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BRANDON WLOSINSKI ARchItectuRe StuDeNt
HERE NOWAND
To provide momenTs of enjoymenT Through The builT form
for boTh The ordinary and exTraordinary.
brandon scoTT Wlosinski
515 n hyland ave, uniT 1ames, ia 50014
(319) [email protected]
WWW.Wlosinski.com
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2 TablE Of COnTEnTs
3 blaCk bOx THEaTER and COmmuniTy CEnTER
9 RElax- Wall CHaiR WindOW sTudy
11 PERfORming aRTisT REsidEnCy
16 sOlaR HOmE dEsign
17 bRaingunk signs
19 musEum fOR innOvaTivE indusTRial dEsign
23 THEaTER PROjECTs
25 bOsTOn CEnTER fOR COnTEmPORaRy musiC
31 REsumE
bRandOn WlOsinski 2
TablE Of COnTEnTs
blaCk bOx THEaTER and COmmuniTy CEnTER (kansas CiTy, mO)Collaborators: Dennis Leung, Jihee Kim, Scot Schukert
A study into ideas of loose space and com-munity. Around the River Quay area of Kansas City are pockets of abandoned lots, loose space, that is rendered normally use-less. Phase one of this project studied the effects of loose space and proposed several landscape interventions into them. Phase two focused on creating a community cent-er, comprised of a blackbox theater, com-munity garden, and communnity center. My focus and primary contribution was the design for the blackbox theater. The theater uses the ideas of loose space to create a theater that has the ability to transform and fit itself to the communities need, while framing the spaces around it, activating the loose space it creates into pathways and moments of discovery.
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RElax- WallCHaiRWindOW
A study in denim. This was an exercise to explore what a wall, a chair, and a window could be, utilizing a material or architectonic idea. I chose to focus on denim, an everyday material made for both work and comfort. Here you see a piece that explores denim as a something that can cover, surround, and comfort, thus encompassing the ideas of a wall chair and window.
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As a Chair
As a Window
As a Wall
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PERfORmanCE aRTisT REsidEnCy
(nEW yORk, nEW yORk)
Collaborators: Chenglong Zhao
A study into folding architecture, the layer-ing of spaces on top of one another and the relationship of these spaces to each other. A proposal for a perfoming artist residency program in the Soho neighborhood of New York City. The form draws on the spirit of the movement of New York and the prospect of street level interaction with the public and the resident’s art form.
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Level 10' - 0"
Level 210' - 0"
Level 320' - 0"
Level 430' - 0"
Level 540' - 0"
Level 650' - 0"
Level 760' - 0"
Level 870' - 0"
Level 980' - 0"
Basement-15' - 0"
1/8" = 1'-0"1 Section 8
North Section View 1/8” = 1’
Looking In on Rehearsal
Mid-Day Saturday
UP
UP
UP
UP
UP
UP
UP
1/1
6"
= 1
'-0"
Basem
ent
PR
OD
UC
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BY
AN
AU
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SK
ST
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T P
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PRODUCED BY AN AUTODESK STUDENT PRODUCT
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TO
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SK
ST
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EN
T P
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DU
CT
PRODUCED BY AN AUTODESK STUDENT PRODUCT
Thea
ter
Tick
ets
Wor
ksho
p
Gre
en
Roo
ms
Bac
ksta
ge
Basement/Theater Plan
DN
UP
UP
UP
67
68
113
115
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120
139
Scale
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ject num
ber
Date
Dra
wn b
y
Checked b
yw
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.auto
desk.c
om
/revit
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= 1
'-0"
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'-0"
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Y A
N A
UT
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ES
K S
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DE
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PR
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SK
ST
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PRODUCED BY AN AUTODESK STUDENT PRODUCT
Ground Floor Plan
Tick
ets
Cat
wal
ks
Ent
ranc
e
View
ing
Are
a
Ope
n G
alle
ry
Office
DN
DN
DN
UP
UP
UP
DN
126
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149
150
5' - 6"
18
Scale
Pro
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Date
Dra
wn b
y
Checked b
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om
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1/1
6"
= 1
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evel 2PR
OD
UC
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BY
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PRODUCED BY AN AUTODESK STUDENT PRODUCT
PR
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UC
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SK
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PRODUCED BY AN AUTODESK STUDENT PRODUCT
Exe
rcis
e S
pace
Gro
up S
tudi
o
Spa
ce
Pra
ctic
e S
pace
Com
mon
s
2nd Floor Plan
UP
UP
UP
DW
DN
UP
DN
DN
DN
_
Scale
Pro
ject num
ber
Date
Dra
wn b
y
Checked b
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desk.c
om
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1/1
6"
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evel 3
PR
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PRODUCED BY AN AUTODESK STUDENT PRODUCT
PR
OD
UC
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BY
AN
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TO
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SK
ST
UD
EN
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DU
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PRODUCED BY AN AUTODESK STUDENT PRODUCT
DN
UP
DN
DN
UP
UP
UP
DN
UP
Scale
Pro
ject num
ber
Date
Dra
wn b
y
Checked b
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.auto
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om
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= 1
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evel 4
PR
OD
UC
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BY
AN
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SK
ST
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DU
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PRODUCED BY AN AUTODESK STUDENT PRODUCT
PR
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PRODUCED BY AN AUTODESK STUDENT PRODUCT
Uni
t 2U
nit 3
Uni
t 1C
ente
rS
pace
Uni
t 1U
nit 5
Uni
t 4
3rd Floor Plan
4th Floor PlanKitc
hen
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PassivE sOlaR HOmE
(sTORm lakE, ia)
5' - 6"
a k a kr m
N
NN
NVGarage
Dining
Living
Kitchen
Master Bed
Master Bed
a k
N P N R
N SN T
N U
Study
Guest
Bed 2
Guest
Bed 1
Guest
Bath 2Guest
Bath 1
r m r m
A home designed for a specific, fictional client, Herbet “No Jump” Baler. A 7’ tall ex-basketball player who was looking for a home around Storm Lake, Iowa. The design of the home incoporated client driven infor-mation (a love of movies and music, ceiling heights) as well as site boundaries (large slope, water access) to create a soalr effi-cient design. At the end, this simulated an annual heating cost of $28 by utlizing a heat pump and the lake.
