œ ‰ Jœ.
‰ Jœ.
.œœ œ
354
.œ-Ó
∑
‰œ. œ.
‰ Jœ.
‰ Jœ.
.œ Ó
.œÓ
∑
.œœ œ
œx x x ‰ Jx ‰ œ œ
brushes
‰ œ œ œ œ ‰ Jœ.
‰ œ œ
‰ œ œ œ œ ‰ Jœ. ‰ œ œ
‰ œ œ œ œ ‰ Jœ.
‰ œ œ
.œœ œ
355
.œ-Ó
p
∑
ΠΠ.
œ> œ# >
.œn >
∑
∑
œ> œ# > .œn >
œ œ .œæ
∑
∑
∑
œ> œ# > .œn >
356
œ> œ# > .œn >
(2+3)
(2+3)
(2+3)
(2+3)
∑
œœ.
œœ.
œ œ.
∑
jœ-‰
x
œ-œ̆
œ-œfl
œ- œ̆
jœ-‰
357
Jœ- ‰
ƒ
ƒ
ƒ
ƒ
ƒ
ƒ
ƒ
ƒ
ƒ
ƒ
Burton – 90
&
&
&
&
?
ã
&
&
B
?
?
# #
#
44
44
44
44
44
44
44
44
44
44
44
Flute
Bb Clarinet
Horn in F
Percussion
Violin I
Violin II
Viola
Cello
Double Bass
Piano
∑
∑
∑
∑
∑
Ó ‰ J1 Œl.v.
œ œ œ œ œ œ œ œ ˙
œ œ œ œ œ œ œ œ ˙
Ó ‰ Jœ Œ(open)
Ó ‰ Jœ Œ(open)
1
Ó ‰ Jœ Œ(open)
pizz.
pizz.
pizz.
Energetically q= ca. 132
Energetically q= ca. 132
Energetically q= ca. 132
p
p
P
P
P
to Bb Clar.
F
∑
∑
∑
∑
∑
J1 ‰ Œ Ó
˙ œ œ œ œ œ œ œ œ
˙ œ œ œ œ œ œ œ œ
Jœ ‰ Œ Ó
Jœ ‰ Œ Ó
2
Jœ ‰ Œ Ó
∑
∑
∑
∑
∑
‰ J1 J1 ‰ ‰ J1 Œ
w
w
‰ Jœ Jœ ‰ ‰ Jœ Œ
‰ Jœ Jœ ‰ ‰ Jœ Œ
3
‰ Jœ Jœ ‰ ‰ Jœ Œ
∑
∑
∑
∑
∑
‰ J1 Œ Ó
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
‰jœœ ..˙̇
(open)
‰ jœœ Œ ‰ jœœ Œsim.
(open)
4
∑
P
arcop
∑
∑
∑
∑
∑
∑
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
ww
Œ ‰ jœœ ‰ jœœ Œ
5
∑
Burton – 91
Act IScene 2
Sam, Earl, Bob, Billy, Jane, Townspeople
Scene: The Summit Town Jail with a view of the town square and church. Townspeople are going about their business in the square. There are three cells in the cell. One cell is occupied by Bob, the town drunk.
Scene: A church revival, inside the church or just outside on the steps, possibly in the town square. The town has gathered to hear Reverend Karl deliver a message.
&
&
&
&
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&
&
&
B
B
?
# #
#
44
44
44
44
44
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44
44
43
43
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43
43
43
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43
# # # # #
bbbbb
# # # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
44
44
44
44
44
44
44
44
44
44
44
Fl.
Bb Cl.
Hn.
Glk.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
√
∑
∑
œn œ œ œbell-tones
œœb
b œœ
œœ œ
œœœ œ
œœœ œ
œ
œœb
b œœ
œœ œ
œ
œœb
b œœ
œœ œ
œ
wb æ
wæ
wæ
wbæ
6
Ó Œ œ>
f
f
Quicker, excitedly q=144
Quicker, excitedly q=144
Quicker, excitedly q=144
pizz.
f
f
f
f
f
f
6
6
6
Ó ˙
Ó ˙
œn œ œ œ
œœb
b œœ
œœ œ
œœœ œ
œœœ œ
œ
œœb
b œœ
œœ œ
œ
œœb
b œœ
œœ œ
œ
wb æ
wæ
wæ
wbæ
7
Ó Œ œ>
f
f
œb ˙b
œn ˙n
œn œ œ
œœb
b œœ
œœ œ
œœœ œ
œ
œœb
b œœ
œœ
œœb
b œœ
œœ
.˙bæ
.æ̇
.˙æ
.˙bæ
8
∑
wb
wn
œn œ œ œ
œœb
b œœ
œœ œ
œœœ œ
œœœ œ
œ
œœb
b œœ
œœ œ
œ
œœb
b œœ
œœ œ
œ
wb æ
wæ
wæ
wbæ
9
Ó Œ œ>
˙b ˙
˙n ˙
œn œ œ œ
œœb
b œœ
œœ œ
œœœ œ
œœœ œ
œ
œœb
b œœ
œœ œ
œ
œœb
b œœ
œœ œ
œ
wb æ
wæ
wæ
wbæ
10
Ó Œ œ>
rit.
rit.
rit.
.˙
.˙
œn Œ Œ
œœb
b œœ
œœ
œœ
œœ
œœ
œœb
b Œ Œ
œœb
bŒ Œ ã
.˙bæ
.æ̇
.˙æ
.˙bæ ?
11
∑
.˙
.˙
œ> œn > œ>
∑
œœ> œ
œbb > œ
œ>
ŒX
æ
.˙æ
.˙#æ
.˙æ
œ> œb > œ>
12
œ> œb > œ>
p
Burton – 166
?
&
?
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&
&
&
?
ã
&
&
B
?
?
# # # # #
# # # # #
# # # # #
# # # # #
bbbbb
# # # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
44
44
44
44
44
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44
44
44
44
44
44
44
44
43
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43
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43
43
43
44
44
44
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44
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44
44
44
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43
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43
43
43
43
43
43
43
43
43
43
43
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
Œ œ œ œ œ œ œ ‰ œ œ3
La dies and gen tle men,there's a
∑whispering and muttering in agreement with Karl as one would at a tent revival
∑
œ̂ œ.
‰ Œ Ó
œv œ.‰ Œ Ó
œv œ.‰ Œ Ó
jœœœv‰ Œ Ó
jœœœv‰ Œ Ó
Jx+
‰ Œ Ó
wæ>
wæ>
wæ>
wæ>
13
œ>Œ Ó
Insistent q = ca. 112
Í
Í
Í
pizz.
f
f
f
f
f
Í
F
Insistent q = ca. 112
Insistent q = ca. 112
Insistent q = ca. 112
Karl
F
13
13
13
13
œ-Jœ œ- .œ Œ Jœ
33
plague a mong us, a
∑
∑
∑
∑
∑
∑
∑
∑
.˙æ
.˙æ
.˙æ
.˙æ
14
∑
œ- œ œ Œ3
plague, I say!
∑
∑
.˙
.˙
.˙
∑
∑
ŒX
æ
.˙æ
.˙æ
.˙æ
.˙æ
15
∑
π
π
π
p
‰ Jœ œ œ œ œ œ œ ‰ Jœ3
La dies and gen tle men, the
∑
∑
œn ^ œ.‰ Œ Ó
œv
œ.‰ Œ Ó
œv œ.‰ Œ Ó
jœœœn
v‰ Œ Ó
jœœœv‰ Œ Ó
Jx+
‰ Œ Ó
wn >æ
w>æ
w>æ
w>æ
16
œ>Œ Ó
pizz.
f
Í
Í
Í
f
f
f
f
Í
F
- - - - - - -
Burton – 167
?
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&
&
&
&
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ã
&
&
B
?
?
# # # # #
# # # # #
# # # # #
# # # # #
bbbbb
# # # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
43
43
43
43
43
43
43
43
43
43
43
43
43
43
44
44
44
44
44
44
44
44
44
44
44
44
44
44
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
17œn - œ œ œ œ .œ ‰ Jœ
de vil is a mong us the
∑
∑
17
∑
∑
∑
17
∑
∑
∑
17 .˙æ
.˙æ
.˙æ
.˙æ
17
∑
œ̂ œ œ- œ œ œ
de vil, I say!
∑
∑
.˙n
.˙
.˙
∑
∑
∑
.˙æ
.˙æ
.˙æ
.˙æ
18
∑
π
π
π
Œ œ œ œ œn - œ- ‰ œn œb33
caus in’ a black ness of the
∑
∑
œ̂ œ. ‰ .˙n
œv
œ. ‰ .˙
œv
œ.‰ .˙
∑
∑
∑
Ó Œœn
jœb3
Ó Œœn
jœb3
Œ œ œ œ œn - œ œ3
.˙ œn
19
.˙ œnarco
p
p
P F
F
F
f
f
f
π
π
π
fœn œn
Jœb œ œ œ œ œ3 3
heart and a dark ness of the
∑
∑
w
w
w
∑
∑
∑
wn
wn
w
.˙nœn
20
.˙nœn
Í
Í
f
f
P
P
P
P
P
p
p
p
- - - - - -
Burton – 168
?
&
?
&
&
&
&
?
ã
&
&
B
?
?
# # # # #
# # # # #
# # # # #
# # # # #
bbbbb
# # # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
43
43
43
43
43
43
43
43
43
43
43
43
43
43
42
42
42
42
42
42
42
42
42
42
42
42
42
42
43
43
43
43
43
43
43
43
43
43
43
43
43
43
44
44
44
44
44
44
44
44
44
44
44
44
44
44
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
21
wb -Y
soul!
∑
∑
21
Œ œ œ# œ œnJœ œ œ œn
3 3 3
Œ .>̇
Œ.>̇
21
∑
∑
∑
21
Œ.æ̇
>
Œæ̇
> œn æ
Œ æ̇> œn æ
.˙ Œ
21
.˙ Œ
f
f
f
f
f
f
f
p
p
F
p
p
p
P
P
‰ œ œ .œ- œ œ .œDo you feel it sis ters?
∑
∑
Jœ̂
‰ Œ Œ
.˙
.˙
∑
∑
1Œ Œ
∑
∑
∑
jœ‰ Œ Œ
22
Jœ ‰ Œ Œ
Í
Í
pizz.
pizz.
f
P
Sopranos and Altos
f
f
22
22
22
22
∑
‰ œ œ œ Y
Oh, yes!
∑
∑
˙
˙
∑
∑
∑
∑
∑
∑
Jœ ‰ ‰ jœ
23
Jœ ‰ ‰ Jœ
F
‰ œ œ .œ- œ œ .œDo you feel it bro thers?
∑
∑
∑
.˙
.˙
∑
∑
1Œ Œ
∑
∑
∑
jœ‰ Œ Œ
24
Jœ ‰ Œ Œ
Í
Í
F
Tenors and Basses
∑
∑
‰ œ jœ ŒYes! Lord!
∑
.˙
.˙
∑
∑
∑
∑
∑
∑
Jœ ‰ jœ ‰ Œ
25
Jœ ‰ jœ ‰ Œ
F
- -
Burton – 169
?
&
?
&
&
&
&
?
ã
&
&
B
?
?
# # # # #
# # # # #
# # # # #
# # # # #
bbbbb
# # # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
44
44
44
44
44
44
44
44
44
44
44
44
44
44
43
43
43
43
43
43
43
43
43
43
43
43
43
43
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
26
Œ œ œ œ œ œ œ ‰ œ œ3
La dies and gen tle men, there’s a
∑
∑
26
Jœ>
‰ Œ Ó
jœ>‰ Œ Ó
jœ>‰ Œ Ó
26
jœœœv‰ œ œ œ œœœ# ‰ œœœ Œ
Jœœœ
3 3
3(swing)
jœœœv‰
œœ œœ#‰ œ œ ‰ œœœ3 3
∑
26wæ>
wæ>
wæ>
wæ>
26
œ>Œ Ó
Í
Í
Í
pizz.
f
f
f
f
f
Í
arco
F œ-Jœ œ- .œ Œ Jœ
33
plague a mong us, a
∑
∑
∑
∑
∑
œœœœ œ œ œœœ# jœ
3
3
˙̇˙ œœœ#
Jœ3
∑
.˙æ
.˙æ
.˙æ
.˙æ
27
∑
œ- œ œ Œ3
plague, I say!
∑
∑
.˙
.˙
.˙
œ Jœ Œ Œ3
œ Jœ Œ Œ3
ŒX
æ
˙æ Œ
˙æ
Œ
˙æ Œ
˙æ Œ
28
∑
π
π
π
p
∑
∑
∑
Jœ# >‰ Œ Œ
jœ>
‰ Œ Œ
jœ>‰ Œ Œ
jœœœœv‰ Œ Œ
jœœœv‰ Œ Œ
xŒ Œ
œ œ œ œ œ œ œ œ œ3 3 3
œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ
∑
29
œ>Œ Œ
f
f
f
f
sub. p
sub. p
sub. p
F
29
29
29
29
- - - -
Burton – 170
?
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&
&
&
&
?
ã
&
&
B
?
?
# # # # #
# # # # #
# # # # #
# # # # #
bbbbb
# # # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
√
30
Œ ‰ œ œ .œ œ œ3
You may find yer self
∑
∑
30
∑
∑
∑
30
∑
∑
∑
30
œ œ œ œ œ œ œ œ œ3 3 3
œ œ œ œ œ œ# œ œ œ œ œ œ
œ œ œ œ œ œ
∑
30
∑
Pœ œ Œ Œask in’,
∑
∑
∑
∑
∑
∑
∑
∑
œ œ œ œ# œ œ œ œ œ3 3 3
œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ
∑
31
∑
œ .œ Jœ#
You may be
∑
∑
∑
∑
∑
ΠΠΠ?
Œ Œ ‰ ‰ jœœ
3
∑
œ œ œ œ œ œ œ œ œ3 3 3
œ œ œ œ œ œ# œ œ œ œ œ œ
œ œ œ œ œ œ
∑
32
∑
FJœ# .œ Œask in’,
∑
∑
∑
∑
∑
œœJœ
œœ#Jœœ œ J
œœ.3 3 3
œœ
jœœ
œœ
œœ
3
∑
œ œ œ œ œ œ œ œ œ3 3 3
œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ
∑
33
∑
- - -
Burton – 171
?
&
?
&
&
&
?
?
ã
&
&
B
?
?
# # # # #
# # # # #
# # # # #
# # # # #
bbbbb
# # # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
Ÿ~~~~~~~
√
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
∑
∑
∑
∑
∑
∑
∑
∑
∑
œ œ œ œ# œ œ œ œ œ3 3
3
œ œ œ œ œ œ œ œ# œ œ œ œ
œ œ œ œ œ œ
œ œ# œ
34
∑
34
34
34
34
œ œ Jœ ‰What?!
∑
∑
jœ ˙ Y œ œ œ œ œ œ œ œ
œ œn œ œ œ œ
œ ˙
Œ Œ œœœ>
Œ Œ œœ>
Œx
æx
.˙æ>
œæ> ˙
æ
.˙#æ>
w>
35
∑
f
ß
p F
f
f
f
f
f
f
f
œ œ œ œ œ
What is this
∑
∑
jœ .˙ Y
œ œn œ œ œ œ
œ .œj
œ
...˙̇˙
.
.˙˙
∑
.˙æ>
œæ> ˙
æ
.˙#æ>
∑
36
∑
œ œ ˙
plague?!
∑
∑
˙ œ œ œ œ œ œ œ œ
œ œn œ œ œ œ
œ œ ˙
œœœ Œ œœœ>
&
œœ
Œ œœ>
Œx
æx
.˙æ>
œæ> ˙
æ
.˙#æ>
∑
37
∑
ß
p F
œ œ œ œ
What is this af
∑
∑
Jœ
‰ Œ Œ
jœ ‰ Œ Œ
jœ
‰ Œ Œ
œœ> œ
œ> œ
œ>
œ> œ> œ œ‹ œ
∑
Jœ ‰ Œ Œ
Jœ ‰ Œ Œ
Jœ ‰ Œ Œ
∑
38
∑
-
Burton – 172
?
&
?
&
&
&
&
?
ã
&
&
B
?
?
# # # # #
# # # # #
# # # # #
# # # # #
bbbbb
# # # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
44
44
44
44
44
44
44
44
44
44
44
44
44
44
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
39œ œ œflic tion a
∑
∑
39
∑
∑
∑
39 œœ> œ
œ> œ
œ
œ œn œ œn œ Œ
∑
39
∑
∑
∑
∑
39
∑
œ ˙mong us?
∑
∑
∑
∑
∑
œ œ œn œ# œ
....˙̇̇˙n
n
∑
∑
∑
∑
jœ œn Œ Œ
40
jœ œn Œ Œ
pizz.
f
f
∑
∑
∑
∑
∑
∑
jœn œb œ œ œn œœ3
˙
˙̇˙n
n œœœn
∑
∑
∑
∑
∑
41
∑
Œ œn œ .œn - œ œIt’s the gate way to
∑
∑
Jœn >
‰ Œ Ó
jœn >‰ Œ œn œ œn(echo)
jœn >
‰ Œ Ó
jœœnnfl
‰ Œ Ó
jœœœnnn
fl‰ Œ Ó
∑
wæ>
wæ>
Jœn >‰ Œ Ó
jœn >‰ Œ Ó
42
Jœn > ‰ Œ Ó
P
arco
P
Í
Í
arco
f
œn - œn Œ Œ ‰ J¿>
Hell! Yes!
∑
∑
∑
œ œ œb œ ˙n
∑
Œ Œ ‰ œœœœ>
Œ ‰ jœœœnnn
>
œœœœnnn.
œœœŒ
Œ ‰ jœ x œ x
wæ
wæ
∑
∑
43
∑
ƒ
- - -
Burton – 173
?
&
?
&
&
&
&
?
ã
&
&
B
?
?
# # # # #
# # # # #
# # # # #
# # # # #
bbbbb
# # # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
# # # # #
bbbb
bbbb
bbbb
bbbb
bb
bbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
43
43
43
43
43
43
43
43
43
43
43
43
43
43
44
44
44
44
44
44
44
44
44
44
44
44
44
44
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
44
Œ ‰ Jœn .œn - œ œThe gate way to
∑
∑
44
∑
∑
∑
44 jœœœœnn ‰ Œ Ó
jœœœnnn ‰ Œ Ó
œ Œ Ó
44 wnæ
wnæ
∑
∑
44
∑
f
Í
Í
œn .˙nHell!
