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Image Grammar By Harry R. Noden. An ineffective writer sees broad impressions that evoke vague...

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“ An amateur writer tells a story. A pro shows the story, creates a picture to look at instead of just words to read. A good author writes with a camera, not with a pen.” Novelist Robert Newton Peck Secrets of Successful Fiction
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“Image Grammar” By Harry R. Noden
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Page 1: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

“Image Grammar”

By Harry R. Noden

Page 2: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

“ An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details that create a literary virtual reality.”

Harry R. Noden

Image Grammar

Page 3: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

“ An amateur writer tells a story. A pro shows the story, creates a picture to look at instead of just words to read. A good author writes with a camera, not with a pen.”

Novelist Robert Newton Peck

Secrets of Successful Fiction

Page 4: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

Painting with Five Basic Brush Strokes

• The participle• The absolute• The appositive• Adjectives shifted out

of order• Action verbs

Page 5: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

Participles = an –ing verb tagged on the beginning or end of a sentence

Page 6: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

“The diamond-scaled snakes attacked their prey.”

Page 7: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

“Hissing, slithering, and coiling, the diamond-scaled snakes attacked their prey.”

“Hissing their forked red tongues and coiling their cold bodies, the diamond-scaled snakes attacked their prey.”

Page 8: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.
Page 9: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

Absolutes = a two-word combination – a noun and an –ing or –ed verb added onto a sentence

Page 10: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

“The mountain climber edged along the cliff.”

Page 11: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

“The mountain climber edged along the cliff, hands shaking, feet trembling.”

“Hands shaking, feet trembling, the mountain climber edged along the cliff.”

“Feet trembling on the snow-covered rocks, the mountain climber edged along the cliff.

Page 12: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.
Page 13: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

Appositive – a noun that adds a second image to a preceding noun

Page 14: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

“The raccoon enjoys eating turtle eggs.”

Page 15: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

“The raccoon, a scavenger, enjoys eating turtle eggs.

The raccoon, a midnight scavenger who roams lake shorelines in search of food, enjoys eating turtle eggs.

Page 16: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.
Page 17: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

Adjectives out of order = amplify the details of an image

Page 18: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

“The large, red-eyed, angry bull charged the intruder.”

Page 19: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

The large bull, red-eyed and angry, charged the intruder.

Page 20: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.
Page 21: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

By eliminating passive voice and reducing being verbs, writers can energize action images.

Page 22: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

The runaway horse was ridden into town by a blond haired beauty.

The blond haired beauty rode the runaway horse into the town.

Page 23: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

The gravel road was on the right side of the barn.

The gravel road curled around the right side of the barn.

Page 24: Image Grammar By Harry R. Noden.  An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details.

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