Interior Design Portfolio 2015

2011 The Juxtaposition of old and new – Patrick Morgan2011 The Arduino Project – Nima Gazestani2012 To Collaborate “NABART” – Marco Lampugnani2012 Exchange Project “OYASAI” – RED Hong Yi2012 Music Instruments – Dominique Wilcox2012 Biscuit Brand Project – Tour de Fork, Stefano Citi2013 Risographic Printing 2013 Movie as a design tool / Ultracorpi - vvvvideo.tumblr.com2013 Processing Course – Geek Express

August 2013 Seden Trading Co.- Bompas, France Product Design & 3D Modeling August 2014 Parc Sud Roussillon - Saleilles, France Interior Revision & Renovation Techniques

Born in March 1993Istanbul Turkey

August 2008 - August 2009Athens Area High School in Athens - Michigan - USA

ISE (International Services in Edu-cation) exchange student program

September 2009 - September 2011Eyuboglu High School, Istanbul, Turkey.

International Baccalaureate (IB) program

NABA (Nuova Accademia Di Belle Arti Milano), Milan - Italy

BA Design Undergraduate Degree Major in Interior Design.

Graduated on 25.09.2014

AutoCAD3DS MaxMaxsurfMaxwellRhinoceros Sketch - Up

Adobe PhotoshopAdobe InDesignAdobe IllustratorFloorplanner

ProccessingMindmapMicrosof Office

Turkish (Native)English (High) Toefl: 104/120

Italian (Intermediate) B1 French (Basic)

Travel & PhotographyVisual Arts & Crafts

ArchitectureProduct DesignInterior DesignYacht Design

Sailing

EDUCATION

WORKSHOPS

WORK EXPERIENCE

C.P. SKILLS LANGUAGES

INTERESTS

March 2015 - Present Politecnico di Milano, Milan, Italy. Yacht Design First-level University Master’s

Degree XIV Edition

Banu

HunlerABOUT MEI’m a young, open-minded, enthusiastic creative and a versatile interior designer. My aim is to cre-ate intelligent designs and striking images. Space is the leitmotiv, the results are always clear, with a keen eye for detail. My approach is practical yet based on strong ideas articulated in clear con-cepts. I try to get to the core of things but keep it looking simple. Through my designs, I seek to cre-ate interior experiences. It is my belief that every interior should be a reflection upon the values of the client, distilling these ideals into a concept to shape a beautiful, functional, and sustainable interior environment. Most importantly I have to enjoy the process and to get everything out of it!

PORTFOLIONUR BANU HUNLER

2011 - 2015

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PD PARASITIC DENSIFICATION IN HISTORIC

BUILDINg gAPS THESIS PROjECT 2014

There’s a shift happening in the built environmentright now. Suburban land is becoming increas-ingly scarce, and rural land is being pushed to inaccessible distances. Meanwhile, it’s more at-tractive than ever to live and work in the city, and less desirable to be stuck in traffic. While these challenges can be difficult to confront, they are also motivating us as a society to pro-duce thoughtful solutions in urban settings. As a designer I think the possibilities of urban infill areexhilarating. As a human being and a conscientious member of the society, I think parasitic infill offers an intelligent response to a multitude of environmental and societal factors. I’ve come up with 4 types of gaps (Narrow gap, Short gap, No gap and Street gap) that exists in almost every type of city in order to develop the parasitical infills specifically for each gap type in order to answer the need of housing in historic city center for the migrant workers in Turkey.

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Using the 10 principles of new urbanism which are: walk-ability, connectivity, mixed use and diversity, mixed hous-ing, quality architecture and urban design, traditional neighbourhood structure, increased density, smart trans-portation, sustainability and quality of life I developed the solution proposition of filling the gaps of the city in the city center according to each specific gap form in the built environment. My final proposal presents new and innova-tive, cost-efficient parasite housing units, for in-between spaces, that can be applied not just to Istanbul but to any urban situation, under almost any conditions. They repre-sent a new value of space and a new way of living which increases the density of the built environment, builds and

fosters community, focuses on the reuse and re-position-ing of obsolete or underutilized buildings and sites. It acti-vates neighborhoods, making them more useful and live-lier for longer periods of the day and night. It uses what is already there to its advantage, as opposed to starting with a blank canvas. The parasites added to an existing struc-ture, can become a new layer over or around the old, it can permeate the voids of an irregular site, or it can sim-ply fill an abandoned lot. Parasitic infill is synergistic; it has a greater effect on the built environment than the sum of its parts. As a designer I think the possibilities of para-sitic architecture and urban infill are exhilarating. As a hu-man being and a conscientious member of the society,

I think parasitic infill offers an intelligent response to a multitude of environmental and societal factors by eliminating expansion of city limits, eliminating the decentralization of the population, eliminating demolitions of historic property in order to obtain space at the center, traffic congestions, segregat-ed planning, increased car dependency, reliance on fossil fuels which brings more pollution, and high levels of resource consumption into the city.