∑
∑
∑
∑
∑
∑
∑
∑
wæ
wæ
∑
∑
45
∑
œ œn œ œ
Can you feel the
∑
∑
∑
∑
œ œn œ œ
jœœœœbn >
‰ Œ Ó
œœ
œœn
n œœ
œœ
∑
wnæ
wæ
wnæ
wæ
46
œ œn œ œpizz.
Í
Í
Í
ß
F
F
F
F
Í
46
46
46
46
˙b‰ Jœ œ œ
sin, that dis ap
∑
∑
∑
∑
wb
∑
wwb
b
∑
wæ
wæ
wæ
wæ
47
œn Œ Ó
œb œ œ œ
point ment from the
∑
∑
∑
∑
jœ ‰ Œ Ó
∑
∑
∑
wæ
wæ
wæ
wæ
48
∑
P
.˙n
Lord?
∑
∑
.˙n
.˙
∑
∑
∑
∑
.˙æ
.æ̇
.˙æ
.˙æ
49
∑
p
p
- - --
Burton – 174
?
&
?
&
&
&
&
?
ã
&
&
B
?
?
bbbb
bbbb
bbbb
bbbb
bb
bbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
44
44
44
44
44
44
44
44
44
44
44
44
44
44
43
43
43
43
43
43
43
43
43
43
43
43
43
43
44
44
44
44
44
44
44
44
44
44
44
44
44
44
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
50œ œ# œn œ
I can feel the
∑
∑
50
Jœ#
‰ Œ Ó
Jœ
‰ Œ Ó
œ œ# œn œ
50 jœœœœn# ‰ Œ Ó
œœ
œœ#
# œœn
n œœ
∑
50
wæ
wn æ
wbæ
wæ
50
œ œ# œn œ
Í
Í
Í
Í
f
f
f
f
f
f
.˙‰ Jœ
sin! Oh,
∑
∑
∑
∑
w
∑
ww
∑
wæ
wæ
wæ
wæ
51
œ Œ Ó
œ œ œ œ .œŒ
Lord, I can feel it!
∑
∑
.˙n
.˙
jœ ‰ Œ Œ
∑
∑
∑
.˙æ
.æ̇
.˙æ
.˙æ
52
∑
p
p
P
‰ œ œ .œ œ œ œ
Can you feel it sis ters?
∑
∑
Jœ>
‰ Œ Œ
Jœ> ‰ Œ Œ
∑
Jœœœ> ‰ Œ Œ
Jœœœ>
‰ Œ Œ
1Œ Œ
Jœ> ‰ Œ Œ
Jœ> ‰ Œ Œ
Jœ> ‰ Œ Œ
Jœ>
‰ Œ Œ
53
∑
f
f
Sopranos and Altos
f
f
f
f
f
53
53
53
53
∑
œœ ‰ œ .œ œ œ œ
Yes! Yes, we feel it!
∑
œœ Œ
˙
œœ Œ ˙
‰ œœ>
‰ ˙n
œœ ‰ ‰ œœœœ
˙̇̇˙
‰ Jœœ œ
œ> œœ ˙̇
∑
œœ Œ Ó
œœ Œ Ó
‰ Jœ
Jœ ‰ Ó
Œ jœ>‰ Ó
54
Œ Jœ> ‰ Ó
pizz.
pizz.
p
p
p
f
f
f
f
f
f
f
f
f
f
-
~~~
~ ~~ ~
Burton – 175
?
&
?
&
&
&
&
?
ã
&
&
B
?
?
bbbb
bbbb
bbbb
bbbb
bb
bbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
55
‰ ≈ Rœ œ œ .œ ‰ œ œ
And you, bro thers, can you
∑
∑
55
Jœ
‰ Œ Ó
Jœ ‰ Œ Ó
jœ ‰ Œ Ó
55 jœœœ‰ Œ
‰ œ œ œjœ
.
‰
3
Jœœb
Jœœ.
?
Jœœœ ‰ Œ ‰ jœ jœ.
‰
1Œ Ó
55wæ
wæ
wæ
wæ
55
∑
f
f
f
arco
Í
Í
Í
Í
F
œ œ œn œ œ œ .œ Œfeel the Hell fire burn in’?
∑
Ó Œ ‰ Jœ
Oh
∑
∑
∑
Ó Œ ‰ jœœ&
∑
∑
wæ
wæ
wæ
wæ
56
Ó Œ œ
f
Tenors and Basses f
f
∑
∑
Jœ.œ ‰ œ
Jœ
yes! Lord, yes!
∑
Óœ ‰
œ‰
Ó œ ‰ œ‰
jœ ..
œœ
‰ œœ
jœœœœ
˙̇˙ ‰
œœœ Jœœ
∑
∑
∑
∑
Ó œ œ
57
Ó œ œf
pizz.
‰ Jœ œ œ œ œ œ œ œ3 3
Now you may be as kin’ your self
∑
∑
.˙ œ œ-
.˙ œ œn -
.˙ œ œb -
jœœœ>‰ Œ Ó
Jœœ>
‰ Œ Ó
∑
œ œ œ œ œ œ œ œ-
œ œ œ œ œ œ œ œ œ œ œn - œ3 3 3 3
œ œ œ œ œ œ œ œn -
∑
58
∑
f
p
p
p
p
p
p
- - - - -
Burton – 176
?
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
bb
bbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
bbbb
#
#
#
#
#
#
# # #
# #
#
#
#
#
#
#
#
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
59
‰ Jœœ œ œn œ œ œ3
What is this dead ly af
∑
∑
∑
∑
59
w
w
w
59
∑
∑
∑
59
œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ3 3 3 3
œ œ œ œ œ œ œ œ
∑
59
∑
Jœn .œ‰ œ Jœ
flic tion? Is it
∑
∑
∑
∑
.œ jœ- ˙
.œ jœn - ˙
.œj
œb - ˙
∑
∑
∑
œ œ œ œ- œ œ œ œ
œ œ œ œ œn - œ œ œ œ œ œ œ3 3 3 3
œ œ œ œn - œ œ œ œ
∑
60
∑
P œb œ YŒ Óen vy?
Œ œb .œ jœYes, Lord, the
Soulful
Œ œ .œ jœYes, Lord, the
Soulful
Œ œ .œ JœYes, Lord, the
Soulful
∑
w
w
wb
Œ œ œb œ jœn œ Jœ œ jœ œ œb3 3
3
Jœœœ ‰ Œ
œœ œœ
∑
jœb ‰ Œ Ó
jœ ‰ Œ Ó
jœ ‰ Œ Ó
∑
61
∑
π
π
π
F
P
P
P
61
61
61
61
∑
œ∫ œb ‰ œ œ œen vy I feel it.
œb œ ‰ œ œ œen vy I feel it.
œb œ ‰ œ œ œen vy I feel it.
∑
w
w
w
jœ ‰ Œ Œ œ œ œb
‰jœœœb ...˙̇̇
Jœœ
.
.˙˙
∑
Ó ˙
Ó ˙
Ó ˙b
∑
62
∑
F
F
F
p
p
p
Œ ‰ Jœ# œ œ œ
Could it be
˙ Ó
˙ Ó
˙ Ó
∑
Jœ ‰ Œ Ó
jœ ‰ Œ Ó
jœ ‰ Œ Ó
œ œ œn œ jœ œb œ> œ
wwwww
∑
w
w
w
∑
63
∑
π
π
π
- - - -
-
-
-
Burton – 177
?
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
#
#
#
#
#
#
# # #
# #
#
#
#
#
#
#
#
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
64˙ Órage?
Œ ‰ jœ œ œIt’s rage, Lord,
Œ ‰ jœ œ œIt’s rage, Lord,
Œ ‰ Jœ œ œ
It’s rage, Lord,
∑
64
∑
∑
∑
64
jœœœœœb‰ Œ Ó
jœœ
‰ œœ jœœ
œœn Jœœ œ
œ Jœœœb3 3 3
∑
64
Jœ ‰ Œ Ó
jœ ‰ Œ Ó
jœ ‰ Œ Ó
∑
64
∑
f
f
f
∑
‰ œb œ œ .œ œ œ œSave us from our
‰ œn œ œ .œ œ œ œSave us from our
‰ œb œ œ .œ œ œ œ
Save us from our
∑
œ-Jœ.
Œ Ó3
œ- Jœ.
Œ Ó3
œ- Jœ. Œ Ó
3
Œ œb œ œ jœ# œ Jœ œ jœ œ œn3
3
3
∑
∑
∑
∑
∑
∑
65
∑
Ó Œ œ œ œ
Av a rice?
œb .œ .˙rage!
œn .œ .˙rage!
œb .œ .˙
rage!
∑
∑
∑
∑
Jœb ‰ Œ Ó
∑
∑
∑
∑
∑
∑
66
∑
˙ Ó
Œ ‰ jœ# œ œ#
Oh
Œ ‰ jœ# œ# œOh
Œ ‰ Jœœ# œ
Oh
Œ ‰ Jœ# œ# œOh
Œ ‰ Jœ# œ œ#
Œ ‰ Jœœ# œ
∑
∑
∑
∑
Œ ‰ jœ# œ œ#
Œ ‰ jœ# œ# œ
Œ ‰ jœ œ# œ
∑
67
∑
P
P
P
P
P
P
P
P
P
- -
Burton – 178
?
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
#
#
#
#
#
#
# # #
# #
#
#
#
#
#
#
#
43
43
43
43
43
43
43
43
43
43
43
43
43
43
43
43
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
∑
œ ‰ œ œ# œ ‰ JœYes,Lord! with
œ# ‰ jœ œ ‰ jœYes, Lord! with
œ ‰ Jœœ# ‰
Jœ
Yes, Lord! with
˙# Ó
.œ œ œ# œ‰ Jœ
œ ‰ Jœœ# ‰ Jœ
Œ .˙#?
...˙̇̇##‰ jœœœ##
www## Œ .˙#
∑
w
w#
w
Œ .˙#
68
Œ .˙#arco
arco
f
f
f
f
f
f
f
f
f
f
f
f
f
68
68
68
68
∑
œ# œ# œ œ œ ‰ Jœgreed and av a rice, with
œ# œ œ œ œ# ‰ jœgreed and av a rice, with
œ# œ œ œ œ# ‰ Jœ
greed and av a rice, with
Œ œ# œ
Yes, Lord!
œ# œ# œ œ‰ Jœ
œ‹ œ œ œ# ‰ Jœ
Œ Œ œ#&
œœœ### œœœ# œœœ œœœ œœœ## ‰ jœœœ
Œ Œ œœ#
#
∑
∑
∑
∑
Œ Œ œ#
69
Œ Œ œ#
∑
œ# œ# œ œ ‰ Jœrage and ma lice We
œ# œ œ œ# ‰ jœrage and ma lice We
œ# œ œ œ# ‰ Jœ
rage and ma lice We
œ œ# œ œ
Yes, Lord! We
œ# œ# œ œ‰ Jœ
œ‹ œ œ œ# ‰ Jœ
˙ œ#
œœœ### œœœ# œœœ œœœ## ‰ jœœœ
˙˙
œœ#
#
∑
∑
∑
∑
˙ œ#
70
˙ œ#
∑
.œ œ# œ# œ œ. œ. ‰ œ œ œ3 3
are af flic ted! Af
.œ Jœ œ. œ. ‰ Jœare af flic ted! Af
.œ Jœn œ. œ. ‰ Jœ
are af flic ted! Af
.œ œ œ œ œ. œ. ‰ œ œ œ3 3
are af flic ted! Af
.œ œ# œ# œ œ. œ.‰
œ œ œ
3 3
.œ Jœn œ. œ. ‰ œ
.œ œ œ œ œ. œ.‰ œ œ œ
3 3
∑
ww
∑
∑
∑
∑
œ Œ Ó
71
œ Œ Ó
ƒ
ƒ
ƒ
ƒ
- -
- -
- -
-
-
-
- - -
- - -
- - -
- - -
Burton – 179
?
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
#
#
#
#
#
#
# # #
# #
#
#
#
#
#
#
#
bb
bb
bb
bb
bb
bb
nnn
b
bb
bb
bb
bb
bb
bb
bb
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
∑
œ. œ# . Œ Óflic ted!
œ. œ. Œ Óflic ted!
œ. œn .Œ Ó
flic ted!
œ. œ. Œ Óflic ted!
œ. œ# .Œ Ó
œ. œn .Œ Ó
œ. œ.Œ Ó
∑
œœœnb œœœœb
œœœb œœœœ
œœœb
x x x x x x x x
œx
œx
∑
∑
∑
∑
72
∑
With a Gospel Swing q=138-142
With a Gospel Swing q=138-142
With a Gospel Swing q=138-142
With a Gospel Swing q=138-142
f
f
72
72
72
72
∑
∑
∑
∑
∑
Ó Œ Jœn œ Jœb33
∑
Ó Œ Jœn œ Jœn3 3
∑
œœœœœœb
bnœb
œœœb œœœœ
œœœ
x x x x x x x x
œx
œx
Ó Œ Jœn œ Jœb33
∑
∑
∑
73
∑
f
f
f
∑
∑
∑
∑
∑
w
∑
w
∑
œœœ œœœœ
œœœ œœœœ
œœœb
x x x x x x x x
œx
œx
w
∑
∑
∑
74
∑
∑
∑
∑
∑
∑
Jœ ‰ Œ Ó
Œœ œb œ jœ# œ œb œ œb -
œ œbJœ
33
3
Jœ ‰ Œ Ó
∑
∑
xo Œ Ó
Jœ ‰ Œ Ó
∑
∑
∑
75
∑
f
‰ Jœ œ œ .œ œ œ œ
I’m here to tell ya, chil
∑
∑
∑
∑
∑
˙ Jœ ‰ Œ
∑
∑
œœœ œœœœ
œœœ œœœœ
œœœb
x x x x x x x x
œx
œx
w
w
w
w
76
∑
f
f
f
f
-
-
-
-
-
Burton – 180
?
&
?
&
&
&
&
?
ã
&
&
B
?
?
bb
bb
bb
bb
b
bb
bb
bb
bb
bb
bb
bb
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
77
œ œ Œ œ œ
dren, what you've
∑
∑
77
∑
∑
∑
77
∑
œœœœœœ
b
œœœœ œœœ
œœœœ
x x x x x x x x
œx
œx
77.˙ ‰ Jœ
.˙ ‰ Jœ
.˙ ‰ Jœ
.˙ ‰ Jœ
77
∑
œb œ œ œ œ
ne’r been told be fore.
∑
∑
∑
∑
∑
∑
œœœ œœœœ
œœœ œœœœ
œœœb
x x x x x x x x
œx
œx
w
w
w
w
78
∑
˙ ‰ Jœ œ
Ya been
∑
∑
‰ Jœœ œ̂
Ó
‰ jœ œ œ̂ Ó
∑
∑
œœœœœœ
b
œœœœ œœœ
œ
œœœ
x x x x
^x x x x
œx
œx
‰ jœ œ œ^
Ó
‰ jœ œ œ^
Ó
‰ jœ œ œ^
Ó
‰ Jœœ œ̂ Ó
79
∑
f
f
œ œ œ œb œ œ
told that your greed will keep
∑
∑
∑
∑
∑
∑
œœœ œœœœœ
œœœb œœœœœ
œœœb
x x x x x x x x
œx
œx
w
w
w
w
80
∑
Jœ œbJœ œ œ œ
you out of
∑
∑
∑
∑
∑
∑
œœœœœœ
b
œœ
œœœb œœœœœ
œœœ
x x x x x x x x
œx
œx
.˙ ‰ Jœ
.˙ ‰ jœ
.˙ ‰ Jœ
.˙ ‰ jœ
81
∑
- -
Burton – 181
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&
?
&
&
&
&
?
ã
&
&
B
?
?
bb
bb
bb
bb
b
bb
bb
bb
bb
bb
bb
bb
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
82
œ œ .˙
hea ven.
∑
∑
82
∑
∑
∑
82
∑
œœœ œœœœ
œœœ œœœœ
œœœb
x x x x x x x x
œx
œx
82
w
w
w
w
82
∑
Ó ‰ Jœ œ
Well it’s
∑
∑
∑
∑
∑
∑
œœœœœœ
b
œœœœ œœœ
œœœœ
x x x x x x x x
œx
œx
w
w
w
w
83
∑
œ œ œ œ ‰ œ œ3 3
your luck y day ’cause I’m
∑
∑
Œœ.
Ó
Œ œ. Ó
∑
œœœ œœœ œœœ œ œn œœœb
œœ ‰
jœœ ‰ jœ œ œ
œ
x x x^
x x x x x
œx
œx
Œ œ. Ó
Œ œ. Ó
Œ œ. Ó
Œ œ. Ó
84
∑
Jœ œ Jœ œ Œhere to say:
∑
∑
Œœ.
Ó
Œ œ. Ó
∑
œœœ œœœ œœœ œ œb œœœn>
œœ
‰jœ
œ‰ jœ œ œ
œ>
x x x^
x x x x x
o
œx
œx
Œ œ. Ó
Œ œ. Ó
Œ œ. Ó
Œ œ. Ó
85
∑
œJœ
œb œ œ œb3 3
That ain’t what’s caus in’ you
∑
∑
œ̂Œ Ó
œ̂Œ Ó
∑
∑
∑
∑
œ̂Œ Ó
œ̂ Œ Ó
œ̂ Œ Ó
œ^
Œ Ó
86
∑
- - -
Burton – 182
?
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
bb
bb
bb
bb
bb
bb
b
bb
bb
bb
bb
bb
bb
bb
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
87
˙ ‰ œ Jœ
harm. It’s the
∑
∑
∑
∑
87
∑
∑
∑
87
∑
œœ
œœ
œbœb
œnœn
œx
œx
œx
œx
87
∑
∑
∑
œ œ œb œn
87
œ œ œb œnpizz.
pizz.
F
F
F
F
FJœ œ Jœ Jœ .œ
de vil’s nec tar,
∑
∑
∑
∑
∑
∑
∑
jœœœb œœœjœœœ
jœœœ ...œœœ
œœ
œœ
œœ
œœb
b
x x x x x x x x
œx
œx
∑
∑
∑
œ œ œ œb
88
œ œ œ œb
88
88
88
88
Ó ‰ œ Jœ
it’s the
œ œ ‰ œb œ œYes, Lord!
œ œ ‰ œ œ œYes, Lord!
œ œ ‰ œ ˙
Yes, Lord!
∑
∑
∑
∑
‰ œœœb ‰ œœœ ‰ œœœ ‰ œœœœœœ
œœb
b œœ
œœn
n
x x x x x x x x
œx
œx
œ œ ‰ œb œ œ
œ œ ‰ œ œ œ
œ œ ‰ œ ˙
œ œb œ œ
89
œ œb œ œ
F
F
F
œ œ œ œ
drink. Yes! Al co
∑
∑
∑
∑
œ- œ. ‰ œ.
