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MICHAEL GEORGE, EDITOR-IN-CHIEF

EDITOR’S LETTER

EDITOR-IN-CHIEFO/)"*#4$T#3&1#

DEPUTY EDITORSU3&/00#$D*230#9"*44*$V.-#4#G/)"

ART DIRECTORN*0445$N3+/013

ASSOCIATE ART DIRECTORW*4#5$9(*&?

PHOTO EDITORS9*'"*$>&.(5.03G*X#00*$92/(Y

APPRENTICES>4/'30$C#0(Y<$#-/(3&/*49*&*$T&3.2<$#-/(3&/*4X3003$D*((+*0<$2"3(3U34#$9*4*-/03<$2"3(3

STAFF WRITERST&*)#$W*00*C*.&#0$T&##06#&1>00/#$Z./14#59*+$D#/''O*&1*.7$9,#&-43;;>4/'30$M500

BLOG WRITERS[#'"*,0$>4/>Y/Y*$K*&0#'O*-#4#/0#$K3*&-+*0S*3+/$U"*''#X*+#'$U4*&/Y/3U#4/0#$U3+34#(\4*-/+/&$T/0(3;;:&#0#$W*&(+*00X3"0$].&(YO*7$O#44+*0]&/'$S34(#X.4/*$=.1*)"#G'?5O*-#4/0#$D/))"/.(3]*(/#$\31#4U*&43'$[3Y*5*

ONLINE EDITORS/)34#$U366

CONTRIBUTINGPHOTOGRAPHERS>4#7$>&6.)?4#9*'"*$>&.(5.03G*K#&54$K#G/4*)F.#=#(#&$U.&(/'C/*00*$N#4$=/YY3>0-&#,$P44/'O3445$^*66&/934#/4$T*&0#*.O/)"*#4$T#3&1#C*&.#0$T&##06#&1=#&&/$W3;;+*0K#0$X*&3')"]&/'(/0*$]0/2#:'**?$C/2Y/09*&*"$O*)#4V*/&$I#46*.+932"/#$9*+.4P4/Y*6#("$9"&/#&O*4*G/?*$9/01"S*("*0$9+/("X#00*$92/(YC*.&*$9(#2"#0'30P++*$9(&.1*(YK&/*0$\.O/)"#44#$M*((9"*44*$V.-#4#G/)"

FINANCIAL DIRECTOR9"/G*+$O*(".&*

COMMUNICATIONS TEAM^&*0)/'$=330C*.&*$9(#2"#0'30

FACULTY ADVISORP-/("*$O#'/0*

SPECIAL THANKS:&#0#$U"3N#*0E'$=&3;.0-'N#2*&(+#0($3;$="3(31&*2"5$_$:+*1/01O*&(/0$`'63&0#O/)"*#4$O#''/0*S#,$V3&?$`0/G#&'/(5!/')"$9)"334$3;$("#$>&('!/')"$`0-#&1&*-.*(#$9(.-#0($U3.0)/4N#63&*"$M/44/'

ISO STAFF AND CONTRIBUTORS

6ISO

FALL 2011

U3G#&@$>0-&#,$P44/'<$Keys$a)&32b<$N/&#)(3&@$N*005$N.#':0'/-#$;&30(@$=#(#&$U.&(/'<$JFK:0'/-#$6*)?@$P++*$9(&.1*(Y<$Untitled, From Series: Structures and Abstractions 2011K*)?$)3G#&@$932"/#$9*+.4<$$cd("$9(&##(< 2011

