Date post: | 17-Jan-2016 |
Category: |
Documents |
Upload: | camilla-watson |
View: | 216 times |
Download: | 1 times |
PRINTMAKING REVIEW 3RD QUARTER UNIT 2013
Instructor Nancy Carty
Visual Art III Honors
Spring Exam Review 2013
Introduction to Rubbings
The earliest form of making multiple images took place in the form of Rubbings.In China rice paper was laid out over a stone or wood relief image200 AD – 800 AD until the present
IN England Parchment or thin tissue paper was used
Wax Bars in various colors are rubbed over the surface to produce the image1300- present in England and various parts of Europe
Chinese Rubbings or Paper Tracings from the Han and Quin Dynasties
History of Rubbings - China
The themes of religion and symbolism have played a profound role in Chinese art for thousands of years, and since the Song dynasty <em>(960-1279)</em>, scholar-gentlemen have utilized many of these images in their artistic endeavors. The pieces on display here reflect this type of art, but were produced during the Qing dynasty <em>(1644-1911)</em
Medieval Rubbings from England
These rubbings were done from brass plates which commemorate the lives of the individuals around 1400 – 1450 in England
Part I- History of PrintmakingNorthern Renaissance – Germany 1500
In Europe the artist Albrecht Durer became famous for his work as an engraver working on both woodblocks and metal plates
Durer was responsible for bringing the accomplishments of the Italian Renaissance to Northern Europe in the 1500’s
His emphasis on drawing from observation, intense realism as well as anatomy and perspective helped to change the course of art in Germany.
Artist: Albrecht DurerTitle: Four Horseman of the Apocalypse Knight, Devil and DeathDate : 1513Engraving Northern Renaissance - Germany
This image relies heavily on the medieval use of symbolismThe Knight represents aChristian soldier marching into A battle with evil
The middle class in GermanyCould afford to buy printsAnd they had the advantage of Being portable
Engraving Techniques
Engraving can be done on both wood and metal surfaces. In both instance a stylus or needle like drawing tool is used to scratch lines in the surface of the plate. Once the image is drawn on the surface, ink
is wiped into the lines so that the ink stays down in the Small grooves of the design The paper is then placed on top of the plate and a press Is used to force the ink into the paper
This type of printing is also called INTAGLIO as the ink is located down in the lines of the design.
St. Jerome in his Study by Durer Another famous engraving by Durer
Depicts St Jerome in his study ‘transcribing Biblical literature
Most of Europe was illiterate So this image refers to St Jerome as a RenaissanceMan with references to His knowledge of Math, History , Music, and the WorldNorthern Renaissance , Germany
The skull represents death The lion represents courage Here you see the artist’s mastery of persective, realism and lighting with incredible detail.Knowledge from Italy and the Italian Renaissance displayed here
Baroque Pd in Art HistoryPart I – Catholic Europe
The Baroque took place in the second half of the 17th century- 1630-1700 in most of Europe. Catholic
France , Italy , Spain and Flanders led the way in New dramatic , bold dynamic imagery, Stong
dramatic lighting was key and the focus was on dramtatizing an event.
France favored a more calm classical style ( George de la Tour and the roots of the Baroque began in Italy under the master of Carravaggio.
Baroque Painting in Italy and France- 1630-1670
Carravaggio – the founder of this style The Calling of St Mathew Oil on Canvas Early 1600’s Note the dark Dramatic Lighting, Dark Background Focus on Emotion
Baroque- FrancePainting –Catholic Dominion
George de La Tour Mary Madeline Pregnant /Religious Note the dramatic Lighting of the candle Symbolism of The skull ( vanitas) How death is around The corner
France- Baroque- Classical Landscape – 1648-
Artist Claude Lorraine-Style set by the French Academy- under the direction of Louis XVI
Focus on a calm serene almost Imaginary landscape Homage to older Classical themes of Ancient Greece Biblical Themes The artist did not Enjoy painting figures
Printmaking of Catholic Europe
The Prodigal Son Changes Clothes (L'Enfant prodigue change de vêtements) Religion and Classical Style
Artist :Abraham Bosse (French, Tours 1602–1676 Paris) Publisher: Published by Jean I Leblond (French, died Paris,
1666 ) Date: ca. 1636 Medium: Etching Dimensions: sheet: 10 3/16 x 12 13/16 in. (25.8 x 32.5 cm)
Baroque Classical Style in France
Artist Abraham Bosse
French BaroqueInfluence of Classical Style
Religious Subject’MatterThe Prodigal Son Changes Clothes
The Baroque in Protestant HollandProtestant Reformation 1600-1690
The Protestant Reformation emphasized the word of God without decorum so the churches in Holland were without major adorment, Artists no longer had
The patron of the church so they were forces to create
Works of art in demand by a rising middle class who
Wanted to purchase art – The schools of Landscape, Still Life and Portraiture were now born, Religious subject matter was still very important and many artists used printmaking as way to allow more patrons to buy art affordable, Prints were also more portable .
