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Great promise, few options: Can advances in color science shift the market? Tony Esposito January 29, 2020 Michael Royer Lorne Whitehead
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  • Great promise, few options:

    Can advances in color science shift

    the market?

    Tony Esposito

    January 29, 2020

    Michael Royer

    Lorne Whitehead

  • 2

    Optimizing Illumination

    illumination

    electricity

    human impact

    watt

    well-being

    well-being “joy per joule”

    watt

    n’s Joy per Joule

  • illumination

    human impact

    Optimizing Illumination’s Joy per Joule

    quality quantity

    comfort performance

  • illumination

    human impact

    quality quantity

    comfort performance

  • illumination

    human impact

    quality

    comfort performance

    quantity

  • illumination

    human impact

    Over-Emphasizing the Easily-Measured

    quality

    comfort performance

    quantity

    - a lingering problem from the 20th century -

  • Over-Emphasizing the Easily-Measured- a lingering problem from the 20th century -

    CIE photopic luminosity function V(λ)

  • Over-Emphasizing the Easily-Measured- a lingering problem from the 20th century -

    20

    50

    2

    5

    .001Illuminance (fc)

  • 9

    Location Quantity Spectrum Timing Control

  • 10

    Location Quantity Spectrum Timing Control

  • 11

    SPD

    Chromaticity

    Relative Photoreceptor

    Stimulation

    LER

    Color Rendition

    CCT

    Duv

    S/P

    M/P

    Fidelity

    Shifts

    White-ness

    Match

    Match

    Hue

    Chroma

    Pupil

    Circa-dian

    LPW

    Visual Perf.

  • 12

    SPD

    Chromaticity

    Relative Photoreceptor

    Stimulation

    LER

    Color Rendition

    CCT

    Duv

    S/P

    M/P

    Fidelity

    Shifts

    White-ness

    Match

    Match

    Hue

    Chroma

    Pupil

    Circa-dian

    LPW

    Visual Perf.

  • 13

  • 14

    0.0

    0.1

    0.2

    0.3

    0.4

    0.5

    0.6

    0.0 0.1 0.2 0.3 0.4 0.5 0.6 0.7

    v'

    u'

    0.0000.0050.0100.0150.0200.0250.0300.0350.040

    380 480 580 680 780

    Spec

    tral

    Pow

    er (W

    /nm

    )

    Wavelength (nm)

    RedLimeAmberGreenCyanBlueIndigo

  • 15

  • 16

    RfRg

    Rcs,h1Rt

    CRIR9

    M/PS/P

    LER

    68 – 9479 – 120-19% – 26%88 – 9643 – 95-120 – 980.6 – 1.11.4 – 2.2286 – 352

  • 0.0000.0020.0040.0060.0080.0100.0120.0140.0160.018

    380 430 480 530 580 630 680 730 780

    Spec

    tral

    Pow

    er (W

    /nm

    )

    Wavelength (nm)

    2700 K3000 K3500 K4000 K5000 K6500 K

    Nominal CCTNormalized for Equal Lumens

    17

    Status Quo: Given a CCT and minimum color fidelity, maximize lumens/watt.

  • 18

    S/P = M/P = CRI = R9 =

    LER = LPW ≈

    S/P = M/P = CRI = R9 =

    LER = LPW ≈

    1.40.7100991515

    1.10.482-836080

    S/P = M/P = CRI = R9 =

    LER = LPW ≈

    1.20.58112310130

  • 19

    What will it take to changethe status quo?

    New metrics?Induce demand / does anyone care?Material R&D?Patent barriers?Cost?Reevaluation of Tradeoffs?

