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Christie's 26 June 2015 London, South Kensington
112
IMPRESSIONIST & MODERN ART SALE South Kensington 26 June 2015
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IMPRESSIONIST & MODERN ART SALESouth Kensington26 June 20152INTERNATIONAL IMPRESSIONIST, 20TH CENTURY,MODERN BRITISH AND CONTEMPORARY ART DEPARTMENTSEmail. First initial followed by last [email protected] (eg. Martha Baer = [email protected])18/05/15INTERNATIONAL DIRECTORSMartha Baer(Post-War and Contemporary Art)Tel: +1 212 636 2071Mariolina Bassetti(Post-War and Contemporary Art)Tel: +39 06 686 33 30Giovanna Bertazzoni(Impressionist & Modern Art)Tel: +44 (0)20 7389 2542Olivier Camu(Impressionist & Modern Art)Tel: +44 (0)20 7389 2450Cyanne Chutkow (Impressionist & Modern Art)Tel: +1 212 636 2089Brett Gorvy(Post-War and Contemporary Art)Tel: +1 212 636 2342Loic Gouzer(Post-War and Contemporary Art)Tel: +1 212 636 2248Marianne Hoet(Post-War and Contemporary Art)Tel: +32 2 289 13 39Conor Jordan (Impressionist & Modern Art)Tel: +1 212 636 2074Sharon Kim (Impressionist & Modern Art)Tel: +1 212 636 2068Brooke Lampley (Impressionist & Modern Art)Tel: +1 212 636 2091John Lumley(Impressionist/Modern Art)Tel: +44 (0)20 7389 2055Robert Manley(Post-War and Contemporary Art)Tel: +1 212 636 2381Adrien Meyer (Impressionist & Modern Art)Tel: +1 212 636 2056Francis Outred(Post-War and Contemporary Art)Tel: +44 (0)20 7389 2270Laura Paulson(Post-War and Contemporary Art)Tel: +1 212 636 2134Jussi Pylkknen(Impressionist/Modern Art)Tel: +44 (0)20 7389 2452Andreas Rumbler (Impressionist/Modern Art)Tel: +41 (0)44 268 10 17Jay Vincze(Impressionist & Modern Art)Tel: +44 (0)20 7389 2536Barrett White(Post-War and Contemporary Art)Tel: +1 212 636 2358HONORARY CHAIRMAN, AMERICASChristopher BurgeTel: +1 212 636 2910CHAIRMAN, AMERICASImpressionist & Modern ArtDerek GillmanTel: +1 212 636 2050GLOBAL MANAGING DIRECTORSImpressionist & Modern ArtCaroline SayanTel: +1 212 636 2289Post-War and Contemporary ArtLori HotzTel: +1 212 707 5915MANAGING DIRECTORSImpressionist & Modern Art, EMERI Modern British ArtTara RastrickTel: +44 (0)20 7389 2193Impressionist & Modern ArtJulie KimTel: +1 212 636 2317BUSINESS DIRECTORSPost-War and Contemporary Art AmericasCara WalshTel: +1 212 484 4849Post-War and Contemporary ArtEMERIVirginie MelinTel: +33 1 40 76 84 32Post-War and Contemporary Art UKZoe AinscoughTel: +44 (0)20 7389 2958SENIOR BUSINESS MANAGERSImpressionist & Modern ArtEileen BrankovicTel: +1 212 636 2198BUSINESS MANAGERSPost-War and Contemporary Art, AmericasSarah WendellTel: +1 212 707 5901Post-War and Contemporary Art, UKAstrid MascherTel: +44 (0)20 3219 6451Impressionist & Modern Art, EuropeAoife LeachTel: +44 (0)20 7389 2109ART ADVISORY ASIAN CLIENTSRebecca WeiXin LiTel: +852 2978 6796PRIVATE SALESImpressionist & Modern ArtNew YorkAdrien MeyerTel: +1 212 636 2056LondonLibert NutiTel: +44 (0)20 7389 2441New York Stefan Kist, Senior Business Director Tel: +1 212 636 2205Post War and Contemporary ArtNew YorkAlexis Klein Tel: +1 212 641 3741LondonBeatriz OrdovasTel: +44 (0)20 7389 2920WORLDWIDEAMSTERDAM IMPRESSIONIST & MODERN ARTJetske Homan van der HeideOdette van GinkelBenthe Tupker Tel: +31 (0)20 575 5281POST-WAR ANDCONTEMPORARY ARTPeter van der GraafJetske Homan van der HeideNina KretzschmarElvira JansenTel: +31 (0)20 575 5957AUSTRIAAngela BaillouTel: +43 1 533 88 12 14BARCELONACarmen SchjaerTel: +34 93 487 82 59BEIJINGTan BoTel: +86 (0)10 8572 7900BRUSSELSMarianne HoetThibault StockmannTel: +32 2 289 13 35DUSSELDORFArno VerkadeHerrad SchornTel: +49 (0)211 491 593 20GENEVANadja Scribante AmstutzEveline de ProyartAnne LamuniereTel: +41 (0)22 319 17 13HONG KONGEric ChangElaine HoltJilly DingTel: +852 2978 9985LONDON (KING STREET)IMPRESSIONIST & MODERN ARTGiovanna BertazzoniOlivier CamuJay VinczeLibert NutiJason CareyCornelia SvedmanMichelle McMullanAdrienne Everwijn-DumasKeith GillAntoine LebouteillerOttavia MarchitelliAnnie WallingtonAnna PovejsilovaTel: +44 (0)20 7389 2638POST-WAR ANDCONTEMPORARY ARTFrancis OutredEdmond Francey Leonie MoschnerDina AminDarren LeakAlice de RoquemaurelBeatriz OrdovasRosanna WidenLeonie GraingerKatharine Arnold Tom Best Cristian Albu Jacob Uecker Alexandra Werner Alessandro Diotallevi Paola FendiJosephine von Perfall Tel: +44 (0)20 7389 2221MODERN BRITISH & IRISH ARTAndre ZlatingerNick OrchardTel: +44 (0)20 7389 2681LONDON (SOUTH KENSINGTON)IMPRESSIONIST & MODERN ARTNatalie RadziwillImogen KerrAlbany BellAstrid CarbonezTel: +44 (0)20 7389 2137Tel: +44 (0)20 7389 2137POST-WAR ANDCONTEMPORARY ARTBianca Chu Zoe KlemmeTel: +44 (0)20 7389 2502MODERN BRITISH & IRISH ARTAngus GranlundTel: +44 (0)20 7752 3107MADRIDGuillermo CidTel: +34 91 532 6627MILANBarbara GuidottiElena ZaccarelliTel: +39 02 303 283 30MUNICHJutta Nixdorf Tel: +49 89 2420 9680NEW YORKIMPRESSIONIST & MODERN ARTBrooke Lampley Cyanne ChutkowConor JordanDerek GillmanSharon KimAdrien MeyerJessica FertigDavid Kleiweg de ZwaanMorgan OsthimerVanessa FuscoSarah El-Tamer Allegra BettiniEmma Hanley Alexander BerggruenAlyssa Ovadis Isabel EllimanTel: +1 212 636 2050POST-WAR ANDCONTEMPORARY ARTBrett GorvyLaura PaulsonRobert ManleyLoic GouzerBarrett WhiteAndy MassadJonathan LaibMartha BaerIngrid DudekKoji InoueAlexis KleinSara FriedlanderJennifer YumAmelia ManderscheidSaara PritchardMichael GumenerEdouard BenvenisteEdward TangAna Maria CelisTel: +1 212 636 2100PARIS IMPRESSIONIST & MODERN ARTAnika GuntrumTudor DaviesTatiana Ruiz SanzFanny SaulayOlivia de FayetThomas MorinTel: +33 (0)1 40 76 85 91POST-WAR ANDCONTEMPORARY ARTEdmond Francey Laetitia BauduinChristophe Durand-RuelPaul NyzamEtienne SallonEkaterina KlimochkinaTel: +33 (0)1 40 76 84 34ROMEMariolina BassettiRenato PennisiTel: +39 06 686 33 30SYDNEYRonan SulichTel: +612 93 26 14 22TEL AVIVRoni Gilat-BaharaffTel: +97 23 695 0695TOKYOChie BantaGen Ogo+ 81 (0)3 6267 1766ZURICHAndreas Rumbler Hans-Peter KellerRene LahnPhilippe DavidJacqueline RiedererTel: +41 (0)44 268 10 123SHIPPINGTel: +44 (0)20 7389 2712Fax: +44 (0)20 7389 2869STORAGE AND COLLECTIONTel: +44 (0)20 7839 9060Fax: +44 (0)20 7389 2869CONDITIONS OF SALEThis auction is subject toImportant Notices,Conditions of Sale and to ReservesBUYING AT CHRISTIESFor an overview of the process, see the Buying at Christies section.[15]christies.comAUCTIONFriday 26 June 2015 at 10.30 am Lots 701-851 85 Old Brompton RoadLondon SW7 3LDAUCTION CODE AND NUMBERIn sending absentee bids or making enquiries, this sale should be referred to as ARU-10425STORAGE AND COLLECTIONPlease refer to the important notice on page 94. Please note that Cadogan Tates opening hours are Monday to Friday 9am to 5pm, and purchases transferred to their warehouse are not available for collection at weekends.SERVICESABSENTEE BIDSTel: +44 (0)20 7752 3225Fax: +44 (0)20 7581 1403AUCTION RESULTSTel: +44 (0)20 7839 9060 christies.comTELEPHONE BIDSTel: +44 (0)20 7752 3225Fax: +44 (0)20 7591 0987CLIENT LIAISONAina TruyolsTel: +44 (0)20 7752 3179CLIENT SERVICESTel: +44 (0)20 7839 9060Fax: +44 (0)20 7389 2869Email : [email protected] Radziwill Head of SaleImogen Kerr Acting Head of Sale Tel:+44 (0)20 7752 3177 [email protected] Carbonez Cataloguer Tel:+44 (0)20 7389 2198 [email protected] Woodeld MoraisTel:+44 (0)20 7752 [email protected] Fax:+44 (0)20 7752 3283EMAILFirst initial followed by last name @christies.com (eg. Imogen Kerr [email protected]). For general enquiries about this auction, email should be addressed to theauction administrator.Front cover: Lot 715 ADAGP, Paris and DACS, London 2015Back cover: Lot 709 ADAGP, Paris and DACS, London 2015Inside front cover: Lot 815 & 727Inside back cover: Lot 710VIEWINGSaturday 20 June11.00 am - 5.00 pmSunday 21 June11.00 am - 5.00 pmMonday 22 June9.00 am - 7.30 pmTuesday 23 June9.00 am - 5.00 pmWednesday 24 June 9.00 am - 5.00 pmAUCTIONEERSBenthe Tupker and Tom BestView catalogues and leave bids onlineat christies.comThese auctions featureBid live in Christies salerooms worldwideregister at christies.comBrowse this auction and view real-time results on your iPhone, iPod Touch,iPad and AndroidIMPRESSIONIST & MODERN ART SALEFriday 26 June 2015Florence Woodeld Morais AdministratorAstrid Carbonez CataloguerNatalie RadziwillHead of SaleImogen KerrActing Head of SaleA complimentary shuttle service between our King Street and South Kensington salerooms will run between Friday 19 and Thursday 25 June.Our King Street auctions include Impressionist & Modern Art Evening, Works on Paper and Day Sales (23 & 24 June) and Modern British & Irish Art Evening Sale (25 June).Please contact the department for details.701PABLO PICASSO (1881-1973)Tte de taureausigned, dated and inscribed Pour Andr Bernard Picasso Arles le 23.9.56. (within the composition)ballpoint pen on paper6 x 4 in. (16.9 x 11 cm.)Drawn in Arles on 23 September 19566,000-8,000$9,400-12,0008,400-11,000PROVENANCE:Andr Bernard, Paris, a gift from the artist, and thence by descent; sale, Ader, Paris, 2 October 2014, lot 402.Acquired at the above sale by the present owner.Claude Picasso has conrmed the authenticity of this work.Maya Widmaier-Picasso has conrmed the authenticity of this work.*702MARC CHAGALL (1887-1985)Peintre sous un arbresigned, dated and inscribed Pour Ingrid et Alfred en bon souvenir Chagall 1979 (lower left)wax crayon, brush and India ink and ballpoint pen on the frontispiece of a bookImage: 11 x 10 w in. (29.8 x 27.7 cm.)Sheets: 11 x 22 in. (29.8 x 46 cm.)Executed in 19799,000-12,000$15,000-19,00013,000-17,000PROVENANCE:Ingrid & Alfred Neuman, Saint Paul de Vence, a gift from the artist. Leo Baeck College, London, by bequest from the above.Anonymous sale, Monteore, Tel Aviv, 8 July 2010, lot 247.Anonymous sale, Christies, London, 10 February 2012, lot 103.Acquired at the above sale by the present owner.The Comit Chagall has conrmed the authenticity of this work.detail of left side5PROPERTY FROM A PRIVATE EUROPEAN COLLECTION703JOAN MIR (1893-1983)Personnages, oiseausigned Mir (lower right); dated and inscribed 23/II/77 Personnages, oiseau (on the reverse)pencil and charcoal on tinted paper12 q x 8 in. (31.8 x 21.5 cm.)Drawn on 23 February 197712,000-18,000$19,000-28,00017,000-25,000PROVENANCE:The artists estate.Acquired from the above by the present owner in the early 1980s.ADOM (Association pour la dfense de loeuvre de Joan Mir) has conrmed the authenticity of this work.PROPERTY FROM A PRIVATE EUROPEAN COLLECTION704JOAN MIR (1893-1983)Femme, oiseausigned Mir (centre right); dated and inscribed 26/II/77 Femme, oiseau (on the reverse)pencil and charcoal on card13 x 9 in. (33.7 x 24.7 cm.)Drawn on 26 February 197710,000-15,000$16,000-23,00014,000-21,000PROVENANCE:The artists estate.Acquired from the above by the present owner in the early 1980s.ADOM (Association pour la dfense de loeuvre de Joan Mir) has conrmed the authenticity of this work.6706FRANOISE GILOT (B. 1921)Bouquet de eurs dans un vasesigned F.GILOT (lower right)oil on canvas9 q x 7 q in. (24 x 19 cm.)2,500-3,500$3,900-5,4003,500-4,900PROVENANCE:Private collection, France.705TAMARA DE LEMPICKA (1898-1980)Tte de femmesigned and dated Lempicka 1928 (lower right)pencil on paper14 x 10 w in. (36.3 x 27.5 cm.)Drawn in 