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courtney wuerfel SELECTED WORKS PORTFOLIO OF ARCHITECTURE
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courtney wuerfel
SELECTED WORKS PORTFOLIO OF ARCHITECTURE
BRIAN LILLEY Associate Professor, School of ArchitectureDalhousie University HALIFAX NOVA SCOTIAPROFESSOR 902 494 1661 [email protected]
ADOBE SUITE RHINOCEROUSGRASSHOPPER
MS SUITEAUTO CAD
PHOTOGRAPHYFINAL CUT EXPRESS
REVIT
MODEL MAKING SKETCHING/ HAND DRAWING
PHOTOGRAPHY COLLAGE
WOODWORKING DRAFTING
BUILDING/ CONSTRUCTION DOCUMENTATION
DIAGRAMMING3D PRINTINGLASERCUTTING A
NA
LO
GU
E DIGITAL
HUGHES CONDON MARLER ARCHITECTS,architectural internshipVANCOUVER, BRITISH COLUMBIA, SEPTEMBER TO DECEMBER 2013 MODEL MAKING, ORGANIZING AND CONDUCTING CLIENT MEETINGS, PROPOSAL PREPARATIONS AND PRESENTATION, COMPUTER GRAPHICS, DESIGN CONSULTING, SCHEMATIC DESIGN, CONSTRUCTION DOCUMENTS, SITE VISIT
WORK EXPERIENCE
DALHOUSIE UNIVERSITY, lecture series coordinator HALIFAX, NOVA SCOTIA, JANUARY 2014 TO PRESENT PLANNING, ORGANIZING, AND EXECUTING LECTURES WITHIN THE SCHOOL OF ARCHITECTURE AT DALHOUSIE UNIVERSITY. PUBLIC OUTREACH AND PROMOTION, INTERRELATIONS, VISION CONSULTING
SALT , PARTICIPANT IN DESIGN+BUILD WORKSHOP WITH SAMI RINTALA SANDHORNøY, NORWAY, JUNE 2014
EXPERIMENTAL DESIGN AND BUILD, INTERNATIONAL WORKSHOP FOCUSED ON NOMADIC DWELLING WITHIN THE ARTIC, DESIGNING FOR A LIFE IN THE EXTREME ELEMENTS. A CULTURE OF CREATIVITY, ENVIRONMENT, CULTURE, AND HISTORY THROUGH FOOD, ART, ARCHITECTURE, AND MUSIC.
KAREN MARLER HUGHES CONDON MARLER ARCHITECTS VANCOUVER BCPRINCIPLE 604 732 6620 [email protected]
REFERENCES
ROBERT COLLINS STUDIO ARC 1087 MOUNT DESERT MAINE PRINCIPLE 207 812 8200 [email protected]
SKILLS + KNOWLEDGE DALHOUSIE UNIVERSITY, CANDIDATE MASTER OF ARCHITECTUREHALIFAX, NOVA SCOTIA, MAY 2014
DALHOUSIE UNIVERSITY, BACHELOR OF ENVIRONMENTAL STUDIESHALIFAX, NOVA SCOTIA, SEPTEMBER 2012 TO MAY 2014
CARLETON UNIVERSITY, B.A.(HONOURS) history and theory of architecture OTTAWA, ONTARIO, SEPTEMBER 2010 TO MAY 2012
courtney wuerfel
[email protected] 476 3139
PROFICIENT IN ENGLISH + FRENCH
DWELL LUNENBURG, NOVA SCOTIA
refe
rence the esse
nce
of a
rchi
tect
ure
NOMADSANDHORNøY, NORWAY .................
PRODUCTALAMAR, HAVANA, CUBA
EDUCATEHALIFAX, NOVA SCOTIA
REST BANFF, ALBERTA
PRACTICEVANCOUVER, BRITISH COLUMBIA
reference : the guide
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A NEW NOMADIC DWELLINGSANDHORNøY, NORWAY
IN THE HORIZONTAL POSITION BOTH THE INTERIOR AND EXTERIOR SPACE OF THE DWELLING CAN BE INHABITED. THE ROOF CAN BE UTILIZED AS AN ELEVATED PAVILLION WELL THE FRONT AND REAR OPENING PANELS CAN BE FOLDED OUT OF THE STRUCTURE TO EXTEND THE INTERNAL SPACE OF THE DWELLING.