Ó
œ- œ. ‰ œ.Ó
∑
jœœœ œœœjœœœ
jœœœ...œœœ
œœ
œœ
œœ
œœ
x x x x x x x x
œx
œx
∑
∑
∑
œ œ œ œ
90
œ œ œ œ
F
F
œb œ œ ‰ œ Jœhol, oh yes, it’s the
∑
∑
∑
∑
∑
∑
∑
‰ œœœ œœœ œœœ ˙̇̇
œœb
b œœ œ
œ œœ
x x x x x x x x
œx
œx
∑
∑
∑
œb œ œ œ
91
œb œ œ œ
- - - -
Burton – 183
?
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
bb
bb
bb
bb
bb
bb
b
bb
bb
bb
bb
bb
bb
bb
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
92
Jœ œ Jœ Jœ .œ
de vil’s nec tar,
∑
∑
∑
∑
92
∑
∑
∑
92jœœœb œœœ
jœœœjœœœ ...œœœ
œœ
œœ
œœ
œœb
b
x x x x x x x x
œx
œx
92
∑
∑
∑
œ œ œ œb
92
œ œ œ œb
∑
∑
∑
∑
∑
∑
∑
∑
‰ œœœb ‰ œœœ ‰ œœœ ‰ œœœ
œœ
œœb
b œœ
œœ
x x x x x x x x
œx
œx
∑
∑
∑
œ œb œ œ
93
œ œb œ œ
œ œ œ œ# œ œ#3 3
That’s what will keep you a
∑
∑
∑
∑
∑
∑
∑
œœ
œœ
œœ#
# œœ
œœ#
#3
œœ
œœ
œœ#
# œœ
œœ#
#3
œx
œx æ̇
œ œ œ# œ œ#3
œ œ œ# œ œ#3
œ œ œ# œ œ#3
œ Œ Ó
94
œ Œ Ó
œn œ œ œ Œpart from God!
∑
∑
∑
∑
∑
∑
∑
jœœ
œœœœjœœœœ
˙̇̇˙
œœ
œœ
œœ
˙˙
x
œx
x xo
Ó
œ œ œ ˙
œ œ œ ˙
œ œœ ˙
∑
95
∑
œ œ œ œ œ œ œ
Do you feel the truth a’ ris
∑
∑
∑
∑
∑
∑
∑
œœœ œœœœœœ
jœœœ ...œœœ
œ œ œ œ
x x x x x x x x
œx
œx
Œ .˙
Œ .˙
Œ.˙
∑
96
∑
f
f
f
f
f
f
- - - -
Burton – 184
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V
?
&
&
&
&
?
ã
&
&
B
?
?
bb
bb
bb
bb
bb
bb
b
bb
bb
bb
bb
bb
bb
bb
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
√
œ œ ˙ Œin’?
œ œ œ œ .œ œ ŒOh, I feel it ris in’!
œ œ œ œ .œ œ ŒOh, I feel it ris in’!
œ œ œ œ .œ œ ŒOh, I feel it ris in’!
∑
∑
∑
∑
œ œ œ œ œ œ œ œ œœ Œ
œ œ œœ
x x x x x x x x
œx
œx
w
w
w
∑
97
∑
97
97
97
97
œ Jœ œ œ œJœ
3 3
Ri sin’ in side your soul?
∑
∑
∑
∑
∑
∑
∑
œœœœ œœœœ œœœœœœœœ
œœœœ œœœœ
œ œ œ œ
x x x x x x x x
œx
œx
Œ.˙
Œ .˙
Œ.˙
∑
98
∑
˙ Ó
œ œ œ œ œRis in’ in side!
œ œ œ œ œRis in’ in side!
œ œ œ œ œ
Ris in’ in side!
∑
∑
∑
∑
œœœœœ œ œ œ œ œ œ œ J
œ‰
œ œ œœ
x x x x x x x x
œx
œx
w
w
w
∑
99
∑
œ œ œ œ œ œ œ
Do you feel a fire burn
∑
∑
∑
∑
∑
∑
∑
œœœ œœœ œœœœœœ œœœ œœœœb
œ œ œ œ
x x x x x x x x
œx
œx
Œ.˙
Œ .˙
Œ.˙
∑
100
∑
- - --
-
-
-
- -
- -
- -
Burton – 185
?
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
bb
bb
bb
bb
bb
bb
b
bb
bb
bb
bb
bb
bb
bb
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
101 œ œ ˙ ‰ Jœ
in’ Get
‰ Jœ œ œ .œ œ œ œA fire a’ burn in’, Lord!
‰ jœ œ œ .œ œ œ œA fire a’ burn in’, Lord!
‰ Jœ œ œ .œ œ œ œ
A fire a’ burn in’, Lord!
∑
101
∑
∑
∑
101
œœœœ œœœœb ....˙˙̇̇
œ œ œœ
x x x x x x x x
œx
œx
101 w
w
w
∑
101
∑
œ œ œ œ .œ œ œ œ
rid of all your whis key and
∑
∑
∑
∑
∑
∑
∑
jœœœœn ‰ Œ Ó
œœ
œœ#
# œœ
œœ#
# œœ
x x x x x x x x
œx
œx
Jœ ‰ Œ Ó
Jœ ‰ Œ Ó
Jœ ‰ Œ Ó
œ œ# œ œ# œ
102
œ œ# œ œ# œ
œ œ œ œ ˙turn your life a round
∑
∑
∑
∑
∑
∑
∑
∑
Ó ˙˙n
n
x x x x x x x x
œx
œx
fill
∑
∑
∑
Ó ˙n
103
Ó ˙n
f
f
f
∑
œ œ œ œ .œ œ œ œ
Lord, I feel it ris in’ deep
œ œ œ œ .œ œ œ œLord, I feel it ris in’ deep
œ œ œ œ .œ œ œ œ
Lord, I feel it ris in’ deep
∑
∑
∑
∑
∑jœœœ ‰
œœœ œœ
œœœ œœ
jœœœ ‰
Jœœ
x x x x x x x xœ
œœ
œœ
œœ
œ
Œ .˙
Œ .˙
Œ .˙
∑
104
∑
104
104
104
104
- - -
-
-
-
-
-
-
Burton – 186
?
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
bb
bb
bb
bb
bb
bb
b
bb
bb
bb
bb
bb
bb
bb
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
105
∑
œ œ œ œ œ ‰ ‰ œ
in side of me! Lord,
œ œ œ œ œ ‰ ‰ œin side of me! Lord,
œ œ œ œ œ ‰ ‰ œ
in side of me! Lord,
∑
105
Œ œ œ œ jœ# œJœn œ œ œ
3
3
3
Œ œ œ œ jœ# œJœn œ œ œ
33
3
∑
105
Œ œ œ œ jœ# œJœn œ œ œ
33
3
Jœœœ.
‰ œ œ œ jœ# œJœn œ œ œ
3
3
3
x x x x x x x xœ
œœ
œœ
œœ
œ
105
w
w
w
∑
105
∑
∑
œ œ œ œ .œ œ œ œ
a fire is burn in’, come
œ œ œ œ .œ œ œ œa fire is burn in’, come
œ œ œ œ .œ œ œ œ
a fire is burn in’, come
∑
Jœ ‰ Œ Ó
jœ ‰ Œ Ó
∑
jœœœ ‰ Œ Ó
jœœ‰ œœœ œ
jœ œœjœœ ‰
‰ Jœœ
x x x x x x x xœ
œœ
œœ
œœ
œ
Œ .˙
Œ .˙
Œ .˙
∑
106
∑
∑
œ œ œ œ œ ‰ ‰ œ
and set me free! Save
œ œ œ œ œ ‰ ‰ œ
and set me free! Save
œ œ œ œ œ ‰ ‰ œ
and set me free! Save
∑
∑
∑
∑
∑jœ œœœ œ œ œ œ œœœœ
œœœœœœœ.
x x x x x x x xœ
œœ
œœ
œœ
œ
w
w
w
∑
107
∑
∑
œ œ œ œ .œ œ œ œ
us from the Hell fire, Save
œ œ œ œ .œ œ œ œ
us from the Hell fire, Save
œ œ œ œ .œ œ œ œ
us from the Hell fire, Save
∑
∑
∑
∑
∑œœœ œ
œ
œœœ œœ
œœœ œœ
œœœ œœ
x x x x x x x xœ
œœ
œœ
œœ
œ
Œ œ ˙
Œ œ ˙
Œ œ ˙
∑
108
∑
-
-
-
-
-
-
-
-
-
Burton – 187
?
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
bb
bb
bb
bb
bb
bb
b
bb
bb
bb
bb
bb
bb
bb
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
109
∑
œ œ œ œ œ ‰ ‰ œ
us from the flame, Oh,
œ œ œ œ œ ‰ ‰ œus from the flame, Oh,
œ œ œ œ œ ‰ ‰ œ
us from the flame, Oh,
∑
109
∑
∑
∑
109
∑œœœ œ
œ
œœœ œœ
œœœ œœ
œœœ
x x x x x x x xœ
œœ
œœ
œœ
œ
109˙ ˙
˙ ˙
˙ ˙
∑
109
∑
∑
œ œ œ œ .œ œ œ œ
I feel the spir it, Lord!
œ œ œ œ .œ œ œ œI feel the spir it, Lord!
œ œ œ œ .œ œ œ œ
I feel the spir it, Lord!
∑
∑
∑
∑
∑jœœœ ‰
œœœ œœ
œœœ œœ
jœœœ ‰
Jœœ
x x x x x x x xœ
œœ
œœ
œœ
œ
Œ .˙
Œ .˙
Œ .˙
∑
110
∑
∑
Jœ ‰ Œ Ó
Jœ ‰ Œ Ó
Jœ ‰ Œ Ó
∑
Œ œ œ œ jœ# œJœn œ œ œ
3
3
3
Œ œ œ œ jœ# œJœn œ œ œ
33
3
∑
Œ œ œ œ jœ# œJœn œ œ œ
33
3
Jœœœ.
‰ œ œ œ jœ# œJœn œ œ œ
3
3
3
x x x x x x x xœ
œœ
œœ
œœ
œ
fill
w
w
w
∑
111
∑
∑
œ œ œ œ .œ œ œ œ
Lord, I feel it ris in’ deep
œ œ œ œ .œ œ œ œLord, I feel it ris in’ deep
œ œ œ œ .œ œ œ œ
Lord, I feel it ris in’ deep
∑
Jœ ‰ Œ Ó
Jœ ‰ Œ Ó
∑
∑jœœœ ‰
œœœ œœ
œœœ œœ
jœœœ ‰
Jœœ
x x x x x x x xœ
œœ
œœ
œœ
œ
Œ .˙
Œ .˙
Œ .˙
∑
112
∑
112
112
112
112
-
-
-
-
-
-
Burton – 188
?
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V
?
&
&
&
&
?
ã
&
&
B
?
?
bb
bb
bb
bb
bb
bb
b
bb
bb
bb
bb
bb
bb
bb
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
113
∑
œ œ œ œ œ ‰ ‰ œ
in side my soul! Lord,
œ œ œ œ œ ‰ ‰ œin side my soul! Lord,
œ œ œ œ œ ‰ ‰ œ
in side my soul! Lord,
∑
113
Œ œ œ œ jœ# œJœn œ œ œ
3
3
3
Œ œ œ œ jœ# œJœn œ œ œ
33
3
∑
113
Œ œ œ œ jœ# œJœn œ œ œ
33
3
Jœœœ.
‰ œ œ œ jœ# œJœn œ œ œ
3
3
3
x x x x x x x xœ
œœ
œœ
œœ
œ
113
w
w
w
∑
113
∑
∑
œ œ œ œ .œ œ œ œ
a fire is burn in’, come
œ œ œ œ .œ œ œ œa fire is burn in’, come
œ œ œ œ .œ œ œ œ
a fire is burn in’, come
∑
Jœ ‰ Œ Ó
jœ ‰ Œ Ó
∑
jœœœ ‰ Œ Ó
jœœ‰ œœœ œ
jœ œœjœœ ‰
‰ Jœœ
x x x x x x x xœ
œœ
œœ
œœ
œ
Œ .˙
Œ .˙
Œ .˙
∑
114
∑
∑
œ œ œ œ œ ‰ ‰ œ
and set me free! Save
œ œ œ œ œ ‰ ‰ œ
and set me free! Save
œ œ œ œ œ ‰ ‰ œ
and set me free! Save
∑
∑
∑
∑
∑jœ œœœ œ œ œ œ œœœœ
œœœœœœœ.
x x x x x x x xœ
œœ
œœ
œœ
œ
w
w
w
∑
115
∑
∑
œ œ œ œ .œ œ œ œ
us from the fi re Save
œ œ œ œ .œ œ œ œ
us from the fi re Save
œ œ œ œ .œ œ œ œ
us from the fi re Save
∑
∑
∑
∑
∑œœœ œ
œ
œœœ œœ
œœœ œœ
œœœ œœ
x x x x x x x xœ
œœ
œœ
œœ
œ
Œ œ ˙
Œ œ ˙
Œ œ ˙
∑
116
∑
-
-
-
-
-
-
-
-
-
Burton – 189
?
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
bb
bb
bb
bb
bb
bb
b
bb
bb
bb
bb
bb
bb
bb
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
117
∑
œ œ œ œ œ ‰ ‰ œ
us from the flame, Oh,
œ œ œ œ œ ‰ ‰ œus from the flame, Oh,
œ œ œ œ œ ‰ ‰ œ
us from the flame, Oh,
∑
117
∑
∑
∑
117
∑œœœ œ
œ
œœœ œœ
œœœ œœ
œœœ
x x x x x x x xœ
œœ
œœ
œœ
œ
117˙ ˙
˙ ˙
˙ ˙
∑
117
∑
∑
œ œ œ œ .œ œ œ œ
I feel re vi val, Lord!
œ œ œ œ .œ œ œ œI feel re vi val, Lord!
œ œ œ œ .œ œ œ œ
I feel re vi val, Lord!
∑
∑
∑
∑
∑jœœœ ‰
œœœ œœ
œœœ œœ
jœœœ ‰
Jœœ
x x x x x x x xœ
œœ
œœ
œœ
œ
Œ .˙
Œ .˙
Œ .˙
∑
118
∑
∑
Jœ ‰ Œ Ó
Jœ ‰ Œ Ó
Jœ ‰ Œ Ó
∑
Œ œ œ œ jœ# œJœn œ œ œ
3
3
3
Œ œ œ œ jœ# œJœn œ œ œ
33
3
∑
Œ œ œ œ jœ# œJœn œ œ œ
33
3
Jœœœ.
‰ œ œ œ jœ# œJœn œ œ œ
3
3
3
jx ‰ Œ ÓJœ
w
w
w
∑
119
∑
‰ Jœ œ Jœ œ œ œNow chil dren, this af
∑
∑
∑
∑
Jœ ‰ Œ Ó
Jœ ‰ Œ Ó
∑
Jœ ‰ Œ Ó
Jœ ‰ Œ Ó
∑
wæ
wæ
wæ
∑
120
∑
Straight (end swing)
Straight (end swing)
Straight (end swing)
Straight (end swing)
120
120
120
120
œ œ .œ œ œ œ œ Jœ ‰flic tion goes by ma ny names:
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
wæ
wæ
wæ
∑
121
∑
- - - -
- -
- -
- -
Burton – 190
?
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
bb
bb
bb
bb
bb
bb
b
bb
bb
bb
bb
bb
bb
bb
b
b
b
b
b
b
#
n
b
b
b
b
b
b
b
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
122
œ Œ œ ŒAle, Beer,
Œ œ Œ œb
Yes, yes,
Œ œ Œ œYes, yes,
Œ œ Œ œb
Yes, yes,
Œ œ Œ œb
Yes, yes,
122
Œœ
Œœb
Œ œ Œ œb
.˙Œ
122
˙̇̇b ˙̇̇˙b
bb
Œ œœ Œ œ
œbb
Xfill (cymbals)
122
˙æ
˙bæ
æ̇ ˙b æ
˙æ
˙æ
∑
122
∑
p
p
p
p
p
p
p
p
π
p
p
p
p
œ Œ œ ŒGrog, Gin,
Œ œn Œ œ
yes, yes,
Œ œ Œ œnyes, yes,
Œ œn Œ œ
yes, yes,
Œ œ Œ œ
yes, yes,
Œœn
Œœ
Œ œ Œ œ
∑
˙̇̇ ˙̇̇˙
Œ œœ Œ œ
œ
X
˙næ
˙æ
˙æ
˙æ
˙æ
˙æ
∑
123
∑
œn Œœb
ŒPunch, Stout
Œ œ# Œœ
yes, yes
Œ œn Œ œ#
yes, yes
Œ œ# Œœ
yes, yes
Œ œ Œ œyes, yes
Œœ#
Œ
œ
Œ œ Œ œ
∑
˙̇̇#n˙̇̇˙n#
Œ œœ
Œ œœ
X
˙#æ
˙æ
˙æ
˙næ
˙næ
˙#æ
∑
124
∑
Œ ¿> ÓHooch!
Ó Y
(gasp!)
Ó Y
(gasp!)
Ó Y
(gasp!)
Ó Y
(gasp!)
Jœ
‰ Œ Ó
jœb ‰ Œ Ó
∑
Jœœœb ‰ Œ Ó
jœœb
b ‰ Œ Ó
xŒ Ó
Jœ ‰ Œ Ó
Jœb ‰ Œ Ó
Jœ
‰ Œ Ó
∑
125
∑
f
f
f
f
f
f
f
f
F
f
f
f
Ó ¿ ŒYum!
∑
∑
∑
∑
∑
∑
∑
∑
∑ &
∑
∑
∑
∑
∑
126
∑
Tommyf
Œ ¿ .¿ ¿ ŒSin ner!
∑
∑
∑
∑
œ̂ œ.‰ Œ Ó
œ# ^ œ.‰ Œ Ó
œ#^
œ.‰ Œ Ó
˙̇˙˙˙# >
˙˙˙˙˙#>
˙̇˙˙˙# > ˙˙˙˙˙#>
?
1Œ æ̇
Ó œ œ œ œ œ œ3 3
Ó œ œ# œ œ
Óœ œ
∑
127
∑
P
P
P
f
f
f
f
arco
arco
arco
q = ca. 112
q = ca. 112
q = ca. 112
q = ca. 112
Karl
F
f
127
127
127
127
Ó ‰ Jœ œ œ
It may seem
∑
∑
∑
∑
∑
∑
Ó ˙
˙˙˙˙˙Ó
˙˙˙˙˙ Ó
jœ ‰ Œ Ó
œ œ œ œ œ œ œ œ œ œ œ œ3 3 3 3
œ œ# œ œ œ œ œ œ
œ œ œ œ
∑
128
∑
F
F
p
-
Burton – 191
?
