JCDESIGN™ is a design studio and type foundry. Monrad Grotesk · 12 weights in monrad grotesk...

12 WEIGHTS IN MONRAD GROTESK FAMILY:Thin, Light, Regular, Medium, Bold, Heavy

JC DESIGN STUDIO™ IS SPECIALIZING IN CORPORATE AND VISUAL IDENTITY, BRAND BUILDING, PACKAGING DESIGN, DIGITAL DESIGN, STRATEGIC DESIGN, BOOK AND MAGA-ZINE DESIGN AND TYPE DESIGN.

JCDESIGN™ is a design studio and type foundry.https://www.behance.net/Jan-Christian

All Fonts are in this format: Opentype

Design: Jan-Christian BruunPublished: 2016

Version no. 1.001/2016

Monrad GroteskThe Grotesque version of Monrad Font

1

MONRAD GROTESK FAMILY

Monrad character set provides coverage for both Western and Eastern European languages plus Cyrillic, Greek, Latin Extended

Additional & Baltic. — Applicable almost to 150 languages


All Fonts are in this format: Opentype3

12 Weights in Monrad Grotesk:Thin, Light, Regular, Medium, Bold, Heavy

Monrad Grotesk Family

Monrad Grotesk EkstraLightMonrad Grotesk LightMonrad Grotesk RegularMonrad Grotesk Semibold Monrad Grotesk BoldMonrad Grotesk Heavy

Monrad Grotesk EkstraLightMonrad Grotesk LightMonrad Grotesk RegularMonrad Grotesk Semibold Monrad Grotesk BoldMonrad Grotesk Heavy






UPPERCASE

ABCDEFGHIJKLMNOPQRSTUVWXYZLOWERCASE

abcdefghijklmnopqrstuvwxyzACCENTED UPPERCASE

ÁÀÂÄÃÅĄĂÆÇĆČĎĐÐÉÈÊËĚĘĞÍÎÌÏIĹŁÑŃŇNÓÒÔÖÕŐØOEŔŘŠŚŤÚÙÛÜŮŰŸÝŹŽŻÞACCENTED LOWERCASE

áàâäãåąăæçćčđðéèêëěęğíîìïıĺłñńň óòôöõőøoeŕřšśßúùûüůűÿýźžżþSTANDARD PUNCTUATION | CURRENCY AND SYMBOLS | MATH SYMBOLS

{[()]}*,.:;¿¡ ?&@/|¦\•¶®©™«»‹›“”‘’‚„”’…-–—_†‡|$¢ƒ£¥€§#%‰μªº| ¬+<=>±÷−×~°





ÀÁÂÃÄÅÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖ×ØÙÚÛÜÝÞßàáâãäåæçèéêëìíîïðñòóôõöøùúûüýþÿĀāĂăĄąĆćĈĉĊċČčĎďĐđĒēĔĕĖėĘęĚěĜĝĞğĠġĢģĤĥĦħĨĩĪīĬĭĮįİıĲĳĴĵĶķĸĹĺĻļĽľĿŀŁłŃńŅņŇňŉŊŋŌōŎŏŐőŒœŔŕŖŗŘřŚśŜŝŞşŠšŢţŤťŦŧŨũŪūŬŭŮůŰűŲųŴŵŶŷŸŹźźŻżŽžƒƠơƯưǼǽȘșΆΈΉΊΌΎΏΐΑΒΓ∆ΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨΩΪΫάέήίΰαβγδεζηθικλμνξοπρςστυφχψωϊϋόύώϑЀЁЂЃЄЅІЇЈЉЊЋЌЍЎЏАБВГДЕЖЗИЙКЛМНОПРСТУФХЦЧШЩЪЫЬЭЮЯабвгдежзийклмнопрстуфхцчшщъыьэюяѐёђѓєѕіїјљњћќѝўџѢѣѲѳѴѵҐґҒғҖҗҘҙҚқҠҡҢңҪҫҮүҰұҲҳҶҷҺһӀӁӂӏӐӑӔӕӖӗӘәӢӣӦӧӨөӮӯӲӳḾḿẀẁẂẃẄẅẠạẢảẤấẦầẨẩẪẪẫẬậẮắẰằẲẳẴẵẶặẸẹẺẻẼẽẾếỀềỂểỄễỆệỈỉỊịỌọỎỏỐốỒồỔổỖỗỘộỚớỜờỞởỠỡỢợỤụỦủỨứỪừỬửỮữỰựỲỳỴỵỶỷỸỹὍ₤₧₫€ℓ№™℮⅛⅜⅝⅞∂∏∑−√∞∫≈≠≤≥◊fiflffifflŞÛBCDEFGHIJKLMNOßŽŻŹÿŶŴŲŰŮŬŪŨŤŢŠŜŚŘŖŔŐŎŌŇŅŃĿĽĻĹĶĴİĮĬĪĨĤĢĞĜĚĘĖĔĒĎČĈĆĄĂĀÝÜÚÙÖÕÔÓÒÑÏÎÍÌËÊÉÈÇÅÄÃÂÁÀŦÐĐQR

ACCENTED UPPERCASE & ACCENTED LOWERCASE

STANDARD PUNCTUATION CURRENCY & SYMBOLS & MATH SYMBOLS

{[ ()]}*,.:;¿¡?&@/|¦\•¶®©™«»‹›“”‘’‚„”’...-–—_†‡|$¢ƒ£¥€§√#∫π%‰∑◊∏∂∆μΩªº¬+<=>≠≤≥±÷−×∞~≈° ½⅓¼¾⅔⅛⅜⅝⅞





24/25 The warmleather embrace of thecab creaks ominouslyto the rhythm of thestreet. I rest my headon the cool glass.18/19 The harsh curves ofthe neon city exploding on myclosed eyelids as the combina-tion of Xanax and jet-lag slowlydeadens my limbs. “Rest” Imouth. Then oblivion.