19287,000-12,000$11,000-19,0009,800-17,000PROVENANCE:Galerie Alain Blondel, Paris.Anonymous sale, Millon & Associs, 25 March 2005, lot 451.Acquired at the above sale by the present owner.LITERATURE:A. Blondel, Tamara de Lempicka, Catalogue raisonn, 1921-1979, Lausanne, 1999, no. A.115 (illustrated p. 461).7*707JEAN-PIERRECASSIGNEUL (B. 1935)La toilettesigned CASSIGNEUL (lower left); signed and inscribed La Toilette Cassigneul (on the reverse)oil on canvas36 x 25 in. (91.8 x 65 cm.)Painted in 198430,000-50,000$47,000-78,00042,000-70,000PROVENANCE:Anonymous sale, Est-Ouest Auctions, Singapore, 18 January 2014, lot. 20.This work is sold with a photo-certicate from Jean-Pierre Cassigneul.8*708BERNARD BUFFET (1928-1999)Fleurs papillonsigned and dated Bernard Buffet 68 (lower left)oil on canvas25 x 18 in. (65.5 x 46 cm.)Painted in 196830,000-40,000$47,000-62,00042,000-56,000PROVENANCE:Anonymous sale, Tajan, Monte-Carlo, 4 August 2004, lot 36.Acquired at the above sale by the present owner.This work is sold with a photo-certicate from Galerie Maurice Garnier.9PROPERTY FROM A DISTINGUISHED FRENCH COLLECTION709JEAN-PIERRECASSIGNEUL (B. 1935)Devant la mersigned Cassigneul (lower left); inscribed Devant la mer (on the reverse)oil on canvas10 x 8 in. (27 x 22 cm.)Painted in 197315,000-20,000$24,000-31,00021,000-28,000PROVENANCE:Anonymous sale, Htel Drouot, Paris, 18 April 1991, lot 147.Acquired at the above sale by the present owner.Sold with a photo-certicate from Jean-Pierre Cassigneul.10*Q 710ANDR BRASILIER (B. 1929)Bocage normandesigned Andr Brasilier. (lower centre); signed and inscribed Le Bocage A.B. (on the reverse)oil on canvas59 x 76 in. (150 x 195 cm.)Painted in 198840,000-60,000$63,000-93,00056,000-83,000PROVENANCE:Galerie Etienne Sassi, Paris.Anonymous sale, Mainichi, Tokyo, 8 November 2014, lot 273.Acquired at the above sale by the present owner.EXHIBITED:Vancouver, Galerie Buschlen-Mowatt, In Search of the Invisible, April - May 1988.LITERATURE:X. de Coulanges, Andr Brasilier, Catalogue raisonn, 1982-2002, vol. 1, Lausanne, 2002, no. 1988/14 (illustrated p. 130; with erroneous measurements)L. Harambourg, R. Bouillot, Andr Brasilier, Lausanne, 2002 (illustrated p. 315).Y. le Pichon, Andr Brasilier, ses transgurations (illustrated p. 39).Alexis Brasilier has conrmed the authenticity of this work.12PROPERTY FROM A PRIVATE ENGLISH COLLECTION Q 711JEAN-PIERRE CASSIGNEUL (B. 1935)Nature morteoil and fabric collage on canvas31 w x 39 in. (81 x 100 cm.)Painted in 195815,000-25,000$24,000-39,00021,000-35,000PROVENANCE:A gift from the artist to the present owner in the 1960s.Sold with a photo-certicate from Jean-Pierre Cassigneul.13PROVENANCE:Galerie Simon, Paris (no. 01702/17646).Etienne Vautheret, Lyon.Anonymous sale, Nouvel Htel des Ventes, Lyon, 26 November 1978, lot 1.Calart Contemporain, Geneva.Galeria Rojo y Negro, Madrid.Anonymous sale, Sothebys, London, 6 February 2006, lot 441.LITERATURE:Museo Nacional Centro de Arte Reina Sofa (ed.), Francisco Bors, Catlogo razonado, Pintura 1917-1944, Madrid, 2003, no. 1940/33 (illustrated p. 410).712FRANCISCO BORS (1898-1972)Assiette et compotiersigned and dated Bors 1940 (lower right)oil on canvas23 x 28 in. (60 x 73 cm.)Painted in 194015,000-25,000$24,000-39,00021,000-35,00014714NARCISSE GUILBERT (1878 - 1942)Rouensigned GUILBERT (lower left)oil on canvas22 w x 18 in. (58 x 45.5 cm.)2,000-3,000$3,200-4,7002,800-4,200PROVENANCE:Private collection, England.713LOUIS VALTAT (1869-1952)Anmonessigned L.Valtat (lower left)oil on canvas11 x 9 in. (29.3 x 24.8 cm.)Painted in 19266,000-8,000$9,400-12,0008,400-11,000PROVENANCE:Private Collection, France, acquired in 1970 and thence by descent to the present owner.This painting will be included in the forthcoming Valtat catalogue raisonn being prepared by Les Amis de Louis Valtat.15715ANDR DERAIN (1880-1954)Environ de Carrires-sur-Seinesigned aDerain (lower right)oil on canvas17 w x 21 in. (45.4 x 54 cm.)Painted in 190930,000-50,000$47,000-78,00042,000-70,000PROVENANCE:Galerie Kahnweiler, Paris.Adolf Strbe, Germany, and thence by descent.LITERATURE:M. Kellerman, Andr Derain, Catalogue raisonn de luvre peint, vol. I, 1895-1914, Paris, 1992, no. 167 (illustrated p. 104).16716MOSE KISLING (1891-1953)Narcissessigned Kisling (lower left)oil on canvas13 x 8 in. (33 x 22.3 cm.)15,000-25,000$24,000-39,00021,000-35,000This work will be included in Volume IV in addition to Volumes I, II and III of the catalogue raisonn of the work of Mose Kisling being prepared by Jean Kisling and Marc Ottavi.17718JEAN DUFY (1888-1964)Le moulin aubes de la Roche Berlandsigned Jean Dufy (lower left; faded)gouache on paper18 x 24 in. (46.5 x 61.8 cm.)Executed circa 1947-19495,000-7,000$7,800-11,0007,000-9,700LITERATURE:J. Bailly, Jean Dufy, Catalogue raisonn de loeuvre, vol. I, Paris, 2002, no. J.191 (illustrated p. 168).*717PAUL AZPIRI (B. 1919)Femme au bretsigned AZPIRI (lower left)oil on canvas39 x 31 w in. (100 x 81 cm.)10,000-15,000$16,000-23,00014,000-21,000PROVENANCE:Galerie Tamnaga, Paris.This work is sold with a certicate from Paul Azpiri.18721ADOLF HOFFMEISTER (1902-1973)Pablo Picasso - La Pazsigned with the initials and dated AH 60 (lower right)collage, gouache and pen and ink on paper16 x 24 in. (42.7 x 61.8 cm.)Executed in 1960700-1,000$1,100-1,600980-1,400PROVENANCE:Narodni Galerie, Prague.Private collection, England.Anonymous sale, Christies, London, 8 February 2013, lot 1.Acquired at the above sale by the present owner.EXHIBITED:London, Grosvenor Gallery & Arthur Jeffress Gallery, Adolf Hoffmeister, Faces and Collages, February - March 1964, no. 25 (illustrated).*720MARC CHAGALL (1887-1985)Scne de cafpen and ink on paper5 x 8 in. (13 x 20 cm.)Drawn in 19115,000-7,000$7,800-11,0007,000-9,700EXHIBITED:Marcq-en-Baroeul, Fondation Anne & Albert Prouvost, Hommage Marc Chagall, October - December 1975, no. 5 (illustrated).Nice, Muse National Message Biblique Marc Chagall, la Russie, aux nes et aux autres, un chef-doeuvre de Marc Chagall, June - September 1997, no. 8 (illustrated p. 50).The Comit Chagall has conrmed the authenticity of this work.719TOBEEN (FLIX ELIE BONNET) (1880-1938)Figure et bouquetsigned Tobeen (lower right); signed and inscribed Figure et Bouquet Tobeen (on the reverse)oil on board25 x 19 in. (64.5 x 48.3 cm.)4,000-6,000$6,300-9,3005,600-8,300This work will be included in the forthcoming Tobeen catalogue raisonn being prepared by Jean Richard and Jean-Paul Goikoetxea.19722MOSE KISLING (1891-1953)Jacinthes, narcisses et jonquillessigned, dated and inscribed Kisling Sanary 1948 (lower right)oil on canvas16 x 10 in. (41.1 x 27.3 cm.)Painted in Sanary in 194820,000-30,000$32,000-47,00028,000-42,000PROVENANCE:Anonymous sale, Besch, Cannes, 15 August 2008, lot 389.Acquired at the above sale by the present owner.This work will be included in Volume IV in addition to Volumes I, II and III of the catalogue raisonn of the work of Moise Kisling being prepared by Jean Kisling and Marc Ottavi.20PROVENANCE:Galerie de lElyse (Alex Maguy), Paris (no. 1445).Anonymous sale, Christies, London, 25 June 2003, lot 171.Acquired at the above sale and thence by descent to the present owner.Mathe Valls-Bled and Godelieve de Vlaminck will include this painting in their forthcoming Vlaminck catalogue raisonn being prepared under the sponsorship of the Wildenstein Institute.THE PROPERTY OF THE LATE HAZEL WESTBURY723MAURICE DE VLAMINCK (1876-1958)Roses de Nolsigned Vlaminck (lower left)oil on canvas21 x 15 in. (55 x 38 cm.)Painted circa 1933-193520,000-30,000$32,000-47,00028,000-42,00021PROPERTY FROM A PRIVATE COLLECTION*724HENRI LEBASQUE (1865-1937)Femme tendue sous un arbresigned and dated Lebasque 1918 (lower left)oil on canvas19 x 23 q in. (48.8 x 59.7 cm.)Painted in 191820,000-30,000$32,000-47,00028,000-42,000Christine Lenoir and Maria de la Ville Fromoit have conrmed the authenticity of this work.725ALBERT LEBOURG (1849-1928)La maison de Paulinsigned, dated and inscribed ALebourg Ornans 1899 (lower right)oil on canvas19 w x 25 in. (50.5 x 65.3 cm.)Painted in Ornans in 18997,000-12,000$11,000-19,0009,800-17,000PROVENANCE:Sothebys, Olympia, 20 March, 2003, lot 36.Sothebys, New York, 6 October 2009, lot 139.Acquired at the above sale by the present owner.EXHIBITED:Bziers, Muse des Beaux-Arts, Collections prives de Bziers et sa rgion, July-September 1969, no. 127.Franois Lespinasse has conrmed the authenticity of this painting.726ALBERT LEBOURG (1849-1928)La Seine et le pont de Saint Denissigned a.Lebourg (lower right)oil on canvas13 w x 25 in. (35.3 x 65 cm.)10,000-15,000$16,000-23,00014,000-21,000PROVENANCE:Private collection, Paris, by whom acquired in the 1910s, and thence by descent to the present owner.Franois Lespinasse has conrmed the authenticity of this painting.72672523727ARMAND GUILLAUMIN (1841-1927)Environs de Clamartsigned and dated AGuillaumin 10.73 (lower right)oil on canvas25 q x 32 in. (65 x 81.2 cm.)Painted in October 187320,000-30,000$32,000-47,00028,000-42,000PROVENANCE:Raphal Grard, Paris.Galerie Hurtebize, Cannes.EXHIBITED:Paris, Galerie Serret-Fauveau, Hommage Armand Guillaumin, April - May 1970.LITERATURE:G. Serret & D. Fabiani, Armand Guillaumin, Catalogue raisonn de loeuvre peint, Paris, 1971, no. 26 (illustrated).This early work represents a signicant period in Guillaumins oeuvre, painted a few months prior to the First Impressionist Exhibition of 1874. Depicting a scene in the South-Western suburbs of Paris, Environs de Clamart displays strong and luscious impasto through truly impressionistic paintwork. The pastoral atmosphere is here translated into physical, painterly gestures, providing a visually shimmering sensation upon the canvas, an effect that was considered extremely rigorous and challenging to the art establishment of the time. The depth of perspective is also noticeable in this work, heightened by Guillaumins atmospheric use of colour and the detailed foreground as contrasted with a more loosely articulated distance. The colours within this dense green composition set up dynamic contrasts between the panels of eld and create a patchwork of colour, intersected with shadows that criss-cross through to heighten the visual energy of the scene.24*728MAURICE DE VLAMINCK(1876-1958)Coupe de fruitssigned Vlaminck (lower left)watercolour, gouache and pen and ink on paper17 x 23 in. (45 x 60 cm.)5,000-8,000$7,800-12,0007,000-11,000PROVENANCE:(probably) Margaret Schaffner Marx, Chicago, by whom acquired circa 1920s, and thence by descent.Margaret Schaffner (b. 1891) was a patron of both the Museum of Modern Art and the Metropolitan Museum in New York. The work passed from her estate by bequest in 1972. Mathe Valls-Bled and Godelieve de Vlaminck will include this painting in their forthcoming Vlaminck catalogue raisonn being prepared under the sponsorship of the Wildenstein Institute. 