Jazz Quest Series TO THE DIRECTOR This chart requires that a fairly brisk tempo is maintained throughout, especially during the open solo section and the lengthy unison lines played by 4 or more parts. During these sections, each ensemble mem- ber should lighten up in terms of dynamics and make sure that short articulation markings are exaggerated. The punch pattern of two downbeat hits followed by two offbeat hits is prevalent throughout. Ensure that this figure is always played with attention to articulation. Lastly, the ensemble material beginning at measure 57 (and others like it) should be played very smooth, in order to contrast the afore-mentioned punch pattern. The solo section at measure 73 is open for any soloist, with solo sheets provided in all keys which includes a sample written solo and scales that can be used to encourage young players to create their own solo. While many different scales are needed for the solo, diligent practice on this piece will give them the experience needed for future charts with these changes. SoloMate recordings are available at kendormusic.com for new Kendor and Doug Beach releases. This innovative resource lets students prac- tice their solos by downloading professionally-recorded rhythm section accompaniment tracks. A full recording of this chart can be downloaded at www.kendormusic.com. KENDOR MUSIC PRESENTS Isle Of Blue (based on the chord changes to “Blue Bossa” by Kenny Dorham) featuring Kendor Konvertible instrumentation style: medium fast bossa duration 3:40 Les Sabina INSTRUMENTATION Full Score C Solo Sheet Eb Solo Sheet Bb Solo Sheet F Solo Sheet Bass Clef Solo Sheet Flute (opt.) Bb Clarinet (opt.) *1st Eb Alto Sax *2nd Eb Alto Sax *1st Bb Tenor Sax 2nd Bb Tenor Sax Eb Baritone Sax *1st Bb Trumpet *2nd Bb Trumpet 3rd Bb Trumpet 4th Bb Trumpet Horn In F (opt.) *1st Trombone 2nd Trombone 3rd Trombone 4th Trombone Tuba (opt.) Guitar Guitar Chord Chart Vibes (opt.) *Piano *Bass *Drums EXTRA SCORES & PARTS AVAILABLE Kendor Music, Inc. M U S I C P U B L I S H E R 21 Grove Street • PO Box 278 Delevan, New York 14042-0278 • U.S.A. www.kendormusic.com LES SABINA Les Sabina is Professor of Music and Chair of the Department of Visual and Performing Arts at St. Bonaventure University in upstate New York. As a saxo- phonist, he has performed with Dizzy Gillespie, Joe Williams, Della Reese, and others. He has received grants and awards from the Canada Council, the International Association of Jazz Educators, and ASCAP. Sabina has also been named a "Jazz Composer of the Year" by the Performing Rights Organization of Canada. This chart playable by fewer than the standard number of instruments; * above indicates essential parts. FOR PREVIEW ONLY REPRODUCTION PROHIBITED KendorMusic.com
Transcript
Jazz
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erie
sTO THE DIRECTOR
This chart requires that a fairly brisk tempo is maintained throughout,especially during the open solo section and the lengthy unison linesplayed by 4 or more parts. During these sections, each ensemble mem-ber should lighten up in terms of dynamics and make sure that shortarticulation markings are exaggerated.
The punch pattern of two downbeat hits followed by two offbeat hits isprevalent throughout. Ensure that this figure is always played withattention to articulation. Lastly, the ensemble material beginning atmeasure 57 (and others like it) should be played very smooth, in orderto contrast the afore-mentioned punch pattern.
The solo section at measure 73 is open for any soloist, with solo sheetsprovided in all keys which includes a sample written solo and scalesthat can be used to encourage young players to create their own solo.While many different scales are needed for the solo, diligent practice onthis piece will give them the experience needed for future charts withthese changes.
SoloMate recordings are available at kendormusic.com for new Kendorand Doug Beach releases. This innovative resource lets students prac-tice their solos by downloading professionally-recorded rhythm sectionaccompaniment tracks. A full recording of this chart can be downloadedat www.kendormusic.com.
K E N D O R M U S I C P R E S E N T S
Isle Of Blue(based on the chord changes to “Blue Bossa” by Kenny Dorham)
featuring Kendor Konvertible instrumentationstyle: medium fast bossa
duration 3:40
Les SabinaINSTRUMENTATION
Full ScoreC Solo SheetEb Solo SheetBb Solo SheetF Solo Sheet
21 Grove Street • PO Box 278Delevan, New York 14042-0278 • U.S.A.www.kendormusic.com
LES SABINA
Les Sabina is Professor of Music and Chair of the Department of Visual andPerforming Arts at St. Bonaventure University in upstate New York. As a saxo-phonist, he has performed with Dizzy Gillespie, Joe Williams, Della Reese, andothers. He has received grants and awards from the Canada Council, theInternational Association of Jazz Educators, and ASCAP. Sabina has also beennamed a "Jazz Composer of the Year" by the Performing Rights Organization ofCanada.
This chart playable by fewer than the standard number of instruments;* above indicates essential parts.
FOR PREVIEW
ONLY
REPRODUCTION PROHIBITED
KendorMusic.com
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KENDOR PRESENTS
Isle Of Blue(based on the chord changes to "Blue Bossa" by Kenny Dorham)
