JOHANSON 2010Atmosphere johansondesign.com

02 JOHANSON 2010

03 Welcome A name and a feeling

04 DeSIGNeRS Lervik, Ljunggren, Lindstén & Pengelly

08 JoHANSoN THe SToRY Full speed ahead

12 SHoWcASe AGA and Cenino & Donna

14 PRoDucTS News and classics

24 JoHANSoN collecTIoN

Johanson Design AB 285 35 Markaryd, Sweden Phone + 46 (0) 433 72500 Fax +46 (0) 0433 72505 info@johansondesign.se www.johansondesign.se

Design and production Olsheden & Planet Creative

JOHANSON 2010 03

A name and a feeling.Our history has been dominated by craftsmanship and quality; our furniture is now in many different settings all over the world such as churches, bars, cruise liners and solicitors’ offices. We are working with both Swedish and foreign designers who are already renowned for high quality and timeless designs. Their ideas combined with our Swedish design traditions give the product an altogether special look. We call it the ‘Johanson Atmosphere’.

04 JOHANSON 2010

NameAlexander lervik

PlaceStockholmDESIGNER

The collaboration between Johanson Design and the renowned Swedish designer Alexander Lervik is all about give and take.Text: lotta Jonson

A fruitful relationship

“No, I haven’t managed to find the right words yet. After all these years, I still don’t know what to call this idea that the air around the furniture is also part of the design.” Mattias Ljunggren, a designer at Johanson Design for many years, wonders whether I understand what he means. As it happens, I do. Just look at the Detroit table, where the gap between the steel frame and the tabletop gives the piece its character. Or the Jackie chair, with a back that consists of a frame and … noth-ing else. The names of the pieces of furniture also have their own special history. When Ljunggren contacted Johanson Design nearly 15 years ago, the company had many longstanding products in its catalogue. Several of them had a pronounced 1960s feel and a slightly ‘hardboiled’ attitude. “I wanted to refer to that. I thought American names would be right and tried to find ones that sounded positive to Swedish ears. Kennedy, for example,” he says. Ljunggren graduated from the University College of Arts, Crafts and Design (Konstfack) in furniture and interior design in 1990. At that time, his designs were already simple and minimalistic. He uses words such as refine and stylise when he describes his ambitions to both save on materials and achieve this lightness. Or the airiness he just tried to describe. Ljunggren works differently from most of his colleagues. They use computers in at least part of the design process, but he doesn’t. “I’ve never done that and I probably never will either. Mechani-cally made drawings lack so much feeling. I sketch on paper and do the final drawing with pencil and ink on a scale of 1:2. Most pieces of furniture fit on an A1 sheet. It’s as if the form emerges in a more natural manner like that. And I’ve never had problems seeing the three-dimensional end result clearly in my mind. A CAD engineer subsequently converts my drawings into CAD. The drawings I do by hand are usually just as accurate as the ones others do on computers.” The Carat chair is one of Ljunggren’s latest for Johanson Design. It requires high precision in production and the tools used were expensive to develop. “The people at Johanson Design are fast and in tune with the market. They are always up for new challenges. This makes it fun to work with them. They’re always interested in finding new solutions and are not afraid to take risks. I feel that they trust meas a designer.”

Mattias Ljunggren’s designs are characterised by lightness and airiness.Text: lotta Jonson

05JOHANSON 2010

Stability and comfort, being searching yet thoughtful and at the same time with an emphasis that is different, surprising and strong on colours. That is what a description of Alexander Lervik would sound like. The continuous relationship between Lervik and Johanson Design started seven years ago when he was responsible for the interior design for the trendy night club Sture Compagniet in Stockholm. “I chose the furniture from Johanson Design but I was a bit unsure in the beginning not knowing what they could deliver,” Lervik says. “This feeling was soon to be revised, our co-operation actually developed into something much more exciting than I had imagined. I very quickly realised that Johanson Design had huge potential and that the people working there were very skilled in both producing a lot of furniture and at the same time keeping the quality high.”

