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History of Painting

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History of Painting . Cubism. Cubism. Cubism. Although many artists made pieces that had aspects of what came to be called cubism before 1907, we usually date the birth of Cubism to Picasso’s painting “Les Demoiselles d’Avignon ”. - PowerPoint PPT Presentation
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History of Painting Cubism
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Page 1: History of Painting

History of Painting

Cubism

Page 2: History of Painting

Cubism

Page 3: History of Painting

Cubism

• Although many artists made pieces that had aspects of what came to be called cubism before 1907, we usually date the birth of Cubism to Picasso’s painting “Les Demoiselles d’Avignon”.

• Picasso and Braque worked together to develop cubism, and influenced many artists, designers, architects – essentially helping to define the modern style.

Page 4: History of Painting

Pablo Picasso

The Blind Man’s Meal1903oil on canvas

Before Cubism –

Picasso’s “Blue Period”

Page 5: History of Painting

Pablo Picasso

Gertrude Stein1906-1907oil on canvas3 ft. 3 3/8 in. x 2 ft. 8 in.

We can see from this image how PicassoIs influenced by African masks

Page 6: History of Painting

Pablo Picasso

Les Demoiselles d’Avignon1907oil on canvas8 ft. x 7 ft. 8 in.

The first “Cubist” painting

Page 7: History of Painting

What defines cubism?

• Abstraction = simplification of shapes and lines• Flattening of the image = strong outlines mean

that the three-dimensional aspect of the subject is not as important

• Multiple perspectives = often we can see the subject from different angles

• Fragmentation = cutting up the subject, sometimes rearranging the pieces

Page 8: History of Painting

Georges Braque

Houses of L’Estaque1908oil on canvas

28 3/4 x 23 5/8 in.

Page 9: History of Painting

Georges Braque

The Portuguese1911oil on canvas3 ft. 10 1/8 in. x 2 ft. 8 in.

Page 10: History of Painting

Pablo Picasso

Ma Jolie1911oil on canvas

39 3/8 x 25 3/4 in.

Page 11: History of Painting

Georges Braque

L’Affiche de Kubelick (Le Violon)1912oil on canvas18 1/8 x 24 in.

Page 12: History of Painting

Pablo Picasso

The AccordionistSummer 1911oil on canvas51 x 35 in.

Page 13: History of Painting

Robert Delaunay

Champs de Mars1911oil on canvas5 ft. 3 in. x 4 ft. 3 in.

Cubism helped to reflect the modern city- its speed, its life, and its fragmentation

Page 14: History of Painting

Pablo Picasso

Still Life with Chair-Caning1912oil and oilcloth on canvas10 5/8 in. x 1 ft. 1 3/4 in.

This is one of the first collages – here Picasso isusing paint and rope and part of a chair

Page 15: History of Painting

Georges Braque

Bottle, Newspaper, Pipe and Glass1913charcoal and various papers pasted on paper1 ft. 6 7/8 in. x 2 ft. 1 3/4 in.

Page 16: History of Painting

Pablo Picasso

maquette for Guitar1912cardboard, string and wire2 ft. 1 1/4 in. x 1 ft. 7 1/2 in.

Cubism also extended into sculpture – here is a model for Picasso’s sculpture of a guitar

Page 17: History of Painting

Jacques Lipchitz

Bather1917bronze2 ft. 10 3/4 in. x 1 ft. 1 1/4 in.

Page 18: History of Painting

Aleksandr Archipenko

Woman Combing Her Hair1915bronzeapproximately 1 ft. 1 3/4 in. high

Page 19: History of Painting

Julio González

Woman Combing Her Hairca. 1930-1933iron4 ft. 9 in. high

Page 20: History of Painting

Guernica - 1937

Picasso’s most famous painting – by this point, his cubism has developed to be more expressive; he uses the fragmentation and multiple angles to express the horror and suffering of war -- painted after the bombing of the Spanish city, Guernica, during the Spanish Civil War

Page 21: History of Painting

Guernica, 1937

“Picasso's painting is without question the most important anti-war work of art produced in the Twentieth Century.”(http://www.oneonta.edu/faculty/farberas/arth/arth200/guernica.html)

Page 22: History of Painting

What do you think an artist is? An imbecile who has only eyes if he is a painter, or ears if he is a musician, or a lyre in every chamber of his heart if he is a poet, or even, if he is a boxer, just his muscles? Far, far from it: at the same time, he is also a political being, constantly aware of the heartbreaking, passionate, or delightful things that happen in the world, shaping himself completely in their image. How could it be possible to feel no interest in other people, and with a cool indifference to detach yourself from the very life which they bring to you so abundantly? No, painting is not done to decorate apartments. It is an instrument of war-- Pablo Picasso


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