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INPUT RANGES OUTPUT RANGES - Slightly Nasty · The resonance CV gœs into an attenuverter stage...

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MODEL 2251 MULTIBAND FILTER LOW NOT HIG BAND GAIN VCA IN VCA O 1 150 10 1.8k 20k 4 40 520 6.5k + + - - MODEL 2251 Multiband Filter Construction & Operation Guide REV A - FOR PCB V1.0 SLIGHTLY NASTY ELECTRONICS ADELAIDE, AUSTRALIA
Transcript

M O D E L 2 2 5 1

M U LT I BA N D F I LT E R

S L I G H T LY N A S T Y

F R EQ.I N P U T R E S .

LOW

N OTC H

H I G HBA N D

G A I NVC A I N VC A O U T

1

1 5 0

1 0 1 . 8 k

2 0 k

4

4 0 5 2 0

6 . 5 k

+

+- +-

M O D E L 2 2 5 1

M u l t i b a n d F i l t e r

Construction

& Operation Guide

REV A - FOR PCB V 1 .0

S L I G H T L Y N A S T Y E L E C T R O N I C S A D E L A I D E , A U S T R A L I A

S L I G H T L Y N A S T Y E L E C T R O N I C S A D E L A I D E , A U S T R A L I A

2Specifications

S P E C I F I C A T I O N S

PHYSICAL

FORM FACTOR: Loudest Warning / 4U

WIDTH: 3NMW / 75.5mm

HEIGHT: 175mm

DEPTH: ~40mm from panel front inc. components

PCB: 70 x 75mm, Two-Layer Double Sided

CONNECTORS: 4mm Banana

ELECTRICAL

POWER: +12V, 0V, -12V

CONSUMPTION: ~25mA +12V Rail, ~25mA -12V Rail

CONNECTOR: IDC 10-pin Shrouded Header, Eurorack Standard

or MTA-156 4-Pin Header

I/O IMPEDANCES: 100K input, 1K output (nominal)

INPUT RANGES (nominal)

SIGNALS: +/- 5V

FREQ: +/- 5V

RES: +/- 5V

GAIN: 0 - 5V

OUTPUT RANGES (nominal)

OUTPUT (ALL): +/- 5V

M O D E L 2 2 5 1 M u l t i b a n d F i l t e r

IDC power connector pinout.

MTA-156 power connector pinout.

S L I G H T L Y N A S T Y E L E C T R O N I C S A D E L A I D E , A U S T R A L I A

3Circuit Overview

T A B L E O F C O N T E N T S

SPECIFICATIONS

Specifications / Power Requirements 2

INTRODUCTION

Introduction 4

CIRCUIT OVERVIEW

Circuit Overview 5

Signal / Res CV Inputs 6

Exponential Converters 6

Filter Core 8

Extra VCA 10

CHOOSING COMPONENTS

Bill Of Materials (BOM) 11

Choosing Components 12

CONSTRUCTION

Construction Overview 13

Physical Assembly 14

CALIBRATION

Calibrating the 2251 15

CONTROLS

Controls 17

REFERENCE

PCB Guide 18

M O D E L 2 2 5 1 M u l t i b a n d F i l t e r

This document is best viewed in dual-page mode.

S L I G H T L Y N A S T Y E L E C T R O N I C S A D E L A I D E , A U S T R A L I A

4Introduction

I N T R O D U C T I O N

The Slightly Nasty Model 2251 Multiband Filter is a versatile multimode 12dB/

Oct state-variable filter that provides four simultaneous filter outputs: lowpass,

highpass, bandpass, and notch. Both cutoff frequency and resonance are CV-

controllable, with attenuverters provided for both. A dedicated audio FM knob

allows add extra texture to be added without tying up an external mixer. In

addition, one of the unused LM13700 OTA stages is used to implement a bonus

utility VCA that operates independently of the filter.

The 2251 was designed to provide very controlled and consistent resonance across

the operating range, so that very dynamic CV control of the resonance within a

patch would always result in controlled and predictable signal amplitudes without

excessive distortion or clipping. The resulting character of the filter is quite

smooth, while still providing a satisfyingly big analogue filter sound suitable for

basses, leads, and general sound design.