Throughout the years Johanson Design has shown several models of furniture made by Lervik, for example chairs with or without armrests, tables, a complete sofa collection and also bar furniture. He is also part of Johanson Design’s design council which is part of the company’s creative planning. A really important advantage and something that Lervik often experiences is being close to the production section. “It’s great to come to Markaryd and as a designer to have access to the workforce and the factory on such a scale is really quite fantastic. I can see exactly which options or limitations exist and can adjust the design on site. It also gives me a chance to participate in the business side of the model’s production as I can all the time adjust the designs as part of the production process; I can for example help to keep prices lower.” The collaboration between Johanson Design and Alexander Lervik is very much about give and take. In his presentations for the latest fashionable nightclub Push in Gothenburg and the Stockholm restaurant Supper he says that he can with a clear conscience choose furniture from Johanson as he knows they will work both from a quality and a design point of view. “I bring an idea that will have my stamp and produce a certain type of furniture. This prototype will be “chewed over” in discus-sion and practical testing. Changes happen during the production process and very often in the end it becomes much better than the original idea. This is how a co-operation should function.”

The all new chair Nest.

Alexander lervik has given the bar stool Piano a distinctive and conspicuous design.

About the design counsilIn the year 2004 Johanson Design created the internal design council for creative planning, the main reason was to think strategically how to raise the company’s profile. The council meets three to four times a year and discusses both existing products and future investments and not least the Johanson Design brand. Lervik represents the creators.

Namemattias ljunggren

PlaceStockholm

Simplicity reigns

06 JOHANSON 2010

In Johanson Design’s latest collection there are new products which have been created by Johan Lindstén. He worked on the ideas by hand and he picked out several wooden model details. With these he experimented and came up with the new coat stand, using the boomerang shapes he started with. “I want to do this myself and have control,” Lindstén says. “This coat hanger I wanted to be well thought through; have an honest and attractive shape and at the same time look beautiful.” When he was only 12 years old Lindstén decided that he wanted to be a furniture designer. Following several snowboard seasons and other fun things he started with Carl Malmsten. He has kept his interest in wood but he combines this with a curiosity for other materials. Also he looks into the question of how a construction can be used visually and influence the full look. For example, the premier chair at Johanson Design called Speed has a visual steel frame which can be done in different finishes so that the character can be radically changed.

To dig down and get your hands dirty - that’s what the designer Johan Lindstén likes. So even if he works hard on the computer he believes it is absolutely necessary to also work in parallel with prototypes. His inspiration is linked to art and everyday romance. Text: lotta Jonson

Blond ambition

“I would have liked to have seen it in a mad version such as neon pink and lime green. However I’ve done my bit and created the platform, it’s now up to others to express themselves through colouring of the frame and choice of fabric.” It was within his exam year of 2008 that Lindstén contacted Johanson. “I went to Markaryd and showed off my portfolio. I had observed Johanson Design at several exhibitions and noticed it was an interesting company with a growth potential.” Dan and Paul Johanson liked both Lindstén’s way of thinking and his chair options. They decided to take this further and put it through as a design project. After analysis, drawings and several other options the prototype was decided and the finished chair was presented a year ago. “My ambition was to become a future designer for Johanson Design who are investing in new products very seriously, so my loyalty lies with them and my interest in wooden furniture I can do through other producers.”

Speed is easy to customise in different colours and fabrics.

Name Johan lindstén

PlaceStockholmDESIGNER

The coat stand Boomerang is leaning back, looking pleased with its existence.

JOHANSON 2010 07

easy to understand, commercially suited and pragmatic but also something attractively indefi nable, such is the description of the furniture design Pengelly designs. With the help of Pengelly Johanson Design will be stronger in the international market. “I only want to work with a company that I have empathy with, of course I can be lured into a project for several reasons, top get the chance to utilise certain materials or a certain technique possibly but above all I want to see that the company has a potential. I want to feel that together we can reach a target. That’s how it was with Johanson. This is a family run business and that I like. The personal engagement is more to me than ever now.” Pengelly Design has an offi ce in an old converted factory called Riverside Business Centre in Earlsfi eld in SW London. Pengelly’s father was a carpenter and designer with his own more labour inten-sive production; when Simon graduated from Kingston University in 1988 with his design degree he wanted to work with production on a larger scale.

