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artanglim.weebly.comartanglim.weebly.com/uploads/1/2/6/1/12616945/valuereading.pdf · in figure...

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Page 1: artanglim.weebly.comartanglim.weebly.com/uploads/1/2/6/1/12616945/valuereading.pdf · in figure 1.76. As described by Herbert Zettl in Siollt, Sound, Motion: Applied Medin Aesthetics,
Page 2: artanglim.weebly.comartanglim.weebly.com/uploads/1/2/6/1/12616945/valuereading.pdf · in figure 1.76. As described by Herbert Zettl in Siollt, Sound, Motion: Applied Medin Aesthetics,
Page 3: artanglim.weebly.comartanglim.weebly.com/uploads/1/2/6/1/12616945/valuereading.pdf · in figure 1.76. As described by Herbert Zettl in Siollt, Sound, Motion: Applied Medin Aesthetics,
Page 4: artanglim.weebly.comartanglim.weebly.com/uploads/1/2/6/1/12616945/valuereading.pdf · in figure 1.76. As described by Herbert Zettl in Siollt, Sound, Motion: Applied Medin Aesthetics,
Page 5: artanglim.weebly.comartanglim.weebly.com/uploads/1/2/6/1/12616945/valuereading.pdf · in figure 1.76. As described by Herbert Zettl in Siollt, Sound, Motion: Applied Medin Aesthetics,
Page 6: artanglim.weebly.comartanglim.weebly.com/uploads/1/2/6/1/12616945/valuereading.pdf · in figure 1.76. As described by Herbert Zettl in Siollt, Sound, Motion: Applied Medin Aesthetics,

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