ROOTS / ROCK / REGGAE / RESPECTM A G A Z I N E
IRIEMAG.COM
APR 2014
420 ISSUE
HEMPRESS SATIVAUNCONQUEREBEL
LIONESS
ONE LOVE / ONE EARTH / ONE CHANCE
SATORI MOVEMENT
PROTOJEKABAKA PYRAMID
TURBULENCEJAHKIME
JESSE ROYALKEZNAMDI
NATURAL BLACK
RESPECT
10 GANJA TRAX
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Nicholas “Nico” Da SilvaFounder/Publisher
THE 420 ISSUE / 2014
“When you smoke the herb, it reveals you to yourself.”
- Bob Marley
Celebrate 420 everyday!
Irie 420From Jamaica
Satori MovementOne Love / One Earth / One Chance
Hempress SativaUnconquerebel Lioness
KindahOne Family
Danny CreatahWorld A Reggae
Ganja TraxMusic for the Cannabis Culture
TABLE OF CONTENT.
ROOTS.
RESPECT.
ROCK.
REWIND.
REGGAE.
RIDDIMS.
ROOTS.Irie 420From Jamaica
Jamaica
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By Kam-Au Amen
From Jamaica
Being Jamaican, and growing up in that culture one can hardly escape knowing what ganja, otherwise
referred to as marijuana, weed, pot, cannabis, herb, I-ncients, collie, sensi, and a number of other
names is. The use of ganja in Jamaica is still illegal, and its possession is criminal, therefore it is
largely used outside of the public eye. No doubt this has
contributed to its mystique and appeal. In Jamaica, the use
of ganja has primarily been associated with the Rastafari
brethren. These days however, lots have changed.
Much of Jamaica’s international renown is due to its seeming-
ly very integral role in counter cultural movements. Jamaica’s
rebel history boasts figures such as Boukman, Marcus Garvey,
Bob Marley and Peter Tosh to name a few, and the nation has
given birth to significant political movements such as Marcus
Garvey’s UNIA and ACL, and Rastafari.
GANJA BABE, MICHAEL FRANTI & SPEARHEAD
Ganja babe my sweet ganja babeI love tha way ya love me and the way ya misbehavin’
ganja babe my sweet ganja babecome wake body-ody take my mind away
IRIE 420
WEBSITE
urbanyardjamaica.com
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It has also loaned its support to numerous others such as African
independence struggles, anti-apartheid struggles and the Non-
Aligned Movement. A significant part of this success, one could
argue, is the role Jamaica’s music has played, and the impact it has
had on these developments.
Therefore, there is nothing surprising about Jamaica having some
skin in this game so to speak; rebel is what we are, it would appear.
But even though we may appear as rebels to the world outside,
internally the progress to embracing ganja has been among the
most reactionary one will find anywhere. Reasons for that vary,
not least of all is the fear for international repercussions from
trading partners such as the USA.
Increasingly, the establishment is acknowledging the tremendous
value of ganja for medicinal uses such as to treat glaucoma and
asthma. Yet, the actions to fully take advantage of its medicinal
capacity have been slow. In one newspaper article, one former
Prime Minister went at length to speak of the repercussions
Jamaica could face from the USA if ganja were decriminalized;
this is to say nothing of legalization that would be taking it a step
further. One would almost forget that Jamaica is a politically
independent nation, at least in theory. What makes this cowardly
is that the decriminalization and legalization of the use of ganja
for medicinal purposes is moving along in the USA where several
states have already created this exception or are pursing it, and
at least two states allow some recreational use.
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In Jamaica the struggle to decriminalize the use of ganja, and even make it legal has been a long
one. The landmark 2001 Report of the National Commission on Ganja commissioned by the then
Prime Minister, PJ Patterson, has yet to find its recommendations implemented. Among the
recommendations were:
These recommendations seem harmless and forward thinking, particularly in light of the develop-
ments in the Netherlands and in the US where the establishment is exhibiting some capacity to be
flexible. Unfortunately, the Jamaican establishment is not demonstrating that willingness. In these
matters they seem prepared to follow. Notwithstanding, the Jamaican popular culture has taken the
lead and has very clearly articulated the direction it would like to see these developments take.
• that the relevant laws be amended so that ganja be decriminalized for the private, personal use of small quantities by adults
• that decriminalization for personal use should exclude smoking by juveniles or by anyone in premises accessible to the public
• that ganja should be decriminalized for use as a sacrament for religious purposes
• that a sustained all-media, all-schools education program aimed at demand reduction accompany the process of decriminalization, and that its target should be, in the main, young people
• that the security forces intensify their interdiction of large cultivation of ganja and trafficking of all illegal drugs, in particular crack/cocaine
• that, in order that Jamaica be not left behind, a Cannabis Research Agency be set up, in collaboration with other countries, to coordinate research into all aspects of cannabis, including its epidemiological and psychological effects, and importantly as well its pharmacological and economic potential, such as is being done by many other countries, not least including some of the most vigorous in its suppression
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Ooh, now, want to be free....
Tired fe lick weed in a bushTired fe lick pipe in a gullyWe want to come out in the openWhere the breeze can blow it so far awayTo the north, to the south,To the eas’, an’ to the wes’ , to the wes’Talkin’ about Jones Town, Trench Town, concrete jungle, tooFrom Waterhouse, that’s the wes’, that’s the bes’, that’s the wes’
From St. Ann’s it comes to youThe best collie weed you ever drewSo why should you run and hideFrom the red seam, the blue seam, the khaki clothes, too, hmm
Tired fe lick weed in a bushTired fe lick chillum in a gullyWe want to come out in the openWhere the breeze can blow it so far awayTo the north, to the south,To the eas’, an’ to the wes’ , to the wes’, ooh now
We want, we want to be free....
To date there are several “ganja anthems” that have been done by reggae artists in Jamaica and
worldwide. And there exists compilation albums with some of the more popular songs. One of the
anthems I think that captures the enduring sentiment of the Jamaican popular culture is titled Tired
Fi Lick Weed Inna Bush originally released in 1976 by the inimitable Jacob Miller. It’s still relevant.
Jacob Miller
TIRED FI LICK WEED INNA BUSH, JACOB MILLER
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YOUTUBE
http://youtu.be/9kxe-O15xjE
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In the USA advocates have managed to demonstrate a marked capacity to influence officialdom in a
way the Jamaican players have not been able to influence theirs. Notwithstanding, it seems the time
has come for more movement to happen on this matter, and things are indeed changing, if even slowly.
In the mean time, I find the story of the origin of 420 interesting. For readers who may not be
familiar, the Huffington Post article titled “420 History: The Story Behind April 20 Becoming
‘Weed Day’ gives a useful account of the history of 420. It tells us that it all began with “a group
of five San Rafael High School [California] friends known as the Waldos - by virtue of their chosen
hang-out spot, a wall outside the school”. Their own account of the story goes:
One day in the Fall of 1971 - harvest time - the Waldos got word of a Coast Guard service member who could no longer tend his plot of marijuana plants near the Point Reyes Peninsula Coast Guard station. A treasure map in hand, the Waldos decided to pluck some of this free bud.