729ANDR DERAIN (1880-1954)Vue dEygaliressigned a.Derain (lower right)oil on canvas18 x 21 in. (46 x 55.2 cm.)Painted circa 193210,000-15,000$16,000-23,00014,000-21,000PROVENANCE:Paul Guillaume, Paris.Galerie Jeanne Castel, Paris.Galerie Schmit, Paris.Schrder und Leisewitz, Bremen.Acquired from the above in 1974, and thence by descent to the present owner.LITERATURE:M. Kellermann, Andr Derain, Catalogue raisonn de loeuvre peint, vol. 2, Paris, 1966, no. 657 (illustrated p. 68).25*730GUSTAVE LOISEAU (1865-1935)Les falaises, Normandiesigned G.Loiseau (lower left)oil on canvas18 x 25 in. (46 x 65 cm.)15,000-25,000$24,000-39,00021,000-35,000PROVENANCE:Private collection, England.Anonymous sale, Christies, London, 21 February 1989, lot 119.Anonymous sale, Millon Jutheau, Paris, 9 December 1989, lot 65. Acquired at the above sale by the present owner.Didier Imbert has conrmed the authenticity of this work.26PROPERTY FROM A PRIVATE COLLECTION*732LOUIS VALTAT (1869-1952)Lcharpe orangestamped with the initials L.V (lower right)oil on card laid down on canvas12 x 9 in. (31 x 23 cm.)Painted in 19156,000-8,000$9,400-12,0008,400-11,000LITERATURE:J. Valtat, Louis Valtat, Catalogue raisonn de loeuvre peint, vol. 1, Neuchtel, 1977, no. 1138 (illustrated p. 127).731ALBERT LEBOURG (1849-1928)Les falaisessigned and dated aLebourg 1899 (lower left)oil on canvas18 x 28 w in. (46.5 x 73.3 cm.)Painted in 18998,000-12,000$13,000-19,00012,000-17,000PROVENANCE:Private collection, Paris, by whom acquired in the 1910s, and thence by descent to the present owner.LITERATURE:M. Bergaud, Albert Lebourg, Paris, 1923, no. 1216 (titled Les falaises de Saint Valery en Caux, au soleil, ciel tourment)Franois Lespinasse has conrmed the authenticity of this painting.27733HENRI MANGUIN (1874-1949)Etude pour Les gravuressigned Manguin (lower right)pastel and brush and India ink on paper21 w x 28 q in. (55.7 x 72.3 cm.)Executed circa 19058,000-12,000$13,000-19,00012,000-17,000PROVENANCE:Anonymous sale, Htel Drouot, Paris, 13 December 1997, lot 18.Acquired at the above sale by the present owner.Claude Holstein-Manguin has conrmed the authenticity of this work.According to Claude Holstein-Manguin, this work is very important within Henri Manguins oeuvre of works on paper as it is the rst study for the oil Les Gravures (Manguin, 135), now in the Museo Thyssen-Bornemisza, Madrid. Museo Thyssen-Bornemisza/Scala, Florence 2015 Artists Rights Society (ARS), New York / ADAGP, Paris28*734LOUIS VALTAT (1869-1952)Arromanches, paysage de Normandiesigned with the initials L.V (lower right)oil on canvas13 x 18 in. (35 x 45.8 cm.)Painted circa 19097,000-10,000$11,000-16,0009,800-14,000PROVENANCE:Knoedler Gallery, New York.Anonymous sale, Sothebys, London, 28 May 1986, lot 60.Acquired at the above sale by the present owner.Sold with a certicate from Julien Valtat, this painting will be included in the forthcoming Louis Valtat catalogue raisonn being prepared by Les Amis de Louis Valtat.735HENRI LEBASQUE (1865-1937)Baigneuses dans un paysageoil on canvasboard14 w x 18 in. (37.8 x 46 cm.)8,000-12,000$13,000-19,00012,000-17,000Christine Lenoir and Maria de la Ville Fromoit have conrmed the authenticity of this work.29*736ANDR DERAIN (1880-1954)Vue de Donnemarie-en-Montoissigned Derain (lower right)oil on canvas14 x 17 in. (35.7 x 45 cm.)Painted circa 1942-194310,000-15,000$16,000-23,00014,000-21,000PROVENANCE:Paul Masters, Paris.Morton Oliphant, Liverpool.Arthur Tooth & Sons, London.Anonymous sale, Sothebys, London, 10 December 1969, lot. 68.Acquired by the present owner in the 1980s.LITERATURE:M. Kellermann, Andr Derain, Catalogue raisonn de loeuvre peint, vol. 3, 1935-1954, Paris, 1999, no. 1413 (illustrated p. 25).PROPERTY FROM A DISTINGUISHED EUROPEAN COLLECTION737GUSTAVE LOISEAU(1865-1935)Bords de lOise prs de Pontoisesigned G.Loiseau (lower right)oil on canvas19 x 25 in. (50 x 65 cm.)10,000-15,000$16,000-23,00014,000-21,000PROVENANCE:Bernheim-Jeune, Paris (no. 19683/18542).Galerie Paul Ptrids, Paris.Acquired by the family of the present owner in the 1970s.Didier Imbert has conrmed the authenticity of this work.30*739ANDR HAMBOURG(1908-1999)Temps doux pour les yachts, Deauvillesigned a.Hambourg (lower left); signed with the initials and inscribed a.H. Temps doux pour les Yachts, Deauville (on the reverse)oil on canvas18 x 21 in. (46 x 55 cm.)7,000-10,000$11,000-16,0009,800-14,000PROVENANCE:Galerie Paul Petrids, Paris.Private collection, Japan.Nicole Hambourg has conrmed the authenticity of this painting.738CONSTANTIN TERECHKOVITCH (1902-1978)Femme assise au chapeau bleusigned C. Terechkovitch (upper right)oil on canvas31 x 23 q in. (81 x 60 cm.)3,000-5,000$4,700-7,8004,200-7,000PROVENANCE:Acquired in January 1936 by the grandfather of the current owner and thence by descent.France Terechkovitch has conrmed the authenticity of this work.31741HENRI MANGUIN (1874-1949)Temps gris Saint-Paul-de-Vencesigned Manguin (lower left)oil on canvas19 x 24 in. (50 x 61 cm.)Painted in Autumn 193812,000-15,000$19,000-23,00017,000-21,000PROVENANCE:G. Arnion, Paris, by whom acquired directly from the artist in July 1942.Jacques Djinguederian, Lyon, by 1975.Private collection, France.LITERATURE:L. & C. Manguin, Henri Manguin, catalogue raisonn de loeuvre peint, Neuchtel, 1980, no. 1099 (illustrated p. 345).740LOUIS VALTAT (1869-1952)Vase de eursindistinctly signed L.Valtat (lower right)oil on board13 x 9 q in. (33 x 23.9 cm.)Painted in 19448,000-12,000$13,000-19,00012,000-17,000PROVENANCE:Private Collection, France, by whom acquired in 1970 and thence by descent to the present owner.LITERATURE:J. Valtat, Louis Valtat, Catalogue de loeuvre peint, vol. 1, Neuchtel, 1977, no. 2834 (illustrated p. 315).324342742PAUL SIGNAC (1863-1935)Samoissigned and inscribed P.Signac Samois 00 (lower right)watercolour, gouache and pencil on paper4 x 6 in. (10.7 x 15.5 cm.)Executed in 19003,500-5,500$5,500-8,6004,900-7,700PROVENANCE:Private collection, England.Anonymous sale, Christies, London, 24 June 1996, lot 3.Acquired at the above sale by the present owner.Marina Ferretti has conrmed the authenticity of this work.743EUGNE BOUDIN (1824-1898)Bord de Seine Argenteuilwatercolour and pencil on paper7 q x 10 q in. (19 x 26.6 cm.)Executed circa 18661,800-2,400$2,800-3,7002,600-3,300PROVENANCE:Private collection, Monaco, and thence by descent to the present owner.Manuel Schmidt has conrmed the authenticity of this work.33744EUGNE BOUDIN (1824-1898)Environs de Trouvillesigned, dated and inscribed E.Boudin 84 A mon ami G.H... (lower right)oil on panel10 x 16 in. (27 x 41 cm.)Painted in 188420,000-30,000$32,000-47,00028,000-42,000PROVENANCE:Anonymous sale, Galerie Charpentier, Paris, 14 December 1960, lot 239.Private collection, Monaco, and thence by descent to the present owner.LITERATURE:R. Schmit, Eugne Boudin, Paris, 1973, vol. 2, no. 1908 (illustratedp. 232).34*746HENRI FANTIN-LATOUR (1836-1904)Ravissement de Senta et du Hollondaissigned and inscribed A.G. Hdiard h.Fantin (lower left)black crayon and sanguine on paperimage: 8 x in. (21.5 x 14.5 cm.)sheet: 10 q x 7 q in. (26.5 x 19 cm.)Drawn circa 18851,000-1,500$1,600-2,3001,400-2,100PROVENANCE:Madame G. Hdiard.Private collection, Japan.EXHIBITED:Paris, Galerie Tempelaere, Dessins de Fantin-Latour, 1901, no. 4.LITERATURE:V. Fantin-Latour, Catalogue de loeuvre complet de Fantin-Latour, Paris, 1911, no. 1234, p. 127.compare E. Lucie-Smith, Henri Fantin-Latour, New York, 1977, no. 107 (illustrated).This drawing is a study for one of the lithographs Fantin-Latour created for Adolphe Julliens book Richard Wagner, sa vie et ses oeuvres, Paris, 1886 (Mason et al. 64).This work will be included in the forthcoming Fantin Latour catalogue raisonn being prepared by Galerie Brame & Lorenceau.745HENRI MARTIN (1860-1943)Portrait dEmilio Boggiosigned, dated and indistinctly inscribed A mon ami E. Boggio Henri Martin 87. (upper left)oil on canvas18 x 15 in. (46 x 38.2 cm.)Painted in 18873,000-5,000$4,700-7,8004,200-7,000This work is sold with a certicate from Cyrille Martin and will be included in the forthcoming Henri Martin catalogue raisonn.Emilio Boggio (1857-1920) became acquainted with Henri Martin in 1877 upon his enrolment at the Acadmie Julian where he studied under the tutelage of Jean-Paul Laurens. The fellow artists painted in various locations in France together and under Martins inuence as well as that of Monet and Pissarro, Boggio adopted an impressionist style which had a considerable impact on painting in his native Venezuela. He held solo exhibitions at the Galeries George Petit in Paris during his lifetime and in 1982, he was honoured posthumously by a monographic exhibition in Caracas, organised by the Venezuelan government.35747EUGNE BOUDIN (1824-1898)Portrieux, Le portsigned and dated Boudin.73 (lower right)oil on panel8 x 12 in. (20.5 x 32.5 cm.)Painted in 187320,000-30,000$32,000-47,00028,000-42,000PROVENANCE:Collection Heine, Paris.E.J. van Wisselingh & Co., Amsterdam.Watson Art Galleries, Montreal.Private collection, Monaco, and thence by descent to the present owner.LITERATURE:R. Schmit, Eugne Boudin, Paris, 1973, vol. 1, no. 932 (illustratedp. 333).36749AUGUSTE RODIN (1840-1917)Petite tte de lhomme au nez casssigned A.Rodin and with the foundry mark ALEXIS.RUDIER FONDEUR.PARIS (on the neck)bronze with brown patinaHeight: 8 in. (21 cm.)Conceived before 188910,000-15,000$16,000-23,00014,000-21,000PROVENANCE:Acquired by the family of the present owner in the 1970s.LITERATURE:J. L. Tancock, The Sculpture of Auguste Rodin, Philadelphia, 1976, no. 79-4 (another version illustrated p. 477). A. le Normand-Romain, The Bronzes of Rodin, Catalogue of Works in the Muse Rodin, vol. 2, Paris, 2007 (another version illustrated p. 418).This work will be included in the forthcoming Auguste Rodin catalogue critique de l'oeuvre sculpt currently being prepared by the Comit Rodin at Galerie Brame et Lorenceau under the direction of Jrme Le Blay under no. 2015-4666B.748ARISTIDE MAILLOL (1861-1944)Nu assis, une jambe replieblack crayon on paper8 x 13 q in. (21.8 x 34.2 cm.)2,500-3,500$3,900-5,4003,500-4,900PROVENANCE:Succession de Madame W., Fonds dAtelier du peintre sculpteur Maillol, Nice, 28 November 2013, lot. 68.Acquired at the above sale by the present owner.750ARISTIDE MAILLOL (1861-1944)Nu deboutstamped with the artists initial M (Lugt 1852a; lower right)pencil on paper11 x 7 in. (29.7 x 18.7 cm.)2,000-3,000$3,200-4,7002,800-4,200PROVENANCE:Succession de Madame W., Fonds dAtelier du peintre sculpteur Maillol, Nice, 28 November 2013, lot. 314. Acquired at the above sale by the present owner.PROPERTY FROM A DISTINGUISHED SWISS COLLECTION*Q 751WILHELM LEHMBRUCK (1881-1919)Rckblickendesigned W.LEHMBRUCK (on the base)painted cast stoneHeight: 36 in. (92.7 cm.)Conceived in 1914 and executed after 192015,000-25,000$24,000-39,00021,000-35,000PROVENANCE:(probably) Gallery Marie Harriman, New York, by 1939.Curt Valentin Gallery, New York, by 1951.Acquired from the above by the family of the present owner in 1955.EXHIBITED:New York, Curt Valentin Gallery, 1951, no. 10.Saint-Paul, Fondation Maeght, Sculpture du XXe sicle 1900-1945, tradition et ruptures, July - October 1981, no. 117 (illustrated p. 138).Zurich, Kunsthaus Zrich, Sammlungen Hans und Walter Bechtler, August - October 1982 (illustrated p. 178).LITERATURE:D. Schubert, Wilhelm Lehmbruck, Catalogue raisonn der Skulpturen 1898-1919, Worms, 2001, no. 79b-7, p. 299 (illustrated pl. 401).38PROPERTY FROM AN IMPORTANT SWISS COLLECTION*752GEORGEGROSZ (1893-1959)Interieur, Berlin-Sdendesigned and dated Grosz.12.