WEBSITE FOR SALT http://www.salted.no/PUBLICATIONS FOR PROJECT: ARCHDAILY DEZEEN DESIGNBOOM GLOBE AND MAIL DIVISARE
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COUNTERPOINT OF VIEW BANFF, ALBERTA
A SEATED PAVILION, A WEATHER VEIN, ELEMENTS, A FRAME OF NATURE, MOUNTAIN, MOVEMENT, BOUND TOTHE EARTH, UP CYCLE, LIFECYCLE; WATER, WOOD, CORTEN.
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THE PAVILION ACTS A SPACE TO VIEW, A PLACE TO OBSERVE, A DESTINATION IN THE LANDSCAPE. LOCATED ALONG THE EDGE OF THE BOW RIVER, INTERWOVEN WITH THE TREED LANDSCAPE, THE PAVILION ACTS A PLACE OF REFUGEE; CLOSING ITS SPINE TO THE ELEMENTS AND A PLACE OF PROSPECT; OPENING TO THE VAST MOUNTAIN RANGE. A VAIL OF CORTEN RECORDS FLOODING OVER IN SITU OVER TIME.
THE ROOM IN THE GARDEN, THE GARDEN AS THE ROOM.CREATION, LIFE, LIGHT, GROWTH; HORIZONTAL OF THE EARTH AND VERTICAL OF THE SKY; LANTERNS OF GLASS AS MARKER OF PLACE, RELATION. NORWEGIAN MAPLE
DWELLING IN THE GARDENLUNENBURG, NOVA SCOTIA
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THE BUILDING IS THE TREE; ROOTED WITHIN THE EARTH AND GROWING TOWARDS THE LIGHT OF THE SKY. TYING INTO THE GREENSCAPE AND BACKYARD CULTURE OF LUNENBURG. NORWEGIAN MAPLE
SCHOOL OF MUSIC HALIFAX, NOVA SCOTIA
THE BUILDING IS THE TREE; ROOTED WITHIN THE EARTH AND GROWING TOWARDS THE LIGHT OF THE SKY. TYING INTO THE GREEN FABRIC OF THE CITY RECONNECTING DALHOUSIE UNIVERSITY WITH THE CITY OF HALIFAX.
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THE DALHOUSIE SCHOOL OF MUSIC ACTS AS THE THRESHOLD BETWEEN DALHOUSIE’S STUDLEY AND CARLETON CAMPUS AS WELL AS A THRESHOLD BETWEEN THE WESTERN RESIDENTIAL AND EASTERN INDUSTRIAL FABRIC OF THE CITY.
THE SCHOOL OF MUSIC TAKES INSPIRATION FROM THE GROWTH AND DEVELOPMENT OF A TREE AS IT GESTURES TOWARDS THE SKY ALWAYS SEEKING NATURAL LIGHT AND FRESH AIR. THE PRINCIPLES INSTILLED WITHIN NATURE, SPECIFICALLY A TREE, ARE THE DRIVING FACTORS IN REGARDS TO THE EVOLUTION OF THE BUILDING. NATURAL LIGHT AND VENTILATION ARE ESSENTIAL FOR A ALL LIVING BEING THEREFORE IT BECAME A PRIMARY DESIGN INTENTION FOR EACH PERSON TO HAVE ACCESS TO THESE SYSTEMS.