Despite this self-limiting resonance, the filter still self-oscillates and can be "pinged"

by setting the resonance on the threshold of oscillation and hitting the audio input

with a transient signal.

The Audio FM knob allows for some additional dirt and texture to be easily added

by modulating the cutoff frequency with the input signal, which results in a sound

somewhere between soft distortion and harmonic FM. The extra VCA is ideal as a

final envelope/output VCA, meaning that a single oscillator and 2251 filter can

provide a complete signal path for basic subtractive synth sounds.

The Model 2251 uses the Loudest Warning 4U format for the front panel, and

follows Eurorack electrical and power standards. All front panel components are

PCB mounted for easy wiring-free construction. The front panel is available in two

finishes - satin anodised and gloss white powdercoat, both on 2.5mm aluminium

with robust UV-printed graphics.

M O D E L 2 2 5 1

M U LT I BA N D F I LT E R

S L I G H T LY N A S T Y

F R EQ.I N P U T R E S .

LOW

N OTC H

H I G HBA N D

G A I NVC A I N VC A O U T

1

1 5 0

1 0 1 . 8 k

2 0 k

4

4 0 5 2 0

6 . 5 k

+

+- +-

M O D E L 2 2 5 1 M u l t i b a n d F i l t e r

S L I G H T L Y N A S T Y E L E C T R O N I C S A D E L A I D E , A U S T R A L I A

5Circuit Overview

C I R C U I T O V E R V I E W

For full schematics, please download the separate schematics PDF. Excerpts shown in

this manual may be outdated and are provided for reference only.

The 2251 is really a fairly basic module in terms of architecture, with a filter core

surrounded by some simple buffering and CV processing elements, along with a

bonus utility VCA. The functional blocks are divided as follows in the schematics:

1. CV/Signal buffers - These buffer the inputs for the resonance CV and

the audio signal input. The resonance CV buffer also serves as an

attenuverter for additional control functionality.

2. Exponential Converter - This converts the linear input CV into an

exponential current that controls the cutoff frequency of the filter core.

This also includes the buffer/attenuverter for the frequency CV input and

associated front panel controls. This allows for the possibility 1V/Oct

tracking (with careful setting of the attenuverter!) and can also be

temperature compensated if desired.

3. Filter Core - The filter core is a 2-pole state-variable design that

provides simultaneous lowpass, highpass, and bandpass outputs, with a

VCA-modulated feedback path creating a voltage controlled, self-limiting

resonance. An additional mixer stage creates a notch output by mixing

the low- and high-pass signals.

4. Extra VCA - As half of one of the LM13700 OTA ICs is unused by the

rest of the circuit, a bonus VCA can be provided to extend the

functionality of the module.

Block diagram of the Model 2251. Circles marked "X" are attenuverters.

M O D E L 2 2 5 1 M u l t i b a n d F i l t e r

+5

-67

U301B

TL074

R405200K

RES_CV

1

2

3RV

402

100K

GND

RES. CV SCALELIN Panel pot

R403100K

1

2

3R

V40

110

0K

RESONANCELIN Panel Pot

R40622K RES_BIAS

+12

-1314

U301D

TL074

R402100K

R40422K

GND

R401100K

GND

INPUT

SIGNAL

GND

R40

710

0K

VCC

R408200K

GND

R40

951

K

S L I G H T L Y N A S T Y E L E C T R O N I C S A D E L A I D E , A U S T R A L I A

6Circuit Overview

1

2

3

Q301BC560

1

2

3

Q302BC560

R31

22K

2

+108

-9

U301C

TL074

GND

R31

110

0K

VEE

VEE

VCC

GND

FREQ_BIAS

1-2

+3

U301A

TL074

R307100K

R30951K

R31

01K

3300

PP

M/C

GND

1

2

3

RV306100K

FREQ SCALE ADJ.25-turntrimpotR301

100K

1

2

3RV

302

100K

VEE

VCC

FREQ OFFSET ADJ.25-turntrimpot

R30

610

0K

FREQ_CV

1

2

3R

V30

510

0K

GND

FREQ CV SCALELIN Panel pot

R304300K

1

2

3RV

304

100K

VCC

VEE

FREQLIN Panel pot

MATCHED PAIRThermally couple

C301

100nF

C302

100nFGND

VCC

VEE

OPTIONALLY USEBCM857DS

C303

220pF

C304

220pF

SIGNAL

1

2

3R

V30

110

0K

GND

AUDIO FMLIN Panel pot

R302100K

R303100K

NOTE:If accurate pitch tracking is not required,a standard 1K resistor may be used forR310, and unmatched transistors fittedin Q301 / Q302. In this arrangementthermal coupling is not required,

