The Future of Jazz is Here

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Contents

2 Greetings from Juilliard President Joseph W. Polisi

3 Juilliard Jazz at 10 by Juilliard Jazz Artistic Director Carl Allen

4 Tonight’s Program – Juilliard Jazz at 10 Swingin’ Alumni Reunion

7 Juilliard Jazz – A Brief History

8 Meet Tonight’s Artists

20 Juilliard Jazz Calendar of Events, Spring-Summer 2011

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It is with considerable enthusiasm and pride that I welcomeyou all to this special celebration of ten years of Jazz atJuilliard. As I have said so often during these ten years,

I cannot imagine how Juilliard survived without jazz beforethe initiation of this great program.

Our young jazz artists and the members of the faculty havebecome an integral part of the Juilliard experience, throughcollaborative performances and concerts and tours beyondthe walls of our School. With creativity, energy, discipline,and pure joy, Juilliard’s jazz program has had a transformative impact on Juilliard and theworld beyond. We look forward to many more years of swing and joyful sounds withinthe halls of this great School through the creativity of our jazz artists.

Joseph W. Polisi

Greetings from JuilliardPresident Joseph W. Polisi

2001, Juilliard Institute for Jazz Studies welcomes its first class of students.

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Greetings Jazz Community,

As the Juilliard Jazz department celebrates its 10th year,I express sincere gratitude to all who have contributedto this milestone. As a musician who learned in the

classroom as well as on the bandstand, it has been my distincthonor to replicate that environment in this educationalinstitution. Along with our incredible faculty, I grew up withthe great fortune of witnessing the giants of jazz – theinspiring musicians who created this art form. The lessonsthat one must learn about how to play jazz music come fromperformance experience, and playing with the masters on a consistent basis allows one todiscover which techniques are most effective. When you implement what you learn fromthe classroom to the bandstand, you get the feedback that molds you into the bestmusician possible.

Our talented students have grown as young artists by studying and performing withseasoned artists as well as with their peers. They tour on the road, gaining the skills necessaryto network for a career in jazz and to navigate in diverse cultures. We often give the studentsopportunities to teach, which we feel is essential to the success of their careers and to theirmusical development. We give them as many performance opportunities as possible in anarray of environments and situations so everyone understands how to effectivelycommunicate this music, whether in a small venue, concert hall, or stadium. We believe inthe philosophy “each one, teach one” – that every student be afforded the opportunity tobe a sideman and a leader and understand what it means to be in each role. Juilliard Jazzstudents are able to function and perform as a group, but they also have remarkableimprovisation abilities. They want to be challenged by our faculty, by their peers, guest artistsand by themselves. We expose the students to today’s jazz masters, the byproduct of whichis for the great artists to employ them. Thus, for the next generation of jazz musicians, thefuture of jazz is here.

Carl Allen

Juilliard Jazz at 10 by Juilliard JazzArtistic Director Carl Allen

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The Juilliard SchoolJoseph W. Polisi, President

Laurie A. Carter, Vice President and General Counsel, Executive Director of Jazz StudiesCarl Allen, Artistic Director of Jazz Studies

Thursday, March 31, 2011 at 8 PM • The Peter Jay Sharp Theater

With Co-HostsChristian McBride and David Sanborn

Juilliard Jazz Alumni OrchestraBrandon Lee, Conductor

First Choice Bank and the Parkinson Allianceare Title Sponsors for tonight’s event.

REEDSSharel Cassity, Alto SaxophoneJordan Pettay, Alto SaxophoneChristopher Madsen, Tenor SaxophoneLucas Pino, Tenor SaxophoneCarl Maraghi, Baritone Saxophone

TRUMPETSEtienne CharlesDominick FarinacciJustin KisorMatthew Jodrell

TROMBONESJames BurtonMichael DeaseRyan KeberleJennifer Krupa

RHYTHM SECTIONLage Lund, GuitarMayuko Katakura, PianoYasushi Nakamura, BassBen Williams, BassCarmen Intorre, DrumsJerome Jennings, Drums

JuilliardJAZZ

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Swingin’Alumni Reunion

With Special Guest ArtistsChristian McBride, BassDavid Sanborn, Alto SaxophoneBenny Golson, Tenor SaxophoneJimmy Heath, Tenor SaxophoneBenny Green, PianoMonty Alexander, PianoCarl Allen, DrumsKenny Washington, Drums

Tonight’s special concert features both remarkable jazz masters and jazz’snext generation in collaborative performances of music classic and new.