16/17 I ask her her name, strainingto hear above the slow dronecoming from the PA. She grabs myarm and inscribes »Melissa« on it inneat, tightly-spaced cursive, punc-tuating the i with a small heart.

14/15 The tattoo guns passes aroundthe table- A kid etches out ‘MOMS’ inblue biro ink laughing hysterically asthe machine purrs across his forearm. Ican see Melissa through the open doorto the bathroom, perched on the toilet,a pair of boys briefs around her ankles,absentmindedly smoking a cigaretteand blowing smoke rings; O followed byQ followed by O.

12/13 More days in daze. More scripts, morenovels. More pages and clammy business cards passed of in moist handshakes. MoreMelissa. More pointless shopping sprees andmore people to please. More dusty blond boysand speedos. I flick my aviators down and readthe street signs.

10/12 I keep on cracking jokes, right? Because I’mfunny. I want to be funny. Only each time the punch-linefalls flat. My delivery is off. I keep glancing between themenu and the fois gras printed out in rounded serifsand the waiter laughing politely, anxiously. I settle on the duck since it strikes me as funny somehow. She picks her teeth and nods.

8/10 The ‘clack’ of the cabdoor snaps me back and I ner-vously glance up at the departu-res sign. Numerals slither rapidlyas I scan the board. SK402 toCopenhagen. Exhausted i pushthrough security – belt, shoes,watch, laptop and slump downat the nearest bar. I slip out mycredit card, leaving it on the barand pick at the polaroid withMelissa´s number on the back.8 digits, XXX and Melissa with aheart doting the i.

14/17 abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz1234567890 ¶ This is dum-my text. it is intended to be read but have no apparent meaning. as a simulation of actual copy, using ordinary words with normal letter frequencies, it cannot de-ceive eye or brain.6/8 But can words ever be said to have no meaning? And if the words have no meaning cannot the medium of it’s deli-very be said to be equally meaningless. This is the existen-tialist paradox of the typographer; can type ever be separate from meaning? Words separate from medium?

9/11 Smart as a whip: the typographer, but never smarter than his script. »the philosophy of type«

JC DESIGN STUDIO™ IS SPECIALIZING IN CORPORATE AND VISUAL IDEN-

TITY, BRAND BUILDING, PACKAGING DESIGN, DIGITAL DESIGN, STRATEGIC

DESIGN, BOOK AND MAGAZINE DESIGN AND TYPE DESIGN.










8/10 The ‘clack’ of the cabdoor snaps me back and I ner-vously glance up at the departures sign. Numerals slither rapidlyas I scan the board. SK402 toCopenhagen. Exhausted i pushthrough security – belt, shoes,watch, laptop and slump downat the nearest bar. I slip out mycredit card, leaving it on the barand pick at the polaroid withMelissa´s number on the back.8 digits, XXX and Melissa with aheart doting the i.

14/17 abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz1234567890 ¶ This is dummy text. it is intended to be read but have no apparent meaning. as a simulation of actual copy, using ordinary words with normal letter fre-quencies, it cannot deceive eye or brain.6/8 But can words ever be said to have no meaning? And if the words have no meaning cannot the medium of it’s delivery be said to be equally meaningless. This is the existentialist paradox of the typographer; can type ever be separate from meaning? Words separate from medium?


JC DESIGN STUDIO™ IS SPECIALIZING IN CORPORATE AND VISUAL IDENTITY,

BRAND BUILDING, PACKAGING DESIGN, DIGITAL DESIGN, STRATEGIC DESIGN,

BOOK AND MAGAZINE DESIGN AND TYPE DESIGN.











14/17 abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz1234567890 ¶ This is dum-my text. it is intended to be read but have no apparent meaning. as a simulation of actual copy, using ordinary words with normal letter frequencies, it cannot de-ceive eye or brain.6/8 But can words ever be said to have no meaning? And if the words have no meaning cannot the medium of it’s delivery be said to be equally meaningless. This is the existentialist paradox of the typographer; can type ever be separate from meaning? Words separate from medium?



TITY, BRAND BUILDING, PACKAGING DESIGN, DIGITAL DESIGN, STRATE-

GIC DESIGN, BOOK AND MAGAZINE DESIGN AND TYPE DESIGN.










8/10 The ‘clack’ of the cabdoor snaps me back and I ner-vously glance up at the departures sign. Numerals slither rapidlyas I scan the board. SK402 toCopenhagen. Exhausted i pushthrough security – belt, shoes,watch, laptop and slump downat the nearest bar. I slip out mycredit card, leaving it on the barand pick at the polaroid withMelissa´s number on the back.8 digits, XXX and Melissa with aheart doting the i.

14/17 abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz1234567890 ¶ This is dummy text. it is intended to be read but have no apparent meaning. as a simulation of actual copy, using ordinary words with normal letter frequencies, it cannot de-ceive eye or brain.6/8 But can words ever be said to have no meaning? And if the words have no meaning cannot the medium of it’s delivery be said to be equally meaningless. This is the existentialist paradox of the typographer; can type ever be separate from meaning? Words separate from medium?