The Waldos were all athletes and agreed to meet at the statue of Louis Pasteur outside the school at 4:20, after practice, to begin the hunt.
“We would remind each other in the hallways we were supposed to meet up at 4:20. It originally started out 4:20-Louis and we eventually dropped the Louis,” Waldo Steve tells the Huffington Post.
The first forays out were unsuccessful, but the group kept looking for the hidden crop. “We’d meet at 4:20 and get in my old ‘66 Chevy Impala and, of course, we’d smoke instantly and smoke all the way out to Pt. Reyes and smoke the entire time we were out there. We did it week after week,” says Steve. “We never actually found the patch.”
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FOLLOWKam-Au Amen
Apparently, this is the earliest known and verified account surrounding the term and its meaning.
What is equally fascinating in this account is the rest of the story that speaks to how the term 420
became popular internationally. As the article accounts it is with the moving to the Marin County
hills - just blocks from San Rafael High School of the Grateful Dead that enabled the spread. It tells
us further, “as the Grateful Dead toured the globe through the ‘70s and ‘80s, playing hundreds of
shows a year - the term spread though the Dead underground. Once High Times got hip to it, the
magazine helped take it global.” Much like the case in Jamaica with the spread of the ganja culture
through reggae music, so too 420 spread through the music in the USA.
420 has cemented itself in the counter culture tradition of the USA and now has a permanent place
in American culture. 420 is acknowledged in film, music, literature and the visual arts and there is no
doubt that this will continue for some time.
Today not only is the association with ganja about being the rebel, but it is also about the commerce
and for that reason, its relevance will only increase. Weed is its own economy as we’re beginning to
see, but that’s another story, for another time.
Irie 420 from Jamaica. One Love!
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WEBSITE
www.urbanyardjamaica.com
ROCK.SATORI MOVEMENTOne Love / One Earth / One Chance
United States
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Rooted in skateboarding culture, the Satori Movement is a collective of creative, progressive
thinking, organically driven individuals that continually strive to find new ways to reduce our
environmental impact and improve our quality of life, one sustainable garment at a time.
The Movement shares awareness, positivity, culture and great products promoting a natural,
organic lifestyle.
Satori Movement sees the environmental and socio-economic potential in producing quality
sustainable garments for a world that is continually in need of a positive, progressive change.
From a humble beginning, the Satori Movement rooted itself in the skateboard market with a
well known team of professional skaters, which to this day, influence the younger generation of
skaters to be more conscious of what they buy, consume and support.
SATORI MOVEMENTBy Nicholas Da Silva
One Love / One Earth / One Chance
WIKIPEDIA
Satori ( ?) (Chinese: ; pinyin: wù; Korean: o; Vietnamese: ngô) is a Japanese Buddhist term for awakening, “comprehension; understanding”.[web 1]
It is derived from the verb satoru.[1]
In the Zen Buddhist tradition, satori refers to the experience of kensho,[2] “seeing into one’s true nature”. Ken means “seeing,” sho means “nature” or “essence.”[2]
Satori and kensho are commonly translated as enlightenment, a word that is also used to translate bodhi, prajna and buddhahood.
FOLLOWSatori Movement
WEBSITE
satorimovement.com
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Over a decade, Satori has grown and currently
designs and produces a full line of men’s and
women’s (Divine Movement) apparel and
accessories while bringing sustainable
initiatives and innovations into skateboarding.
In conjunction with our family of professional
riders, Satori Movement encourages greater
sustainable awareness in the Skate/Surf
community by integrating its eco minded
soft goods into local skate shops while also
expanding the Movement with independent
hemp/eco stores around the globe.
Satori remains committed to using sustainable
fibers such as hemp, bamboo, organic cotton
and recycled polyester whenever possible. We
realize that not all environmental and ethical
change within the clothing world is possible
immediately, but together we are working
towards a better more sustainable product
with each season, everyday...
1Love, 1Earth, 1Chance!
JOSH LOVESwitch Wallie | Long Beach, CA
FOLLOWSatori Movement
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IRIE. Tell us a little about Craig Nejedly, founder of The Satori Movement.
I was born in Long Island, NY and moved to North Georgia when I was about 1 yr old and grew up a
little north of Atlanta til I was 18 and then headed to the west coast and been out west ever since.
I was born on Earthy day, 4/22, and it seem to be a part of me cause I have always had a intuitive
sense for natural living, respect for nature and all life plant and animals. When I was 15, I worked
at a golf course, where I implemented a recycling program among the other employees and we
made extra money by sorting and cashing in the recycling.
IRIE. How did you become interested/involved in Sustainable Apparel and Accessories?
I was always interested in living a highly natural lifestyle from a young age. My passion growing up
was skateboarding and that was my life, skateboarding all the time. A friend of mine had the idea
to start a skateboard wheel company and he wanted me to help out and thus Satori was born. I had
been reading a book called Way of The Peaceful Warrior where the author talks about the concept
of Satori and I related it so much to skateboarding that when my friend asked to start a company,
I instantly had a name, Satori. And we wanted more then a brand, we wanted to create a movement
of education, quality product and positive brand message. So with our first skate products, we
introduced sustainable, hemp softgoods and accessories which no other brand in action sports
had done at that time.
IRIE. How would you describe the Satori brand?
Satori brand is a vehicle for positive products and message. Satori only deals with quality where the
product means more then the bottom line profit. We have to operate a sustainable business but our
The Interview
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focus is on quality, sustainability and bringing a
positive vibe to the marketplace
IRIE. Where do you get inspiration from when designing your products?
Inspiration comes from all over the world and
experience. Our products and graphics are
designed by a number of contributing artists.
We try to keep things diversify and not only
focus on one aspect of spirituality or way of
life. There is definitely a strong rasta influence
in our brand but also Buddhism, Hinduism, etc.
Satori embraces spirituality of all paths, all are
equal in their goal to live well, be kind and em-
brace love. Nature also gives a great inspira-
tion for keeping designs clean and simple with
a natural vibe. Every aspect of life and culture
gives inspiration really.
IRIE. What are some of the obstacles you face in creating your sustainable products?
Cost is the number one obstacle. High quality
natural materials inherently cost more because
they are not as present in the marketplace as
cheap conventional chemically laden materials.
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Sources are limited for sustainable options and prices are higher but we stick to it, It means some-
thing to Satori to not go for the easy dollar and sell a conventional cotton tshirt that we know causes
damage to the earth with all the chemicals and pesticides used to grow that cotton.
IRIE. Have there been any challenges in maintaining your standards of social and environmental responsibility?
Again, cost and material availability are the biggest challenges. Otherwise, our goals and visions have
remained consistent.
IRIE. What does the word sustainable mean to you?
It means living simply with nature and trying to limit your impact on the earth as much as possible.
To live like the animals in the wild as part of the cycle of life and nature and not just blindly consume,
throw things away like they disappear with no impact and consume consume consume. I try not to
be a consumer.
