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Initiative TheaterMuseum e.V. • Berliner VolksbankIBAN DE35100900002447995002 • BIC BEVODEBB
Dr. Stefan Gräbener, chairman, Berlin • +49-(0)30-3452721 [email protected]. Siegfried Paul, deputy chairman Berlin • +49-(0)30-2363620 [email protected]. Stephan Rolfes, deputy chairman, Berlin • +49-(0)30-85074064 [email protected] Döring, treasurer, Berlin • +49-(0)30-47753910 [email protected] Schaudinn, secretary, Hoisdorf • +49-(0)4107-333714 [email protected]
Dr. Günter Schulz, honorary chairman, BerlinDr. Ruth Freydank, honorary member, BerlinKlaus-Dieter Reus, honorary member, Bayreuth
collect + conserve
research + documentation
discuss + cooperate
promote + stimulate
overall phenomenon Theatre examine
relations recognize
creation process experience
influence + impact fathoming
art + science + technology connection
widespread + transdisciplinary working
target audience expansion
concepts mentoring
presentation develop
formation initiate
TheatreMuseum
postal address: Initiative TheaterMuseum Berlin e.V.c/o Gräbener • Zwinglistrasse 27 • D-10555 Berlin
www.Initiative-TheaterMuseum.dewww.facebook.com/Initiative.TheaterMuseum.Berlin
It’s the tragedy of all theatre performances, that they’re passing by like a dream. The music fades away, the visible vanishes. Nothing of all the enormous work, not one of the tears, no glimpse
of the pleasure remains comprehensible.Hans Curjel
I believe in the immortality of theatre. It’s the most blissful haven for those who secretly put their childhood into their pockets and hit the road, to keep playing forever until eternity.
Max Reinhardt
International Music- and TheatreExhibition Vienna
Society of TheatreHistory Berlin
German Theatre Techni-cal Society (DTHG)
Clara-Ziegler-Foundation Munich (since 1979 Ger-man TheatreMuseum)
German TheatreExhibiti-on Berlin
Institute for Theatre Stu-dies Berlin
German TheatreExhibiti-on Magdeburg
Museum of Prussian Sta-teTheatres Berlin
Initiative TheaterMuseum Berlin e.V.
Dr.Ruth Freydank: The TheatreMuseum-Case
Iffland-Filesreturn to Berlin
1892
since 1902
since 1907
since 1910
1910
1923
1927
1929-1945
since 2011(1994/96)
2011
2014
farbentrostDr. Stefan Gräbener
HISTORY AMBITION CONTACT
2015.06
Faszinat ionder Bühne
1.-31.Oktober 2010tgl. ausser Mo 11-19 • Eintr i t t €5 / ermäßigt €2
K u l t u r R a u m Z w i n g l i k i r c h eRudolfstrasse 14 • 10245 Berlin-FriedrichshainU-/S-Bahnhof Warschauer S t rasse
barockes Welttheater in Bayreuth • barocke Bühnentechnik in Europa
unter der Schirmherrschaft der Staatssekretärin und Chefin der Senatskanzlei Berlin
Frau Prof. Barbara Kisseler
Vis ionen und Konzepte für ein TheaterMuseum in Ber l inAusstel lung • Vor t räge • D iskuss ionen
Freunde und Förderer zur Gründung des TheaterMuseums Berlin e.V.Förderverein zum Erhalt historischer Theatertechnik und Theaterarchitektur e.V.i n K o o p e r a t i o n m i t d e m K u l t u r R a u m Z w i n g l i k i r c h ew w w.TheaterMuseumBer l in .de • w w w.h is to r i sche-Theater techn ik .dewww.Fasz inat ionDerBuehne.de • www.Kul tu rRaum-Zwingl ik i rche.de
2010 the exhibition „Fas-cination Stage“ presented baroque stage technolo-gy and theatres, in additi-on to museum and exhibi-tion concepts by students of the pbsa Düsseldorf and HD Schaal.2013 the exhibition-con-cept „Fascination Theat-re“ discussed the history of the Staatsoper Unter den Linden, Berlin with all local, national and inter-national influences and impacts in the 250-year history.We work closely with the DTHG.There are collaborations with the Technical Univer-sity Berlin, the Beuth Uni-versity of Applied Scien-ces, training centers and youth theatre projects.We maintain good con-tacts with societies and associations.We lend exhibits from our inventory.We are working on con-cepts for a TheatreMuse-um of the 21st century.