JC DESIGN STUDIO™ IS SPECIALIZING IN CORPORATE AND VISUAL IDENTITY,

BRAND BUILDING, PACKAGING DESIGN, DIGITAL DESIGN, STRATEGIC DESIGN,

BOOK AND MAGAZINE DESIGN AND TYPE DESIGN.





24/25 The warmleather embrace of the cab creaks omi-nously to the rhythm of the street. I rest my head on the cool glass.18/19 The harsh curves ofthe neon city exploding on my closed eyelids as the com-bination of Xanax and jet-lag slowly deadens my limbs. “Rest” I mouth. Then oblivion.

16/17 I ask her her name, strai-ning to hear above the slow drone coming from the PA. She grabs my arm and inscribes »Melissa« on it in neat, tightly-spaced cursive, punc-tuating the i with a small heart.




8/10 The ‘clack’ of the cabdoor snaps me back and I ner-vously glance up at the departu-res sign. Numerals slither rapid-ly as I scan the board. SK402 to Copenhagen. Exhausted i push through security – belt, shoes, watch, laptop and slump down at the nearest bar. I slip out my credit card, leaving it on the bar and pick at the polaroid with Melissa´s number on the back. 8 digits, XXX and Melissa with a heart doting the i.

14/17 abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz1234567890 ¶ This is dummy text. it is intended to be read but have no apparent meaning. as a simulation of actual copy, using ordinary words with normal letter frequenci-es, it cannot deceive eye or brain.6/8 But can words ever be said to have no meaning? And if the words have no meaning cannot the medium of it’s delivery be said to be equally meaningless. This is the existentialist paradox of the typographer; can type ever be separate from meaning? Words separate from medium?


JC DESIGN STUDIO™ IS SPECIALIZING IN CORPORATE AND VISUAL

IDENTITY, BRAND BUILDING, PACKAGING DESIGN, DIGITAL DESIGN,

STRATEGIC DESIGN, BOOK AND MAGAZINE DESIGN AND TYPE DESIGN.





24/25 The warmleather embrace of thecab creaks ominouslyto the rhythm of thestreet. I rest my headon the cool glass.18/19 The harsh curves ofthe neon city exploding on myclosed eyelids as the combina-tion of Xanax and jet-lag slowly deadens my limbs. “Rest” Imouth. Then oblivion.

16/17 I ask her her name, strainingto hear above the slow drone coming from the PA. She grabs myarm and inscribes »Melissa« on it in neat, tightly-spaced cursive, punc-tuating the i with a small heart.





14/17 abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz1234567890 ¶ This is dum-my text. it is intended to be read but have no apparent meaning. as a simulation of actual copy, using ordinary words with normal letter frequencies, it cannot de-ceive eye or brain.6/8 But can words ever be said to have no meaning? And if the words have no meaning cannot the medium of it’s delivery be said to be equally meaningless. This is the existentialist paradox of the typographer; can type ever be separate from meaning? Words separate from medium?



TITY, BRAND BUILDING, PACKAGING DESIGN, DIGITAL DESIGN, STRATEGIC

DESIGN, BOOK AND MAGAZINE DESIGN AND TYPE DESIGN.





24/25 The warmleather embrace of the cab creaks omi-nously to the rhythm of the street. I rest my head on the cool glass.18/19 The harsh curves ofthe neon city exploding on my closed eyelids as the combina-tion of Xanax and jet-lag slowly deadens my limbs. “Rest” I mouth. Then oblivion.

16/17 I ask her her name, straining to hear above the slow drone coming from the PA. She grabs my arm and inscribes »Melissa« on it in neat, tightly-spaced cursive, punctuating the i with a small heart.

14/15 The tattoo guns passes aroundthe table- A kid etches out ‘MOMS’ inblue biro ink laughing hysterically asthe machine purrs across his forearm. Ican see Melissa through the open doorto the bathroom, perched on the toilet,a pair of boys briefs around her ankles,absentmindedly smoking a cigaretteand blowing smoke rings; O followed by Q followed by O.

12/13 More days in daze. More scripts, morenovels. More pages and clammy business cards passed of in moist handshakes. MoreMelissa. More pointless shopping sprees andmore people to please. More dusty blond boysand speedos. I flick my aviators down and read the street signs.

10/12 I keep on cracking jokes, right? Because I’mfunny. I want to be funny. Only each time the punch-line falls flat. My delivery is off. I keep glancing between the menu and the fois gras printed out in rounded serifsand the waiter laughing politely, anxiously. I settle on the duck since it strikes me as funny somehow. She picks her teeth and nods.

8/10 The ‘clack’ of the cabdoor snaps me back and I nervously glance up at the departures sign. Numerals slither rapidly as I scan the board. SK402 to Copenhagen. Exhausted i push through secu-rity – belt, shoes, watch, laptop and slump down at the nearest bar. I slip out my credit card, leaving it on the bar and pick at the polaroid with Melissa´s number on the back. 8 digits, XXX and Melissa with a heart doting the i.

14/17 abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz1234567890 ¶ This is dummy text. it is inten-ded to be read but have no apparent meaning. as a simulation of ac-tual copy, using ordinary words with normal letter frequencies, it cannot de-ceive eye or brain.6/8 But can words ever be said to have no meaning? And if the words have no meaning cannot the medium of it’s delivery be said to be equally meaningless. This is the existentialist paradox of the typographer; can type ever be separate from meaning? Words separate from medium?

