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www.handwritingpro.com Stephen Bongiovanni [email protected]
Working Papers
TRAIT IDENTIFIER GRAPHIC DEFINITION S1C2
O3R4E5CHARACTER TRAIT GRAPHIC INDICATOR COMMENTS
MIDDLE AREA LOOPS/CIRCLESBROADMINDED WIDE MIDDLE E-LOOP liberal self-viewpoints, free of bigotry
NARROWMINDED NARROW MIDDLE E-LOOP fixed, limited self viewpoints, bigoted
OPENMINDED BROAD MIDDLE O-CIRCLE willingness to receive and tolerate otheropinions or learned viewpoints
CLOSEMINDED NARROW MIDDLE O-CIRCLE not willing to listen or tolerate other opinions orlearned viewpoints
COMMUNICATIVE OPEN TOP MIDDLE O-CIRCLE readily conveys information or feelings, talkative
UNCOMMUNICATIVE CLOSED TOP OF MIDDLE O-CIRCLE does not readily convey information or feelings,reticent
SECRETIVE, PLANNED INITIAL STROKE PASSES FORWARDAND OVER MIDDLE O-CIRCLE
intends to withhold information
HEDGES FINAL STROKE OF CIRCLE PASSESBACKWARD AND OVER MIDDLE O-CIRCLE
allows an escape from any issue taken
EVASIVE EXTRA STROKES WITHIN ANDENTERING THROUGH TOP MIDDLEO-CIRCLE
uses trickery to escape an issue
SINCERE PLAIN MIDDLE O-CIRCLE honest, free from falseness in approach to life,lacks deceit
SELF-DECEIT INITIAL TOP LOOP WITHIN MIDDLE O-CIRCLE
misleads by rationalizing reality
SELF-DECEIT, EXTREME INITIAL LOOP RETRACED BY MIDDLEO-CIRCLE
lives or plays a self-imposed role
SECRETIVE FINAL TOP LOOP WITHIN MIDDLE O-CIRCLE
deliberately conceals by omitting informationfrom others
SECRETIVE, EXTREME FINAL LOOP RETRACES MIDDLE O-CIRCLE
deliberately conceals by omitting informationfrom others and oneself
DECEIT, INTENTIONAL INITIAL AND FINAL, DOUBLED,LOOPS WITHIN MIDDLE O-CIRCLE
deliberately misleads others
WORRIER INVERTED MIDDLE LOOP ABOVEBASELINE
mental disturbance produced by exaggerating aminor problem or concern
GULLIBLE FORWARD INVERTED UPPERCIRCLES OPEN AT BOTTOM
ignores injustices, misuse of power, abusivegovernment, unfair control, prejudices; victimpredisposition
YIELDING A SOFTLY BENDING MIDDLE STROKE amenable to persuasions, easily influenced,chameleon-like opinions
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BIASED TRIANGULAR MIDDLE E-LOOP rigid self-viewpoints, dogmatic
PLACID TRIANGULAR MIDDLE O-CIRCLE blindly accepts harsh conditions or conceptswithout question
MUNDANE UNSOPHISTICATED LARGE MIDDLE HEIGHT RELATIVETO TOTAL HEIGHT
overly concerned with the personal daily basicneeds of living
LOWER AREA LOOPS/CIRCLESDETERMINATION STRAIGHT LOWER DOWN STROKE completes a delegated job, finishes tasks and
projects
PUSHING DETERMINATION STRAIGHT LOWER FORWARDSTROKE
carelessly forges ahead in completing adelegated job
RESTRAINING DETERMINATION STRAIGHT LOWER BACKWARDDOWN STROKE
overly careful in completing a delegated job,places extra burdens before completing a job
CHANGE, DESIRE FOR LONG LOWER DOWN STROKE restless to shift or get out of a specific realsituation
LINE VALUES, TANGIBLE HARMONIOUS PROPORTIONAL LOWER LOOP WITHA PARALLEL UP AND DOWN STROKEBALANCE
sense of proportion, can see balance andsymmetry in personal relationships and inphysical surroundings, coordinates facts
VARIETY, DESIRE FOR INFLATED LOWER LOOP continuously wants to change scenery and/ orassociations, likes interesting and diversifiedactivities
SELECTIVITY NARROW LOWER LOOP meticulously distinguishes friends fromacquaintances, maintains rigid criteria forchoosing possessions and avocations
CLANNISH SMALL DANGLING LOWER LOOP meticulously distinguishes and separates afriend or close companion, suggestible to objectattachment or fettish
