+ All Categories
Home > Documents > I PHILHARMONIC If - Chronicling...

I PHILHARMONIC If - Chronicling...

Date post: 11-Mar-2018
Category:
Upload: truongkhanh
View: 218 times
Download: 6 times
Share this document with a friend
1
"f i', i vj i. i 'i " . . '.vm iwiuj'Wk'fc ; "fiK f oi ii 'K, " l t'r"i jv.i " t t ,r av; rtr j ,wr.f i v . " w .I'fr. vr z,r cr."7T""ir''i. jymuwtf. E7.tti.tjt - rv-r- v wiTr w.rwi imm M rM . .... . . - - ' 4 t ' 2 THE SUN, SUNDAY, JUNE 2, 1918, VMMER DIVERSION fry flfe THEATRE L : -- BE aSMBMBMBP' r sMBMBMBMBMBMBr ssL Ik bbb ' l f.wr ;pP asaln f''.? a 'iaSSSrllliaS (',; 'fsrsssr"Fsss r . MARY MAC LAREN O many playhouses closed their 11 doors last night that the theatre season, excepting so far as the musical plays are concerned, seems as dead as patriotic contributors to the efforts of the Elks during the Red Croaa week tried to make, the imagin- ary German Kaiser lying in the coffin at .Broadway and Forty-thir- d street. But there will be no end of musical diversion for the city dweller during tae summer months. Raymond Hitch- cock comes this week to the Globe Theatre, there ore tho Follies in view and the Winter Garden will have its summer review within a few weeks. So dramatic art may not he said to do more than sleep with one eyo open during the summer months. It will not be covered Indeed If the chorua girls with the aid of the stage rs can see to It except as to its ears. Indeed the last word in stage dressing for the summer diversions demands that only the ears shall be covered. Thn manner in which they are concealed will of course depend on tho Important question, "Were they, blond or brunette?" "Getting Together," acted earlier In the season at the Lyric Theatre, will be seen night at the Shu-be- rt Theatre. It is presented under the auspices of tho British and Cana- dian Recruiting Mission. Lieut. G1U Rice, who wrote tho music, will sing .thee songs. Raymond Hitchcock will present at the Globe Theatre on Thursday the ' second edition of "Hitchy Koo, 1918." Mr. Hitchcock will evidently establish a perennial rival to. tho Follies. Asso- ciated with him will be Ieon Erroll, Ray Dooley, the Kouns Sisters, Emma Halg, Irene Bordont and other well v THE NEW CINEMAS. Marguerite Clark is the Strand attraction, appearing in a picture version of "Prunella." Believe Me, Xantippe," with Wallace Reid, is the picture at the Rialto, while the Rivoli haa Marion Davies in "Cecilia of the Pink Roses." The Rialto, Rivoli and Strand will have the usual news pic- torials, scenics and musical numbers. The Broadway presents Mary MacLaren in "The Model's Con- fession." The film is a pleasant thing, with a father trying to educe his own daughter, being unaware of their relationship. "Pershing's Crusaders" con tinues at the Lyric, and D. W. Griffith's "Hearts of the World" ia on its third month at the Forty-fourt- h Street. A special attraction at the performance of "Pershing's Crusaders" night will be Sergeant Boyle of the C. E. F who will narrate hit experiences and play selec- tions on his violin, that accom- panied him to the trenches and back. William A. Brady's picture "Stolen Orders." based on a famous Drury Lane melodrama by Cecil Raleigh and Henry Hamilton, will be presented for the first time at the Fark Thea tre this evening. It has a notable cast enlisting the ser vices of Carlyle Blackwell, Kitty Gordon, Montagu Love, June Elvidge, Madge Evans and George McQuarrie. The pic- ture is said to possess many ex- citing scenes, among them being a fight between a Zeppelin and anti-aircra- ft guns manned by American gunners. The demoli tion of the "Zep." and the sub sequent rescue of one of its oc- cupants by a hydroplane, are aaia to turntsn the thrills. known entertainers. The new piece Is In two acts and elf h teen scenes. The Italian Government's war ex- hibit remains all week at the concert room of Mndlsrm Square Harden, where It la attracting crowds with Its remarkable array of trophies of war captured by the Italian troovs on the Austrian front The exhibit la being: given to raise funds for Italian war sufferers under the auspices of the Italy-Ameri- Society. The bow of a captured Austrian submarine, mines and torpedoes, nerlal explosive and In- cendiary bombs, trench mortars, ma- chine guns and war clubs are Included In the booty of war shown, and In ad- dition every sort of equipment and arms furnished Italian soldiers and sailors are on view. There Is music both afternoon and evenings and con certs In which Italian singers take part are a frequent feature. At the Polo Grounds at 3 o'clock the monster Thrift Festival which has taken months of careful preparation on the part of the leading conductors In this country will be held. Lieut. John Philip Sousa, U. S. N. R. F., Is the general musical director and he, wiiii nis own famous sousa nana re assembled expressly for this patriotic occasion and augmented to 300 musi cians, will lead tho huge ensemble of over 10,000 trained voices. Tho ora- torio to toe sung is "Elijah," but there will be Interpolated "The Star, Span gled Banner," "La Marseillaise," Sousa'a own "Stars and Stripes For ever" and other numbers 'try soloists and the entire chorus. The entire en terprise was Inspired by Frederic A. Alien, chairman of the National War Savings Committee of Greater New York, and the proceeds will be devoted to the educational fund of the War Thrift Savings campaign In this terri tory. The distinguished soloists who will appear are Frances Alda, Sophie Bras- - lau, Charles Harrison, Betty Leon Rothier, Oscar Seagle and Marie Sundetlus. Among the con- ductors who have been teaching and training the various units which make up the vast chorus are M. J. Corcoran, Walter Dam rose h, George H. Gartlan, Carl Heln, Louis Koemmenlch, Ed- ward G. Marquard, Tali Esen Morgan, Dr. Frank Rtx and C. Mortimer Wlske. This multitude of singers Includes the Catholic Oratorio Society, the New Choral Society, the Peoples Choral Union, Schola Cantorum, New York Oratorio Society, Tall Esen Morgan Festival Chorus, the Newark Festival Society and the pupils of twenty-seve- n public high schools of Greatei New Tork. Theatre managers are alarmed at the outlook for next season as a result of the Government's Increase of the rates of travel on the railroads of the country. There were prophecies yes- terday that many companies would be abandoned, although this was denied in so for as it affected the Shuberts. A. Toxen Worm, speaking for Lee and J. J. Shubert, said yesterday afternoon that their companies were all booked for next year and that there could toe no change from the plans already made. The same is believed to be true In reference to the theatrical enter- prises grouped under the direction of Klaw ft 'Erlanger. But there will bo undoubted hard- ships In the Increase of rates. The party tickets of twenty-fiv- e under which companies were accustomed to travel even when lsss numerous, since that rate was cheaper in the majority of cases havo been abolished. These tickets of twenty-fiv- e used to carry with them the use of the baggage car. Now excess baggage and scenery must be paid at the advanced rate Imposed by the Government. "There undoubtedly will be some ap- peal from the Government's decision," said a well known manager yesterday, "as the new conditions are too hard for the theatrical profession to bear. The cne night standa will probably feel the effects of the new rule more severely than the larger cities In which longer stays are made. I doubt very much that there will be the projected forma- tion of stock companies during the coming season as the theatres have already been booked up with the at- tractions to bo sent from New York; but If the new rule continues In effect there will bo undoubted changes dur- ing the following year." It was said yesterday that a firm of theatrical managers already were drawing up a protest to Congress against the new ruling. 'A comedian's life Is supposed to be drollery and raillery, banter and Jest the livelong day," said Raymond Hitchcock at the Globe Theatre, where his "Hitchy Koo, 1918" will eoon be on view. Tuke my own case aa the horrible example. I am supposed to crack every stale breakfast egg with a fresh Joke. I must open oysters with a scream. And when I return home at nightfall I must bring a box of choice bonbons in one pocket and a package of selected bonmots in the other. My wife's house gvMats expect my bril liant humor to Illuminate my home till bedtime despite the fact that they have the laugh on me. 'Yes, that is what Is expected of me. but I am not uving up to ex pectatlons at present. A comeaian Is at best but a butt But a comedian with the aout la something else again. 'By strict economy and abstemious habits saving a few thousands here and there, you might say, I have been able, despite the drawback of an eco nomlcal wife and a lot of expensive relatives, to provide myself with a modest little 1100,000 summer place at Great Neck, a 400 acre farm suited to my small needs and a town house In Twenty-sofort- h street. From this It will be seen that my lifo Is both simple and concrete my summer home la concrete. It Is rough stuff, but I am not so overrented as to object to It. My town house la lo cated In a most exclusive section of this charming city In the Chelsea district near Railroad avenue. The constant passing of freight trains gives a certain life to the district that lb missing In many other parts of the city. "But what Is really In my mind at the present time Is my gout. It's not only on .my mind but In my feet. How i picked It up Is a mystery un less it Is timber gout, which I under stand Is sometimes contracted from wandering In the foreaU. You see I do love wandering In the forests pick- ing sweet wllllam and Johnny-Jum- ups, showy s chrysanthemums and modest mignonettes. Even tho soulful sunflower appeals to me, and being larger than the others, has more of a wholesale appeal. Florsculture la what my wife calls my tittle pas- time, which I enjoy In mr Intermit- tent periods of "Some one has been rude enough to suggest that my, timber gout came from drinking wood alcohol, but that Is a base libel. Grade A milk Is the strongest liquid that passes my Hps. Drinking out of short glasses Is en- tirely out of my line. My gout Is a respectable affliction, and I nm not going to allow any one to make sport of It. When I recover hearty con- - aT?S.HggggggggggS'f v JgagggggggggggggWl jgflggggggggggggggggggS iggBgwKife' ifpSlrfu I iHliH " "jgHBts gggKM.";i-aJlW- lagKffPtsgH gPififl 1 -- SftWI ANN LITTLE gratulatlons and doctor's bills will be in order. Until then I'll affect a loose tie and a tight belt." The Actors and Authors Theatre has completed the first week of Its novel venture and given New York theatregoers performances of plays In a theatre managed entirely by the or- ganization, announces that its next production at the Fulton Theatre to follow "Her Honor the Mayor" now playing, will consist of four one act plays. Two of these, are operettas: the others, a war comedy and a war drama. . It has been decided by the directors that for the next bill and all those following the regular scale of prices prevailing at first class theatres will be put Into practice. It was the hope of the Actors and Authors to Institute a plnn' of conservation prices for seats, with the idea of keeping amuse- ments more In line with other war-tlm- o