EDITOR’S LETTER

06

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FALL 2011

CONTRIBUTORS

ON TAKING PHOTOGRAPHS, ON EATING RICE BY ALISON WYNN

COURAGE IN THE HEART BY ANNIE ESCOBAR

SNAPSHOTS CELL PHONE PHOTOJOURNALISM FROM THE FRONTEIR

BY KATIE MANSURE

A PREMONITION OF DARK DAYS AHEAD SAYING GOODBYE TO KAWAII IN JAPANESE ART

BY MARGAUX SWERDLOFF

LUPE SALINAS OUR HOUSE ON MAIN BY CORINNE RAPONE

ANDREW ELLIS DREAMERS + FILM STILLS BY KATIE VOGEL

DAVID MACEDO ALL I COULD SEE WAS YOU BY JENNA SPITZ

VIRTUAL PAGES EXCERPTS FROM THE BLOG @ ISOZINE.COM

PHOTOFLO

DIRECTORY

7ISSUE NO. 6

ISO

16SEEING SOLDIERS BY AMALYAH OREN

36FEATURED PROFESSIONAL MARTIN USBORNE BY MICHAEL GEORGE

46THE GALLERY

BY SAM REISSFEATURED FACULTY SUSAN SEIDELMAN 42

ON TAKING PHOTOGRAPHS, ON EATING RICE

8ISO

FALL 2011

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#0)3.&*1#$ ("#+$ (3$ 6#1/0$ '2#*?/018$M/("/0$ *$ ;#,$ +/0.(#'<$ +*05$ 6#1*0$(3$)&58$M#$"#4-$("#/&$"*0-'<$03--#-$3.&$ "#*-'<$ '(*&#-$ /0$ ("#/&$ #5#'$ *0-$*4("3.1"$ ,#$ 6*'/)*445$ )3.4-$ 03($.0-#&'(*0-$*$,3&-$("#5$,#&#$'*5/01<$,#$ ;#4($ ("#+8$ 9#G#&*4$ (/+#'$ ,#$'(322#-$ '"33(/01$ *0-$ *44$ )&/#-$ *0-$"#4-$#*)"$3("#&8 !3$+#<$3.&$#72#&/#0)#$/0$K*014*-#'"$,*'$ *$ (#'(*+#0($ (3$ ("#$ 23,#&$ 3;$'34/-*&/(5$ *0-$ /0(#&)300#)(/G/(58$ M/("$("#$ "#42$ 3;$ ("#$ KD>U$ '(*;;$ *0-$D.".4<$,#$*22&3*)"#-$("#'#$,3+#0$*0-$ /0)&#-/645<$ ("#5$ 4#($ .'$ /0(3$ ("#/&$4/G#'$ *0-$ &#G#*4#-$ ,/("$ /0(/+*)5$'3+#$ 3;$ ("#/&$ +3'($ 2*/0;.4$ *0-$2&3.-$ +3+#0('8$ !"#$ )3+2*''/30$,#$ (&/#-$ (3$ 6&/01$ (3$ 3.&$ /0(#&G/#,'$"32#;.445$ 6./4($ (&.'(<$ 6.($ :$ *4'3$ ("/0?$("#/&$ 32#00#''$ ,*'$ +3(/G*(#-$ 65$'3+#("/01$#4'#8$!"#$ 4*'($,3&-'$ ("*($

10ISO

FALL 2011

COURAGE IN THE HEART

I

BY ANNIE ESCOBAR

A market in My-mensingh, Bangladesh.

Women have histori-cally had little access

to the public sphere in Bangladesh, a situation that is slowly changing

as BRAC encourages women to organize in

order to demand more political power.

BRAC is helping this woman get a divorce after continual physical and emotional

abuse from both her husband and his fam-ily. Since its inception in 1972, BRAC has recognized women as agents of change

within the family and community.

X.4#?"*<$*$+3("#&$,"3'#$-*.1"(#&$,*'$ &*2#-$ *0-$ +.&-#&#-<$ '*/-$(3$ .'$,#&#<$ gM"#0$ 53.$ 4#*G#<$ (#44$#G#&530#$("*($53.$"#*&-$+5$'(3&58$:$ "*G#$ (34-$ 53.$#G#&5("/018$ :$,*0($(3$;##4$J.'(/)#8h$O*05$3;$("#$,3+#0$'##+#-$ (3$ '##$ ("#$)*+#&*$*'$*0$*+24/;5/01$ (334$ ;3&$ ("#/&$ (#'(/+305$*0-$ ("#5$ 3;(#0$ '23?#$ -/&#)(45$ (3$("#/&$ /+*1/0#-$ *.-/#0)#$ 30$ ("#$3("#&$'/-#$3;$("#$)*+#&*8$

!"#$ 4#1/(/+*)5$ 3;$ 30#E'$ 2&#'#0)#$,/("$ *$ )*+#&*$ /0$ *05$ '#((/01$'"3.4-$ *4,*5'$ 6#$ &*/'#-$ *0-$ ,#$"*G#$ '(&.114#-$ )30'(*0(45$ ,/("$("#$ 234/(/)'$ 3;$ &#2&#'#0(*(/30$("&3.1"3.($("/'$2&3J#)(8$I;(#0<$03(R;3&R2&3%($2"3(31&*2"5$2#&2#(.*(#'$.0#F.*4$ &#4*(/30'"/2'$ 6*'#-$ 30$2/(5$ *0-$ 1./4(8$ !"#$ /-#34315$ 3;$m"#42/01E$ /'$ -#(&/+#0(*4$ 6#)*.'#$/($ *22#*4'$+3&#$ (3$ ("#$ #13$ 3;$ ("#$*.-/#0)#$ &*("#&$ ("*0$ ("#$ -/10/(5$3;$ ("#$ '.6J#)(8$ :($ /'$ 6*'#-$ 30$-/;;#&#0)#$ &*("#&$ ("*0$ #F.*4/(58$>4("3.1"$)&3''R).4(.&*4$'(3&5(#44/01<$#'2#)/*445$,/("$("#$13*4$3;$1*&0#&/01$

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O5$"32#$/'$("*($("#'#$,3+#0$*0-$("#/&$ '(3&/#'$ )*0$ 1/G#$ 3("#&'$ ("#$/0'2/&*(/30$ (3$ 6#4/#G#$ /0$ ("#/&$ 3,0$'(&#01("$*0-$1/G#$("#+$("#$)3.&*1#$(3$)30;&30($/0J.'(/)#8$

>00/#$ P')36*&$ /'$ ("#$ )3R;3.0-#&$3;$ C/'(#0:0$ =/)(.&#'<$ *$ +#-/*$2&3-.)(/30$)3+2*05$'2#)/*4/Y/01$/0$'(3&5(#44/01$;3&$03(R;3&R2&3%('8$

U"#)?$3.($("#/&$,3&?$*($,,,84/'(#0/02/)(.&#'8)3+8!

11ISSUE NO. 6

ISO

>44$/+

*1#'@$>00/#$P

')36*&8

A woman attends a workshop at her local !"#$%&'()*+%,-.*/%012+%,2+/'%0,3/)%0+,%are also receiving free legal aid from BRAC. The Legal Aid Workshops provide women with an opportunity to discuss their cases and exchange advice.