V-

11V

+4

Resonance CV Input

Signal Input

Exponential Converter

S L I G H T L Y N A S T Y E L E C T R O N I C S A D E L A I D E , A U S T R A L I A

7Circuit Overview

The 2251's audio input is buffered by an inverting amplifier stage built around

U301D, that also drops the amplitude of the signal from the full 10v peak-to-peak

level of modular signals to just under a quarter of that. This gives a more

reasonable amount of headroom for the later filter processing.

The resonance CV gœs into an attenuverter stage built around U301B, which

allows potentiometer RV402 to control the balance of the signal between the

inverting and non-inverting inputs of the opamp. Additionally, the front panel

resonance pot feeds into the summing node at the inverting input, where it is

mixed with the CV.

As pitch is perceived logarithmically, the linear frequency CV needs to be

converted to an exponential response (doubling for each octave) in order to

control the filter core in a musical way. The circuit used is the classic constant-

current matched-transistor circuit used in most synthesiser circuits that require

exponential conversion (particularly oscillators and filters). In this circuit, a

constant current (provided by U301C) is fed through one leg of a differential

transistor pair formed by Q301 and Q302, causing the inherently exponential

relationship between the transistors' base-emitter voltage (at low voltages) and

their emitter current to appear in the second leg.

You may ask why two transistors are required if a single transistor already has this

linear-exponential property, and the answer is temperature stability - the voltage -

current relationship of a single transistor is VERY temperature sensitive, and the

use of a differential pair in this arrangement allows this temperature dependency

to be cancelled out by using two transistors with matching temperature response.

Precise operation requires either hand-matching a pair of BC560 transistors, or

using a matched pair in the form of a surface-mount BCM857DS chip, though

many users will probably not need this.

This arrangement dœs not account for some additional temperature

dependencies in the circuit, which is why for extra stability R310 should be a

3300ppm/C TEMPCO resistor. Together with R309 this forms a voltage divider

that cancels these remaining dependencies. C304 provides some lowpass filtering

of the CV input for stability.

The other opamp (U301A) is configured similarly to the resonance CV input, with

a combination of attenuverter and inverting summing amplifier to mix the various

frequency controls, inputs, and trimmers.

M O D E L 2 2 3 1 A s y m m e t r i c S l e w L i m i t e r

S I G N A L / R E S C V I N P U T S

M O D E L 2 2 5 1 M u l t i b a n d F i l t e r

E X P O N E N T I A L C O N V E R T E R

Demonstration of the attenuverters' operation. As the knob is turned clockwise the CV is scaled from -100% (or fully inverted) to 0% at top dead centre, then up to 100%.

S L I G H T L Y N A S T Y E L E C T R O N I C S A D E L A I D E , A U S T R A L I A

8Circuit Overview

M O D E L 2 2 5 1 M u l t i b a n d F i l t e r

F I L T E R C O R E

The filter core in the 2251 is a state-variable topology, which uses a pair of

integrators (U201B and U201C) with feedback into a summing amplifier (U201A) to

create an analogue computer that solves a second-order differential equation. The

mathematics involved here are far too complex to get into in a manual like this,

but thankfully there is a way to get a more intuitive view of what the circuit is

doing.

The basic state-variable circuit (ignoring the function of the OTA stages U202A,

U202C, and U203A) is essentially an analogue computer that is performing a

simulation of the classic model of a damped mass-spring system, like those used

in high school physics textbooks to illustrate the properties of basic dynamic

systems. Essentially we can see the circuit as a damped-mass spring system that is

being excited by the audio signal, where the resonance is determined by the

"bounciness" of the mass-spring system, and the filtering action by the damping

(or resistance to movement). This gives us a resonant lowpass at the main output

of the network, with the other modes obtained by tapping the circuit at various

midway points.