(lower left)pen and blue ink and wash on paper8 x 9 in. (21 x 23 cm.)Executed in 19124,000-6,000$6,300-9,3005,600-8,300PROVENANCE:The artists estate (with Nachlass stamp and numbered 3 28 1 on the reverse).Delphic Arts, New York.Galerie Thomas, Munich.Acquired from the above circa 2006.Ralph Jentsch has conrmed the authenticity of this work.According to Ralph Jentsch, George Grosz shared a studio in Berlin-Sdende with his colleague Herbert Fiedler when he rst moved to Berlin. In this drawing, Grosz depicted his friend sitting on the sofa with a model standing before him.PROPERTY FROM AN IMPORTANT SWISS COLLECTION*753GEORGEGROSZ (1893-1959)Die Affre Mielzynksy, Familientragdiesigned GROSZ (lower right)pen and brown ink and wash on paper8 x 11 in. (20.3 x 28.8 cm.)Executed circa 1912-19136,000-8,000$9,400-12,0008,400-11,000PROVENANCE:The artists estate (with the Nachlass stamp and numbered 3 34 2 on the reverse).Galerie Thomas, Munich.Acquired from the above circa 2006.Ralph Jentsch has conrmed the authenticity of this work.39PROPERTY FROM AN IMPORTANT SWISS COLLECTION*754GEORGEGROSZ (1893-1959)Vampire der Menschheitstamped with the signature GROSZ (lower left)pencil on paper24 w x 19 in. (63.2 x 50 cm.)Drawn circa 191910,000-15,000$16,000-23,00014,000-21,000PROVENANCE:The artists estate (with the Nachlass stamp and numbered 5 186 8 on the reverse).(probably) Galerie Thomas, Munich.(probably) Acquired from the above circa 2006.Ralph Jentsch has conrmed the authenticity of this work.According to Ralph Jentsch, this is a preliminary drawing for Vampire der Menschheit, illustrated in George Grosz, Das Gesicht der herrschenden Klasse, Berlin, 1921, p. 12.755WILLIAM WAUER (1866-1962)Nell Waldensigned W.WAUER (on the left side), numbered and stamped with the foundry mark VII/VII W.FSSEL 1 BERLIN 10 (at the back of the base)bronze with dark brown patinaHeight: 21 in. (55 cm.)Conceived in 1918, this version cast in a numbered edition of seven plus one hors commerce example10,000-15,000$16,000-23,00014,000-21,000PROVENANCE:Alfred & Elisabeth Hoh, Frth; sale, Christies, London, 25 June 2008, lot 438.Acquired from the above sale by the present owner.LITERATURE:C. Lszl, William Wauer, Basel, 1979 (another cast illustrated p. 13).40PROPERTY OF A DISTINGUISHED AUSTRIAN COLLECTOR756GEORGEGROSZ (1893-1959)Ravaged Landscapesigned GROSZ (lower left); signed, dated and inscribed George Grosz pictor 1945 DOUGLASTON Lg Is (on the reverse)oil on canvas20 q x 26 in. (52.2 x 66.6 cm.)Painted 1938-194512,000-18,000$19,000-28,00017,000-25,000PROVENANCE:Associated American Artists Galleries, New York.The Edward James Foundation, England; sale, Christies, London, 25 June 1985, lot 167.Galerie Kurt Kalb, Vienna.Acquired from the above by the present owner.Ralph Jentsch has conrmed the authenticity of this work.Dated 1945 on the reverse of the canvas, this picture was started in 1938, according to the artists notes on the stretcher.41758KURT SCHWITTERS(1887-1948)Ohne Titel (Helma Schwitters neben einer Htte beim Hotel Djupvasshytta)oil on panel16 x 19 in. (42.6 x 50 cm.)Painted circa 1941-194212,000-18,000$19,000-28,00017,000-25,000PROVENANCE:Edith Wantee Thomas, London, by descent from the artist, and thence by descent to the present owner.Private collection, England, a gift from the above.EXHIBITED:Kendal, Abbot Hall Art Gallery, Kurt Schwitters in the Lake District, October - November 1964, no. 50.Kendal, Abbot Hall Art Gallery, Kurt Schwitters in England, January - February 1982, no. 4.Newcastle upon Tyne, Baltic Centre for Contemporary Art & Hatton Gallery, No Socks, Kurt Schwitters and the Merzbarn, April - May 1999, no. 15.LITERATURE:K. Orchard & I. Schulz, Kurt Schwitters, Catalogue Raisonn, 1937-1948, vol. 3, Hanover, 2006, no. 2809 (illustrated p. 308).757KURT SCHWITTERS(1887-1948)Ohne Titel (Olivenbaum am Gardasee)signed and dated KSchwitters 14 (lower right)oil on canvas19 x 24 in. (50 x 61 cm.)Painted in 191412,000-15,000$19,000-23,00017,000-21,000PROVENANCE:Acquired directly from the artist in Karlsruhe in the late 1920s, and thence by descent to the present owner.Dr. Isabel Schulz, Kurt Schwitters Archiv, Hanover, has conrmed the authenticity of this work.42PROPERTY OF A DISTINGUISHED AUSTRIAN COLLECTOR759KURT SCHWITTERS (1887-1948)Ohne Titel (Portrt Harald Landry)signed with the initials and dated KS40 (lower right)oil on canvas21 x 17 w in. (53.5 x 45.3 cm.)Painted in 19403,000-5,000$4,700-7,8004,200-7,000PROVENANCE:Ernst Schwitters, Lysaker, by descent from the artist.Anonymous sale, Phillips, London, October 1986, lot 45.Galerie Kurt Kalb, Vienna.Acquired from the above by the present owner in 1990.EXHIBITED:Vienna, Hochschule fr angewandte Kunst, Die Moderne oder die berwindung eines Begriffs, June - September 1994.LITERATURE:K. Orchard & I. Schulz, Kurt Schwitters, Catalogue Raisonn, vol. 3, 1937-1948, Hanover, 2006, no. 2652 (illustrated p. 255).Harald Landry (1898-1979) was an arts page editor in Berlin and interned with Kurt Schwitters in Hutchinson Camp on the Isle of Man during World War II.6059PROPERTY OF A DISTINGUISHED AUSTRIAN COLLECTOR760KURT SCHWITTERS (1887-1948)Ohne Titel (Portrt eines jungen Mannes mit Rollkragen) (recto); Ohne Titel (Portrt eines Unbekannten) (verso)signed with the initials and dated (lower right; cut off)oil on board19 w x 16 q in. (50.4 x 42 cm.)Painted 1940-19433,000-5,000$4,700-7,8004,200-7,000PROVENANCE:Edith Wantee Thomas, London, by descent from the artist until 1986.Anonymous sale, Phillips, London, October 1986.Galerie Kurt Kalb, Vienna.Acquired from the above by the present owner in 1990.EXHIBITED:Kendal, Abbot Hall Art Gallery, Kurt Schwitters in England, January - February 1982, no. 87.Vienna, Hochschule fr angewandte Kunst, Die Moderne oder die berwindung eines Begriffs, June - September 1994 (illustrated p. 89).Vienna, Kunstforum, Schwitters, March - June 2002, no. 118 (illustrated p. 206).LITERATURE:K. Orchard & I. Schulz, Kurt Schwitters, Catalogue Raisonn, vol. 3, 1937-1948, Hanover, 2006, nos. 3030.1 & 3030.2 (illustratedp. 417).It has been suggested that the portrait on the reverse depicts Oskar Kokoschka. 60 reverse43PROPERTY OF A DISTINGUISHED AUSTRIAN COLLECTOR761WILLI BAUMEISTER(1889-1955)Allegorische Figurenoil on canvas24 x 31 in. (62.8 x 80.8 cm.)Painted in 191312,000-15,000$19,000-23,00017,000-21,000PROVENANCE:Private collection, Switzerland.Anonymous sale, Galerie Kornfeld, Bern, 20 June 1990, lot 193. Galerie Kurt Kalb, Vienna.Acquired from the above by the present owner.EXHIBITED:Vienna, Hochschule fr angewandte Kunst, Die Moderne oder die berwindung eines Begriffs, June - September 1994 (illustrated p. 84); this exhibition later travelled to Graz, Neue Galerie am Landesmuseum Joanneum.LITERATURE:P. Beye & F. Baumeister, Willi Baumeister, Werkkatalog der Gemlde, vol. 2, Ostldern, 2002, no. 113 (illustrated p. 59).762KARL SCHMIDT-ROTTLUFF (1884-1976)Stilleben mit drei Glasgefensigned and inscribed SRottluff fr Max Rose (lower right)brush and India ink and wax crayon on paper15 x 21 in. (40 x 54 cm.)5,000-7,000$7,800-11,0007,000-9,700PROVENANCE:Professor Max Rose, Berlin, a gift from the artist.Acquired from the above by the present owner.Prof. Hermann Gerlinger has conrmed the authenticity of this work.PROPERTY FROM A EUROPEAN COLLECTOR764HERBERT BOECKL (1894-1966)Stillebenwatercolour and gouache on paper14 x 19 in. (37.3 x 48.5 cm.)Executed in 19184,000-6,000$6,300-9,3005,600-8,300PROVENANCE:Acquired by the present owner in Vienna circa 1980.EXHIBITED:Vienna, Belvedere, Herbert Boeckl, Retrospektive, October 2009 - January 2010 (illustrated p. 101); this exhibition later travelled to Klagenfurt, Museum Moderner Kunst.PROPERTY FROM A EUROPEAN COLLECTOR763TINA BLAU (1845-1916)Berglandschaft bei Oetz, Tirolstamped with the signature (lower right)oil on panelapprox. 5 x 8 in. (13 x 22 cm.)6,000-8,000$9,400-12,0008,400-11,000PROVENANCE:The artists estate (with the Nachlass stamp Tina Blau Nachlass on the reverse).Acquired by the present owner in Vienna in the 1960s.Dr Markus Fellinger and Claus Jesina have conrmed the authenticity of this work and will include it in the forthcoming Tina Blau catalogue raisonn.646345PROPERTY FROM A EUROPEAN COLLECTOR765CARL MOLL (1861-1945)Helenental, Badensigned with the initials CM (lower left)oil on panel13 x 13 w in. (34.5 x 35.4 cm.)20,000-30,000$32,000-47,00028,000-42,000PROVENANCE:Acquired by the present owner in Vienna in the early 1970s.Dr Cornelia Cabuk has conrmed the authenticity of this work and will include it in the forthcoming Carl Moll catalogue raisonn.46766GUSTAV KLIMT (1862-1918)Studie einer alten Frausigned with the monogram GK (lower right)pencil on paper17 q x 12 q in. (44.6 x 31.6 cm.)Drawn before 19037,000-12,000$11,000-19,0009,800-17,000PROVENANCE:Berta Zuckerkandl-Szeps, Vienna/Paris.Anonymous sale, Htel Drouot, Paris, 20 June 2006, lot 22.Acquired at the above sale by the present owner.This drawing will be published by Marian Bisanz Prakken, Albertina, Vienna in her forthcoming supplement volume of the catalogue raisonn of the drawings by Gustav Klimt, edited by Alice Strobl. According to Marian Bisanz Prakken, this drawing belongs to a group of studies Gustav Klimt made for the painting Medizin (Novotny/Dobai 112), which was rst exhibited in 1903.767OSCAR KOKOSCHKA (1886-1980)Portrt Jacqueline Borowskisigned, dated and inscribed cest mon colire Jacqueline OKokoschka 59 (lower right)black crayon on paper27 x 20 in. (70.3 x 51.6 cm)Drawn in 19593,000-5,000$4,700-7,8004,200-7,000PROVENANCE:A gift from the artist and thence by descent; sale, Christies, London, 1 April 2004, lot 46.Acquired at the above sale by the present owner.Dr Alfred Weidinger has conrmed the authenticity of this work.47PROPERTY FROM A EUROPEAN COLLECTOR768ANTON FAISTAUER (1887-1930)Obststilleben mit Flasche und Glassigned A.Faistauer (upper left)oil on canvas17 x 21 in. (44.8 x 55 cm.)Painted circa 192420,000-30,000$32,000-47,00028,000-42,000PROVENANCE:Acquired by the present owner in Vienna in the 1960s.LITERATURE:F. Fuhrmann, Anton Faistauer, Salzburg, 1972, no. 295.48PROPERTY FROM A EUROPEAN COLLECTOR769OSKAR LASKE (1874-1951)Ruhe auf der Fluchtsigned, inscribed and numbered Ruhe auf der FluchtO.Laske Op.86 (lower right)oil on canvas35 x 27 in. (90.5 x 70.5 cm.)15,000-25,000$24,000-39,00021,000-35,000PROVENANCE:Anonymous sale, Im Kinsky, Vienna, 20 April 2010, lot 426.Acquired by the present owner in Vienna circa 2011.49PROPERTY FROMA PRIVATE ENGLISH COLLECTION771HERBERT GURSCHNER(1901-1975)Sonnenlicht durch die Bumesigned GURSCHNER (lower right)oil on canvas laid down on board18 x 25 in. (46 x 64 cm.)8,000-12,000$13,000-19,00012,000-17,000PROVENANCE:The artists estate and thence by descent to the present owner.Roland Widder has conrmed the authenticity of this work.PROPERTY FROM A PRIVATE ENGLISH COLLECTION770HERBERT GURSCHNER (1901-1975)Tiroler Kircheoil on canvas16 x 11 w in. (40.5 x 30.2 cm.)5,000-7,000$7,800-11,0007,000-9,700PROVENANCE:The artists estate and thence by descent to the present owner.Roland Widder has conrmed the authenticity of this work.50Q 772THO TOBIASSE (1927-2012)Je vois Paris en bleu et blancsigned, dated and inscribed tho tobiasse 77 je vois Paris en bleu et blanc (within the composition)oil on canvas31 w x 39 in. (81 x 100 cm.)Painted in 197710,000-15,000$16,000-23,00014,000-21,000PROVENANCE:Anonymous sale, Sothebys, London, 23 March 2006, lot 271.Acquired at the above sale by the present owner.Catherine Faust-Tobiasse has conrmed the authenticity of this work and it will be included in the forthcoming Tho Tobiasse catalogue raisonne.773ABRAHAM MINTCHINE(1898-1931)Nature morteindistinctly signed AMintchine (lower right)oil on canvas13 x 21 in. (33 x 55 cm.)3,000-5,000$4,700-7,8004,200-7,000PROVENANCE:Private collection, England, by whom acquired in Paris in the early 1980s.LITERATURE:M. di Veroli & G. Testori, Abraham Mintchine, Milan, 1981, no. 12 (illustrated p. 19).51PROVENANCE:Dalzell Hateld Galleries, Los Angeles.Acquired from the above and thence by descent.Carmela Rubin has conrmed the authenticity of this work.PROPERTY FROM A EUROPEAN COLLECTOR774REUVEN RUBIN (1893-1974)The shepherdsigned and signed in Hebrew Rubin (upper right)oil on canvas12 x 10 in. (31.5 x 26 cm.)20,000-30,000$32,000-47,00028,000-42,000PROPERTY FROM THE SUE & BASIL ROBINSON TRUST*776EMILIO GRECO (1913-1995)Bagnantesigned GRECO (on the base)bronze with dark brown patinaHeight: 23 in. (58.5 cm.)Conceived circa 19564,000-6,000$6,300-9,3005,600-8,300PROVENANCE:Acquired circa 1968 and thence by descent.LITERATURE:compare J.P. Hodin, Emilio Greco, Sculpture and Drawings, Bath, 1971 (the large version illustrated nos. 29-31).Antonella Greco has conrmed the authenticity of this sculpture.775GIORGIO MORANDI (1890-1964)Paesaggiosigned with the initial M. (lower left)pencil on paper3 w x 2 in. (9.8 x 6.7 cm.)Drawn in 19622,000-3,000$3,200-4,7002,800-4,200PROVENANCE:Chirico, Milan.Galleria il Mappa Mondo, Milan.Acquired from the above by the present owner.LITERATURE:E. Tavoni & M.-T. Morandi, Morandi Disegni, Catalogo generale, Milan, 1994, no. 1962 90 (illustrated p. 234).5253777GIORGIO DE CHIRICO (1888-1978)Veneziasigned G.de Chirico (lower right)oil on canvas11 x 15 in. (29.8 x 40 cm.)Painted circa 195040,000-60,000$63,000-93,00056,000-83,000PROVENANCE:Galleria Mercurio, Biella.Galleria La Bussola, Torino. Acquired from the above by the present owner, circa 1968.The Fondazione Giorgio e Isa de Chirico has conrmed the authenticity of this work, registered under no. 0013/03/11 OT in their archives.778MAN RAY (1890-1976)Untitledsigned and dated Man Ray-43 (lower left)watercolour on paper14 q x 10 w in. (36.8 x 27.6 cm.)Executed in 19435,000-8,000$7,800-12,0007,000-11,000PROVENANCE:Man Ray & Juliet Browner, Paris.Roland Penrose & Lee Miller, London.A gift from the above to the present owner.PROPERTY OF A DISTINGUISHED AUSTRIAN COLLECTOR779JEAN LURAT (1892-1966)Ischiasigned Lurat (lower right)oil on canvas10 x 20 in. (26.5 x 52.4 cm.)Painted in 19393,000-5,000$4,700-7,8004,200-7,000PROVENANCE:Anonymous sale, Sothebys, London, 30 May 1984, lot 349.Galerie Kurt Kalb, Vienna.Acquired from the above by the present owner.LITERATURE:G. Denizeau & S. Lurat, LOeuvre peint de Jean Lurat, Catalogue raisonn,1910-1965, Lausanne, 1998, no. 1939.8 (illustrated p. 436).54*Q 780AFTER REN MAGRITTE (1898-1967)La grande famillewith the weavers monogram r.four (upper right); numbered 1/6 (on the reverse)wool tapestry64 q x 51 in. (164 x 130 cm.)Conceived in 1963 and executed by Robert Four, Aubusson, in a numbered edition of 612,000-18,000$19,000-28,00017,000-25,000PROVENANCE:Private collection, Toronto, by whom acquired directly fromRobert Four.This tapestry was conceived after Ren Magrittes eponymous oil painting (Sylvester/Whiteld/Raeburn 972).5556PROPERTY OF AN ITALIAN GENTLEMAN782OSCAR DOMINGUEZ(1906-1958)Untitledsigned and dated Dominguez 51 (lower left)oil on canvas14 w x 17 w in. (37.8 x 45.5 cm.)Painted in 195110,000-15,000$16,000-23,00014,000-21,000Ana Vzquez de Parga has conrmed the authenticity of this painting.PROPERTY FROM AN IMPORTANT PRIVATE EUROPEAN COLLECTION781LOPOLD SURVAGE (1878-1968)Lhomme et le chevalsigned and dated Survage.49. (lower left)casein on panel16 x 11 in. (41 x 30 cm.)Painted in 19498,000-12,000$13,000-19,00012,000-17,000PROVENANCE:Acquired by the grandfather of the present owner and thence by descent.Eric Brosset has conrmed the authenticity of this work.57PROPERTY FROM AN IMPORTANT PRIVATE SWISS COLLECTION783HANS BELLMER (1902-1975)La toupiesigned and numbered Bellmer 4/8bronze with golden patinaHeight: 21 in. (53.5 cm.)Conceived in 1938 and executed in 1968 in an edition of 810,000-15,000$16,000-23,00014,000-21,000PROVENANCE:Galerie Andr-Franois Petit, Paris.Acquired from the above by the present owner in 1975.LITERATURE:P. Obliques, Hans Bellmer, Paris, 1975, p. 256.P. Webb & R. Short, Hans Bellmer, London, 1985, no. 101 (another cast illustrated).S. Taylor, Hans Bellmer, The Anatomy of Anxiety, Cambridge, 2000, no. 6.10 (another cast illustrated p. 122).Rodica Aldoux has conrmed the authenticity of this work.PROPERTY OF AN ITALIAN GENTLEMAN785ANDR MASSON (1896-1987)Invocationsigned Andr Masson (lower centre)oil on board10 q x 8 in. (26.6 x 21.9 cm.)Painted in 19572,500-3,500$3,900-5,4003,500-4,900PROVENANCE:Galerie Louise Leiris, Paris (no. 07505/50670).Galleria La Bussola, Torino (no. 50601).The Comit Masson has conrmed the authenticity of this work.PROPERTY FROM THE COLLECTION OF THE LATE PETER WARD-JACKSONBorn in Johannesburg and educated at Winchester and Cambridge, Peter Ward-Jackson (1915-2014) worked for MI 6 during WWII. He became an Assistant Keeper at the Department of Woodwork at the Victoria and Albert museum in 1948 and was until his retirement in 1975 Keeper of the Department of Prints and Drawings. His rst major book, English Furniture Designs of the Eighteenth Century, published in 1958, remains the standard work on the subject. This was followed by notable essays and by the catalogue in two volumes of the museums thenlittle-studied collection of Italian drawings. 784ANDR MASSON (1896-1987)Pluie sur le Verdonsigned andr masson (lower right)oil on canvas14 w x 18 in. (37.7 x 46.2 cm.)Painted in 19494,000-6,000$6,300-9,3005,600-8,300PROVENANCE:Galerie Louis Leiris /Galerie Simon, Paris (no. 03321/5018).The Mayor Gallery, London (no. 3690).Acquired from the above.The Comit Masson has conrmed the authenticity of this work.58787JACQUES VILLON (1875-1963)Potager la Brunisigned and dated JACQUES VILLON 40 (lower right)oil and pen and ink on paper9 x 12 in. (23.8 x 31.5 cm.)Executed in 19401,500-2,500$2,400-3,9002,100-3,500PROVENANCE:Walter Pach, New York and thence by descent; sale, Christies, London, 24 June 2011, lot 201.Acquired at the above sale by the present owner.Patrick Bongers has conrmed the authenticity of this work.786OSCAR DOMINGUEZ(1906-1958)LUsineoil and gouache on paper laid down on canvas20 q x 14 q in. (52 x 37 cm.)Executed circa 19488,000-12,000$13,000-19,00012,000-17,000PROVENANCE:Galerie Matignon, Paris, by 1989.Anonymous sale, Christies, London, 5 February 2005, lot 2009.Anonymous sale, Christies, London, 7 February 2014, lot 37.Ana Vzquez de Parga has conrmed the authenticity of this painting.5960788JEAN COCTEAU (1889-1963)Les vestales (A.G. 274; part)signed Jean Cocteau (lower centre); marked and numbered Edition Originale de Jean Cocteau Atelier Madeline-Jolly 40/50 (underneath)terracotta vaseHeight: 7 w in. (20 cm.)Conceived in 1958 and executed in a numbered edition of 50; one of the pair1,000-2,000$1,600-3,1001,400-2,800789JEAN COCTEAU (1889-1963)LIndescret (A.G. 271)signed Jean Cocteau (lower centre); marked and numbered Edition Originale de Jean Cocteau Atelier Madeline Jolly 21/35 (underneath)terracotta vaseHeight: 9 w in. (25 cm.)Conceived in 1958 and executed in a numbered edition of 351,000-2,000$1,600-3,1001,400-2,800790JEAN COCTEAU (1889-1963)Le lutin de Venise (A.G. 241)signed Jean Cocteau (lower left); marked and numbered Edition Originale de Jean Cocteau Atelier Madeline-Jolly 11/15 (underneath)terracotta plateHeight: 14 q in. (37 cm.)Conceived in 1962 and executed in a numbered edition of 151,500-2,500$2,400-3,9002,100-3,50061791JEAN COCTEAU (1889-1963)Astrologie (A.G. 133)signed and dated Jean Cocteau 58 (lower right), inscribed Villefranche (lower left); marked and numbered Edition Originale de Jean Cocteau Atelier Madeline-Jolly 43/50 (underneath)white earthenware plateDiameter: 14 in. (36.4 cm.)Conceived in 1958 and executed in a numbered edition of 501,500-2,500$2,400-3,9002,100-3,500792JEAN COCTEAU (1889-1963)Indes (A.G. 108)signed and dated Jean Cocteau 1958 (centre right); marked and numbered Edition Originale de Jean Cocteau Atelier Madeline-Jolly 15/20 (underneath)white earthenware plateDiameter: 14 in. (36.2 cm.)Conceived in 1958 and executed in a numbered edition of 201,500-2,500$2,400-3,9002,100-3,500793JEAN COCTEAU (1889-1963)Prote (A.G. 206)signed Jean Cocteau (lower centre); marked and numbered Edition Originale de Jean Cocteau Atelier Madeline-Jolly 4/40 (underneath)terracotta plateDiameter: 12 in. (31.3 cm.)Conceived in 1960 and executed in a numbered edition of 401,000-2,000$1,600-3,1001,400-2,800794JEAN COCTEAU (1889-1963)Les Indes galantes (A.G. 141)signed Jean Cocteau (lower centre); marked and numbered Edition Originale de Jean Cocteau Atelier Madeline-Jolly 6/15 (underneath)white earthenware plateDiameter: 14 in. (36.3 cm.)Conceived in 1962 and executed in a numbered edition of 151,500-2,500$2,400-3,9002,100-3,50062PROPERTY FROM THE COLLECTION OF THE LATE MARC SPIEGEL796TANCREDI PARMEGGIANI (1927-1964)Composizionesigned and dated Tancredi 54 (lower right)watercolour, pastel and pencil on card13 x 15 q in. (33.7 x 39.4 cm.)Executed in 19543,000-5,000$4,700-7,8004,200-7,000PROVENANCE:Galleria dArte del Naviglio, Milan, by whom acquired directly from the artist.Acquired from the above and thence by descent to the present owner.795GUSTAVE SINGIER (1909-1984)Baigneuse agitesigned and dated G. Singier 65 (lower right); signed, dated and inscribed BAIGNEUSE AGITE G. Singier 65 (on the reverse)oil on canvas29 x 23 in. (73.5 x 60 cm)Painted in 19657,000-10,000$11,000-16,0009,800-14,000PROVENANCE:Galerie de France, ParisEXHIBITED:London, Redfern Gallery, Gustave Singier, May - June 1966, no. 10.Philippe le Burgue has conrmed the authenticity of this work and will include it in the forthcoming Gustave Singier catalogue raisonn.63PROPERTY FROM THE COLLECTION OF THE LATE MARC SPIEGELQ 797TADEUSZ KANTOR (1915-1990)Rorisigned Kantor (lower left); signed, dated and inscribed T.Kantor XII 1957 Cracovie le titre: RORI (on the reverse)oil on canvas59 x 47 in. (150 x 120 cm.)Painted in Krakow in December 195712,000-18,000$19,000-28,00017,000-25,000PROVENANCE:Acquired by 1959, and thence by descent.EXHIBITED:Kassel, II. documenta 59, Kunst nach 1945, July - October 1959, no. 2 (illustrated p. 212).Dusseldorf, Kunsthalle Grabbeplatz, Tadeusz Kantor, November - December 1959, no. 6.New York, Saidenberg Gallery, 1960.New York, The Museum of Modern Art, Fifteen Polish Painters, July - October 1961, p. 58 (illustrated p. 27); this exhibition later travelled to Ottawa, Minneapolis, St. Louis, Utica, Toronto and Montreal.Born in 