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academic
Towers in the Arbor | Fall 2010
Urban Wedge Connection | Fall 2008
24/7 Urban Orientation | Spring 2010
professional
Studio 9 Beauty Salon | Summer 2009
Residential Landscape | 2010-2012
Marketing Materials | 2010-2012
storytelling
Constructing Fiction | Spring 2011
Conceptual Environment Design | 2011-present
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78
projects
University of Michigan
Architecture and Environmental Design Bowling Green State University
M. Arch ‘11
B.S. Tech. ‘09
academic
F l o o r s : 1 3U n i t s : 2 2 7 To t a l s f : 2 5 4 , 5 5 3 s f
R e t a i l 5 2 9 5 s f C a f e 2 1 0 0 s fM e c h . / S e r v i c e 4 4 0 0 s fL o b b i e s 5 2 8 5 s fR e s i d e n t i a l 2 2 5 , 2 4 2 s fR e s . A m e n i t i e s 1 2 , 2 3 1 s f
This comprehensive team project proposes a 13-story
residential development with 227 affordable and
market-rate units, an underground parking garage, and
other resident amenit ies.
The dual tower + podium + courtyard massing al lows
for both the optimum amount of natural l ight to reach
the units and extensive community spaces and l ive/
work units on the ground f loor. Sustainabi l i ty features
were also developed, including green roofs and passive
thermal water heating.
U M | C o m p r e h e n s i v e D e s i g n S t u d i o | A n n A r b o r
P ro fe s s o r : D o u g l a s Ke l b a u g h | Pa r t n e r : J a m e s L e e
Towers in the ArborFa l l ‘ 1 0
UP
DOWN
UP
DOWN
UP
DOWN
UP
DOWN
UP
DOWN
UP
DOWN
SRO 375 sf 125 units
LIVE/WORK 700 sf 9 units
3BR1250 sf 24 units
2BR950 sf 12 units
600 sf 57 units
1BR
RESIDENTIAL UNITS: BUILDING BLOCKS
Residential (1BR and SRO)
Specialty Residential
Residential Amenities
Retail
Live/Work
Residential (2BR and 3BR)
STREET LEVEL: COURTYARD ENGAGEMENT
Lobby
Lobby
Lobby
LobbyPubl icPerformance Space
CoveredBike Storage
Semi-Publ ic Garden
Live/Work(Arts)
L ive/Work(Service)
Retai l
Retai lRestaurant
Cafe
BASEMENT GARAGE/SERVICE ACCESS
Street Level
Residential Storage
Loading Zone MechanicalMechanical
Garage Level Street Level
hanger wiresteel beam beyondsuspended plaster ceiling
thermal curtain (manual)double-pane glass sliding doorsteel cablefixed wooden shadessteel cage supporting balconiesrailing
pre-cast concrete slabSchöck connection (to prevent thermal bridge)
steel girderfinished floorsubflooringrigid foam insulationcast-in-place concretecomposite decking
DETAILS
Circulat ion
Egress
Mechanical Systems
FROM THE GROUND UP
land
scap
eha
rdsc
ape
exis
ting
build
ings
exis
ting
stre
et b
lock
s
M u l t i - l e v e l c i r c u l a t i o n
s p a c e s c o n n e c t s h o p p i n g a n d
p e r f o r m a n c e v e n u e s .
S e c t i o n a l v a r i a t i o n a l l o w s t h e
l a r g e p a r k t o b e b r o ke n d o w n i n t o
m o r e i n t i m a t e s p a c e s .
A v a r i e t y o f s u r f a c e s m a ke s
t h e p a r k a v e r s a t i l e s e t t i n g f o r
v a r i o u s f o r m s o f r e c r e a t i o n .
The eroding f igure-ground pattern of the c ity of Toledo
has left many gaping holes in i ts urban fabric. This
urban park proposal works to f i l l one of the holes with
a community center focused on connection.
The park derives i ts form from extending the surrounding
street gr ids into the interst it ia l space to create a pattern
of interlocking “f ingers.” The f ingers incorporate
exist ing s ignif icant cultural bui ldings as wel l as new
community, commercial , and civ ic constructions.
B G S U | D e s i g n S t u d i o 4 | To l e d o, O H
P ro fe s s o rs : S co t M a c P h e rs o n & D r. A n d re a s L u e s c h e r
Urban Wedge ConnectionFa l l ‘ 0 8
existing figure ground southwest grid northeast grid combined grids
fingers created by grids fingers within the site breakdown of fingers design proposal
N i g h tD a y
The famil iar gr id of NYC breaks down in lower Manhattan,
result ing is a loss of spatial def init ion and orientation
for pedestr ians. The s ite, Edgar Plaza, is an awkward
space that interrupts a major street of Greenwich
St. This k iosk proposal offers a gateway that v isual ly
reconnects the north and south ends of Greenwich St.