In these times, nations do not look at people as citizens but as consumers. Society is modeled to
be unsustainable so those in power can make profit and get rich off of exploiting nature, people,
anything to gain them power and money. Money means nothing when civilization falls. Ultimate
sustainability is living off the grid on land where you produce your own food, energy and livelihood.
IRIE. How important is sustainability in your life?
It’s my everyday goal to be more sustainable and I have a ways to go. It’s a constant work in progress.
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IRIE. How does Satori Movement contribute to positive change?
Every hemp item satori produces contributes
to a positive change from replacing a conven-
tional chemical laden item from the market.
Every time a person purchases a satori item,
they are contributing to the positive change.
Every little step, decision and action can
make a change. When we figured out how to
repurpose used wheels(polyurethane), that
makes a huge change. Polyurethane which is
inherently not recycleable and definitely not
eco friendly was just piling up in dumps around
the country. Now, we can take those old wheels
and make them into new wheels of high quality
performance. Our Relife wheels contain over
60% post consumer material and that is
very positive!
IRIE. You combine hemp, bamboo and organic cotton to make your apparel. Can eco-friendly also be affordable?
If more and more people starting buying prod-
ucts made with these sustainable materials, the
price could improve. Supply and demand. The
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more it is in demand, the more the supply will increase and that could mean conventional cotton
farmers using chemicals and pesticides could switch to growing hemp with no chemicals and
pesticides and there would be more hemp on the market to bring the prices down. Some items
that don’t use as much fabric can still be made somewhat affordable as is.
IRIE. Where do you see the hemp industry going in the future?
Hemp industry is going to continue to grow and expand. With marijuana laws changing, hemp laws
will change as well and it will become more accepted. Its very ironic that marijuana is pretty much
legal these days but growing hemp is still illegal in most places when its not something you smoke or
get high from.
Hemp is being held back by politics of chemical companies that reap millions selling their crap
chemicals to farmers to grow conventional cotton. All you have to do is follow the money trail when
things don’t make sense. Why in the world would it be illegal to grow hemp? The most useful plant
on the planet. Awareness is shifting and hemp is the future!
IRIE. What advice do you have for someone wanting to live a more sustainable life?
Live simply..
IRIE. Can you share with us the skateboarding culture at Satori Movement?
Satori promotes professional, conscious skateboarding. Our team of skaters is world reknown
talent but beyond the talent, our skaters share the spirit of Satori and are positive, artistic, creative
self thinkers that carry the vibe.
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SATORI CANNA CREW SOCKSMade of 51% Hemp 38% OG Cotton 11% Spandex
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IRIE. Can you share with us the skateboard-ing culture at Satori Movement?
We have a huge team of riders. A few pros
include Neen Williams, Kenny Anderson, Kenny
Reed, Aaron Suski, Willy Santos, Flo Marfaing,
Brent Atchley and more.
IRIE. When did you first get into skate-boarding and who were your influences?
I fell in love with skateboarding when I was
9 yrs old and never stopped. My friends were
my biggest influences growing up. We just
skated more then paying attention to the
videos and pros. But of course, bones brigade,
Mark Gonazalez, Natas and then the whole
H street era where big inspirations growing up.
IRIE. What was the inspiration for creating Creation Skateboard.
Satori was so well received when we entered
the market, many customers were saying we
wish you guys offered decks.
So in response to the requests, we launched
Creation Skateboards in 2004.
WILLY SANTOSBackside Tailslide
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IRIE. What makes Creation Skateboard unique?
I would say the art makes Creation most unique. We have amazing artwork on our decks from artists
all over the world and a lot of visionary art as well.
IRIE. Who comes up with the designs for your decks? Any chance that I can collaborate on a design with you?
Our current art director who has done a lot of the art since the beginning is Chris Dyer. He curates
the art from all his connections in the art community and so many artists have designed decks for us.
It would be awesome to have some of your amazing art on a Creation deck!
IRIE. Count me in, breddah... As a skater who bombed the hills of San Francisco, shredding my wheels from power slides was in everyday practice. When my wheels wore out, I would unconsciously toss them in the trash bin and buy new wheels. As a true sustainable evangelist, you’ve figured out a way to create wheels that don’t end up in the landfill but instead are given new life… ReLife. Tell us about ReLife.
Relife is one of my biggest accomplishments since starting a wheel company. From the beginning we
have always been trying to figure a way to make wheels more sustainable. We sent hemp oil to our
factory in 2000 to see if they could make hemp wheels.. haha. Relife wheels are new wheels that are
made up of about 60% old ridden wheel material that is the core in the new wheel. We collect old
wheels that are destined to the dump, we clean them and then cut them down to a consistent size to
be used as cores. Then we mold fresh urethane around the old wheel core and then you have a Relife
wheel! They are amazing!
Since day one it has been a mission at Satori to find a way to make skateboard wheels more
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sustainable. We have been working at this for 10 years with a passion. Since Polyurethane, which
wheels are made of, can not be melted down nor easily recycled, we thought and tried just about
everything we could to extend the product life cycle of the skateboard wheel.
We thought… “Grind them down and then make floor mats” and even tried using different oils to
make the wheels. Heck, we even sent our factories hemp oil back in 1999 and they thought we
were crazy. Finally one day Danny Fuenzalida and I were driving around SF just talking about ran-
dom things. Danny is a smart and thoughtful guy into physics and quantum realities. He stimulates
thoughtfulness by just being around him. Low and behold we get into talking about recycling wheels
and the simplest idea just hits me… Make new cored wheels using old wheels as the core.
Off to the testing labs we went. Ron Allen got on the used wheel collection drive and then soon
enough we had team riders testing the new product samples with great success. The release of
the Relife wheels is a pinnacle moment for Satori and we are super excited to do our part while still
focusing on making a professional quality product that our team backs and is excited to be apart of.
Now we need YOU, skateboarders world wide to contribute by bringing your old wheels back to
the skateshops where they can send the wheels back to use for incentives. We will then turn the
old wheels into new wheels again backed with a guarantee.
We are ironing our all the fine details on reclamation and have a recycled wheel box in the works to
collect old wheels. In the mean time , keep collecting your old wheels because we will relife them.
If your interested in participating, give us a call (866.7SATORI). Do it, it’s good for the planet.
IRIE. Do you have a message you would like to share with our readers about living a more sustainable lifestyle?
1 Love, 1 Earth, 1 Chance pretty much sums it up. I say we were born into heaven and we create hell.
The Earth is amazing, life on earth is a blessing, cherish it, respect it, and spread more love!
FOLLOWSatori Movement
WEBSITE
satorimovement.com
My fathers says that when we are born, we come into the world
possessing two souls... a good soul and an earthly spirit. When we die, the
good soul leaves the body and ascends into heaven to be judged by the
Supreme Being. The earthly spirit, however, remains with the body for
several days. It is here that the earthly spirit, an unknowing energy force,
is most vulnerable. If the body is not properly honored and
buried, the earthly spirit can linger and escape.