CLANNISH, EXCLUSIVE SMALL DANGLING LOWER CIRCLE meticulously distinguishes and separates afriend or close companion, excludes and rejectsothers from the relationship, suggestible to aparticular object attachment or fettish
FANTASY, CONCRETE INFLATED DANGLING LOWER LOOP the exaggerated expansion and elaboration ofan idea producing possibilities for an unrealsituation
REQUITED BACKWARD INVERTED LOWER LOOPATTACHED TO A DOWNSTROKEMOVING FORWARD
perseverance, repeatedly keeps on trying toreturn equal value, wants reciprocation foralleged injustice or for gift or favor
REGIMENTAL TRIANGULAR LOWER LOOP regulates personal relationships, carefullycontrols physical surroundings, strategist
DISTORTED IDEAS, CONCRETE DEFORMED LOWER LOOP expands and elaborates personal relationshipsand physical surroundings in a contorted orperverse manner
LIVE UNTO SELF RETRACED LOWER LOOP wants to be detached from human relationshipsand activities
ISOLATION SINGLE DOWNSTROKE FOR LOWERLOOP
wants to be detached from human relationshipsand activities which directly influences others
LAID-BACK SHORT STRAIGHT BREAKAWAYBACKWARD UPSTROKE FROM ALOWER STROKE NOT REACHINGTHE BASELINE
feels no urgency to do things
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FOOT-TAPPER SHORT STRAIGHT BREAKAWAYUPSTROKE FROM A LOWER STROKENOT REACHING THE BASELINE
feels the urgency to grasp opportunities ofadvancement
FORESIGHT LOWER PROPORTIONAL CIRCLEWITH A PARALLEL UP AND DOWNSTROKE BALANCE
projects into the future a sense of proportionregarding worldly matters, capable ofresourcefulness and perspective
TYRANT TRIANGULAR LOWER CIRCLE oppressive use of physical conditions orpersonal relationship, strategist
CYNICAL BELLIGERENT INVERTED LOWER CIRCLE looks for injustice and exploitation in humanrelationships and activities
UPPER AREA LOOPS/CIRCLESLINE VALUE, INTANGIBLE HARMONIOUS PROPORTIONAL UPPER LOOP WITH
A PARALLEL UP AND DOWN STROKEBALANCE
sense of proportion, can see balance andsymmetry in philosophical matters, coordinatesthoughts and plans
DIVERSIFIED BELIEFS INFLATED UPPER LOOPS liberal philosophical values, susceptible tovarious religious concepts
DISTORTED IDEAS, ABSTRACT DEFORMED UPPER LOOP expands and elaborates on a philosophical ideain a contorted or perverse manner
FANTASY, ABSTRACT INFLATED DANGLING UPPER LOOP the exaggerated expansion and elaboration ofan idea producing an unreal philosophical value
IDEALISM TALL NARROW UPPER LOOP maintains rigid criteria for choosing ethicalstandards
HENOTHEISM SMALL DANGLING UPPER LOOP meticulously distinguishes one's faith andexcludes other beliefs, suggestible to religiousobsession
BELIEVER TRIANGULAR UPPER LOOP maintains strict adherence and intolerantdevotion to a creed or philosophical value
RESPONSIBILITY, DESIRE FOR INITIAL INFLATED INVERTED UPPERLOOP
wants to gain importance and to be a big shot,top dog, or alpha male
JEALOUSY INITIAL SMALL DANGLING UPPERAREA INVERTED LOOP
wants to be important and the only big shot, topdog, or alpha male
REBELLIOUS INFLATED TRIANGULAR FORWARDINVERTED MIDDLE/UPPER CIRCLE
open hostility towards authority and for any formof discipline, belligerent,skeptical predisposition
DEFIANCE FORWARD INVERTED UPPERCIRCLES
looks for injustices, misuse of power, abusivegovernment, unfair control, prejudices
PERSISTENCE A TIED AMPERSAND, UPPERBACKWARD LOOP ATTACHED TO ADOWN STROKE MOVING FORWARD
perseverance, repeatedly keeps on trying toreturn equal value, does not know when to stop,to retreat and to give up
STEMSPRIDE AVERAGE T, D-STEM HEIGHT justified respect and esteem for one's conduct