  • How Vision Senses Surface Colors

  • How Vision Senses Surface Colors

  • How Vision Senses Surface Colors

    A Surface’s Color Relates to its Spectral Reflectance Function

    Wavelength

    Ref

    lect

    ance

    “IncreasingLightness”

  • How Vision Senses Surface Colors

    Lightness:

  • How Vision Senses Surface Colors

    A Surface’s Color Relates to its Spectral Reflectance Function

    Wavelength

    Ref

    lect

    ance

    “Blue to Orange”

    “Changing Average

    Slope”

  • Blue

    Orange

  • Blue

    Orange

  • How Vision Senses Surface Colors

    A Surface’s Color Relates to its Spectral Reflectance Function

    Wavelength

    Ref

    lect

    ance

    “Purple to Green”

    “Changing AverageCurvature”

  • Purple

    Green

  • Purple

    Green

  • How Vision Senses Surface Colors

  • 33

  • “white” light

    “gray” surface

    orange reflection!

    Poor Rendering is Due to Spectral Interference !

  • FACTS ABOUT COLOR RENDERING AND SOME COMMON MISCONCEPTIONS

    1. The IES/CIE Color Fidelity Index Is a number less than or equal to 100, but it is not a percentage.

    2. If two objects look the same under daylight, they may not match under a poor color rendering source.

    3. Lamps with the same color rendering score may have very different SPDs and cause different shifts.

  • FACTS ABOUT COLOR RENDERING AND SOME COMMON MISCONCEPTIONS

    4. People cannot adapt to poor color rendering

    5. Color rendering cannot be judged by looking directly at a light source.

    6. Light source color rendering is a completely different property than light source color.

  • Rf

    ∆Rf

  • Consider An Important Design Choice:

    Most often, most designers select Design AYet usually, Design B is better for occupants

    Design A acceptable acceptable 90 80Design B same as A same as A 80 90

    Installed Cost

    Power Consumed

    Light Quantity

    Light Quality

    Sheet1

    Installed CostPower ConsumedLight QuantityLight Quality

    Design Aacceptableacceptable9080

    Design Bsame as Asame as A8090

  • A look to the future:

    Excellent Color Rendering (nearly) Everywhere

    Requiring: Excellent Metrics for Color Rendering

  • 45

    ANSI/IES TM-30-18

  • 46

    What is it?

  • 47

    “Effect of an illuminant on the color appearance of objects by conscious or subconscious comparison with their color appearance under a reference illuminant.”

    - International Commission on Illumination (CIE)

    Color rendition is relative

    Review: color rendering, defined

  • 48

    Test Source

    Reference Source

    Δ1 Δ2 Δ3 Δ4 Δ5 Δ6 Δ7 Δ8

    Color rendition is relative

  • 49

    Perfect Fidelity

    Limitation of considering only color fidelity

  • 50

    CRI = 80 CRI = 80

    Increase Saturation

    DecreaseSaturation

    Limitation of considering only color fidelity

  • 51

    CRI = 80

    CRI = 80

    Positive Hue Shift

    Negative Hue Shift

    Increase Saturation

    DecreaseSaturation

    Limitation of considering only color fidelity

  • 52

    Increase Saturation

    DecreaseSaturation

    Positive Hue Shift

    Negative Hue Shift

    Constant Fidelity (CRI)

    Limitation of considering only color fidelity

  • 53

    EQ EQ EQ EQ

    Rf,h1100

    Rf,h180

    Rf,h160

    Rf,h180

    Rf,h160

    (Color appearances not accurate. For educational purposes only)

    Limitation of considering only color fidelity

    Rcs,h10%

    Rcs,h1+8%

    Rcs,h1+15%

    Rcs,h1-8%

    Rcs,h1-15%

  • 54

    How many metrics are contained within TM-30?

  • 55

    At least 149(1) Average Color Fidelity, Rf(1) Average Gamut Area, Rg(16) Local Chroma Shift, Rcs,hj(16) Local Hue Shift Rh1,hj(16) Local Color Fidelity, Rf,hj(99) Sample Color Fidelity, Rf,CESi

    How many metrics are contained within TM-30?

  • 56

    How many should be minimally considered?

  • 57

    How many should be minimally considered?

  • 58

    Average Fidelity, Rf: indicates the average deviation from the source’s reference illuminant. It only indicates the magnitude of the difference, not the direction.

    Average Gamut Area, Rg: indicates the average increase or decrease in saturation relative to the source’s reference illuminant.