&
?
&
&
&
&
?
ã
&
&
B
?
?
b
b
b
b
#
b
b
b
b
b
b
b
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
129 œb œ œ ‰ œ Jœb
harm less at first,
∑
∑
129
∑
∑
œb œ œ ‰œ
jœb
129
∑
∑
∑
129œ œ œ œ œ œ œ œ œ œ œ œ3 3 3 3
œ œ# œ œ œ œ œ œ
œ œ œ œ
∑
129
∑
˙ ‰ Jœ œ œ
but let me
∑
∑
∑
∑
˙ ‰œ
jœ
∑
∑
∑
œ œ œ œ œ œ œ œ œ œ œ œ3 3 3 3
œ œ# œ œ œ œ œ œ
œ œ œ œ
∑
130
∑
œb .˙
tell you,
∑
∑
∑
∑
wb
∑
∑
∑
œ œ œ œ œ œ œ œ œ œ œ œ3 3 3 3
œ œ# œ œ œ œ œ œ
œ œ œ œ
∑
131
∑
‰ œ Jœ œ ŒIf you drink
∑
∑
œ̂ œ. ‰ Œ Œ œ̂ œ. ‰
œv œ.‰ Œ Œ œv œ.
‰
œv œ.‰ Œ Œ œv œ.
‰
jœœœv‰ Œ Ó
jœœœv‰ Œ Ó
x ΠΠx
Jœ ‰ Œ Ó
Jœ ‰ Œ Ó
Jœ ‰ Œ Ó
∑
132
∑
f
f
f
f
f
Œ ‰ Jœb œ .œ œ
your mor als
∑
∑
œb ^ œ.‰ Œ Ó
œn v œ.‰ Œ Ó
œv œ.‰ Œ Ó
jœœœbb
v‰ Œ Ó
jœœœv‰ Œ Ó
x Œ Ó
∑
∑
∑
∑
133
∑
- -
Burton – 192
?
&
?
&
&
&
&
?
ã
&
&
B
?
?
b
b
b
b
#
b
b
b
b
b
b
b
43
43
43
43
43
43
43
43
43
43
43
43
43
43
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
134œ œ ˙
will fail,
∑
∑
134
Ó Œ œ̂ œ. ‰
Ó Œ œv œ.‰
Ó Œ œv œ.‰
134
Ó Œ jœœœv‰
Ó Œjœœœv
‰
Ó Œ x
134
∑
∑
∑
∑
134
∑
‰ jœ œ œb œ ˙3
You’ll end up in
∑
∑
œ̂ œ.‰ Œ Ó
œv
œ.‰ Œ Ó
œv œ.‰ Œ Ó
jœœœv‰ Œ Ó
jœœœbv
‰ Œ Ó
x Œ Ó
∑
∑
∑
∑
135
∑
œ œb œb Œthe clink!
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
136
∑
‰ Jœ œ œ œ ≈ Rœ œ œ
Now, my friends, it’s time to
∑
∑
œ̂ œ. ‰ Œ Ó
œv œ.‰ Œ Ó
œv œ.‰ Œ Ó
jœœœv‰ Œ Ó
jœœœv‰ Œ Ó
x Œ Ó
wæ>
wæ>
wæ>
wæ>
137
œ>Œ Ó
Í
Í
Í
pizz.
f
f
f
f
f
Í
arco
arco
arco
arco
137
137
137
137
œ œ œ ‰ Jœ
save your souls. Go
∑
∑
Œ Œœb ^ œ.
‰
Œ Œ œn v œ.‰
Œ Œ œv œ.‰
Œ Œ jœœœbb
v‰
Œ Œjœœœv
‰
ΠΠx
.˙æ
.˙æ
.˙æ
.˙æ
138
Œ Œ œ
arco
Burton – 193
?
&
?
&
&
&
&
?
ã
&
&
B
?
?
b
b
b
b
#
b
b
b
b
b
b
b
42
42
42
42
42
42
42
42
42
42
42
42
42
42
43
43
43
43
43
43
43
43
43
43
43
43
43
43
42
42
42
42
42
42
42
42
42
42
42
42
42
42
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
139 .œ œ œ .œ œ œ œ3
home, amd bring me all of your
∑
∑
139
∑
∑
∑
139
∑
∑
∑
139 .˙æ
.˙æ
.˙æ
.˙æ
139
∑
œ .œ œ œ
liqu or. Go
∑
∑
Œ Jœ̂ ‰
Œ jœv
‰
Œ jœv‰
Œ jœœœv‰
Œjœœœb
v‰
Πx
œ Jœ̂ ‰
œ Jœ̂ ‰
œ Jœ̂ ‰
œJœ̂
‰
140
Œ œ^
f
f
f
f
.œ œ œ Œquick, now!
∑
∑
Œ Œœ̂ œ.
‰
Œ Œ œv
œ. ‰
Œ Œ œv
œ. ‰
Œ Œjœœœv
‰
Œ Œ jœœv‰
ΠΠx
Œ Œœ̂ œ.
‰
Œ Œ œ̂ œ. ‰
Œ Œœ̂ œ.
‰
Œ Œ œ̂ œ. ‰
141
Œ Œ œ^
œ.‰
‰ Jœ œ
But wait,
townspeople begin to trickle out and bring back bottles of booze.
I don’t think the ci ti zens of Sum mit will be too hap py with a ny one bring ing Bil ly and Jane home.
394 w
w
w
394 wwww#ggggggggggg ww
∑
394
w
w
w#
w
394
∑
p
p
p
p
p
p
p
p
- - - - - - - -
Burton – 366
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
43
43
43
43
43
43
43
43
43
43
43
43
B.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
‰ Jœ .œ œ#Jœ ‰
A men to that!
∑
∑
∑
∑
∑
∑
∑
∑
‰ jœ œ œ# œ
œ œ œ œ# œ
395
œœ Œ Œ
pizz.
pizz.
pizz.
q=ca.72
q=ca.72
q=ca.72
q=ca.72
fBob
f
f
f
395
395
395
395
‰ Jœ Jœ ‰ œ
Fair point, Sam.
∑
∑
∑
∑
∑
∑
∑
∑
œ Œ Œ
œ Œ Œ
396
œ Œ Œ
EarlF
∑
‰ Jœ œ. œ jœ.‰
‰ Jœ œ. œ jœ.
‰
Œ Œ ‰ jœ?
∑
∑
∑
∑
∑
∑
∑
397
∑
f
F
F
œ œ œ œ œ
You had bet ter come
∑
∑
Jœ ‰ Œ Œ
∑
∑
∑
∑
∑
Œ Œ ‰ jœ
Œ Œ ‰ jœ
398
Œ Œ ‰ jœ
pizz.
pizz.
pizz.
F
F
F
F
‰ Jœœ œ œ œ
real ear ly in the
∑
∑
∑
∑
∑
∑
∑
∑
œ œ œ œjœ ‰
œ œ œ œjœ ‰
399
œ œ œ œjœ ‰
œ œ Œ ‰ Jœ
morn ing for
∑
∑
∑
∑
∑
Œ x x x Œ
Œ œ œ œ Œ
Œ œ œ œ Œ
Œ œ œ œ Œ
Œ œ œjœ ‰
400
Œ œ œjœ ‰
arco
F
F
F
- - --
Burton – 367
?
&
&
?
&
?
ã
&
&
B
?
?
# #
#
E.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
401 œ œ œ œ œ œ œ œthe town has been quite
401
∑
∑
∑
401
∑
∑
.Xæ
401
œ œ œ
œ œ œ
œ œ œ
œ œ œ
401
œ œ œ
p
p
p
P
P
P
p
œ œ Œ ≈ œ œ
peace ful since my
∑
∑
∑
∑
∑
xŒ Œ
∑
∑
Œ ‰ jœ œ œ
Œ ‰ jœ œ œ
402
Œ ‰ jœ œ œ
pizz.
P
F
F
F
œ œ œ œ œ
chil dren have been gone.
∑
∑
∑
∑
∑
∑
∑
∑
Œ Œ ‰ Jœ
Œ Œ ‰ jœ
403
Œ Œ ‰ jœ
Œ œ œ
and I
∑
∑
∑
∑
∑
∑
∑
∑
œ œ œ œ œ œ
œ œ œ œ œ œ
404
œ œ œ œ œ œ
Jœ œJœ œ œ#
can not be held re
∑
∑
∑
∑
∑
∑
∑
∑
‰ jœ Œ Œ
‰ jœŒ Œ
405
‰ jœŒ Œ
.œ œ .œ œ œ œ
spon si ble for what the
Œ ‰ Jœ œ. œ
Œ ‰ Jœ œ. œ
∑
∑
∑
∑
∑
∑
‰ jœ Œ Œ
‰ jœ Œ Œ
406
‰ jœ Œ Œ
F
F
- - - - - -
Burton – 368
?
&
&
?
&
?
ã
&
&
B
?
?
# #
#
E.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
407 œ œ œ .œ œ
towns folk might do to
407jœ.
‰ Œ Œ
jœ.
‰ Œ Œ
∑
407
∑
∑
‰ Jx ‰ Jx ‰ Jx
407
‰ Jœ ‰ jœ ‰ jœ
‰ Jœ ‰ jœ ‰ jœ
‰ jœ ‰ jœ ‰ jœ
‰ jœ ‰ jœ ‰ jœ
407
∑
f
f
f
f
œ# œ œ# Jœ ‰ œ œ œ3
a ny one seen bring ing them
∑
∑
∑
∑
∑
‰ Jx ‰ Jx Œ
‰ Jœ̂ ‰ Jœ̂ Œ
‰ jœv‰ jœv
Œ
‰ jœ^
‰ jœ^
Œ
‰ jœv
‰ jœv
Œ
408
‰ jœv
‰ jœv
Œ
arco
arco
arco
arco
arco
P
P
P
P
P
œ# Œ Œback.
‰ Jœ̂ Jœ̂ ‰œ̂ œ̂
‰ Jœ̂ Jœ̂ ‰ œ̂ œ̂
‰ Jœ̂
Jœ̂
‰œ̂ œ̂
∑
∑
‰ Jx Jx ‰ x x
‰ Jœ̂ Jœ̂ ‰ œ̂ œ̂
‰ jœvjœv
‰œv œv
‰ jœv
jœv
‰ œv
œv
‰ jœv
jœv
‰ œv
œv
409
‰ jœv
jœv
‰ œv
œv
f
f
f
f
f
f
f
f
∑
‰ Jœ̂ Œ Œ
‰ Jœ̂ Œ Œ
‰ Jœ̂
Œ Œ
∑
∑
‰ Jx Œ Œ
‰ Jœ̂ Œ Œ
‰ jœvŒ Œ
‰ jœv
Œ Œ
‰ jœv
Œ Œ
410
‰ jœv
Œ Œ
‰ Jœ œ# ‰ œ œ œ œ
Al right, how does that sound?
∑
∑
∑
∑
∑
∑
∑
∑
∑
w
411
w
Recit.
Recit.
Recit.
Recit.
F
F
411
411
411
411
- - - - -
Burton – 369
?
&
&
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&
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ã
&
&
B
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# #
#
44
44
44
44
44
44
44
44
44
44
44
44
S.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
412
‰ jœ#.œ œ œ
Sounds good to me.
&
412
∑
∑
∑
412
∑
∑
∑
412
∑
∑
∑
w
412
w
Sam
‰ Jœ œ œ# œ œ œ œ œ œ œ œ œ œEx cept for the part a bout bring ing the kids with ’em.
?&
∑
∑
∑
∑
∑
∑
∑
∑
∑
w
413
w
Bob.œ œ# .œ œ Jœ .œ#
You for got to sign it.
∑
∑
∑
∑
∑
∑
∑
∑
∑
w
414
w
Clara
- - - -
Burton – 370
&
&
&
?
&
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ã
&
&
B
?
?
# #
#
44
44
44
44
44
44
44
44
44
44
44
44
86
86
86
86
86
86
86
86
86
86
86
86
E.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
415
∑
415
∑
∑
∑
415
∑
∑
∑
415
Ó ‰ jœ œ# œ
Ó ‰ jœ œ œ
Ó ‰ jœ œ# œ
Ó œ# œ Œ
415
Ó œ# œ Œ
arco
arco
arco
p
p
p
Tempo
Tempo
Tempo
Tempo
P
P
Œ Œ˙
sin
?
Œœ œ œ œ œ ˙
Œœ œ œ œ ˙
3
Œ œ.œ ˙
∑
∑
Œ ‰ Jx Ó
œ œ œ. œ ˙
œ œ œ.œ ˙
œ œ œ. œ ˙
Œ jœ ‰ Ó
416
Œ jœ ‰ Ó
Í
Í
Í
Í
Í
Í
Earl
P
P
P
f
f
œ ˙ ‰ Jœcer ely the
Jœ
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rœ# œ# .
rœ# œ. r
œ# Jœ# .‰
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‰
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∑
∑
∑
Jœ ‰ Œ Ó
Jœ ‰ Œ Ó
Jœ ‰ Œ Ó
Ó Œ jœ#jœ#
>‰
417
Ó Œ jœ#jœ#
>‰
P
P
œ œ œ .œ
She riff.
∑
∑
∑
Œjœœœ
##. ...œœœ
Œ Jœœœ
## ....œœœ
∑
∑
∑
Œ . Œ jœ
Œ . Œ jœ
418
Œ . Œ jœ
q.=54-60
q.=54-60
q.=54-60
q.=54-60
F
F
F
F
arco
arco
418
418
418
418
∑[seals the letter]
∑
∑
∑
œœœ
jœœœ##
. ...œœœ
œœœ Jœœœ
## ....œœœ
∑
∑
∑
.œ œ jœ
.œ œ jœ
419
.œ œ jœ
‰ .œ œ .œ œ œ œ#
Do you want to do the
∑
∑
∑
œœœ
jœœœ##
. ...œœœ
œœœ Jœœœ
## ....œœœ
∑
∑
∑
.œ œ jœ
.œ œ jœ
420
.œ œ jœ
- - -
Burton – 371
?
&
&
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&
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ã
&
&
B
?
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# #
#
E.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
421 œ .œ# œ Jœ ‰ jœ#hon ors, Sam? Sure
[Earl hands the letter to Sam]
&
421
∑
∑
∑
421
œœœ
jœœœ##
. ...œœœ
œœœ Jœœœ
## ....œœœ
∑
421
∑
∑
.œ œ jœ
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421
.œ œ jœ
Sam
œn œ œ .œthing, She riff.
∑
∑
∑
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. ...œœœ
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## ....œœœ
∑ &
∑
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422
.œ œ jœ
∑
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...œœœ...œœœ
...œœœ...œœœ
Œ . .œ
∑
∑
.˙
.˙
423
.˙
Glock.
F
∑[Sam leaves to deliver the letter]
∑
∑
∑
...œœœb ...œœœ#
...œœœb ...œœœ#
.œ Œ . ã
∑
∑
.˙
.˙
424
.˙
∑
Œ Jœ.
.œ#
Œ Jœ# ..œ#
∑
...˙̇̇##
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.X
Œ Jœ.
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Œ Jœn .
.œ#
Œ . Œ jœ#
425
Œ . Œ jœ#
F
F
F
F
Fpizz.
pizz.
F
F
∑[Clara settles back into her cell]
œ ‰œ.
.œ#
œ ‰ œ# ..œ#
∑
∑
∑
∑
œ ‰œ. .œ
œ ‰ œ# . .œ#
œ ‰œn .
.œ#
.œ# Œ jœ#
426
.œ# Œ jœ#
P
P
∑
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.œ œ ‰ œ# .
∑
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427
.œ# Œ .
p
p
∑
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∑
∑
∑
∑
∑ &
.˙
.˙
.˙
∑
428
∑
p
p
p
- -
Burton – 372
&
&
&
?
&
?
&
&
&
B
?
?
# #
#
83
83
83
83
83
83
83
83
83
83
83
83
86
86
86
86
86
86
86
86
86
86
86
86
C.
Fl.
Bb Cl.
Hn.
Glk.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
œ œ ‰ œ œ ‰humming absentmindedly
∑
∑
∑
∑
∑
œ œ ‰ œ œ ‰
.˙
.˙
.˙
∑
429
∑
π
π
π
Clara
Glock.
P
P
429
429
429
429
.œ# œ œ .œ œ œ
∑
∑
∑
∑
∑
∑
.˙
.˙
.˙
∑
430
∑
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∑
∑
∑
∑
∑
œ œ ‰ œ œ ‰
.˙
.˙
.˙
∑
431
∑
.œ œ œ œ jœ ‰ ‰
∑
∑
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.˙
.˙
.˙
∑
432
∑
∑
∑
∑
∑
∑
∑
∑
.œ
.œ
.œ
∑
433
∑
Burton – 373
&
&
&
?
&
?
&
&
&
B
?
?
# #
#
86
86
86
86
86
86
86
86
86
86
86
86
83
83
83
83
83
83
83
83
83
83
83
83
86
86
86
86
86
86
86
86
86
86
86
86
C.
Fl.
Bb Cl.
Hn.
Glk.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
434œ œ ‰ œ œ ‰
434
‰œ œ.
‰œ œ.
∑
∑
434
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434 .˙
.˙
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∑
434
∑
p
p
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∑
435
∑
∑
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∑
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∑
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436
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Π.
∑
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.˙
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∑
437
∑
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‰œ œ.
Π.