In order to change the parameters of our dynamic model, the two LM13700 OTA

stages of U202A and U202C are configured as current-controlled amplifiers to

change the scaling of terms in our differential equation. These take in the current

provided by the exponential converter. Resonance level is controlled by U203A,

which provides similar scaling of the feedback from the first integrator.

You may have noticed already that there are actually two feedback paths coming

from the first integrator, and this is where we get into the self-limiting behaviour of

the 2251. The diodes D203 and D204 along with R218 provide the main limiting

element of the circuit, soft-clipping the feedback path to prevent excessive build-

up of resonance. However this works a little too well - with just this feedback path

the filter will not reach self oscillation, and this is where the second feedback path

comes in.

This second path is independent of the scaling of U203A and provides a static

amount of low-level clipped feedback to the other input of the summing amp, just

enough to allow the circuit to reach and maintain oscillation at higher resonance.

Together with the main feedback path this gives us the resonance behaviour we're

after - controlled but still versatile.

The main state-variable circuit dœs not in itself provide a notch response output -

this mode is created by simply mixing the lowpass and highpass outputs in U201D,

the combination of the two signals' frequency response and phase offsets creates

a signal with a deep notch at the cutoff frequency.

General topology of a state-variable filter, with a summing stage followed by two integrators, and feedback paths returning from each opamp stage. In the case of a voltage-controlled filter like the 2251, the OTA stages take the place of the two resistors marked "R" in order to control cutoff frequency.

The rightmost resistor (or lower-most if viewed the right way up!) is responsible for the resonance amount, and in the 2251 is replaced with the resonance OTA.

S L I G H T L Y N A S T Y E L E C T R O N I C S A D E L A I D E , A U S T R A L I A

9Circuit Overview

12-

13

+14

DIO

DE

_BIA

S15

16

U20

2A

LM13

700

VC

C

VE

E

R20912K

VC

C

+5

-6

7

U20

1B

TL0

74C20

1

220p

F

GN

D

1-

2

+3

U20

1A

TL0

74

GN

D

R20

633

K

R20

510

K

R20310K

1D

IOD

E_B

IAS

2

+3

-4

5

U20

2C

LM13

700

R21912K

VC

C

+10

8-

9

U20

1C

TL0

74

VC

C

VE

E

C20

2

220p

F

GN

D

GN

D

R21

633

K

HP

_OU

T

12-13

+14

DIO

DE

_BIA

S15

16

U20

3A

LM13

700

VC

C

VE

E

R21112K

VC

C

R213560R

GN

D

R21

256

0R

R20

21K

FR

EQ

_BIA

S

RE

S_B

IAS

SIG

NA

L

BP

_OU

T

LP_O

UT

+12

-13

14

U20

1D

TL0

74

R22210K

R22

410

K

R22

110

K

GN

D

NO

TC

H_O

UT

R21

51K

D20

21N

4148

D20

11N

4148

GN

D

R20

110

K

R2041K

R21

71K

R22

51K

R22

31K

R20

71K

INP

UT

(2V

P-P

)

C20

3

100n

F

C20

4

100n

FG

ND

VC

C

VE

E

C20

5

100n

F

C20

6

100n

F

C20

7

100n

F

C20

8

100n

F

1

2

3R

V20

11K

BP

OF

FS

ET

TR

IM25

-tur

ntr

impo

t

D20

31N

4148

D20

41N

4148

R21

81K

1

2

3RV

202

1K

V+11 V- 6

V+11 V- 6

V- 11V+4

LP O

FF

SE

T T

RIM

25-t

urn

trim

pot

Filter

Core

Because the LM13700 ICs contain two OTA units each, and only three are used in

the filter itself, there's still one left over which can be put to good use. In this case

the extra OTA is used to implement a general purpose VCA with basic

functionality.

The VCA design is very simple - the signal gœs into the OTA, is scaled according

to the current provided by U501A, and is buffered by U501B before going to the

output jack. The additional circuitry around U501A is needed to scale and offset

the gain CV to the levels that will work with the LM13700 (which references its

control input somewhat inconveniently from the negative rail).