Ground Floor
Second Floor
Basement/Theater
Section w/ Air Movement
bRandOn WlOsinski 16
bRaingunk signs (blaCk ROCk CiTy, nv)
A design and build art installation as part of a summer course. The project took place in Black Rock City, Nevada as part of the Burn-ing Man Festical in 2011. Currently, Iowa State University is the only university in the world that offers credit for designing and building for Burning Man.
The studio covered three projects: a sand mandala, a natural intervention and the Burning Man art installation
The art project consisted of 10 uniquely made signs that were transported and set up in a specific arrangement and location in the Black Rock City Desert. The theme for the year was Rites of Passage.
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be laughing
a god
ForgotMid Way
neverevver
STARTUPSTART
taken
advantageU N F O U N D
ExpectedHolidays
bRandOn WlOsinski 18
musEum fOR innOaTivE indusTRial dEsign (COlumbus, in)
The Columbus Museum for Innovative Industrial Design aims to celebrate Colum-bus’s industrial history from Cummins Inc. and arhitectural innovation from architects such as IM Pei and Eero Saarinen in a sin-gle cultural institution
The museum aims to combine form and function utilizing a simple, three part parti. The two long sides of the building act as support and gallery spaces, framing the larger, main industrial gallery in an exhibi-tion hall style. Here, members of the com-munity can come and interact with large, full scale industial objects that defined their town’s past
GROUND FLOOR
N
EXHIBITION HALL
CAFE
GIFT/INFO
OUTDOOR EXHIBITION
SCULPTURE GARDEN
MEN
WOMEN
TICKET
TICKET
1/16” = 1’
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COLUMBUS MUSEUM OF ART AND INDUSTRIAL DESIGN
Columbus is a city whose industry has acted as a foundation for a community steeped in art and architecture. The design is therefore threefold. First, the museum will celebrate the industrial roots of the city through an extensive innovative industrial object exhibit. Second, it will explore the unique learning process that can occur in this city through an educational and research area. Finally, it will participate in architectural dialogue with the rest of the city.
INNOVATIVEINDUSTRIAL OBJECTS ANDMACHINERY
VEHICLE DISPLAY
INDIANAPOLIS
COLLECTIONOF ARTAND DESIGN
ARCHIVES
ARCHITECTUREEXHIBIT
ENTRANCELOBBY
GATHERINGSPACE
CAFETICKETS
OBSERVE
INDUSTRIALOBJECTSTORAGE
ART STORAGE
ARCHIVESTORAGE
CUBICLES
INSPECTION
AHU
FIRE
OFFICES LOADINGDOCK
RESEARCHLIBRARY
KITCHENCOAT
SHOP STOCK
MEETING
C
D
CLASS CLASS
ROTATING
COLUMBUSART AND DESIGNCOLLECTION
DIR CUR
bRandOn WlOsinski 22
THEaTER PROjECTs
dOg sEEs gOd: COnfEssiOns Of a TEEnagE blOCkHEad
Directed by Caleb WoodleyListed as Set DesignerCollaborators: Nick Veenstra, Brooke Berg, Libby Schriener
A story about the Peanuts crew after they have grown up and the world has moved on without them, Dog Sees God is an emotion filled piece touching on the loss of innocence and childhood.
Inspiration is drawn from the material of newspaper itself, as the characters inhabit a world of a newspaper that has been crum-pled and tossed aside, left to dissolve in the rain. The back drop was originally designed as a cloud of newspaper that hangs about the characters and then melds into the back wall and finally into the ground, completely encompassing the world of the play.