∑
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.˙
.˙
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438
∑
∑U
∑U
∑U
∑U
∑U
∑U
∑U
.U̇
.U̇
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∑U
439
∑U
Burton – 374
&
&
&
&
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ã
&
&
&
&
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# #
# # # #
# # #
# #
# #
# #
# #
# #
# #
# #
44
44
44
44
44
44
44
44
44
44
44
Flute
Bb Clarinet
Horn in F
Percussion
Violin I
Violin II
Viola
Cello
Double Bass
Piano
∑
∑
∑
∑
∑
∑
˙æ
˙æ
Ͼ
Ͼ
˙æ
Ͼ
˙æ
Ͼ
wæ
1
∑
π
π
π
π
Mute
Mute
Mute
Mute
A Peaceful Sunrise q = 88-96
A Peaceful Sunrise q = 88-96
A Peaceful Sunrise q = 88-96
∑
∑
∑
∑
∑
∑
˙æ
˙æ
Ͼ
Ͼ
˙æ
Ͼ
˙æ
Ͼ
wæ
2
∑
∑
˙ ˙ œ3legato
∑
∑
∑
∑
˙æ
˙æ
Ͼ
Ͼ
˙æ
Ͼ
˙æ
Ͼ
wæ
3
∑
P
œ œ œ œ œ œ3 3legato
w
∑
∑
∑
∑
˙æ
˙æ
Ͼ
Ͼ
˙æ
Ͼ
˙æ
Ͼ
wæ
4
∑
P
œ œ œ œ œ3
∑
∑
∑
∑
∑
˙æ
˙æ
Ͼ
Ͼ
˙æ
Ͼ
˙æ
Ͼ
wæ
5
∑
˙ Jœ ‰ Œ
∑
œ œ œn œ œn œ œ œ œ œn3 3
3
∑
∑
∑
˙æ
˙æ
Ͼ
Ͼ
˙æ
Ͼ
˙æ
Ͼ
wæ
6
∑
F
Mute
∑
∑
œn œn .˙
∑
∑
∑
˙æ
˙æ
Ͼ
Ͼ
˙æ
Ͼ
˙æ
Ͼ
wæ
7
∑
Burton – 375
Act IIScene 2
Karl, Addy, Tommy, Billy, Jane
Scene: Somewhere in the wilderness outside of Summit. There is a cave on one side of the stage where the gang of criminals and the children have been staying.
Scene: The Summit Town Jail early in the morning. On one side of the stage, the gang arrives in town with the children. On the other side of the stage, Clara occupies a cell in the jail. As the scene
goes on, more and more townspeople awake and go about their daily business.
&
&
&
&
&
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ã
&
&
B
?
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# #
#
B.
Fl.
B. Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
6
‰ . œ œ œ œ œbya’ll just don’t know
6
∑
.œÓ
∑
6
∑
∑
œx x x ‰ Jx ‰ Jx
6
‰ œb . œ. ‰ jœ.‰ œ. œ.
‰ œb . œ.‰ jœ.
‰ œ. œ.
‰ œb . œ. ‰ jœ. ‰ œ. œ.
.œ Œ Œ
6
.œœ œ
œbJœ œb œ
how to have fun.
∑
∑
∑
∑
∑
‰ x x x Œ ‰ œ œ
‰ œ. œ. œ.‰ œb . œ. ‰ Jœ
.
‰ œb . œ. œ.‰ œ. œ.
‰ jœ.
‰ œ. œ. œ. ‰ œ. œ. ‰ Jœ.
‰ œb . œ. œ. ‰ œ. œ. ‰ Jœ.
7
.œbœb œb
Œ . Œ ‰ jœYou
∑
œ jœ#jœ#
v‰ œn œn œb . œ.
Œ . Œ œ œn œb . œ.
‰ œœœœbb œœœœjœœœœv
‰ Œ
œ jœ#jœ
œ##
v‰ Œ
œx x x j
œ Jœ ‰1
‰ œ. œ. œ. œ. Jœ̂ ‰ Œ
‰ œ. œ. œ. œ.jœ
v‰ Œ
‰ œb . œ. œ. œ. Jœ̂ ‰ œ. œb . œb . œ.
‰ œb . œ. œ. œ. Jœ̂ ‰ œ. œb . œb . œ.
8
.œJœ# ^ ‰ Œ
f
f
f
f
f
f
f
P
Addy
f
œ œb .œ œ œb ‰ Jœ
boo by trapped the cave. And
?
∑
.œÓ
.œÓ
‰œœœœbb. œœœœ
.‰ J
œœœœ.
‰ Jœœœœ.
‰ œ. œ. œ œ. œ œ.&
œx x x ‰ Jx ‰ Jx
∑
∑
.œ Ó
.œ Ó
9
∑
P
P
P
P
P
Karl
P
9
9
9
9
-
Burton – 472
?
&
&
&
&
&
ã
&
&
B
?
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# #
#
K.
Fl.
B. Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
10œ œ œ œ œb œ œ œ
tried to build a guil lo tine.
10
∑
∑
∑
10
‰œœœœbb. œœœœ
.‰ J
œœœœ.
‰ Jœœœœ.
œ œ. œ. œ œ. œ œ.
œx x x ‰ Jx ‰ Jx
10
∑
∑
∑
∑
10
∑
Œ jœ œb œ ŒOh that thing?
&
∑
Œ jœ œn œ
Œ
∑
‰œœœb œœœ ‰ J
œœœ Jœœœ ‰
œ œb œ œ œ œ œ
∑
∑
∑
∑
∑
11
∑
Billy
F
.œ œ œ œ œb œ œ œ œIt was for ed u ca tion al
.œ œ œ œ œb œ œ œ œ
∑
∑
‰œœœœ œœœœ
‰ Jœœœœ
‰ Jœœœœ
œœ œ
œœ
œœ
∑
∑
∑
∑
∑
12
∑
Fto Bb Clar.
œb œ œ œ Œ ‰ jœpur pos es. In
œb œ œ œ Ó
∑
∑
∑
∑
œx x x ‰ Jx ‰ œ œ
‰ œb . œ. œ. œ. ‰ jœ.‰ jœ.
‰ œb . œ. œ. œ.‰ jœ.
‰ jœ.
‰ œb . œ. œ. œ. ‰ jœ. ‰ jœ.
.œ Œ Œ
13
.œœ œpizz.
F
F
F
F
F
p
Jane
- - - - - - - -
Burton – 473
&
&
&
&
&
&
ã
&
&
B
?
?
# #
#
J.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
14.œ œ œb œ œ œ œ œ
school we were learn ing a bout the
14
∑
∑
∑
14
∑
∑
œx x x ‰ Jx ‰ Jx
14
‰ œ œ ‰ jœ ‰ jœ
‰ œ œ ‰ jœ‰ jœ
‰ œb œ ‰ jœ ‰ jœ
.œ Œ Œ
14
.œœ œ
pizz.
pizz.
pizz.
P
P
P
P
P
.œb œ œ œ œb ‰ œ œFrench Rev o lu tion and we
∑
∑
∑
∑
∑
‰ x x x ‰ Jx ‰ Jx
‰ œ œ ‰ jœ ‰ jœ
‰ œ œ ‰ jœ‰ jœ
‰ œb œ ‰ jœ ‰ jœ
.œ Œ Œ
15
.œœb œb
œb œ œ œ œ œ œ
want ed to see how it worked.
∑
∑
∑
∑
∑
‰ x x x ‰ Jx ‰ Jx
‰ œ œ ‰ jœ ‰ jœ
‰ œ œ ‰ jœ‰ jœ
‰ œb œ ‰ jœ ‰ jœ
.œ Œ Œ
16
.œœ œ
‰ . œ œ œb œ œb œ œ œWe were gon na use it on
∑
∑
∑
∑
∑
œx x x ‰ Jx ‰ Jx
‰ œ œ ‰ jœ ‰ jœ
‰ œ œ ‰ jœ‰ jœ
‰ œb œ ‰ jœ ‰ jœ
.œ Œ Œ
17
.œœb œb
Billy
- - - - - - -
Burton – 474
&
&
&
&
&
&
ã
&
&
B
?
?
# #
#
86
86
86
86
86
86
86
86
86
86
86
86
84
84
84
84
84
84
84
84
84
84
84
84
86
86
86
86
86
86
86
86
86
86
86
86
84
84
84
84
84
84
84
84
84
84
84
84
47
47
47
47
47
47
47
47
47
47
47
47
B.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
18.œ Ó
logs.
V
18
∑
∑
∑
18
∑
∑ ?
‰ x x x ‰ Jx ‰ Jx
18
‰ œb . œ. œ. œ. ‰ jœ.‰ jœ.
‰ œb . œ. œ. œ.‰ jœ.
‰ jœ.
‰ œb . œ. œ. œ. ‰ jœ. ‰ jœ.
.œ Œ Œ
18
.œœ œ
arco
arco
arco
œ#Jœ œ jœ
On ly if you
mumbled to himself
∑
∑
∑
∑
œ# .œ# . ‰ œ.
œ. ‰
‰ x x ‰ x x
∑
∑
∑
œ# jœ œ jœ
19
.œ# .œpizz.
pizz.
P
P
P
P
A bit quicker
A bit quicker
A bit quicker
A bit quicker
TommyP
Bb Clar.
19
19
19
19
jœ .œcould n’t
∑
œ- œ# œ œ# Jœ ‰3
∑
∑
œ.œ. ‰ jœ.
‰ Jx ‰ Jx
∑
∑
∑
œ Œ
20
œ Œ
f
œ#Jœ
œ# jœget our heads in
∑
∑
∑
∑
œ# .œ# . ‰ œ.
œ. ‰
‰ x x ‰ x x
∑
∑
∑
jœ# œ œ jœ
21
.œ# .œ
œ Œit.
&
∑
œn œ œb œJœ ‰
3
∑
∑
œ.œ. ‰ jœ.
‰ Jx ‰ Jx
∑
∑
∑
œ# œ
22
œ# Œ
- -
Burton – 475
&
&
&
&
&
?
ã
&
&
B
?
?
# #
#
47
47
47
47
47
47
47
47
47
47
47
47
44
44
44
44
44
44
44
44
44
44
44
44
J.B.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
23
œ œ œ œb .œ ‰ œ œ .œ œ œ œ œ œ œ .œ3 3 3
What was that Tom my? Did you say you want ed to play Tom my?
[taunting]
23
∑
∑
∑
23
∑
∑
∑
23
wb æ
wæ
wæ
Jœb >‰
23
Jœb >‰
Recit.
Recit.
Recit.
Recit.
Jane Billy
Í
Í
Í
f
f
Ó ‰ Jœ œ
That’s
∑
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Ó
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œvÓ
∑
∑
.xo jx
Ó
.œb >jœv
Ó
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Ó
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vÓ
.œ> Jœ̂ Ó
24
.œ> Jœ̂ Ó
Angrily q=ca.124
Angrily q=ca.124
Angrily q=ca.124
Angrily q=ca.124
Addy
f
f
f
f
f
f
f
arco
arco
f
24
24
24
24
œ ‰ Jœb œ œ œit, ev ’ry one
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
25
∑
œ Œ ‰ Jœ œ
stop! Now
∑
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Ó
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∑
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.xo jx
Ó
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Ó
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Ó
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vÓ
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26
.œ> Jœ̂ Ó
- - - - -
Burton – 476
&
&
&
&
&
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ã
&
&
B
?
?
# #
#
A.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
27
œ Œ .œ œb œ œyou, lis ten to
27
∑
∑
∑
27
œœb ‰ ‰ œœ Ó
œœœ ‰ ‰œœœ Ó
xo
x x xœ
‰ Jœ Ó
27
.œ>jœv
Ó
.œb >jœv
Ó
.œ> Jœ̂ Ó
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27
.œ> Jœ̂ Ó
P
P
P
P
P
P
œb ‰ jœ .œ œ œ œme and you lis ten
∑
∑
∑
œœœbb‰ ‰ œœœ
Ó
œœœ ‰ ‰ œœœ Ó
xo
x x xœ
‰ Jœ Ó
.œ>jœv
Ó
.œb >jœv
Ó
.œb>
jœv
Ó
..œœ>
jœœvÓ
28
.œ>jœv
Ó
wwell.
∑
∑
∑
œœœœb ‰ ‰ œœœœ
Ó
œœœ‰ ‰ œœœ
Ó
xo
x x xœ
‰ Jœ Ó
.œb >jœv
Ó
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Ó
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vÓ
.œ> Jœ̂ Ó
29
.œ> Jœ̂ Ó
Œ œ œ œ œDon’t think for a
∑
∑
∑
œœœœb ‰ ‰ œœœœ
Ó
œœœ‰ ‰ œœœ
Ó
xo
x x xœ
‰ Jœ Ó
.œb >jœv
Ó
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Ó
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vÓ
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30
.œ> Jœ̂ Ó
œ œb ‰ œ œ œmin ute that you have
∑
∑
∑
∑
∑
x x x x
∑
∑
∑
∑
31
∑
- - -
Burton – 477
&
&
&
&
&
?
ã
&
&
B
?
?
# #
#
A.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
32
‰ jœ œ œ œb œa ny of us fooled:
32Jœn >
‰ Œ Ó
Jœ# >‰ Œ Ó
Jœn > ‰ Œ Ó
32jœœœœ#
n#‰ Œ Ó
jœœœ ‰ Œ Ó
xo
x x xœ
32
Jœn >>‰ Œ Ó
Jœ# >> ‰ Œ Ó
Jœ>>
‰ Œ Ó
Jœ# >>‰ Œ Ó
32
Jœn >> ‰ Œ Ó
˙ Œ œ œyou are
∑
∑
∑
∑
∑
x
x x xœ
‰ Jœ Ó
.œn >jœv
Ó
.œ# >jœv
Ó
.œ>jœ
vÓ
.œ# >Jœ̂ Ó
33
.œn >Jœn ^ Ó
œb œ œ œ œ œ œ œ œhor ri ble, nas ty, lit tle
∑
œn œ œ œ œ œ œ
∑
∑
∑
x
x x x
Œ jœb v‰ Œ jœv
‰
Œ jœv‰ Œ jœb v
‰
Œ jœv‰ Œ jœb v
‰
Œ jœb v‰ Œ jœv
‰
34
Œ jœb v‰ Œ jœv
‰
Jœ .œ Óchil dren.
∑
∑
∑
∑
∑
x x x x
Ó jœb v‰ Œ
Ó jœv
‰ Œ
Ó jœv‰ Œ
Ó Jœb ^ ‰ Œ
35
Ó jœv
‰ Œ
œ œ .œb œ œ ‰ œb œYou may try to act cute and
∑
∑
∑
∑
∑
.x Jx Ó
œ# æ œæ ˙b æ
œb æ œæ æ̇
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36
œ œ œb œ œ œb œ
p
p
p
F
F
F
F
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p
p
36
36
36
36
- - - - - -
Burton – 478
&
&
&
&
&
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ã
&
&
B
?
?
# #
#
A.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
37œb œ œ œ ‰ jœ œb œbin no cent, but we all
37
∑
∑
∑
37
∑
∑
.x Jx Ó
37
wæ
wæ
œ œ œb œ
w
37
w
Í
Í
Í
Í
F
œb œ Jœ œJœb
know that is n’t the
∑
∑
∑
∑
∑
.x Jx ‰ Jx x
wb
wb
w
w
38
w
˙ Ócase.
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Ó
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Ó
∑
∑
x
x x x
.œb >Jœ̂ Ó
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Ó
..œœ>
jœœvÓ
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Ó
39
.œ>jœv
Ó
f
f
f
f
f
f
f
f
f
Ó Œ ‰ jœI
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Ó
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Ó
∑
∑
xox x x
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Ó
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jœœvÓ
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Ó
40
.œ>jœv
Ó
œ œ œ œb œ
don’t know how your
∑
∑
∑
œb œ œ œ œ œ œ œ
∑
Jx x Jx x x x
‰ Jœb . œ. œ. ‰ Jœ. œ. œ.
‰ jœ. œ. œ.‰ jœ. œ. œ.
w
∑
41
∑
P
P
P
P
P
œb œ Jœœ Jœb
par ents keep you from
∑
∑
∑
œb œ œ œ œ œ œ œ
∑
Jx x Jx x x x
‰ Jœb . œ. œ. ‰ Jœ. œ. œ.
‰ jœ. œ. œ.‰ jœ. œ. œ.
w
∑
42
∑
- - - -
Burton – 479
&
&
&
&
&
?
ã
&
&
B
?
?
# #
#
A.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
43 .œ œb œ œ œ œ œ
mas sa cr ing the whole
43
∑
∑
∑
43 œœ œ œ
œœ œ œ
∑
Jx x Jx x x x
43
‰ Jœ. œ. œ. ‰ Jœ
. œ. œ.
‰ jœ. œ. œ.‰ jœ. œ. œ.
w
∑
43
∑
.˙b œtown, or
∑
∑
∑
œb œ œ œ œ œ œ œ
∑
Jx x Jx x x x
‰ Jœb . œ. œ. ‰ Jœ. œ. œ.
‰ jœ. œ. œ.‰ jœ. œ. œ.
w
∑
44
∑
.œ œb œ œ œ# œ
set ting your house on
∑
∑
∑
œ# œ œ œ œ œ œ œ
∑
sizzle cymbal preferred if available
X
xŒ
‰ Jœ# . œ. œ. ‰ Jœ. œ. œ.
‰ jœ. œ. œ. ‰ jœ. œ. œ.
œ œ. œ. œ œ. œ.
∑
45
∑
œ œ œ œb œ
fire just to watch it
∑
∑
∑
œ œb œ œ œ œ œ œ
∑
X
xŒ
‰ Jœ. œ. œ. ‰ Jœ
. œ. œ.
‰ Jœb . œ. œ. ‰ Jœ. œ. œ.
œ œ. œ. œ œ. œ.
w
46
∑
P
wb
burn,
∑
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∑
X
xŒ
‰ Jœ. œ. œ. ‰ Jœ
. œ. œ.
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œ œ. œ. œ œ. œ.
wb
47
∑
- - - -
Burton – 480
&
&
&
&
&
?
ã
&
&
B
?
?
# #
#
A.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
‰ jœ œb .œ œ œ œb œbut I’ve got a pret ty good
∑
∑
∑
œœœb œœœœœœbb œœœ J
œœœb ‰ Œ
∑
X
xŒ
œb . œ. œb . œ. Jœ.
‰ Œ
œ. œ. œb . œ. Jœb . ‰ Œ
˙ Jœ. ‰ Œ
˙ Jœ. ‰ Œ
48
∑
F
F
F
F
48
48
48
48
œ œ œb œ œ Œi dea a.
∑
∑
∑
∑
∑
.x Jx Ó
‰ jœ. œ. œ.‰ jœ. œ. œ.
‰ jœb . œ. œ.
‰ jœ. œ. œ.
w
∑
49
∑
P
P
P
Œ Jœ ‰ ‰ jœ ŒKids like
∑
∑
∑
Œ jœœ‰ ‰ j
œœŒ
œ œ Jœ ‰ ‰ ‰ œœ
∑
Œ .˙
Œ .˙
Œ .˙
w
50
w
p
p
p
p
p
F
œ Œ .œ œ œ œyou on ly re
∑
∑
∑
Œ œœ œ Ó
œœ Œ Ó
Xæ
Xæ
w
w
w
w
51
w
F
F
F
F
F
œ ‰ jœœ œ
spond to one thing:
∑
∑
∑
Œ jœœ‰ ‰ jœœ
Œ
œ œ Jœ ‰ ‰ Jœ œ œ
∑
Œ .˙
Œ .˙
Œ .˙
w
52
w
p
p
p
p
p
˙ Œ œyour
∑
∑
∑
Œ jœœ‰ ‰ jœœ
Œ
œ œ Jœ ‰ ‰ Jœ Œ
Xæ
Xæ
w
w
w
w
53
w
F
F
F
F
F
- - - - -
Burton – 481
&
&
&
&
&
?