L A R C H W O O D P I E C E S V E G E T A T I O N S O I L 1 5 0 m mE N K A D R A I N R O O T R E I N F O R C E M E N T 1 m mE N K A D R A I N + R E T A I N 2 0 0 m mR O O T B A R R I E R 4 m mB L U E S K I N M E M B R A N E 4 m mR I G I D I N S U L A T I O N 2 0 0 m mR E I N F O R C E D C O N C R E T E S L A B 5 0 0 m mC O N C R E T E C O L U M N 3 0 0 m mT R I P L E G L A Z I N G 4 m m w i t h 1 5 m m A I R S P A C EF R A M E S T R U C T U R E 2 5 m m P E R F O R A T E D C O R T E N 1 5 m m
R A I S E D W O O D P A N E L F L O O R I N G 2 5 m mS T E E L S U P P O R T L E G 1 5 0 m mS T A I N L E S S S T E E L G R A T E 1 5 m mH O L L O W C O R E C O N C R E T E 3 0 0 m mR E I N F O R C E D C O N C R E T E S L A B 2 0 0 m m T R I P L E G L A Z I N G 4 m m w i t h 1 5 m m A I R S P A C ES T E E L 1 2 0 I P E B E A M W I T H B R A C K E TF R A M E S T R U C T U R E 2 5 m m P E R F O R A T E D C O R T E N 1 5 m m
H O L L O W C O R E S L A B 3 0 0 m m R E I N F O R C E D C O N C R E T E S L A B 2 0 0 m mC O N C R E T E F O U N D A T I O N W A L L 5 0 0 m mE X P A N S I O N A N C H O R B O L T 9 m m R I G I D I N S U L A T I O N 2 0 0 m m B L U E S K I N M E M B R A N C E 4 m m C O N C R E T E S I D E W A L K
C O N C R E T E C O L U M N 3 0 0 m mS I L I C O N S E A L A N T 4 m mT R I P L E G L A Z I N G 4 m m w i t h 1 5 m m A I R S P A C ES T A I N L E S S S T E E L G L A Z I N G C H A N N E L 9 m mT H R E A D E D R O D 1 9 m m N E S T E D 9 m m L B R A C K E T S
THE DALHOUSIE SCHOOL OF MUSIC IS DIVIDED BETWEEN TWO BUILDINGS AS A RESPONSE TO THE NATURAL ENVIRONMENT AS WELL AS SITE AND PROGRAM SPECIFIC CONDITIONS. THIS DIVISION CREATES A GRADIENT OF ZONES AND THRESHOLD THROUGH THE SITE AND BUILDING CREATING AN OPTIMAL MUSIC EDUCATION ENVIRONMENT WELL MAINTAINING A HIGH-LEVEL PERFORMANCE VENUE. THE BUILDING ENGAGES WITH ITS COMMUNITY PHYSICALLY THROUGH AN OUTWARD GESTURE WELL ACTING AS A MAKER OF PLACE.
PRACTING ARCHITECTUREVANCOUVER, BRITISH COLUMBIA
POND
EROS
A
PROPOSALS, PUBLIC CONSULTATION PRESENTATION, INDICATIVE DESIGN, CONSTRUCTION DOCUMENTATION, CONSTRUCTION ADMINISTRATION, SITE VISITS, CLIENT MEETINGS, AWARD SUBMISSIONS, AND MARKETING
PROPOSED/ DEVELOPMENT
Jan H Timmer Architecture
Lutheran Campus CentreHughes Condon Marler Architects
Lutheran Campus Centre
DRAFTNov 6 2013Lutheran Campus Centre
5885 University Boulevard
Goals of the Open House • Introduce our project • Summarize what we have heard from the community to date• Present a proposed concept and redevelopment plan• Gather the community’s feedback
We hope to explain
W E L C O M E
• Where is the site • Who we are• Why we are proposing this project • What we have heard • What we are proposing • Howwe plan to move forward
Whereis the siteThe site is located on the northeast corner of the intersection of Wesbrook Mall and University Boulevard. It is owned by the British Columbia Synod of the Evangelical Church in Canada. The Lutheran Church built the current Campus Centre almost 50 years ago in 1965, and since then has actively operated its ministry in cooperation with other religious groups and service.
UNIVERSITY OF BRITISH COLUMBIA
UNIVERS ITY BOULEVARD
WE
STB
RO
OK
MA
LL
UEL AREA A
UEL AREA D UBC
The site is situated at the meeting point between the different neighborhoods of the University Endowment Lands and the University.
