Res en e aco paf5ar Ia pa e c Ia g · arra) __ 3
Minuet op. 21 no. 12 4
Landler op. 9 no. 4 6
a anese arr. Sol lory Sakura_··-···-····--·····-····-··········-· ..... . .. -··--·············· .... ···· ·----·-···· ·· ·· ···-····-·---·---- _____ 8
Carratera resbaladiza ..... ································-·-······-···--·--··--9
Valse noble (from Eight Short Pieces for Solo Guitar) .. . ............................ _10
Walking (from 8 Discernments) . ................................ . ························-·· ..... ... .. ·······-··-······-·11
c. Banjo Bill......... . . ................. . . .......... 12
Station to Station ....... 13
Technical Suite (Exercises) ......................................................................... 14
-...c s for this grade:
e are f rom Guitar Duets Initial-Grade 3 2010-2015 published by Trinity Guildhall (TG 008091).
· ·::. ado
- ory
Rondo
Valse op. 44 no. 1
Marchinha de Carnaval
Danza Andaluza
ernative pieces for this grade (2010-2012):
Tazzolla
:Jo :lesland
e oy
or
- rad. Scottish arr. Fiorentino
e Valderrabano
Pieces
Etude 1 Cfrom Etudes simples 1• serie)
Gaelic Song 1 (from Twelve Inventions)
Artisane (from Play Piazzolla)
Turn to Dust (from The Real Guitar Book vol. 1)
Branle de Bourgogne (from Le petit livre de guitare vol. 2)
Etude op. 60 no. 7 (from Complete Studies for Guitar)
Charlie is my Darling (from Celtic Music for Classical Guitar) Dance of the Dragon (from String Fingers) \ Soneto del primer grado (from Hispanae Citharae Ars Viva ed. Emilio Pujol Vilarrubl)
Eschig ME7997
Holley Music Holl S007
Boosey 9790060119712
Camden Music CM191
Les Productions D'OZ DZ12
Chanterelle 491
Carisch ML2601
XYZ Huizen Holland XYZ1211
Schott GA 176
- ree pieces to be performed, chosen from the pieces included in this book or from the duets or alternative
iece(s) listed for the grade, to form a balanced programme. Full details of duets and alternative pieces are
iven above and in the current Guitar Syllabus. One piece may be replaced by the candidate's own composition
f a simi lar length and standard to the other pieces chosen. If a duet (or maximum two duets) are chosen, the
accompani ment must be played in the examination.
Technical work ee inside back cover for detailS.
Supporting tests - o Lests to be chosen from Aural, Improvisation, Musical Knowledge or Sight Reading at candidate's choice.
ee he curren t Guitar Syllabus for details.
~:KJ an
- i a es and teachers must refer to the Information & Regulations booklet for all examination requirements eg lations. Syllabuses and further information can be obtained from your Trinity Guildhall Centre Representative
- · · s Head Off ice.
Guitar Grade 3 Pieces & Exercises for Trinity Guildhall examinations
2010-2015
Published by: Tr inity College London 89 Albert Embankment London SE1 7TP UK
T +44 (0)20 7820 6100 F +44 (0)20 7820 6161 E [email protected] www.trinityguildhall.co.uk
•
Copyr ight © 2009 Trinity College London
Unauthorised photocopying is illegal No part of this publication may be copied or reproduced in any form or by any means without the prior permission of the publisher.
Mu sic processed by Artemis Music Ltd. Printed in England by Halstan & Co. Ltd, Amersham, Bucks.
\
e from Resumen de acompafiar Ia parte con Ia guitarra
[ .. = 92- 108]
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(c. 1673- 39
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[ .. = 108-126]
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- pont.
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:6
t CJ 11!1
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inuet op. 21 no. 12
J
r
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II
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Slow and calm [J = 80- 92]
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.. Yzcv ------------------------1 pont.
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3r· [ cresc.] r· 21
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Valse no e from Eight Short Pieces for Solo Guitar
Elegant [.1 = 108- 126]
r· r· [pont. ]
r· r· ~r r J
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Copyright © 1994 Seven Centers Publishing Internationa l Copyright Secured. Al l Rights Reserved. Worldwide print rights assigned to Guitar Solo Publications.
