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Irish Folk Music
Morgan N. DixonMUS 1234
S. Abel22 July 2011
Contents
I. Irish Folk Musica. Irish Livingb. The Famine Beginsc. Early Immigrants of Americad. American Living
II. The Irish and Their Music in Americaa. The Basicsb. Instrumentationc. More Instrumentationd. Traditional Tunese. Traditional Irish Balladsf. Sean-Nósg. Traditional Dances
i. The Reelii. The Jig
h. The Golden AgeIII. With Oppression Comes the Rebels
a. Rebels of Irelandb. Irish Rebel Music
IV. With Traditions Todaya. Popular Irish Tunesb. Irish Punks
i. Popular Punks of Our Time
V. A Culture Through Time
Irish Living
Throughout Ireland before the disaster of the
Potato Famine, many native Irish subsisted on small landholdings and a diet of potatoes. Many of these individuals worked
as laborers on British-owned farms. Young
people who knew they could not hope to own land in Ireland, against
the British, had long looked to America for better opportunities.
From 1818 to 1845, at least 10,000 Irish
immigrated yearly in hopes of fortune and plentiful opportunity.
The Famine Begins
The leaves of the native potato plants began turning black and curled, and did not hold the same vegetation it once had. Soon enough the potatoes became black and withered leading to a great
famine that washed over many areas of Ireland. It was all due
to an airborne fungus (phytophthora infestans) originally transported in the
holds of ships traveling from North America to England¹.
Spread through the winds of Southern England, it
began to kill every plant within its reaches. It was at this time that the realization of immigration to America came into fruition as reality.
Early Immigrants of America
In the years of 1845-49, the Irish land was blighted by the Irish
Potato Famine, forcing many to immigrate to
American soil. To survive, two choices were to be selected from: starve or leave
their home land. Out of the many, 1.5 million
immigrated to America starving and diseased,
landing in the East Coast ports of New York, Philadelphia,
Boston, and Baltimore.
American Living
Without the money and sources to travel inland for farming, many of the Irish immigrants were forced to stay within the cities that they landed upon. The living conditions to which they were subjected to were uncomfortable with crowded housing and in search for
work at any wage possible. Due to the differences in religion and pastimes, the Irish created ethnic enclaves to which were new to
many American cities.
New York absorbed many of the immigrants, whereas Boston was overwhelmed by the numbers to which they traveled by. By 1850, a quarter of Boston’s population was Irish, most from the recent immigrations. Boston, the home of Puritanism and the center of American intellectualism, did not welcome illiterate Irish Catholic
peasants². This in turn created subjectivity and the disenfranchisement of the Irish immigrants within the American
society.
The Irish and Their Music in America
Keeping Traditions While Moving Across Seas
The Basics
Irish folk music were mainly based off
traditional folk tunes. The music style
became wildly popular within the cities that the Irish immigrated,
New York and Chicago. Although it is believed much of American folk music derives from the
Irish folk music, it is seen that Irish folk
music is diverse in style and instrumentation.
Much of the traditional Irish music was based
for dancing, with a great tradition in
ballad.
Instrumentation
Many aspects of Irish folk music are closely related to dancing; however, without the instrumentation of the songs much of the dancing is not
possible. These are some more common instruments:
Fiddle : commonly referred to as the violin, the fiddle is the instrument used for folk music and bluegrass.
Irish Harp : a small to medium-sized instrument, usually designed for traditional music, commonly having 34 strings.
Accordion (concertina) : a portable wind instrument having a large bellows for forcing air through small metal reeds, a keyboard for the right hand, and buttons for sounding single bass notes or chords for the left hand³.
Wooden Flute : an instrument of the woodwind family that produces its sound from the flow of air across an opening.
Guitar : often a six-stringed instrument that is plucked with the fingers.
More Instrumentation
Then there are instruments that are less commonly known, but very popular within the Irish folk music culture:
Bodhran : a handheld, shallow Irish drum with a single goatskin head, played with a stick⁴.
Tin Whistle : also known as the penny whistle.
Uillean Pipes : commonly known as the Irish bagpipes, producing a bellowing sound by squeezing bellows under the arm or in between the knees.