Personal engagement is all important for a company’s progress, says British designer Simon Pengelly. This is precisely why he is collaborating with Johanson Design.Text: lotta Jonson Photo: lucy Pope

“There was the challenge to design good furniture for lots of people at reasonable prices. Many things in the design world and also within the furniture industry are often subject to incidental fashion trends,” says Pengelly. Designers come and go like a one hit wonder, it is not his cup of tea, it is necessary to develop long term co-operation with the producers so that both parties can follow the development. Pengelly really likes to be involved fully in the brief when a new piece of furniture is being launched and to follow it right to the end market-ing of the product. “What we are doing must be profi table to the company, that’s how long term relationships build up,” he says. “Some designers reject compromise but compromises are necessary and often positive. As a designer we can infl uence and we are clever enough to argue well and convince them of what we can do, so for instance on the design side aesthetics for production options we must listen to the company and them to us, that’s how the long term relationship evolves.”

NameSimon Pengelly

PlacelondonDESIGNER

Right on target

The name of the chair Gap originates from the design of the back and seat. Level incorporates the three functions of a bar stool: seat surface, footrest and height adjustment into a single fl owing form.

JOHANSON SToRY

08 JOHANSON 2010

JOHANSON 2010 02

The brothers Dan and Paul Johanson are receptive, friendly, focused and aware of quality. The description is very much like the rest of the staff at the Markaryd site in southern Sweden, all of them really seem to love their job and are very proud over their contribu-tion. Johanson Design is going at full speed, in fact that’s what the company has done in latter years. A ‘close to earth’ strategy to invest in design, quality and delivery guarantee is behind the com-pany’s continuing success. It is important that all customers are satisfied but also that all staff have a feeling of contributing and are willing to offer suggestions on how to better certain things.

With the Scandinavian design and furniture craftsmanship Johanson Design has reached an international audience. The company is growing stronger by the day as commercial furniture becomes less bland and dull.Text: lars Österlind Photo: magnus malmberg

Johanson Design’s happy owners, Dan and Paul Johanson.

Johanson Design in short

Founded: 1953Owners: Dan and Paul JohansonNumber of employees: 45Turnover: Appr 8 million euroHead office: markaryd, Sweden

JOHANSON 2010 07

Full speed ahead

JOHANSON 2010 09

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“The market was screaming for new good products. We invested in product development and managed to secure many successful models.”

“Pride drives me as I just don’t want to go to work and do the bare minimum but really want to do an excellent job,” says eva Nilsson, who is responsible for all material cutting.

Dorinella Apostolidis is an experi-enced sewer, who joined Johanson Design about a year ago.

Despite the fact that he will soon be 65 lars (lasse) Jönsson, who is responsible for the entire upholstery department, has no thoughts of retiring. “This is very inspiring and lovely to work here. I am doing better today than at any other time,” says Lars who has worked for Johanson Design for 50 years.

“I receive new challenges all the time,” says Peter Jönsson who is the production manager. “It’s all about making sure that all the staff receive the right response for the improvements they have suggested.”

JOHANSON 2010

Dan and Paul realise that there was a lot of things to develop in the family company when they took over in 1992 from their father Börje. Since then the turnover has multiplied almost seven times. “We realised what potential there was in the company, the com-petence was already in house with good knowhow,” says Dan Johanson, “and the market was screaming for new good products. We invested in product development and managed to secure many successful models.” “At the same time we steered the company away from the tradi-tional home furniture dealer to the contract market where there were new customer groups,” says Paul Johanson. The brothers say that the biggest investment was in brand development, striving to find a new position in the market. The company invested in advertising and changed sales representatives, the key to the success was to invest in new designs. The classical chairs and tables with trumpet bases are well known and are today complimented with models in timeless design. Today Johanson Design is working with six well known designers and at the same time there is always a balance in the collection. The design finish and the quality are expressed in the furniture. This style is now being called the Johanson Atmosphere which should give the customers a sense of togetherness and rhythm. Every year three to four new models are being developed. This has been the trend for the last five years. The model programme is developed all the time but Johanson Design will always remain an upholstering company. The most important factors for their recent progress is the simple minimalistic design in Scandinavian clean lines. Since father Börje and his brother Gösta started in a basement in the beginning of the 1950s Johanson Design has always had a real furniture knowhow. This is an aspect held high by the brothers Dan and Paul. At the same time as many furniture producers in Sweden have moved their production to low cost countries the brothers Johanson are doing exactly the opposite. “We see it as a clear competitive advantage to produce virtually everything in Markaryd,” says Dan. “We can secure the quality, shorter lead times and reduce the environmental impact thanks to shorter transporting distances. This also means that we can really guarantee that our products are Swedish made through and through.”