VANITY TALL T, D-STEM HEIGHT excessively high regard of ones conductdemonstrated through a sense of superiority
INDEPENDENCE SHORT T, D-STEM HEIGHT conduct unshackled by established customs
DIGNITY RETRACED T, D-STEM conduct conforms to proper prevailing customs,manners matter
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SENSITIVE TO CRITICISM INFLATED T, D-STEM overly reacts or expands casual remarks orgestures about conduct, readily accepts flatteryand/or is easily offended
FORMALITY TRIANGULAR T, D-STEM pays strict attention to what is prescribed bycustom, strict adherence to proper prevailingconventions
DELIBERATE HUMPED T, D-STEM approaches situations of conduct in a slowleisurely manner
CAJOLE INFLATED I-STEM can be coaxed with flattery or false promises
OBSTINATE INVERTED V WEDGE WIGWAM LIKET, D-STEM
pigheaded, refusal to change one's judgment,stubborn
PHYSICALMINDED, DESIRE FOR LONG P-STEM desire to flex muscles and coordinate bodilymovement
PHYSICALMINDED, SKILLFUL PROPORTIONAL P-STEM wants skillful action
PHYSICALMINDED, CONTROLLED NARROW P-STEM wants controlled and precise action
PHYSICALMINDED, VIGOROUS BROAD P-STEM wants vigorous action
PHYSICALMINDED, STRUCTURED TRIANGULAR P-STEM wants structured activities, drills
PHYSICALMINDED, OFFENSIVE LONG BREAK AWAY UPSTROKE OF P-STEM
wants offensive action
PHYSICALMINDED, UNHURRIED HUMPED P-STEM wants unhurried action, deliberate
ARGUMENTATIVE HIGH INITIAL UPPER STROKE OF P-STEM
readily debates any issue, quick to notice andreveal a difference of viewpoint or opinion, feelsneed to state own opinion
MIDDLE AREA PATTERNSTHINKING PROCESS MIDDLE M, N-VERTICAL
DEVELOPMENTmanner of understanding, learning, andreasoning
INVESTIGATIVE THINKING INVERTED V-WEDGES MIDDLE M, N-TOP
searches for original sources, wants to learn andto explore
ANALYTICAL THINKING V-WEDGES FOR MIDDLE M, N-BOTTOM BASELINE INTERSECTIONS
sorts and separates information in assessingtheir value, evaluates information and supportingpatterns
CUMULATIVE THINKING ROUNDED OR FLAT MIDDLE M, N-TOPS
slowly accumulates information, arrangesinformation into logical step-by-step sequences
COMPREHENSIVE THINKING NEEDLE-LIKE POINTED MIDDLE M, N-TOPS
keenly alert to and the rapid grasp of situationsor information, understands information
SUPERFICIAL THINKING (SKIPS) MIDDLE SHORT FORMLESSSCRIBBLE (AT THE END OF WORDS)
lack of in depth reasoning, learning, andunderstanding (mentally rushes to meetoverwhelming circumstances)
THINKING SHORTCOMING CENTER PART OF MIDDLE M, NSECTION DOES NOT REACHBASELINE
a learning defect where one cannot distinguishan object, sound, or symbol in a background,cannot read aloud, cannot carry a musical note,cannot pronounce a sound, cannot articulate,etc.
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CONSTRUCTIVE STRAIGHT FLAT MIDDLE M, N-TOPSPARALLEL TO BASELINEWITH SHARPANGLES TO VERTICAL STROKES
builds with repetitive small parts, goal to make
ENGINEERING AWARENESS INITIAL SPIKE WITH STRAIGHT FLATMIDDLE M, N, R-TOPS WITH SHARPANGLES TO VERTICAL STROKES
understands creative artistry and constructions
FLEXIBLE MENTALITY SMOOTH MIDDLE-UPPER AREACONTOUR
easily follows the subject at hand
DIPLOMACY TAPERING OR DECREASING HEIGHTOF M, m-SECTIONS ABOVE BASELINE
unobtrusive in influencing others, tactful,presents information in priority order
SELF-CONSCIOUS INCREASING HEIGHT OF M, NSECTIONS ABOVE BASELINE
unduly concerned about being ridiculed orembarrassed, shy, difficulty in accepting praise
TEMPO EQUAL SPACING OF BASELINEDOWN STROKE INTERSECTIONS
the ability to keep a repetitive beat