Banjo : an instrument of the guitar family, having a circular body versus the violin-like shape of the guitar.
Bouzouki : also known as a large mandolin, is a small, long-necked fretted lute.
Traditional Tunes
Often times, Irish traditional music is mainly associated with jigs and reels,But the unusual seemed to find its way Into the traditional musical style :
Jig (12/8 time)
Double jig (6/8 time)
Reel (4/4 time)
Hornpipe (swung 4/4 time)
Slip jig (9/8 time)
The occasional Polka (2/4 time) Each tune was accompanied by a dance
which was performed along with theMazukas or Waltzes (3/4 time)⁵ music.
Traditional Irish Ballads
“Finnegans Wake” is an example of traditional Irish street ballad that
arose in the 1850’s by the musical group, The Dubliners. It is a comical piece that displays
the traditional ballad style in Irish folk music. Many street ballads derive from tales of drinking,
which hold strong through many years.
This song is still played today in the popular Irish-American punk band, The Dropkick Murphys.
This is a small portion of the song :
Tim Finnegan lived in Walkin StreetA gentleman Irish, mighty odd;
He’d a beautiful brogue so rich and sweet
And to rise in the world he carried a hotd.
Now Tim had a sort of the tipplin’ wayWith a love of the whiskey poor Tim
was bornAnd to help him on with his work each
dayHe’d a drop of the cray-thur every
morn.
ChorusWhack fol the dah O, dance to your
partnerWelt the floor, your trotters shake.
Wasn’t it the truth I told youLots of fun at Finnegan’s wake!
Sean-nós
Click icon to add pictureThe translation of sean-nós, means in literal terms, “old style” in the Irish
language.
It is associated with a form of a cappella
(solo) ballad singing, producing a sound
that is traditional to Irish folk music.
This is an example of a woman who is
singing a traditional sean-nós song named
“Eleanór a Rún”.
Traditional Dances
Accompanied by many of the tunes, dancing was a portion of the music that was important to how the music was performed. Two of the main dances were
named the reel and the jig.
The Reel
Click icon to add pictureA reel is a common folk dance that is associated
with many traditional Irish tunes.
A reel is in 4/4 time (also known as common meter), but when sheet music is
written out, reels are occasionally written in 2/2
time instead (also known as cut time, which simply
emphasizes the beats in a different way and can
emphasize liveliness). The accented beats in a reel are beats 1 and 3, and phrases
are generally (but not always) repeated in eight-
bar increments⁶.
An example of a traditional Irish reel music
demonstrated by Matt Molly.
The Jig
Click icon to add pictureThe jig was a dance that came second to the traditional reel, that originally had a time
sequence of 2/4. Through time , a variety of time signatures have been adapted and altered.
Light Jigs
Slip Jigs
Single Jigs
Treble Jigs
An example of a slip jig, performed by Celine Hession
& Donncha O Muimhneacháin in 1972
accompanied by a traditional tune.
The Golden Age
After immigration of the Irish people to America, the music that was
originally disenfranchised became wildly popular within the years of the 1890’s. From there in out, traditional
Irish folk music created the “Golden Age” in which centered around the settled city of New York. It was at this
point in time that many inspiring musicians of the fiddle were found. However, with the hit of the Great Depression came the downfall of much of the traditional Irish folk
music that was produced, and belittled by the production of the show
band culture during the World War. It wasn’t until the late 20th century that the rise of Celtic rock groups rose into culmination. It was the rise of many groups such as Flogging Molly and the Shillaly Brothers that kept traditional Irish culture within their music.
With Oppresion Comes the Rebels
Those Who Rebelled for Irish Republicanism
Rebels of Ireland
Although the rebellion associated with the rebel songs that were produced by the Irish are mainly in part due to the oppression that was held by the English, the rebel songs were played for
years afterwards. When the Irish people had been conquered by the English, they were oppressed and even suffered in the aspect that they were unable to speak their own language.
Therefore, the people of Ireland turned to rebel music to withhold the traditions within their heritage and history.