economies. Even against the advice of some well known dramatic critics and others experienced in the theatrical business they decided to at least try the scheme of offering the public first class productions with excellent acting at popular prices. It has been found, however, that the New York public does not want bar gains tn their luxuries and bat 'they will not patronize a theatre at popu- - lor prices whatever Us merits and virtues. The Actors and Authors Tne- - ntro Is quick to acknowledge Its mis take and profit by it, and following the desire of the public will hereafter sell their seats at the prices charged by other theatres. N. B. -- It la necessary to modify tne preceding statement tn view of later official Information from the Actors' and Authors' Theatre. It has been de- cided to discontinue all performances at any price. Evidently the authors and acton have decided that New York theatregoers do not want them Just now on any terms. The auction sale of seats and boxes for the forthcoming annual Public Gambol of the Lambs will be held on Thursday. June 6, at the Hudson The atre. at 4 o'clock In the afternoon. On that occasion distinguished stars will auction off the best seats and boxes for the performance of the Lambs to be given on Friday night, June 14, In the Hudson Theatre, this being the function usually described as "the Ladles Spring Gambol" of the Lambs for the general public and their friends. Four succeeding Gambols will also be given on the two afternoons and nights following the public Gambol, but these will be for special war char ities and the disposition of the seats and boxes for these subsequent per formances will be In the hands of the charities named. More than 160 of the best known players in America will participate In the Lambs Gambol In a series or t PLAYS THAT LAST. Astor, "Rock-a-By- e Baby"; Belasco, '"Polly With a Past"; Broadhurst "Maytima"; Booth, "Seventeen"; Casino; "Fancy Free": Cohan, "The Kiss Burg- lar"; Cohan ft Harris; "A Tailor- - Made Man"; Cort. "rio-no- "; Eltinge, "Business Before Pleas- ure"; Forty-eight- h Street "The Man Who Stayed at Home"; Forty-fourt- h Street "Hearts of the World"; Olobe, "Hitchy. Koo, 191S"; Liberty, "Going Up"; Lyric, "Pershing's Cru- saders"; Lyceum, "Tiger Rose"; Morosco, "Lombard, Ltd.": Maxine Elliott's. "Eyes of Youth": the Park, "Scaled Orders"; Princess, "Oh, Lady I Lady 1 1" Shubert "The Copper- head," and Winter Garden, "Sinbad," with Al Jolson. sggLl'LBgV IgagagagB aLalE VfliMgagagagaEii r .w 'T'BF- - gggggggk Nf ' ?; w f J ggggggggga m, ggggH O.-'.- , i Z" sgagagagagagagaH gw-- v i ? - i gggpgJgggggggggga " M i t t '! JlggsagggggggggH BLrWCHE BTES and RUTH BENSON tn ' GCTTINO TOGETHER". THE SUMMER THEATRES THIS WEEK. MONDAY Shubert Theatre: Revival of the war play "Getting Together," by Ian Hay (Major Beith), J. Hartley Manner and Percival Knight, with music by Lieut. Gitz Rice, with the original cast headed by Blanche Batet and Holbrook Blinn. THURSDAY Globe Theatre: Raymond Hitchcock will present a second version of "Hitchy Koo," with Leoin Errol, Irene Bordoni and ether popular summer entertainers. dozen sketches, acts, playlets and other offerings. The stage director-gener- la R. H. Burnslde. the gen- eral stage manager Is Arthur Hurley. the general business manager Is Will- iam G. Smythe, the assistant business manager is Albert O. Brown, and the full list of the entertainment com- mittee, of which Shepherd Joseph R. Grlsmer m chairman, la as fol lows: Edwin Milton Royle. Augustus Thomas. Arthur Hurley, Edward S. Ellis. Charles A. 8tevenson. William G. Smythe, Raymond Hubbell, Will A. Page, Victor Herbert, Albert O. Brown, George V. Hobart, Kenneth Webb. John Sainpolts, John L. Golden and R. H. Burnside. The programme In detail will be announced In a few days, but prac- tically every big star and near tar of y who a member ,o;il approvn is will be Included the roster, All the auctioneers of next Thursday will also be In the cast of Gambols of the Lambs. KOBE NEW GENIUS. Greatness of One Voted. Of the many Indices Frisco" Dnlr of theatrical success the two that are desirable salary excepted, of course are a host of Imitators and ths applause that won't stop. Frisco, the eccentric "Jazz" dancer of the "Midnight Frolic," has so many Imitators that he can't count them, and when It comes to ap- plause, well, Victor Klraly had better put rubber tips on the hammers with tho "Frolic" audiencen express their approval to save his tables. The story of Frisco Is interesting In that It reveals the changing tastes of New Yorkers. It Is not generally known that Frisco tried to climb the ladder In New York once before, some four years or so back. But Instead of dancing his way up a rung or to he was kicked off to the bottom. He wasn't wanted, and so he went back to Chicago when he saw that Manhattan had not be:n educated as yet from the plain syncopation of Irving Berlin to the more effective and nervous notes of the "Jazz, Frisco had been at work In Chicago ever since he was 14. He had been i stage hand and worked in cafes. Be tween times he had gone South and stayed in New Orleans and Mobile long enough to watch the negroes dancing and Improve on their steps, So when he would be sitting in a cafe tn Chicago (perhaps It might have been Hlnky Dink's or one of the Loop places) and somebody would ask him to show the crowd a few steps, he'd get up without removing his derby or cigar and move around. Then he came to New York and made the quick exit mentioned. In stoad of giving up the Idea of doing something new in the way of dancing he worked hard on his steps and finally came East last summer for the second time. He paid his own carfare too. He had no press agents and no advance notices except a letter of recommendation from the late Capt Vernon Castle, but when the manager of a Broadway cabaret saw him move around In his peculiarly characteristic way he was engaged on the spot. It took about three minutes for the crowd of first nlghters at the cabaret to appreciate his work and it Florenz Zlegfeld, Jr., about the same time to put Frisco under contract sev eral months later for the "Midnight Frolic." When Frisco's "act" Is seen In the "Frolic" It might be wondered why the crowd wants to see more and more of his steps. It Is not neccs sarlly the novelty of the thing, and It Is difficult to analyze the reason why Frisco is liked, but the fact is strongly evident that he Is. He has no "props' except his derby and cigar. He needs nothing else, Ho comes on, sticks his hands In his pockets and twists hi feet, playj with the cigar, runs around the platform and goes off, only to re turn when the hammers bang against the tables In the pleasing unanimity of approval He has a facial expression that Is prfected. He Is a likable and clever clown at whom people laugh because they realize they are clowns them selves. It's the same principle really as the fact that the sane man realize he has a touch of Insanty and the man who is unbalanced swears he Is absolutely sane. He Is the symbol for the "ervous, spasmodic movements that i haracterlze both New York and Jazz tunes. It Is the call for quick rhythmical twists and speed, speed and more speed. There Is such a thing as the monotony of change, but Frisco changes so quickly that he is too fast the cornet Is his Inspiration, and from the notes of that Instrument he con- ceives the Ideas for new steps and the little things that catch the fancy of the public. Continued eulogy of a person de- feats tts own purpose, so let It suffice to say that Frisco is a pleasure to watch. They are Imitating him all around town, hsrt they can't be as good. He Is ttm only and original, and In addition no imitator could ever get the number of knocks Frisco gets every night at the "Frolic." He gets at a very conservative estimate 35,000 knocks at every performance. In this case, however, the saying "every Is a 'boost" Is true, for a knock with one of Victor KIraly's hammers i one of Victor KIraly's tables means approval. Many knocks mean a great is of the of and 35,000 Just Lambs In the which took knock about the limit. The figure stated may seem excessive until It Is remem- bered that Krist'o is always applaud v! three times, frequently four; that there are 500 or .more folks nightly at the "Frolic" and that those little hammers hit the table, by actual count, Just about thirty times on each of Frisco's. numbers. The figure is too low. Frisco received his name for the same reason they called it the Holy Roman Empire, which wan neither holy, nor Roman, nor an empire. He has never been nearer the coast than Dubuque, Iowa, where he was born. and adopted the name Chicago He performance aim find somebody with tMrtlval of festival cigars. smokes thirty-fiv- e a day. nd although he receives a pleasing um It's much of a financial drain. erhape ho will remedy hlm.t!f a couple of weeks when he goes in the "Follies" and doubles his income. THE VILLAIN'S DAY. Hae Passed for All Time. Edwin Mordant, who causes all the trouble for Abe and JuTmi-W- In 'Business Before Pleasure," the great comedy success at the Eltinge Theatre, is a graduate of the celebrated A. H. Woods school of melodrama, where stage villainy reached Its apex. Those were the days when the hisses for the villain were heard for four blocks, and when "Flanders field" was nothing compared to what happened to him In the last act. In 1900 Mr. Mordant became lead ing man In 'The Fatal Wedding." the masterpiece from the pen of Theodore Kremer. "King of the Melodrama" of time. The classic was presented by the Justly celebrated firm of Sulli- van, Harris & Woods and brought those three gentlemen a reward that the more cultured contemporary drama could well envy. After "The Fatal Wedding" Mr. Mordant starred Ir. 'The Prisoner of Zenda" and later opened a stock company In San Fran- cisco, of which he was star, manager and stage director. The earthquake terminated the earthly career of this organization, and Mr. Mordant Invaded Mexico with tho first English speaking stork company that ever penetrated Into that peace domain. All the Government thea tres wero gratuitously placed at the company's disposal by the late and nevertheless unlamented Porflrlo Diaz. Returning, he played' with Annie Russell, in Midsummer Night's Dream," and In John Cort's produc- tion of 'The Spider's Web," In which Sarah Truex starred. The following two seasons he was featured by Henry Miller tn 'The Great Divide," playing Stephen Ghent. He toured In a revival of 'The "White Slave," in which his wife, Grace well, costarred with him. He played Potlphar in "Joseph and His Brethren" at the Century Thea- tre; In "At Bay," In "The Tempest" at the Century Theatre, and William Gillette In revivals of "Sher- lock Holmes" and "Secret Service." After short engagements In 'The Fear IN BROOKLYN. New Brighton will have Stella Mayhew as the headline attrac- tion. John B, Hymer will ap- pear his newest playlet. Christie MacDonald, the musical comedy favorite, will appear for the first time at the Orpheum a musical fantasy, "Cupltfs Mirror." The Bushwick has arranged a bill of favorites, with Van and Schenck leading the list Rooney and Marion Bent are i ovcr Dy reuelt' even for monotony. The blat-bl- at ofliBeia Pat Market" and David Belasco's produc tion of "Alias." he Joined "Business Before Pleasure," and has appeared In that comedy at tho El tin go Theatre since last August. Mr. Mordant Is fond of harking back to the days of the "thrillers." "Speaking of melodrama In what we call the 'old days,'" says Mr. Mor- dant, "I am reminded of the pop- ular conception of the villain. He always had black hair, a black mus- tache, a blacker cigar, said always wore a silk "topper" and a Prince Al- bert at least once In the course of a play. I recall one such character I portrayed, and the 'props' I required In one act a pistol, blackjack, bowle knife and a half pint whiskey flask filled with cold tea. These I termed my arsenal. Wo villains played for hisses Just as the leading man and woman played for 'hands.' "The villain was always rrqulrod BMdHSgJgJJSggJgJHiK ir ggggg9MkV'JgH BBBBBBBBBBBBBBsBrT'y':."'