JAZZEDGE
WILLIE MYETTE’s
Piano EssentialsLesson by Willie Myette
JAZZEDGE
JAZZEDGE
© 2015 JazzEdge, from the lesson; Piano Essentials, More lessons at JazzEdge.com
ESSENTIALSWILLIE MYETTE’s
When you feel comfortable playing the Major scale hands together and you have completed practicing the sections on Common Triads & 7th Chords, Natural Minor Scale and Chord Tensions, you are now ready to practice the iii-V7/ii-ii-V-I progression. I’ve created a play-along track in 2 tempi for you to use: 80bpm and 120bpm. Both tracks elongate the iii-V7/ii-ii-V chords to two-beats each. The entire form is 3 measures in length. Here are the steps (in order) that you should practice:
1. Play the example as written (2-5 min) 2. Add comping rhythms (2-5 min) 3. Play rootless chords in both hands (2-5 min) 4. Play rootless chords in left hand only (2 min) 5. Shells left hand, arpeggios right (2-5 min) 6. Arpeggios using rootless chords hands together (5 min) 7. Improvisational arpeggios (5-10 min)
Total practice time: 20 ~ 40 minutes depending on how much time you devote to each exercise. There are many other exercise possibilities. Try new ideas . Let your creativity be your guide and create your own exercises based upon what YOU need to accomplish. Have fun! -Willie
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Piano EssentialsTM
Key of CJAZZEDGE
Common Triads & 7th Chords
Major and Minor Triads
iii-V7/ii-ii-V-I ProgressionChord Tensions
Natural Minor Scale
Other Common Triads
I-IV-V Chords
Common 7th Chords
© J A Z Z E D G E, WWW. J A Z Z E D G E . CO M 4 0 1 3 3 1 0 0 0 0
C
aG
D
A
BbF
Eb
E
CbF#Gb
DbAb
C# B
e
b
f#
c#g#abd#
ebbba#
f
c
g
d
TM
MAJOR KEYS
minor keys
© GE
DOMINANT MOTION MOTION UP BY 5THS
&
&
&#####
b
&bbbbb # #
Major ScaleStats
Listed here are the available tensions for a C7 (dominant 7th) chord. Common tensions for a major 7th chord are: 9, #11 and 6 (usually replaces the 7th)Common tensions for a minor 7th chord are: 9 and 11
These notes are identical to the E b major scale, except they start on C.
Only this box will be written using the key signature. The rest of the music on this page
will be written with no key signature and all accidentals notated to make it easier to read.
no sharps / no flats
relative minor: A minor
&C^7 C-7 C7 Cº7 C-7¨5 C+7
œœœœ œœœœbb œœœœb œœœœbb œœœœbbb œœœœb#
&CI
FIV
GV
CI
CI
F/CIV
G7/BV7
CI
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{{&
1 2 3 1 2 3 4 5
? 5 4 3 2 1 3 2 1œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ
{{& 1 2 3 1 2 3 4 5
? 5 4 3 2 1 3 2 1œ œ œb œ œ œb œb œ
œ œ œb œ œ œb œb œ
{&
C
531
521
531
531
Cmin
531
521
531
531œœœ œœœ œœœ œœœ œœœb œœœb œœœb œœœb
{ 4444
&E-7 A7 D-7 G7 C^7 C%
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œœœœ# œœœœ# œœœœn œœœœ ˙̇̇̇ ˙̇̇̇œœ œœ# œœn œœ ˙̇ ˙̇
{&
R ¨9 9 #9 3 #11 5 ¨13 13 ¨7
œ œb œn œ# œ œ# œ œb œn œb
&Cº C+ Csus4 Csus2
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