ã
&
&
B
?
?
# #
#
42
42
42
42
42
42
42
42
42
42
42
42
44
44
44
44
44
44
44
44
44
44
44
44
A.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
54jœ .œ Ó
moth er.
54
∑
∑
∑
54
Œ jœœ‰ ‰ jœœ
Œ
œ œ Jœ ‰ ‰ Jœ œ œ
∑
54
Œ .˙
Œ .˙
Œ .˙
w
54
w
p
p
p
p
p
œ œ Œ œ
I don’t know
∑
∑
∑
Œ jœœ‰ ‰ jœœ
Œ
œ œ Jœ ‰ ‰ Jœ Œ
Xæ
Xæ
Œ .˙
Œ .˙
Œ .˙
w
55
w
p
p
p
p
p
.œ œb œ œ jœ œ Jœyour mom ma, or
∑
∑
∑
Œ jœœ ‰ ‰ jœœ Œ
œ œ Jœ ‰ ‰ Jœ Œ
∑
w
w
w
w
56
w
.œ jœ œ œhow she makes you
∑
∑
∑
Œ jœœ ‰ ‰ jœœŒ
œ œ Jœ ‰ ‰ Jœb Œ
∑
w
w
w
w
57
w
œn œ#
toe the
∑
∑
∑
Œ jœœ ‰
œ œ Jœ ‰
Xæ
˙
˙
˙
˙
58
˙
p
F
F
F
F
F
w
line,
w
w
∑
Œ jœœ‰ ‰ jœœ
Œ
œ œ Jœ ‰ ‰ œ ‰ œ
xæ
xÓ
Œ .˙
Œ .˙
Œ .˙
∑
59
∑
sub. p
sub. p
sub. p
F
F
F
59
59
59
59
- -
Burton – 482
&
&
&
&
&
?
ã
&
&
B
?
?
# #
#
A.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
60œ Œ ‰ jœ œ
but I
60w
w
∑
60
Œ jœœ‰ jœœ
‰ Œ
œ œ Jœ ‰ Jœ ‰ Œ
∑
60
w
w
w
∑
60
∑
F
F
F
p
p
˙b œ œ œswear to high
wb
wn
∑
Œ jœœb ‰ jœœ ‰ ‰ ‰
œ œb Jœ ‰œ
‰ ‰ œ
∑
Œ .˙
Œ .˙b
Œ .˙
∑
61
∑
p
p
p
F
F
fJœ
.œ Œ œhea ven, if
wb
wn
∑
Œ jœœb ‰ jœœ ‰ Œ
œ œb Jœ ‰ Jœ ‰ Œ
Xæ
Xæ
w
wb
w
∑
62
∑
F
F
F
p
p
œ œb .œ jœyou don’t keep your
w
w
∑
Œ jœœ‰ ‰ jœœ
Œ
œ œ Jœ ‰ ‰ œ ‰ œ
∑
Œ .˙
Œ .˙
Œ .˙
∑
63
∑
p
p
p
F
F
œb œ Œ œmouths shut, walk
w
w
∑
Œ jœœ‰ ‰ jœœ
Œ
œ œ Jœ ‰ ‰ œ ‰ œ
Xæ
Xæ
w
w
w
∑
64
∑
F
F
F
p
p
PJœ œb jœ œ œ# œnice ly and do what we
œ Jœ. ‰ Ó
œjœ.
‰ Ó
∑
Œ jœœ‰ Ó
œ œ Jœ ‰ Ó
x x x x
œ jœ. ‰ Ó
œ jœ.‰ Ó
œ Jœ. ‰ Ó
œ œ œ œ
65
∑
pizz.
F
F
F
- -
Burton – 483
&
&
&
&
&
?
ã
&
&
B
?
?
# #
#
A.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
66
˙ Œ œ œsay, I will
66
∑
∑
∑
66
∑
∑
x x x x
66
∑
∑
∑
œ œ œ œ
66
∑
fœ œ œb œtell her ev ’ry
∑
∑
∑
‰ jœœœb Œ ‰ jœœœ Œ
‰ Jœœ Œ ‰ J
œœ Œ
x+
xox
x+
xox
‰ jœvŒ ‰ jœv
Œ
‰ jœb vŒ ‰ jœv
Œ
‰ Jœ̂ Œ ‰ Jœ̂ Œ
‰ jœvŒ ‰ jœv
Œ
67
‰ Jœ̂ Œ ‰ Jœ̂ Œ
pizz.
pizz.
pizz.
pizz.
f
f
f
f
f
f
67
67
67
67
œ œ .œb jœsin gle thing you’ve
∑
∑
∑
‰ jœœœ# Œ ‰ jœœœ Œ
‰Jœœœ# Œ ‰
Jœœœ Œ
x+
xox
x+
xox
‰ jœ# vŒ ‰ jœv
Œ
‰ jœn vŒ ‰ jœv
Œ
‰ Jœ̂ Œ ‰ Jœ̂ Œ
‰ jœ# vŒ ‰ jœv
Œ
68
‰ jœ^
Œ ‰ jœ^
Œ
.œ jœb ˙done and said
∑
∑
∑
‰ jœœœb Œ ‰ jœœœ Œ
‰ Jœœ Œ ‰ J
œœ Œ
x+
xox
x+
xox
‰ jœn vŒ ‰ jœv
Œ
‰ jœb vŒ ‰ jœv
Œ
‰ Jœ̂ Œ ‰ Jœ̂ Œ
‰ jœvŒ ‰ jœv
Œ
69
‰ Jœ̂ Œ ‰ Jœ̂ Œ
.˙ œ œsince we
∑
∑
∑
Œ jœœ‰ ‰ jœœ
Œ
œ œ Jœ ‰ ‰ Jœ Œ
x x x x
Œ .˙
Œ .˙
Œ .˙
w
70
w
arco
arco
arco
arco
arco
F
F
F
F
F
jœb .œ Ótook you.
Œ ‰ Jœ.
Œ ‰ Jœ.
Œ ‰ Jœb .Œ ‰ Jœ
.
Œ ‰ jœb . Œ ‰ jœ.
Œ ‰ jœœœbb
Œ ‰ jœœœ
Œ ‰jœœœb
bb Œ ‰jœœœ
x x xox
x xo
w
wb
wb
wb
71
wb
f
f
f
- -
Burton – 484
&
&
&
&
&
?
ã
&
&
B
?
?
# #
#
A.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
72
Ó Œ œNow
72Jœ.
‰ Œ Ó
Jœn .‰ Œ Ó
jœn . ‰ Œ Ó
72
∑
jœœ
‰ Œ Ó
xŒ Ó
72jœ ‰ Œ Ó
jœn ‰ Œ Ó
jœn ‰ Œ Ó
Jœ ‰ Œ Ó
72
Jœ ‰ Œ Ó
f
f
f
f
f
to Bass Cl.
˙b œ œ œ Œ œ œ œ œb œ jœ Jœ œ jœ œ œ œ .œask your selves do you real ly want your mom ma to hear all of that?
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
73
∑
Recit.
Recit.
Recit.
Recit.
73
73
73
73
Œ œ œ ŒNo ma’am.
œ œNo ma’am.
œ œ Œ Ó
∑
∑
∑
∑
∑
w
w
w
w
74
∑
Billy and Jane
p
p
p
p
F
- - -
Burton – 485
&
&
&
&
&
?
ã
&
&
B
?
?
# #
#
A.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
75
‰ œ œ œ œ œ œ œ œ œ œ œThat’s what I thought now leave Tom my a lone.
75
∑
∑
∑
75
∑
∑
∑
75w
w
w
w
75
∑
AddyŒ œ œ Œ
Yes ma’am.
œ œYes ma’am.
œ œ Œ Ó
∑
∑
∑
∑
∑
w
w
w
w
76
∑
Billy and Jane
F
‰ œ œ œ œ œAnd ap o lo gize.
∑
∑
∑
∑
∑
∑
w
w
w
w
77
œŒ
Addy
pizz.
F
- - - - -
Burton – 486
&
&
&
&
&
?
ã
&
&
B
?
?
# #
#
J.B.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
78œ œ jœ .œSor ry Tom my.
œ œ Jœ .œSor ry Tom my.
?
78
∑
∑
∑
78
∑
∑
∑
78
w
w
w
w
78
∑
Billy and Jane.œ œ œ œ œ œ .œ
‰ Jœ .œ œ œ œ œ œ .œ œ œ œ3
Now that we’ve got that set tled, let’s get a move on. I want to be in
∑
∑
∑
∑
∑
∑
œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ
∑
79
∑
Karl
P
P
P
79
79
79
79
- - -- -
Burton – 487
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
80 œb œ œ œ œ ‰ Jœœ œ œ œ .œ œ œb œ œ
town by sun set, so no one sees us bring ing you two back.
80
∑
∑
∑
80
∑
∑
∑
80
œb œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ
∑
80
∑
‰ Jœ.œ œ œ .œ œ œ œ
3
I don’t want a mob onourhands.
∑
∑
∑
∑
∑
∑
∑
81
∑
- -
Burton – 488
&
&
&
&
?
ã
&
&
B
?
?
# #
#
42
42
42
42
42
42
42
42
42
42
42
87
87
87
87
87
87
87
87
87
87
87
85
85
85
85
85
85
85
85
85
85
85
86
86
86
86
86
86
86
86
86
86
86
Fl.
B. Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
∑
Œ œ œ œ œ#marc.
Œ œ œ œ œ#marc.
∑
Œ œ œ œ œ#marc.
Œ œ œ œ œ
œb œ œ œ Jœn ‰
œ œ œ œ jœ‰
œ œ œ œ œ œ œ œ#marc.
Œ œ œ œ œ#marc.
82
∑
f
f
f
f
Bass Cl.
f
q=86-90 (e=170-180)
q=86-90 (e=170-180)
q=86-90 (e=170-180)
Tempo
Tempo
Tempo
f
f
F
82
82
82
œœ. œ.
‰ Jœ.
‰ Jœ.
marc.
.œ Ó
.œÓ
∑
.œœ œ
œ x x x ‰ Jx ‰ œ œ
‰ œ œ œ œ ‰ Jœ.
‰ Jœ.marc.
‰ œ œ œ œ ‰ Jœ. ‰ Jœ
.marc.
œœ œ œ œ ‰ Jœ
.‰ Jœ
.
.œœ œ
83
.œ-Ó
arco
f
f
f
f‰
œ. œ.‰ J
œ.‰ J
œ.
.œ Ó
.œÓ
∑
.œœ œ
œ x x x ‰ Jx ‰ Jx
‰ œ œ œ œ ‰ Jœ. ‰ Jœ
.
‰ œ œ œ œ ‰ Jœ. ‰ Jœ
.
‰ œ œ œ œ ‰ Jœ.
‰ Jœ.
.œœ œ
84
.œ-Ó
‰œ. œ.
‰ Jœ.
‰ Jœ.
.œ Ó
.œÓ
∑
.œœ œ
œ x x x ‰ Jx ‰ œ œ
‰ œ œ œ œ ‰ Jœ.
‰ œ œ
‰ œ œ œ œ ‰ Jœ. ‰ œ œ
‰ œ œ œ œ ‰ Jœ.
‰ œ œ
.œœ œ
85
.œ-Ó
ΠΠ.
œ> œ# >
.œn >
∑
∑
œ> œ# > .œn >
œ œ .œæ
∑
∑
∑
œ> œ# > .œn >
86
œ> œ# > .œn >
(2+3)
(2+3)
(2+3)
œœ.
‰ Œ .U
œœ. ‰ Œ .U
œ œ.‰ Œ .U
∑
jœ-‰ ‰ Œ .U
x‰ Œ .U
.˙U
.˙U
.U̇
jœ-‰ ‰ Œ .U
87
Jœ- ‰ ‰ Œ .U
p
p
p
Burton – 489
&
&
&
&
?
ã
&
&
B
?
?
# #
#
44
44
44
44
44
44
44
44
44
44
44
Fl.
B. Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
œ- œ‰
œ- œ‰
∑
∑
∑
∑
∑
.˙
.˙
.˙
∑
88
∑
q.=56-60
q.=56-60
q.=56-60
π
π
π
P
88
88
88
.œ# - œ œ .œ- œ œ
∑
∑
∑
∑
∑ &
.˙
.˙
.˙
∑
89
∑
œ- œ‰
œ- œ‰
∑
∑
∑
∑
œ œ ‰ œ œ ‰
.˙
.˙
.˙
∑
90
∑
Glock.
p
∑
‰ œ œ œ œb œb
∑
∑
∑
∑
.˙
.˙
.˙
‰ œ œ œ œb œb
91
‰ œ œ œ œ# œ#
F
F
F
Œ Jœ.
.œ
.˙
∑
ŒJœœœ#
n#.
...œœœ
∑
Œ Jœ .œ#
Œ Jœn ..œ#
Œ Jœ# ..œ
Œ Jœ# ..œ
.œ œ ‰ œ
92
.œn œ ‰ œ
f
f
f
f
f
f
F
f
f∑
∑
∑
∑
∑
Œ Jœ .œ#
œ ‰ œn ..œ#
œ ‰ œ# . .œ
œ ‰ œ# ..œ
.œ œ ‰ œ
93
.œ œ ‰ œ
∑
Œ . .œ
Œ . .œ
Œ . ...œœœ#
Œ . ...œœœ#
Œ . .œ
.˙
.˙
.˙
.œ .œ#
94
.˙
p
P
P
F
F
F
F
F
∑
.œ .œ#
.œ .œ#
...œœœ
...œœœ##?
...œœœ ...œœœ##
.œ .œ ã
.˙
.˙
.˙
.œ .œ
95
.œ .œ#
Burton – 490
&
&
&
&
?
?
ã
&
&
B
?
?
# #
#
44
44
44
44
44
44
44
44
44
44
44
44
C.
Fl.
B. Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
96
∑
96
∑
w
w
96www#> &
www>
Œ._
(anvil)
96jœ ‰ .˙ .˙#
jœ ‰ .˙ .˙#
jœ ‰ .˙# .˙#
w#
96
wn
f
f
f
f
f
f
p
p
p
Ó Œ œ [stretching and yawning]
∑
∑
∑
∑
∑
∑
w w#
w w#
w# w#
∑
97
∑
Clara
to Bb Clar.
P œ œ œ# œ œ
∑
∑
∑
∑
∑
∑
w w#
w w#
w# w#
∑
98
∑
˙ Ó
∑
∑
∑
∑
∑
∑
w w#
w w#
w# w#
∑
99
∑
‰ Jœœ œ œ œ
What time is it?
∑
∑
∑
∑
∑
∑
w w#
w w#
w# w#
∑
100
∑
Œ œ# ˙Al most
∑
∑
∑
Œ œœœ#
.œœœn -
Œ
.˙ œ
∑
w w#
w w
w w
∑
101
∑
P
q=120
q=120
q=120
q=120
SamP
101
101
101
101
˙ jœ .œsix thir ty.
∑
∑
∑
Œ œœœ#
.œœœn -
Œ
.˙ œ
∑
w w#
w w
w w
∑
102
∑
Œ œ ˙
At night?!
∑
∑
∑
Œ œœœ#
.œœœn -
Œ
.˙ œ
∑
w w#
w w
w w
∑
103
∑
Clara
- -
Burton – 491
&
&
&
&
&
?
ã
&
&
B
?
?
# #
#
S.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
104
˙# Œ œ œNo, in the
104
∑
∑
∑
104
Œ œœœ#
.œœœn -
Œ
.˙ œ
∑
104 w w#
w w
w w
∑
104
∑
Sam
œ .˙morn ing.
∑
∑
∑
Œ œœœ#
.œœœn -
Œ
.˙ œ
∑
w w#
w w
w w
∑
105
∑
Œ ‰ jœ# œ œ œ œIt’s al most sun rise.
∑
∑
∑
∑
w
∑
w w#
w w
w w
∑
106
∑
˙ Ó
∑
∑
∑
Œ œœœ.œœœ
#-
Œ
.˙ œ
∑
w# w
w w
w w
∑
107
∑
Œ œ œ œ œ œ œ3
Why on earth are you all
∑
∑
∑
Œ œœœ.œœœ
#-
Œ
.˙ œ
∑
w# w
w w
w w
∑
108
∑
Clara.œ
Jœ Jœ.œ
up this ear ly?
∑
∑
∑
Œ œœœ.œœœ
#-
Œ
.˙ œ
∑
w# w
w w
w w
∑
109
∑
-- - -
Burton – 492
&
&
&
&
&
?
ã
&
&
B
?
?
# #
#
S.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
110
Œ œ œ# œ œ œ3
Do ing our civ ic
110
∑
∑
∑
110
Œ œœœ.œœœ
#-
Œ
.˙ œ
∑
110 w# w
w w
w w
∑
110
∑
Sam
Jœ œ jœ jœ .œdu ty, Miss Cla ra.
∑
∑
∑
Œ œœœ.œœœ
#-
Œ
.˙ œ
∑
w# w
w w
w w
∑
111
∑
Œ œ Jœ œ JœMore like har
?
∑
∑
∑
Œ œœœ
˙̇˙?
˙˙ ˙
˙
∑
∑
∑
∑
∑
112
∑
Bob112
112
112
112
œ ˙ ¿rass ing (hic)
Ójœ# œ. jœ œn . jœ# œ.3
Ó œn . œ. œb . œb .
∑
˙̇˙
˙̇˙
˙˙
˙˙
Ó1
∑
∑
∑
∑
113
∑
F
F
Bb Clar.
jœ .œJœ# œ œ
law a bid ing
jœ# Jœ.
‰ Œ Ó
Jœn . ‰ Œ Ó
.œ jœ# œ œ
www
ww
∑
∑
∑
∑
∑
114
∑
F
œ œ œ ˙ jœ œ œ3
cit i zens who are
∑
∑
∑
˙̇˙
˙̇˙
˙˙
˙˙
∑
∑
∑
∑
Œœ
jœb ‰œb
115
Œ œ Jœb ‰ œbF
Fpizz.
pizz.
- - - - - - - - - -
Burton – 493
?
&
&
&
?
?
ã
&
&
B
?
?
# #
#
Bob
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
116 œ Œ Jœ œ Jœjust mind ing their
116
∑
Jœ. ‰ Œ œ. œ.