Under the right circumstances, its shadow might take form as a duppy,
which is sort of like a ghost, but empty of the personality and memories of
the dead. Once this happens, the duppy will wander the earth. And that’s
not good. Some duppies are confused and harmless, but most duppies
are malicious spirits. Unseen by the normal person, they rest during the
day and come out at night to haunt the living. And if an Obeahman, a
sorcerer of black magic, gets hold of a duppy, he can use his malignant
magic to make the duppy cause great harm or even death to the living...
FOLLOWDread & Alive
Discover the story of Dread & Alive:
www.dreadandalive.com
REGGAE.HEMPRESS SATIVAUnconquerebel Lioness
Jamaica
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HEMPRESS SATIVAUnconquerebel Lioness
By Nicholas Da Silva
Kerida Johnson known as Hempress Sativa was born to Rastafarian
parents Doris-Ray Johnson and legendary Jamaican Selector/Musician
Albert ‘Ilawi Malawi’ Johnson of the Jah Love Sound System. It was her
exposure to music at home that sharpened her skills and has manifested
today in her expressive writing and delivery. Hempress Sativa commands
the attention and respect of her audience based on her fiery performances,
with an uncanny ability to keep all listening as they absorb her every word,
every rhyme.
Hempress Sativa, who has been performing since the age of 13, with lyrics
spiritedly influenced by her Rastafarian culture, as conveyed in her song
‘Judgement’ in which she begins by chanting ‘No More Illusion, Rastafari is
real’ …. Her music although generally rooted in traditional reggae rhythms,
also at times, crosses genres and may reflect traces of Rhythm and Blues,
African and even Hip-Hop influences as evident in the Anthem ‘Jah Have
Mi Back’. Singles such as ‘Get High’ and ‘Children of the Emperor’ have
been creating a buzz both locally and internationally, exemplifying her
musical agility as a melodic singer and a lyrically skilled Chantress.
Hempress Sativa lists her musical favourites as Sade, Sister Carol
and Ijahman Levi, to name a few.
FOLLOWHempress Sativa
WEBSITE uthmusicja.com/
hempress-sativa.htm
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IRIE. Hempress Sativa is such an IRIE name. It commands respect. Tell us the meaning behind it?
Hempress represents she who sees H.I.M
Empress Menen as the epitome of a Virtuous
wombman. As H.I.M Haile Selassie I the first
described her character as one who ‘Is such
that, apart from goodness, there is no evil
or malice in her’. She was instrumental in
advocating for he country during the war
period, being the voice of many Ethiopian on
the world stage in absence of the King Haile
Selassie I the first. I applaud her feat and aim to
follow in her footsteps. Thus I needed a name
that would speak to my Rastafari background,
the admiration I have for the Queen of Queens
Empress Menen and also to the fact that
I am an advocate for marijuana. Therefore
Hempress Sativa (The strain responsible for
uplifting and making ones feel energetic or
focused) manifested which represents I to
the fullest!
The Interview
FOLLOWUTH Music JA
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IRIE. What was your journey like in becoming Hempress Sativa?
Foremost I am grateful for the Spirit of H.I.M Haile Selassie I the First Power of the Holy Trinity,
King of Kings, Lord of Lords, Conquering Lion of the Tribe of Judah Elect of Himself Light of the
World for he has truly blessed I with a creative mind and for giving I the courage to pursue my
destiny. The journey indeed has been an enlightening one filled with ups and downs but from which
I’ve learnt a lot and will continue to do so as I move from strength to strength. I’ve always known
from wise words of my elders that ‘weh nuh kill yuh mek yuh stronger’ and even from experience
that I’ve learned to be strong, to be focus, to forge ahead dispite all obstacles and to overcome.
So the journey has been that of I honing I skills, a journey of growth throughout UnconqueRebel.
IRIE. You were raised by parents who were Rastafarian. What does Rastafari mean to Hempress Sativa?
Rastafari is i livity and it is everything that i stand for. The way I carry I self to the way I interact with
ones to the way I write even. It is a divine conception of the heart with that said Rastafari people
govern themselves by the principles of H.I.M Haile Selassie I the first. Up holding themselves with
integrity and great nobility adhering to the creed that the hungry be fed, the naked clothed, the
sick be nourished, aged be protected and the infants cared for’. Because of our spirituality we are a
peculiar set of people chosen by the Most High Himself that His Irits dwell within I heart manifesting
in flesh his goodly works.
IRIE. I’m sure you hear this often but I have to ask, what was it like growing up as the daughter of Jah Love selector, Albert “Ilawi Malawi” Johnson?
A blessing to have the world’s greatest selector as my father. It’s his love for music and him exposing I
to music at such a tender age that to this day I am in love more with music and sees it as a soundtrack
FOLLOWHempress Sativa
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to life. My father would give my siblings and I
the microphone and record anything that came
out. So I have on records what I sounded like
at age 4 and older. I grew up knowing Dennis
Brown calling him uncle, and many to avoid
name dropping. He’s knowledgeable about
everything and everyone pertaining to music
and from him I’ve learned at lot. My father a
Singer, song writer, musician, producer and
Selector and I am very proud of my musical
foundation its strong.
IRIE. You are a truly gifted chantress with the extraordinary ability to word and rhyme. When did you first discover your gift for music?
From I was little girl age 4 singing on my
fathers sound. Then the later years singing
every Fridays at my school showcase. At the
age of 13 I performed for the very first time
at King Ben I Lawn at a Twelve tribe of Israel
showcases and mash it up along with my
sister’s who sang harmony while I sang my
rendition to Erykah Badu’s call Tyrone. I’ve
always been a lover of the arts and for a
period my sole passion was to become a
choreographer as I was deep into dancing.
FOLLOWUTH Music JA
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IRIE. You have been performing since the age of 13. Who were some of your influences?
Albert Ilawi Malawi Johnson(Father), Ifetayo(Sister), Burning Spear, Ijahman Levi, Sizzla to name a few.
IRIE. Can you share with us your song writing process?
Simple—herbs, water, food and a quiet place to write.
IRIE. What is the message behind your music?
Self awareness, Spiritual upliftment and Glory to H.I.M Haile Selassie I the first.
IRIE. What it was like to perform your music on stage for the very first time?
I was absolutely nervous but once on stage, I conquered that feeling.
IRIE. In listening to songs like ‘Jah Have Mi Back’ and ‘Ooh La La La (The Weed Thing)’, the influences of hip hop and rhythm and blues are present. How would you describe your style of music?
I describe my style as UniverSoul its not limited to any one genre as I believe in expounding
my creativity.
IRIE. What we can expect from your upcoming album, UnconqueRebel Lioness?
You can expect spirited music for the mind, goody and soul. You’ll ear the growth and depth of your
Highness. Expect satisfaction!!!
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IRIE. You were part of the first Jah Ova Evil (JOE - named after Likkle Joe) movement, alongside Chronixx, Kazam, Infinite, Gideon and Selah. What was the experience like to be part of this positive movement that brought new light to roots reggae?
