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Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York)...

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1 Jonathan Fineberg Art Since 1940: Strategies of Being (2000)

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Page 1: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Jonathan Fineberg

Art Since 1940: Strategies of Being (2000)

Page 2: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 3: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 4: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 5: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 6: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 7: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 8: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 9: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 10: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 11: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 12: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 13: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 14: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 15: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 16: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 17: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 18: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 19: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 20: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 21: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 22: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 23: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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Page 24: Jonathan Fineberg Art since 1940...James Rosenquist (the central figures of pop art in New York) remained unambiguously within the realm of fine art, but within this essentially traditional

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