PARASITE TYPE A

PARASITE TYPE B

PARASITE TYPE C

NARROW PARASITE

CONCEPT & FORMINg DIAgRAMS

NO gAP

NARROW gAP

SHORT gAP STREET gAP

PARASITIC DENSIFICATION

URBAN INFILL

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HIgH - RISE DWELLINgS - SKYBORN

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Context of the work, Sutluce Convention Center in Istanbul is one of the visually pleasant buildings at the upper historic peninsula of the city. The pro-ject derived from the buildings’ emergent need of revision and it’s suffering from interior deterioration and dysfunction. The task involved giving a new life to the convention center by simply keping the exterior same and only changing the interior space according to create a cultural bazaar and work area. The new fractured interior spaces of the building creates a new variety of spatial expe-riences that combats the current monotonous in-terior conditions. The revision includes insertations of authentic coffee houses, clothing stores, spice sellers, antiquarian, bootblacks, bakery, copper-smith and contemporary wood working shops.

SüTLüCE CONvENTION CENTER REvISION - PERSONAL PROjECT 2014

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ES SONY ELECTRONIC SHOWROOM 2013

Context of the work, was a Sony Electronic Showroom. The task involved developing the lay-out for a showroom, display an selling of elec-tronic devices ( top brands, ex. SONY, APPLE). Lay-out needed to include positioning of interiors design elements, according to destination zones, which was specified on the given plan with the aspects of 3 different displays , 2 different win-dow elements, a false ceiling, incl. air condition-ing and lightning plants as well as the execution of constructive and productive details related to those elements and details that explain all the employed materials, systems of connections between parts. Drawings had to be finalized to the production according to different processes wood carpentry, metal carpentry, glass produc-tion, plastic production, drywalls, electrical plant schemes,and light fixtures indications shown in bi-dimensional and three-dimensional drawings.

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CASH COUNTER

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OFFICE

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CUSTOMER CARE

HOLDING AREA

h:260

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TE TRIENNALE ExHIBITION DESIgN - BED & BEYOND ExHIBITION 2013 Context of the work, was Triennale Design Mu-seum in Milan. The task involved developing the lay-out for an exhibition of 30 chosen products, creating a content of the exhibition which has a main theme, a title, the selected objects (with names of objects, designers and manufactur-ers), moodboard of the exhibition to communi-cate the atmosphere of the project (with sug-gestions about colours, materials, lights and graphics), general plan with the layout of the ex-hibition, general plan with flow and visitors’ path, elevations and sections, details, lighting project (type of lights and positions), audio/video + tech-nical representations and execution of graphics such as the exhibition logo, signage, captionsand the exhibition poster. Accordingly the projectconsists of 30 designer beds’ exhibit which liter-ally aimed to create an exhibition for beds instead of regular dull bed expos. The exhibition has the theme of 1001 arabian nights aiming to give the

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NA PROjECT NABART 2011

The aim of this project is to disclose an interven-tion inside one of NABA’ s (Nuova Accademia di Belli Arti di Milano) buildings, located in via C. Dar-win 20, Milan. For this project I chose the building K (Carpentery Lab) to design a huge art gallery in order to create an exhibition space for the student projects. The main objective of this project was to make a live display of the student’s work-in pro-cess in order to create the final work itself. In addi-tion, the created gallery would be useful to make exhibitions of the student’s projects. I decided to create a large snake-like, organic glass tunnel that goes through the different classrooms, while passing the different levels of the existing building. The exhibition area is divided in four different sec-tors, as the school’s departments: Communica-tion and graphic Design; Fashion Design; Interior Design; visual, Performing and Multimedia Arts.