1915, Tadeusz Kantor studied art and stage design at the Kracow Academy of Fine Arts and joined the avant-garde Group of Kracow in the late thirties. During the war and Nazi occupation he founded and directed a clandestine vanguard theatre group and was also active as a writer. In 1947 he went to Paris for the rst time and was greatly interested in Surrealism and made contact with many of the French abstract artists. In the 1950s, Kantor had his rst important retrospectives in Poland and France while his success grew and his works began to be shown in some of the most important museums and galleries worldwide and exhibitions such as the documenta in Kassel and the Biennale in Venice.64798ANDR LHOTE (1885-1962)Mirmande jaunesigned A.LHOTE. (lower right); dated and inscribed Mirmande jaune 1959 (on the reverse)oil on canvas25 q x 31 in. (65 x 81 cm.)Painted in 195910,000-15,000$16,000-23,00014,000-21,000PROVENANCE:Karel van Stuijvenberg, United States.Bernhard Brenner, Salzburg.Anonymous sale, Christies, Paris, 23-24 October 2014, lot 121.Acquired at the above sale by the present owner.EXHIBITED:Paris, Salon dautomne, Hommage Andr Lhote, October - November 1963.Chartres, Chambre de Commerce, Andr Lhote, June - September 1966, no. 35.Lyon, Muse des Beaux-arts, Andr Lhote, March - April 1966, no. 47.Montral, Theo Waddington Gallery, Andr Lhote, 1968, no. 12.San Francisco, Hoover Galleries, Andr Lhote, 1969.London, Victor Waddington Gallery, Andr Lhote, May - June 1971, no. 31 (illustrated).Dominique Bermann-Martin has conrmed the authenticity of this work.65799CARLOS NADAL (1917-1998)Playa francesasigned cNadal (lower right)oil on card laid down on canvas25 q x 31 w in. (65 x 81 cm.)18,000-25,000$29,000-39,00026,000-35,000PROVENANCE:Daniel Cardani Galera, Madrid.Acquired from the above by the present owner.The Comite Nadal has conrmed the authenticity of this work.66Born Jose Parra Menchon, known as Gins Parra, was one of a group of important Spanish artists fundamental in the avant-garde formation of the cole de Paris, which also included Pablo Picasso, Antoni Clav, Francisco Bores and Joaqun Pei-nado. Having spent his childhood in North Africa, Parra studied at the Art Students League in New York, a progressive artist-run art school, which gave shape to his early formation of ideas. Later, he enrolled in the cole Nationale des Beaux-Arts in Paris where he developed further under the tutelage of Lucien Simon and Louis Roger. Parras mature style explored both Fauvist and Cubist possibilities, the former emphasising dramatic colour, the latter interpreting three dimensional reality into a two dimensional canvas with the use of dynamic line and form. His heavy use of impasto and black outline also conjures the inu-ence of Czanne and Rouault. Parra exhibited at the Socit Nationale des Beaux-Arts, the Salon dAutomne and the Salon des Indpendants, and throughout Europe during his lifetime. Since then, he continues to hold an international inter-est with two signicant retrospectives held in London in 1971 and in Australia in 1973.*800GINS PARRA (1896-1960)Naturaleza muerta con perassigned G Parra (lower left)oil on canvas21 x 25 in. (54 x 65 cm.)Painted circa 19463,000-5,000$4,700-7,8004,200-7,000PROVENANCE:Acquired directly from the artist and thence by descent to the present owner.EXHIBITED:Perth, Art Gallery of Western Australia, Gins Parra, February - March 1973, no. 12.GINS PARRAPROPERTY FROM AN IMPORTANT PRIVATE COLLECTION67*801GINS PARRA (1896-1960)La casa solitariasigned PARRA (lower left)oil on canvas19 x 24 in. (50.2 x 61 cm.)Painted circa 19453,000-5,000$4,700-7,8004,200-7,000PROVENANCE:Acquired directly from the artist and thence by descent to the present owner.EXHIBITED:Perth, Art Gallery of Western Australia, Gins Parra, February - March 1973, no. 10.*802GINS PARRA (1896-1960)Paisaje de un desiertosigned PARRA (lower right)oil on canvas21 x 25 q in. (54 x 64.8 cm.)Painted circa 19512,500-3,500$3,900-5,4003,500-4,900PROVENANCE:Acquired directly from the artist and thence by descent to the present owner.EXHIBITED:Perth, Art Gallery of Western Australia, Gins Parra, February - March 1973, no. 22 (illustrated on the cover).PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION68803HENRI LEBASQUE (1865-1937)Environs de Cannessigned H. Lebasque (lower right)oil on canvas28x 36 in. (73.2 x 92 cm.)30,000-50,000$47,000-78,00042,000-70,000PROVENANCE:Abels Gemlde-Galerie, Cologne.Acquired from the above by the present owner on 6 July 1959.Maria de la Ville Fromoit and Christine Lenoir have conrmed the authenticity of this work.69804MAURICE UTRILLO (1883-1955)Eglise de campagnesigned and dated Maurice.Utrillo, V, Octobre 1926, (lower left)oil on canvas12 q x 16 in. (30.9 x 40.8 cm.)Painted in 192625,000-35,000$39,000-54,00035,000-49,000PROVENANCE:Terence Milelli, LyonW. F. Findlay Gallerie, ChicagoKunsthandlung Alexander Gebhardt, Munich.Acquired from the above in 1976 and thence by descent to the present owner.LITERATURE:P. Ptrids, Loeuvre complet de Maurice Utrillo, Paris 1959-1966, vol. 2, no. 1167 (illustrated).Jean Fabris and Cdric Pailler have conrmed the authenticity of this work.70806GEN PAUL (1895-1975)Joueur de violonsigned Gen Paul (upper left)gouache, brush and India ink and wash on paper19 x 25 in. (49 x 64 cm.)2,000-3,000$3,200-4,7002,800-4,200PROVENANCE:Acquired by the grandfather of the present owner and thence by descent.Patrick Offenstadt and Emmanuel Farrando have conrmed the authenticity of this work.805GEN PAUL (1895-1975)Le manoir de Mimi Pinsonsigned and inscribed Gen Paul manoir de mimi pinson (lower right)watercolour and charcoal on paper18 w x 25 in. (48 x 64 cm.)3,000-5,000$4,700-7,8004,200-7,000PROVENANCE:Acquired by the grandfather of the present owner and thence by descent.Patrick Offenstadt and Emmanuel Farrando have conrmed the authenticity of this work.PROPERTY FROM AN IMPORTANT PRIVATE EUROPEAN COLLECTION71808PAUL AZPIRI (B. 1919)LArlequinsigned Azpiri (lower right)oil on canvas17 x 12 in. (45 x 32 cm.)4,000-6,000$6,300-9,3005,600-8,300PROVENANCE:Acquired by the grandfather of the present owner and thence by descent.807PAUL AZPIRI (B. 1919)Corbeille de fruitssigned Azpiri (lower left)oil on board21 x 25 in. (54 x 65 cm.)3,000-5,000$4,700-7,8004,200-7,000PROVENANCE:Acquired by the grandfather of the present owner and thence by descent.PROPERTY FROM AN IMPORTANT PRIVATE EUROPEAN COLLECTION72PROPERTY FROM THE GROSVENOR GALLERY, LONDON810ANDR BAUCHANT(1873-1958)Fortsigned and dated 1939 ABauchant (lower left)oil on canvas23 x 28 w in. (60 x 73.3 cm.)Painted in 19392,000-4,000$3,200-6,2002,800-5,600PROVENANCE:Pierre Alexandre Regnault, Amsterdam; his sale, Paul Brandt, Amsterdam, 22-23 October 1958.Acquired at the above sale by Eric Estorick.EXHIBITED:Amsterdam, Stedelijk Museum, Bauchant, 1949, no. R.77.Olivier Lorquin has conrmed the authenticity of this painting.809FRANCIS SMITH (1881-1961)La fontaine au villagesigned Francis Smith (lower left)oil on board9 x 8 in. (23.3 x 20.4 cm.)2,500-3,500$3,900-5,4003,500-4,900PROVENANCE:Private collection, Portugal.73811SUZANNE VALADON(1865-1938)LAulne dans la prairiesigned and dated Suzanne Valadon 1922 (lower right); signed, dated and inscribed LAulne dans la prairie Suzanne Valadon 12, rue Cortot, Paris 18 arr. 1922 (on the reverse)oil on canvas25 x 21 in. (65 x 54.2 cm.)Painted in Paris in 19229,000-12,000$15,000-19,00013,000-17,000PROVENANCE:Anonymous sale, Artcurial, Paris, 30 June 2008, lot 234.Anonymous sale, Sothebys, New York, 6 October 2009, lot 144.Acquired at the above sale by the present owner.Jean Fabris has conrmed the authenticity of this work.PROPERTY FROM AN IMPORTANT PRIVATE LONDON COLLECTION812JEAN (LOUIS) CHAUVIN(1889-1976)Sans titresigned and numbered CHAVVIN I/V (on the legs)bronze with brown patinaHeight: 5 in (13.8 cm.)Conceived circa 1951 and executed in a numbered edition of 55,000-8,000$7,800-12,0007,000-11,000PROVENANCE:Lady Norton, London, by whom acquired directly from the artist in Paris in 1952; sale, Christies, London, 28 June 1991, lot 87.Acquired at the above sale by the present owner.LITERATURE:P. Mas, Chauvin Sculpteur, Montreuil, 2007, no. 123 (another version illustrated).Paul Mas has conrmed the authenticity of this work and will include it in his forthcoming addendum to the Jean Chauvin catalogue raisonn.74PROPERTY FROM A PRIVATE COLLECTION*813BENJAMN PALENCIA(1894-1980)Campos de miessigned and dated BPalencia 76 (lower right); signed, dated and inscribed CAMPOS DE MIES B.Palencia.76 (on the reverse)oil on canvas25 x 31 w in. (65 x 81 cm.)Painted in 197610,000-15,000$16,000-23,00014,000-21,000PROVENANCE:Kreisler Galeria de Arte, Madrid. Acquired from the above in 1993.Ramn Palencia has conrmed the authenticity of this work.PROPERTY FROM THE THYSSEN-BORNEMISZA COLLECTION814JACQUES LIPCHITZ (1891-1973)Variations on a Chisel VII: Begging Poetsigned with the initial L and marked with the thumbprint (on the base)bronze with dark brown patinaHeight: 8 in. (22 cm.)Conceived and cast circa 1951-1952; this work is unique.4,000-6,000$6,300-9,3005,600-8,300PROVENANCE:Anonymous sale, Sothebys Parke Bernet, Los Angeles, 25 February 1974, lot 122.Acquired at the above sale by the present owner.LITERATURE:A. G. Wilkinson, The Sculpture of Jacques Lipchitz, A Catalogue Raisonn, vol. 2, The American Years, 1941-1973, London, 2000, no. 461 (illustrated p. 54).75815BALTHASAR LOBO (1910-1993)Hommagesigned and numbered Lobo HC 1/2 (on the base); with the foundry stamp Susse Fondeur Paris (on the base)bronze with black-green patinaHeight: 10 in. (26.3 cm.)Conceived in 1943 and executed in an edition of 6 plus 4 artist proofs, this sculpture is one of 2 hors commerce examples, cast in 19896,000-8,000$9,400-12,0008,400-11,000PROVENANCE:Galerie Daniel Malingue, Paris.Private collection, Spain.LITERATURE:J.