Rembrandt Van RijnDutch Baroque Artist -1601-1669
Rembrandt Van Rijn is one of the Most famous Dutch Baroque artists And was a very famous painterAnd printmaker
He was able to provide a sizable Income working with portraiture
The Protestant Reformation hadForced many artists to seek work Beyond the church
A rising middle class that could afford Art gave rise to the traditions of Landscape, still life and portraiture
Rembrandt Self Portraits
The portrait on the left reveals a youthful Rembrandt and his choiceTo use the two gold chains points to his wealth and status as a Painter. What does the portrait on the right say about his life?
Rembrandt as Printmaker
Rembrandt was also a masterful printmaker and his clients could well afford a print
He created many prints using the Bible as a literary source of inspiration
He also chose to create a version of St Jerome In the Wilderness and depicts the theme of a lion
as a symbol of courage and faith in St. Jerome’s trust in God This image is an engraving created on metal
plates. Rembrandt was a master of light and shadow and movement in his prints.
Rembrandt portrait as a young man – Etching This etching, created by
Rembrandt is perhaps the best self portrait of all time.
This man looks very surprised, as if he had just been caught doing something he didn’t necessarily want others to know about. The etching also has a really great sense of motion. It looks as the man is in the middle of lifting up his head, both his brows and his mouth seem to be in the middle of forming some expression, but not quite there yet.
More etching portraits of Rembrandt- Dutch Baroque Pd
Rembrandt St Jerome in the Wilderness- Dutch Baroque
Rembrandt 1653 Etching St Jerome in the Wilderness in an Italian Landscape
St Jerome in the Wilderness by Rembrandt-1653
Etching and Drypoint
Etching involves the use of metal Plates which are covered with a Soft wax ground
A design is then scratched into The surface to make the design
The plates are then dropped in Acid baths to deepen the lines Into several valuesThe plate is inked, and run throughA press
This process is called INTAGLIO How does this theme differ from that of Durer?
Compare and Contrast these two prints :
Both prints use the INTAGLIO printing process Both are done on metal plates with a stylus Both artists were able to sell their work to an affluent
middle class in Northern Europe Both arist’s rely on the use of symbolism
Durer is more focused on scientific realism and spreading knowledge of technical skills he has gained
Rembrandt is more interested in depicting a spiritual expression of the Bible
In both cases many people could not read
Characteristics of Baroque The Baroque paintings and sculptures and prints in
Catholic Europe revolved around religious themes Artists often had patrons associated with the church
or the artistocracy –ruling class However with the Protestant Reformation in the
North – Holland the rise of a dominant middle class gave way to Still Life, Landscape and Portrait painting
Artists in the North had to create their own future as a result of selling their art work
Religion still plays a dominant theme in the subject matter.
Rembrandt the Nightwatch
Nightwatch1662Oil Painting on Canvas
Why was this painting so Controversial ?
The Syndicate of the Cloth GuildRembrandt 1662 Oil on Canvas
What made this painting so successful ?
Themes of the Baroque
Emphasis on dramatic lighting and composition In the North the artists broke away from the
church as a patron and concentrated on The development of portraiture, landscape and
still life as a way of earning income The last group portrait commission that
Rembrandt created was very well received as each individual felt that they were honored in the painting by being represented equally
The Romantic Period in Art History
The Romantic Period in Art History incorporated some of the following themes
Artists reacted against the strict rules of the Classical and Neo Classical periods
The new style emphasized individual emotions and expressions
Romantic artists dealt with themes of social injustice, and the inhumanities of man in war, and society
Nature and mysticism is revered
Francisco Goya – Spanish painter and printmaker
Page 390 Discover Art History
Appointed court painter to King Charles the IV of Spain
Initially his style was conservative but in 1792 after a severe illness he became DEAF
The dark side of the civil war between Spain and France left strong impressions on the horrors of war
His print the Sleep of Reason Produces monsters speaks to the horrors he experienced
The Sleep of Reason by Goya
Etching and AquatintThe Sleep of Reason Fransisco Goya Etching ( Intaglio)1794-1799
The theme here addresses the Nightmares that Goya is having From experiencing the horrors Of warEtching is produced by engraving On metal plates which are then Dropped in to acid bathsThe shading is called aquatint
About Francisco Goya – Romantic Baroque Art in Spain
Printmaking was not just one of Goya's principal activities. The subjects of his celebrated Caprichos were inspired by popular imagery, sayings and concerns that had never before reached the level of “high” art. In the Tauromaquia, bullfights became a pretext for upending traditional formal values, and later, a touchstone for artists from Manet to Picasso. His Disasters of War stripped any veneer or comfort from the typical heroic renderings of historical events. His late works plumbed the imagination beyond rational limit, predicting Symbolism and Surrealism. In many senses, and more than his paintings, Goya's prints represent the dawn of modern art.