SCHEDULE ADHERENCE STRAIGHT FLAT BASELINECONNECTIONS WITH SHARPANGLES TO VERTICAL STROKES
exactly follows plans and duties with time tables,goal to work without idle time
INTUITIVE BREAK IN CONNECTION BETWEENLETTERS, STROKE LIFTS ANDRETURNS IN DIFFERENT DIRECTION
sudden insight without apparent evidence orverification, awareness of harmony or lack of,cognizance of fundamental truths
BASELINE DIRECTIONOPTIMISM UPWARD WORD BASELINE consistently takes a hopeful outlook on life,
expects the best to happen
DEPRESSION DOWNWARD WORD BASELINE consistently takes a dim outlook on life, expectsthe worse to happen
EUPHORIA CURVING UPWARD LINE BASELINE displays lighthearted cheerfulness andexaggerated elation, convinced that the bestconditions are inevitable, expects improvement
PESSIMISM CURVING DOWNWARD LINEBASELINE
gloomy attitude attracts failure, convinced thatthe worst conditions are inevitable, expectsfailure
STEADY ROUTINE HORIZONTAL STRAIGHT LINEBASELINE
unchanging approach towards differentcircumstances and conditions, desires regularpredictable settled existence without variation
KALEIDOSCOPIC NATURE CHOPPY MULTIPLE DIRECTIONALBASELINE
unpredictably and sporadically changesattitudes, interests, and activities
VERSATILITY SMOOTH WAVY LINE BASELINE smooth and flexible adaptation to changingsituations
INSOUCIANT ATTITUDE DOWNWARD THEN UPWARDBASELINE
unconcerned, carefree, believes circumstanceshappen by chance or is accidental
SUICIDAL TENDENCY UPWARD THEN DOWNWARDBASELINE
a sudden change in attitude from hopefullyexpecting miracles to anticipating doom
LINE SPACINGCLARITY OF THOUGHT LARGE DISTANCE BETWEEN LINES surveys life activities and avoids confusing or
entangling them, appreciates freedom for mentaland/or physical activities
CONFUSION OF INTERESTS INTERMINGLING BETWEEN LINEEXTENSIONS
simultaneously pursues too many mental and/orphysical activities, cannot handle abstractions
LINE OR STROKE QUALITY
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EMOTIONAL INTENSITY, MUCH AVAILABLE HEAVY AVERAGE STROKEPRESSURE
possesses strong libido and passions,abundance of available energy and vitality,proactive
EMOTIONAL INTENSITY, LITTLE AVAILABLE LIGHT AVERAGE STROKE PRESSURE possesses weak libido and passions, scarcity ofavailable energy and vitality, reactive
EMOTIONAL INTENSITY, VERY ACTIVE MUCH PRESSURE VARIATION ABOUTAVERAGE PRESSURE
expends all available energy
EMOTION INTENSITY, STORED LITTLE PRESSURE VARIATIONABOUT AVERAGE PRESSURE
maintains available energy levels, amount ofenergy and vitality held in reserve
SENSORY DISCRIMINATION, STRONG DARK WRITING CONTRASTBETWEEN "INK" AND PAPER
an acute awareness of perceptual differences
SENSORY DISCRIMINATION, WEAK LIGHT WRITING CONTRASTBETWEEN "INK" AND PAPER
a mild awareness of perceptual differences
SENSUOUS BROAD LINE WIDTH large capacity for indulging appetites
ABSTEMIOUS NARROW LINE WIDTH limited capacity for indulging appetites,temperance
SENSUAL SMEARED BLOTCHES vulgarity, uncontrolled over indulgence ofappetites
GRACEFUL PRINTED LETTER S-SHADINGUPSTROKE ABOVE THE BASELINE
an easy natural elegance capable of evokingdelight
ADAPTABILITY TO STRESS PRINTED LETTER S-SHADING DOWNSTROKE ABOVE THE BASELINE
an elegant balance of one's needs and demandsof others
HESITATION INITIAL MOMENTARY INCREASE OFPRESSURE PRIOR TO STROKEMOVEMENT
mentally pauses before moving on
HESITATION, INVOLUNTARY MOMENTARY INCREASE INPRESSURE DURING STROKEMOVEMENT
inadvertently pauses before moving on usuallyindicated by a stutter, twitch, speech defect,short lived gesture, rest period, etc.