So rather than moving the production abroad the company has invested in a new plant in Markaryd. The company’s fast growth had led to the old factory being too small and during 2009 the company moved to the new site of nearly 8000 sq metres which now means that the company can do much more rational production. There is a large display area and also offices, stock and production rooms in the new totally renovated buildings along the E4 motorway. The target group of Johanson Design is very wide and is to be found all over the world. The export market is close to 60 percent of a turnover of 80 million kronor with Scandinavia and UK the leading markets followed by Benelux, France, Germany and Italy and a small share to USA. Everything the company produces is made to order and is sold through architects and designers. It’s all about public areas with high demands of durability and quality such as offices, shops, hotels, restaurants, nightclubs, schools, churches and cruise liners. “Of course it’s also fun to be involved with the reality shows on TV or to be present in David Beckham’s home but today we are only selling a limited amount to the private/home users. We most of all want to be public areas.”

11

Since 2009 Johanson has seen huge design progress with one of their new chairs Rib. Rib, created by Alexander Lervik, won the company prize for the best product of the year at the Design Exhibition in Rotterdam and was nominated as the most innovative product at the Stockholm furniture exhibition 2009. It has even been put forward amongst others for Sweden’s architectural prize for the product of the year. Possibly this is due to the advances made with Rib in daring to experiment and move the limitations back and forwards. The next couple of years there will be lots of experimenting with different materials for example felt, plastics, fabrics and fibres. Rib incidentally is made of compressed felt. “The art is to be on the edge of the limits to what is allowed de-sign wise,” says Dan. Now that the move to new premises has been completed the focus is to produce new products, find new markets and develop existing markets. The company wants to grow further in harmony and at a steady pace and look for new areas, for example the Middle East.

Rib by Alexander Lervik got “the most innovative new product 2009” award by Forum Aid +1 at Stockholm Furniture fair.

In order to deliver only top quality products all furniture is produced in Johanson Design’s own production facility in Markaryd, Sweden.

Furniture craftsmanship is one of the cornerstones at Johanson Design. In the picture: erik Jönsson.

The Rib chair awarded

”Best of the Best”

at 100% design in Rotterdam

100%DESIGNRotterdam 2009

Design: Alexander Lervik

Producer: Johanson Design AB

Guldstolen 20092:nd place

Design: Alexander Lervik

Producer: Johanson Design AB

The jury said

With material selection, great functionality and clever technical solutionscharacterized Rib. The simple shape and the tension in the meeting betweendifferent materials contributes to the ease of expression. From light grey toblack - Rib seems equally good regardless of color position.

JOHANSON 2010

CASE

12

Company AGA

Modern design meets historyHistorical industrial premises were modernised with furniture mainly from Johanson Design when AGA needed to enhance the efficiency of its two offices in the Stockholm area.Text: lars Österlind

JOHANSON 2010

With operations in the Nordic and Baltic regions, the long-established industrial company AGA is northern Europe’s leading industrial gas company. Eighteen months ago, a project began to combine AGA’s parent company office with the office of the Swedish sales company. The two offices were located in different parts of the Stockholm area. “We were in inefficient, inappropriate premises and the staff were spread out over two offices. We wanted to combine the two opera-tions,” explains Klas Stylander, Senior Vice President of AGA AB and responsible for the workplace change. In terms of interior design, the two offices had a patchwork of dif-ferent furniture, materials and styles that had gradually been repla-ced as required over the years. Office experts Struktur guided AGA to the new premises and the smarter, modern interior design. From an isolating environment in which virtually all 330 employees had their own room, the new solu-tion is experienced as more sociable, more creative and as making better use of the space, with roughly half of the workspaces in an open-plan office. “It encourages staff to work in a more modern way and gives them a different level of contact with those they work with,” says Linda Tufvasson, designer at Struktur.