Mongida was able to free herself from an abusive marriage with the help of BRAC’s free legal aid services, which helped +/'%.4/%(%*(5/%(6(1)2%+/'%husband. She endured domestic violence because her family was 7)(&4/%2,%8(9%57-.*1/)2%dowry. (Dowry is the money, goods, or land that a bride’s family offers her husband in marriage. Dowry-related domes-tic violence is a severe problem in Bangladesh.) Mongida won the case, divorced her husband and received 30,000 Taka ($430).

0$ P152(/*0$ /0$ !*"&/&$ 'F.*&#$&*/'#'$ "/'$ )#44$ 2"30#$ 3G#&$"/'$"#*-$*0-$'0*2'$*$2"3(3$

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SNAPSHOTS:CELL PHONE PHOTOJOURNALISM FROM THE FRONTEIR

12ISO

FALL 2011

BY KATIE MANSUREPHOTOGRAPHS BY YAIR OELBAUM

A

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13ISSUE NO. 6

ISO

!

V>:D$I

PCK

>`O@$U

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A PREMONITION OF DARK DAYS AHEAD:SAYING GOODBYE TO KAWAII IN JAPANESE ART

14ISO

FALL 2011

BY MARGAUX SWERDLOFF

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15ISSUE NO. 6

ISO

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SEEING SOLDIERS

16ISO

FALL 2011

R

BY AMALYAH OREN

D>UWPC$=>

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arrying a Stretcher in the R

ain<$!'*#4/+<$:'&*#4<$ijjo$f$U

3.&(#'5$3;$U4*+

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17ISSUE NO. 6

ISO

M*&8$ :0$ ="/4/2$ !*543&E'$ 9"33(/01$ ("#$O#''#01#&@$ !"#$=34/(/)*4$ :+2*)($ 3;$M*&$ D#23&(/01<$ ("#$ *.("3&$ *''#&('$("#$/+23&(*0)#$3;$/+*1#&5$/0$,*&(/+#$'3)/#(/#'8$ !"3.1"$ "#$ -#6.0?'$ ("#$-3)(&/0#$ ("*($ !\$ 43'($ ("#$ \/#(0*+$M*&$ ;3&$ >+#&/)*<$ "#$ 0#G#&("#4#''$&#)310/Y#'$("*($/+*1#'$3;$(&332'$*($,*&$"*G#$*$+*J3&$/+2*)($30$'3)/#(5<$1*&0#&/01$'.223&($30$234/(/)*4$#0-'8$!"#5$)*0$)"*01#$("#$,*5$("#$2.64/)$&#1*&-'$*$,*&8$$

:+*1#'$3;$,*&$"*G#$6#)3+#$*$+*J3&$/''.#$/0$>+#&/)*0$234/(/)'$-.&/01$("#$:&*F$ M*&8$ M"#0<$ /0$ ijjo<$ *$ 2"3(3$,*'$2.64/'"#-$ /0$("#$9#*((4#$!/+#'$3;$+/4/(*&5$)3;%0'$6#/01$(&*0'23&(#-$6*)?$ ;&3+$ :&*F<$ ("#$ )3.0(&5$ ;#4($ *$

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K.($ /0$ *0$*1#$3;$ '3)/*4$+#-/*$,/("$*44$3;$V3.!.6#$*0-$("#$64313'2"#&#<$30#$ +.'($ &#)30'/-#&$ ,"3$ -#%0#'$("#$ /+*1#$ 3;$ ("#$ '34-/#&8$ M"#0$ /0$

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!

IDAHOOUR HOUSE ON MAIN

“My family is like any other family.”

LUPE SALINAS

LUPE SALINAS

FEATURED ARTIST

LUPE SALINAS

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22ISO

FALL 2011

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23ISSUE NO. 6

ISO

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C`=P$9>C:S

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DREAMERS + FILM STILLS

“One thing I learned after studying cinematography was that the lighting, the type of lens, and all the technical

things that I would emphasize and be really picky about don’t end up meaning much.” ANDREW ELLIS

FEATURED ARTIST

ANDREW ELLIS0-&#,$P44/'<$*$&#)#0($1&*-.*(#$3;$!/')"$̂ /4+$*0-$!#4#G/'/30<$/'$1./-#-$4#''$65$("#$(#)"0/)*4/(/#'$3;$ %4++*?/01$ *'$ "#$ /'$ 65$ ("#$ #+3(/30*4$

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:($ ,*'0E($ .0(/4$ "#$ (&*G#44#-$ *6&3*-$ /0$ U.6*$ ("*($ "/'$%4++*?/01$ '(54#$ 6#1*0$ (3$ )"*01#e"#$ '(*&(#-$ (3$*22&3*)"$ /($ +3&#$ 4/?#$ 2"3(31&*2"58$ :($ ,*'$ *4'3$ /0$U.6*$ ("*($ >0-&#,$ +#($ X30$ 9#*4#$ aSV`$ U4/G#$ N*G/'$N#2*&(+#0($3;$D#)3&-#-$O.'/)$ mkjb<$,"3$,3.4-$ 4*(#&$)344*63&*(#$,/("$"/+$30$+*05$2&3J#)('8$X30$*0-$>0-&#,$-#)/-#-$(3$2334$("#/&$&#'3.&)#'$*0-$'?/44'$/0$2"3(31&*2"5$*0-$ '3.0-<$ *0-$ ("#'#$2"3(31&*2"'$ *0-$ *.-/3$ (&*)?'$)&#*(#$*0$*(+3'2"#&#$3;$*$"*Y5$+#+3&5$3;$("#/&$(/+#$/0$U.6*8$!"#$&#'.4($4/#'$'3+#,"#&#$/0$("#$'2*)#$6#(,##0$2"3(31&*2"5$*0-$)/0#+*(31&*2"58$

