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Heinrich Campendonk, a German 'Expressionist' Heinrich Campendonk, a German 'Expressionist' printmaker and painter, was born on November printmaker and painter, was born on November 03, 1889, at Krefeld, Germany03, 1889, at Krefeld, Germany. . He completed his He completed his
studies at Krefeld Kunstgewerbeschule, under the studies at Krefeld Kunstgewerbeschule, under the guidance of the famous Dutch artist, Johanguidance of the famous Dutch artist, Johan--Thorn Thorn
PrikkerPrikker. . Campendonk started his own studio in Campendonk started his own studio in 1908, at Krefeld, and shared his work with August 1908, at Krefeld, and shared his work with August
Macke, a German Expressionist painterMacke, a German Expressionist painter..
Rider with Lasso - 1911Rider with Lasso - 1911
BLUE RIDER ARTISTS MARIA AND BLUE RIDER ARTISTS MARIA AND FRANZ MARC FRANZ MARC ((LEFTLEFT)), HEINRICH , HEINRICH
CAMPENDONK CAMPENDONK ((SECOND FROM RIGHTSECOND FROM RIGHT)), , AND WASSILY KANDINSKY AND WASSILY KANDINSKY
((SEATEDSEATED)) 1911 1911
19111911 was an eventful year for the was an eventful year for the
artist. This year, Macke showed artist. This year, Macke showed
Heinrich's work to the Russian artist, Heinrich's work to the Russian artist,
Wasily Kandinsky. Later in the year, Wasily Kandinsky. Later in the year,
Franz Marc, another German Franz Marc, another German
'Expressionist' painter, invited 'Expressionist' painter, invited
Campendonk to Bavaria, Sindelsdorf, Campendonk to Bavaria, Sindelsdorf,
which the artist honored and settled which the artist honored and settled
in Bavaria. In 1911 only, he met an in Bavaria. In 1911 only, he met an
art dealer, Alfred Flechtheim. The art dealer, Alfred Flechtheim. The
same year, in Sindelsdorf, he joined same year, in Sindelsdorf, he joined
the art group, 'Der Blauer Reiter' and the art group, 'Der Blauer Reiter' and
stayed with it until 1912. Enjoying a stayed with it until 1912. Enjoying a
good rapport with the group, good rapport with the group,
Heinrich participated and displayed Heinrich participated and displayed
his artworks with the group at his artworks with the group at
various exhibitionsvarious exhibitions..
SelfSelf--portrait 1912portrait 1912
Harlequin and ColumbineHarlequin and Columbine19131913
The Dream -1913The Dream -1913
Campendonk usually portrayed the Campendonk usually portrayed the
relationship between humans & relationship between humans &
beasts, and life's cycles as the key beasts, and life's cycles as the key
themes of his artworks. The themes of his artworks. The
paintings were mostly a confluence paintings were mostly a confluence
of geometrical figures and colors, of geometrical figures and colors,
both complementing each other in both complementing each other in
entirety. Macke, Kandinsky, and entirety. Macke, Kandinsky, and
Marc highly influenced his artworks. Marc highly influenced his artworks.
Campendonk's works spectrum Campendonk's works spectrum
included watercolors, woodcuts, included watercolors, woodcuts,
gouaches, and glass paintings. In gouaches, and glass paintings. In
1913, the group and Campendonk 1913, the group and Campendonk
exhibited their works together at exhibited their works together at
'Erster Deutscher Herbstsalon,' at 'Erster Deutscher Herbstsalon,' at
the Der Strum Gallery, Berlinthe Der Strum Gallery, Berlin..
Bavarian Landscape Bavarian Landscape 19131913..
The Sixth Day 1914The Sixth Day 1914
19141914 חתול בנוף הררי - חתול בנוף הררי -
Red Picture with HorsesRed Picture with Horses--19141914
Cow with Calf 1914Cow with Calf 1914
The Elephant 1914The Elephant 1914
Horse by the Lake 1915Horse by the Lake 1915
Young couple 1915Young couple 1915
Young couple 1915Young couple 1915
In the Garden, Woman, Horse, Goat, 1915In the Garden, Woman, Horse, Goat, 1915
In 1917, Heinrich Campendonk was In 1917, Heinrich Campendonk was
appointed as a teacher at the Strum Galleryappointed as a teacher at the Strum Gallery. .
In 1926, Heinrich joined as a professor at In 1926, Heinrich joined as a professor at
Kunstakademie, in DusseldorfKunstakademie, in Dusseldorf. . He achieved He achieved
artistic recognition through his works on the artistic recognition through his works on the
windows of churches and public buildings, windows of churches and public buildings,
in the mid 1920sin the mid 1920s. . Some of Heinrich's famous Some of Heinrich's famous
works of the period are works of the period are ""Landtag and Landtag and
Paulskirche,Paulskirche," "" "Duesseldorf parliament Duesseldorf parliament
building,building," " In 1933, at the onset of the reign of In 1933, at the onset of the reign of
Nazi government, the artist was one of the Nazi government, the artist was one of the
many 'Modernists,' prohibited from many 'Modernists,' prohibited from
exhibiting and teachingexhibiting and teaching. . Disappointed, he Disappointed, he
moved to Oostende, Belgium for a short moved to Oostende, Belgium for a short
periodperiod..