9/11 Smart as a whip: the typogra-pher, but never smarter than his script. »the philosophy of type«

JC DESIGN STUDIO™ IS SPECIALIZING IN CORPORATE AND VISUAL IDENTITY, BRAND BUILDING, PACKAGING DESIGN, DIGITAL DESIGN, STRATEGIC DESIGN, BOOK AND MAGAZINE DESIGN AND TYPE DESIGN.





24/25 The warmleather embrace of thecab creaks ominouslyto the rhythm of thestreet. I rest my headon the cool glass.18/19 The harsh curves ofthe neon city exploding on myclosed eyelids as the combina-tion of Xanax and jet-lag slow-ly deadens my limbs. “Rest” Imouth. Then oblivion.

16/17 I ask her her name, straining to hear above the slow dronecoming from the PA. She grabs myarm and inscribes »Melissa« on it in neat, tightly-spaced cursive, punc-tuating the i with a small heart.


12/13 More days in daze. More scripts, morenovels. More pages and clammy business cards passed of in moist handshakes. More Melissa. More pointless shopping sprees and more people to please. More dusty blond boys and speedos. I flick my aviators down and readthe street signs.

10/12 I keep on cracking jokes, right? Because I’m funny. I want to be funny. Only each time the punch-line falls flat. My delivery is off. I keep glancing between the menu and the fois gras printed out in rounded serifs and the waiter laughing politely, anxiously. I settle on the duck since it strikes me as funny somehow. She picks her teeth and nods.

8/10 The ‘clack’ of the cabdoor snaps me back and I ner-vously glance up at the departu-res sign. Numerals slither rapid-ly as I scan the board. SK402 to Copenhagen. Exhausted i pushthrough security – belt, shoes,watch, laptop and slump downat the nearest bar. I slip out mycredit card, leaving it on the barand pick at the polaroid withMelissa´s number on the back.8 digits, XXX and Melissa with aheart doting the i.

14/17 abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz1234567890 ¶ This is dummy text. it is intended to be read but have no apparent meaning. as a simulation of actual copy, using ordinary words with normal letter frequencies, it cannot deceive eye or brain.6/8 But can words ever be said to have no meaning? And if the words have no meaning cannot the medium of it’s delivery be said to be equally meaningless. This is the exi-stentialist paradox of the typographer; can type ever be separate from meaning? Words separate from medium?



TITY, BRAND BUILDING, PACKAGING DESIGN, DIGITAL DESIGN, STRATE-

GIC DESIGN, BOOK AND MAGAZINE DESIGN AND TYPE DESIGN.





24/25 The warmleather embrace of the cab creaks omi-nously to the rhythm of the street. I rest my head on the cool glass. 18/19 The harsh curves ofthe neon city exploding on my closed eyelids as the combina-tion of Xanax and jet-lag slowly deadens my limbs. “Rest” I mouth. Then oblivion.


14/15 The tattoo guns passes aroundthe table- A kid etches out ‘MOMS’ inblue biro ink laughing hysterically asthe machine purrs across his forearm. I can see Melissa through the open door to the bathroom, perched on the toilet, a pair of boys briefs around her ankles, absentmindedly smoking a cigarette and blowing smoke rings; O followed by Q followed by O.

12/13 More days in daze. More scripts, morenovels. More pages and clammy business cards passed of in moist handshakes. MoreMelissa. More pointless shopping sprees andmore people to please. More dusty blond boys and speedos. I flick my aviators down and read the street signs.

10/12 I keep on cracking jokes, right? Because I’mfunny. I want to be funny. Only each time the punch-line falls flat. My delivery is off. I keep glancing bet-ween the menu and the fois gras printed out in roun-ded serifs and the waiter laughing politely, anxiously. I settle on the duck since it strikes me as funny so-mehow. She picks her teeth and nods.

8/10 The ‘clack’ of the cabdoor snaps me back and I nervously glance up at the departures sign. Numerals slither rapidly as I scan the board. SK402 to Copenhagen. Exhausted i push through security – belt, shoes, watch, laptop and slump down at the nearest bar. I slip out my credit card, leaving it on the bar and pick at the polaroid with Melissa´s number on the back. 8 digits, XXX and Melissa with a heart doting the i.

14/17 abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz1234567890 ¶ This is dummy text. it is inten-ded to be read but have no apparent meaning. as a simulation of actual copy, using ordinary words with normal letter frequencies, it cannot deceive eye or brain.6/8 But can words ever be said to have no meaning? And if the words have no meaning cannot the medium of it’s delivery be said to be equally meaningless. This is the existentialist paradox of the typographer; can type ever be separate from meaning? Words separate from medium?







24/25 The warmleather embrace of the cab creaks omi-nously to the rhythm of the street. I rest my head on the cool glass.18/19 The harsh curves ofthe neon city exploding on my closed eyelids as the combina-tion of Xanax and jet-lag slowly deadens my limbs. “Rest” I mouth. Then oblivion.

16/17 I ask her her name, straining to hear above the slow drone coming from the PA. She grabs my arm and in-scribes »Melissa« on it in neat, tightly-spaced cursive, punctuating the i with a small heart.




8/10 The ‘clack’ of the cabdoor snaps me back and I ner-vously glance up at the depar-tures sign. Numerals slither ra-pidly as I scan the board. SK402 to Copenhagen. Exhausted i push through security – belt, shoes, watch, laptop and slump down at the nearest bar. I slip out my credit card, leaving it on the bar and pick at the polaroid with Melissa´s number on the back. 8 digits, XXX and Melissa with a heart doting the i.