Jah Ovah Evil Movement initially included Jahnoi and Aijah Nunes (Selah and Gideon ) who are
brothers of Alty ‘Lil Joe’ Nunes. The movement was initiated to carry on the Legacy of Joe and to
provide financial support for Joe’s son Kai. It was Selah who was instrumental truly in the careers of
all the ones mention in the question. He saw a vision for the movement and we aided in its execution.
The experience was enlightening to say the least.
Working with Selah I was given the opportunity to hone I craft, produce positive music and also
given the support needed to thrive in this industry. Overall I am grateful to My Jah Ovah Evil family
and UTH Music Ja family collectively for giving I the Strength when many denied and tried to break
I as a woman in this industry.
They are my brothers and I love them to life. Its truly a blessing being able to impact the roots reggae
genre but even more divine to take on this feat with I Real to life
Idrins and Sistrins. Tetra, Chach, Gideon, Shaat yaad, Sheppy don, Zion, Tuff, Yezer, Sa’nia, Craig,
Nikki, Zeka, the Thelwells, the Youngs and My parents for truly being there ... I thank all of you for
being true lovers of Roots Music and for giving I strength and support.
IRIE. As a female Rastafarian artiste of roots reggae, do you feel you get the respect and support of your peers?
I have earned my Raspect from peers and supporters because of what I represent in my music and as
Rastafari dawta. And if this is not the case for some I am none the least concerned. I govern I self with
principles and integrity which will never waiver.of your Highness. Expect satisfaction.
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IRIE. You are extremely vocal about marijuana, in particular, the decriminalization of it. Do you consider yourself an activist for the legalization of Marijuana?
I would be an activist for the legalization if I thought that it would be beneficial to the people of
Jamaica but I am not convinced that’s the case as yet. I advocate for decriminalization as far too
many families have been affected by members being incarcerated or even given criminal charges
for using marijuana. This is utter madness and in my opinion needs to stop. When you give a youth
a criminal charge for using a plant yet make it legal for ones to smoke cigarettes and drink liquor
(which are harmful to health) is a clear case of double standard and begs the question of whether
the government is really for the welfare of the people?
IRIE. I commend you on your mission to educate the masses about the benefits of Marijuana use. What else do you think can be done to break the negative stereotype of Marijuana?
More education ones need to be more aware of the medical purposes and products that could be
made from plant. Propaganda was the means by which marijuana was deemed as harmful plant and
the only way to reverse the ignorance is to re-educate the masses of its benefits. Even doing some
type of a workshop demonstrating the potency and potential of the plant.
IRIE. In January, Colorado became the first state to legalize, followed by Washington State. Do you see Jamaica following in the same footsteps anytime soon?
Where legalization is concerned I don’t think that Jamaica has any leader who is revolutionary
enough to go against world police United States of America’s policy. And should there be such a
leader to legalize I’d hope its for the benefit of the people of Jamaica. With that said I’m more for the
decriminalization versus it being legalized due to the tax which might be incurred by the farmers.
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IRIE. Irie has been watching and supporting the Occupy Pinnacle movement. Pinnacle is regarded as the birthplace of Rastafari. What do you feel should be the correct outcome regarding protecting the legacy of Rastafari at Pinnacle?
The correct outcome would be for Pinnacle to be declared a Heritage site and that it be occupied by
Rastafari people restoring it to a self sufficient, self reliant community and its rightful owner. Indeed
it represents the manifestation of the Irits of Ras Tafari crowned H.I.M Haile Selassie I introduced by
Leonard Howell amongst ones and ones in Jamaica. Pinnacle was home to 4,000 members including
men women and children who worked in one accord, one aim, one H.I.M Haile Selassie I, one destiny.
We cannot allow I-story, heritage and traditions to go to waste when our fore parents fought so hard.
And this is also a charge for ones to keep up the momentum and seek justice for Coral Gardens survivors.
IRIE. Just recently, an artist came out at the grammy’s expressing her dislike for reggae. What do you say to people who don’t understand roots reggae or straight out disrespects the genre?
Reggae Music is Rasta Music, it’s music of a higher consciousness of a higher thought. It speaks to the
plight, to the struggle it represents the voice of the people so for ones to straight out disrespect the
reggae genre I can’t help but feel pity for their lacking in knowledge of the impact that Reggae music
has had on all other genre from dancehall to hip hop/rap to the very Rock genre. If you dont live
Reggae how can you really love hip hop or pop or Rock??? These are all of a result of Reggae Music!!!
IRIE. What is on the horizon for Hempress Sativa? Touring? Music? Causes?
Greatness is on the horizon. The release of the long awaiting album UnconqueRebel Lioness which is
slated for summer. Promotional tours right forward so ones could look out for Hempress Sativa in a
town near you!
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IRIE. How did Hempress Sativa come about signing with UTH Music JA?
I was introduced to Craig Thelwell by my sister Tamian Young
in 2011 but didn’t actually started working with the team
until 2013. Granted Unite the Heart (UTH)Music has been
instrumental in the careers of Richie Spice and Etana with that
said I needed to align myself with a team that was consistently
producing good quality music.
Working with UTH Music is like working with family. The
team is very close we’re on the same page at all times and I
can genuinely see that they have the best interest at heart and
its more about Love and Positivity than anything else. Nikki,
Jamie, Trudy are like my older sisters and Craig is like a big
brother their mother is my mother. It goes far beyond just
the music and I am truly grateful for all that they’ve done.”
IRIE. Any last words you would like to add?
I LOVE MY FRI-AN-MILY (My friends, fans and family)... Thanks
for your love you time your honesty your unwavering support. I
appreciATIVE each and everyone of you. And to those that don’t
support my music its still love. Love and Light to My Son Lidj
Jahfari who’s has been my inspiration and my main purpose
on Earth to be a Mother to such a beautiful soul. Give thanks
Irie Mag for the opportunity I’m truly grateful.
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When Jesse Royal was only a cub, the Lord
revealed to his mother that she would have
to release one of her sons to the world,
proclaiming “he will be a psalmist, declaring
righteousness and justice throughout creation.”
As Jesse matured into a young lion, his mother
observed in him a strong sense of integrity
and a natural ability to positively affect those
around him. But it was his deep spirituality,
passion for life and unique connection to
music that would convince her that he was
being molded to be used by the Creator.
Jesse David Leroi Grey, born April 29, 1989,
enjoyed his early years in the hills of Maroon
Town and the District of Orange in St. James
before moving to Kingston in the late 90’s with
his Mother and brother to join his Father. As
fate would have it, Royal developed a special
relationship with Daniel ‘Bambaata’ Marley
JESSE ROYALLittle Did They Know
Jamaica
WEBSITE
jesseroyal.tumblr.com
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(son of Ziggy Marley) at school. This friendship
with Daniel proved to be fuel to the fire as
they both shared a deep passion for music
and football; they naturally became brothers
with different mothers, spending most of their
childhoods together. As these cubs became
lions so grew the friendship and devotion to
music. They began composing and creating
their own music with the help of longtime
friend Curt White and thus their musical
journey began.