-E. Muller, Lobo, Catalogue raisonn de luvre sculpt, Paris, 1985, no. 30 (another cast illustrated p. 35).Galera Freites will include this work in their forthcoming Baltasar Lobo catalogue raisonn under the archive number 4303 .PROPERTY FROM A PRIVATE COLLECTION*816BENJAMN PALENCIA(1894-1980)Cerro grana, Castillasigned BPalencia 1973 (lower right)oil on canvas21 x 25 in. (54 x 65 cm.)Painted in 19735,000-10,000$7,800-16,0007,000-14,000PROVENANCE:Biosca Galeria de Arte, Madrid (no. 7.851).Acquired by the present owner in the 1980s.EXHIBITED:Bilbao, Galera Arteta, 1973.Ramn Palencia has conrmed the authenticity of this work.76Q 818GEORGES TERZIAN (B. 1939)Composition la feuille blanchesigned G.TERZIAN (lower right)oil on canvas63 x 44 in. (161.5 x 113.5 cm.)5,000-7,000$7,800-11,0007,000-9,700Georges Terzian has conrmed the authenticity of this work.PROPERTY FROM A PRIVATE FRENCH COLLECTIONQ 817ROBERT MARC (1943-1999)Compositionsigned ROBERT MARC (lower centre); signed ROBERT MARC (on the reverse)oil on canvas45 x 31 w in. (116 x 81 cm.)6,000-9,000$9,400-14,0008,400-13,000PROVENANCE:The artists estate, and thence by descent to the present owner.Annie Fromentin-Sangnier has conrmed the authenticity of this work and it will be included in the forthcoming Robert Marc catalogue raisonn.77819FERNAND LGER (1881-1955)Le cirquebrush and India ink and pencil on paper15 x 12 in. (39.6 x 31.3 cm.)Executed circa 193812,000-18,000$19,000-28,00017,000-25,000PROVENANCE:Galerie Maeght, Paris.Private collection, France, by whom acquired in 2005.Anonymous sale, Christies, Paris, 23-24 October 2014, lot 122.Acquired at the above sale by the present owner.78PROPERTY FROM A PRIVATE ENGLISH COLLECTION820AFTER GEORGES ROUAULT (1871-1958)Intrieur dEglise ( la vote claire)inscribed Email unique execut selon mes conseils et avec mon approbation Georges Rouault (on the reverse)enamel on copper11 x 8 q in. (29 x21.6 cm.)Executed circa 1950; this work is unique8,000-12,000$13,000-19,00012,000-17,000PROVENANCE:Saint-Martin de Ligug Abbey, by 1952.Jacques OHana Ltd, London (no. 337).Acquired by the grandfather of the present owner, and thence by descent.EXHIBITED:Paris, Galerie de France, Emaux de Ligug, 1951, no. 2Paris, Muse National dArt Moderne, Georges Rouault, July - October 1952, no. 121 [titled Intrieur dglise (Piliers rouges)].LITERATURE:B. Dorival & I. Rouault, Rouault, Loeuvre peint, vol. 2, Monte Carlo, 1988, no. 13, p. 303.These enamel works were realised at the Benedictine Abbey of Saint-Martin in Ligug. Rouault selected some of his existing paintings to be recreated in enamel. These were loaned to the Atelier Saint-Martin for the time it took to create the enamel work. Each enamel was submitted to Rouault during execution and after completion and they were only released with his approval.PROPERTY FROM THE COLLECTION OF THE LATE MARC SPIEGEL821OTA JANECEK (1919-1996)Mesto v noci, la ville dans la nuitsigned and dated Ota Janecek 1955 (lower right); signed and inscribed MESTO V NOCI, LA VILLE DANS LA NUITE Str 39 i 1. Stre 63 No 12 Ota Janec ek (on the reverse)oil on canvas2 x13 in. (55.3 x 34.6 cm.)Painted in 19552,000-3,000$3,200-4,7002,800-4,20079PROPERTY FROM THE GROSVENOR GALLERY, LONDON822ERNST NEIZVESTNY (B. 1926)Untitled (three drawings)each indistinctly signed (lower left)each felt-tip pen on papereach approx. 17 q x 12 in. (44.5 x 31.2 cm.)unframed(3)800-1,200$1,300-1,9001,200-1,700PROVENANCE:Eric Estorick [Grosvenor Gallery], London, by whom acquired directly from the artist in the 1960s.824BLA KDR (1877-1956)The arrivalcharcoal on paper6 w x 9 w in. (17.5 x 25.1 cm.)Executed circa 1920s2,000-3,000$3,200-4,7002,800-4,200PROVENANCE:Galleria dellIncisione, Milan.Private collection, Milan, by whom acquired from the above circa 1970.EXHIBITED:Milan, Galleria dellIncisione, Bela Kadar, November - December 1970, no. 3 (illustrated pl. VII).With a drawing of a seated woman on the reverse.823OTTO GUTFREUND (1889-1927)Sedc ena IInumbered 3/3 (on the right)bronze with brown-green patinaHeight: 9 in. (24 cm.)Conceived in 1927, this cast probably made in the 1960s.1,000-2,000$1,600-3,1001,400-2,800PROVENANCE:Private collection, Prague.LITERATURE:National Gallery, Prague, Otto Gutfreund, exh. cat., with a catalogue raisonn of sculptures, 1995, no. 371 (other casts illustrated pp. 141 & 275).P. Cannon-Brookes, Czech Sculpture 1800-1938, exh. cat, London, 1983, no. 158 (another cast illustrated p. 103).Jir etlk has conrmed the authenticity of this work.80827CLAUDE VENARD (1913-1999)Le port de Locqumeausigned C.VENARD (lower right)oil on canvas21 x 30 in. (55 x 77 cm.)Painted circa 19474,000-6,000$6,300-9,3005,600-8,300Renata Venard has conrmed the authenticity of this work.Alain Vercel has conrmed the authenticity of this work.825JULES CAVAILLS (1901-1977)Bouquette de eurs (recto) Nature morte (verso)signed J.CAVAILLES (lower right)oil on canvas28 x 12 in. (73 x 60 cm.)3,000-5,000$4,700-7,8004,200-7,000PROVENANCE:Galerie de Paris (Paul de Montaignac), Paris.This painting is registered in the online Jules Cavaills Research Centre under S14 015 & S14 016.PROPERTY FROM A PRIVATE ENGLISH COLLECTION826PAUL MAZE (1887-1979)Bateaux voiles sur riviresigned Paul Maze. (lower right)oil on board10 q x 28 q in. (26.6 x 72.3 cm.)2,000-3,000$3,200-4,7002,800-4,20081*Q 828CLAUDE VENARD (1913-1999)Paris, Sacr-Coeursigned C.VENARD (lower left)oil on canvas38 x 51 in. (97 x 129.5 cm.)10,000-15,000$16,000-23,00014,000-21,000129PROVENANCE:Galerie Felix Vercel, New York (no. F.V. 587).Private collection, New York, acquired from the above in the late 1970s.Acquired from the above by the present owner.Renata Venard has conrmed the authenticity of this work.82*830CLAUDE VENARD (1913-1999)Attitudesigned C.Venard (lower left); inscribed Attitude (on the reverse)oil on canvas31 x 25 q in. (80.5 x 64.8 cm.)Painted in 19853,000-5,000$4,700-7,8004,200-7,000PROVENANCE:Galerie Felix Vercel, New York (no. N.Y.7572). Renata Venard has conrmed the authenticity of this work.Alain Vercel has conrmed the authenticity of this work.831GEORGES TERZIAN (B. 1939)Le tapis au grand verresigned G.TERZIAN (lower right); inscribed LE TAPIS AU GRAND VERRE (on the reverse)oil on canvas21 x 18 in. (55 x 46.1 cm.)3,500-5,500$5,500-8,6004,900-7,700PROVENANCE:Galerie Giovanni, Paris, by whom acquired from the artist.Anonymous sale, Sothebys, New York, 7 October 2010, lot 208.Acquired at the above sale by the present owner.Q 829GEORGES TERZIAN (B. 1939)Madame Xsigned G.TERZIAN (lower right)oil on canvas63 x 44 in. (161.5 x 113.5 cm.)5,000-7,000$7,800-11,0007,000-9,700Georges Terzian has conrmed the authenticity of this work.83833JEAN-GABRIEL DOMERGUE (1889-1962)Angeliquesigned Jean Gabriel Domergue (lower right); inscribed and numbered 510 Angelique (on the reverse)oil on board21 q x 18 in. (54.8 x 45.6 cm.)3,000-5,000$4,700-7,8004,200-7,000PROVENANCE:Anonymous sale, Cornette de Saint-Cyr, Paris, 14 December 2014, lot 9.Acquired at the above sale by the present owner.No Willer has conrmed the authenticity of this work.*832JEAN-GABRIEL DOMERGUE (1889-1962)Lavant scnesigned Jean Gabriel Domergue (lower right); inscribed lavant scne (on the reverse)oil on board25 q x 21 in. (64.8 x 53.8 cm.)10,000-15,000$16,000-23,00014,000-21,000PROVENANCE:Anonymous sale, Besch, Cannes, 15 August 2003, lot 282.Acquired at the above sale by the present owner.No Willer has conrmed the authenticity of this work.84836GUSTAVE CARIOT (1872-1950)La fermesigned and dated G.Cariot 1919 (lower right)oil on canvas10 x 16 in. (27 x 41.2 cm.)Painted in 19192,000-3,000$3,200-4,7002,800-4,200PROVENANCE:The artists estate and thence by descent. Acquired from the above by the present owner.834PIERRE EUGNE MONTZIN (1874-1946)Lavandires prs dun tangsigned Montzin (lower right)oil on canvas32 x 25 in. (81.4 x 65 cm.)2,500-3,500$3,900-5,4003,500-4,900PROVENANCE:Anonymous sale, Htel Drouot, Paris, 4 October 2013, lot 63.Cyril Klein-Montzin has conrmed the authenticity ofthis work.835GUSTAVE CARIOT (1872-1950)Printempssigned and dated G.Cariot 1921 (lower left)oil on canvas12 x 23 in. (31 x 60.5 cm.)Painted in 19212,000-3,000$3,200-4,7002,800-4,200PROVENANCE:The artists estate and thence by descent.Acquired from the above by the present owner.85837ARISTIDE MAILLOL (1861-1944)Nu assisesanguine on paper14 x 10 in. (37.5 x 27 cm.)With further charcoal and pencil studies on the reverse2,000-4,000$3,200-6,2002,800-5,600PROVENANCE:Succession de Madame W., Fonds dAtelier du peintre sculpteur Maillol, Nice, 28 November 2013.Acquired at the above sale by the present owner.839LONARD TSUGUHARU FOUJITA(1886-1968)La marchande de chienssigned Foujit (lower centre)pencil on paper5 x 5 q in. (14.5 x 13.3 cm.)1,000-2,000$1,600-3,1001,400-2,800PROVENANCE:Succession sale, Cornette de Saint-Cyr, 28 October 2013, lot 172.Acquired at the above sale by the present owner.838LONARD TSUGUHARU FOUJITA(1886-1968)La cartomanciennesigned Foujit (lower left)pencil on paper5 w x 5 in.(14.8 x 13.4 cm.)800-1,200$1,300-1,9001,200-1,700PROVENANCE:Succession sale, Cornette de Saint-Cyr, 28 October 2013, lot 167.Acquired at the above sale by the present owner.86840ANDR DUNOYER DE SEGONZAC(1884-1974)Les pchessigned A. Dunoyer de Segonzac (centre right)watercolour and pen and ink on paper22 x 30 in. (57 x 78 cm.)3,000-5,000$4,700-7,8004,200-7,000PROVENANCE:The artists estate, and thence by descent to the present owner.Madame de Varine has conrmed the authenticity of this work.*841GEORGES DESPAGNAT (1870-1950)Mre et enfantssigned GdE (lower right)oil on canvas25 x 31 w in. (65.2 x 81 cm.)Painted circa 19263,000-5,000$4,700-7,8004,200-7,000This work is sold with a photo-certicate from Jean-Dominique Jacquemond and it is included in his archives.842GEORGES DESPAGNAT (1870-1950)Nature mortesigned with the initials GdE (centre right)oil on paper laid down on canvas25 x 18 w in. (64.4 x 48 cm.)3,000-5,000$4,700-7,8004,200-7,000PROVENANCE:Anonymous sale, Morelle & Marchandet, Paris, 4 December 1998, lot 17.Anonymous sale, Sothebys, London, 6 February 2001, lot 229.Acquired at the above sale and thence by descent to the present owner.This work is sold with a photo-certicate from Jean-Dominique Jacquemond and it is included in his archives.87*Q 843HUGUES CLAUDE PISSARRO (B. 1935)Le clocher de Fresnessigned H.Claude Pissarro. (lower right); signed and inscribed H. Claude PISSARRO le petit-ls Le clocher de Fresnes (dans la Rgion de Flers) (on the reverse)oil on canvas35 x 45 in. (89 x 116 cm.)6,000-8,000$9,400-12,0008,400-11,000PROVENANCE:Private collection, Japan.Hugues Claude Pissarro has conrmed the authenticity of this work.*844HUGUES CLAUDE PISSARRO (B. 1935)Arbre dans un jardinsigned H.Claude.Pissarro. (lower right)oil and pastel on canvas8 x 6 in. (22 x 16 cm.)900-1,200$1,400-1,9001,300-1,700PROVENANCE:Private collection, Japan.Hugues Claude Pissarro has conrmed the authenticity of this work.845GEORGES MANZANA PISSARRO (1871-1961)Paysage dhiversigned and dated Manzana-Pissarro 1951 (lower left)oil on panel13 x 17 w in. (33.7 x 45.5 cm.)Painted in 19513,000-5,000$4,700-7,8004,200-7,000Llia Pissarro has conrmed the authenticity has conrmed the authenticity of this work and it is recorded in the archives of Pissarro Stern Publications.88848CHARLES MALLE (B. 1935)Londres, la Tamisesigned C.MALLE. (lower right); inscribed Londres, la Tamise (on the reverse)oil on canvas23 x 31 in. (60 x 80.7 cm.)2,500-3,500$3,900-5,4003,500-4,900LITERATURE:J. Perreau, Charles Malle, Evocations, Paris, 2011, no. 60 (illustrated p. 108).PROPERTY FROM A PRIVATE COLLECTION847EDOUARD JOSEPH GOERG (1893-1969)Les jeunes veuves reoivent des eurssigned E.GOERG (lower left); signed, dated and inscribed E.GOERG Aout 54 Les jeunes veuves recoivent des eurs (on the reverse)oil on canvas25 x 21 in. (65 x 53.7 cm.)Painted in August 19542,000-3,000$3,200-4,7002,800-4,200PROVENANCE:Margaret Krebs, Brussels.