PROGRAM

Swingin’ at the Haven Ellis Marsalis, Arr. Jennifer Krupa

Heavy Dreaming Ryan Keberle

Whisper Not Benny Golson

Meandering Willie Applewhite

INTERMISSION

Fried Bananas Dexter Gordon

The Good Life Sacha Distel

Gingerbread Boy Jimmy Heath

Never Let Me Go Livingston/Evans, Arr. Christopher Madsen

Touch Brandon Lee

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Bachelor of MusicMaster of MusicArtist Diploma� Extraordinary Faculty� Tailored Curriculum, with Weekly Private Study � Regular Performance Opportunities � International Touring � World-Renowned Guest Artists

Apply by December 1 each year;auditions follow in March for entrance in September

Applicants must meet Juilliard’s jazz audition requirements

B.M. requires high school diploma or equivalent

M.M. requires bachelor degree

Artist Diploma (a post-graduate, tuition-free program)requires college degree and extensive experience

Send Applications and Pre-Screen Recording to:Juilliard Admissions, 60 Lincoln Center Plaza, NY, NY 10023(212) 799-5000 • www.juilliard.edu/jazz

Carl AllenArtistic Director

Laurie A. CarterExecutive Director

Benny GolsonArtistic Consultant

Christian McBrideArtist in Residence

Benny GreenVisiting Artist

SaxophoneRon BlakeJoe Temperley

TrumpetEddie HendersonChristian JaudesJoseph Wilder

TromboneConrad HerwigSteve Turre

PianoKenny BarronFred HerschFrank Kimbrough

BassRon CarterRay DrummondBen Wolfe

GuitarRodney Jones

DrumsCarl AllenBilly DrummondKenny Washington

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Juilliard Jazz is the most innovative jazz education program today. Conceptualized byJuilliard’s president, Dr. Joseph W. Polisi, and Wynton Marsalis, the program initiallybegan as a collaboration with Jazz at Lincoln Center. It now stands on its own as the

model of jazz education others seek to emulate. Juilliard Jazz has adapted the tradition oflearning jazz on the bandstand for the collegiate environment. Students of all degreelevels regularly perform together as well as with the faculty. National and internationaltouring is an integral component of the program. Students conduct master classes andclinics, and learn first-hand how to travel and work on the road. They are introduced todifferent cultures and venues in preparation for careers in jazz. Students also have theopportunity to teach alongside the jazz faculty. JuilliardJazz offers degrees at bachelor, master, and artistdiploma levels. The curriculum combines tailored studioand course work with professional performanceopportunities designed to successfully integrate studentsinto a thriving jazz environment.

Artistic Director Carl Allen and Executive DirectorLaurie Carter have assembled a faculty comprised ofmany of the most accomplished performer/educators injazz today. The faculty includes Sir Ron Carter, KennyBarron, Kenny Washington, Phil Schapp, Rodney Jones,Ron Blake, and Steve Turre. Artistic consultant BennyGolson heads the roster of resident artists that alsoincludes Benny Green and Christian McBride. Allen’sartistic leadership is manifest in a master teacher rosterthat includes Frank Wess, John Clayton, Pat Metheny,Terrence Blanchard, Jon Faddis, and Curtis Fuller. Theseguest artists work with the students in an intensiveresidency format. The Juilliard Jazz faculty workcollectively to prepare the students for life after Juilliard.Since the program’s inception, Juilliard Jazz alumni LageLund, Jon Irabagon, and Ben Williams have all won theprestigious Thelonius Monk Competition. The facultyensemble, the Juilliard Jazz Quintet, opened The Juilliard School’s concert season inSeptember 2010 to celebrate the beginning of an extraordinary 10th year.

Today, the Juilliard Jazz Orchestra and its ensembles play more than 50 performancesannually, including appearances at the Detroit Jazz Festival and New Orleans Jazz andHeritage Festival, and tour to destinations such as Costa Rica, Colombia, Japan, Spain, andBrazil. The ensembles perform regularly at Dizzy’s Club Coca-Cola and the world-renowned Blue Note in New York City. For the past several seasons they also have enjoyedweek-long runs at Jazz at Lincoln Center with guest artists such as Kenny Barron, LewTabackin, Gerald Wilson, Bobby Watson, Ernie Andrews, Tom Harrell, and Sean Jones.