WE
STE
RN
PAR
KW
AY
DRAFTNov 6 2013
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ST PAUL’S + UBC MED.
TASKS ON THE ST.PAUL’S AND UBC MEDICAL LIBRARY RENOVATION PROJECT INCLUDED DECISION MAKING, CLIENT RELATION, OVERSEEING CONSTRUCTION DEVELOPMENT AND SCHEDULING AS WELL AS COORDINATING DESIGN AND DETAIL INTENTIONS. ACTING AS PROJECT ASSISTANT CREATED OPPERTUNITY FOR CONTINUED INTERACTION WITH CLIENTS, CONSTRUCTION PERSONNELLE, AND CONSULTANTS.
PRODUCTIVE LANDSCAPES ALAMAR, HAVANA, CUBA
REDEFINING THE URBAN LANDSCAPE:PURPOSING GREEN AND LATENT SPACE FOR THE CREATION OF THE CONTINUOUSLY PRODUCTIVE.
A PLACE AND A PERSON, CAN THEY BE CONCEIVED OF IN THE SAME MANNER. A SENSE OF IDENTITY, OR THE VERY LACK OF IT. CAN THE “IT” BE GROUNDED WITHOUT A CONTEXT. ALAMAR, A PLACE OF PROGRESS, NOW A PLACE OF REGRESS, THE UTOPIAN CITY, THE WELL CONCIEVED BUT UNCOMPLETE “CITY”. SCARCITY AND ISOLATION, LACK OF IDENTITY, SEPERATION FROM PLACE; DESCRIPTIVE WORDS. A PLACE OF POTENTIAL, WAITING FOR AN INTERVENTION, A REVITALIZATION, A COMPLETION.
A COMMUNITY; VIBRANT, DEVELOPED FROM A LACK. A VOICE FOUND THROUGH MEDIUM, THE EARTH; ITS MATERIAL, THE ENVIRONMENT; ITS CONTEXT, FOSTERING LIFE IN THE NEW FUNDEMENTALS. ART AND AGRICULTURE, COMBINED TO CREATE A NEW ENTITY. THE LANDSCAPE, A DEVICE FACILATATING THE MEANS, A PROGRAM CREATING PRODUCTIVE TENSION WITHIN THE EVERYDAY, A “STRUCTURE” ORGANIZING THE CALM WITH THE CHAOS. A HYBRID; LANDSCAPE, ARCHITECTURE, ECOLOGY, COMMUNITY, CULTURE, SOCIETY; THE BUILT AND THE UNBUILT.
THE CITY AND THE LANDSCAPE, UPDATING IN RESPONSE TO THE PERCEIVED NEW REALITIES AND NECESSITIES OF SOCIETY, ALLOWING FOR BOTH THE UTILITARIAN LANDSCAPE AND THE DREAMSCAPE TO COEXIST IN AN URBAN CONTEXT AND THE CITIZEN.
THE CHAOS. THE CALM. A HYBRID; LANDSCAPE, ARCHITECTURE, ECOLOGY, COMMUNITY, CULTURE, SOCIETY; THE BUILT AND THE UNBUILT. THE FUNDEMENTS OF THE ALAMAR; ART AND AGRICULTURE.
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AGRICULTURE ART LEISURE PROGRAMITICS SYNERGIES BETWEEN AGRICULTURE, ART. AND LEISURE ACTIVITIES WERE CREATED THROUGH ADAJACENIES AND PROXIMITIES WITH THE PROPOSED PRODUCTIVE LANDSCAPE. A LANDSCAPE WHICH IS DEVELOPED OVER TIME, ANCHORING AND GROWING IN AND WITH THE COMMUNITY OF ALAMAR.