R509 is what converts the output voltage of the U501A opamp into a current, with

D501 used to add a slight "dead zone" to the bottom of the CV response. This

prevents signal bleed when the VCA is supposed to be "off", R513 also helps pull

the voltage at the OTA's control input down closer to the negative rail, to make up

for the TL072 opamp's inability to output voltages too close to the supply voltages.

R510 is necessary because the LM13700, as an OTA, has a current-mode output.

This appears as a voltage across R510 which we can then treat as a normal

voltage signal.

S L I G H T L Y N A S T Y E L E C T R O N I C S A D E L A I D E , A U S T R A L I A

10Circuit Overview

E X T R A V C A

1DIODE_BIAS

2

+3

-45

U203C

LM13700

R50

712

K

VCC

R50

61K

GND

R50

81K

R504100K

R51

010

0K

GND

R5111K VCA_OUT

VCA_IN+5

-67

U501B

TL072

1-2

+3

U501A

TL072

R50

110

0K

GND

R503100KVCA_GAIN

R50522K

R50222K

VCC

VCC

VEE

R50922K

C501

100nF

C502

100nFGND

VCC

VEE

1

2

3RV501

1K

R51

210

K

GND

D50

11N

4148

R51

310

0K

VEE

V-

4V

+8

CV REJECTION25-turn Trimpot

M O D E L 2 2 5 1 M u l t i b a n d F i l t e r

S L I G H T L Y N A S T Y E L E C T R O N I C S A D E L A I D E , A U S T R A L I A

11Bil l Of Materials

B I L L O F M A T E R I A L S

RESISTORS10R 2 R101, R102560R 2 R212, R2131K 12

2K2 1 R31210K 7 R201, R203, R205, R221, R222, R224, R51212K 4 R209, R211, R219, R50722K 5 R404, R406, R502, R505, R50933K 2 R206, R21651K 2 R309, R409100K 15

200K 2 R405, R408300K 1 R304

CAPACITORS220pF 4 C201, C202, C303, C304100nF 10 C203, C204, C205, C206, C207, C208, C301, C302, C501, C502100uF 2 C101, C102

POTENTIOMETERS3 RV201, RV202, RV5012 RV302, RV306 5 RV301, RV304, RV305, RV401, RV402

SEMICONDUCTORS1N4148 5 D201, D202, D203, D204, D501BC560 2

INTEGRATED CIRCUITSLM13700 2 U202, U203TL072 1 U501TL074 2 U201, U301

CONNECTORSBanana Jacks 10

1

1

16-pin IC socket 214-pin IC socket 28-pin IC socket 1

2 Use standard breakaway strip

2

HARDWAREM3 x 20mm Screw 4M3 Washer 16

4

M3 Nut 4

R202, R204, R207, R215, R217, R218, R223, R225, R310*, R506, R508, R511 *3300ppm/C Tempco if temperature stability required

R301, R302, R303, R306, R307, R311, R401, R402, R403, R407, R501, R503, R504, R510, R513

1K 25-turn100K 25-turn100K linear

Q301, Q302 Match if temperature stability required

IDC 10-pin Shrouded Header

P101 (Option 1)

MTA-156 4-pin Header

P101 (Option 2)

10-pin 2.54mm pin header10-pin 2.54mm female pin header

10mm Threaded Metal Hex Spacer

S L I G H T L Y N A S T Y E L E C T R O N I C S A D E L A I D E , A U S T R A L I A

12Choosing Components

Like all Slightly Nasty modules, the 2251 is designed to use common "jellybean"

components wherever possible, so getting hold of parts is relatively

straightforward. All resistors should be metal film 1% type, and capacitors are

normal electrolytic and film types.

While the vast majority of uses for the 2251 will not require accurate or stable

pitch tracking, those who want to make the exponential converter as accurate as

possible will need to either select a matched pair of BC560 PNP transistors or use

a BCM857DS matched transistor IC. Matching transistors is covered in depth in

the Slightly Nasty Model 1011 construction manual, which is recommended

reading for those wanting to go this route.

In the same vein, the optional use of a 3300ppm/C tempco resistor is only needed

if this extra tracking stability and precision is desired. Otherwise a standard 1K

resistor will suffice.