Banjo Ga ::: ::-
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Easy swing [J = 88-100]
Y2CII
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• (§;
sing Option ii) Technical Suite in the Technical Work section of t he exami nation must prepare the fo llowing =.. =----:::--- -
'ggery Pokery (scales)
- o be prepared apoyando or tirando at candidate's choice.*
Jauntily ~. = 72-88
\" 4
6 w·; ~ I v ~ I 't v c P I'E P c ~ r v r 1 ~ ~ ~ v I ~ r v c P 1 11if
II
12)7 7 4 ~ 7 7Jr
' J l
Jl J l
Jl J cresc.
2. Thurdles (broken chords)
To be prepared tirando.
J = 88-100
v ) r 1~ I c E F r r r 4~ 7 7
1 •
-· ~ 7
f
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~ f
~ i ~ma mam pi mi m
&r frfr 4 lrFrF m i i m . . . .
m S z p zp m zmz
f I E J jJ J I R E F F r r r
~ ::rpoyando = rest stroke; tirando = free stroke.
7 II
II
Copyright© 2009 Trinity College London
3. Au lait (half barre)
J = 72-88
YzCII lhCII
ft J nu~ J ~ IJ ~~ '"!!
4 lhCVII lhCV
f J f ¥
4. Passagio (arpeggios)
To be prepared tirando. J = 72-88
IJ '"!!
p i m a m a
~ -1= ~~~ t} ·tJ 'E 1 I t=
lhCII
t~
m
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5 f p i
m a p m a
E ~ If l3t2f c ~ lf ~ 2tif j j
mf •
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lhCVII 1 2C
~ f ... IJ I
f ...
YzCI lhCII
ll~ ~
J ~ IJ ~~~~
p i m i a m i
4~' IJN·no o 1 a m
p m a p i
I~~ ~ If I J ~~ f
-ec ca -=-:. :.:::2: =~ =-===-= = :-::- i) :;-
i en in Gui ar & Pleer Guirar ca1es er =- e .... ·ses :~ I
Scales
e allowing sca les to be performed with dynamics, right hand fingering pa ern and rh ic ~ 2 as:-: see current Guitar Syllabus for examples of rhythmic styl es). Candidate's choice of apoyando or : ·"Cn _ _
specif ied:
C major (two octaves), '"!f. ma fingering. Straight rhythm D natural minor (two octaves),p, ma fingering. Straight rhythm D harmonic minor (two octaves), '"!f. im fingering. Swing rhythm D melodic minor (two octaves),p, im fingering. Swing rhythm
Arpeggio
The following arpeggio to be performed if and tirando:
Diminished 7th starting on A (one octave)
Exercises
The following exercises to be performed if and tirando:
C major in broken 3rds:
~ J-n o I j J J J 3 J J @ I .J J ~ i f f ffi F I '(F f f J J 3 ~ U @
Half barre in A minor:
& J ~ 6~
~eJ. p
'liCV i
a m ~
F J
or ii) Technical Suite
Exercises
p
'liCIII i m
f 'liCI
I'( }
p
Candidates to prepare all of the following exercises, printed in this book:
1. Jiggery Pokery (scales) 2. Thurdles (broken chords) 3. Au Ia it (half barre) 4. Passagio (arpeggios)
m a ~ r J
0 3 - 1
'liC\" .... lg, 1:
p
All pieces in this volume have been edited with regard to current concepts of performance practice. Dynamics a-: fingering have been suggested to assist candidates and their teachers in developing their own interpretat io s.
Recommended metronome markings are given as a useful, but not definitive, performance guide for all pieces. Those without square brackets are the composer's own indication of the appropriate speed for the music.
Repeats of more than three bars should be omitted unless instructed otherwise in the syllabus or Trin it y music book, but all da capo and dal segno instructions should be observed.
Every effort has been made to trace and acknowledge the copyright owners. If any right has been omitted or if any detail is incorrect, Trinity College London apologises and will rectify this in any subsequent reprints following notification.
Ackerman ~iusic Oi293 ~i:3790G Tg - Guitar Exam Pieces - Grade 3
IIIIIIIIIIIIIIIllll Ill I Ill J Ill GOGOO'J801259:J
0809 -GTi~-cXAt·1 £o.L5
TG 008039 ISMN 9790570380350
9 790570 380350