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>0-&#,$P44/'@$:$1.#''$("#5$*&#$*44$3;$2#324#8$>05$2&3J#)($("*($ :E+$-3/01$03,$ /0G34G#'$)300#)(/01$,/("$2#324#8$ :$*+$;*')/0*(#-$65$'/+/4*&/(/#'$:$%0-$6#(,##0$+5'#4;$*0-$("3'#$,"3$'##+$&*-/)*445$-/;;#&#0($;&3+$+#8$M"#0#G#&$:$(&*G#4<$+5$+#+3&/#'$3;$*$24*)#$*&#$*4,*5'$-#%0#-$65$("#$ &#4*(/30'"/2'$ :$+*?#$ ("#&#8$>'$ *0$SV`$ '(.-#0($ /0$U.6*<$ :$ "*-$ ("#$6/((#&',##($2&/G/4#1#$ (3$ (&*G#4$63("$ (3$("#$&/)"#'($*0-$233&#'($2*&('$3;$("#$)3.0(&58$!"#&#$,*'$*$)30'/'(#0($'2/&/($*0-$2&/-#$ /0$ ("#$U.6*0$2#324#$("*($#7/'(#-$#G#&5,"#&#$ :$,#0(<$*0-$ :$,*0(#-$ (3$ &#2&#'#0($("*(8

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BY KATIE VOGEL

26ISO

FALL 2011

>SNDPM$PCC

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27ISSUE NO. 6

ISO

>P@$N.&/01$+5$'(*5$/0$U.6*$+5$&33++*(#<$X30$9#*4#<$*0-$:$,#&#$)30'(*0(45$-/').''/01$,*5'$(3$+*&&5$/+*1#$*0-$'3.0-$/0$.0)30G#0(/30*4$,*5'8$gM"*($,3.4-$("*($'3.0-$433?$4/?#Hh$*0-$gM"*($,3.4-$("*($/+*1#$'3.0-$4/?#Hh$,#&#$F.#'(/30'$,#$(35#-$,/("$30$3.&$,*4?'$(3$*0-$;&3+$("#$`0/G#&'/(5$3;$W*G*0*8$!"#'#$ (52#'$ 3;$ #7#&)/'#'$ (#'(#-$ 3.&$ /+*1/0*(/30$ *0-$ 1*G#$*$'2#)/*4$*((#0(/30$ (3$#*)"$3("#&E'$)&*;(8$M"/4#$ :$ (&*-/(/30*445$,3&?$ /0$ G/-#3<$ ,#$ *22&3*)"#-$ *$ 2"3(31&*2"R,/("R'3.0-$2&3J#)($6#)*.'#$3;$"3,$+.)"$/0;3&+*(/30$/($-/-$03($/0)4.-#<$*0-$"3,$/($;3&)#-$("#$*.-/#0)#$(3$)&#*(#$("#/&$3,0$)300#)(/30$.'/01$("#/&$ /+*1/0*(/308$!"#$13*4$3;$("/'$-/2(5)"$2&3J#)($,*'$(3$)&#*(#$*$,3&?$/0$,"/)"$("#$*.-/3$*0-$G/'.*4$#4#+#0('$)3.4-$'(*0-$*430#<$6.($,"#0$2&#'#0(#-$ (31#("#&$,3.4-$2&#'#0($*$0#,<$+3&#$)3+24#(#$/-#*8

]\@$:;$53.$*&#$*''/10#-$*$2&3J#)(<$"3,$-3$53.$+*?#$/($2#&'30*4H

$>P@$I0#$("/01$:$4#*&0#-$*;(#&$'(.-5/01$)/0#+*(31&*2"5$,*'$("*($("#$4/1"(/01<$("#$(52#$3;$4#0'<$*0-$*44$("#$(#)"0/)*4$("/01'$("*($:$,3.4-$#+2"*'/Y#$*0-$6#$&#*445$2/)?5$*63.($-30E($#0-$.2$+#*0/01$+.)"8$:(E'$J.'($,"#("#&$("#$)30(#0($/0$("*($/+*1#$&#*)"#'$53.$3&$03(8$!"#$+3'($)3++30$#7*+24#$3;$*$'/(.*(/30$/0$,"/)"$:E+$*'?#-$(3$+*?#$*$2&3J#)($+3&#$#+3(/G#$/'$,"#0$:$*+$"/&#-$*'$*$N=8$:(E'$03($+5$3,0$0*&&*(/G#<$*0-$:$"*G#$(3$1#($/0'/-#$ ("#$"#*-'2*)#$3;$ ("#$2#&'30$,"3$ /'$*;;#)(#-$65$ ("/'$