14/17 abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz1234567890 ¶ This is dummy text. it is inten-ded to be read but have no apparent meaning. as a simulation of ac-tual copy, using ordinary words with normal letter frequencies, it cannot de-ceive eye or brain.6/8 But can words ever be said to have no meaning? And if the words have no meaning cannot the medium of it’s delivery be said to be equally meaningless. This is the existentialist paradox of the typographer; can type ever be separate from meaning? Words separate from medium?







24/25 The warmleather embrace of the cab creaks omi-nously to the rhy-thm of the street. I rest my head on the cool glass.18/19 The harsh curves ofthe neon city exploding on my closed eyelids as the combina-tion of Xanax and jet-lag slowly deadens my limbs. “Rest” I mouth. Then oblivion.

16/17 I ask her her name, strai-ning to hear above the slow drone coming from the PA. She grabs my arm and inscribes »Melissa« on it in neat, tightly-spaced cursive, punc-tuating the i with a small heart.

14/15 The tattoo guns passes aroundthe table- A kid etches out ‘MOMS’ inblue biro ink laughing hysterically asthe machine purrs across his fore-arm. I can see Melissa through the open door to the bathroom, perched on the toilet, a pair of boys briefs around her ankles, absentmindedly smoking a cigarette and blowing smoke rings; O followed by Q follo-wed by O.

12/13 More days in daze. More scripts, morenovels. More pages and clammy business cards passed of in moist handshakes. MoreMelissa. More pointless shopping sprees and more people to please. More dusty blond boys and speedos. I flick my aviators down and read the street signs.

10/12 I keep on cracking jokes, right? Because I’mfunny. I want to be funny. Only each time the punch-line falls flat. My delivery is off. I keep glancing between the menu and the fois gras printed out in rounded serifs and the waiter laughing politely, anxiously. I settle on the duck since it strikes me as funny somehow. She picks her teeth and nods.

8/10 The ‘clack’ of the cabdoor snaps me back and I nervously glance up at the departures sign. Numerals slither rapidly as I scan the board. SK402 to Copenhagen. Exhausted i push through security – belt, shoes, watch, laptop and slump down at the nearest bar. I slip out my credit card, leaving it on the bar and pick at the polaroid with Melissa´s number on the back. 8 digits, XXX and Melissa with a heart doting the i.

14/17 abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz1234567890 ¶ This is dummy text. it is inten-ded to be read but have no apparent meaning. as a simulation of ac-tual copy, using ordi-nary words with normal letter frequencies, it cannot deceive eye or brain.6/8 But can words ever be said to have no meaning? And if the words have no meaning cannot the medi-um of it’s delivery be said to be equally meaningless. This is the existentialist paradox of the typographer; can type ever be separate from meaning? Words se-parate from medium?


JC DESIGN STUDIO™ IS SPECIALIZING IN CORPORATE AND VI-SUAL IDENTITY, BRAND BUILDING, PACKAGING DESIGN, DIGITAL DESIGN, STRATEGIC DESIGN, BOOK AND MAGAZINE DESIGN AND TYPE DESIGN.





24/25 The warmleather embrace of the cab creaks omi-nously to the rhythm of the street. I rest my head on the cool glass.18/19 The harsh curves ofthe neon city exploding on my closed eyelids as the combina-tion of Xanax and jet-lag slow-ly deadens my limbs. “Rest” I mouth. Then oblivion.


14/15 The tattoo guns passes aroundthe table- A kid etches out ‘MOMS’ inblue biro ink laughing hysterically asthe machine purrs across his forearm. Ican see Melissa through the open doorto the bathroom, perched on the toilet,a pair of boys briefs around her ankles,absentmindedly smoking a cigaretteand blowing smoke rings; O followed by Q followed by O.


10/12 I keep on cracking jokes, right? Because I’mfunny. I want to be funny. Only each time the punch-li-ne falls flat. My delivery is off. I keep glancing between the menu and the fois gras printed out in rounded se-rifs and the waiter laughing politely, anxiously. I settle on the duck since it strikes me as funny somehow. She picks her teeth and nods.

8/10 The ‘clack’ of the cabdoor snaps me back and I nervously glance up at the departures sign. Numerals slither rapidly as I scan the board. SK402 to Copenhagen. Exhausted i push through security – belt, shoes, watch, laptop and slump downat the nearest bar. I slip out my credit card, leaving it on the bar and pick at the polaroid with Melissa´s number on the back. 8 digits, XXX and Melissa with a heart doting the i.

14/17 abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz1234567890 ¶ This is dummy text. it is inten-ded to be read but have no apparent meaning. as a simulation of ac-tual copy, using ordinary words with normal letter frequencies, it cannot deceive eye or brain.6/8 But can words ever be said to have no meaning? And if the words have no meaning cannot the medium of it’s delivery be said to be equally meaningless. This is the existentialist paradox of the typographer; can type ever be separate from meaning? Words separate from medium?