PHYSIOLOGICAL DECAY STROKE EDGE CORRUGATIONS ANDSERRATION
deterioration of one's neural system
DEGENERATIVE EXHAUSTION STROKE PRESSURE SKIPS a physiological disturbance interfering with one'smental process
UNSCRUPULOUS BASELINE STROKE PRESSURE SKIPS moral turpitude
SLANT OF BASELINE UPSTROKES a non-circled connected upstroke containing aninflection pointIMPULSIVE MIDDLE/UPPER BASELINE
UPSTROKES SLANTED FORWARD(30 TO 60 DEGREES)
readily reacts to immediate circumstancesand/or inner feelings, excitable, actions basedmore on emotions than reason, influenced bythe emotional content of situations and offeelings
OBJECTIVE DETACHMENT MIDDLE/UPPER BASELINEUPSTROKES SLANTED VERTICALLY(60-90 DEGREES)
does not readily react to immediatecircumstances and is not influenced by innerfeelings, impartial, action based more onreason, than emotion, indifferent to theemotional content of situations and of feelings
HYSTERIA MIDDLE/UPPER AREA BASELINEUPSTROKES SLANTED EXTREMELYFORWARD (0-30 DEGREES)
overly reacts to immediate circumstances andloses touch of inner feelings, loses control,influenced by the emotional content ofsituations, indifferent to feelings
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WITHDRAWAL MIDDLE/UPPER STROKES SLANTEDBACKWARDS (90-120 DEGREES)
outwardly appears to be indifferent to immediatecircumstances and retreats into inner feelings,indifferent to the emotional content of situations,influenced by feelings
EMOTIONAL RESPONSIVE, STABLE LITTLE VARIATION IN SLANT OFMIDDLE/UPPER BASELINEUPSTROKES
consistent reactions to immediate circumstancesand to inner feelings (emotional memories)
EMOTIONAL RESPONSIVE, CHANGING MUCH VARIATION IN THE SLANT OFMIDDLE/UPPER BASELINECONSECUTIVE UPSTROKE
inconsistent reactions to immediatecircumstances and to inner feelings (emotionalmemories), unstable
SPLIT PERSONALITY DISTINCT AND SEPARATEMIDDLE/UPPER BASELINEUPSTROKE SLANT PATTERNS
changes emotional reactions to immediatecircumstances and to inner feelings in differenttime periods
SUPPRESSION MIDDLE/UPPER DOWN STROKERETRACED BY UPSTROKE
frequently restrains unacceptable emotionalimpulses
REPRESSION MANY MIDDLE/UPPER DOWNSTROKES RETRACED BYUPSTROKES
habitually restrains unacceptable emotionalimpulses
INHIBITED STRAIGHT BACKWARD DOWNWARDUPPER STROKE
restrains action with unnecessary burdens
OVERBEARING STRAIGHT FORWARD DOWNWARDUPPER STROKE
thrusts philosophical conditions and beliefs uponothers
RESTRICTIVE BACKWARD DISHSHAPE STROKERESTING ON BASELINE RETRACEDWITH FORWARD STROKE
stifles activities based on previous unfortunateevents
SIZECONCENTRATION SMALL WRITING focuses attention on one activity ignoring all
other influences
NOTICE, DESIRE FOR LARGE WRITING wants to draw attention to the fact that he is partof or belongs to "the" group, gets distracted withattention
HORIZONTAL SPACINGEMOTIONAL DISPLAY WIDE LETTER SPACING readily and excessively shows feelings
EMOTIONAL CONFINEMENT NARROW LETTER SPACING severely limits or shows feelings
EXTRAVAGANCE WIDE HORIZONTAL SPACINGBETWEEN LETTERS
ignores the danger of taking chances, spendslavishly, unrestrained spending of possessions
ULTRA-CONSERVATISM NARROW HORIZONTAL SPACINGBETWEEN LETTERS
opposes taking any chances for fear ofconsequences, hoards possessions
ELBOWROOM WIDE SPACING BETWEEN WORDS wants separation from another's possessionsand no infringement on personal space
COVETOUS NARROW SPACING BETWEENWORDS
inordinate desire for another's possessions orpresence
DETACHED WIDE HORIZONTAL MARGINS wants separation from the affairs of others or thegroup
INTRUSIVE NARROW HORIZONTAL MARGINS wants involvement in the affairs of others or thegroup
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DESPONDENT BACK FILLED-IN HORIZONTALMARGINS
desperately wants involvement in the affairs ofothers, seeking help
SPACEOSTENTATIOUS EXTRA FLOURISHES flashy and excessive displays
SELF-INVOLVEMENT REPEATED PATTERNEDENCLOSURES IN THE SAME SPACE