PRODUCIDO POR UN PRODUCTO EDUCATIVO DE AUTODESK

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SECOND FLOOR PLAN

FIRST FLOOR PLAN

ROOF PLAN


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BUILDINg SECTION

FRONT ELEvATION


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MATERIALS

ExTRA CLEAR gLASS TRANSLUCENT CONCRETE STEEL CONSTRUCTION TRANSLUCID gLASS

1/50 SCALE MODEL & RENDERS

SB SUPERBOWL - PROjECT FOR SALONE

DEL MOBILE MILAN DESIgN WEEK 2014vENTURA LAMBRATE 2014 // DIg The task involved developing a tool/product forkitchens. It is known that one of the kitchen tools that has a big role in the kitchen is most definitely a cutting board. If you had enough with the old, regular and conventional cutting boards, there is SuperBowl, which can be used in more ways than one. It is designed to make food preparation more efficient and enjoyable. It features 2 inlaid bowls on both sides, in total of 4 bowls, which are used to separate ingredients and lift out of the board when you’re ready to add ingredients to the dish you can always use it the other way around as well and use the bowls to hold the ingredients that you want to cut perhaps. The bowls sit flush to the surface of the board so you can add food to them with a simple scrape of the knife. No mess, no fuss. The best thing is you can also use it for serving food by just lifting off the board which will leave you with 4 bowls and a tray. No need for chang-ing it all into other plates then to a regular tray.

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FINAL PRODUCT : SUPERBOWL

NS INTERNSHIP // WORK ExPERIENCE

2014 INTERNSHIP AT THE RESIDENCE SENIOR PARC SUD ROUSSILLON

The context was the Residence Senior Parc Sud Roussillon in Perpignan, France. The task in-volved modelling and revision work for the site’s interior cafeterias, restrooms and reception areas. All of the designs were made according to the customer’s choices, budget, needs and wishes. During the internship I studied technical draw-ings and designs specifically executed for both the young, the elderly and the disabled people creating solutions and working on 3d modelling in order to visualize the solutions that ease their life at the Residence Senior Parc Sud Roussillion.

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MASTERS IN YACHT DESIGN 2015

A boat, whether sailing or motor, is a complexproduct which integrates different systemsranging from that of propulsion to livingaccommodation, and other accessory functions.Every decision that touches on the technicalsetup such as the keel, fins, internal volume, mo-torization, plant engineering affects all the other systems. Interiors are influenced by trends and language, market competition tends to endow every product with a certain degree of innovation. My aim is to create intelligent designs and strik-ing images. Space is the leitmotiv, the results are always clear, with a keen eye for detail. My ap-proach is practical yet based on strong ideas ar-ticulated in clear concepts. I try to get to the core of things but keep it looking simple. Through my designs, I seek to create unique experiences.

