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Investigating Cima In 1504 Cima da Conegliano finished an altarpiece “the Incredulity of St...

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Investigating Cima In 1504 Cima da Conegliano finished an altarpiece “the Incredulity of St Thomas”. After suffering damage it was bought by the National Gallery in 1861 but in 1969 it required major restoration. To help with the restoration tests were carried out:
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Page 1: Investigating Cima In 1504 Cima da Conegliano finished an altarpiece “the Incredulity of St Thomas”. After suffering damage it was bought by the National.

Investigating Cima

In 1504 Cima da Conegliano finished an altarpiece “the Incredulity of St Thomas”. After suffering damage it was bought by the National Gallery in 1861 but in 1969 it required major

restoration.

To help with the restoration tests were carried out:

Page 2: Investigating Cima In 1504 Cima da Conegliano finished an altarpiece “the Incredulity of St Thomas”. After suffering damage it was bought by the National.

The Painting

Page 3: Investigating Cima In 1504 Cima da Conegliano finished an altarpiece “the Incredulity of St Thomas”. After suffering damage it was bought by the National.

Reflectance Spectra

● A B● Use your data sheet to identify the pigments used in each area.● What are the chemical substances● What colour would you expect each to appear ?

350 400 450 500 550 600 650 700 750 8000

50

350 400 450 500 550 600 650 700 750 8000

10

20

30

40

50

60

70

Wavelength /nm

% r

efle

ctio

n

Page 4: Investigating Cima In 1504 Cima da Conegliano finished an altarpiece “the Incredulity of St Thomas”. After suffering damage it was bought by the National.

Does this help ?

Page 5: Investigating Cima In 1504 Cima da Conegliano finished an altarpiece “the Incredulity of St Thomas”. After suffering damage it was bought by the National.

Position of samples A and B

Page 6: Investigating Cima In 1504 Cima da Conegliano finished an altarpiece “the Incredulity of St Thomas”. After suffering damage it was bought by the National.

Now look at St Peter's Mantle

Page 7: Investigating Cima In 1504 Cima da Conegliano finished an altarpiece “the Incredulity of St Thomas”. After suffering damage it was bought by the National.

Laser Microspectral Analysis

Laser light

Electrodes Spectrometer

Paint Sample

Page 8: Investigating Cima In 1504 Cima da Conegliano finished an altarpiece “the Incredulity of St Thomas”. After suffering damage it was bought by the National.

A fragment of paint was cross sectioned

LMA on the upper layer gave lines at 228.8 nm and 235.0 nm.

Identify the element present and hence the pigments used.

Page 9: Investigating Cima In 1504 Cima da Conegliano finished an altarpiece “the Incredulity of St Thomas”. After suffering damage it was bought by the National.

Identification of oils (1)

A sample of paint is hydrolysed to give the potassium salts of the saturated fatty acids

OH

OH

OH

OO

O

O

O

O

O

O

O

O

O

O

K+

K+

K+

KOH(aq)

+

Page 10: Investigating Cima In 1504 Cima da Conegliano finished an altarpiece “the Incredulity of St Thomas”. After suffering damage it was bought by the National.

Identification of oils (2)

The potassium salts are converted to the free acids.

And then to the methyl esters.

O

OK

+O

OH

H Cl

O

OH

O

O CH3

CH2N2

Page 11: Investigating Cima In 1504 Cima da Conegliano finished an altarpiece “the Incredulity of St Thomas”. After suffering damage it was bought by the National.

So what medium did Cima use ?

● glc shows the proportions of saturated esters.

● What happened to the unsaturated acids ?

● For Cima's painting palmitate/stearate = 76/54 = 1.4

● What medium has this ratio ?

Page 12: Investigating Cima In 1504 Cima da Conegliano finished an altarpiece “the Incredulity of St Thomas”. After suffering damage it was bought by the National.

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