Based on the changing needs of pedestr ians throughout
the day, the kiosk’s program transforms from a
commuter-oriented newsstand and wireless hotspot
during the day to a community project ion screen and
tourist information hub at night.
U M | D e s i g n S t u d i o 2 | N e w Yo r k C i t y
P ro fe s s o rs : A d a m Ya r i n s k y & To ny Pa t t e rs o n
2 4 / 7 U r b a n O r i e ntat i o nS p r i n g ‘ 1 0
P r o p o s e d
Greenw
ich St.
Greenw
ich St.E x i s t i n g
Greenw
ich St.
Greenw
ich St.
1
4
2
3
5
6
7
7
8
4
Components
N i g h t t i m e c o n f i g u r a t i o n D a y t i m e c o n f i g u r a t i o ntime/temperature displaypay phones/charging stationsnewspapershorizontal shadescommunity information board interactive local mapbenchsubway entrance
1
2
3
4
5
6
7
8
2 : 3 673
2 : 3 673
2 : 3 673
2 : 3 673
Side Elevation
Benches and paving continue lines defined by kiosk into plaza.
Light steel and wood program elements contrast with heavy concrete frame.
Existing site remains untouched outside of Greenwich St. strip.
DAY
NIGHTStructureProgram/Events Circulation
2 : 3 673
Front Elevation
2 : 3 673
2 : 3 673
2 : 3 673
Concrete acts as frame for people-watching using the city as a backdrop.
View down Greenwich St. is unobstructed by thin program elements.
Kiosk highlights sharp slope of site by remaining level.
Neighboring subway entrances and exits allow easy access for commuters.
Arthur E. Kalajian & Associates
Zaremba and Company
Troy, MI
Clarkston, MI
professional
Arthur E . Ka la j ian & Assoc iates
Ster l ing He ights , MI
Des igns by Arthur E . Ka la j ian
Studio 9 Beauty Salon
S u m m e r ‘ 0 9
Zaremba and Company
Des igns and hand drawings by Patr i ck Zaremba
Residentia l Landscape
2 0 1 0 - 2 0 1 2
“Partchenko” Project
Landscape Plan
“Partchenko” Project
Hardscape Layout
“Partchenko” Project
Constructi on Details
At Zaremba & Company, we collaborate with some of the region’s premier architects, builders, and interior designers with one goal in mind: to create beautiful landscapes that are a naturalextension of the home’s exterior and blend seamlessly into the surroundings. From conceptto construction, we employ an enthusiastic team of experts and skilled craftsmen to design,manage, and build your project.
This process is what we cal l ‘ the art of transformation’: transforming what were once ordinary spaces into
extraordinary landscape settings.
Allow us to collaborate with you during the planning stages to design and budget a trulyremarkable garden space for your upcoming projects. Please contact us to see how our referral program would complement you and your clients. I look forward to talking with you.
Explore our online portfolio and see how a great garden design can dramaticallyenhance & differentiate your architecture: www.zarembaandco.com
P.O. Box 695 Clarkston, MI 48347 | t: 248.922.3300 | f: 248.922.3303 | [email protected]
Sincerely,
Patrick ZarembaPresident
A N I N V I T A T I O N
P.O. BOX 695CLARKSTON, MI 48347
248.922.3300www.zarembaandco.com
Inspiration + Vision = Beautiful Outdoor Living Spaces
Zaremba and Company
Marketing Mater ia ls
2 0 1 0 - 2 0 1 1
P.O. BOX 695 CLARKSTON, MI 48347 P: 248 922 3300 F: 248 922 3303P.O. BOX 695 CLARKSTON, MI 48347 P: 248 922 3300 F: 248 922 3303
N E W C O N S T R U C T I O N A N D R E N O V A T I O NN E W C O N S T R U C T I O N A N D R E N O V A T I O N
GARDEN DESIGN & INSTALLATIONGARDEN DESIGN & INSTALLATION
t: 248.922.3300 | f: 248.922.3303 www.zarembaandco.com
t: 248.922.3300 | f: 248.922.3303 www.zarembaandco.com
services offered
contact our office to discuss how we can enhance your property
248.922.3300
-Clean-up
-Bed renewal
-Bed re-edging
-Mulch
-Enhancement plantings
Ongoing maintenance
Comprehensive and
creative design schemes
-Plantings
-Lighting
-Patios
-Walks
Complete construction (turn key)
-Bed installation
-Drainage
-Retaining walls
-Step systems
together we can create the perfect outdoor environment.