Big playBig play





Big playBig play





Big playBig play





Big playBig play





Big playBig play





Big playBig play





YORKSHIRE&NORTH: Brimham Rocks. „387 acres“ of open moorland with an area of fantastically shaped rock formations? Special geologicalº interest! Leaflet, 65p (s.a.e.), from the address below. §Information Centre, shop and excellent «refresh-ment» kiosk open 11–5 on following dates: 3 to 8 April: Sat and Sun; 9 to 18 April: daily; 19 April to 28 May: Sat, Sun; 23 to 31 Oct: daily. Parking zone: cars £1.20, minibuses €2, motorcycles 50p, coaches £5. WC. NT Warden: Mr. P. Meese, Brimham© House, Summerbridge, Harrogate HJ3 4QZ; tel. Harrogate (0423) 780688. All† weather paths, suitable for wheelchair usersª. Location: Archway, approached from Pateley/Bridge road {B6265}, 10½ miles Æreo of Harrogate, approached from B6165 [99:

Aag2

15/18 Point12/14 Point

10/12 Point

8/10 Point

6/8 Point

4/6 Point

180 Point

The tattoo guns passes around the table – A kid etches out ‘MOMS’ in blue biro ink laughing hysterical-ly as the machine purrs across his forearm. I can see Melissa through the open door to the bathroom, perched on the toilet, a pair of boys briefs around her ankles, absentmindedly smoking a cigarette and blowing smoke rings; O followed by Q followed by O.

So voluntary that you’ll need one to work, drive a car, travel abroad, use the banking or health system, vote, buy a house, or receive benefits.

The ‘clack’ of the cab door snaps me back and I nervously glance up at the departures sign. Numerals slither rapidly as I scan the board. SK402 to Copenhagen. Exhausted i push through security – belt, shoes, watch, laptop and slump down at the nearest bar. I slip out my credit card, leaving it on the bar and pick at the polaroid with Melissa’s number on the back. 8 digits, XXX and Melissa with a heart doting the i.

I keep on cracking jokes, right? Because I’m funny. I want to be funny. Only each time the punch-line falls flat. My delivery is off. I keep glancing between the menu and the fois gras printed out in rounded serifs and the waiter laughing politely, anxiously. I settle on the duck since it strikes me as funny so-mehow. She picks her teeth and nods.

More days in daze. More scripts, more novels. More pages and clammy business cards passed of in moist handshakes. More Melissa. More pointless shopping sprees and more people to please. More dusty blond boys and speedos.





YORKSHIRE&NORTH: Brimham Rocks. „387 acres“ of open moorland with an area of fantastically shaped rock formations? Special geologicalº interest! Leaflet, 65p (s.a.e.), from the address below. §Information Centre, shop and excellent «refresh-ment» kiosk open 11–5 on following dates: 3 to 8 April: Sat and Sun; 9 to 18 April: dai-ly; 19 April to 28 May: Sat, Sun; 23 to 31 Oct: daily. Parking zone: cars £1.20, minibuses €2, motorcycles 50p, coaches £5. WC. NT Warden: Mr. P. Meese, Brimham© House, Summerbridge, Harrogate HJ3 4QZ; tel. Harrogate (0423) 780688. All† weather paths, suitable for wheelchair usersª. Location: Archway, approached from Pateley/Bridge road {B6265}, 10½ miles Æreo of Harrogate, approached from B6165 [99:

Aag2


10/12 Point

8/10 Point

6/8 Point

4/6 Point

180 Point

The tattoo guns passes around the table – A kid etches out ‘MOMS’ in blue biro ink laughing hy-sterically as the machine purrs across his forearm. I can see Melissa through the open door to the bathroom, perched on the toilet, a pair of boys briefs around her ankles, absentmindedly smoking a cigarette and blowing smoke rings; O followed by Q followed by O.



I keep on cracking jokes, right? Because I’m funny. I want to be funny. Only each time the punch-line falls flat. My delivery is off. I keep glancing between the menu and the fois gras printed out in rounded serifs and the waiter laughing polite-ly, anxiously. I settle on the duck since it strikes me as funny somehow. She picks her teeth and nods.






YORKSHIRE&NORTH: Brimham Rocks. „387 acres“ of open moorland with an area of fantastically shaped rock formations? Special geologicalº interest! Leaflet, 65p (s.a.e.), from the address below. §Information Centre, shop and excellent «refreshment» kiosk open 11–5 on following dates: 3 to 8 April: Sat and Sun; 9 to 18 April: daily; 19 April to 28 May: Sat, Sun; 23 to 31 Oct: daily. Parking zone: cars £1.20, minibuses €2, motorcycles 50p, coaches £5. WC. NT Warden: Mr. P. Meese, Brimham© House, Summerbridge, Harrogate HJ3 4QZ; tel. Harrogate (0423) 780688. All† weather paths, suitable for wheelchair usersª. Location: Archway, approached from Pateley/Bridge road {B6265}, 10½ miles Æreo of Harrogate, ap-proached from B6165 [99:

Aag2


10/12 Point

8/10 Point

6/8 Point

4/6 Point

180 Point

The tattoo guns passes around the table – A kid etches out ‘MOMS’ in blue biro ink laughing hysterically as the machine purrs across his forearm. I can see Melissa through the open door to the bathroom, perched on the toilet, a pair of boys briefs around her ankles, absentmindedly smoking a cigarette and blowing smoke rings; O followed by Q followed by O.


The ‘clack’ of the cab door snaps me back and I nervously glance up at the departures sign. Numerals slither rapidly as I scan the board. SK402 to Copenhagen. Exhausted i push through security – belt, shoes, watch, laptop and slump down at the nearest bar. I slip out my credit card, lea-ving it on the bar and pick at the polaroid with Melissa’s number on the back. 8 digits, XXX and Melissa with a heart doting the i.

I keep on cracking jokes, right? Because I’m funny. I want to be funny. Only each time the punch-line falls flat. My delivery is off. I keep glancing between the menu and the fois gras printed out in rounded serifs and the waiter laug-hing politely, anxiously. I settle on the duck since it strikes me as funny somehow. She picks her teeth and nods.