- - xTSSBBSSa K-gaLs- ' jUgW? gaBBBBBBBBBBBBBBBsV'igaBBBBBBBBBBBH gagagaHHliggggF BgagaH':: ygagagagaW 'VjjggggggBj gaBSsiOgsgsgsH gaKBPHgagaBBBBBBBBBBsH gaBBBraKaBBBBBBBBBBBBBBBBBBBBBBBsH V'PgSgHsgSLsH MARION DAVIE S in ceciUAj3f ihe PINK ROSES' JSV 9 x to have a sense of humor to relieve the heavier moments of his work. Like lauo ho 'smiled and smiled' to keep his audience in doubt, so that when the denouement came his villainy was tho more effective. It was the hardest role In a play, but richly re- warded, for there never was music in the theatre like the hisses that came from tho gallery, when poor Nellie was tied to the track." A NOTES OF THE STAGE. T the Neighborhood Playhouse the Festival Dancers and the Neighborhood Players in , of "A has one In life, and that is to ; to supply him Pentecost." This He too this In It all ful "A At- - with in in then our all has been produced by them In honor of tho twenty-fift- h anniversary of the Henry Street Settlement. It haa in its dancing, choral and speaking groups more than seventy young peo- ple. Its three colorful scenes sym- bolize tn dance and pageantry, often to the accompaniment of singing, the rites of early Eastern peoples In cele- bration of the first grain harvest of midsummer rltea that came to In- clude In Hebrew tradition the celebra- tions of the giving of the Slnaltlc law and whose spiritual significance Is here symbolized as youth's vision of life and service. "But it was not only the war that made my heart heavy with forebod ings about 'Tiger Rose' before It opened Its New York engagement last October," I.enore Ulrlch recently ex plained. "Looking back across a full season of such splendid success It Is easy enough now to laugh at my fears. But they were very real to me last September," she went on to say. "You see 'Polly With a Past' had opened nearly a month ahead of 'Tiger Rose.' tit had achieved such an Im- mediate triumph got over with such a bound that it didn't seem possible to me that Mr. Belasco could have an- other such euccess Immediately. "So well I remember the close of a long rehearsal of Tiger Rose' last September! We came up from the rehearsal room In the Belaaco Theatre Just at the close of a matinee per- formance of 'Polly With a Past.' The capacity audience was demonstrating tremendom enthusiasm. I listened with a feeling that combined Joy and sorrow. I was glad for tho splendid PHILHARMONIC JOSKP ITR1V1W. 'nriii-nr- . IBIS Stvtnt) rrtnth Sranon CAKNEGIK HAM. Twelre Thursday Erenlnst. Bliteen Friday Afternoons. Four Saturday F.Tentngi. Twelve Sunday Afternoons, Subscription Books Now Open SOLOISTS! Jairha Helfets Yolanda Mere jour Hofmann Raoul Vldaa I oulie Homer Harold Bauer KTrem ZlmbalUt Mlarba FJman uulomar Noun Pswall Mai Hesen Hulda Lajhanska .MUcha LetltiM Lucy Gales and other to he announrrd. Prospectus Mailed on Application. ll F. .Letfels, fr. Carnegie nail. METROPOLITAN OPERA HOUSE U. S. NAVY MUSIC FESTIVAL MONDAY EVENING1, JUNE 10 Direction, Mme. Frances Alda World's Fin Graittst Tmws Caruso. McCormack. Murstort, MaitlnslU, Latuo Alan. MUcha Klman Harold Baunr. Mnuo. Alda, Miulo, Braalau. Howard, Case, Sparkes, Mtaarn. Scott I, A mato, Ilothlor. DeLuea. Didur. rie Securola. Sous and U. 8. Marino Band and others. Seats at Recular Opera friers at Bos Office. Rucce.ii Miss uiaire nau acnieveu; happy too because It meant so much to Mr. Belaaco. But for myself well, the very triumph of 'Polly' eeemed to my overwrought thought to spell fail ure for "Tiger Itore.' My neart was like a Jump of lead, Its heaviness In- tensified .by the long wait I had en- dured, for, you see, It was a full year between my appearance In The Heart of Wetona' and the commencement of the engagement of Tiger Rose.' Dur- ing that year I Just waited. I de clined ail other offers, although my heart was breaking for the theatre. Neither did I have the salvation of other interests." Morris Gest last night received a cable despatch from Yokohama from his brother, Simon Gest, who with his wife succeeded in escaping from Odessa, Russia, Just before the Ger mans occupied that city. The cable gram explained that Mr. and Mrs. Simon Gest. after many tribulations, had succeeded In crossing Siberia to Vladivostok, from which they took a steamer to Japan. They are ex pected in New York In the course of the next three weeks and will make their future home here. They ore now at the Hotel Mournkaya, In Yokohama. Mr. Gest Is still without news of his father and mother, who live In Odessa. Mr. Gest has two other brothers, both officers in the Russian army, but he Cues not know their present where- abouts. Simon Gest, who succeeded In escap- ing from Russia, was a student in Bel-glu- m when the war began and served three years In the Russian army. He figured In the cable despatches six months ago when he went from Petro-gra- d to (Moscow to secure the musical score of "Le Coq d'Or" ("The Golden Cock"), which was produced at the Metropolitan Opera House last winter. He sent the music to Morris Gest be- fore the Bolshevlkl came into power, and Mr. Gest turned the production over to the Metropolitan Opera House. 1010 John When 'Willie Weston, the character comedian, who will be a feature of the programme at the New Brighton Theatre, made his debut In vaudeville some years ago he chose as his mode nf pntrnnrA a fall. H didn't wnlk nr run or drift or wander or fly Into It; he fell, and he felt off the slipper' back of a racing horse at that. From the spinal column of a speed plug Into the realm of vaudeville is quite a transition, but then It Is typical of Willie Weston's ways. At one time In his adventurous ca- reer Willie was a Jockey. He navi- gated the circular track under the colors of Wllllam Oliver, with whom he was a great favorite, and piloted many a pampered Dobbin in contest with such past masters at the king's sport as Tod Sloan and Snapper Gar- rison. This was at the time when racing occupied a higher plane than It does and Willie was all set to make Jockeying his life's work. "But the best laid plans of mice and men gang aft agley," as the Scotch say. One day In the last fur- long of a hotly debated contest Willie's mount fell and when Willie woke up he was In a hospital and out of racing for good. "Why don't you try vaudeville?" suggested Willie's friends when he was able to bo about. "If you can make us laugh when we have lost a race surely you can mske a audience raise a risible." And Willie took the tip. To-da- y he is a greater success as a comedian than he ever was as a Jockey. And In his heyday Willie was considered a topnotch rider. A long term lease of the Fulton Theatre, Forty-sixt- h street near Brondwny, yesterday was executed be tween Mrs. Rclna "W. Harris, for the Henr B. Harris estate, and Oliver D. Bailey and N. D. Smith, the lessors of the property. "The consideration is said to be 140,000 a year, with the privilege nf an eight year extension, the occup.: cy of tho new v lessors to commence September this year, and the present tenants of the Fulton to lie undisturbed by the terms and con- ditions of the Batley-Smlt- h lease. Mrs. Harris wishes It expressly un derstood that the Actors' and Authors' Theatre, now occupying the Fulton, will not be affected by the present transaction, but may remain undis- turbed until the new lessees take pos- session, September 2, and thereafter If Messrs. Bailey and Smith find the con- tinuance of the existing contract de- sirable. Oliver D. Bailey, who has made a number of New York productions dur. lng the past three years, wns for many years a successful and widely known WITH AMUSEMENTS. ! amte at mi wmi nam SgflBBsfsslgflt BBBBBBBBBgBV gggggggsBBggga BgaBwVBgggcP' .IRENE BORDONI, in, HITCHV KOO 1918 manager and producer on the Paclflo coast. Ho haH been connected as man- ager, stage director, producing man- ager and scenario writer with a num- ber of New York theatrical firms and la the author of a number of plajn. He said that he has no revolutionary Ideas with regard to the management of the Fulton, but will conduct It as a first clsss dramatic house with a de- cided partiality for first class musical comedies. His own play, "A Stitch in Time." by Lottie Mcaney, which had .1 a successful spring tryout, may bo Bailey's "opener" at the Fulton. "But not if I can get plays which New York would like better," he explained. MUSIC TEACHERS AND PUPILS. During the commencement exercises of the Institute of Mulcal Art to be held In Aeolian H.ill ne Monday night at 3:15 o'clock, the rollouts programme will be rendered : Overture ; Egmont, Beethoven, orches- tra of the Institute: two movements from concerto In E minor. Chopin (Romsnse; Larghetto ; Rondo; Vlvacn. Miss Katie Bacon; Fnntalsle, (Seorg Hue. Wllllam Klncald; Song of the niilnemaldfn from The Twilight of Ui Gods, Wagner, chorus and orchestra of the Institute; Introduction ami Allfcri Appassionato, Schumann, for piano lt!i accompaniment of orchestra. MIm Mary lllue; Romance and Tarantells, Hellmesberger. for four violins, Jo!vh Fuchs, Robert Velten, Miss Marianne Knelsel, Yasha Slmkln : Overture: Huy Bias, Mendelssohn. Recruit Practice Band, Department of Military Music of the institute; Waltz: Stories from th Vienna Woods, J, Strauss, orchestra of the institute. The Klaw & farce by Ethel Watts will the at the The cast, with Mary Boland, will present the 1 PTO-PA- Y I TI1E MCBICAI. EVENT V- - OF TUE UECAIIE sSb AFTERNOON ifuM (SUN0AY) AT 3 'CL 1 v TUlJl nVlt Gate Open at I I'. M. If MONSTER If THRIFT ML FESTIVAL ELIJAH A PLAY A WEEK. Erlanger "Sick-a-Bcd- ," Mumford, be attraction Standard. original comedy. r-- A THIS l4 10,000 VOICES Lieut. JOHN PHILIP SOUSA, C. S. N. R. r.. General Muitcal Director. W1S.S. ceomnanw AMrsKMP.vm. SOUSA'S BAND OF 300 MUSICIANS "A TEN DOLLAR FES- TIVAL EVENT AT THRIFT -- PRICES." Evr. Sun. NOI.OINTS: Mme. Frances Aid Mnie. ftonhl Braalau Mr. Charlci Harrlaon !! Beitr McKtnna Mr. lon Hot liter Mr. 0rar Heaale Mme. Marie Siinriellu roMFHNKH THK MUSICAL ORNIU8E9 OF AMERICA " GLOBE. CONDUCTORS;: Mr. M .1. Corcoran Mr Cieirite II, Oartlan Mr. Carl Heln Mr Ivoul K(xmmenlch Mr. Kdw. O, Mamuard Mr. Tall Esen Murgan Dr. Prank Rli Mr, U. Mortlmrr Wliko 1 ICKKTS at erery price on tale y only al the rni.o GROUNDS ticket offlcM. Open al 11. JO. Thrift Prion, 5Co. 1. 00, 1.25 HF.HF.RVKD HE ITS A U S. Government Thrift stamp With Eriry Ticket, Entire procrcij fur t he National War Savlium Coir mitt co fee Greater New York (Educational r'u'id
Transcript
Page 1: I PHILHARMONIC If - Chronicling Americachroniclingamerica.loc.gov/lccn/sn83030431/1918-06-02/ed-1/seq-20.pdfChoral Society, the Peoples Choral ... A. Toxen Worm, speaking for Lee and