    Local Color Fidelity Hue Bin 1 (Red), Rf,h1: indicates the specific deviation, relative to the source’s reference illuminant, for red hues.

    Local Chroma Shift, Rcs,h1: indicates the specific increase or decrease in saturation, relative to the source’s reference illuminant, for red hues.

    e.g. “CRI”

    e.g. CQS QgGAI

    e.g. R9

    e.g. None

    The main 4 metrics

  • 59

    Metric Quizzzzzzzzzzzz

  • 60

    What can we say about this point?

    Rf = 87, Rg = 109

    Rf = 87

    Rg = 109

    This light source causes distortions relative to ref source (don’t know direction of distortion)

    This light source, ON AVERAGE, increases the saturation of objects (relative to ref source). We don’t know which hues are being enhanced.

    TM-30 Metric Quiz

  • 61

    Relative to the ref source, this light source is:

    • Increasing the average saturation of RED hues (Rcs,h1 = + 11%)

    • Slightly increasing the saturation of green and yellow-green hues (Rcs,h6 = +4%)

    • Rf,h1 < 100

    What can we say about this point?

    Rf = 87, Rg = 109

    TM-30 Metric Quiz

  • 62

  • 63

    What is it?

  • 64

    MeasureAverage Color fidelity

    Red Fidelity (hue bin 1)

    Gamut area

    Gamut shape/Specific color shifts

    (specifically red)

    SymbolRf

    Rf,h1Rg

    CVGRcs,h1

    CharacteristicFidelity

    Preference(object and skin)

    Vividness

    IES TM-30 ANNEX E

  • 65

    Design IntentThe desired effect of color rendition on the illuminated environment.

    Preference (P) Vividness (V) Fidelity (F)

    Prio

    rity

    Leve

    lTh

    e ba

    lanc

    e be

    twee

    n al

    low

    ing

    trade

    offs

    and

    incr

    easi

    ng th

    e lik

    elih

    ood

    of m

    eetin

    g th

    e de

    sign

    inte

    nt. 1 P1

    Rf ≥ 78

    V1

    Rg ≥ 118

    F1 Rf ≥ 95Rg ≥ 95 Rcs,h1 ≥ 15%

    -1% ≤ Rcs,h1 ≤ 15%

    2 P2

    Rf ≥ 75

    V2

    Rg ≥ 110

    F2

    Rf ≥ 90

    Rg ≥ 95 Rcs,h1 ≥ 6% Rf,h1 ≥ 90

    -7% ≤ Rcs,h1 ≤ 15%

    3 P3

    Rf ≥ 70

    V3

    Rg ≥ 100

    F3

    Rf ≥ 85

    Rg ≥ 88 Rcs,h1 ≥ 0% Rf,h1 ≥ 85

    -12% ≤ Rcs,h1 ≤ 18%

    IES TM-30 ANNEX E

  • 66

    Design IntentThe desired effect of color rendition on the illuminated environment.

    Preference (P) Vividness (V) Fidelity (F)

    Prio

    rity

    Leve

    lTh

    e ba

    lanc

    e be

    twee

    n al

    low

    ing

    trade

    offs

    and

    incr

    easi

    ng th

    e lik

    elih

    ood

    of m

    eetin

    g th

    e de

    sign

    inte

    nt. 1 P1

    Rf ≥ 78

    V1

    Rg ≥ 118

    F1 Rf ≥ 95Rg ≥ 95 Rcs,h1 ≥ 15%

    -1% ≤ Rcs,h1 ≤ 15%

    2 P2

    Rf ≥ 75

    V2

    Rg ≥ 110

    F2

    Rf ≥ 90

    Rg ≥ 95 Rcs,h1 ≥ 6% Rf,h1 ≥ 90

    -7% ≤ Rcs,h1 ≤ 15%

    3 P3

    Rf ≥ 70

    V3

    Rg ≥ 100

    F3

    Rf ≥ 85

    Rg ≥ 88 Rcs,h1 ≥ 0% Rf,h1 ≥ 85

    -12% ≤ Rcs,h1 ≤ 18%

    Assumptions: 200-700 lux, polychromatic environment, single chromaticity

    IES TM-30 ANNEX E

  • 67

    Design IntentThe desired effect of color rendition on the illuminated environment.