The module is designed to use either side or top-adjustment 25-turn trimpots for

calibration adjustment - side adjustment is usually the better option as it means

the unit can be more easily calibrated when connected to the rack's power bus.

The front panel PCB fits Alpha brand 9mm vertical-mount round shaft

potentiometers, these are widely available from stores such as Thonk, Tayda,

Smallbear, Mouser etc. The module should fit a number of different banana jack

sockets, but the "correct" parts are the Cinch Connectivity range of jacks.

The intended knobs are Davies Molding parts - the 1913BW, 1910CS, and 1900H -

though given the outrageous pricing of the actual Davies 1900H I'd strongly

recommend using a good quality clone. Avoid the cheaper clones without an

internal brass bushing - Thonk sells an excellent brass-bushed 1900H clone for a

very reasonable price that I use in all of my own builds.

Alternatively, feel free to use any knobs that have similar diameters and will fit the

Alpha round shaft pots. The Davies parts are 29mm, 19mm, and 13mm

respectively, and many other manufacturers make knobs of similar sizes. The

classic silver top Moog-style knobs actually work quite well also for the larger

diameters.

C H O O S I N G C O M P O N E N T S

M O D E L 2 2 5 1 M u l t i b a n d F i l t e r

S L I G H T L Y N A S T Y E L E C T R O N I C S A D E L A I D E , A U S T R A L I A

13Construction

C O N S T R U C T I O N

The majority of construction can be performed like any PCB build, starting with

the lowest-profile components (resistors and diodes) and working through to the

taller ones (Capacitors, transistors, etc.). The simplest way to populate the board is

simply to work through the BOM, doing each component type and value in one

chunk before moving on to the next.

When soldering rectangular capacitors, I like to solder one leg on each, then hold

the board in one hand while applying a very light pressure on top of the capacitor

with a free finger, using the other hand to reheat the solder joint until the

capacitor slides down tight against the PCB's surface. Continue this process for all

the installed capacitors then go back and solder the remaining legs. This approach

also works well to mount other components that need to mount securely onto the

board, such as trimpots, IC sockets and pin headers.

Care must also be taken to ensure that the PCB-mounted potentiometers are

mounted as vertically as possible on the board - one option is to click the

potentiometers into place, then mount them to the front panel before soldering

them. Also note that most potentiometers have a small anti-rotation tab on them

that will need to be removed before soldering them into position, these can be cut

off with a sharp pair of sidecutters, and I personally like to clean up any remaining

protrusions with a few passes of a needle file as well.

The pin headers that interconnect the two boards are another component that

needs a bit of additional care when assembling to ensure correct aligment. The

best course of action is to solder one side of all the interconnects (either the pins

or socket) into place, being careful to get them straight and flush with the board.

Then connect the other halves onto them, lay the other PCB in place over the top

(I would even recommend mounting the boards together with screws and spacers

as they will be when finally assembled), and solder all the pins of the other side.

Once they are all soldered, carefully separate the two boards, taking care to not

bend the headers in the process.

When fitting the matched transistors and tempco resistor (if used), these need to

be thermally connected to ensure the best stability. The two BC560Cs should be

joined face-to-face with a band of heatshrink tubing (I also like to smear a very

thin layer of thermal compound between the two, making sure none gets near the

conductive legs). Carefully bend the legs with a pair of tweezers so that they

match the hole spacing on the PCB, and solder them into place. Once the

transistors are installed, the tempco resistor can be mounted on top, using

something like an epoxy or liquid electrical tape to keep it thermally coupled to

the transistors and insulated from ambient temperature changes.

If using a BCM857DS instead of a matched BC550 pair, R310 should be mounted

similarly in the alternate position over the BCM857DS IC, and ideally covered with

some sort of insulating material as described above.

If you are going for full temperature compensation of the expo converter, it's recommended to thermally couple the matched transistors and tempco as shown and described in the text. If using unmatched transistors and a standard resistor, it is still worth heatshrinking the two transistors together, but the resistor dœs not need to be in thermal contact.