"f i', i vj i . i 'i " . . '.vm iwiuj'Wk'fc ; "fiK f oi ii 'K, " l t'r"i jv.i " t t ,r av; rtr j ,wr.f i v . " w .I'fr. vr z,r cr."7T""ir''i. jymuwtf. E7.tti.tjt - rv-r- v wiTr w.rwi imm M rM . .... . . - -

' 4 t' 2 THE SUN, SUNDAY, JUNE 2, 1918,

VMMER DIVERSION fry flfe THEATREL :

--BE

aSMBMBMBP' r sMBMBMBMBMBMBr

ssL Ik bbb

'l

f.wr ;pP asaln

f''.? a 'iaSSSrllliaS(',; 'fsrsssr"Fsss

r. MARY MAC LAREN

O many playhouses closed their11 doors last night that the theatre

season, excepting so far as themusical plays are concerned, seems asdead as patriotic contributors to theefforts of the Elks during the RedCroaa week tried to make, the imagin-

ary German Kaiser lying in the coffin

at .Broadway and Forty-thir- d street.But there will be no end of musicaldiversion for the city dweller duringtae summer months. Raymond Hitch-cock comes this week to the GlobeTheatre, there ore tho Follies in viewand the Winter Garden will have itssummer review within a few weeks.So dramatic art may not he said to domore than sleep with one eyo openduring the summer months. It willnot be covered Indeed If the choruagirls with the aid of the stage rs

can see to It except as to itsears. Indeed the last word in stagedressing for the summer diversionsdemands that only the ears shall becovered. Thn manner in which theyare concealed will of course dependon tho Important question, "Werethey, blond or brunette?"