functional modelbaroque stage machinery scale 1:22 Freifahrten („free rides“)cloud machineryoptional ocean with boat(K.D. Reus, Bayreuth)
handcrafted settingsarchitecture + curtain(HfBK Dresden, Prof.Münch)
landscape(BühnenService Berlin, O.Reiland)
stage liftblacksmithing(Gregor Kondziela, Görlitz)
HierwerdendickeBrettergebohrt.
Deutsche Theatertechnische Gesellschaft
der fachverband
w w w.dthg.de
GerrietsGmbHImKirchenhürstle5-7D-79224Umkirch +497665960-0 [email protected]
GerrietsS. A. R. L.RueduPourquoiPasF-68600Volgelsheim +33389227022 +3338922 [email protected]
GerrietsInternationalInc.130WinterwoodAvenueEwingNJ08638,USA +1609758-9121 [email protected]
GerrietsGreatBritainLtd.18VerneyRoadLondonSE163DH,UK +442076397704 [email protected]
GerrietsHandelGmbHGorskistraße8A-1230Wien +4316000600-0 [email protected]
GerrietsEspañaS. L.Pol.Ind.ArroyoBuzancaAvda.deLasMorerasSectorS-19B,Naves1-2-3E-28350Ciempozuelos,Madrid +34911345022 [email protected]
GerrietsItaliaRisamforshowVialeSpagna150/BI-20093ColognoMonzese(MI) +39022532113 [email protected]
GerrietsBelgiqueDistribuépar:GerrietsS. A. R. L.RueduPourquoiPasF-68600Volgelsheim +33389227022 +3338922 [email protected]
GerrietsNederlandAnthonyFokkerweg3NL-1059CMAmsterdam +3120-4082553 [email protected]
GerrietsHellasStageArtEPEStournari27BGR-10682Athens +302103836715 [email protected]
GerrietsTurkeyBenartSesIsik-ASCIsMerkeziMahmutSevketPasaMahallesiPiyalePasaBulvariBaranSkNo:4Kat:3ZeminKatTR-34384Okmeydani-Sisli-Istanbul +902122543343 [email protected]
GerrietsKorea4F449-4Seongnae-dongGangdong-gu,SeoulKorea134-030 +8224777713 [email protected]
www.gerriets.com
• BEST OF GERRIETS2010
working replicas of baroqueeffect machinery
thunder machine
wind machine
2 rain machines
The concentration in the reflection on theatre is currently set on the final performance. The crea-tion process is illuminated at best by science or by professional associations. However, always strictly separated according to disciplines. It ne-ver comes to comprehensive and cross-exami-nation of the whole phenomenon. There are still incomprehensible barriers between theory and practice.This is where the project of a TheatreMuseum has to start. No isolated consideration of the indivi-dual components, but the effort to connect the dots of this extensive complexity, culminating in a performance at the end. The power of a live event isn‘t preservable adequately in a museum. But the long and complex process and the count-less influences that lead to it are! And the effect that emanates from theatre, far beyond the pu-rely artistic aspect,.Thematic aspects that demonstrate the connec-tion and the interplay of apparently incompatible trades must explain individual strongly divergent parameters and conditions to the visitor. Final-ly, this results in an idea of this transdisciplinary universe which is able to produce a subjective meta-level above the curated one. Ideally this comes close to the individual experience of a performance, without 1: 1 documentation.The Initiative sees itself as a mentor for a muse-um of the 21st century, which priority is aimed at lay people and to develop new forms of presen-tation. This could induce more acceptance and respect for the countless theatres in this country.Temporary exhibitions with selective focus should lead to a permanent presence in order to ensure continuous and public-oriented work. To estab-lish a vibrant forum, a focal point for those inte-rested, connected to panel discussions and rese-arch projects in cooperation with various partners is the goal.
STATEMENTACTIVITIES BAROQUE STAGE EFFECT MACHINERY