After Jesse returned home from schooling
abroad, a relationship with high school friend
and young producer Kareem ‘Remus’ Burrell
(son of Philip ‘Fatis’ Burrell) reignited. They
began creating and composing music together,
this developed into a Movement as they shared
similar views on the social and spiritual state
of Jamaica.
Blessed with a voice that captures the pain
and hunger of a ‘downtrodden’ people; Royal’s
militant character and profound lyricism caught
the heart of heralded reggae producer, Philip
‘Fatis’ Burrell. Fatis Burrell, affectionately
called ‘Father’ had a great and pure impact on
the ‘old soul’ of Jesse; as he credits him as
an invaluable inspiration and one of the
most influential individuals that he has
ever encountered.
Jesse Royal recently released his sophomore
mixtape, ‘In comes the Small Axe’ and is current-
ly putting the final touches on his debut album
with Kareem Burrell of the XTM.Nation.
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Featured Single
Little Did They Know
2014
ProtojeThis is not a Marijuana Song
Kabaka PyramidHerb Defenda
KezmandiGrade
JahkimeKannabis
Natural BlackNatural Chronic
TurbulenceJamaican Weed
TABLE OF CONTENT.
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There is an exciting resurgence of conscious,
organic music in Jamaica and industry experts
and fans alike agree that Protoje is among
those at the forefront of the movement known
as the ‘Reggae Revival.’ Leading the militant
band - The Indiggnation - the powerful song-
writer and philosophical thinker articulates
the righteous anger of an emerging generation.
Protoje reports for duty, re-establishing the
standard for the decaying art of socially re-
sponsible, mentally stimulating lyricism.
Referring to Protoje’s debut album, The Seven
Year Itch, David Rodigan declared that he was
“particularly impressed with the album,” which
he thought was “very refreshing.” Rasta Love
featuring Ky-Mani Marley was the first inter-
national hit, which has accrued over 10 million
Youtube views.
Two years after the proverbial itch was
scratched, Protoje unveiled his sophomore
PROTOJEThis is not a Marijuana Song
Jamaica
WEBSITE
protoje.com
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album called The 8 Year Affair in February
2013. Within a week of its release, the
Billboard-affiliated ‘Next Big Sound’ chart
listed Protoje at #4. According to the official
website, ‘Next Big Sound’ measures “the
fastest accelerating artists across all major
social music sites, statistically predicted to
achieve future success.”
The 8 Year Affair also charted in the top 5
on the iTunes Reggae charts in the USA, UK,
France, Germany, Spain and Switzerland.
Protoje has toured extensively since 2010,
gaining recognition every step of the way and
admiration for his disciplined approach to his
music career. Major performances include
the Sierra Nevada World Music Festival in
California, Summerjam in Germany and
other festivals across Europe.
Protoje and The Indiggnation are coming to
your nation, on a mission to bring Roots Rock
Reggae’s message of uplifting consciousness
to the world.
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Featured Single
This is not a Marijuana Song
2013
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Keron “Kabaka Pyramid” Salmon is a multi-
talented artist and producer hailing from the
streets of Kingston, Jamaica with a unique
musical style blending the power, energy and
melody of Reggae with the lyricism of Hip hop.
He is based out of the Bebble Rock Music camp
and through his liquid and hypnotizing delivery
spreads the positive messages of spirituality
and conscious evolution that forces you
to listen.
The name “Kabaka” is Ugandan for “King”
and the long lasting survival of the Pyramids
of ancient Africa represent his desire for
longevity in the music and deep connection
to Kemetic roots; leaving messages for
generations to come. He is an ever-evolving
artist that has numerous ways of expressing
his creativity. The ability to watch and learn
from others around him has made him into
KABAKA PYRAMIDHerb Defenda
Jamaica
WEBSITE
http://uthkabakapyramid.bandcamp.com
IRIEMAG.COM
somewhat of a Jack-of-all-trades, writing
lyrics, producing tracks, engineering/recording
himself or other artists, mixing songs, editing
video/photos and even playing the guitar!
In July 2011 Kabaka Pyramid released
his “Rebel Music” EP free to the public at
www.kabakapyramid.bandcamp.com. This
project is a fusion of roots rock, reggae,
dancehall and hip-hop and made waves in
the global landscape, particularly Europe and
North America. It has received an overwhelm-
ing worldwide response gaining homepage
features on websites and magazines such as
Reggaeville and United Reggae and gaining
over 14,000 downloads with the 10-track CD
regarded as a classic in its own right.
Kabaka has since achieved top spot, placing
#1 on the BILLBOARD Next Big Sound Charts
Worldwide and also been featured by the
popular music conglomerate MTV Iggy.
A solid global fan-base has developed that
connects with the messages in his music.
He has been awarded breakthrough artist of
the year 2013 by the Jamaica Reggae Industry
Association and was also nominated for
Song of the year 2013. The lyricist has also
been nominated for best reggae recording
2013 by Canada’s highly respected Juno
Awards. This follows up a successful 2012
where he was nominated by the Jamaica Star
for Break-through artist of the year and named
by Popular New York Publication Largeup.com
as in the top 10 Caribbean artists to watch.
He had also been tipped by the Jamaica
Gleaner as one of the top 4 (four) artists
to watch in that year.
Releasing singles such as ”Free from Chains”,
“No Capitalist”, “Mi Alright”, and “King Kabaka”
as well as music videos for the popular “Free
from Chains”, “King Kabaka”, “High and Windy”,
“Warrior” featuring Protoje and “World Wide
Love”; he has achieved regular rotation on
local and international airwaves. Kabaka is
being touted by many as strong part of a new
wave of powerful artists coming out of Jamaica.
In 2013 Kabaka embarked on his 9 country 20
show “Rebel Music Tour” performing on major
reggae festivals spanning from the US West
Coast to Europe. He has brought his message
and power to stages such as “Reggae on the
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River”, “Rototom Sunsplash” and the “Chiemsee
Reggae Festival”. He has certainly developed a
solid global fan-base that connects with
his music.
He has also performed in Toronto, Canada at
the Manifesto Arts Festival and travelled to
Costa Rica for the Rebel Musik Fest series
of shows to great response from the people.
2012 was his first visit to Europe completing
his 6-week, 13 show “Ready fi di Road “ tour
where he headlined sold-out club shows in
Germany, France, Italy, Austria, Netherlands
and Switzerland.
Locally; Pyramid has graced the stage of
major local concerts such as Rebel Salute,
Trench Town Rock and the Dennis Brown
Tribute Concert as well as live national TV
performances to rave reviews. He has made a
significant impact on the Live Music scene per-
forming at many shows in and around Kings-
ton including the Manifesto Jamaica Festival,
JARIA Reggae Month and Live from Kingston
shows as well as venues such as Tracks and
Records, South Beach Café, Emancipation Park,
Wickie Wackie and Pulse.