"Getting Together," acted earlier Inthe season at the Lyric Theatre, willbe seen night at the Shu-be- rt

Theatre. It is presented underthe auspices of tho British and Cana-dian Recruiting Mission. Lieut. G1URice, who wrote tho music, will sing.thee songs.

Raymond Hitchcock will present atthe Globe Theatre on Thursday the' second edition of "Hitchy Koo, 1918."Mr. Hitchcock will evidently establisha perennial rival to. tho Follies. Asso-ciated with him will be Ieon Erroll,Ray Dooley, the Kouns Sisters, EmmaHalg, Irene Bordont and other well

vTHE NEW CINEMAS.

Marguerite Clark is theStrand attraction, appearing in apicture version of "Prunella."

Believe Me, Xantippe," withWallace Reid, is the picture atthe Rialto, while the Rivoli haaMarion Davies in "Cecilia of thePink Roses."

The Rialto, Rivoli and Strandwill have the usual news pic-torials, scenics and musicalnumbers.

The Broadway presents MaryMacLaren in "The Model's Con-fession." The film is a pleasantthing, with a father trying to

educe his own daughter, beingunaware of their relationship.

"Pershing's Crusaders" continues at the Lyric, and D. W.Griffith's "Hearts of the World"ia on its third month at theForty-fourt- h Street. A specialattraction at the performance of"Pershing's Crusaders"

night will be Sergeant Boyleof the C. E. F who will narratehit experiences and play selec-tions on his violin, that accom-panied him to the trenches andback.

William A. Brady's picture"Stolen Orders." based on afamous Drury Lane melodramaby Cecil Raleigh and HenryHamilton, will be presented forthe first time at the Fark Theatre this evening. It has anotable cast enlisting the services of Carlyle Blackwell,Kitty Gordon, Montagu Love,June Elvidge, Madge Evans andGeorge McQuarrie. The pic-ture is said to possess many ex-citing scenes, among them beinga fight between a Zeppelin andanti-aircra- ft guns manned byAmerican gunners. The demolition of the "Zep." and the subsequent rescue of one of its oc-

cupants by a hydroplane, areaaia to turntsn the thrills.

known entertainers. The new piece IsIn two acts and elf h teen scenes.

The Italian Government's war ex-

hibit remains all week at the concertroom of Mndlsrm Square Harden,where It la attracting crowds with Itsremarkable array of trophies of warcaptured by the Italian troovs on theAustrian front The exhibit la being:given to raise funds for Italian warsufferers under the auspices of theItaly-Ameri- Society. The bow of acaptured Austrian submarine, minesand torpedoes, nerlal explosive and In-

cendiary bombs, trench mortars, ma-

chine guns and war clubs are IncludedIn the booty of war shown, and In ad-

dition every sort of equipment andarms furnished Italian soldiers andsailors are on view. There Is musicboth afternoon and evenings and concerts In which Italian singers take partare a frequent feature.

At the Polo Grounds at 3 o'clockthe monster Thrift Festival which hastaken months of careful preparationon the part of the leading conductorsIn this country will be held. Lieut.John Philip Sousa, U. S. N. R. F., Isthe general musical director and he,wiiii nis own famous sousa nana reassembled expressly for this patrioticoccasion and augmented to 300 musicians, will lead tho huge ensemble ofover 10,000 trained voices. Tho ora-torio to toe sung is "Elijah," but therewill be Interpolated "The Star, Spangled Banner," "La Marseillaise,"Sousa'a own "Stars and Stripes Forever" and other numbers 'try soloistsand the entire chorus. The entire enterprise was Inspired by Frederic A.Alien, chairman of the National WarSavings Committee of Greater NewYork, and the proceeds will be devotedto the educational fund of the WarThrift Savings campaign In this territory.

The distinguished soloists who willappear are Frances Alda, Sophie Bras- -lau, Charles Harrison, Betty

Leon Rothier, Oscar Seagleand Marie Sundetlus. Among the con-

ductors who have been teaching andtraining the various units which makeup the vast chorus are M. J. Corcoran,Walter Dam rose h, George H. Gartlan,Carl Heln, Louis Koemmenlch, Ed-

ward G. Marquard, Tali Esen Morgan,Dr. Frank Rtx and C. Mortimer Wlske.This multitude of singers Includes theCatholic Oratorio Society, the NewChoral Society, the Peoples ChoralUnion, Schola Cantorum, New YorkOratorio Society, Tall Esen MorganFestival Chorus, the Newark FestivalSociety and the pupils of twenty-seve- n

public high schools of GreateiNew Tork.

Theatre managers are alarmed atthe outlook for next season as a resultof the Government's Increase of therates of travel on the railroads of thecountry. There were prophecies yes-terday that many companies would beabandoned, although this was deniedin so for as it affected the Shuberts.A. Toxen Worm, speaking for Lee andJ. J. Shubert, said yesterday afternoonthat their companies were all bookedfor next year and that there could toe

no change from the plans alreadymade. The same is believed to be trueIn reference to the theatrical enter-prises grouped under the direction ofKlaw ft 'Erlanger.

But there will bo undoubted hard-ships In the Increase of rates. Theparty tickets of twenty-fiv- e underwhich companies were accustomed totravel even when lsss numerous, sincethat rate was cheaper in the majorityof cases havo been abolished. Thesetickets of twenty-fiv- e used to carrywith them the use of the baggage car.Now excess baggage and scenery mustbe paid at the advanced rate Imposedby the Government.

"There undoubtedly will be some ap-

peal from the Government's decision,"said a well known manager yesterday,"as the new conditions are too hard forthe theatrical profession to bear. Thecne night standa will probably feel theeffects of the new rule more severelythan the larger cities In which longerstays are made. I doubt very muchthat there will be the projected forma-tion of stock companies during thecoming season as the theatres havealready been booked up with the at-

tractions to bo sent from New York;but If the new rule continues In effectthere will bo undoubted changes dur-ing the following year."

It was said yesterday that a firm oftheatrical managers already weredrawing up a protest to Congressagainst the new ruling.

'A comedian's life Is supposed tobe drollery and raillery, banter andJest the livelong day," said RaymondHitchcock at the Globe Theatre, wherehis "Hitchy Koo, 1918" will eoon beon view.

Tuke my own case aa the horribleexample. I am supposed to crackevery stale breakfast egg with a freshJoke. I must open oysters with ascream. And when I return home atnightfall I must bring a box of choicebonbons in one pocket and a packageof selected bonmots in the other. Mywife's house gvMats expect my brilliant humor to Illuminate my home tillbedtime despite the fact that they havethe laugh on me.

'Yes, that is what Is expected ofme. but I am not uving up to expectatlons at present. A comeaianIs at best but a butt But a comedianwith the aout la something elseagain.

'By strict economy and abstemioushabits saving a few thousands hereand there, you might say, I have beenable, despite the drawback of an economlcal wife and a lot of expensiverelatives, to provide myself with amodest little 1100,000 summer placeat Great Neck, a 400 acre farm suitedto my small needs and a town houseIn Twenty-sofort- h street.

From this It will be seen that mylifo Is both simple and concrete mysummer home la concrete. It Is roughstuff, but I am not so overrented asto object to It. My town house la located In a most exclusive section ofthis charming city In the Chelseadistrict near Railroad avenue. Theconstant passing of freight trainsgives a certain life to the district thatlb missing In many other parts of thecity.