The new head office is in one of AGA’s old industrial buildings dating back to the early 20th century and remains in the Dalénum area of Lidingö, where AGA has been established since 1912. The historical industrial environment has been given a modern, more interesting look with furniture mainly from Johanson Design. The tables and sofas in the entrance, the sofas, tables and chairs in the airy atrium, all the chairs in the meeting rooms and all the furniture in the kitchen areas are from Johanson Design, giving the rooms a uniform, sober, Scandinavian look. “Johanson Design represents extremely high quality and matches the look we wanted to have in AGA’s premises, – both modern and solid. They’re sturdy, durable products,” says Tufvasson. “We did our homework well and looked at a lot of furniture,” says Klas Stylander. “I like what Johanson Design does, and the quality’s good at a very keen price.” The interior design concept is carefully thought out and has a clear golden thread. The desktops are all white, as are many other tables. All the chairs, armchairs and sofas have black as their basic colour. All the frames are in chrome. Colours are sneaked into the black and white concept as complementary colours in the seams of the furniture. “We’ve also done a lot of work on other details, partly to maintain a Swedish line and partly to refer to AGA’s rich heritage,” says Tufvasson. It was by no means clear that AGA would remain in Lidingö. Klas says that they also looked at premises in northern Stockholm to be closer to Arlanda airport. Finally, they settled on Lidingö, and the historical Dalénum area. Johanson Design’s key employee on the project was Alexander Lervik, who lives in Lidingö. He designed many of the pieces of furniture chosen for AGA’s office, including the Studio chair and U-Sit sofa. “Of course, it’s a nice twist that the designer is from Lidingö too,” says Stylander.

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Company cenino & Donna

Modern design meets history

Top of the line at Cenino & DonnaThe clothes shop Cenino started selling exclusive clothes in the 1980s in Helsingborg in southern Sweden. The company found its niche with beautifully designed, primarily Italian, clothes, shoes and accessories. The concept was a hit amongst discerning Swedish buyers. Just over a year ago they opened the doors on a newer and even more trendy fashion house. Brands such as Prada, Dolce & Gabbana, Chloé, Gucci, Dior, Dsquared, Armani and Neil Barrett are now represented there. They wanted to create a place where these fashion designers could be seen as they are in international capitals. The shop’s interior is more like an upmarket New York shop. “I do not believe there is anything similar outside the really big cities of Europe,” says Lars Kvist, the owner. “The choice of furniture for the shop was not that easy.” Lars was searching in many places for the right inspiration, Denmark being one of them. One of choices became Swedish. “We decided upon the black Flow armchair from Johanson Design. They fit extremely well in the raw and clean shop design.”

The u-sit seating concept, designed by Alexander Lervik, has a prominent place in AGA’s new office.

Brief information about AGAAGA was founded by the inventor and industrialist Gustav Dalén. From the start in 1904, the industrial company launched invention after invention – everything from radiators, film projectors and range finders to periscopes and heart-lung machines. The best known invention is probably the sun valve, which is still used today in lighthouses. Since the end of the 1960s, the company’s operations have been concentrated on gas. Industrial gas is used in a wide range of industries and areas, for example for welding, cooling, heating, industrial cleaning and lab analyses. Since 2000, AGA has been part of the German Linde group, which has 50,000 employees in 100 countries.

JOHANSON 2010 14

PRODUCT NeWS

The brave coat hanger recoils but manages to catch the rubber bows with its asymmetric form.

BOOMERANG Design Johan lindstén

Fore more informaton, please visit:www.johansondesign.se

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CARAT SPEED

RIB NEST

Design mattias ljunggren

Design Johan lindstén

Design Alexander lervik

Design Alexander lervik

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PRODUCTS

B-Bitz and U-Sit gives you endless possibilities. It́ s definitely a non-compromising seating system.

B-BITZ

U-SIT

Design Pinc/Team Johanson

Design Alexander lervik

Fore more informaton, please visit:www.johansondesign.se

JOHANSON 2010 17

SCOOP

PIANO LEVEL

MEDIA FLOWDesign Anders Hjelm

Design Alexander lervik

Design Simon Pengelly

Design Anders Hjelm

Design Anders Hjelm

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STUDIO

CABIN GAP

Design Alexander lervik

Design Alexander lervik

Design Simon Pengelly

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The chair Ios at Jumbo hostel in Arlanda, Stockholm

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Design Johan lindstén

CAPE

VENUS

COMET

LARGO

IOS

COSMOS

CUBA

VENUS

Design Team Johanson

Design B. Johanson

Design Team Johanson

Design R. Tillberg/B. Johanson

Design Team Johanson

Design Team Johanson

Design Alexander lervik

Design B. Johanson

Viggen, a popular classic, designed in the 70’s.