    Preference (P) Vividness (V) Fidelity (F)

    Prio

    rity

    Leve

    lTh

    e ba

    lanc

    e be

    twee

    n al

    low

    ing

    trade

    offs

    and

    incr

    easi

    ng th

    e lik

    elih

    ood

    of m

    eetin

    g th

    e de

    sign

    inte

    nt. 1 P1

    Rf ≥ 78

    V1

    Rg ≥ 118

    F1 Rf ≥ 95Rg ≥ 95 Rcs,h1 ≥ 15%

    -1% ≤ Rcs,h1 ≤ 15%

    2 P2

    Rf ≥ 75

    V2

    Rg ≥ 110

    F2

    Rf ≥ 90

    Rg ≥ 95 Rcs,h1 ≥ 6% Rf,h1 ≥ 90

    -7% ≤ Rcs,h1 ≤ 15%

    3 P3

    Rf ≥ 70

    V3

    Rg ≥ 100

    F3

    Rf ≥ 85

    Rg ≥ 88 Rcs,h1 ≥ 0% Rf,h1 ≥ 85

    -12% ≤ Rcs,h1 ≤ 18%

    Assumptions: 200-700 lux, polychromatic environment, single chromaticity

    IES TM-30 ANNEX E

  • 68

    Design IntentThe desired effect of color rendition on the illuminated environment.

    Preference (P) Vividness (V) Fidelity (F)

    Prio

    rity

    Leve

    lTh

    e ba

    lanc

    e be

    twee

    n al

    low

    ing

    trade

    offs

    and

    incr

    easi

    ng th

    e lik

    elih

    ood

    of m

    eetin

    g th

    e de

    sign

    inte

    nt. 1 P1

    Rf ≥ 78

    V1

    Rg ≥ 118

    F1 Rf ≥ 95Rg ≥ 95 Rcs,h1 ≥ 15%

    -1% ≤ Rcs,h1 ≤ 15%

    2 P2

    Rf ≥ 75

    V2

    Rg ≥ 110

    F2

    Rf ≥ 90

    Rg ≥ 95 Rcs,h1 ≥ 6% Rf,h1 ≥ 90

    -7% ≤ Rcs,h1 ≤ 15%

    3 P3

    Rf ≥ 70

    V3

    Rg ≥ 100

    F3

    Rf ≥ 85

    Rg ≥ 88 Rcs,h1 ≥ 0% Rf,h1 ≥ 85

    -12% ≤ Rcs,h1 ≤ 18%

    Assumptions: 200-700 lux, polychromatic environment, single chromaticity

    IES TM-30 ANNEX E

  • 69

    Design IntentThe desired effect of color rendition on the illuminated environment.

    Preference (P) Vividness (V) Fidelity (F)

    Prio

    rity

    Leve

    lTh

    e ba

    lanc

    e be

    twee

    n al

    low

    ing

    trade

    offs

    and

    incr

    easi

    ng th

    e lik

    elih

    ood

    of m

    eetin

    g th

    e de

    sign

    inte

    nt. 1 P1

    Rf ≥ 78

    V1

    Rg ≥ 118

    F1 Rf ≥ 95Rg ≥ 95 Rcs,h1 ≥ 15%

    -1% ≤ Rcs,h1 ≤ 15%

    2 P2

    Rf ≥ 75

    V2

    Rg ≥ 110

    F2

    Rf ≥ 90

    Rg ≥ 95 Rcs,h1 ≥ 6% Rf,h1 ≥ 90

    -7% ≤ Rcs,h1 ≤ 15%

    3 P3

    Rf ≥ 70

    V3

    Rg ≥ 100

    F3

    Rf ≥ 85

    Rg ≥ 88 Rcs,h1 ≥ 0% Rf,h1 ≥ 85

    -12% ≤ Rcs,h1 ≤ 18%

    Assumptions: 200-700 lux, polychromatic environment, single chromaticity

    IES TM-30 ANNEX E

  • 70

    Important Notes• The Assumptions are important!