'(3&5$u("#$-/&#)(3&v$*0-$,*0('$(3$*;;#)($3("#&'8$!"#$(/+#'$,"#0$("#$4/1"($:$)&#*(#$,3&?'$&#*445$,#44$/'$,"#0$:E+$*64#$(3$(*?#$*$+3+#0($/0$("#$')&/2($*0-$&#4*(#$/($(3$*$'2#)/%)$(/+#$/0$+5$3,0$4/;#8$ :$'"3($*$+3G/#$ ;3&$O*(($=3&(#&$ uSV`$^/4+$*0-$!#4#G/'/30$mkjv<$O3&#$=#&;#)($`0/30<$*0-$ ("#&#E'$ ("/'$+3+#0($,"#&#$*$1.5$/'$,*'"/01$-/'"#'$4*(#$*($0/1"(f$"#E'$)4#*0/01$.2$*($("#$#0-$3;$ ("#$-*5$*0-$;##4/01$*$ 4/((4#$ 430#458$ :$ 4/G#-$ /0$("/'$*2*&(+#0($30$9(8$O*&?E'$("#$5#*&$6#;3&#$("*(<$'3$:$?0#,$#7*)(45$"3,$(3$4/1"($ ("*($ ?/()"#08$ :$ 4/($ /($ #7*)(45$ 4/?#$ /($,*'$ /0$ ("#$9(8$O*&?E'$*2*&(+#0(8$:$,*'$*64#$(3$2.44$;&3+$*$24*)#$:$?0#,$&#*445$,#448$

]\@$ W*'$ 4/1"(/01$ *4,*5'$ 6##0$ ("#$ #4#+#0($ 3;$ %4+$ *0-$2"3(31&*2"5$("*($"*'$)3+#$0*(.&*445$(3$53.H

>P@$ :EG#$*4,*5'$6##0$&#*445$'#0'/(/G#$(3$("#$,*5$0*(.&*4$ 4/1"($)*0$*;;#)($+5$+33-<$6.($/($,*'0E($.0(/4$:$'(*&(#-$(3$4#*&0$"3,$(3$&#)&#*(#$("*($("*($:$'(*&(#-$(3$6#$*64#$(3$*&(/).4*(#$/(8$:$,3&?#-$;3&$*$N=<$*$'(.-#0($,"3$,*'$(,3$5#*&'$*"#*-$3;$+#8$:$,3&?#-$;3&$"/+$#G#&5$,##?#0-$;3&$*$5#*&$*0-$*$"*4;f$#G#&5$2&3J#)($"#$'"3(<$ :$,*'$("#&#8$ :$ 4#*&0#-$*$ 43($2&#((5$F./)?45<$6.($ /;$53.E&#$3045$,3&?/01$;3&$30#$2#&'30<$53.E&#$J.'($-3/01$/($/0$("#/&$,*58$:$("/0?$("#$6/11#'($)"*01#$)*+#$,"#0$:$,#0($(3$U.6*8$:$&#*445$'(*&(#-$(3$;3).'$*$43($+3&#$30$+5$2"3(31&*2"5<$*0-$'(*&(#-$(3$ '##$ 4/1"($ /0$ *$030R%4+$)30(#7(8$ :$ '(*&(#-$ (3$ ;##4$ 4/1"($ *0-$*22&#)/*(#$/(8

>SNDPM$PCC:9

@$Havana, C

uba

28ISO

FALL 2011

]\@$W3,$-3#'$53.&$&#4*(/30'"/2$,/("$4/1"($-/;;#&$,"#0$,3&?/01$,/("$%4+$G#&'.'$2"3(31&*2"5H

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

]\@$N/-$53.$;##4$("*($/($,*'$#*'/#&$(3$'"33($2"3(3'$/0$*$43)*(/30$("*($,*'$#73(/)$(3$53.H

>P@$M"#0$:$,#0($(3$U.6*<$:$(34-$+5'#4;$("*($:$,*'0E($*443,#-$(3$(*?#$2"3(3'$;3&$("#$%&'($+30("$6#)*.'#$,"#0$#G#&5("/01$/'$'3$-/;;#&#0(<$53.$%0-$/($/0(#&#'(/01$*0-$6#*.(/;.4<$#G#0$("3.1"$

/(E44$6#$3&-/0*&5$/0$*$)3.24#$,##?'8$!"#&#E'$*$-/;;#&#0($'(*0-*&-$3;$ ,"*(E'$ 03&+*48$ !"*($ ,*'$ *$ &#*445$ /0(#&#'(/01$ #72#&/#0)#<$("*($ 03&+*4/Y/01$2&3)#''$3;$ ("#$ (#7(.&#-$2*/0('<$ -/4*2/-*(#-$6./4-/01'<$)&/'')&3''#-$23,#&$4/0#'<$?/-'$24*5/01$'(/)?$6*44<$*0-$".0-&#-'$3;$'(&*5$-31'8$C*(#&<$:$(33?$*$43($3;$2"3(3'f$03,$("*($:E+$6*)?<$*0-$("#$+3&#$(/+#$("*($2*''#'<$("#'#$2"3(3'$("*($,#&#$3;$G#&5$03&+*4$ ("/01'$*0-$+5$G#&5$03&+*4$ /0(#&*)(/30'$,/("$+5$U.6*0$;&/#0-'$"*G#$6#)3+#$/0)&#-/645$'2#)/*48$