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His new EP “Lead the Way” released in Novem-
ber 2013 has been making waves in the reggae
industry debuting at #9 on the Billboard charts.
He also featured in the Top ten iTunes reggae
charts all over the globe building on his success
earlier in the year where he achieved top spot,
placing #1 on the BILLBOARD Next Big
Sound Charts.
With a mission to steer future generations
towards harmony and unity Kabaka is primed
and focused on bringing a righteous and
conscious way of thinking to the masses
through Reggae and Hip Hop Music.
“With a solid list of skills not only in the booth
but on the mixing board, and an array of lyrics
that preach a message of love, self-awareness
and African pride, Kabaka Pyramid is well on
his way to a career that should not only lead
to greatness but also lead a lot of fans to
righteousness” Aesthetics Now Mag.
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Featured Single
Herb Defenda
2013
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Don’t know his name? You will, as this up and
coming artist is positioned to reach the world’s
stage in the next few years. Keznamdi’s fate
as a musician was inevitable, growing up as
the son of parents who are lead singers of the
internationally known Reggae group—Chaku-
la. Keznamdi spent his early years touring the
world and present while they were recording
their 10 albums in the recording studio located
in his own home, buried in the lush St. Andrew
hills, on the outskirts of Kingston, Jamaica.
Keznamdi lived, breathed and slept music. After
countless nights falling asleep beside the strum
of his father’s guitar, and hanging out backstage
with his sisters at Reggae concerts, Keznamdi
already knew all the words to his parents’ songs
at a very young age, bouncing perfectly on that
infectious Reggae beat.
“This is not a choice or hobby for me, Music
chose me. It’s a way of life and the only thing
KEZNAMDIGrade
Jamaica
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became a college favorite during her own
college years and is also currently pursuing
a musical career in Kingston, Jamaica.
“Nothing more natural than recording with my
sisters, brothers, mother and father,” boasts
Keznamdi who has been the catalyst behind
many family collaborations and recordings.
“All of them contribute to my music in a big
way” he explains.
Keznamdi began to take his musical career to
the next level while at St. Mary’s College in
Northern California. He was most excited to
come to college in the United States primarily
for the opportunity to play Division 1 soccer,
another of his life passions which he still
manages to make the time for.
Before coming to the US, Kez lived in Tanza-
nia with his family for 3 years, and completed
high school in Ethiopia. His multifarious musi-
cal sound is a direct product of his diverse and
well-traveled background: a sweet blend of
Reggae, Dancehall, Bongo Flava, R&B and Rap
Music. The eclectic blend of melodies and con-
scious, positive lyrics in Keznamdi’s music has
I have ever known,” explains a passionate
Keznamdi, describing why his path has already
been carved out in stone.
Not surprisingly, Keznamdi recorded his
first song at 5 years old, “Mix a Color” an
educational song about color mixing, inspired
by his mother’s background in early childhood
education at Harvard University. Already a
natural performer and crowd pleaser on stage,
he jumped at the opportunity to perform “Mix
a Color” at his mom’s album release tours for
her popular children’s album “Save the World”
which became a viral hit in primary schools
across Jamaica.
Keznamdi and his sisters attended music
schools throughout their childhood and each
child began to flourish as individual musicians
in college. Keznamdi’s oldest sister, Kamila
McDonald, a former Miss Jamaica World Beach
Beauty, popular entertainment TV personality
in Jamaica, and married to international Reggae
artist, Jah Cure, began recording with estab-
lished recording artists like Calico (his brother
in law) while she was attending Stanford
University in California. Kelissa McDonald
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also been influenced by musical icons such
as Stephen Marley, Damian Marley and of
course, Chakula.
With a guitar always in hand and golden
locks on his head, Keznamdi’s music is just
as captivating as his image. His personality
and sense of humor on stage is an immediate
magnet for people of all cultures, seeking
to tap into a “feel-good” musical vibration.
“My music is a message and everyone of my
song dem have a purpose. You need fi just sit
back and relax or stand up and jam…whatever
you are moved to do (he chuckles). Just tek
a listen and experience it for yourself and
more important than anything else, digest
my message.”
Keznamdi has partnered with Higher
Intelligence, an independent label, that
released Keznamdi’s six-song EP Bridging
The Gap. This EP was released worldwide
in late April 2013 and features guest artists
Chronixx, Calico, and Kabaka Pyramid. He is
hard at work on a some new projects that will
be released later this year.
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Featured Single
Grade
2013
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Ackime “Jahkime aka Esa” Nephew was born on
April 17, 1991 at the Kingston Jubilee Hospital
to Ms. Donna Falconer and Mr. Owen Nephew.
Jahkime is a Reggae/Dancehall/Rap Artist who
has a background enriched in Writing, Editing
and also as a Professional Engineer. Jahkime is
an upcoming artist with a positive outlook on
life which is also reflected in the type of music
that he produces. Currently his audience can
listen out for new and exciting things from
Jahkime as he recently released his EP titled
“Kannabis” as well as other upcoming projects
that he is currently working on. Jahkime is
always in the studio writing, recording, editing
or producing music or anything music related.
During his career he has worked with artistes
such as Hempress Sativa, Chronixx, Infinite,
The Gideon, Selah, Micah Shemaiah, DXL,
Simonese Iyata, Soul Indi, Exile Di Brave,
Danjarus, Kazam Davis, Choppa Chop, Irie Jah
JAHKIMEKannabis
Jamaica
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and many other talented musicians. Jahkime
has had the pleasure of working with some of
the best producers out there in the industry
including Jahnoi “Selah” Nunes (Jah Ova Evil
Movement/Flo Factory), Romain “Teflon”
Arnett (Zinc Fence), Jamar “Chronixx”
McNaughton, Qbist Sound System, All Fruits,
Jawara Ellis, Donovan Steele, Romey.
Jahkime’s music is currently available on
soundcloud and you will find music such as -
Love The Way You Looking, More Times, Red,
Purple, Green & Yellow, Smoke Weed All Day,
No Rights, One More Chance and Weed Party
and other tracks. These are just a sample of
some of the great music that can be heard from
this young rising star. Recently shot the video
for the first single off my mixtape. Smoke Weed
All Day directed by Exile Di Brave. It is already
getting heavy rotation in Europe especially in
Germany, Netherlands, France, Denmark,
Belgium, Italy and UK.
Jahkime would like to send some words of
advice to all youths “never let anyone tell you
that you cannot make it in whatever you are
doing. When told that, just tell them failure is a
rehearsal for success. Just be of good manners,
humble, truthful and hardworking and you will
succeed in your task or career of your choosing.
Always remember where you are coming from.
Last but not least always remember God in
everything you do. Put him first.
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Featured Single
Kannabis
2013
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Conscious reggae artist Natural Black carved
his niche in the genre over a decade ago, with
profound music and prolific lyrics that uplift
fans far and wide. His resilience has been
tested and demonstrated over the years,
and he maintains his extraordinary ability to
capture the attention of a massive and diverse
array of music lovers, worldwide.