Goya the Disasters of WAR
This print ( etching ( intaglio) with aquatintIs part of series of the Disasters of WarCreated by Goya during the Spanish CivilWar – Above Left
Art History Movement of RealismFrance-
Realism emerges as the third and last movement in Art history in the early 19th century ( 1800’s) A main printmaker named Daumier captured the
attention of his French audiences with the use Of lithography in the daily newspapers His work was satirical and in many ways an
alleghory for the political times that he depicted
END OF PART ITest on March 20th 2013 is on Part I
Study your notes Know the five types of printmaking Know the art history periods and how the period of
art impacts the image Know the subject matter and what is behind the
imagery Know your slides, dates, artists, Study folks.
Daumier- Realism and Lithography
Rue Transnonain, 1834 ParisLithography by Daumier
Realism and depiction of the inequity of Social Classes
DaumierThe Third Class CarriageOil
Here Daumier depicts’The reality of everydayLife as it occurs Life drawing and the Depiction of the hardshipOf Life for the lowerClass is evident here
End of Part I for Test on March 20th
Japanese Printmaking
In Japan , the impact of Japanese woodcuts had an effect on European art in both Impressionism and Post Impressionism
The Japanese were wonderful and technical registration and the art form they produced was
Called Ukiyoe or Pictures of the Floating World Edo later called Tokyo was the center for this
art form and in general prints were produced on the themes of everyday life, the theatre, and changing weather conditions
Work of Hiroshige
One of the most famous Japanese printmakers was called Hokusai and he was famous for showing nature and changing weather conditions in everyday life
And the transience of everyday life
Woodcut by Hiroshige
Rain Shower on Ohashi Bridge1857Color Woodblock Print by
Hiroshige
Note the emphasis on the Flat shapes with the strong Negative spaceTraditional one point Perspective is not used on Japanese Printmaking
Haronobu
INFLUENCE OF JAPANESE PRINTMAKING ON MODERN ART
Many artists in the movements of Impressionism and Post Impressionism were influenced by the importation of Japanese prints
Their simplified forms and strong flattened shapes against a flat background provided the inspiration for ABSTRACTION in Modern Art
Post Impressionism artists influences from Japanese Prints
Toulouse L’Autrec was a printmaker who worked in Paris in the late 1800’s . He was part of the Post Impressionism movement which emphasized color and expression of a personal style
His subject matter revolved around the night club scene in Paris and many of his subjects were women
As L’Autrec was a hunchback his pessimistic view of women was reflected in unusual lighting and strong dynamic compositions
Lithography Toulouse L’Autrec worked in the medium of
Lithography which translates as stone printing, Heavy stones are ground to a smooth finish . A grease crayon or ink is used to draw on the surface of the stone. A chemical solution allows the grease to absorb into the stone . When the stone is ready for printing it is kept wet with water, The oil based ink adheres to the grease only and not the wet watery areas of the stone. Artists had a new freedom to draw their designs directly as a print
Toulouse L’Autrec Lithographic Prints – late 1880’s
Toulouse LautrecMoulin RougeLa Goulue1891ParisLithographyPoster
The new art form was the posterAnd L’Autrec was hired to design Posters for the Moulin Rouge in Paris
German Expressionism WWI
Kathe Kollewitz was the wife of a German doctor during WWI and she was very affected by the loss of life in WWI
As part of her efforts to draw attention to the large numbers of widows and orphans she created a series of lithography posters and drawings that increased public awareness of the problems in Germany at that time
Kathe Kollewitz /Artist-early 1930’s
Lithography As A Means to Increase Social Awareness In ‘Society
Andy Warhol – POP ART
The Pop art movement in the 1960 drew attention to the focus on mass marketing and mass consumption by the American Public
Everyday icons like the Campbell Soup Can became symbols of American life and society and hence Andy Warhol used this image as an icon or symbol of an American ideal
The medium he used was silkcreen which was used to create all the labels for packaging
Silkcreen techniques
In silkscreen the silk fabric is stretched very tightly over a frame.
Then a stencil is made on the silk out of paper, or glue or photo sensitive material
A large flat scraper or squeegee is used to pull the ink across the holes of the screen and the design is pushed through the holes on to the paper
Silk screen lends itself to fast commercial work and is used for advertising ,T SHIRTS, bumper stickers and other commercial venues
Andy WarholSoup Can 1962Silkcreen Pop Art
Andy Warhol –Marilyn Monroe
1960’s Silkscreen
Warhol wanted to Address the Over use of The symbol of Marilyn Monroe At the expense of Her personal lifeMass Exploitation
Conclusion
Printmaking offers a view of how the role of artists changed over time with respect to their intentions to make art
In some cases the opportunity that making multiple prints provided helped to spread
New public awareness on social issues Unfortunately the mass markets of
advertising use printmaking to market goods and services