‰ œ.
∑
116 www
ww
∑
116
∑
∑
∑
jœn ‰ Œ Ó
116
Jœn ‰ Œ Ó
f
f
F
˙ œ œ Œown bus’ ness.
∑
Jœ. ‰ Œ œ. œ.
Œ
∑
˙̇˙ J
œœœ.
‰ Œ
˙˙
jœ.‰ œ
∑
∑
∑
∑
∑
117
∑
P
.œJœ
œ œ œ œ œ
You were yell ing at a
∑
∑
∑
Œ œœœ.œœœ-
Œ&
.˙ œ
∑
w
w
w
w
118
∑
Earl
p
p
p
p
arco
œ ˙ ‰ jœporch swing. And
&
∑
∑
∑
Œ œœœ.œœœ-
Œ
.˙ œ
∑
w
w
w
w
119
∑
Samjœ œ jœ œ œ .œ œ
threat ning to punch it in the
∑
∑
∑
Œ œœœ.œœœ-
Œ
.˙ œ
∑
w
w
w
w
120
∑
œ ‰ Jœœ
‰ Jœ
face. I had the
?
∑
∑
∑
Ó Œjœœœœ ‰
œ Œ Œ jœ Jœb ‰
∑
Jœ ‰ Œ Ó
jœ ‰ Œ Ó
Jœ ‰ Œ Ó
Jœ ‰ Œ Ó
121
∑
fBob
f
- - - -
Burton – 494
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
Bob
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
122 œ œ œ œ œ ¿ ‰ Jœ3
si tu a tion (hic) en
122
∑
∑
∑
122
∑
∑
Ó Œ1
122
∑
∑
∑
Œœ
jœb ‰œb
122
Œ œ Jœb ‰ œbpizz.
F
F
pizz.
œ œ œ œjœ œ œ œ3
tire ly un der con
∑
∑
∑
∑
∑
∑
∑
∑
∑
jœn ‰ Œ Ó
123
Jœn ‰ Œ Ó
f
f
œ œ ˙ ‰ J¿ Œtrol! (hic)
&
∑
∑
∑
∑
Jœ ‰ jœ Jœb ‰ jœjœb ‰ jœ
œ
‰
∑
∑
∑
∑
∑
124
∑
f
‰ Jœ œ œ .œ œWe aren’t up just to
∑
∑
∑
∑
∑
∑
œ œ œ# œ œ œ œ œ œ œ œ œ œ œ œ œ
w
œ œ œ# œ œ œ œ œ œ œ œ œ œ œ œ œ
∑
125
∑
Sam
p
p
p
F
125
125
125
125
- - - - - - -
Burton – 495
&
&
&
&
&
?
ã
&
&
B
?
?
# #
#
S.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
126
œ œ œ œ œ œ œ œ œ3 33
keep you from drunk en ly hurt ing your
126
∑
∑
∑
126
∑
∑
∑
126œ œ œ# œ œ œ œ œ œ œ œ œ œ œ œ œ
w
œ œ œ# œ œ œ œ œ œ œ œ œ œ œ œ œ
∑ B
126
∑
œ ˙ ‰ Jœself, Bob. We’re
∑
∑
∑
∑
∑
∑
œ œ œ# œ œ œ œ œ œ œ œ œ œ œ œ œ
w
œ œ œ# œ œ œ œ œ œ œ œ œ œ œ œ œ
w
127
∑
p
arco
œ œ .œ œ œ œ œ .œal so wait ing for Miss Cla ra’s
∑
∑
∑
∑
∑
∑
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
Jœ. œ Jœ Jœ
. œ Jœ
Jœ. œ Jœ Jœ
. œ Jœ
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
128
∑
- - - - - - -
Burton – 496
&
&
&
&
&
?
ã
&
&
B
B
?
# #
#
S.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
129 .œJœ œ œ
friends to bring back
129
∑
∑
∑
129
∑
∑
∑
129 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
Jœ. œ Jœ
.Jœ œ Jœ
Jœ. œ Jœ
.Jœ œ Jœ
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
129
∑
œ œ œ ˙3
Bil ly and Jane.
?
∑
∑
∑
∑
∑
∑
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
Jœ. œ Jœ Jœ
. œ Jœ
Jœ. œ Jœ Jœ
. œ Jœ
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
130
∑
‰ Jœ .œ œ œ ‰ Jœ
I changed my mind, I’m
∑
∑
∑
∑
∑
∑
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
jœ. œ jœ jœ. œ jœ
œ œ œ œ œb œ œ œ œ œ œ œ œ œ œ œ
Jœ.
‰ .˙?
131
∑
BobP
-
Burton – 497
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
87
87
87
87
87
87
87
87
87
87
87
87
Bob
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
132 œ œ ˙ ≈ œ œglad I’m safe in this
132
∑
∑
∑
132
∑
∑
∑
132œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
jœ. œ jœ jœ. œ jœ
œ œ œ œ œb œ œ œ œ œ œ œ œ œ œ œ
˙ Ó
132
∑
˙ Ócell.
[Earl chuckles]
∑
∑
∑
∑
∑
∑
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
jœ. œ jœ.jœ œ jœ
œ œ œ œ œb œ œ œ œ œ œ œ œ œ œ œ
w
133
∑
Œ ˙ ‰ Jœ
Well, Miss
∑
∑
∑
∑
∑
∑
Jœ> ‰ Œ Ó
jœ>‰ Œ Ó
Jœ> ‰ Œ Ó
Jœ>
‰ Œ Ó
134
∑
F
F
F
F
EarlF œ œ ˙ œ œ
Cla ra’s friends can’t
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
135
∑
.œ Jœ Jœ.œ
wait to join you.
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
136
∑
-
Burton – 498
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
87
87
87
87
87
87
87
87
87
87
87
87
S.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
Œ . Œ œ œLooks like
[said to Clara and Bob as he looks out the window.]
&
‰œ œ œ œ ˙
‰ œ œ œ œ ˙
‰ œ œ œ œ ˙#
∑
∑
œ x x x xx
Œ
∑
∑
∑
.œ ˙
137
.œ ˙
Not too fast q.=56-60 (e=170-180)
Not too fast q.=56-60 (e=170-180)
Not too fast q.=56-60 (e=170-180)
Not too fast q.=56-60 (e=170-180)
Sam(3+2+2 / 2+2+3)
(3+2+2 / 2+2+3)
(3+2+2 / 2+2+3)
(3+2+2 / 2+2+3)
F
F
F
f
f
F
137
137
137
137
œ œ œ œ œ œ œ œya’ll are gon na have com pa ny.
∑
∑
∑
∑
∑
‰ Jx ‰ Jx Œ .
‰ Jœ ‰ jœ Œ .
‰ jœ‰ jœ
Π.
‰ jœ# ‰ jœ Œ .
œ̄ œ̄ œ œ œ
138
œ̄ œ̄ œ œ œ
pizz.
pizz.
pizz.
f
f
f
Œ Jœ œ œ œ œ œIs some one bring ing us
‰œ œ œ œ ˙
‰ œ œ œ œ ˙
‰ œ œ œ œ ˙#
∑
∑
œ x x x xx
Œ
∑
∑
∑
.œ ˙
139
.œ ˙
P
P
P
F
F
Clara
p
Jœ .œ Œ .break fast?
∑
∑
∑
∑
∑
‰ Jx ‰ Jx Œ .
‰ Jœ ‰ jœ Œ .
‰ jœ‰ jœ
Π.
‰ jœ# ‰ jœ Œ .
œ̄ œ̄ œ œ œ
140
œ̄ œ̄ œ œ œ
F
F
F
¿ Jœb .œ Jœ
What? No. Your
?
‰œb œ œ œ ˙
‰ œn œ œ œ ˙
‰ œn œ œ œ ˙
∑
∑
œ x x x xx
‰ ‰
∑
∑
∑
.œb ˙
141
.œb ˙
EarlSam
- - -- - -
Burton – 499
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
86
86
86
86
86
86
86
86
86
86
86
86
E.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
142 œ œ œJœ
friends have come to
142
∑
∑
∑
142
∑
∑
‰ Jx ‰ Jx Œ .
142
‰ Jœ ‰ Jœ Œ .
‰ jœ ‰ jœ Œ .
‰ Jœ ‰ Jœ Œ .
œ< œ<œb œ œ
142
œ< œ<œb œ œ
.œb œ œ ˙
turn them selves in.
‰œb œ œ œ ˙
‰ œn œ œ œ ˙
‰ œ œ œ œ ˙
∑
∑
œ x x x xx
‰ ‰
∑
∑
∑
.œb ˙
143
.œb ˙
∑
∑
∑
∑
∑
∑
‰ Jx ‰ Jx Œ .
‰ Jœ ‰ Jœ Œ .
‰ jœ ‰ jœ Œ .
‰ Jœ ‰ Jœ Œ .
œ< œ<œb œ œ
144
œ< œ<œb œ œ
rall.
rall.
rall.
rall.
∑
∑
‰œ œ# œ œn œn
‰œ œ# œ œn œb
∑
.
.˙˙æ
.Xæ
∑
∑
∑
‰ œn œ# œ œb œb
145
‰ œn œ# œ œb œb
P
P
P
P
P
145
145
145
145
∑
Œ Jœ.
.œ
.œ œ jœ
.œ œ jœ
∑
.
.˙˙
.xΠ.
Œ Jœ.
.œ
Œ Jœ. .œ
Œ Jœ. .œ
.œ œJœ
146
.œ œJœ
a tempo
a tempo
a tempo
a tempo
f
f
f
f
f
f
f
f
arco
arco
arco
f
f
∑
Œ Jœ.
.œ
.œ œ jœ
.œ œ jœ
∑
∑
∑
Œ Jœ.
.œ
Œ Jœ. .œ
Œ Jœ. .œ
.œ œ Jœ
147
.œ œJœ
-
Burton – 500
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
E.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
∑
œ. œ. œ. œ. œ. œ.
Jœ ‰ ‰ Œ .
jœ ‰ ‰ Œ .
Jœœœ# > ‰ ‰ Œ .
∑
∑
œ. œ. œ. œ. œ. œ.
œ. œ. œ. œ. œ. œ.
œ. œ. œ. œ# . œ. œ.
œ. œ. œ. œ. œ. œ.
148
Jœ ‰ ‰ Œ .
Quick and Lively q.=152
Quick and Lively q.=152
Quick and Lively q.=152
Quick and Lively q.=152
Í
Í
Í
Í
Í
148
148
148
148
∑ &
œ. œ. œ. œ. œ. œ.
∑
∑
∑
∑
∑
œ. œ. œ. œ. œ. œ.
œ. œ. œ. œ. œ. œ.
œ# . œ. œ. œ. œ# . œ.
œ. œ. œ. œ. œ. œ.
149
∑
.œJœ# ‰ ‰
Dad dy!
Jœ.
‰ ‰ Œ .
∑
∑
∑
∑
∑
Jœ. ‰ ‰ Œ .
Jœ. ‰ ‰ Œ .
Jœ.
‰ ‰ Œ .
Jœ.
‰ ‰ Œ .
150
∑
Billy and Jane
f
f
f
f
f
.œJœ# ‰ ‰
Dad dy!
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
151
∑
∑
œ. œ. œ. œ. œ. œ.
œ. œ. œ. œ# . œ. œ.
∑
∑
∑
x x x x x x
œ. œ. œ. œ. œ. œ.
œ. œ. œ. œ. œ. œ.
œ. œ. œ. œ. œ. œ.
∑
152
∑
Í
Í
Í
Í
Í
P
∑
œ. œ. œ. œ. œ. œ.
œ# . œ. œ. œ. œ# . œ.
∑
∑
∑
x x x x x x
œ. œ. œ. œ. œ. œ.
œ. œ. œ. œ. œ. œ.
œ. œ. œ. œ. œ. œ.
∑
153
∑
.œJœ# ‰ ‰
Dad dy!
Jœ.
‰ ‰ Œ .
Jœ.
‰ ‰ Œ .
∑
∑
∑
.x Π.
Jœ. ‰ ‰ Œ .
Jœ. ‰ ‰ Œ .
Jœ.
‰ ‰ Œ .
∑
154
∑
Billy and Jane
f
f
f
f
f
f
.œJœ# ‰ ‰
Dad dy!
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
155
∑
- - - -
Burton – 501
&
&
&
&
&
?
ã
&
&
B
?
?
# #
#
J.B.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
156
∑
156œ. œ. œ. œ. œ. œ.
œ. œ. œ. œ. œ. œ.
œ. œ. œ. œ# . œ. œ.
156
∑
∑
x x x x x x
156
∑
∑
∑
∑
156
∑
Í
Í
Í
P
∑
œ. œ. œ. œ. œ. œ.
œ. œ. œ. œ. œ. œ.
œ# . œ. œ. œ. œ# . œ.
∑
∑
x x x x x x
∑
∑
∑
∑
157
∑
Œ . Jœ œ
Bil ly!
?
Jœ. ‰ ‰ Œ .
Jœ.
‰ ‰ Œ .
Jœ. ‰ ‰ Œ .
...˙̇̇#
...˙̇˙
.x Π.
∑
∑
∑
∑
158
∑
Earl
f
f
f
F
f
Œ . .œ
Jane!
∑
∑
∑
...˙̇̇#
...˙̇˙
∑
.˙æ
.˙æ
.˙#æ
∑
159
∑
F
F
F
.˙
∑
∑
∑
...˙̇̇
...˙̇˙
∑
.˙æ
.˙æ
.˙æ
∑
160
∑
∑Earl and kids hug
œ ‰ œ# .œ#
∑
∑
∑
∑
Π..1
.˙æ
.˙æ
.˙æ
∑
161
∑
F
∑
œ ‰ œ# .œ#
∑
∑
∑
∑
Π..1
.˙æ
.˙æ
.˙æ
∑
162
∑
∑
.˙
∑
∑
∑
∑
∑
.˙æ
.˙æ
.˙æ
∑
163
∑
∑
.˙
œ# ‰ œ .œ
∑
∑
∑
∑
.˙æ
.˙æ
.˙æ
∑
164
∑
F
∑
.˙
œ# ‰ œ .œ
∑
∑
∑
∑
.˙æ
.˙æ
.˙æ
∑
165
∑
∑
.˙
.˙
∑
∑
∑
∑
.˙æ
.˙æ
.˙æ
∑
166
∑
-
Burton – 502
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
E.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
˙ œ# ˙# œ œ œ ˙ w
Are ya glad to be back home kids?
&
w
w
∑
∑
∑
∑
wæ
wæ
wæ
∑
167
∑
Recit.
Recit.
Recit.
Recit.
167
167
167
167
Œ œ œ# Œ œ œ œ# œ œ œ ‰ .œI guess, It was fun camp ing out but...
œ# > œ. ‰ ∑ ∑ Œ
œ> œ. ‰ ∑ ∑ Œ
∑
∑
∑
∑
w#æ
w#æ
wæ
wæ
168
∑
Jane
F
F
-
Burton – 503
&
&
&
&
&
?
ã
&
&
B
?
?
# #
#
44
44
44
44
44
44
44
44
44
44
44
44
B.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
169
‰ œ jœ œ œ œ œ œ Œ œ œ œ œ œ œ# œ œ œ3
It was kin da bor ing They don’t real ly know how to play.
pointing to Karl et al.
169 œ> œ. ‰ ∑ ∑ Ó
œ> œ. ‰ ∑ ∑ Ó
∑
169
∑
∑
∑
169 wæ
wæ
wæ
wæ
169
∑
Billy
F
F
Ó Œ œ
Well,
?
∑
∑
∑
∑
∑
∑
Œ œ ˙
Œ œ ˙
Œ œ# ˙
w
170
∑
q=104
q=104
q=104
q=104
Earl
P
P
P
P
170
170
170
170
Œ œ œ# œ œ œ œ3
you’re mom ma and I have
∑
∑
∑
∑
∑
∑
w
w
w
.˙ œ
171
∑
Jœ .œ ‰ Jœ œ
told you that not
∑
∑
∑
∑
∑
∑
Œ œ ˙
Œ œ ˙
Œ œ# ˙
w
172
∑
- - - -
Burton – 504
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
E.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
173 œ# œ œ Jœ œ#Jœ# œ
ev ery one plays the same
173
∑
∑
∑
173
∑
∑
∑
173
w
w
w
.˙ œ
173
∑
.˙ Œway.
∑
∑
∑
∑
∑
∑
Œ œ ˙
Œ œ ˙
Œ œ# ˙
w
174
∑
œ œ Jœ œ# Jœ
Dif f ’rent peo ple have
∑
∑
∑
∑
∑
∑
w
w
w
w
175
∑
œ# œ œ œ œ# œ œ# œ
dif f ’rent def i ni tions of
∑
∑
∑
∑
∑
∑
w
w
w
.˙ œ
176
∑
œ Œ ‰ œ jœfun. Most ad
&
∑
∑
∑
∑
∑
∑
Œ œ ˙
Œ œ ˙
Œ œ# ˙
w
177
∑
Sam˙ œ œults don’t find
∑
∑
∑
∑
∑
∑
w
w
w
.˙ œ#
178
∑
- - - - - - - - -
Burton – 505
&
&
&
&
&
?
ã
&
&
B
?
?
# #
#
S.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
179
œ œ# œ Jœœ œ œ
ha voc and cha os ve ry
179
∑
∑
∑
179
∑
∑
∑
179
Œ œ# ˙
Œ œ# ˙
Œ œ ˙b
w
179
∑
.œ# œ œ jœ .œfun, for ex am ple.
?
∑
∑
∑
∑
∑
∑
w
w
w
.˙ œ
180
∑
‰ œ Jœœ œ .œ œ
Or de struc tion and dis
∑
∑
∑
∑
∑
∑
Œ œ ˙n
Œ œ ˙n
Œ œ ˙
w
181
∑
Bobœ œ œ Ómem ber ment. Isn’t that the truth!
∑
∑
∑
∑
∑
∑
w
w
w
w
182
∑
Tommy∑
∑
∑
∑
∑
∑
∑
w
w
w
w
183
∑
Œ .J¿ J¿ ‰
œ
A hem, Well,
‰œ œ œ .œ ˙
‰œ œ œ .œ ˙
w
‰ œœœ œœœ œœœ ...œœœ ˙˙˙
w
Œ1
Ó
∑
∑
∑
∑
184
∑
Karl
F
F
F
P
P
P
F
184
184
184
184
- - - - - - - - - - -
Burton – 506
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
185
Jœ.œ œ ‰ Jœ
she riff, we’ve
185 w
w
w
185
∑
∑
∑
185
∑
∑
∑
∑
185
∑
œ œ œ œ œJœ
.œ
kept our part of the bar gain.