(Probably) Acquired from the above circa 1970-1980s, and thence by descent to the present owner.EXHIBITED:Paris, Muse National dArt Moderne, LEcole de Paris dans les Collections Belges, July - October 1959.846CHARLES MALLE (B. 1935)Paris, 14 Juillet Montmartresigned C.MALLE. (lower right); inscribed Paris, 14 Juillet Montmartre (on the reverse)oil on canvas28 x 36 in. (73 x 92 cm.)3,500-5,500$5,500-8,6004,900-7,700851MARCEL DYF (1899-1985)Reine margueritessigned Dyf (lower right)oil on canvas28 x 23 in. (73 x 60 cm.)Painted in 19692,500-3,500$3,900-5,4003,500-4,900PROVENANCE:Frost & Reed, London (no. 44973).Anonymous sale, Butterelds, London, 27 March 1991, lot 4104.Omell Galleries, London.This work is registered in the Marcel Dyf archive under no. 424.850YVONNE CANU (1921-2008)Saint-Tropez, les rgatessigned Canu (lower right); signed, inscribed and numbered 477 St Tropez Les Rgates Y.Canu (on the reverse)oil on canvas23 x 31 w in. (60 x 81 cm.)4,000-6,000$6,300-9,3005,600-8,300PROVENANCE:Anonymous sale, Pousse-Cornet, Orlans, 15 April 2012, lot 31.849MARCEL DYF (1899-1985)La plage Carnacsigned Dyf (centre right)oil on canvas23 x 28 in. (60 x 73 cm.)Painted in 19812,000-3,000$3,200-4,7002,800-4,200PROVENANCE:Frost & Reed, London.Omell Galleries, London.This work is registered in the Marcel Dyf archive under no. 3298.END OF SALECONDITIONS OF SALEThese Conditions of Sale and the Important Notices andExplanationofCataloguingPracticesetout thetermsonwhichweofferthelotslistedinthis catalogueforsale.Byregisteringtobidand/orby biddingatauctionyouagreetotheseterms,so youshouldreadthemcarefullybeforedoingso. Youwillfindaglossaryattheendexplainingthe meaningofthewordsandexpressionscoloured in bold.Unlessweownalot(symbol,Christiesactsas agent for the seller.ABEFORE THE SALE1DESCRIPTION OF LOTS(a)Certain words used in the catalogue description havespecialmeanings.Youcanfinddetailsof theseonthepageheadedImportantNoticesand ExplanationofCataloguingPracticewhichforms partoftheseterms.Youcanfindakeytothe Symbolsfoundnexttocertaincatalogueentries underthesectionofthecataloguecalledSymbols Used in this Catalogue. (b)Ourdescriptionofanylotinthecatalogue, anyconditionreportandanyotherstatement madebyus(whetherorallyorinwriting)about anylot,includingaboutitsnatureorcondition, artist,period,materials,approximatedimensions orprovenanceareouropinionandnottobe relied upon as a statement of fact. We do not carry outin-depthresearchofthesortcarriedoutby professionalhistoriansandscholars.Alldimensions and weights are approximate only.2OUR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTSWedonotprovideanyguaranteeinrelationto thenatureofalotapartfromourauthenticity warrantycontainedinparagraphE2andtothe extent provided in paragraph I below.3CONDITION(a)Theconditionoflotssoldinourauctions can vary widely due to factors such as age, previous damage, restoration, repair and wear and tear. Their naturemeansthattheywillrarelybeinperfect condition.Lotsaresoldasis,inthecondition theyareinatthetimeofthesale,withoutany representation or warranty or assumption of liability of any kind as to condition by Christies or by the seller.(b)Anyreferencetoconditioninacatalogue entry or in a condition report will not amount to a full description of condition, and images may not showalotclearly.Coloursandshadesmaylook differentinprintoronscreentohowtheylook on physical inspection.Condition reports may be availabletohelpyouevaluatetheconditionofa lot. Condition reports are provided free of charge as a convenience to our buyers and are for guidance only. They offer our opinion but they may not refer to all faults, inherent defects, restoration, alteration oradaptationbecauseourstaffarenotprofessional restorersorconservators.Forthatreasontheyare notanalternativetoexaminingalotinperson ortakingyourownprofessionaladvice.Itisyour responsibilitytoensurethatyouhaverequested, received and considered any condition report.4VIEWING LOTS PRE-AUCTION(a) If you are planning to bid on a lot, you should inspectitpersonallyorthroughaknowledgeable representative before you make a bid to make sure thatyouacceptthedescriptionanditscondition. Werecommendyougetyourownadvicefroma restorer or other professional adviser.(b)Pre-auctionviewingsareopentothepublic freeofcharge.Ourspecialistsmaybeavailableto answerquestionsatpre-auctionviewingsorby appointment.5ESTIMATESEstimatesarebasedonthecondition,rarity, qualityandprovenanceofthelotsandon prices recently paid at auction for similar property. Estimatescanchange.Neitheryou,noranyone else,mayrelyonanyestimatesasaprediction orguaranteeoftheactualsellingpriceofalotor itsvalueforanyotherpurpose.Estimatesdonot includethebuyerspremiumoranyapplicable taxes. 6WITHDRAWALChristies may, at its option, withdraw any lot at any time prior to or during the sale of the lot. Christies has no liability to you for any decision to withdraw.7JEWELLERY(a)Colouredgemstones(suchasrubies,sapphires andemeralds)mayhavebeentreatedtoimprove theirlook,throughmethodssuchasheatingand oiling.Thesemethodsareacceptedbytheinter-national jewellery trade but may make the gemstone less strong and/or require special care over time.(b)All types of gemstones may have been improved bysomemethod.Youmayrequestagemmological report for any item which does not have a report if the request is made to us at least three weeks before the date of the auction and you pay the fee for the report. (c)Wedonotobtainagemmologicalreportfor everygemstonesoldinourauctions.Wherewe dogetgemmologicalreportsfrominternationally acceptedgemmologicallaboratories,suchreports willbedescribedinthecatalogue.Reportsfrom Americangemmologicallaboratorieswilldescribe anyimprovementortreatmenttothegemstone. ReportsfromEuropeangemmologicallaboratories willdescribeanyimprovementortreatmentonly ifwerequestthattheydoso,butwillconfirm whennoimprovementortreatmenthasbeen made.Becauseofdifferencesinapproachand technology,laboratoriesmaynotagreewhethera particulargemstonehasbeentreated,theamount oftreatmentorwhethertreatmentispermanent. Thegemmologicallaboratorieswillonlyreport ontheimprovementsortreatmentsknowntothe laboratories at the date of the report.(d)For jewellery sales, estimates are based on the informationinanygemmologicalreportor,ifno reportisavailable,assumethatthegemstonesmay have been treated or enhanced. 8 WATCHES & CLOCKS(a)Almostallclocksandwatchesarerepairedin theirlifetimeandmayincludepartswhichare notoriginal.Wedonotgiveawarrantythat anyindividualcomponentpartofanywatchis authentic.Watchbandsdescribedasassociated arenotpartoftheoriginalwatchandmaynotbe authentic. Clocks may be sold without pendulums, weights or keys.(b)Ascollectorswatchesoftenhaveveryfineand complexmechanisms,ageneralservice,changeof batteryorfurtherrepairworkmaybenecessary, forwhichyouareresponsible.Wedonotgivea warranty that any watch is in good working order. Certificatesarenotavailableunlessdescribedin the catalogue.(c) Most wristwatches have been opened to find out the type and quality of movement. For that reason, wristwatcheswithwaterresistantcasesmaynotbe waterproofandwerecommendyouhavethem checked by a competent watchmaker before use.Important information about the sale, transport and shippingofwatchesandwatchbandscanbefound in paragraph H2(h).BREGISTERING TO BID1NEW BIDDERS(a)IfthisisyourfirsttimebiddingatChristiesor youareareturningbidderwhohasnotbought anything from any of our salerooms within the last two years you must register at least 48 hours before anauctiontogiveusenoughtimetoprocessand approveyourregistration.Wemay,atouroption, declinetopermityoutoregisterasabidder.You will be asked for the following: (i)forindividuals:Photoidentification(driving licence,nationalidentitycardorpassport)and,if notshownontheIDdocument,proofofyour currentaddress(forexample,acurrentutilitybill or bank statement).(ii)forcorporateclients:YourCertificateof Incorporationorequivalentdocument(s)showing yournameandregisteredaddresstogetherwith documentaryproofofdirectorsandbeneficial owners; and (iii)fortrusts,partnerships,offshorecompanies andotherbusinessstructures,pleasecontactusin advance to discuss our requirements.(b)Wemayalsoaskyoutogiveusafinancial referenceand/oradepositasaconditionof allowingyoutobid.Forhelp,pleasecontactour Credit Department on +44 (0)20 7839 9060.2RETURNING BIDDERSWemayatouroptionaskyouforcurrentiden-tificationasdescribedinparagraphB1(a)above, afinancialreferenceoradepositasacondition ofallowingyoutobid.Ifyouhavenotbought anything from any of our salerooms in the last two years or if you want to spend more than on previous occasions, please contact our Credit Department on +44 (0)20 7839 9060.3IF YOU FAIL TO PROVIDE THE RIGHT DOCUMENTSIfinouropinionyoudonotsatisfyourbidder identification and registration procedures including, butnotlimitedtocompletinganyanti-money launderingand/oranti-terrorismfinancingchecks wemayrequiretooursatisfaction,wemayrefuse to register you to bid, and if you make a successful bid,wemaycancelthecontractforsalebetween you and the seller. 4BIDDING ON BEHALF OF ANOTHER PERSONIfyouarebiddingonbehalfofanotherperson, thatpersonwillneedtocompletetheregistration requirements above before you can bid, and supply asignedletterauthorisingyoutobidforhim/her.Abidderacceptspersonalliabilitytopaythe purchasepriceandallothersumsdueunlessit hasbeenagreedinwritingwithChristiesbefore commencementoftheauctionthatthebidderis acting as an agent on behalf of a named third party acceptable to Christies and that Christies will only seek payment from the named third party.5BIDDING IN PERSONIfyouwishtobidinthesaleroomyoumust registerforanumberedbiddingpaddleatleast 30minutesbeforetheauction.Youmayregister onlineatwww.christies.comorinperson.For help, please contact the Credit Department on +44 (0)20 7839 9060.6BIDDING SERVICES Thebiddingservicesdescribedbelowareafree serviceofferedasaconveniencetoourclientsand Christiesisnotresponsibleforanyerror(human or otherwise), omission or breakdown in providing these services.(a) Phone BidsYourrequestforthisservicemustbemadeno laterthan24hourspriortotheauction.We willacceptbidsbytelephoneforlotsonlyifour staffareavailabletotakethebids.Ifyouneed tobidinalanguageotherthaninEnglish,you mustarrangethiswellbeforetheauction.We mayrecordtelephonebids.Bybiddingonthe telephone,youareagreeingtousrecordingyour conversations.Youalsoagreethatyourtelephone bids are governed by these Conditions of Sale.(b) Internet Bids on Christies LiveForcertainauctionswewillacceptbidsover theInternet.Pleasevisitwww.christies.com/livebidding and click on the Bid Live icon to see details of how to watch, hear and bid at the auction fromyourcomputer.AswellastheseConditions of Sale, internet bids are governed by the Christies LIVE terms of use which are available on www.christies.com. (c)Written BidsYou can find a Written Bid Form at the back of our catalogues,atanyChristiesofficeorbychoosing thesaleandviewingthelotsonlineatwww.christies.com.Wemustreceiveyourcompleted WrittenBidFormatleast24hoursbeforethe auction. Bids must be placed in the currency of the saleroom. The auctioneer will take reasonable steps to carry out written bids at the lowest possible price, takingintoaccountthereserve.Ifyoumakea written bid on a lot which does not have a reserve andthereisnohigherbidthanyours,wewillbid on your behalf at around 50% of the low estimate or, if lower, the amount of your bid. If we receive writtenbidsonalotforidenticalamounts,andat theauctionthesearethehighestbidsonthelot, we will sell the lot to the bidder whose written bid we received first.CAT THE SALE1WHO CAN ENTER THE AUCTIONWemay,atouroption,refuseadmissiontoour premisesordeclinetopermitparticipationinany auction or to reject any bid.2RESERVESUnlessotherwiseindicated,alllotsaresubjecttoa reserve.Weidentifylotsthatar


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