"But what Is really In my mind atthe present time Is my gout. It's notonly on .my mind but In my feet.How i picked It up Is a mystery unless it Is timber gout, which I understand Is sometimes contracted fromwandering In the foreaU. You see I

do love wandering In the forests pick-ing sweet wllllam and Johnny-Jum-

ups, showy s chrysanthemumsand modest mignonettes. Even thosoulful sunflower appeals to me, andbeing larger than the others, has moreof a wholesale appeal. Florsculturela what my wife calls my tittle pas-time, which I enjoy In mr Intermit-tent periods of

"Some one has been rude enough tosuggest that my, timber gout camefrom drinking wood alcohol, but thatIs a base libel. Grade A milk Is thestrongest liquid that passes my Hps.Drinking out of short glasses Is en-tirely out of my line. My gout Is arespectable affliction, and I nm notgoing to allow any one to make sportof It. When I recover hearty con- -

aT?S.HggggggggggS'fv JgagggggggggggggWljgflggggggggggggggggggS

iggBgwKife' ifpSlrfu I

iHliH " "jgHBts

gggKM.";i-aJlW-

lagKffPtsgH

gPififl1 --SftWI

ANN LITTLE

gratulatlons and doctor's bills will bein order. Until then I'll affect aloose tie and a tight belt."

The Actors and Authors Theatrehas completed the first week of Itsnovel venture and given New Yorktheatregoers performances of plays Ina theatre managed entirely by the or-

ganization, announces that its nextproduction at the Fulton Theatre tofollow "Her Honor the Mayor" nowplaying, will consist of four one actplays. Two of these, are operettas:the others, a war comedy and a wardrama. .

It has been decided by the directorsthat for the next bill and all thosefollowing the regular scale of pricesprevailing at first class theatres willbe put Into practice. It was the hopeof the Actors and Authors to Institutea plnn' of conservation prices forseats, with the idea of keeping amuse-ments more In line with other war-tlm- o

economies. Even against theadvice of some well known dramaticcritics and others experienced in thetheatrical business they decided toat least try the scheme of offeringthe public first class productions withexcellent acting at popular prices.

It has been found, however, that theNew York public does not want bargains tn their luxuries and bat 'theywill not patronize a theatre at popu- -

lor prices whatever Us merits andvirtues. The Actors and Authors Tne- -ntro Is quick to acknowledge Its mistake and profit by it, and followingthe desire of the public will hereaftersell their seats at the prices chargedby other theatres.

N. B. -- It la necessary to modify tnepreceding statement tn view of laterofficial Information from the Actors'and Authors' Theatre. It has been de-

cided to discontinue all performancesat any price.

Evidently the authors and acton havedecided that New York theatregoers donot want them Just now on any terms.

The auction sale of seats and boxesfor the forthcoming annual PublicGambol of the Lambs will be held onThursday. June 6, at the Hudson Theatre. at 4 o'clock In the afternoon.On that occasion distinguished starswill auction off the best seats andboxes for the performance of theLambs to be given on Friday night,June 14, In the Hudson Theatre, thisbeing the function usually describedas "the Ladles Spring Gambol" of theLambs for the general public andtheir friends.

Four succeeding Gambols will alsobe given on the two afternoons andnights following the public Gambol,but these will be for special war charities and the disposition of the seatsand boxes for these subsequent performances will be In the hands of thecharities named.

More than 160 of the best knownplayers in America will participate Inthe Lambs Gambol In a series or

tPLAYS THAT LAST.

Astor, "Rock-a-By- e Baby";Belasco, '"Polly With a Past";Broadhurst "Maytima"; Booth,"Seventeen"; Casino; "FancyFree": Cohan, "The Kiss Burg-lar"; Cohan ft Harris; "A Tailor- -

Made Man"; Cort. "rio-no- ";

Eltinge, "Business Before Pleas-ure"; Forty-eight- h Street "TheMan Who Stayed at Home";Forty-fourt- h Street "Hearts ofthe World"; Olobe, "Hitchy.Koo, 191S"; Liberty, "GoingUp"; Lyric, "Pershing's Cru-saders"; Lyceum, "Tiger Rose";Morosco, "Lombard, Ltd.":Maxine Elliott's. "Eyes ofYouth": the Park, "ScaledOrders"; Princess, "Oh, Lady I

Lady 1 1" Shubert "The Copper-head," and Winter Garden,"Sinbad," with Al Jolson.

sggLl'LBgV IgagagagB

aLalE VfliMgagagagaEii

r .w 'T'BF- - gggggggkNf ' ?; w f J ggggggggga

m, ggggHO.-'.- , i Z" sgagagagagagagaHgw-- v i ? - i gggpgJgggggggggga

" M i t t '! JlggsagggggggggH

BLrWCHE BTES and RUTH BENSONtn ' GCTTINO TOGETHER".

THE SUMMER THEATRES THIS WEEK.

MONDAY Shubert Theatre: Revival of the war play "GettingTogether," by Ian Hay (Major Beith), J. Hartley Manner andPercival Knight, with music by Lieut. Gitz Rice, with the originalcast headed by Blanche Batet and Holbrook Blinn.

THURSDAY Globe Theatre: Raymond Hitchcock will present asecond version of "Hitchy Koo," with Leoin Errol, IreneBordoni and ether popular summer entertainers.

dozen sketches, acts, playlets andother offerings. The stage director-gener-

la R. H. Burnslde. the gen-eral stage manager Is Arthur Hurley.the general business manager Is Will-iam G. Smythe, the assistant businessmanager is Albert O. Brown, and thefull list of the entertainment com-

mittee, of which Shepherd Joseph R.Grlsmer m chairman, la as follows: Edwin Milton Royle. AugustusThomas. Arthur Hurley, Edward S.Ellis. Charles A. 8tevenson. WilliamG. Smythe, Raymond Hubbell, Will A.Page, Victor Herbert, Albert O. Brown,George V. Hobart, Kenneth Webb.John Sainpolts, John L. Golden andR. H. Burnside.

The programme In detail will beannounced In a few days, but prac-tically every big star and near tarof y who a member ,o;il approvn is

will be Included the roster,All the auctioneers of next Thursdaywill also be In the cast of Gambolsof the Lambs.

KOBE NEW GENIUS.

Greatness of OneVoted.

Of the many Indices

Frisco" Dnlr

of theatricalsuccess the two that are desirablesalary excepted, of course are a hostof Imitators and ths applause thatwon't stop. Frisco, the eccentric"Jazz" dancer of the "Midnight Frolic,"has so many Imitators that he can'tcount them, and when It comes to ap-

plause, well, Victor Klraly had betterput rubber tips on the hammers with

tho "Frolic" audiencen expresstheir approval to save his tables.

The story of Frisco Is interesting Inthat It reveals the changing tastes ofNew Yorkers. It Is not generallyknown that Frisco tried to climb theladder In New York once before, somefour years or so back. But Instead ofdancing his way up a rung or to hewas kicked off to the bottom. Hewasn't wanted, and so he went back toChicago when he saw that Manhattanhad not be:n educated as yet from theplain syncopation of Irving Berlin tothe more effective and nervous notesof the "Jazz,

Frisco had been at work In Chicagoever since he was 14. He had been i

stage hand and worked in cafes. Between times he had gone South andstayed in New Orleans and Mobilelong enough to watch the negroesdancing and Improve on their steps,So when he would be sitting in a cafetn Chicago (perhaps It might havebeen Hlnky Dink's or one of the Loopplaces) and somebody would ask himto show the crowd a few steps, he'dget up without removing his derby orcigar and move around.

Then he came to New York andmade the quick exit mentioned. Instoad of giving up the Idea of doingsomething new in the way of dancinghe worked hard on his steps andfinally came East last summer for thesecond time. He paid his own carfaretoo. He had no press agents and noadvance notices except a letter ofrecommendation from the late CaptVernon Castle, but when the managerof a Broadway cabaret saw him movearound In his peculiarly characteristicway he was engaged on the spot.