Juilliard JAZZA Brief History

“After having manyexperiences withdifferent jazzeducation programs,I can say withouthesitation that TheJuilliard School’s jazzprogram is top-notch. The level ofseriousness withwhich the studentsapproach the musicis impressive. Thestaff has provedunequivocally thatjazz should be a partof the esteemedJuilliard curriculum.”- Christian McBride

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Meet Tonight’s Artists

THE HOSTS

Bassist, composer, arranger, educator, curator, and administratorChristian McBride, a Grammy Award winner, has been one of the mostimportant and most omnipresent figures in the jazz world for twentyyears. Philadelphia-born, Mr. McBride moved to NYC to further hisclassical studies at Juilliard, only to be snatched up by alto saxophonistBobby Watson. As a sideman in the jazz world, he’s worked with FreddieHubbard, Sonny Rollins, J.J. Johnson, Ray Brown, Milt Jackson, McCoy

Tyner, Roy Haynes, Chick Corea, Herbie Hancock, and Pat Metheny. In the R&B world, he’snot only played with, but also arranged, for Isaac Hayes, James Brown, Natalie Cole, ChakaKhan, and Lalah Hathaway. In the pop/rock world, he’s collaborated with Sting, Carly Simon,Don Henley, and Bruce Hornsby. In the hip-hop/neo-soul world, he’s collaborated with Roots,D’Angelo, and Queen Latifah. In other specialty projects, he’s worked closely with operalegend Kathleen Battle, bass virtuoso Edward Meter, the Shanghai Quartet, and the SonusQuartet. Since 2000, he has been a bandleader with the Christian McBride Band.

One of the most commercially successful American saxophonists to earnprominence since the 1980s, David Sanborn has inspired countlessother musicians. Although Mr. Sanborn has worked in many genres, hissolo recordings typically blend instrumental pop, R&B, and lately, moreand more traditional jazz. He released his first solo album, Taking Off, in1975, but has been playing saxophone since before he was in highschool, when he was inspired by the great Chicago blues artists near his

hometown of St. Louis. In fact, having contracted polio at the age of three, Sanborn learnedthe saxophone as part of his treatment therapy.

Veteran bassist and composer Marcus Miller joined Sanborn on the 1981 album Voyeurand the single “All I Need Is You” won Sanborn his first Grammy Award for Best R&BInstrumental Performance. In his three-and-a-half decade career, Mr. Sanborn has released24 albums, won six Grammy Awards, and has had eight Gold albums and one Platinumalbum. He continues to be one of the most highly active musicians of his genre. Consideredas a whole, he is an artist who pushes the limits and continues to make music that challengesthe mind and goes Straight to The Heart.

GUEST ARTISTS

In a career spanning five decades, pianist Monty Alexander has builta reputation exploring and bridging the worlds of American jazz,popular song, and the music of his native Jamaica, finding in each asincere spirit of musical expression. In the process, he has performedand recorded with artists from every corner of the musical universe andentertainment world: Frank Sinatra, Tony Bennett, Ray Brown, DizzyGillespie, Sonny Rollins, Clark Terry, Quincy Jones, Ernest Ranglin,

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Barbara Hendricks, Bill Cosby, Bobby McFerrin, Sly Dunbar, and Robbie Shakespeare,among others.

He maintains an active touring schedule, from intimate jazz clubs to concert halls andjazz festivals around the globe. His collaborations span multiple genres, styles, andgenerations. A testament to his versatility, The Good Life, on Chesky Records is a collectionof songs written and popularized by one of his all time favorite artists and good friends, TonyBennett. As a leader, he has recorded more than 60 albums to date. In 2000, the JamaicanGovernment awarded Monty Alexander the title of Commander in the Order of Distinctionfor outstanding services to Jamaica as a worldwide music ambassador. His current release onthe popular label Jazz Legacy Productions is titled Uplift.