confusion of ideas causing chaotic thoughtpatterns, easily frustrated
FRENZY ERRATIC AND BIZARRE STROKEDIRECTION AND SPACING
dissipation of energy through chaotic actions
SELF-AWARENESS WIDE SPACE BETWEEN INITIALCAPITAL
observes and reflects on self-importance,compares inner values to surroundings andothers
SELF-LIAISON CONNECTION BETWEEN CAPITALLETTER AND NEXT LETTER AND/ORBETWEEN A WORD'S FINAL STROKEAND THE NEXT WORD'S INITIALSTROKE
a smooth transistion of inner values to othersand surroundings
LOST OF SPONTANEITY A SINGLE SUDDEN ANDEXCESSIVELY WIDE SPACEBETWEEN WORDS, A CONSCIOUSBREAK IN THE WRITTEN MESSAGE
stops and compares present action or content ofwritten statement
STROKE FINALSINDECISIVE FADING FINAL vacillates, does not bring matters to a conclusion
DECISIVE ABRUPT ENDING brings matters to a conclusion, does not vacillate
POSITIVE HEAVY STRAIGHT MIDDLE AREADOWNWARD FINAL
brings matters to a precise conclusion withcertitude, sure of facts or evidence, does notvacillate
EMPHATIC INCREASINGLY HEAVY STRAIGHTDOWNWARD FINAL ABOVEBASELINE
brings matters to a strongly marked conclusionwith certitude, does not vacillate
BLUNT INCREASINGLY HEAVYDOWNWARD/FORWARD MIDDLEFINAL
brings matters to a conclusion and thrusts itupon others
TENACITY FINAL HOOK ON HORIZONTALSTROKE
clings and is reluctant to part with possessionsor status quo
STINGY SHORT OR NO BASELINE FINAL unwilling to share with another (time, money,sympathy, energy, things)
GENEROSITY LONG CURVED ATTACHEDUP/FORWARD BASELINE FINAL
readiness to share with others (time, money,sympathy, energy, things)
SHOWMANSHIP STRAIGHT UPWARD BASELINE FINAL invites attention and interest by dramatizingexisting features
CAUTIOUS LONG FORWARD HORIZONTAL LINEFINAL ABOVE OR ON BASELINE
alert to potential trouble
CAUTIOUS, CHRONIC LONG FORWARD HORIZONTALWORD FINAL ABOVE OR ONBASELINE
habitual alert to potential trouble
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PETTY EXTRA DOTS ON OR ABOVEBASELINE
excessive alertness of details to potentialproblems
SELF-REPROACH BASELINE FINAL MOVINGBACKWARD
scolds self over previous disappointments orprevious conduct
SELF-CASTIGATION BASELINE FINAL CURLING BACK-DOWNWARD INTO MIDDLE
blames self for unfortunate events beyond one'scontrol
AGGRESSIVE LONG LOWER BREAKAWAYUPSTROKE CROSSING ORREACHING THE BASELINE
quickly grasps opportunities for advancement
INITIAL STROKESSIMPLICITY INITIAL MIDDLE/UPPER AREA DOWN
STROKE TO BASELINEoperate only with fundamentals
DIRECT INITIAL STRAIGHT MIDDLE/ UPPERAREA DOWN STROKE TO BASELINE
operates efficiently and only with fundamentals
ACQUISITIVE INITIAL HOOKS ON HORIZONTALSTROKE
likes to own and have possessions
HUMOR INITIAL WAVY UPPER AREA DOWNSTROKE
provokes amusement from the contrast betweenreality and assumed values
FACETIOUS EXAGGERATE INITIAL WAVY UPPERAREA DOWN STROKE
inappropriate humor
TEMPER, PRONE INITIAL UPPER TICK STROKE ONDOWNSTROKE TO BASELINE
verging on anger over a considered injustice orin action
FAULT FINDER LARGE INITIAL UPPER AREA DOWNSTROKE TO BASELINE
draws attention to the contrast between realityand assumed values
RESENTMENT INITIAL MIDDLE STRAIGHTFORWARD UPSTROKE FROMBASELINE
indignant from a sense of being offended, ofbeing intruded upon or being required to dosomething, of losing
ANTAGONISTIC LONG INITIAL STRAIGHT FORWARDUPSTROKE FROM OR THROUGHBASELINE
alert of being taken advantage of or of losing,inability to forgive and forget, hostile, ready toretaliate and win
T-BARSWILL POWER LONG HEAVY STRAIGHT FORWARD
T-BARthe ability to clearly define and become eagerabout objectives
PURPOSE LONG STRAIGHT HORIZONTALFORWARD T-BAR CROSSING 3/4 UPON T-STEM
capacity to establish a self-motivated plan,enthusiasm
WILL POWER, IN RESERVE INCREASING FORWARD HEAVY T-BAR
increasing desire to maintain objectivesregardless of difficulties
T-BAR VERTICAL PLACEMENTON T-STEM