It took about three minutes for thecrowd of first nlghters at the cabaretto appreciate his work and itFlorenz Zlegfeld, Jr., about the sametime to put Frisco under contract several months later for the "MidnightFrolic." When Frisco's "act" Is seenIn the "Frolic" It might be wonderedwhy the crowd wants to see more andmore of his steps. It Is not neccssarlly the novelty of the thing, and ItIs difficult to analyze the reason whyFrisco is liked, but the fact is stronglyevident that he Is. He has no "props'except his derby and cigar. He needsnothing else, Ho comes on, sticks hishands In his pockets and twists hifeet, playj with the cigar, runs aroundthe platform and goes off, only to return when the hammers bang againstthe tables In the pleasing unanimityof approval

He has a facial expression that Isprfected. He Is a likable and cleverclown at whom people laugh becausethey realize they are clowns themselves. It's the same principle reallyas the fact that the sane man realizehe has a touch of Insanty and theman who is unbalanced swears he Isabsolutely sane. He Is the symbol forthe "ervous, spasmodic movementsthat i haracterlze both New York andJazz tunes. It Is the call for quickrhythmical twists and speed, speedand more speed. There Is such a thingas the monotony of change, but Friscochanges so quickly that he is too fast

the cornet Is his Inspiration, and fromthe notes of that Instrument he con-

ceives the Ideas for new steps andthe little things that catch the fancyof the public.

Continued eulogy of a person de-

feats tts own purpose, so let It sufficeto say that Frisco is a pleasure towatch. They are Imitating him allaround town, hsrt they can't be asgood. He Is ttm only and original,and In addition no imitator could everget the number of knocks Frisco getsevery night at the "Frolic." He getsat a very conservative estimate 35,000knocks at every performance. In thiscase, however, the saying "everyIs a 'boost" Is true, for a knock withone of Victor KIraly's hammers ione of Victor KIraly's tables meansapproval. Many knocks mean a great

is of the of and 35,000 JustLambs In

the

which

took

knock

about the limit. The figure statedmay seem excessive until It Is remem-bered that Krist'o is always applaud v!three times, frequently four; thatthere are 500 or .more folks nightlyat the "Frolic" and that those littlehammers hit the table, by actualcount, Just about thirty times on eachof Frisco's. numbers. The figure is toolow.

Frisco received his name for thesame reason they called it the HolyRoman Empire, which wan neitherholy, nor Roman, nor an empire. Hehas never been nearer the coast thanDubuque, Iowa, where he was born.and adopted the name Chicago He performance

aimfind somebody with tMrtlval of festivalcigars. smokes thirty-fiv- e a day.

nd although he receives a pleasingum It's much of a financial drain.erhape ho will remedy hlm.t!fa couple of weeks when he goes in

the "Follies" and doubles his income.

THE VILLAIN'S DAY.

Hae Passed for All Time.Edwin Mordant, who causes all the

trouble for Abe and JuTmi-W- In'Business Before Pleasure," the great

comedy success at the Eltinge Theatre,is a graduate of the celebrated A. H.Woods school of melodrama, wherestage villainy reached Its apex. Thosewere the days when the hisses for thevillain were heard for four blocks, andwhen "Flanders field" was nothingcompared to what happened to him Inthe last act.

In 1900 Mr. Mordant became leading man In 'The Fatal Wedding." themasterpiece from the pen of TheodoreKremer. "King of the Melodrama" of

time. The classic was presentedby the Justly celebrated firm of Sulli-van, Harris & Woods and broughtthose three gentlemen a reward thatthe more cultured contemporarydrama could well envy. After "TheFatal Wedding" Mr. Mordant starredIr. 'The Prisoner of Zenda" and lateropened a stock company In San Fran-cisco, of which he was star, managerand stage director.

The earthquake terminated theearthly career of this organization, andMr. Mordant Invaded Mexico with thofirst English speaking stork companythat ever penetrated Into that peace

domain. All the Government theatres wero gratuitously placed at thecompany's disposal by the late andnevertheless unlamented Porflrlo Diaz.Returning, he played' with AnnieRussell, in Midsummer Night'sDream," and In John Cort's produc-tion of 'The Spider's Web," In whichSarah Truex starred.

The following two seasons he wasfeatured by Henry Miller tn 'TheGreat Divide," playing Stephen Ghent.He toured In a revival of 'The "WhiteSlave," in which his wife, Gracewell, costarred with him.

He played Potlphar in "Joseph andHis Brethren" at the Century Thea-tre; In "At Bay," In "The Tempest"at the Century Theatre, andWilliam Gillette In revivals of "Sher-lock Holmes" and "Secret Service."After short engagements In 'The Fear

IN BROOKLYN.

New Brighton will have StellaMayhew as the headline attrac-tion. John B, Hymer will ap-pear his newest playlet.

Christie MacDonald, themusical comedy favorite, willappear for the first time at theOrpheum a musical fantasy,"Cupltfs Mirror."

The Bushwick has arranged abill of favorites, with Van andSchenck leading the listRooney and Marion Bent are

i ovcr Dy reuelt'even for monotony. The blat-bl- at ofliBeia

Pat

Market" and David Belasco's production of "Alias." he Joined "BusinessBefore Pleasure," and has appearedIn that comedy at tho El tin go Theatresince last August.

Mr. Mordant Is fond of harking backto the days of the "thrillers."

"Speaking of melodrama In what wecall the 'old days,'" says Mr. Mor-dant, "I am reminded of the pop-

ular conception of the villain. Healways had black hair, a black mus-tache, a blacker cigar, said alwayswore a silk "topper" and a Prince Al-

bert at least once In the course of aplay. I recall one such character Iportrayed, and the 'props' I requiredIn one act a pistol, blackjack, bowleknife and a half pint whiskey flaskfilled with cold tea. These I termedmy arsenal. Wo villains played for

hisses Just as the leading manand woman played for 'hands.'

"The villain was always rrqulrod

BMdHSgJgJJSggJgJHiK ir

ggggg9MkV'JgHBBBBBBBBBBBBBBsBrT'y':."'- - xTSSBBSSa

K-gaLs-

' jUgW?

gaBBBBBBBBBBBBBBBsV'igaBBBBBBBBBBBH

gagagaHHliggggF

BgagaH':: ygagagagaW'VjjggggggBjgaBSsiOgsgsgsH

gaKBPHgagaBBBBBBBBBBsHgaBBBraKaBBBBBBBBBBBBBBBBBBBBBBBsH

V'PgSgHsgSLsH

MARION DAVIE Sin ceciUAj3f ihe PINK ROSES'

JSV

9 xto have a sense of humor to relieve theheavier moments of his work. Likelauo ho 'smiled and smiled' to keephis audience in doubt, so that whenthe denouement came his villainy was

tho more effective. It was thehardest role In a play, but richly re-

warded, for there never was music inthe theatre like the hisses that camefrom tho gallery, when poor Nelliewas tied to the track."

ANOTES OF THE STAGE.

T the Neighborhood Playhousethe Festival Dancers

and the Neighborhood Playersin , of "A

has one In life, and that is to ;

to supply him Pentecost." ThisHe

toothis

In

It

all

ful

"A

At- -

with

in

in

then

our

all

has been produced by them In honorof tho twenty-fift- h anniversary of theHenry Street Settlement. It haa inits dancing, choral and speakinggroups more than seventy young peo-ple. Its three colorful scenes sym-bolize tn dance and pageantry, oftento the accompaniment of singing, therites of early Eastern peoples In cele-

bration of the first grain harvest ofmidsummer rltea that came to In-

clude In Hebrew tradition the celebra-tions of the giving of the Slnaltlclaw and whose spiritual significance Ishere symbolized as youth's vision oflife and service.

"But it was not only the war thatmade my heart heavy with forebodings about 'Tiger Rose' before Itopened Its New York engagement lastOctober," I.enore Ulrlch recently explained. "Looking back across a fullseason of such splendid success It Iseasy enough now to laugh at my fears.But they were very real to me lastSeptember," she went on to say.

"You see 'Polly With a Past' hadopened nearly a month ahead of 'TigerRose.' tit had achieved such an Im-

mediate triumph got over with sucha bound that it didn't seem possibleto me that Mr. Belasco could have an-

other such euccess Immediately."So well I remember the close of a

long rehearsal of Tiger Rose' lastSeptember! We came up from therehearsal room In the Belaaco TheatreJust at the close of a matinee per-formance of 'Polly With a Past.' Thecapacity audience was demonstratingtremendom enthusiasm. I listenedwith a feeling that combined Joy andsorrow. I was glad for tho splendid

PHILHARMONICJOSKP ITR1V1W. 'nriii-nr- .

IBIS Stvtnt) rrtnth SranonCAKNEGIK HAM.

Twelre Thursday Erenlnst.Bliteen Friday Afternoons.

Four Saturday F.Tentngi.Twelve Sunday Afternoons,

Subscription BooksNow Open

SOLOISTS!Jairha Helfets Yolanda Merejour Hofmann Raoul VldaaI oulie Homer Harold BauerKTrem ZlmbalUt Mlarba FJmanuulomar Noun PswallMai Hesen Hulda Lajhanska.MUcha LetltiM Lucy Gales

and other to he announrrd.Prospectus Mailed on Application.ll F. .Letfels, fr. Carnegie nail.