M O D E L 2 2 5 1 M u l t i b a n d F i l t e r

Assembling the finished PCBs and front panel is very simple. Begin by fitting the

M3 hardware to the panel-side PCB. screwing the hex spacer tight to hold it all

together. Once all four screws are in place, start fitting the banana sockets into

their respective holes on the front panel - making sure to align the flat terminals

vertically (if using the Cinch-style sockets). The banana sockets need to be

tightened solidly to prevent them coming loose in use, something like a dab of hot

glue between the nut and thread can also help prevent loosening.

Make sure that the nuts and washers have all been removed from the PCB-mount

potentiometers on the front panel PCB, as well as the anti-rotation tabs on the

pots themselves (if present). Now you can join the front panel and panel PCB by

pushing the pot shafts through their respective holes, fitting their washers and

nuts, and tightening everything into place.

Now you'll need to connect the banana sockets to the front PCB using either

some offcut component leads, or tinned copper wire. The simplest way is to

solder the straight pieces of wire vertically into the pad on the PCB, then bend

them over to meet the banana socket and solder that end to the flat side of the

terminal. This way they can be easily disconnected for servicing by simply heating

the terminal with the iron and pushing the wire away once the solder reflows.

Once the sockets are all connected, put M3 washers on all four mounting screws

and carefully fit the second PCB into place - taking care to get the interconnects

correctly seated. Until calibration is completed I would not fit the final washers and

nuts to allow easy separation of the PCBs when troubleshooting, just making sure

to take extra care plugging and unplugging the power connector when the PCB is

unsupported.

When the module is confirmed to be working properly you can fit the final M3

washers and nuts and tighten up the whole assembly. Double check that the hex

spacers haven't loosened in the meantime as well.

P H Y S I C A L A S S E M B L Y

Connection of the two PCBs using standard M3 hardware. Washers are necessary on the inside to correctly space the boards for the interconnects. Screw head should go on panel side.

Connecting the banana sockets using an offcut component lead or similar.

S L I G H T L Y N A S T Y E L E C T R O N I C S A D E L A I D E , A U S T R A L I A

14Construction

M O D E L 2 2 5 1 M u l t i b a n d F i l t e r

C A L I B R A T I O N

Calibration of the 2251 essentially consists of three overall operations: trimming

out the offset of the filter core, setting the scale and offset of the exponential

converter, and calibrating the extra VCA for maximum CV rejection.

The initial filter core offset adjustment is fairly trivial - with no signal connected to

the input, turn the frequency knob all the way to the right and measure the

voltage at the bandpass output. Adjust the "BP OFFSET TRIM" trimmer (RV201)

until the voltage reads 0v. Then measure the voltage at the lowpass output and

adjust the "LP OFFSET TRIM" trimmer (RV202) until it too reads 0v. Once the

exponential converter has been set as described below, you should repeat this

offset adjustment procedure with the frequency knob set to "150" on the front

panel.

While setting the scaling for the exponential converter is normally a fairly critical

adjustment in something like a VCO, in the case of the 2251 it is much less

important given that the frequency CV is also scaled by the input attenuverter.

Adjustment of the exponential converter is achieved by setting the filter

resonance to the point where the filter self-oscillates (making sure it's set high

enough to oscillate at low frequencies as well), then adjusting the offset and scale

trimmers while measuring the frequency with a frequency counter or tuning

plugin etc.

Begin by setting the front knob to the "1.8k" mark and adjusting the Freq. Offset

trimmer (RV302) so that the filter is oscillating close to 1.8kHz, then turn the knob

down to the "150" mark and check the frequency there. Adjust the Freq. Scale

trimmer (RV306) until the frequency reads around 150Hz, then go back up to the

"1.8k" and again adjust the Offset trimmer to get the frequency to around 1.8kHz.

Continue this process of adjustment until the frequencies at both these knob

positions are around the right value, then check the other positions to see if they

too output the correct frequencies.