Irish Rebel Music
The beginnings of Irish rebel music stem from many
years of oppression with the need to withhold a deep
sense of tradition. This subgenre of Irish folk music is predominately the same through instrumentation,
but is quite different linguistically. The lyrics that
are associated hold deep meanings about Irish
republicanism. Those who were disregarded by the British Empire, and even
today hold strong with Irish rebel music which is still being played to this day.
An example of rebellistic lyrics is the song “Roddy
McCorley” by The Dubliners.
With Traditions Today
How Traditional Irish Folk Music Still Lives on Presently
Popular Irish Tunes
Although Irish folk music sounds of the past, the traditions
that have held strong are still present in
many artists today. In the latter years of the
20th century, it has been shown that
producing popular music is simply equal to others producing
modern music. Many groups have found
success in the combination of
traditional ideas and modern ones to
produce a new wave of Irish music.
The Cranberries found great musical success with the combination of new age and traditional Irish music in America.
Irish Punks
The punk movement in the 1970’s did not only influence those within America, but did as well for Irish
and Irish-Americans. Of the time, Stiff Little Fingers as well as The
Undertones were greatly influenced by
the movement in Northern Ireland. The Pogues were also a
part of the movement, by making traditional songs fit into the punk
genre. Stiff Little Fingers photograph for Nobody’s Heroes
Popular Punks of our Time
Click icon to add picture Flogging Molly is a seven-piece Irish band that
originated in Los Angeles, California. They are deeply influenced by many Irish punk bands before them, such as, The Dubliners (as
seen before) and The Pogues.
Many of their songs can be seen as traditional ballads,
those that tell stories of subjects related to Ireland and its history. They also
follow traditional Irish ballads by singing of love, drinking
(street ballads), politics, and even death.
“Drunken Lullabies” was released on March 19, 2002.
It is representation of a faster tempo based upon a
traditional street ballad.
A Culture Through Time
The difficulties of immigration from one country to another, brought about by the Great Famine, and the disenfranchisement of the people to which came, harvested the presence of a culture and its music. This in
turn has greatly influenced American society. The instruments used, the dances that were performed, and the tunes that were sung all were in part of a culture that moved to America through a tragedy. Much of the music that is popular today would not be in part without the traditional
music that was played many years ago.
Works Cited
"Accordion | Define Accordion at Dictionary.com." Dictionary.com | Find the Meanings and Definitions of Words at Dictionary.com.
2009. Web. 15 July 2011. <http://dictionary.reference.com/browse/accordion?o=100074>.
"Bodhran | Define Bodhran at Dictionary.com." Dictionary.com | Find the Meanings and Definitions of Words at Dictionary.com.
2009. Web. 15 July 2011. <http://dictionary.reference.com/browse/bodhran?o=100074>.
Faragher, John Mack. "Irish Immigration." Out of Many: A History of the American People. Vol. 1. Upper Saddle River, NJ: Prentice
Hall/Pearson, 2012. 339-40. Print.
Favors, LaTasha. "The History of Traditional Irish Music, Page 2 of 2." Associated Content from Yahoo! - Associatedcontent.com.
Web. 16 July 2011.
<http://www.associatedcontent.com/article/1964250/the_history_of_traditional_irish_music_pg2.html?cat=33>.
"Irish Music 101 - What Is Traditional Irish Music." World Music - Information, History, and Reviews of World Music. Web. 20 July
2011. <http://worldmusic.about.com/od/learningmusic/p/IrishMusic.htm>.
Work Cited Cont.
"Irish Music." Biography.com. A&E Television Networks, 2011. Web. 17 July 2011. <http://www.biography.com/st-patrick/irish-music.jsp>.
"Irish Potato Famine: The Blight Begins." The History Place. The History Place, 2000. Web. 15 July 2011.
<http://www.historyplace.com/worldhistory/famine/begins.htm>.
"Reel - What Is an Irish Music Reel - What Is the Time Signature of a Reel." World Music - Information, History, and Reviews of
World Music. Web. 15 July 2011. <http://worldmusic.about.com/od/irishmusicglossary/g/Reel.htm>.