METROPOLITAN OPERA HOUSE

U. S. NAVY MUSIC FESTIVAL

MONDAY EVENING1, JUNE 10Direction, Mme. Frances Alda

World's Fin Graittst TmwsCaruso. McCormack. Murstort,

MaitlnslU, LatuoAlan. MUcha Klman Harold Baunr.Mnuo. Alda, Miulo, Braalau. Howard,Case, Sparkes, Mtaarn. Scott I, A mato,Ilothlor. DeLuea. Didur. rie Securola.Sous and U. 8. Marino Band and others.Seats at Recular Opera friers at Bos Office.

Rucce.ii Miss uiaire nau acnieveu;happy too because It meant so muchto Mr. Belaaco. But for myself well,the very triumph of 'Polly' eeemed tomy overwrought thought to spell failure for "Tiger Itore.' My neart waslike a Jump of lead, Its heaviness In-

tensified .by the long wait I had en-

dured, for, you see, It was a full yearbetween my appearance In The Heartof Wetona' and the commencement ofthe engagement of Tiger Rose.' Dur-ing that year I Just waited. I declined ail other offers, although myheart was breaking for the theatre.Neither did I have the salvation ofother interests."

Morris Gest last night received acable despatch from Yokohama fromhis brother, Simon Gest, who withhis wife succeeded in escaping fromOdessa, Russia, Just before the Germans occupied that city. The cablegram explained that Mr. and Mrs.Simon Gest. after many tribulations,had succeeded In crossing Siberia toVladivostok, from which they tooka steamer to Japan. They are expected in New York In the course ofthe next three weeks and will maketheir future home here. They ore nowat the Hotel Mournkaya, In Yokohama.Mr. Gest Is still without news of hisfather and mother, who live In Odessa.Mr. Gest has two other brothers, bothofficers in the Russian army, but heCues not know their present where-abouts.

Simon Gest, who succeeded In escap-ing from Russia, was a student in Bel-glu- m

when the war began and servedthree years In the Russian army. Hefigured In the cable despatches sixmonths ago when he went from Petro-gra- d

to (Moscow to secure the musicalscore of "Le Coq d'Or" ("The GoldenCock"), which was produced at theMetropolitan Opera House last winter.He sent the music to Morris Gest be-

fore the Bolshevlkl came into power,and Mr. Gest turned the productionover to the Metropolitan Opera House.

1010

John

When 'Willie Weston, the charactercomedian, who will be a feature ofthe programme at the New BrightonTheatre, made his debut In vaudevillesome years ago he chose as his modenf pntrnnrA a fall. H didn't wnlk nrrun or drift or wander or fly Into It;he fell, and he felt off the slipper'back of a racing horse at that. Fromthe spinal column of a speed plugInto the realm of vaudeville is quite atransition, but then It Is typical ofWillie Weston's ways.

At one time In his adventurous ca-

reer Willie was a Jockey. He navi-gated the circular track under thecolors of Wllllam Oliver, with whomhe was a great favorite, and pilotedmany a pampered Dobbin in contestwith such past masters at the king'ssport as Tod Sloan and Snapper Gar-rison. This was at the time whenracing occupied a higher plane than Itdoes and Willie was all setto make Jockeying his life's work.

"But the best laid plans of miceand men gang aft agley," as theScotch say. One day In the last fur-long of a hotly debated contest Willie'smount fell and when Willie woke uphe was In a hospital and out of racingfor good.

"Why don't you try vaudeville?"suggested Willie's friends when hewas able to bo about. "If you canmake us laugh when we have lost arace surely you can mske a

audience raise a risible."And Willie took the tip. To-da- y he

is a greater success as a comedianthan he ever was as a Jockey. AndIn his heyday Willie was considered atopnotch rider.

A long term lease of the FultonTheatre, Forty-sixt- h street nearBrondwny, yesterday was executed between Mrs. Rclna "W. Harris, for theHenr B. Harris estate, and Oliver D.Bailey and N. D. Smith, the lessors ofthe property. "The consideration issaid to be 140,000 a year, with theprivilege nf an eight year extension,the occup.: cy of tho new v lessors tocommence September this year, andthe present tenants of the Fulton tolie undisturbed by the terms and con-

ditions of the Batley-Smlt- h lease.Mrs. Harris wishes It expressly un

derstood that the Actors' and Authors'Theatre, now occupying the Fulton,will not be affected by the presenttransaction, but may remain undis-turbed until the new lessees take pos-session, September 2, and thereafter IfMessrs. Bailey and Smith find the con-

tinuance of the existing contract de-sirable.

Oliver D. Bailey, who has made anumber of New York productions dur.lng the past three years, wns for manyyears a successful and widely known

WITH

AMUSEMENTS.

!amte at mi

wmi nam

SgflBBsfsslgflt

BBBBBBBBBgBVgggggggsBBggga

BgaBwVBgggcP'

.IRENE BORDONI,in, HITCHV KOO 1918

manager and producer on the Paclflocoast. Ho haH been connected as man-ager, stage director, producing man-ager and scenario writer with a num-ber of New York theatrical firms andla the author of a number of plajn.He said that he has no revolutionaryIdeas with regard to the managementof the Fulton, but will conduct It as afirst clsss dramatic house with a de-

cided partiality for first class musicalcomedies. His own play, "A Stitch inTime." by Lottie Mcaney, which had

.1

a successful spring tryout, may boBailey's "opener" at the Fulton. "Butnot if I can get plays which NewYork would like better," he explained.

MUSIC TEACHERS AND PUPILS.

During the commencement exercisesof the Institute of Mulcal Art to beheld In Aeolian H.ill ne Monday nightat 3:15 o'clock, the rollouts programmewill be rendered :

Overture ; Egmont, Beethoven, orches-tra of the Institute: two movementsfrom concerto In E minor. Chopin(Romsnse; Larghetto ; Rondo; Vlvacn.Miss Katie Bacon; Fnntalsle, (SeorgHue. Wllllam Klncald; Song of theniilnemaldfn from The Twilight of Ui

Gods, Wagner, chorus and orchestra ofthe Institute; Introduction ami AllfcriAppassionato, Schumann, for piano lt!iaccompaniment of orchestra. MImMary lllue; Romance and Tarantells,Hellmesberger. for four violins, Jo!vhFuchs, Robert Velten, Miss MarianneKnelsel, Yasha Slmkln : Overture: HuyBias, Mendelssohn. Recruit PracticeBand, Department of Military Music ofthe institute; Waltz: Stories from thVienna Woods, J, Strauss, orchestra ofthe institute.

The Klaw & farceby Ethel Watts

will theat the Thecast, with Mary Boland, willpresent the

1

PTO-PA- Y

I TI1E MCBICAI. EVENTV- - OF TUE UECAIIE

sSb AFTERNOON

ifuM (SUN0AY) AT 3 'CL1 v TUlJl nVlt Gate Open at I I'. M.If MONSTERIf THRIFT

ML FESTIVAL

ELIJAH

A PLAY A WEEK.

Erlanger"Sick-a-Bcd- ,"

Mumford, be attractionStandard. original

comedy.

r-- A

THIS

l4

10,000 VOICESLieut. JOHN PHILIP SOUSA,

C. S. N. R. r.. General Muitcal Director.

W1S.S.ceomnanw

AMrsKMP.vm.

SOUSA'S BAND OF300 MUSICIANS

"A TEN DOLLAR FES-TIVAL EVENT ATTHRIFT -- PRICES."

Evr. Sun.

NOI.OINTS:Mme. Frances AidMnie. ftonhl BraalauMr. Charlci Harrlaon

!! Beitr McKtnnaMr. lon Hot literMr. 0rar HeaaleMme. Marie Siinriellu

roMFHNKH THKMUSICAL ORNIU8E9OF AMERICA "

GLOBE.

CONDUCTORS;:Mr. M .1. CorcoranMr Cieirite II, OartlanMr. Carl HelnMr Ivoul K(xmmenlchMr. Kdw. O, MamuardMr. Tall Esen MurganDr. Prank RliMr, U. Mortlmrr Wliko

1 ICKKTSat erery price on tale

y only al the rni.oGROUNDS ticket offlcM.

Open al 11. JO.

Thrift Prion, 5Co. 1. 00, 1.25 HF.HF.RVKDHE ITS

A U S. Government Thrift stamp With Eriry Ticket,

Entire procrcij fur t he National War Savlium Coirmitt co fee Greater New York (Educational r'u'id

Recommended