14 METERS SAILBOAT DESIGN

INITIAL RENDERS

GENERAL ARRANGEMENT INITIAL RENDERS

Assesment of Sea Worthiness

LH 14 m

LWL 11.637 m

BH 4.47 m

BWL 3.596 m

m 9382 Kg

mMO Kg

mLA Kg

hCE 8.1403 m

hLP 1.4 m

AS 111.3208 Sq.m

GZ90 0.787 m

AGZ 93.97 m.deg

V 124 deg

D 60 deg

Base Length Factor

LBS= 12.42467

Displacement Length Factor

FL= 1.024657

0.75 < FDL < 1.25

FDL= 0.960122

Beam Displacement Factor

FB= 2.250864

0.75 < FBD < 1.25

FBD= 1.002762

If 1.45 ~ FB ~ 2.2

Knock Down Recovery Factor

FR= 4.074023

0.5 < FKR < 1.5

FKR= 1.85665

if FR > 1.5

Inversion Recovery Factor

0.4 < FIR < 1.5

FIR= 1.040825

if m < 40000


LH 14 m

LWL 11.637 m

BH 4.47 m

BWL 3.596 m

m 9382 Kg

mMO Kg

mLA Kg

hCE 8.1403 m

hLP 1.4 m

AS 111.3208 Sq.m

GZ90 0.787 m

AGZ 93.97 m.deg

V 124 deg

D 60 deg

Base Length Factor

LBS= 12.42467


FL= 1.024657

0.75 < FDL < 1.25

FDL= 0.960122


FB= 2.250864

0.75 < FBD < 1.25

FBD= 1.002762

If 1.45 ~ FB ~ 2.2


FR= 4.074023

0.5 < FKR < 1.5

FKR= 1.85665

if FR > 1.5


0.4 < FIR < 1.5

FIR= 1.040825

if m < 40000


LH 14 m

LWL 11.637 m

BH 4.47 m

BWL 3.596 m

m 9382 Kg

mMO Kg

mLA Kg

hCE 8.1403 m

hLP 1.4 m

AS 111.3208 Sq.m

GZ90 0.787 m

AGZ 93.97 m.deg

V 124 deg

D 60 deg

Base Length Factor

LBS= 12.42467


FL= 1.024657

0.75 < FDL < 1.25

FDL= 0.960122


FB= 2.250864

0.75 < FBD < 1.25

FBD= 1.002762

If 1.45 ~ FB ~ 2.2


FR= 4.074023

0.5 < FKR < 1.5

FKR= 1.85665

if FR > 1.5


0.4 < FIR < 1.5

FIR= 1.040825

if m < 40000

TECHNICAL SPECIFICATIONS Sail Plan

Main Dimensions

Mast Height above the deck , I (m)= 19.3 Mast distance from the stem , J (m)= 5.36 Mast transverse dimension , MT (m)= 0.136 Mast Longitudinal dimension , ML (m)= 0.266 Boom transverse dimension , MT (m)= 0.103 Boom Longitudinal dimension , ML (m)= 0.198 Boom Height above the deck BH (m)= 1.3855 Boom Length, E (m)= 6.3807 Main Sail luff P (m)= 17.7363 Jib halyard height above deck IM (m)= 17.4428 Jib luff JL (m)= 16.8235 Jib Foot Jf (m)= 6.5702 Height of Lower Spreader , HSL (m)= 5.8 Height of middle Spreader , HSM (m)= 10 Height of upper Spreader , HSU (m)= 14 Freeboard at mast station, FR (m) = 1.51

Sail Area : Mainsail SAM (m2)= 56.585 Sq.m

Jib SAJ (m2)= 54.73583 Sq.m

Total Area SAT (m2)= 111.3208 Sq.m

Sail Plan

Main Dimensions

Mast Height above the deck , I (m)= 19.3 Mast distance from the stem , J (m)= 5.36 Mast transverse dimension , MT (m)= 0.136 Mast Longitudinal dimension , ML (m)= 0.266 Boom transverse dimension , MT (m)= 0.103 Boom Longitudinal dimension , ML (m)= 0.198 Boom Height above the deck BH (m)= 1.3855 Boom Length, E (m)= 6.3807 Main Sail luff P (m)= 17.7363 Jib halyard height above deck IM (m)= 17.4428 Jib luff JL (m)= 16.8235 Jib Foot Jf (m)= 6.5702 Height of Lower Spreader , HSL (m)= 5.8 Height of middle Spreader , HSM (m)= 10 Height of upper Spreader , HSU (m)= 14 Freeboard at mast station, FR (m) = 1.51

Sail Area : Mainsail SAM (m2)= 56.585 Sq.m

Jib SAJ (m2)= 54.73583 Sq.m

Total Area SAT (m2)= 111.3208 Sq.m

SAIL PLAN


LH 14 m

LWL 11.637 m

BH 4.47 m

BWL 3.596 m

m 9382 Kg

mMO Kg

mLA Kg

hCE 8.1403 m

hLP 1.4 m

AS 111.3208 Sq.m

GZ90 0.787 m

AGZ 93.97 m.deg

V 124 deg

D 60 deg

Base Length Factor

LBS= 12.42467


FL= 1.024657

0.75 < FDL < 1.25

FDL= 0.960122


FB= 2.250864

0.75 < FBD < 1.25

FBD= 1.002762

If 1.45 ~ FB ~ 2.2


FR= 4.074023

0.5 < FKR < 1.5

FKR= 1.85665

if FR > 1.5


0.4 < FIR < 1.5

FIR= 1.040825

if m < 40000

11 METERS SAILBOAT CONCEPT

INIT

IAL

SKET

CHES

FUNCTIONAL

RENDERS

CLEAN

MICRO

42 METERS MOTORYACHT INITIAL SKETCHES HAND SKETCHES

42 METERS MOTORYACHT INITIAL SKETCHES HAND SKETCHES

42 METERS MOTORYACHT GENERAL ARRANGEMENT 42 METERS MOTORYACHT GENERAL ARRANGEMENT

42 METERS MOTORYACHT INTERIOR / MOODBOARD 42 METERS MOTORYACHT TILE INSPIRATION

42 METERS MOTORYACHT SUN DECK INITIAL RENDERS

NUR BANU HUNLER INTERIOR DESIGNER

M: [email protected]: +90 537 477 91 45

IT: +39 329 248 66 67

Thank You!

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Interior Design Portfolio 2015

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