K.($ :$ ("/0?$ ("#$2"3(3'$ ("*($ *&#$ 4*'(/01$ ;3&$+#$*&#$ ("#$30#'$("*($*&#$*''3)/*(#-$,/("$*0$#+3(/30*4$+#+3&58$^3&$#7*+24#<$(,3$;&/#0-'eX30$*0-$]*(&/0*e*0-$:$-&3G#$(3$("/'$'+*44$(3,0$)*44#-$\/w*4#'<$&#0(#-$*$)*&<$*0-$("#0$2*&?#-$/($30$("#$'"3&#$3;$*$4*?#8$M#$'4#2($("#&#<$*0-$:$,3?#$.2$*$4/((4#$6/($6#;3&#$("#+$(3$ ("#$'3.0-$3;$ ("#'#$%'"#&+#0$2.44/01$ ("#/&$63*('$3.($*0-$("#$'3.0-$3;$("#$,*(#&8$:$&#+#+6#&$,*?/01$.2$*0-$("/0?/01<$g!"/'$'3.0-'$4/?#$'3+#$'3.0-$2&3J#)($X30$/'$,3&?/01$308h$:($,*'$'3$&/)"8$93$:$,#0($*$;#,$'(#2'$*,*5$*0-$(33?$*$2"3(3$3;$+5$ ;&/#0-'$'(/44$'4##2/018$!"*($2"3(3$"34-'$'3$+.)"$,#/1"(f$/($,*'$*$+3+#0($("*($&#*445$'.++#-$.2$("*($(&/2<$("*($0/1"(<$("*($+3&0/018

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]\@$ :(E'$*'$ /;$ *$+3G/#$#7/'('$*&3.0-$ ("*($30#$2"3(31&*2"$53.$(33?$6#)*.'#$3;$("#$'3.0-'$53.$*''3)/*(#$,/("$/(8

>P@$V#*"<$*0-$("*(E'$4/?#$'3+#$2"3(3'$("*($:$(*?#$,"/4#$:E+$,3&?/01$30$*$+3G/#8$!"#&#$*&#$)"*&*)(#&'$*0-$+3+#0('$("*($:$%0-$(3$&#2&#'#0($*$4*&1#&$'(3&5$("*0$J.'($/0$("*($30#$+3+#0($,"#0$:$(33?$("#$2"3(38$:(E'$"*&-<$6.($:$(&5$(3$?##2$*$)*+#&*$)43'#$658

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29ISSUE NO. 6

ISO

!

>SNDPM$PCC:9

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.6*h$a*63G#b$*0-$g^/&'($M/0(#&h<$N

/&#)(3&@$K#0$N

/)?/0'#0$a6#43,b

ALL I COULD SEE WAS YOU

“People I’m close to are used to being put on display.” DAVID MACEDO

FEATURED ARTIST DAVID MACEDO

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("#$ 1/&4;&/#0-$ ("*($ :$"*-$*($("#$(/+#8$9"#$,*'$0*(.&*445$133-$*($23'/01$ *0-$ '"#$,*'$*$133-$'.6J#)(<$ '3$ :$#0-#-$ .2$ '"33(/01$,/("$ "#&$ ;3&$ *$ 4301$(/+#8$=#324#$&#)#/G#-$/($,#448$M"#0$2#324#$("3.1"($ /($ ,*'$)334<$ :$ ,*'$ #7)/(#-$*63.($("*(<$'3$ :$?#2($'"33(/018$

X9@$ All I Could See Was You$ "*'$ ("#$23(#0(/*4$ (3$ 6#$ *$)30(&3G#&'/*4$ G/'.*4$'.6J#)($*+301$2##&'$*0-$*)*-#+/)'8$W3,$"*G#$ )&/(/F.#$ *0-$;##-6*)?$ #0;3&)#-$3&$ /+24/)*(#-$ 53.&$-/&#)(/30$ ,/("$ ("#$2&3J#)(H

BY JENNA SPITZ

N>\

:N$O

>UPNI@$`

0(/(4#-

32ISO

FALL 2011

T

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34ISO

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!

MUTE: the silence ofdogs in cars

“I found myself in supermarket car parks peering into people’s backseats with a camera.”

MARTIN USBORNE

FEATURED PROFESSIONAL

MARTIN USBORNE;$ 53.$ G/'/($ O*&(/0$ `'63&0#E'$ ,#6'/(#$ *0-$ 433?$ *($("#$m*63.($O*&(/0E$2*1#$53.$,/44$%0-$*0$/+*1#$3;$*$+*0$ /0$*$'"*&2$30#R6.((30$'./($ J*)?#($,/("$64*)?R

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BY MICHAEL GEORGE

38ISO

FALL 2011

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39ISSUE NO. 6

ISO

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40ISO

FALL 2011

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ISO41

ISSUE NO. 6

ISO

42ISO

FALL 2011

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FEATURED FACULTY

SUSAN SEIDELMANBY SAM REISS

S

ISO43

ISSUE NO. 6

ISO

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XIWS$UC:^^I

DN@$U

ntitled

44ISO

FALL 2011

9D@$$:$,*'$).&/3.'$/;$*05$3;$53.&$2&#G/3.'$%4+'$"*-$*$-/&#)($/0L.#0)#$,/("$("/'$2&3J#)(H

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“I like characters that are a little self-deprecating and can have an ironic eye on their own situation.”

ISO45

ISSUE NO. 6

ISO

("#$4/1"('$*0-$("#$(/+#$(3$1#($("#$&/)"0#''$3;$("#$/+*1#'R$6.($1/G#0$'"3&(#&$ (/+#$*0-$ 4/+/(#-$ &#'3.&)#'<$53.$ &#*445$)*0$-3$'3+#$/0(#&#'(/01$'(.;;$("#'#$-*5'8$$V3.$)*0$*4'3$24*5$,/("$("#$/+*1#$("*($,#&#$+3&#$#72#0'/G#$(3$-3$,"#0$53.$,#&#$'"33(/01$J.'($'(&*/1"($%4+8

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“I like characters that are a little self-deprecating and can have an ironic eye on their own situation.”

!

