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Romantic Era & Middle Ages/Renaissance Schedule
Wednesday March 12 Exam 2 post, Part 5: Romantic Ch. 1, 2
Friday March 14 Rom 3, 4, 6, 10, 12
Monday March 24 Rom Ch. 6, 7, 9, 10
Wednesday March 26 Rom Ch. 12, 13, 17
Friday March 28 Rom Ch. 18, Part 2: Middle
Ages
Monday March 31 Part 2: Middle Ages,
Renaissance
Wednesday April 2 Part 2: Renaissance
Friday April 4 Rom wrap-up/review
Monday April 7 Exam 3—Romantic Era, Middle Ages,
Renaissance
Tentative!
19thC Romanticism--an overview
1. Revolutionary spirit--dissatisfaction w/ Classical era’s restraints2. Industrialization
agrarian to industrial economy; move to citiesexplosive urban growth wretched living conditionslarger, wealthier middle class pursuing recreationmiddle class music-making university training in
music3. Nature
Culture preoccupied w/Dual view:
serene, beautiful, alluringawesome, foreboding, dangerous
19thC Romanticism--an overview
4. Artists, musicians, writers drawn to fantasy world & fascination with:
the past (esp. middle ages)
grotesque, ugly, evil
Mary Shelley Frankenstein
Sir Walter Scott Ivanhoe
Victor Hugo The Hunchback of Notre Dame
19thC Romanticism--an overview
5. Age of :emotionalism
grandiose, monumental (Eiffel Tower, Crystal Palace, etc.)
miniature (short story, tiny art works)
The 19thC Music Business1. Patronage gone
Beethoven--some contributors, but NO patronsSchubert—entirely in free market
2. Music journalism = big business3. Musical celebrities, “stars,” tour Europe, entertain
middle class audiences. What is the connection with journalism?
4. Th/f much music is extremely difficult--for virtuosos
5. Piano = most popular instrument (Every home has a piano!)
6. Instrumental > vocal music
19thC Music1. Primary function of music = Evocation of powerful
EMOTION Th/f
“Message” = more important than form
forms = looser formal “grammar,” i.e., forms are not as clear
and precise as in classical era
2. Individualism = VIMP
Th/f composers develop unique styles
3. Program music popular—chic!
4. Nationalism-- “music with an ethnic flavor”
How might a composer achieve this?
5. Exoticism--interest in the unknown, foreign, wild
Composers & their exotic works:
Dvorak (Czech) New World Symphony (native American themes, melodies)
Rimsky-Korsakov (Russian) Scheherazade (Arabian) or Capriccio Espagnol (Spanish)
Bizet (French) Carmen (set in Spain)
Verdi (Italian) Aida (middle East)
Puccini (Italian) La Bohème (set in Paris) Madame Butterfly (set in Japan, American sailor, Japanese
woman)
For a GREAT overview of the Romantic, aka “Victorian,” era:
Www.victorianstation.com