JOHANSON 2010 21

JOHANSON 2010 22

JACKIE VINGADesign mattias ljunggren

Design B. Johanson

KENNEDY VIGGEN Design B. Johanson

JOHANSON 2010 23

JOHANSON NEWS

Tested furnitureSeveral of Johanson Design’s furniture is tested through SP – Technical Research Institute of Sweden. The objective is to test all products and receive compliance with SS-EN 1730:2000 for tables and SS-EN 15373:2007 level 2 for chairs. You can download all test protocols under Technical info at www.johansondesign.se. Testing all furniture is an important step in the company’s future development.

environmentally committedEnvironmental commitment is vital to Johanson Design. During the last two years the company has prepared a new working model complying with the ISO 14001 standard. The objective is to implement the model during 2010. Another initiative is to label its products with the Nordic Ecolabel. Two of the new chairs, Carat and Rib, will hopefully be Eco labelled during spring 2010.

A Garden in the SkyKensington Roof Gardens in London is described as “a Garden in the Sky”, covering 1,5 acres, and is situated 30 metres above street level. The landscape architect Ralph Hancock created this oasis between 1936 and 1938, and the gardens has a great variety of plants, streams, fountains and flamingos. The roof also has a large dance floor as well as many bars. The Tudor Barbecue Restaurant is one of London’s best open-air restaurants and The Spanish Gar-den Cocktail Bar has flamenco on the menu. In the bar you’ll find Johanson Designs barstool Snaps, a classic item designed by Leo Thafvelin. Kensington Roof Gardens is situated at no 99, Kensington High Street, London W8. It’s really worth visiting.

moved into new premisesJohanson Design’s high growth rate has meant that the old and small premises have been inadequate for a long time. In order to secure continuous expansion and effective production flow company management has decided to invest in larger premises along the E4 motorway in Markaryd, Sweden. The total area of the new site is 8,000 square metres. It contains production, warehouse, office and exhibition. Johanson Design has been installed there since the summer of 2009.

Transit in Nordic lightJohanson Design presen-ting the new sofa ”conveyer” design by Alexander Lervik for his installation at Nordic Light Hotel in Stockholm. Alexander interprets the feeling of being on the move. During the win-ter, Nordic Light Hotel’s lobby will be transformed into a hub for arrivals and departu-res. The installation will open in connection with Stockholm Design Week 2010.

New website: www.johansondesign.seJohanson Design launched its new website in January 2010.Especially the product pages has been re-designed, to give the user a quicker overview over the different models. Product sheets (downloadable pdf’s) for each model offers further practical advan-tages. Here you can find all sorts of facts concerning the products, and the section “References” includes many nice environments for inspiration. Please visit our site and check out the many products we offer. Perhaps you’ll find a new favourite? Please contact caroline@johansondesign.se if you want to make a comment.

Home of the ArenasOld Trafford Manchester, New Wembley Stadium London, The Emirates Stadium London, Amsterdam Arena, Råsunda Stockholm, Nya Gamla Ullevi Göteborg, Malmö Arena and Lindab Arena Ängelholm. Johanson Design delivers furniture to many large sport arenas around Europe, and the list is getting longer. Remember to take a look at the furniture, not only the sports event, the next time you visit an arena. The furniture may be coming from Johanson Design.

JoHANSoN DeSIGN AB SE-285 35 Markaryd | Sweden | Phone +46 (0)433 72500 | Fax: +46 (0)433 72505 | E-mail: info@johansondesign.se | Website: www.johansondesign.se

You will fi nd more products & inspiration at www.johansondesign.se

U-SIT B-BITZ

B-BITZ/BILL

B-BITZ/BOB

NEST CHAIR

NEST LOUNGE

CAPE KENNEDY

COMET COSMOS CUBA FLOW MEDIA CABIN JACKIE SPEED

JOHANSON collecTIoN

SPEED EC RIB GAP STUDIO RIB W ARMREST DETROIT EC

DETROIT OFFICE

TEXAS

LARGO

CARAT

COBRA B-BITZ/BULL IOS JUPITER JACKIE BS CLASSIC

U-SIT BELLA PIANO LEVEL DIVA SPUTNIK SATELLITE VENUS

SCOOP RIB BS

SPEED BS

VINGA VIGGEN VINGA VENUS NEMO

STUDIO BS SATELLITE CLASSIC MIR SAMBA DETROIT T-BONE PLAIN

X-BONE XL VENUS BASE X-BONE OPAL PLAIN-B LONG JOHN CROWN BOOMERANG

NOWAY SNAPS

QCS