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Tin House Books /// book design, slipcover, layout and typesettingIndependent Publishers Book Award /// Most Outstanding Design
prInt matters.
Call me a hopeless optimist, a lover of analogue, a luddite if you must. But when I want to learn something new, commune with an artist’s body of work, lose myself in a poem, or devise a permaculture garden—I reach for a book.
I’m not alone in this passion for the printed page. If you’re in the business of building books, or making exhibition catalogs of groundbreaking shows, I suspect we share this love of the permanent record.
I believe the experience of the printed work, the flipping through and returning to, is so often more potent than the click and the download. That’s why I’ve sent you this little bit of ink on paper. A small analog gift in a very virtual world.
Talk to me about your upcoming project.
Real ink on real paper. Something to celebrate still.
—Laura
Farrar, Straus & Giroux
Interweave Press
Music Academy of the West
National Geographic
Northwest Energy Efficiency Alliance
Oregon Historical Society Press
Oxford University Press
Patricia Houghton Clarke Photography
Portland Baroque Orchestra
Random House
Simon & Schuster
Shambhala Publications
Soho Press
Timber Press
Tin House Magazine and Books
Tuttle Publishers
UNICEF
University of Minnesota Press
W. W. Norton
617·942·7876
503·708·7615
www.lshawdesign.com
40 Alveston St., No 2, Jamaica Plain, MA 02130
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Front cover: Detail from “Sloane Ranger” © 2012, Patricia Houghton Clarke. Page 2 and back cover: Detail from Sharp Eyes, 1891 by William Hamilton Gibson.