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In the Mind's Eye

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Page 1: In the Mind's Eye

Irish Arts Review

In the Mind's EyeIrish Arts Review (2002-), Vol. 25, No. 4 (Winter, 2008), p. 148Published by: Irish Arts ReviewStable URL: http://www.jstor.org/stable/20493430 .

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Page 2: In the Mind's Eye

~CATLOUE

National Gallery of Ireland: Essential Guide (rivised ed) Scala Publishers, London, 2008

pp 300, full col. ills, p/b

?14.95 ISBN: 978 1 85759 510 9

Readability: *****

Reference: *****

Design & Durability: *****

Quality of Plates: *****

This is a revised edition of the 2002 guide,

divided up into chapters on the various national schools, with separate chapters for the Yeats Collection, Greek and Russian

_ painting, the Decorative Arts, and slotted K ~ into one chapter, Watercolours, Drawings

_ and Prints. It is very straightforward, the format being a colour illustration, basic

information as to size and the like, and a

short simple commentary. There are a num

ber of double-page spreads. There is an

index of artists but that is as far as the refer

ence section extends: no list of illustrations,

no bibliography (either on individual paint ings or in general), no index of works, and

for that matter, no introduction to any of

the different Schools. This is very basic

stuff, no harm in that at all, but it is a pity

that the illustrations are distinctly variable.

In The Mind's Eye OPW/Dept. of Finance and Personnel, Dublin, 2008

pp. 88, 40 mainly col. ills, p/b

E5.00 ISBN: 0-7557-7611-9

Readability: * * * * *

Reference: *****

Design & Durability: *****

Quality of Plates: *****

This is the catalogue of the OPW's tour

ing show which this year is themed on

Realism, and so is representational and, regrettably, rather bland and predictable. It is useful to see work by the rarely exhib

ited Romeo C Toogood who spent his career at the Belfast College of Art until

he died in 1966 and who influenced gen

erations of Ulster artists. It is also useful to

see a featured artist like Colin Davidson

who goes well beyond the literal. Each

artist gets one or two images, plus a page

on which there is a very short CV, and

brief comment by the artist if still alive.

No list of plates. No bibliographies.

The Nurses' Home: The Mater Hospital College of Nursing, Mater Campus Hospital Development Ltd,

unpaginated, H/B, copiously illus. in col &

BIW, 2008 ISBN: 978-0-9552388-5-7

Readability: *****

Reference: *****

Design & Durability: *****

Quality of Plates: *****

Basically this small hardback is a docu

mentation, by the photographer Michael Durand, of the old Mater Hospital School of Nursing. It contains a short historical

essay on the hospital by Sr Eugene Nolan

RSM, and a short essay on the photo

graphs by Doireann Wallace. There is also

an accompanying CD of images. This is a

signed limited edition of 500. No list of

illustrations.

Ground Up Fiona Woods (ed)

Clare County Council Arts Office, Clare, 2008

pp 204, full col. & b/w ills, h/b

E15.00 ISBN: 978-0-9541870-3-3

Readability: *****

Reference: *****

Design & Durability: * * * * *

Quality of Plates: *****

This is a very welcome publication. In

essence it is a photographic record of the

three phases of the Ground Up project, an

experimental programming of contempo rary public art in the rural areas of County

Clare, which took place between 2003 and

2007. Each phase is introduced by a con

textual essay, followed by each artist being

allocated a short description of his or her

project plus one or more photographs. There is also accompanying documenta tion on a CD. The book is readable, its

themes particularly pertinent, and a major

effort has gone into trying to produce a

design that is radically different from the

usual catalogue format. One has to

applaud this attempt at inventiveness, though the unusual shape means that pho

tographic images are often pulled out of

shape, thus causing one to wonder about

the effectiveness of documentary images. Images are often left unlabelled, and there is no reference material in the actual book,

and no list of illustrations or bibliography for example. The proofing could have been rather better and material is often

repeated two or three times in different essays. But on balance this is an admirable

effort, and every art library should have it.

Perfopuerto Sarah McAvera & Alexander Del Re (eds)

Catalyst Arts/PerfoPuerto, Belfast, 2008

Unpaginated, full b/w ills, p/b

Free (except for p&p) ISBN: 978-0-9549082-2-5

Readability: *****

Reference: *****

Design & Durability: *****

Quality of Plates: *****

Catalyst Arts is a not-for-profit alternative space in Belfast which is run by volunteer artists. This short book documents PerfoPuerto - a group of performance art organisers based in Chile - during their residence at the Catalyst Arts Gallery in 2007. The publication covers their group exhibition as well as a two-art work ses

sion with local artists. For groups like Catalyst who have little money, publica tions are difficult, and it shows in the

cheap paper and the glued - as opposed to

stitched - spine. Documenting perform ances is another headache, and notorious

ly difficult to do. Ballet and modern dance have the same problem. This publication tries hard, alternating between photo graphic images and various forms of story

boarding. There are two short background essays, and brief descriptions of the work

sessions. No list of plates and no CVs. N

BRIAN McAVERA is an art critic.

1 48 |IRISH ARTS REVIEW WINTER 2008

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