œJœ
‰ ‰œ œ œ .œ
œ Jœ ‰ ‰œ œ œ .œ
œ jœ ‰ ˙
Ó ‰ œœœ œœœ œœœ ...œœœ
Ó˙
Ó Œ1
∑
∑
∑
∑
186
∑
‰ Jœ œ œ œ œ
Are you pre pared
w
w
w
˙˙˙ Ó
˙Ó
∑
∑
∑
∑
∑
187
∑
‰ Jœœ œ œ
to keep yours too?
.˙Jœ
‰
.˙ Jœ ‰
.˙ jœ ‰
∑
∑
∑
∑
∑
∑
∑
188
∑
˙ Ó
‰œ œ œ .œ ˙
‰œ œ œ .œ ˙
w
‰ œœœ œœœ œœœ ...œœœ ˙˙˙
w
Œ1
Ó
∑
∑
∑
∑
189
∑
- - -
Burton – 507
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
E.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
190.¿ J¿ J¿
.¿Ab so lute ly
190 w
w
w
190
∑
∑
∑
190
∑
∑
∑
∑
190
∑
EarlŒ œ Œ ‰ œ œ
Sam, would you
Jœ
‰ Œ Ó
Jœ ‰ Œ Ó
jœ ‰ Œ Ó
∑
∑
∑
‰ Jœ# œ œ ‰ œ ‰ œ
‰ jœ œ œ ‰ œ ‰ œ
‰ Jœ œ œ ‰ œ ‰ œ
œ Œ œ œ
191
œ Œ Ó
pizz.
pizz.
pizz.
pizz.
pizz.
F
F
F
F
F
.œ œ œ œJœ# .œ
like to do the hon ors?
&
∑
∑
∑
∑
∑
∑
‰ Jœ# œ œ ‰ œ ‰ œ
‰ jœ œ œ ‰ œ ‰ œ
‰ Jœ œ œ ‰ œ ‰ œ
œ Œ œ œ
192
œ Œ Ó
œ œ# œ ˙My plea sure.
[approaches Addy]
∑
∑
∑
∑
∑
∑
‰ Jœ# œ œ ‰ œ ‰ œ
‰ jœ œ œ ‰ œ ‰ œ
‰ Jœ œ œ ‰ œ ‰ œ
œ Œ œ œ
193
œ Œ Ó
SamÓ ˙
Miss...?
∑
∑
∑
∑
∑
∑
‰ Jœ œ œ ‰ œ ‰ œ
‰ Jœ œ œ ‰ œ ‰ œ
‰ Jœ œ œ ‰ œ ‰ œ
œ# Œ œ œ
194
œ# Œ Ó
jœ .œ ÓAd dy.
∑
∑
∑
∑
∑
∑
‰ Jœ œ œ ‰ œ ‰ œ
‰ Jœ œ œ ‰ œ ‰ œ
‰ Jœ œ œ ‰ œ ‰ œ
œ# Œ œ œ
195
œ# Œ Ó
Addy
- - - - - -
Burton – 508
&
&
&
&
&
?
ã
&
&
B
?
?
# #
#
45
45
45
45
45
45
45
45
45
45
45
45
44
44
44
44
44
44
44
44
44
44
44
44
S.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
196
œ œ .œ œ Jœ .œRight this way, Miss Ad dy,
196
∑
∑
∑
196
∑
∑
∑
196
‰ Jœ œ œ ‰ œ ‰ œ
‰ Jœ œ œ ‰ œ ‰ œ
‰ Jœ œ œ ‰ œ ‰ œ
œ# Œ œ œ
196
œ# Œ Ó
Sam‰ Jœ œ Jœ œ jœ œyou’ll be bunk ing with Miss
∑
∑
∑
∑
∑
∑
Jœ ‰ Œ Ó Œ
Jœ ‰ Œ Ó Œ
Jœ ‰ Œ Ó Œ
Jœ# ‰ Œ Ó Œ
197
Jœ# ‰ Œ Ó Œ
Jœ .œ ÓCla ra.
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
198
∑
Œ ‰ Jœjœ œ Jœ
Hi Ad dy! Hi
∑
∑
∑
∑
∑
∑
.˙æ> œ
æœ
æ>
.˙æ> œ
æœ
æ>
.˙æ> œ
æœ
æ>
.˙æ> œ
æœ
æ>
199
∑
Clara
P
P
P
P
A bit quicker q=112
A bit quicker q=112
A bit quicker q=112
A bit quicker q=112arco
arco
arco
arco
arco
f
199
199
199
199
œ ‰ Jœ# jœ .œKarl! Hi Tom my!
‰ œ œ œ œ œ œ œ œ# œ œJœ>
‰
Œ ‰ œ œ œ# œ œ œ Jœ>
‰
∑
∑
∑
∑
.œæ Jœ#
æ> œ
æœ
æ>
.Ͼ JϾ
> Ͼ
Ͼ>
.Ͼ JϾ
> Ͼ
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.Ͼ J
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200
∑
Í
Í
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f
f
p
p
- -- - -
Burton – 509
&
&
&
&
&
?
ã
&
&
B
?
?
# #
#
C.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
201 ˙ .œ# œ œ
I’ve missed you guys!
201
∑
∑
∑
201
∑
∑
∑
201 wæ
wæ
wæ
wæ
201
∑
‰ Jœ œ œ œ# œ œ .œ œ
It’s been pret ty bor ing here with
∑
∑
∑
∑
∑
∑
wæ
wæ
wæ
wæ
202
∑
Jœ .œ Œ ‰ Jœ
out you. I
∑
∑
∑
Ó˙̇̇˙#ggggggggggggggggggÓ ˙̇̇˙
##&
∑
wæ
wæ
wæ
wæ
203
∑
F
Jœ œ Jœ œ œ œ#
heard that those kids were aw
∑
∑
∑
∑
∑
∑
wæ
wæ
wæ
wæ
204
∑
œ œ# Œ ‰ Jœ
ful, I
∑
∑
∑
∑
∑
∑
wæ
wæ
wæ
wæ
205
∑
- - - -
Burton – 510
&
&
&
&
&
&
ã
&
&
B
?
?
# #
#
C.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
206œ# œ œ œ ‰ Jœ .œ œ3
hope you’re al right! I’d feel so
206
∑
∑
∑
206
∑
∑
∑
206 wæ
wæ
wæ
wæ
206
∑
œ œ œ œ jœ .œbad if... Hush now Cla ra,
[consolingly]
Œ.˙
Œ.˙
∑
Œ.....
˙̇˙˙˙gggggggggggggggggggŒ ....˙˙˙˙
∑
Jœ ‰ Œ Ó
Jœ ‰ Œ Ó
Jœ
‰ Œ Ó
Jœ
‰ Œ Ó
207
∑
F
F
F
F
P
P
F
Addy
Œ ‰ jœ ˙
We’re fine.
w
w
∑
∑
∑
∑
∑
∑
∑
∑
208
∑
œ œ .œ œJœ .œ
We’re just glad to see you.
œŒ Ó
œŒ Ó
∑
∑
∑
∑
∑
∑
∑
∑
209
∑
- -
Burton – 511
&
&
&
&
&
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&
B
?
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# #
#
J.B.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
Ó œbJœ ‰ œ œ œ œ
Jœ .œ ‰ Jœ œb œ .œ œ œ œ ‰ Jœ œ œ œ œ œ œ3
Hey! Wha da yamean, “aw ful”? You kid napped us, re mem ber? We’re not the crim in als here!
?
œb >Jœ.
‰
∑
∑
∑
∑
∑
wbæ
wæ
wæ
wæ
210
∑
f
Recit.
Recit.
Recit.
Recit.
BillyJanef
Í
Í
Í
Í
210
210
210
210
- - - - - - - -
Burton – 512
?
&
&
&
&
&
ã
&
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B
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# #
#
86
86
86
86
86
86
86
86
86
86
86
86
Bob
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
211
‰ Jœb Jœb ‰ œ œ œ
Not yet, a ny way.
211
∑
∑
∑
211
∑
∑
∑
211 wbæ
wæ
wæ
wbæ
211
∑
Bob
f
f
f
f
Œ œ ‰ Jœœ œ œ œ œ œ œ Œ œ
Jœ .œ
Kids, go run home to your mom ma, now. She’s missed you.
&
∑
∑
∑
J
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‰
jœœœ>‰
∑
w
w
w
∑
212
∑
sub. p
sub. p
sub. p
Earl
f
- - -
Burton – 513
&
&
&
&
&
&
ã
&
&
B
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# #
#
86
86
86
86
86
86
86
86
86
86
86
86
J.B.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
Œ . ‰ ‰jœ
O
∑
∑
∑
∑
∑
∑
.æ̇
.æ̇
.æ̇
.˙æ
213
∑
JaneQuick q.=144
Quick q.=144
Quick q.=144
Quick q.=144
F
F
F
F
213
213
213
213
.œ œ œ Jœ
kay, Dad dy, O
∑
∑
∑
∑
∑
∑
.æ̇
.æ̇
.æ̇
.˙æ
214
∑
Billy.œ œ œ ‰
kay, Dad dy
∑
∑
∑
∑
∑
∑
.æ̇
.æ̇
.æ̇
.˙æ
215
∑
.œ jœ ‰ ‰Bye!
∑
∑
∑
∑
∑
∑
.æ̇
.æ̇
.æ̇
.˙æ
216
∑
Jane.œ
Jœ‰ ‰
Bye!
Œ . œ œ œ œ œ œ
Œ . œ œ œ œ œ# œ
∑
∑
∑
∑
.œæ œ œ œ# œ œ œ œ7
.œæ œ œ œ# œ œ œ œ7
.œæ œ œ œ# œ œ œ œ
7
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œ œ œ œ œ œ œ
7
217
∑
Billy
P
P
∑
œb . œ. œ. œb . œ. œb .
œb . œ. œb . œ. œ. œn .
∑
∑
∑
1 1 1 .1
Jœ. ‰ ‰ Œ .
Jœ. ‰ ‰ Œ .
Jœ.
‰ ‰ Œ .
jœ.‰ ‰ Œ .
218
∑
f
f
f
f
f
f
∑
œ. œ. œb . œ. œb . œ.
œ. œb . œ. œ. œn . œ.
∑
∑
∑ ?
∑
∑
∑
∑
∑
219
∑
∑
Jœb .‰ ‰ Œ .
Jœb . ‰ ‰ Œ .
∑
∑
œœ
œœ
2 2
∑
∑
∑
∑
œ.œ. œ.
œ.2 2
220
jœ.‰ jœ.
‰2 2
p
p
P
P
P
- - - -
Burton – 514
&
&
&
&
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ã
&
&
B
?
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# #
#
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
221
∑
∑
∑
221
∑
œœ
œœ
2 2
∑
221
∑
∑
∑
œ.œ. œ.
œ.2 2
221
jœ.‰ jœ.
‰2 2
∑
∑
∑
jœ œ>œ>
œ>
.œ>
œœ
œœ
2 2
∑
∑
∑
∑
œ.œ. œ.
œ.2 2
222
jœ.‰ jœ.
‰2 2
F
∑
∑
∑
jœ œ>œ>
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.œ>
œœ
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2 2
∑
∑
∑
∑
œ.œ. œ.
œ.2 2
223
jœ.‰ jœ.
‰2 2
Œ ..œb
æ
fl.
œnJœ
œJœ
∑
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œœ
œœ
2 2
∑
∑
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œ.œ. œ.
œ.2 2
224
jœ.‰ jœ.
‰2 2
f
p
p
f
Œ ..œb
æ
fl.
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∑
.œ Œ .
œœ
œœ
2 2
∑
∑
.æ̇
.˙æ
œ.œ. œ.
œ.2 2
225
jœ.‰ jœ.
‰2 2
∑
œn . œ. œ. .œ
∑
jœ œ> œ> œ> .œ>
œœ
œœ
2 2
.Xæ
œ. œ. œ. .œ
.æ̇
.˙æ
œ.œ. œ.
œ.2 2
226
jœ.‰ jœ.
‰2 2
F
p
F
F
∑
œ. œ. œ. .œb
∑
jœb œb > œ> œb > .œ>
œœ
œœ
2 2
.Xæ
œb . œb . œb . .œ
.æ̇
.˙æ
œ.œ. œ.
œ.2 2
227
jœ.‰ jœ.
‰2 2
Œ . Jœ>
‰ ‰
Œ . Jœn >
‰ ‰
∑
Œ . Jœœœœbb>
‰ ‰
jœ
‰ ‰ Jœœœœbb>
‰ ‰
Jx+
‰ ‰ Œ .
Œ . Jœ>
‰ ‰
Œ . Jœb > ‰ ‰
Œ . Jœ>
‰ ‰
jœ>‰ ‰ Œ .
228
jœ>‰ ‰ Œ .
f
f
f
f
f
f
f
f
f
Burton – 515
&
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
J.B.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
Œ . .œ
Good
.œ
Good
∑
∑
∑
∑
∑
∑
∑
∑
jœœ
‰ ‰ Œ .
œ œ
jœ ‰ ‰ Œ .
∑
∑
∑
jœ>‰ ‰ Œ .
229
jœ>‰ ‰ Œ .
Billy and JaneF229
229
229
229
œ jœ œ œ2
morn ing ev ery
œJœ œ œ
morn ing ev ery
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
230
∑
jœ œ .œ
bo dy!Jœ
œ .œ
bo dy!
∑
∑
∑
∑
∑
∑
Œ . .œ
∑
∑
∑
Œ . œ œ œ œ œ œ œ#7
Œ . œ œ œ œ œ œ œ#7
Œ .œ œ œ œ œ œ œ#
7
Œ . .œ œ œ œ#
231
∑
f
f
f
f
f
Œ . .œ .œ
Good
∑
∑
∑
∑
∑
∑
jœfl
‰ ‰ Œ .
∑
∑
∑
jœfl
‰ ‰ Œ .
jœfl
‰ ‰ Œ .
Jœ̆ ‰ ‰ Œ .
jœfl
‰ ‰ Œ .
232
jœfl
‰ ‰ Œ .
f
f
œ jœ œ œ2
œJœ œ œ
morn ing ev ery
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
233
∑
jœ œ .œJœ
œ .œ
bo dy!
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
234
∑
∑
Œ . .œGood
Œ . .œGood
Œ . .œGood
Œ . .œ
Good
Œ ..œ
Œ . .œ
∑
∑
∑
∑
∑
∑
∑
∑
235
∑
Townspeoplef
f
f
f
f
f
∑
.˙
morn
.˙morn
.˙
morn
.˙
morn
.˙
.˙
∑
∑
∑
∑
∑
∑
∑
∑
236
∑
∑
.œ Œ .ing...
.œ Œ .ing...
.œ Œ .ing...
.œ Œ .ing...
.œŒ .
.œ Œ .
∑
∑
∑
∑
∑
∑
∑
∑
237
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
.˙æ
.æ̇
.˙æ
.˙æ
238
∑
P
P
P
P
- - - -
~~~~~~~~~~~~
- - - -
-
-
-
-
- - - -
Burton – 516
&
&
V
?
&
&
&
&
?
ã
&
&
B
?
?
# #
#
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
CHORUS
Pno.
239 jœ œ .œ
Bil ly?
jœ œ .œ
Bil ly?
∑
∑
239
∑
∑
∑
239
∑
∑
∑
239 .˙æ
.æ̇
.˙æ
.˙æ
239
∑
F
F
∑
∑
jœ œ .œJane?
Jœ œ .œ
Jane?
∑
∑
∑
∑
∑
∑
.˙æ
.æ̇
.˙æ
.˙æ
240
∑
F
F
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
.˙æ
.æ̇
.˙æ
.˙æ
241
∑
Œ . .œYou’re
Œ . .œYou’re
Œ . .œYou’re
Œ . .œ
You’re
∑
∑
∑
∑
∑
∑
.˙æ
.æ̇
.˙æ
.˙æ
242
∑
f
f
f
f
.˙
back?
.˙back?
.˙
back?
.˙
back?
∑
∑
∑
∑
∑
∑
.˙æ
.æ̇
.˙æ
.˙æ
243
∑
Œ . .œThey’re
Œ . .œThey’re
Œ . .œThey’re
Œ . .œ
They’re
∑
∑
∑
∑
∑
∑
.˙æ
.æ̇
.˙æ
.˙æ
244
∑
.˙
back!
.˙back!
.˙
back!
.˙
back!
∑
∑
∑
∑
∑
∑
.˙æ
.æ̇
.˙æ
.˙æ
245
∑
Œ . .œOh
Œ . .œOh
Œ . .œOh
Œ . .œ
Oh
∑
∑
∑
∑
∑
∑
.˙æ
.æ̇
.˙æ
.˙æ
246
∑
.˙no!
.˙no!
.˙no!
.˙
no!
∑
∑
Œ . œ œ œ. œ# .
4
∑
∑
Œ . ‰ ‰ Jxo
.˙æ
.æ̇
.˙æ
Jœ
‰ ‰ œ. œ. œ. œ# .
4
247
Œ . œ. œ. œ. œb .
4
f
f
f
f
∑
∑
∑
∑
∑
∑
jœ‰ ‰ Œ .
∑
∑ &
jx
‰ ‰ Œ .
∑
∑
∑
jœ‰ ‰ Œ .
248
jœ‰ ‰ Œ .
-
-
Burton – 517
&
&
&
&
&
&
ã
&
&
B
?
?
# #
#
S.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
Ó œb Œ Jœb .œ ‰ Jœ œ œ œ œ ‰ œJœ
˙
Karl, Tom my, You’ll be in this cell, next to Bob.
V
∑
∑
∑
Œwwww
bbb
Πwwwbbb
∑
Jœ ‰ wb
Jœ ‰ wb
Jœb ‰ wb
Jœb ‰ wb
249
Jœb ‰ wb
SamRecit.
Recit.
Recit.
Recit.
F
249
249
249
249
œb œb œ œ œJœ
œJœ œ ‰ jœb œ œb œ œ œb œ Jœb .œ3
You just keep those kids a way from me,and I’ll go where ev er you want me!
∑
∑
∑
∑
∑
∑
wb
wb
wb
wb
250
wb
Tommy
- - - -
Burton – 518
V
&
&
&
&
&
ã
&
&
B
?
?
# #
#
K.
Fl.
Bb Cl.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Pno.
251
Œ œ œb œ œ œ œ œ œ œ œ œ œ œ œbJœ Jœ
.œ3 3 3 3 3
Speak ing of which, how are you go ing to keep them a way from us?