Born Mortimer Softley in Georgetown, Guyana,
Natural Black migrated to Jamaica in 1995, in
hopes of realizing his dream of becoming a
reggae singer. “Coming to Jamaica was natural,”
he reveals, for he epitomizes the inherent
culture of reggae. “Like life, reggae music
inspires and gives the artist an opportunity
to express oneself fully, regardless of the
issues highlighted.”
NATURAL BLACKNatural Chronic
Jamaica
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and internationally. He has performed on
stages across Europe, the United States and
the Caribbean, and has toured extensively,
spreading the sweet sounds reggae to sold-out
audiences, from his homeland in Guyana to
Switzerland, Austria, France and Italy. He has
headlined the prestigious Brooklyn Music
Festival and Irie Jamboree concerts in New
York, and has also performed on all the major
reggae festivals in Jamaica, such as Sting,
Reggae Sumfest, Rebel Salute and East Fest,
to name a few.
Natural Black charges into 2013 with four new
singles - “I’m On My Way,” “Natural Chronic,”
“Who Cares For Me” and “Party Truck” - all
conscious reggae anthems that bring the
gifted artist full circle back to his original
roots, following a brief stint as a dancehall
deejay from 2011 to 2012; he was dissatisfied
with his lifestyle and did not feel he was
adequately living as a Rastafarian should.
So, like he preaches through his music, he has
cleaned up his act and now returns to what is
true to him, much to the delight of his fans,
and indeed, reggae lovers everywhere.
Possessing a distinctively smooth, mellow
voice, Natural Black reaffirms his solid stance
on the forefront of the roots and culture
movement. His socially-conscious messages
and passionate pleas, for wrongs to be made
right and justice for the poor and oppressed,
are trademarked in his songs, and indeed,
remain relevant today.
Propelling to international fame with his
breakout hit “Far From Reality” in 2006, he
has amassed 13 full-length albums to date
and is back in the studio working on a slew
of new singles for his 14th album.
He cultivates his soulful sounds working
alongside the top hitmakers in reggae music,
including Donovan “Don Corleon” Bennett
(who produced his smash “Far From Reality”
on the Seasons Riddim), King Jammys, Organic,
5th Element, Rootsdown, In The Streetz, Lustre
Kings, Harmony House, Digital B, Lion Paw,
Big Yard and No Doubt, among others.
Natural Black’s artistic flair and melodious style
have garnered him a global fanbase and keep
him very much in demand for shows, at home
FOLLOWNatural Black
Featured Single
Natural Chronic
2013
IRIEMAG.COM
Sheldon Campbell aka “TURBULENCE”,
Mannings Hill Road, Jamaica, West Indies.
Turbulence is widely acknowledged as being
discovered by Philip ‘Fatis’ Burrell, although
his first recording, ‘Keep It Going’, was actually
recorded with Sky High.
Turbulence’s initial foray into the Jamaican
music industry faltered and it was not until
2000 that he enjoyed notoriety with Burrell’s
Exterminator crew having recorded ‘Word Wid
It’ in 1999. Widely considered a ‘sing-jay’ he
effectively combined ragga, hip-hop and R&B
that resulted in a unique style.
Turbulence’s sound leaned heavily towards the
US market and led to unwarranted trepidation
from the purists. The Exterminator crew also
featured artists such as Sizzla and Prince
Malachi with whom Turbulence toured in
the summer of 2000.
TURBULENCEJamaican Weed
Jamaica
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The tour covered Europe and included a
highly acclaimed appearance at the Montreux
International Jazz Festival. In the same year
he released ‘Where Are Your Wings’, a release
thatproved sufficiently popular to inspire
Burrell to record Turbulence’s self-titled debut.
The release demonstrated his R&B leanings
with the track ‘Hold The Faith’, that was also
utilized by label-mate Malachi on his debut
Watch Over We. Sing-jays are often consid-
ered to be second-rate vocalists but Turbu-
lence proved otherwise as he was able to sing
in a sensitive style as well as demonstrating his
skills as a hardcore dancehall DJ. The debut
was deemed a mixed bag and featured dance-
hall classics such as, ‘Hotness A Gwan’, ‘Nah
Beg No Friend’ and ‘Living In Sufferation’.
Jamaican Weed is produced by Granite
Productions and recorded on the “Reggae
Attack Babylon Riddim” produced by
Granite Productions.
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Featured Single
Jamaican Weed
2013
REWIND.Danny CreatahWorld A Reggae
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TurbulenceHet Paard | The Hague, Holland
Protoje013 | | Tilburg, Holland
Jah9 & ProtojeReggae Geel | Belgium
TurbulenceSummerjam 2013 | Cologne, Germany
Snoop LionSummerjam 2013 | Cologne, Germany
Jah MasonP60 | Amstelveen, Holland
Earl ‘Chinna’ SmithInna di Yard | st.Andrew Park, Kingston Jamaica
Snoop LionSummerjam 2013 | Cologne, Germany
Kabaka PyramidRebel Salute 2014 | Priory, St. Ann Jamaica
Damian Marley’s FlagmanRebel Salute 2014 | Priory, St. Ann Jamaica
I WayneRebel Salute 2014 | Priory, St. Ann Jamaica
Iba MahrRebel Salute 2014 | Priory, St. Ann Jamaica
Andrew ToshRebel Salute 2014 | Priory, St. Ann Jamaica
Burning SpearSummerjam 2012 | Cologne, Germany
Richie SpiceRebel Salute 2012 | Priory, St. Ann Jamaica
Hempress SativaRebel Salute 2013 | Priory, St. Ann Jamaica
Kabaka PyramidRebel Salute 2013 | Priory, St. Ann Jamaica
Errol DunkleyJamaica Jamaica | Antwerp Belgium
Errol DunkleyJamaica Jamaica | Antwerp Belgium
Rudlowe Robinson (The Gladiators)Paradiso | Amsterdam Holland
IRIEMAG.COM
Ganja Trax
Welcome to the Riddims section. To celebrate
420, the featured artists have provided free
Ganja Trax to download for your personal
listening pleasure... Respect, Mon!
Ooh La La La - The Weed Thing by Hempress Sativa
Grade by Keznamdi (Produced by Don Corleon)
Little Did They Know by Jesse Royal
This Is Not A Marijuana Song by Protoje
Get High by Hempress Sativa
Herb Defenda by Kabaka Pyramid
Natural Chronic by Natural Black
Kushite Love (Main Mix) by Hempress Sativa
Jamaican Weed by Turbulence
Kannabis by Jahkime featuring Chronixx, Micah Shemaiah and Infinite
FOLLOWIrie Magazine
RIDDIMS
IRIEMAG.COM
IRIE would like to thank the following people who helped make this issue a successful one. Without their efforts, this magazine would not be possible.
Danny Creatah, Giovanna Guimarães, Kam-Au Amen, Heather Cameron, Gail Zucker, DoobieSound, Third World, El Puru, Liam Monaghan, Lulú Solares and World A Reggae!
Nuff Respect!