The newspaper was specially coated with a homemade fire retardent and made to spec-ify with strict code compliance for the unu-sual space of the Maintenance Shop at the Iowa State University Memorial Union.
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THEaTER PROjECTs
aliCE in WOndERland
Directed by Matt FossListed as Puppet DesignerCollaborators: Davalyn Stepzinski, Andre Johnson, Taylor Clemens, Bri Baltes
By utilizing inspiration from discarded found objects, this reinterpretation of Lewis Car-rol’s children’s classic creates a new aesthet-ic of Wonderland, one that casts the charac-ters into a world that has been forgotten by the normal world, but which lies only just beneath the surface.
The Cheschire Cat was created by molding newspaper around a skeleton made of PVC, trash cans, and water jugs. This design al-lowed for the cat to appear and dissappear around the stage in a dance like movement.
The Jabberwocky, the villain of the play, was designed to be a larger than life adversary. With a wingspan covering over thirty feet and over twenty people puppeting it, it cer-tainly accomplished this. Made of shoopping carts, hula hoops, black tarp, trashbags, Fun Noodles, and scaffolding.
bRandOn WlOsinski 24
bOsTOn CEnTER fOR COnTEmPORaRy musiC (bOsTOn, ma)Collaborators: Daniel Siroky
The Boston Center for Contemporary Music was a project that explored both an innova-tive and comprehensive design.
It envokes the idea of the promenade, the idea of seeing and being seen. The building expresses its major circulation as a winding track along the exterior, while the structure expresses the theather form. The ground plane engages passers-by with this display and channels the momentum of the foot traffic into itself.
The project explores the use of Grasshop-per and Rhino not only as form generators, but as tools for generating seating patterns, checking sightlines, and checking sound design via Ecotect.
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REsumEWORk ExPERiEnCE:
5/2012-Present
Client DeveloPment inter
BerkilBile nelson immenmuCh mCDowell ArChiteCts inC. kAnsAs City, moupdaTing projecT informaTion in vision, neWforma, and openasseT
suggesTing sofTWare sTarTegies for Tracking projecTs
become versed in business pracTices of bnim While dealing WiTh clienTs
miscellaneous Tasks (redlining, documenT preparaTion, skeTchup modeling, eTc)
9/2007 – Present it serviCes solution Center helP Desk AssistAnt level iii, kCs level ii intern
informAtion teChnology serviCes, iowA stAte university, Ames,iAcall cenTer, in-person help desk, and e-mail supporT for over 27,000 users
sole, direcT managemenT of The knoWledgebases and faQs used by all employ-ees and users (heaT plus knoWledge, kbase)personally checked validiTy of over 6000 knoWledgebase arTicles and amanged The floW of informaTion from deparTmenT To cusTomer
mainTenance of hardWare and sofTWare used by employees
8/2010-12/2010 , 1/2013 - 5/2013Peer mentor of Design stuDies 102College of Design, iowA stAte university, Ames, iAhelping freshmen in The college of design in one of Their core reQuired classes
providing assisTance To The professor
advising sTudenTs on choices concerning Their major.providing feedback and criTiQue over sTudenT Work
8/2009-5/2011College of Design stuDent rePresentAtive on the ComPuter ADvisory Committee
iowA stAte university, Ames, iAaTTending monThly meeTings To regulaTe sTudenT compuTer funds ThroughouT The universiTy, ToTaling To over $7 million.aWarding moneTary funds To Technology-relaTed programs, based on innova-Tion, need, and scope of The projecT.responsible for making decisions represenTing The enTireTy of The college of design’s sTudenT populaTion.
EduCaTiOn:
currenT 5Th year undergraduaTe, lisTed senior
pursuing bachelor’s degree in archiTecTure
cumulaTive gpa : 3.49college of design, ioWa sTaTe universiTy, ames, ioWa
skills:
design programs: auTodesk reviT, auTocad, skeTchup, rhino, grasshopper
adobe programs: phoToshop, illusTraTor, dreamWeaver, flash, indesign,premiere
able To Work in WindoWs (xp, visTa, 7), mac os x 10.2 and up, and linux
able To Work in a varieTy of media: digiTal, Wood, clay, glass, plasTer, fabric
able To communicaTe and TranslaTe complex maTerials in undersTandable Terms.oraTory skills developed Through speech and performance arT
experience in seT design
Trained To use laser cuTTer
Web page design languages: hTml, asp.neT, javascripT
proficienT in microsofT office suiTe
mEmbERsHiPs and HOnORs:
member of ioWa sTaTe universiTy chapTer of aiasWinner of The hanson prize design compeTiTion 2010ioWa aia chapTer scholarship aWard 2013seT designer lisTed for kcacTf 2011
REfEREnCEs:
corry arranTs iT cusTomer services
sysTem supporT specialisT [email protected]
karen bermann
associaTe professor
archiTecTure
cal leWis
professor
archiTecTure
Tom leslie
professor
archiTecTure
keri maginn
markeTing
bnim, [email protected]
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THANK YOU