ARTS INTIMATEVENUE
SPOKEN WORD
PRODUCTION
PERFORMANCE
DISPLAY COLLECTIVE
AGRICULTURE PUBLIC PRIVATE
COMMUNITY GARDENS
PARCELOS
MARKET
INDIVIDUAL MUSIC DANCETHEATRE PERFORMANCE SCULPTURE PAINTING POETRY SOUNDWORKS PUBLIC INTERVENTIONS INSTALLATIONS PHOTOGRAPHY VIDEOGRAPHY GRAFITTI
SPOKEN WORDMUSIC DANCETHEATRE PERFORMANCE SCULPTURE PAINTING POETRY SOUNDWORKS PUBLIC INTERVENTIONS INSTALLATIONS PHOTOGRAPHY VIDEOGRAPHY GRAFITTI
SPOKEN WORDMUSIC DANCETHEATRE PERFORMANCE SCULPTURE PAINTING POETRY SOUNDWORKS PUBLIC INTERVENTIONS INSTALLATIONS PHOTOGRAPHY VIDEOGRAPHY GRAFITTI
SPOKEN WORDMUSIC DANCE
THEATRE PERFORMANCE
SCULPTURE PAINTING
POETRY SOUNDWORKS
PUBLIC INTERVENTIONS INSTALLATIONS PHOTOGRAPHY VIDEOGRAPHY
GRAFITTI
SPOKEN WORDMUSIC DANCE
THEATRE PERFORMANCE
SCULPTURE PAINTING
POETRY SOUNDWORKS
PUBLIC INTERVENTIONS INSTALLATIONS PHOTOGRAPHY VIDEOGRAPHY
GRAFITTI
COMMUNITY GARDENS
PARCELOS
PATIOS
ORGANIPONICOS
PRODUCTION
PERFORMANCE
DISPLAY
PERFORMANCE
HUERTOS INTENSIVOS ORGANOPONICO
PATIOS PRODUCTIVOS CASA DE CULTICOS PROTEGIDOS INVERNADEROS
AUTOCONSUMOS
PUBLIC PRIVATE
leisure to art
leisure to art
art to agriculture
leisure to agriculture
agriculture to agriculture
leisure to leisure
ARTS INTIMATEVENUE
SPOKEN WORD
PRODUCTION
PERFORMANCE
DISPLAY COLLECTIVE
AGRICULTURE PUBLIC PRIVATE
COMMUNITY GARDENS
PARCELOS
MARKET
INDIVIDUAL MUSIC DANCETHEATRE PERFORMANCE SCULPTURE PAINTING POETRY SOUNDWORKS PUBLIC INTERVENTIONS INSTALLATIONS PHOTOGRAPHY VIDEOGRAPHY GRAFITTI
SPOKEN WORDMUSIC DANCETHEATRE PERFORMANCE SCULPTURE PAINTING POETRY SOUNDWORKS PUBLIC INTERVENTIONS INSTALLATIONS PHOTOGRAPHY VIDEOGRAPHY GRAFITTI
SPOKEN WORDMUSIC DANCETHEATRE PERFORMANCE SCULPTURE PAINTING POETRY SOUNDWORKS PUBLIC INTERVENTIONS INSTALLATIONS PHOTOGRAPHY VIDEOGRAPHY GRAFITTI
SPOKEN WORDMUSIC DANCE
THEATRE PERFORMANCE
SCULPTURE PAINTING
POETRY SOUNDWORKS
PUBLIC INTERVENTIONS INSTALLATIONS PHOTOGRAPHY VIDEOGRAPHY
GRAFITTI
SPOKEN WORDMUSIC DANCE
THEATRE PERFORMANCE
SCULPTURE PAINTING
POETRY SOUNDWORKS
PUBLIC INTERVENTIONS INSTALLATIONS PHOTOGRAPHY VIDEOGRAPHY
GRAFITTI
COMMUNITY GARDENS
PARCELOS
PATIOS
ORGANIPONICOS
PRODUCTION
PERFORMANCE
DISPLAY
PERFORMANCE
HUERTOS INTENSIVOS ORGANOPONICO
PATIOS PRODUCTIVOS CASA DE CULTICOS PROTEGIDOS INVERNADEROS
AUTOCONSUMOS
PUBLIC PRIVATE