    • 200 – 700 Lux• Polychromatic Environment• Single Chromaticity

    • PVF categories ARE NOT INDEPENDENT. P1V1F1 is not possible

    • ANNEX E does not specifically consider the rendition of skin tones

    IES TM-30 ANNEX E

  • 71

    So What?

  • 72

    F1

    F2

    F3

    All Theoretical SPDsTheoretical SPDs with Ra ≥ 80 and R9 ≥ 0Theoretical SPDs with Ra ≥ 90 and R9 ≥ 50

    Commercially-Available LED SPDs

    IES TM-30 ANNEX E: Color Fidelity

  • 73

    P1*P2*P3*

    IES TM-30 ANNEX E: Color Preference

  • 74

    Summary, TM-30 and ANNEX E• IES TM-30 is a unified system of objective measures that capture color difference

    • Specifically, TM-30 provides measures beyond average fidelity and average gamut area that provide information about hue-SPECIFIC color shifts

    • IES TM-30 ANNEX E was developed to facilitate the ease of use of TM-30 and to help specifiers flex color rendition as a parameter in their designs

    • And, potentially, as a way for manufacturers to differentiate their products

    • TM-30 helps illustrate the tradeoff between luminous efficacy and red rendition, and shows that many commercially available sources desaturate red colors

    • TM-30 can be used in an optimization routine to produce sources with a spectrum that is more purposefully tuned to the intended application

  • 75

    Metameric Uncertainty

    https://www.astroml.org/book_figures/chapter3/fig_bivariate_gaussian.html

  • 76

    MeasureAverage Color fidelity

    Red Fidelity (hue bin 1)

    Gamut area

    Gamut shape/Specific color shifts

    (specifically red)

    SymbolRf

    Rf,h1Rg

    CVGRcs,h1

    CharacteristicFidelity

    Preference(object and skin)

    Vividness

    Metameric Uncertainty

  • 77

    MeasureAverage Color fidelity

    Red Fidelity (hue bin 1)

    Gamut area

    Gamut shape/Specific color shifts

    (specifically red)

    Light Source Error Score

    Metameric Uncertainty Index

    SymbolRf

    Rf,h1Rg

    CVGRcs,h1

    RdRt

    CharacteristicFidelity

    Preference(object and skin)

    Vividness

    Color Discrimination

    Metameric Mismatch

    IES TM-30

    Metameric Uncertainty

  • 78

    What is metamerism?Metameric SourcesSources that have different SPDs, but the same chromaticity.They have the same appearance when viewed directly.

    Metameric ObjectsSources that have different “Practical Colors” (SPD*SRD), but the same chromaticity.They have the same appearance when viewed directly.

  • 79

    Why is it so uncertain?

  • 80

    Who cares?

  • 81

    Metameric Mismatch

    https://www.xrite.com/blog/two-essential-components-color-programhttps://store.nike.com/us/en_us/product/air-force-1-high-essential-id/

    https://www.chick-fil-a.com/menu-items/coca-cola

    https://www.socialbakers.com/statistics/twitter/profiles/detail/71026122-mcdonaldshttps://apps.apple.com/us/app/t-mobile/id561625752

    https://twitter.com/starbuckshttps://www.facebook.com/

  • 82

    Metameric Mismatch

    “The sensitivity of the strips on clinical urine specimens may vary depending upon several factors, such as the variability of color perception, specific gravity, pH value, and the lighting conditions when the strips are read visually.”

