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Great Britain Journal Lessons fror-r-t r-nastcr

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10 Diane Fitzgerald Bead Society of Great Britain Journal 109 Lessons fror-r-t a r-nastcr Even though they are small, exhibits at the Goldstein Museum of Design (part of the University of Minnesota) always give me inspiration and insights. The exhibit of costumes 'Chsracter is Costume was no exception. It is a retrospective of the work of Jack Edwards, lead costume desiggrer for the Guthrie Theatre in Minneapolis for more than 12 years. A review of the exhibit in the Minneapolis Star Tribune caught my eye and near the end it mentioned Edwards' jewellery designs for men. Hmmm...I thought...there must be a story here and I promptly got in touch with him about an interview. Edwards described his approach to costume design which can easily be applied to designing with beads, First, thoioughly research the character to determine the essence and the message the character is bringing to the story. When designing with beads, ask yourself what message or idea you'd like to represent. Understanding what the character is trying to convey suggests the purpose ofthe costume and reinforces the play's theme. The next step for Edwards was to survey the available materials. He felt there was no point in designing a costume if one might not be able to find the righi fabric or embellishments to complete it. It is at this point that the mind must take over to meld the purpose and the materials and to bring these elements together...not an easy task but satisSring when successful whether it is costumes or beads one is working with. Edwards said that for many years he had collected unusual men's jewellery and naturally, I expressed an interest in seeing it. The first piece he showed me was immediately recognisable as the work of Lucia Antonelli - a large metal pendant supported by multiple strands of braided steel cut beads - the kind painstakingly removed from old purses. It was fit for a king. The next piece was a double-rope lariat knotted to hold large cast silver beads in place. At more than a yard or two in length, the rope supported 15 unique { E E q .E o 6 I c .@- ; ::r+? 'F-J "rin;j t{Ew! Pens now available in l0 linishes: . gold . silver . satin gold . satin silver . bronze . copper . black . red . green . blue These can be mixed in quantity discounts. BEADABLE PEN BItrANKS to go wlth the Bead Society's new Bursary Book PEN PALS 1 1{EW PATTERIiIS/KITS for pens, keyrings and lace bobbins;.Available as patterns or kits (with or without beads). Prices vary - see website or ring for details. spongJg="@y One pen t5.50 Three pens t15.00 Ten Pens t45.00 + FREE p&p. Quote BEAD SOCIETY when ordering. Part of Catalogue 20 is out now on the website. Carole Morrls, Spangles (BS), 1 Casburn Ln, Burwell, Cambridge CB25 0ED (tel/fax 01638 742024) Cards accepted & cheques (payable to Carole Monis) WWW.SpangleS4beadS.CO.Uk lemair: [email protected])
Transcript

10

DianeFitzgerald

Bead Society of Great Britain Journal 109

Lessons fror-r-t a r-nastcrEven though they are small, exhibits atthe Goldstein Museum of Design (part ofthe University of Minnesota) always giveme inspiration and insights. The exhibitof costumes 'Chsracter is Costume was noexception. It is a retrospective of the workof Jack Edwards, lead costume desiggrerfor the Guthrie Theatre in Minneapolis formore than 12 years.

A review of the exhibit in the MinneapolisStar Tribune caught my eye and nearthe end it mentioned Edwards' jewellerydesigns for men. Hmmm...I thought...theremust be a story here and I promptly got intouch with him about an interview.

Edwards described his approach tocostume design which can easily be applied

to designing with beads,First, thoioughly research the character

to determine the essence and the messagethe character is bringing to the story. Whendesigning with beads, ask yourself whatmessage or idea you'd like to represent.Understanding what the character is tryingto convey suggests the purpose ofthecostume and reinforces the play's theme.

The next step for Edwards was to surveythe available materials. He felt there wasno point in designing a costume if onemight not be able to find the righi fabric orembellishments to complete it. It is at thispoint that the mind must take over to meldthe purpose and the materials and to bringthese elements together...not an easy task

but satisSring when successful whether itis costumes or beads one is working with.

Edwards said that for many years hehad collected unusual men's jewelleryand naturally, I expressed an interest inseeing it.

The first piece he showed me wasimmediately recognisable as the workof Lucia Antonelli - a large metalpendant supported by multiple strandsof braided steel cut beads - the kindpainstakingly removed from old purses.It was fit for a king.

The next piece was a double-rope lariatknotted to hold large cast silver beadsin place. At more than a yard or two inlength, the rope supported 15 unique {

E

Eq.Eo6Ic

.@- ; ::r+?'F-J "rin;j

t{Ew!Pens now available in

l0 linishes:. gold . silver . satin gold .satin silver . bronze . copper. black . red . green . blueThese can be mixed in

quantity discounts.

BEADABLE PEN BItrANKSto go wlth the Bead Society's

new Bursary Book PEN

PALS 1

1{EW PATTERIiIS/KITSfor pens, keyrings and lace bobbins;.Availableas patterns or kits (with or without beads). Pricesvary - see website or ring for details.

spongJg="@y

One pen t5.50Three pens t15.00Ten Pens t45.00+ FREE p&p. Quote BEAD

SOCIETY when ordering.

Part of Catalogue 20 is outnow on the website.

Carole Morrls, Spangles (BS), 1 Casburn Ln,Burwell, Cambridge CB25 0ED

(tel/fax 01638 742024)Cards accepted & cheques (payable to Carole Monis)

WWW.SpangleS4beadS.CO.Uk lemair: [email protected])

Bead Society of Great Britain Journal 108

oostr-Jfito designor

beads each perhaps an inch and a halfin diameter. The beads are the work ofIndiana silversmith Clifton Nicholson Jr.(www.clnjr.com).

The next hour was spent enjoying hiscollection ofjewellery and beaded items.Wish you could have been there but 7+1I've picked the best to show you! V

LONDON o BIRMINGHAM . BIGGIN HILLCALL 01959 543660 OR VISIT OUR WEB SHOP WWW.HSWALSH.COM


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