46ISO

FALL 2011

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GALLERY

ISO47

ISSUE NO. 6

ISO

SASHA ARUTYUNOVA AND JENNA SPITZ,ISO PHOTO EDITORS

September 2010 Kristina Knipe

Previous Braid Shalla Yudelevich

48ISO

FALL 2011

Railway Elizabeth Shrier

ISO49

ISSUE NO. 6

ISO

Ground Zero 9/11/2010 Lauren Greenberg

50ISO

FALL 2011

Untitled 2010 Perri Hofmann

ISO51

ISSUE NO. 6

ISO

Phony Ppl Nathan Smith

Left Untitled 2010 Perri Hofmann

ISO53

ISSUE NO. 6

ISO

Daniella Lianna Del Pizzo

Previous Dance in the Dust II Molly Fabbri

56ISO

FALL 2011

Untitled Soleil Garneau

ISO57

ISSUE NO. 6

ISO

Venus Lauren Greenberg

58ISO

FALL 2011

Dark City 4 Isaak Liptzin

Weegee Lauren Greenberg

ISO59

ISSUE NO. 6

ISO

Untitled, ;&3+$gO*5$("#$D3*-$D/'#$(3$O##($V3.h<$ijkjRijkk$Sara Macel

60ISO

FALL 2011

Morning Walk Malavika Singh

ISO61

ISSUE NO. 6

ISO

Hair Shalla Yudelevich

Left Untitled<$ijkk Beryl Bevilacque

ISO63

ISSUE NO. 6

ISO

Mom Laura Stephenson

Visiting Matt, Winter 2010 Michael George

Left (Un)reality Brian Vu

ISO65

ISSUE NO. 6

ISO

The Peace Village, Fall 2010 Michael George

66ISO

FALL 2011

Subway Emma Strugatz

ISO67

ISSUE NO. 6

ISO

October Kristina Knipe

68ISO

FALL 2011

Paris, 2009 Sasha Arutyunova

ISO69

ISSUE NO. 6

ISO

Dark City 1 Isaak Liptzin

Right Assisi, Italy Jenna Spitz

Previous Gentlemen’s Agreement Michelle Watt

72ISO

FALL 2011

Bahamas Alex Arbuckle

Left World Trade Center, New York Ben Jarosch

ISO75

ISSUE NO. 6

ISO

76ISO

FALL 2011

PHOTOFLOTHE BEST PHOTOGRAPHERS, COLLABORATIONS, PORTFOLIOS, GALLERIES, AGENCIES, PHOTO BLOGS, AND RESOURCES AROUND THE WORLD AND WEB.

RESOURCES + BLOGS

TOO MUCH CHOCOLATEhttp://toomuchchocolate.org="3(31&*2"#&$X*?#$9(*01#4E'$#72*0'/G#$)344#)(/30$3;$2"3(31&*2"#&$'23(4/1"('<$/0(#&G/#,'<$*0-$+3&#8

TRIPLE CANOPYhttp://canopycanopycanopy.com>))3&-/01$(3$("#/&$,#6'/(#<$g!&/24#$U*0325$/'$*0$304/0#$+*1*Y/0#<$,3&?'2*)#<$*0-$24*(;3&+$;3&$#-/(3&/*4$*0-$).&*(3&/*4$*)(/G/(/#'8h$$D#)#0(45<$("#5$;#*(.&#-$9(#/0"*&-($2&3;#''3&$N*0$!3&32$*0-$"/'$2&3J#)($#0(/(4#-$g!*"3#$=*''*1#8hPhotograph by Jeff Wall

INDEPENDENT PHOTOBOOKhttp://theindependentphotobook.blogspotcom/>$1&#*($'3.&)#$(3$'##$*0-$3&-#&$2"3(3633?'$*0-$Y/0#'$("*($)*003($6#$;3.0-$("&3.1"$+*05$'(*0-*&-$3.(4#('8$

MULL IT OVERhttp://www.mullitover.ccX30*("*0$U"#&&5$)30-.)('$/0(#&#'(/01$,#6$/0(#&G/#,'$,/("$)30(#+23&*&5$2"3(31&*2"#&'$;&3+$*)&3''$("#$1436#8$

IT’S NEVER SUMMERhttp://bremser.tumblr.comg93$4#(E'$433?$*($2"3(31&*2"'qh>$ (.+64&$ 6431$ ("*($ 23'('$ +.4(/24#$2"3(31&*2"'<$ 63("$ ,#44R?03,0$ *0-$.0?03,0<$-*/458$Photograph by William Eggleston

LUNDLUNDhttp://www.lundlund.com>$9,#-/'"$*1#0)5$("*($+*/045$;#*(.&#'$;*'"/30$2"3(31&*2"#&'<$6.($*4'3$3;;#&'$;33-$'(54/'('<$/44.'(&*(3&'<$*0-$2&32$'(54/'('8

1

2AGENCIES + COLLECTIVES

TRIANGLETRIANGLETRIANGLEhttp://triangletriangle.com>0$34-$;*G3&/(#$3;$("#$2"3(31&*2"5$64311/01$)3++.0/(5$)30(/0.#'$(3$/+2&#''$,/("$/('$.0/F.#$%0-'8

HUH.http://www.huhmagazine.co.ukW`W8E'$304/0#$2"3(31&*2"5$;#*(.&#'$/0)4.-#$/0(#&G/#,'$,/("$.2R*0-R)3+/01$2"3(31&*2"#&'$*0-$2&3-.)($&#G/#,'8