  • 83

    We want to know,

    What is the likelihood that a light source will cause a mismatch between objects that were previously metameric (with respect to a given illuminant)

  • 84

    Metameric Uncertainty Index, Rt

  • 85

    Matching greenunder 5000 Kdaylight

    Wavelength (nm)

    R R R

    Matching blueunder 5000 Kdaylight

    Matching redunder 5000 Kdaylight

    Wavelength (nm) Wavelength (nm)

    SRDs that are metameric with respect to D50

  • 86

    SRDs that are metameric with respect to D50

  • 87

    SRDs that are metameric with respect to D50

  • 88

    SRDs redistribute when the source is changed

  • 89

    SRDs redistribute when the source is changed

  • 91

    SRDs redistribute when the source is changed

  • 92

    SRDs redistribute when the source is changed

  • 93

    Actual color shift is dissected into two pieces

    “Actual Color Shift”

  • 94

    “Base Color Shift”

    “Metameric Color Shift” “Actual Color Shift”

    Actual color shift is dissected into two pieces

  • 95

    Metameric Uncertainty Index, Rt

    100 Rt

  • 96

    Metameric Uncertainty Index, Rt

    High Rt

  • 97

    Metameric Uncertainty Index, Rt

    Low Rt

  • 98

    Summary, Rt• Light source-induced color shifts divided into two components:

    • base color shift, following a regular pattern

    • metameric color shift, which is random

    • These can be quantified using the 99 IES TM-30 samples and a vector field model for estimating base color shift

    • Metameric color shift intensity is new useful information

    • It can be converted into Rt, the Metameric Uncertainty Index

    • This can be useful in situations where metamerism matters

    • Next steps for Rt include psychophysical experimentation. Does Rt actually measure what we think it does?

  • 99

    Great promise, few options: Can advances in color science shift the market?

  • 100

    S/P = M/P = CRI = R9 =

    LER = LPW ≈

    S/P = M/P = CRI = R9 =

    LER = LPW ≈

    1.40.7100991515

    1.10.482-836080

    S/P = M/P = CRI = R9 =

    LER = LPW ≈

    1.20.58112310130

  • 101Royer M. Evaluating tradeoffs between energy efficiency and color rendition, OSA Continuum 2, 2308-2327 (2019)

  • 102

    CRI = R9 =

    LER =

    9572290

    CRI = R9 =

    LER =

    1009915

    CRI = R9 =

    LER =

    9798260

  • 103

    CRI = R9 =

    LER =

    9296315

    CRI = R9 =

    LER =

    771513

    CRI = R9 =

    LER =

    8646250

  • 104

    CRI = R9 =

    LER =

    9124380

    CRI = R9 =

    LER =

    7943398

    CRI = R9 =

    LER =

    8321311

  • 105

    Lightening Round:What’s Next In Color Science

    • Updating Chromaticity• Observer Variability• Color Discrimination• Color Rendition Variability• Far Red• Light Level Variation• Tuning for Visually Impaired

  • 106

    Last Word• What’s your vision for the future?• What’s wrong with the status quo?

    Great promise, few options: Can advances in color science shift the market?Optimizing Illumination's Joy per JouleOver-Emphasizing the Easily-MeasuredStatus QuoWhat will it take to change the status quo?How Vision Senses Surface ColorsFACTS ABOUT COLOR RENDERINGAND SOME COMMON MISCONCEPTIONSConsider An Important Design Choice:UntitledANSI/IES TM-30-18What is it?Review: color rendering, definedColor rendition is relativeLimitation of considering only color fidelityHow many metrics are contained within TM-30?How many should be minimally considered?The main 4 metricsMetric QuizzzzzzzzzzzzTM-30 Metric QuizAnnex EWhat is it?IES TM-30 ANNEX ESo What?IES TM-30 ANNEX E: Color FidelityIES TM-30 ANNEX E: Color PreferenceSummary, TM-30 and ANNEX EMetameric UncertaintyWhat is metamerism?Why is it so uncertain?Who cares?Metameric MismatchWe want to know,Metameric Uncertainty Index, RtSRDs that are metameric with respect to D50SRDs redistribute when the source is changedActual color shift is dissected into two piecesMetameric Uncertainty Index, RtSummary, RtGreat promise, few options:Lightening Round:What’s Next In Color ScienceLast Word


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