LOW GOALS T-BAR CROSSES 1/3 UP ON T-STEM self-underestimation, severely limits objectivesby consistently underrating what one canaccomplish
PRACTICAL GOALS T-BAR PLACED 3/4 UP ON T-STEM directs ones efforts towards feasibleachievements
DISTANT GOALS T-BAR ON TOP OF T-STEM directs one's efforts towards long rangeobjectives
VISIONARY GOALS T-BAR PLACED OVER T-STEM directs one's efforts towards almost unattainableobjectives
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T-BAR HORIZONTAL PLACEMENTON T-STEM
PRECISION T-BAR EQUALLY BALANCED ON T-STEM
accurate and thorough in following proceduresand plans
PROCRASTINATION T-BAR TO THE LEFT OF T-STEM delays, postpones activities and thoughts, plansto finish things later
IMPATIENCE T-BAR TO RIGHT OF T-STEM eager to act with no delay, wants speed upactivities and thoughts, plans to immediatelyfinish things
TEMPER, EXPLOSIVE T-BAR TO THE FAR RIGHT OF THE T-STEM
an outburst of rage at another or existingcondition, short fused over unplanned delays
T-BAR DIRECTIONSERIOUS OF PURPOSE STRAIGHT HORIZONTAL T-BAR a sober concern for self-objectives
SELF-CONTROL UMBRELLA-LIKE T-BAR purposely imposes disciplined action for self-objectives
SHALLOW OF PURPOSE DISH SHAPED T-BAR a casual interest in self objectives
LACKADAISICAL PURPOSE WAVY T-BAR makes light of self objectives
FORGETFUL MISSING T-BARS inability to recall information or planned action,absentminded
SARCASM FORWARD TAPERING T-BAR lashes out with bitter expressions at anotherindividual or existing condition
DOMINEERING TAPERING DOWNWARD FORWARD T-BAR
orders others and expects obedience
DOMINATION HEAVY DOWNWARD FORWARD T-BAR
drives others and demands obedience
DICTATORIAL INCREASINGLY HEAVYDOWNWARD/FORWARD T-BAR
controls others and imposes obedience.
LIGHTHEARTED UPWARD FORWARD T-BAR expects plans to just happen, fall into place, andshould be doing
CHIDES SELF DOWNWARD BACKWARD T-BAR scolds self for plans that did not happen, butcould have
I-DOTSATTENTION TO DETAILS I-DOT CLOSELY PLACED OVER I-
STEMaccounts for all minor parts, ability to recallinformation, accuracy oriented
PROCRASTINATION I-DOT TO THE LEFT OF I-STEM delays, postpones activity or thoughts
IMPATIENCE I-DOT TO RIGHT OF I-STEM eager to act with no delay, wants speed upactivity or thoughts
FORGETFUL MISSING I-DOTS inability to recall information, absentminded
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LOYALTY PIN LIKE I-DOT a belief that one should adhere to a principle
EIDETIC HEAVY ROTATED PIN LIKE I-DOTCLOSELY PLACED OVER I-STEM
photographic memory, retains and recalls vividvisual images
IRRITABILITY JAB LIKE I-DOT easily annoyed by minor or momentarydisturbances and trifles
IDIOSYNCRASY CIRCLED I-DOT contrasts self from others by having eccentric,odd, or different qualities
UNIQUE PATTERNS CAPITALSEGOISM AVERAGE CAPITAL HEIGHT justified confidence in one's importance in
relation to others
EGOTISM TALL CAPITAL excessively high regard of one's importance inrelation to others demonstrated througharrogance
HUMILITY SHORT CAPITAL excessively low regard of one's importance inrelation to others
AESTHETIC TASTES PLAIN PRINTED CAPITALS appreciates creative artistry and structuralsystems
CULTURAL REFINEMENT MIDDLE LETTER PRINTED ASCAPITAL
integration and discrimination of creative artistryand structural systems into one's mode of living
FIGUREHEAD, DESIRE FOR OCCASSIONAL LARGE CAPITAL INMIDDLE OF WORD
attaches self importance relative tosurroundings, wants to be considered a leaderand the authority
PICAYUNE BLOCK PRINTING FOR SCRIPT cannot discriminate or separate creative artistryfrom surroundings, attaches importance toinsignificant situations and structures
CORRECTIONSPERFECTION NEATLY PATCHES STRUCTURES dislikes and immediately reconsiders and
corrects mistakes or defects
PEDANTIC SLOPPILY PATCHES STRUCTURES considers mistakes a weakness andoveremphasizes their correction
STRUCTURES- -LETTER F, FIGURE8, PRINTED BLOCK CAPITALS I & MFLUIDITY FIGURE 8 STRUCTURE PASSING
