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IMAGE POWER POLITICS - WordPress.com · POLITICS. looking is a social practice. looking is a social...

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IMAGE POWER POLITICS
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Page 1: IMAGE POWER POLITICS - WordPress.com · POLITICS. looking is a social practice. looking is a social practice-historical moment-social meaning-intent of the creator. ... the use of

IMAGEPOWER

POLITICS

Page 2: IMAGE POWER POLITICS - WordPress.com · POLITICS. looking is a social practice. looking is a social practice-historical moment-social meaning-intent of the creator. ... the use of

looking is a social practice

Page 3: IMAGE POWER POLITICS - WordPress.com · POLITICS. looking is a social practice. looking is a social practice-historical moment-social meaning-intent of the creator. ... the use of

looking is a social practice

-historical moment-social meaning-intent of the creator

Page 4: IMAGE POWER POLITICS - WordPress.com · POLITICS. looking is a social practice. looking is a social practice-historical moment-social meaning-intent of the creator. ... the use of

looking is a social practice

-historical moment-social meaning-intent of the creator

*practices of looking also form power relationships. the choice to look, or not look is an act of power.

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REPRESENTATION:the use of language and images to create meaning about the world

around us.

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MIMESIS:a concept that understands

representation as a process of imitating or mirroring the real

without taking into account how coded and conventions of

representation impact meaning .

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THE MYTH OF PHOTOGRAPHIC TRUTH

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POSITIVISM:the philosophy that scientific

knowledge is the only authentic knowledge, and concerns itself with truths about the world.

Page 14: IMAGE POWER POLITICS - WordPress.com · POLITICS. looking is a social practice. looking is a social practice-historical moment-social meaning-intent of the creator. ... the use of

in positivism, machines were regarded as more reliable than unaided human

sensory perception.

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Roland Barthes1915-1980

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DENOTATIVE:an image’s literal, descriptive meaning

--

CONNOTATIVE:reliance on cultural and historical context, as

well as viewer’s shared experience and knowledge of these contexts

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DENOTATIVE:an image’s literal, descriptive meaning

VS.

CONNOTATIVE:reliance on cultural and historical context, as

well as viewer’s shared experience and knowledge of these contexts

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IMAGES AND IDEOLOGY


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