Heinrich Campendonk was a German Heinrich Campendonk was a German
printmaker and stained glass artistprintmaker and stained glass artist. .
After World War One sources such After World War One sources such
as African art, Egyptian shadow play as African art, Egyptian shadow play
figures and Russian folk prints all figures and Russian folk prints all
provided sources of inspiration for provided sources of inspiration for
his woodcutshis woodcuts. . In this handIn this hand--coloured coloured
print the contrast of the almost print the contrast of the almost
luminous colours with the strong luminous colours with the strong
black outlines recalls Campendonk's black outlines recalls Campendonk's
interest in stained glassinterest in stained glass..
''Large Head with Spread Out HandLarge Head with Spread Out Hand''19211921
Composition with Nude Woman and Animals-Composition with Nude Woman and Animals-19171917
The FairytaleThe Fairytale))19161916 .( .(WoodcutWoodcut,,
Declining female nude with flowers and trees, 1916Declining female nude with flowers and trees, 1916
Forest, Girl, Goat, 1917Forest, Girl, Goat, 1917
Landscape, 1917Landscape, 1917
Two Girls with Rooster 1917
Heinrich Campendonk created an idyllic, evocative world inspired by his inner experience and personal symbols. Campendonk's graphics
stress the instinctive over the intellectual and the unconscious over the rational. Unlike so many
of his avant-garde contemporaries, his work lacks any sense of engagement with
current social and political problems. He often looked to
nature and animals to compose a dreamlike, illogical world
reminiscent of Marc Chagall. He often worked in a traditional style
of the woodcut medium by juxtaposing tonal areas and
creating a linear surface pattern..
Man and Beasts amidst Nature Between 1910 and 1924
Landscape, 1917
Couple 1914 Young
Interior with Two NudesInterior with Two NudesWoodcut, 1918.Woodcut, 1918.
Signed in pencil.Signed in pencil.
Harlequin
Flower PaintingFlower Painting. . cc. . 19181918
Picture with MoonPicture with Moon19191919
Reclining NudeReclining Nude19191919
IN THE FOREST 1919IN THE FOREST 1919
""The Evening – Russian LegendThe Evening – Russian Legend" " 19201920
Mother and ChildMother and Child
Nude Woman Seated in Nude Woman Seated in landscape whit farmhouse 1920landscape whit farmhouse 1920
Girl with animalsGirl with animals
Sitting Woman 1921Sitting Woman 1921
Die Bettler Die Bettler ((The BeggarsThe Beggars)), Woodcut, Woodcut
Carnival Carnival ((Sitting harlequin and Sitting harlequin and animalsanimals)), Woodcut 1922, Woodcut 1922
In 1935, the artist immigrated and In 1935, the artist immigrated and
settled at Amsterdam. There he was settled at Amsterdam. There he was
appointed as a teacher at Rijksakademie appointed as a teacher at Rijksakademie
van Beeldende Kunsten, to be promoted van Beeldende Kunsten, to be promoted
eventually as the Academy Director. eventually as the Academy Director.
Initially he taught decorative art, stained Initially he taught decorative art, stained
glass, and printmaking. The artist glass, and printmaking. The artist
stayed with the academy for the rest of stayed with the academy for the rest of
his life. In addition, he kept receiving his life. In addition, he kept receiving
several commissions for window glass several commissions for window glass
painting in Germany and the painting in Germany and the
Netherlands. In 1956, he was dubbed a Netherlands. In 1956, he was dubbed a
knight and was awarded the Quellinus-knight and was awarded the Quellinus-
Preis of the Amsterdam city. Heinrich Preis of the Amsterdam city. Heinrich
died on May 09, 1957 in Amsterdamdied on May 09, 1957 in Amsterdam..
Passion window, 1937; Passion window, 1937;
First Edition:First Edition:Dutch Pavilion World Exhibition Paris, 1937Dutch Pavilion World Exhibition Paris, 1937
Painting with HorsePainting with Horse
מקורות:מקורות:
http://www.artexpertswebsite.com/pages/artists/campendonk.php
http://www.the-athenaeum.org/art/by_artist.php?Artist_ID=1748
httphttp://://wwwwww..artcyclopediaartcyclopedia..comcom//artistsartists//campendonk_heinrichcampendonk_heinrich..htmlhtml
httphttp://://wwwwww..flickrflickr..comcom//photosphotos//artshooterartshooter//44016415364401641536//
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