More days in daze. More scripts, more novels. More pages and clammy business cards pas-sed of in moist handshakes. More Melissa. More pointless shopping sprees and more people to please. More dusty blond boys and speedos.





YORKSHIRE&NORTH: Brimham Rocks. „387 acres“ of open moorland with an area of fantastically shaped rock formations? Special geologicalº interest! Leaflet, 65p (s.a.e.), from the address below. §Information Centre, shop and ex-cellent «refreshment» kiosk open 11–5 on following dates: 3 to 8 April: Sat and Sun; 9 to 18 April: daily; 19 April to 28 May: Sat, Sun; 23 to 31 Oct: daily. Parking zone: cars £1.20, minibuses €2, motorcycles 50p, coaches £5. WC. NT Warden: Mr. P. Meese, Brimham© House, Summerbridge, Harrogate HJ3 4QZ; tel. Harrogate (0423) 780688. All† weather paths, suitable for wheelchair usersª. Location: Archway, approached from Pateley/Bridge road {B6265}, 10½ miles Æreo of Harrogate, approached from B6165 [99:

Aag2


10/12 Point

8/10 Point

6/8 Point

4/6 Point

180 Point




I keep on cracking jokes, right? Because I’m funny. I want to be funny. Only each time the punch-line falls flat. My delivery is off. I keep glancing between the menu and the fois gras printed out in rounded serifs and the waiter laughing politely, anxiously. I settle on the duck since it strikes me as funny somehow. She picks her teeth and nods.






YORKSHIRE&NORTH: Brimham Rocks. „387 acres“ of open moorland with an area of fantastically shaped rock formations? Special geologicalº interest! Leaflet, 65p (s.a.e.), from the address below. §Information Centre, shop and excellent «refreshment» kiosk open 11–5 on following dates: 3 to 8 April: Sat and Sun; 9 to 18 April: daily; 19 April to 28 May: Sat, Sun; 23 to 31 Oct: daily. Parking zone: cars £1.20, minibuses €2, motorcycles 50p, coaches £5. WC. NT Warden: Mr. P. Meese, Brimham© House, Summerbridge, Harrogate HJ3 4QZ; tel. Harrogate (0423) 780688. All† weather paths, suitable for wheelchair usersª. Location: Archway, approached from Pateley/Bridge road {B6265}, 10½ miles Æreo of Harrogate, approached from B6165 [99:

Aag2


10/12 Point

8/10 Point

6/8 Point

4/6 Point

180 Point

The tattoo guns passes around the table – A kid etches out ‘MOMS’ in blue biro ink laughing hysterically as the machine purrs across his forearm. I can see Melissa through the open door to the bathroom, perched on the toilet, a pair of boys briefs around her ankles, absent-mindedly smoking a cigarette and blowing smoke rings; O followed by Q followed by O.









YORKSHIRE&NORTH: Brimham Rocks. „387 acres“ of open moorland with an area of fantastically shaped rock formations? Special geologicalº inte-rest! Leaflet, 65p (s.a.e.), from the address below. §Information Centre, shop and excellent «refreshment» kiosk open 11–5 on following dates: 3 to 8 April: Sat and Sun; 9 to 18 April: daily; 19 April to 28 May: Sat, Sun; 23 to 31 Oct: daily. Parking zone: cars £1.20, minibuses €2, motorcy-cles 50p, coaches £5. WC. NT Warden: Mr. P. Meese, Brimham© House, Summerbridge, Harrogate HJ3 4QZ; tel. Harrogate (0423) 780688. All† weather paths, suitable for wheelchair usersª. Location: Archway, ap-proached from Pateley/Bridge road {B6265}, 10½ miles Æreo of Harrogate, approached from B6165 [99:

Aag2


10/12 Point

8/10 Point

6/8 Point

4/6 Point

180 Point

The tattoo guns passes around the table – A kid etches out ‘MOMS’ in blue biro ink laug-hing hysterically as the machine purrs across his forearm. I can see Melissa through the open door to the bathroom, perched on the toilet, a pair of boys briefs around her ankles, absentmindedly smoking a cigarette and blowing smoke rings; O followed by Q followed by O.


The ‘clack’ of the cab door snaps me back and I nervously glance up at the departures sign. Numerals slither rapidly as I scan the board. SK402 to Copenhagen. Exhausted i push through security – belt, shoes, watch, laptop and slump down at the nearest bar. I slip out my credit card, leaving it on the bar and pick at the polaroid with Melissa’s number on the back. 8 digits, XXX and Melissa with a he-art doting the i.







YORKSHIRE&NORTH: Brimham Rocks. „387 acres“ of open moorland with an area of fan-tastically shaped rock formations? Special geologicalº interest! Leaflet, 65p (s.a.e.), from the address below. §Information Centre, shop and excellent «refreshment» kiosk open 11–5 on following dates: 3 to 8 April: Sat and Sun; 9 to 18 April: daily; 19 April to 28 May: Sat, Sun; 23 to 31 Oct: daily. Parking zone: cars £1.20, minibuses €2, motorcycles 50p, coaches £5. WC. NT Warden: Mr. P. Meese, Brimham© House, Summerbridge, Harrogate HJ3 4QZ; tel. Harrogate (0423) 780688. All† weather paths, suitable for wheelchair usersª. Location: Archway, approached from Pateley/Bridge road {B6265}, 10½ miles Æreo of Harrogate, approached from B6165 [99:

Aag2


10/12 Point

8/10 Point

6/8 Point

4/6 Point

180 Point










YORKSHIRE&NORTH: Brimham Rocks. „387 acres“ of open moorland with an area of fan-tastically shaped rock formations? Special geologicalº interest! Leaflet, 65p (s.a.e.), from the address below. §Information Centre, shop and excellent «refreshment» kiosk open 11–5 on following dates: 3 to 8 April: Sat and Sun; 9 to 18 April: daily; 19 April to 28 May: Sat, Sun; 23 to 31 Oct: daily. Parking zone: cars £1.20, minibuses €2, motorcycles 50p, coaches £5. WC. NT Warden: Mr. P. Meese, Brimham© House, Summerbridge, Harrogate HJ3 4QZ; tel. Harrogate (0423) 780688. All† weather paths, suitable for wheelchair usersª. Location: Archway, approached from Pateley/Bridge road {B6265}, 10½ miles Æreo of Harrogate, approached from B6165 [99:

Aag2


10/12 Point

8/10 Point

6/8 Point

4/6 Point

180 Point










YORKSHIRE&NORTH: Brimham Rocks. „387 acres“ of open moorland with an area of fantastically shaped rock formations? Special geologicalº interest! Leaflet, 65p (s.a.e.), from the address below. §Information Centre, shop and excellent «refresh-ment» kiosk open 11–5 on following dates: 3 to 8 April: Sat and Sun; 9 to 18 April: dai-ly; 19 April to 28 May: Sat, Sun; 23 to 31 Oct: daily. Parking zone: cars £1.20, minibuses €2, motorcycles 50p, coaches £5. WC. NT Warden: Mr. P. Meese, Brimham© House, Summerbridge, Harrogate HJ3 4QZ; tel. Harrogate (0423) 780688. All† weather paths, suitable for wheelchair usersª. Location: Archway, approached from Pateley/Bridge road {B6265}, 10½ miles Æreo of Harrogate, approached from B6165 [99:

Aag2


10/12 Point

8/10 Point

6/8 Point

4/6 Point

180 Point

The tattoo guns passes around the table – A kid etches out ‘MOMS’ in blue biro ink laughing hysterical-ly as the machine purrs across his forearm. I can see Melissa through the open door to the bathroom, perched on the toilet, a pair of boys briefs around her ankles, absentmindedly smoking a cigarette and blowing smoke rings; O followed by Q followed by O.



I keep on cracking jokes, right? Because I’m funny. I want to be funny. Only each time the punch-line falls flat. My delivery is off. I keep glancing between the menu and the fois gras printed out in rounded serifs and the waiter laughing polite-ly, anxiously. I settle on the duck since it strikes me as funny somehow. She picks her teeth and nods.






YORKSHIRE&NORTH: Brimham Rocks. „387 acres“ of open moorland with an area of fantastically shaped rock formations? Special geologicalº interest! Leaflet, 65p (s.a.e.), from the address below. §Information Centre, shop and excellent «refre-shment» kiosk open 11–5 on following dates: 3 to 8 April: Sat and Sun; 9 to 18 April: daily; 19 April to 28 May: Sat, Sun; 23 to 31 Oct: daily. Parking zone: cars £1.20, mi-nibuses €2, motorcycles 50p, coaches £5. WC. NT Warden: Mr. P. Meese, Brimham© House, Summerbridge, Harrogate HJ3 4QZ; tel. Harrogate (0423) 780688. All† weather paths, suitable for wheelchair usersª. Location: Archway, approached from Pateley/Bridge road {B6265}, 10½ miles Æreo of Harrogate, approached from B6165 [99:

Aag2


10/12 Point

8/10 Point

6/8 Point

4/6 Point

180 Point



The ‘clack’ of the cab door snaps me back and I nervously glance up at the departures sign. Numerals slither rapidly as I scan the board. SK402 to Copenhagen. Exhausted i push through security – belt, shoes, watch, lap-top and slump down at the nearest bar. I slip out my credit card, leaving it on the bar and pick at the polaroid with Melissa’s number on the back. 8 digits, XXX and Melissa with a heart doting the i.

I keep on cracking jokes, right? Because I’m funny. I want to be funny. Only each time the punch-line falls flat. My de-livery is off. I keep glancing between the menu and the fois gras printed out in rounded serifs and the waiter laughing politely, anxiously. I settle on the duck since it strikes me as funny somehow. She picks her teeth and nods.







Aag2


10/12 Point

8/10 Point

6/8 Point

4/6 Point

180 Point




I keep on cracking jokes, right? Because I’m funny. I want to be funny. Only each time the punch-line falls flat. My delivery is off. I keep glancing between the menu and the fois gras printed out in rounded serifs and the waiter lau-ghing politely, anxiously. I settle on the duck since it stri-kes me as funny somehow. She picks her teeth and nods.







Aag2


10/12 Point

8/10 Point

6/8 Point

4/6 Point

180 Point

The tattoo guns passes around the table – A kid etches out ‘MOMS’ in blue biro ink laughing hysterically as the machine purrs across his forearm. I can see Melissa through the open door to the bathroom, perched on the toilet, a pair of boys briefs around her ankles, absentminde-dly smoking a cigarette and blowing smoke rings; O followed by Q followed by O.









TODAY AND GO LI’L NOW ← LIZA DON’TCOLEMAN LOVEME... HAWKINS





TODAY AND GO LI’L NOW ← LIZA DON’TCOLEMAN LOVEME... HAWKINS








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