THROUGH BASELINE UPPERPROPORTIONAL CIRCLECOMPLETED BY AND ATTACHED TOA LOWER PROPORTIONAL LOOP
the smooth transition from one word, thought,and action to another, expresses abstractconcepts and thoughts utilizing concretedescriptions
ORGANIZATIONAL ABILITY BALANCED F-ENCLOSURES, ANUPPER PROPORTIONAL LOOPFLOWING INTO LOWERPROPORTIONAL CIRCLETRANSITION AT BASELINE
desire to coordinate and to arrange thoughtsand actions into orderly structural systems,desires balanced outlook
AUTONOMOUS PRINTED SIMPLE BLOCK CAPITAL IWITH SERIFS, VERTICAL STRAIGHTUPPER DOWNSTROKE WITHEQUALLY BALANCED STRAIGHTHORIZONTAL STROKES CONNECTEDAT TOP AND BOTTOM SITTING ONBASELINE
follows own convictions, balances self-directedvalues with moral actions, cannot be led
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ARTISTIC INDEPENDENCE PRINTED SIMPLE BLOCK CAPITAL M,THREE VERTICAL STRAIGHT UPPERDOWNSTROKES EQUALLY SPACEDON TOP OF STRAIGHT HORIZONTALSTROKE
judges self-importance by creative surroundings
ENCLOSED AREAIMAGINATION LARGE ENCLOSURES expands and elaborates upon an idea, amplifies
and exaggerates an idea, enlarges concepts,visualizes images
SENSE OF PROPORTION HORIZONTALLY BALANCEDENCLOSURES WITH GOLDENRATIOS
coordinates facts and thoughts, foresight,perspective, understands relationships
SIGNATURE AND STRAIGHTSTROKEES
SIGNATURE RELATIVE TO BODY OF WRITING how one wants the world or others to see self,persona, projection of desired self-image, socialappearance
SIGNATURE, PROMINENT IMAGE LARGE SIGNATURE SIZE RELATIVETO SAMPLE SIZE
wants to be seem as having a position of highstatus and power
SIGNATURE, PRIVATE IMAGE SMALL SIGNATURE SIZE RELATIVETO SAMPLE SIZE
wants to go unnoticed by the public
SIGNATURE, DYNAMIC IMAGE FIRST NAME LAST NAME wants to project a growing and changingappearance
SIGNATURE, STATUS QUO IMAGE INITIAL. LAST NAME wants to project a stable and unchangingappearance
SELF-RELIANCE SIMPLE SIGNATURE UNDERSCORE self assurance beyond proven abilities, wants noassistance
VENTURESOME, ADVENTURESOME OCCASIONAL STRAIGHTHORIZONTAL WORD UNDERSCORE
ability to become eager about taking risks,daring
INCREASED LINE VALUE ORREPEATED OVERSTROKES
REACTION FORMATIONINTERNAL
HEAVY PRESSURE OVER ONESTROKE OR REPEATEDOVERSTROKE
inner tension by over emphasizing acharacteristic, exaggerated compensation for theopposite or lack of, a form of compulsivebehavior
GOAL INADEQUACY OVERLY HEAVY T-BAR reaction formation to purpose
BLUFF OVERLY HEAVY STRAIGHT LOWERDOWNSTROKE
reaction formation to determination
RUMINATING OVERLY HEAVY I-DOT reaction formation to details
HOPEFUL STRAIGHT EXCESSIVELY UPWARDBASELINE
reaction formation to euphoria, believes the bestconditions will continue
HOPELESS STRAIGHT EXCESSIVELYDOWNWARD BASELINE
reaction formation to pessimism, believes theworst conditions will continue
F. LastFirst Last
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ACTION CONCERN OVERLY HEAVY OR REPETITIVEWORD UNDERSCORES
reaction formation to venturesome, wary ofaction, a minor task is an adventure
CALLOUS OVERLY HEAVY MIDDLE UPPERBASELINE UPSTROKE
reaction formation to feelings
INCOHERENT DETACHED CONNECTIONS WITHINLETTERS, STROKE LIFTS ANDRETURNS IN DIFFERENT DIRECTION
reaction formation to intuition, disturbedharmony and awareness
REACTION FORMATIONEXTERNAL
OVERLY HEAVY AND LARGER FINALENCLOSURE OR STROKE AT END OFLINE
places importance on being free from externalinfluence
BROADMINDED CONCERN WIDE E-LOOP FOR FINAL overemphasizes and places importance onbeing allowed to have personal opinions, statesown opinions
ORIGINAL INFO CONCERN, SKEPTIC INVERTED MIDDLE V-WEDGE overemphasizes and places importance onobtaining only original information
SHOWMANSHIP CONCERNSHOWOFF
UPWARD BASELINE FINAL overemphasizes and places importance onbeing dramatic
COMPULSIVE REPETITIVE OVERWRITING compulsive seizure
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