2

1

PAUL OCTAVIOUShttp://pauloctavious.com =*.4$I)(*G/3.'$/'$*$53.01$2"3(31&*2"#&$*0-$-#'/10#&$,"3$"*'$("#$*6/4/(5$(3$63("$)&#*(/G#45$'(*1#$2"3(3'$*0-$)*2(.&#$("#+$0*(.&*4458$$I0#$3;$"/'$2&3J#)('$/'$g9*+#$W/44<$N/;;#&#0($N*5h<$;3&$,"/)"$"#$"*'$'"3($("#$'*+#$"/44$*4+3'($-*/45$;3&$("&##$5#*&'8

CALEB CHARLANDhttp://calebcharland.comU3+6/0/01$"/'$g')/#0(/%)$).&/3'/(5$,/("$*$)30'(&.)(/G#$*22&3*)"$(3$+*?/01$2/)(.&#'h<$U*4#6$U"*&4*0-$)&#*(#'$2"3(3'$("*($433?$4/?#$+*1/)$(&/)?'8$

AMY ELKINS http://amyelkins.com/home.html>+5$P4?/0'E$2"3(3'$g#7243&#$03R(/30'$3;$G.40#&*6/4/(5<$/-#0(/(5<$*0-$(&*0'/(3&5$'(*(#'h$("&3.1"$#G3)*R(/G#$23&(&*/('$*0-$#("#&#*4$4*0-R')*2#'8

ANNIE MUSSELMAN http://anniemusselman.com>00/#$O.''#4+*0$'(*&(#-$3;;$(*?R/01$2"3(3'$3;$*0/+*4'$/0$*$,/4-4/;#$'*0)(.*&5$0#*&$9#*((4#$*0-$'"#$"*'$03,$#72*0-#-$(3$2"3(31&*2"R/01$*0/+*4'$/0$'*0)(.*&/#'$*&3.0-$("#$,3&4-8

ELLIOT&ERICKwww.elliotanderick.com!"#$2"3(31&*2"5$*0-$-#'/10$-.3$"*G#$-#G#432#-$*$;&#'"$0#,$'(54#$3;$;*'"/30$2"3(31&*2"5<$/0)3&23R&*(/01$AR-$36J#)('$'.)"$*'$0*/4'$*0-$14/((#&$/0(3$("#/&$/+*1#'8

WILL STEACYwww.willsteacy.com>$&#)#0($'#&/#'$65$!/')"$="3(3$>4.+$M/44$9(#*)5$amjAb$#7243&#'$,"*($"#$)*44'$g("#$#G/')#&*(/30$3;$("#$+/--4#$)4*''8h$$9"3($/0$oc$"3.&'$/0$O*-/'30<$M/')30'/0$*0-$T*&5<$:0-/*0*<$9(#*)5E'$4*&1#R;3&R+*($,3&?$2&#'#0('$*$'(*&?$G/#,$3;$+/--4#R>+#&/)*0$;.(.&#'8

77ISSUE NO. 6

ISO

PHOTOGRAPHERS + SERIES 4

3

AMERICAN SUBURB Xwww.americansuburbx.comP7243&/01$("#$2*'(<$2&#'#0(<$*0-$;.(.&#$3;$2"3(31&*2"5<$>+#&/)*0$9.6.&6$z$/'$*$(&#*'.&#$(&3G#$3;$)&/(/)*4$#''*5'$*0-$/0(#&G/#,'$,/("$2"3(31&*2"#&'RR/0)4.-/01$*$&#)#0($30#$,/("$!9I>$="3(3$=&3;#''3&$X3'#2"$D3-&/1.#Y8

ZEV JONASwww.zevjonas.com[#G$X30*'$)3+24/)*(#'$2&#)30)#/G#-$03(/30'$3;$/+*1#$-#%0/(/30$/0$+*''$+#-/*$65$#7243&/01$("#$#;;#)('$3;$2*''/01$(/+#$*0-$-#1&*-*(/308

STEFAN RUIZwww.stefanruiz.comD./YE'$4*&1#R;3&+*($2"3(31&*2"'$#+63-5$("#$;##4/01$3;$:(*4/*0$D#0*/''*0)#$2*/0(/01$*0-$23&(&*/(.&#$(3$)&#*(#$2*/&#-$-3,0$/+*1#'$3;$/0(#&#'(/01$2#324#$*0-$24*)#'RR2&#'#0(/01$'.6J#)('$*'$G*&/#-$*'$O#7/)3$U/(5$'3*2$32#&*$'#('$*0-$234/(/)/*0'$/0$("#$N#+3)&*(/)$D#2.64/)$3;$("#$U30138

5

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ROBERT MAPPLETHORPE & PATTI SMITH 65$C>`DPS$TDPPSKPDT

VIRTUAL PAGES78

ISO

FALL 2011

BEAUTY IS IN THE EYE OF THE VIEWFINDER 65$UPC:SP$UIOICP!

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APRIL 5, 2011 MARCH 24, 2011

APRIL 9, 2011

ALL THE NEWS THAT’S FIT TO POST: EXCERPTS FROM THE BLOG @

ISOZINE.COM

79ISSUE NO. 6

ISO

REDISCOVERED65$X`C:>$=`T>UWP\9]V

STREET PHOTOGRAPHY AT ITS FINEST$65$C>`DPS$WP![PC

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This project was initiated by students in the Department of Photography & Imaging and the Gallatin School of Individualized Study and funded by The Tisch Undergraduate Student Council, Dean’s Profunds, the Department of Photography & Imaging, and various individual donors. All NYU students are invited to contribute.