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Greek Art

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Greek Art. Chapter 5. Geometric Period. Very typical of this period were large funerary vases designed to hold votive offerings Decoration was primarily abstract forms, flat patterns, outlined shapes that represent various human forms in poses of anguish. Repetition used. - PowerPoint PPT Presentation
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Greek Art Chapter 5
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Page 1: Greek Art

Greek ArtChapter 5

Page 2: Greek Art

Geometric Period

• Very typical of this period were large funerary vases designed to hold votive offerings

• Decoration was primarily abstract forms, flat patterns, outlined shapes that represent various human forms in poses of anguish.

• Repetition used.

Page 3: Greek Art

Geometric & Orientalizing

• After destruction of Mycenaean palaces, the bronze age disintegrated, loss of kings as powerful rulers. Also lost many art forms (how to construct tombs, citadels, frescoes, sculpt with stone) also lost writing and reading.

• This was deemed the “Dark Age of Greece”• Depopulation• Poverty• Loss of contact with outside world

Page 4: Greek Art

Geometric Krater, 740bce

Page 5: Greek Art

                                                               

Hero & Centaur, 750-730bce

Page 6: Greek Art

Orientalizing• More and more attention being paid to the human form/body• This period was influenced by Eastern works being brought in

for trade, as trade was on the rise. Borrowed motifs from Egypt and Near East

Page 7: Greek Art

Mantiklos Apollo, 700-680bce

Page 8: Greek Art

Corinthian Black Figure Amphora with Animal Frieze 625-600bce

Page 9: Greek Art

Lady of Auxerre, 650-625bce

Page 10: Greek Art

The 3 styles of Greek Sculpture• Archaic: stiff body pose, feet together, and

arms close to the body. • Classical: more lifelike body, more natural

form with movement, calmness, appearance of the contrapposto pose

• Hellenistic: evokes emotion, more lifelike detail, greater movement

Page 11: Greek Art

Archaic Period

• More sense of permanency, temples built of stone, not mud brick

• The two orders were used (see handout)• Archaic statuary was usually life-size or larger,

and painted. Most share an expression “archaic smile”. Possibly used to signify that the subject was still living.

• Kore/Korai = female youth• Kouros/Kouroi = male youth

Page 12: Greek Art

Kouros, 600bce

Page 13: Greek Art

Moschophorus (Calf Bearer), 560bce

Page 14: Greek Art

Kroisos, 530bce

Page 15: Greek Art

Kore, from Peplos, 530bce

Page 16: Greek Art

Kore, from the Acropolis, 520-510bce

Page 17: Greek Art

Doric Ionic

Page 18: Greek Art

Doric & Ionic

Page 19: Greek Art

Typical Greek Temple Plan

Page 20: Greek Art

Temple of Hera I, 550bce

Page 21: Greek Art

West pediment, Temple of Artemis, 600-580bce

Page 22: Greek Art

Siphnian Treasury, Reconstruction Drawing

Page 23: Greek Art

Siphnian Treasury Frieze from North, 530bce

Page 24: Greek Art

Vase Painting• Athens was the main location for the production of vases

during the archaic period.• Black Figure technique used as well as red-figure technique

Page 25: Greek Art

Kleitias & Ergotimos, Francios Vase, 570bce

Page 26: Greek Art

Exekias, Ajax & Achilles Playing a Game, 530 bce

Page 27: Greek Art

Andokides Painter, Ajax & Achilles Playing a Game 525-520bce

Page 28: Greek Art

Temple of Aphaia at Aegina, 500BC

Page 29: Greek Art

Dying Warrior, top (490 bce)west pediment of Temple Aphaiabottom (480 bce) east pediment of Temple Aphaia

Page 30: Greek Art

Early Classical Period• Early 5th century, Greek city states united to fight the Persian

Army, but defeat of Persians came after Athens was already destroyed

Page 31: Greek Art

Architecture/Architectural Structure• Pieces from this period represent a time of transition.• Temples more compact, columns more spaced out• Pediment Statuary is more life-size and displays a variety of

movement and action

Page 32: Greek Art

Temple of Hera II, (closely resemble Temple of Zeus 470 BC) 460 BC

Page 33: Greek Art

Seer, from Temple of Zeus pediment 470 BC

Page 34: Greek Art

Athena, Herakles, Atlas with Apples from metope Temple of Zeus, 470-465bce

Page 35: Greek Art

Sculpture• New concern to render the human form in natural poses that

illustrate how a human usually stands.

Page 36: Greek Art

Kritios Boy, 480bce

Page 37: Greek Art

Young Warrior from Riace, 460-450bce

Page 38: Greek Art

Charioteer, 470bce

Page 39: Greek Art

Zeua (or Poseidon?), 460-450bce

Page 40: Greek Art

Myron, Diskobolos, 450bce

Page 41: Greek Art

Polykleitos, Doryphorus, 450bce

Page 42: Greek Art

Kresilas, Pericles, 429bce

Page 43: Greek Art

Athens Acropolis Plan

Page 44: Greek Art

Acropolis, restored view

Page 45: Greek Art

Parthenon, 447-438bce

Page 46: Greek Art
Page 47: Greek Art

Phidias, Athena Parthenos (model)438bce

Page 48: Greek Art

Lapith Fighting Centaur, 447-438bce

Page 49: Greek Art

Three Goddesses, east pediment of Parthenon), 438 bce

Page 50: Greek Art

Horsemen, detail from procession, Parthenon, 447 bce

Page 51: Greek Art

Propylaia, 437 bce

Page 52: Greek Art

Erechtheion, Porch of Maidens (caryatids), 421-405bce

Page 53: Greek Art

Porch of the Maidens

                                      

Page 54: Greek Art

Temple of Athena Nike, 427bce

Page 55: Greek Art

Nike Adjusting Her Sandal, 410bce

Page 56: Greek Art

Achilles Painter, 440bce

Page 57: Greek Art

Late Classical Period• Arts continued to flourish despite the defeat by Sparta.

Athens never regained their empire status. New art forms (mosaics) flourished as well as new styles (tholos temple)

Page 58: Greek Art

Praxiteles, Aphrodite, 350-340 bce

Page 59: Greek Art

Praxiteles, Hermes and Infant Dionysos, 340bce

Page 60: Greek Art

Lysippos, Apoxyomenos (The Scraper), 330bce

Page 61: Greek Art

Lysippos, Weary Herakles, 320bce

Page 62: Greek Art

Polykleitos’ Doryphorus vs. Apoxyomenos’The Scraper

Page 63: Greek Art

Hellenistic Period

Page 64: Greek Art

Altar of Zeus, Pergamon

Page 65: Greek Art

Athena battling Alkyoneos 175bce

Page 66: Greek Art

Dying Gaul, Epigonos, 230bce

Page 67: Greek Art

Nike Samothrace, 190bce

Page 68: Greek Art

Venus de Milo 150-125 BC

Page 69: Greek Art

Seated Boxer 100-50 BC

Page 70: Greek Art

Old Market Woman, 150-100 BC

Page 71: Greek Art

Laocoon sons

Page 72: Greek Art

Athanadoros, Hagesandros & Polydorso, Head of Odysseus, 1st century ce


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