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John Constable, from lectures at the Royal Institution (June 1836) “...I am anxious that the world...

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John Constable, from lectures at the Royal Institution (June 1836) “...I am anxious that the world should be inclined to look to painters for information on painting. I hope to show that ours is a regularly taught profession; that it is scientific as well as poetic; that imagination alone never did, and never can, produce works that are to stand by a comparison with realities; and to show, by tracing the connecting links in the history of landscape painting, that no great painter was ever self-taught.” “…Painting is a science, and should be pursued as an inquiry into the laws of nature. Why, then, may not landscape be considered as a branch of natural philosophy, of which pictures are but experiments?”
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Page 1: John Constable, from lectures at the Royal Institution (June 1836) “...I am anxious that the world should be inclined to look to painters for information.

John Constable, from lectures at the Royal Institution (June 1836)

“...I am anxious that the world should be inclined to look to painters for information on painting. I hope to show that ours is a regularly taught profession; that it is scientific as well as poetic; that imagination alone never did, and never can, produce works that are to stand by a comparison with realities; and to show, by tracing the connecting links in the history of landscape painting, that no great painter was ever self-taught.”“…Painting is a science, and should be pursued as an inquiry into the laws of nature. Why, then, may not landscape be considered as a branch of natural philosophy, of which pictures are but experiments?”

Page 2: John Constable, from lectures at the Royal Institution (June 1836) “...I am anxious that the world should be inclined to look to painters for information.

Constable’s Study of Clouds at Hampstead, London

Page 3: John Constable, from lectures at the Royal Institution (June 1836) “...I am anxious that the world should be inclined to look to painters for information.

Study of Clouds, Ashmolean Museum

Page 4: John Constable, from lectures at the Royal Institution (June 1836) “...I am anxious that the world should be inclined to look to painters for information.

Clouds, 5 September 1822, National Gallery of Victoria

Page 5: John Constable, from lectures at the Royal Institution (June 1836) “...I am anxious that the world should be inclined to look to painters for information.

Road to ‘the Spaniards’, Hampstead, Philadelphia

Page 6: John Constable, from lectures at the Royal Institution (June 1836) “...I am anxious that the world should be inclined to look to painters for information.

Cloud study, horizon of trees 27 September 1821, Royal Academy of Arts, London

Page 7: John Constable, from lectures at the Royal Institution (June 1836) “...I am anxious that the world should be inclined to look to painters for information.

View from Hampstead Heath, looking towards Harrow, Manchester

Page 8: John Constable, from lectures at the Royal Institution (June 1836) “...I am anxious that the world should be inclined to look to painters for information.

Landscape with Clouds, New Art Gallery Walsall

Page 9: John Constable, from lectures at the Royal Institution (June 1836) “...I am anxious that the world should be inclined to look to painters for information.

Constable’s White Horse, New York

Page 10: John Constable, from lectures at the Royal Institution (June 1836) “...I am anxious that the world should be inclined to look to painters for information.

Constable’s Brighton Beach, Victoria & Albert Museum, London

Page 11: John Constable, from lectures at the Royal Institution (June 1836) “...I am anxious that the world should be inclined to look to painters for information.

Constable’s The Haywain, National Gallery, London

Page 12: John Constable, from lectures at the Royal Institution (June 1836) “...I am anxious that the world should be inclined to look to painters for information.

Bibliography

• Richard Hamblyn, The Invention of Clouds: How an Amateur Meteorologist Forged the Language of the Skies, the true story of Luke Howard. In 1803, Howard gave the clouds their names-cumulus, stratus, cirrostratus, cirrocumulus, and cirrus.

Copyright 2001.


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