Your inspiration and our vision….
storytelling
M. Arch Thesis
original novel (WIP)
The work explores individual and group inhabitat ion,
agency over materials , and environmental interact ion
using f ict ional characters and scenarios.
The players are abstract ions from several of my works
of or iginal f ict ion. Removed from their or iginal l i terary
context, they become three archetypal characters with
dist inct spatial att itudes.
After establ ishing the characters in their current
s ituation, the work explores their roles and engagement
with creating a new situation for themselves by way of
a v isual narrat ive.
The imagined world of the f ict ion inspires architecture.
Architecture expands f ict ion to i ts v isual and spatial
l imits.
U M | M a s t e rs T h e s i s |
P ro fe s s o rs : Ro b e r t A d a m s a n d D a w n G i l p i n
Construct ing F ict ionW i n t e r ‘ 1 1
THE PLAYERS:
THE AMNESIAC
O B J E C TO F T H E P R E S E N T H i s i d e n t i t y a n d a b i l i t y t o s t o r e
m e m o r i e s a r e l o s t . H e h a s n o p a s t o r f u t u r e . H e r e l i e s o n i n s t i n c t . H e d o e s n o t k n o w w h y.
THE ORPHANS
T h e i r f a v o r i t e w o r d s a r e “ w i l l ” a n d “ t o m o r r o w.” T h e y a r e h e d o n i s t i c i n t h e b e s t s e n s e o f t h e w o r d .
F u l l o f e n e r g y, t h e y a r e c o n s t a n t l y m o v i n g a n d c o n s t a n t l y b u i l d i n g i n o r d e r t o p r e p a r e f o r To m o r r o w.P R O D U C T S
O F T H E F U T U R E
THE K INGH i s a c t i o n s a r e d i c t a t e d b y y e a r s o f t r a d i t i o n . H e i s a m a n o f s y m b o l s .
H e l o n g s t o b u i l d a t o w e r, t h e s y m b o l o f p o w e r a n d p r o t e c t i o n a n d i n f a m y t h a t w i l l s e c u r e h i s l e g a c y.
S L AV ETO T H E PA S T
T h e O r p h a n s d e s p i s e t h e K i n g a n d h i s p o w e r a n d l a u g h a t t h e h o p e l e s s p l i g h t o f t h e A m n e s i a c .
T h e K i n g s c o f f s a t t h e O r p h a n s a n d p i t i e s t h e A m n e s i a c .
T h e A m n e s i a c m a ke s n o a t t e m p t t o u n d e r s t a n d t h e o t h e r s .
TOGETHER
T H E P L AY E R S S E E K TO C R E AT ET H E I R O W N S PA C E
T H E P L AY E R S H A P P E N U P O N A F E AT U R E L E S S L A N D S C A P E , A WA S T E L A N D L I T T E R E D W I T H D I S C A R D E D M AT E R I A L S .
S E N S I N G T H E I R I N F E R I O R M E T H O D S , T H E O R P H A N S B E G I N T H E A C T O F S A B OTA G E
THE CONFLICT
THE SCENARIO
T H E O R P H A N S B U I L D R E C K L E S S LY TO O U T D O T H E K I N G
T H E A M N ES I AC S TA RT S A N D S TO P S , M I M I C S T H E OT H E RS W H E N H E C A N
T H E K I N G R E C R E AT E S T H E R E L I C O F H I S P O S I T I O N W I T H D E L I B E R AT E P R O G R E S S
THE AMBIT IONS
THE AMNESIAC SENSES DANGER AND STARTS HIS FL IGHT.
THE CL IMAX
WHAT REMAINS IS A FEATURELESS LANDSCAPE, A WASTELAND LITTERED WITH DISCARDED MATERIALS
THE EFFECTS OF THE ORPHANS’ SABOTAGE ARE FELT BY ALL.
THE END
THE R IS ING ACTION
Conceptual Environmental Design
2 0 1 1 - p r e s e n t
B a s e d o n a n o r i g i n a l n o v e l i n p ro g r e s s
At the h ighest po int o f the cap i ta l c i ty, the Ho ld stands
as sent ine l . To i t s back , a sheer c l i f f wa l l ex tends down
far ther than the eye can see . Fa l l ing sheets o f water
sp i l l over the edge and d i sappear into c louds o f f ine
mist .
With in the Ho ld ’s wal l s o f whi te stone , squ i res c ross
the i r wooden swords in p lay whi le o ld kn ights look on
in nosta lg ia . Apprent ices learn to swing a hammer
a longs ide masters worn f rom long years o f to i l .
K ings are made and broken. Legends are born .
Sons of Ursaea
September 2012
Words: 98,100
Pages: 133
1 castle
2 statue and platform
3 market
4 gate from city
5 stables
6 barracks
7 craftsmen and shops
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