The key thing to remember when making these adjustments is that the "1.8k"

setting is close to the "centre" of the scaling, and so is not affected as much by

the Freq. Scale trimmer, this is why we use the "150" mark to check the scaling

S L I G H T L Y N A S T Y E L E C T R O N I C S A D E L A I D E , A U S T R A L I A

15Calibration

M O D E L 2 2 5 1 M u l t i b a n d F i l t e r

BEFORE YOU BEGIN

Before powering up the module for the first time, use a multimeter

to check the resistances between the three power rails. Make sure

that they show a resistance higher than 1KOhm, any lower and it's possible

there is a short circuit or incorrectly oriented semiconductor somewhere

on the PCB.

and the "1.8k" to adjust the offset.

Don't worry too much about being super-accurate with this calibration, as most

potentiometers like the one controlling the cutoff frequency will have a degree of

inaccuracy and slop in them anyway, which can result in slightly different readings

depending on which way the pot was turned to reach the current position and so

on.

The VCA CV rejection adjustment is easily adjusted by ear using an oscillator or

signal generator. First the audio input must be connected to 0v (as this input

tends to float slightly when disconnected), this is easily accomplished by attaching

an alligator clip jumper lead between one of the M3 screws connecting the boards

and the rear terminal of the banana jack.

Once this is done, a squarewave signal around somewhere between 200-1000Hz

and a suitable amplitude (ideally a 0-5v signal, but any audio signal under 10v

peak-to-peak will be fine, like the squarewave output of a VCO) should be fed into

the VCA CV jack and the output connected to a listening system. Simply adjust

the "VCA CV REJECT" pot (RV501) until the output is as quiet as you can get it.

Alternately this can be adjusted by eye using an oscilloscope.

C A L I B R A T I O N

S L I G H T L Y N A S T Y E L E C T R O N I C S A D E L A I D E , A U S T R A L I A

16Construction

M O D E L 2 2 5 1 M u l t i b a n d F i l t e r

The CV Offset trimmer controls the overall offset of the filter's cutoff frequency for any given CV input or knob position.

The CV Scale control affects the scaling of the filters CV response in order to match the markings on the front panel. Because of the extra CV scaling by the input attenuverter, this dœs not need to be set to a precise 1V/Oct response as in a VCO.

S L I G H T L Y N A S T Y E L E C T R O N I C S A D E L A I D E , A U S T R A L I A

17Controls

M O D E L 2 2 5 1

M U LT I BA N D F I LT E R

S L I G H T LY N A S T Y

F R EQ.I N P U T R E S .

LOW

N OTC H

H I G HBA N D

G A I NVC A I N VC A O U T

1

1 5 0

1 0 1 . 8 k

2 0 k

4

4 0 5 2 0

6 . 5 k

+

+- +-

FREQUENCY KNOBSets the initial cutoff frequency of

the filter.

SIGNAL INPUTThe audio input to the filter.

FILTER OUTPUTSSeparate outputs for Lowpass, Bandpass, Highpass, and Notch filter bands.

RESONANCE KNOBSets the initial resonance level of the filter.

VCAInputs and outputs for the Voltage

Controlled Amplifier unit.

C O N T R O L S

M O D E L 2 2 5 1 M u l t i b a n d F i l t e r

AUDIO FM LEVELControls how much the input audio

signal modulates the filter frequency.

CV ATTENUVERTERSProvide level and polarity control for the Frequency and Resonance inputs.

CV INPUTSFrequency and Resonance CVs.

SLIGHTLY NASTY JACK COLOURSRED Bipolar signal outputBLUE Bipolar signal inputYELLOW AC-coupled inputBLACK Logic outputWHITE Logic Input

M O D E L 2 2 3 1 A s y m m e t r i c S l e w L i m i t e r

S L I G H T L Y N A S T Y E L E C T R O N I C S A D E L A I D E , A U S T R A L I A

18PCB Guide

P C B G U I D E

M O D E L 2 2 5 1 M u l t i b a n d F i l t e r

LOWER BOARD - TOP LOWER BOARD - BOTTOM

M O D E L 2 2 3 1 A s y m m e t r i c S l e w L i m i t e r

S L I G H T L Y N A S T Y E L E C T R O N I C S A D E L A I D E , A U S T R A L I A

19PCB Guide

P C B G U I D E

M O D E L 2 2 5 1 M u l t i b a n d F i l t e r

LOWER BOARD - TOP LOWER BOARD - BOTTOM

w w w . s l i g h t l y n a s t y . c o m


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