With more than 200 recordings to his credit, the Milwaukee-bornCarl Allen, Artistic Director of Juilliard Jazz, is a New York-baseddrummer, sideman, bandleader, entrepreneur, and educator whosepropulsive percolations have provided soulful and syncopated supportfor three decades. Born in 1961, Mr. Allen grew up on gospel, R&B, andfunk, but later turned to jazz after hearing an LP by saxophonist BennyCarter. He studied with drum instructor Roy Sneider and band director

Robert Siemele. His first hometown gigs were with sax greats Sonny Stitt and James Moody. Mr. Allen studied at the University of Wisconsin at Green Bay from 1979 to 1981, and

transferred to William Paterson College in New Jersey, where he graduated in 1983 with abachelor of music degree in Jazz Studies and Performance. He joined trumpeter FreddieHubbard a year before his graduation, served as his musical director for eight years, andmade many recordings with the trumpeter including Double Take and Life Flight. Mr. Allenalso has performed with Michael Brecker, Randy Brecker, Jennifer Holliday, J.J. Johnson,Sammy Davis Jr., Branford Marsalis, Kenny Garrett, Lena Horne, Ruth Brown, Wayne Shorter,Herbie Hancock, Bobby Hutcherson, Mike Stern, Nellie McKay, Phil Woods, Benny Green,Cyrus Chestnut, Joe Henderson, Billy Childs, and many others. Mr. Allen’s sidemandiscography also includes Jackie McLean (Dynasty), Donald Harrison (Indian Blues, NoveauSwing), Donald Byrd (A City Called Heaven), and Art Farmer (The Company I Keep).Piccadilly Square, released in 1989, was Mr. Allen’s first CD as leader, followed by The DarkSide of Dewey, The Pursuer, Testimonial, and Get Ready, his 2007 Mack Avenue debutrelease with bassist Rodney Whitaker. Mr. Allen was again joined by Mr. Whitaker for arecently released second album, Work to Do.

Benny Golson is an internationally famous jazz legend. He has playedin the bands of Benny Goodman, Dizzy Gillespie, Lionel Hampton, EarlBostic, and Art Blakey. He has made major contributions to the world ofjazz with such standards such as Killer Joe, I Remember Clifford, AlongCame Betty, Stablemates, Whisper Not, Blues March, and Five SpotAfter Dark. He has recorded over 30 albums for many recordingcompanies in the United States and Europe under his name and with

other major artists. He has written more than 300 compositions. His prolific writing includesscores for hit TV series and films, such as M*A*S*H, Mission Impossible, The AcademyAwards, Bill Cosby’s last TV show, and many others. He has been honored with doctoratesfrom William Paterson College and Berklee School of Music and was named an NEA JazzMaster in 1996. In 2003, he appeared in Steven Spielberg’s The Terminal with Tom Hanks,which premiered in June 2004.

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Benny Green Born in New York in 1963, Benny Green grew up inBerkeley, California, and began classical piano studies at the age ofseven. Influenced by his father, a tenor saxophonist, his attention soonturned to Jazz: Benny played in school bands before hooking up withJazz singer Fay Carroll. Since then, Green has performed with BobbyWatson, Betty Carter (1983 – 1987), and Art Blakey’s band, which hejoined in 1987. He remained a Jazz Messenger through late 1989 and

then began working with Freddie Hubbard’s quintet. In 1993, Oscar Peterson chose Mr.Green as the first recipient of the City of Toronto’s Glenn Gould International Protégé Prizein Music. That year, he replaced Gene Harris in Ray Brown’s Trio, working with the veteranbass player until 1997. From 1997 on, he resumed his freelance career, leading his own trios,accompanying singers like Diana Krall and concentrating on his own solo pianoperformances. His recording career includes more than 100 sessions. He continues to tourand teach. He recently completed a ten-week engagement as the musical director of theMonterey Jazz Festival All-Star 50th Anniversary Tour. Green’s latest album, titled Source, isavailable on Jazz Legacy Productions.

Jimmy Heath has long been recognized as a brilliant instrumentalist anda magnificent composer. He is the middle brother of the legendary HeathBrothers (Percy Heath/bass and Tootie Heath/drums) and is the father ofMtume. Mr. Heath has performed with nearly all of the jazz greats of thelast 50 years, from Howard McGhee, Dizzy Gillespie, and Miles Davis toWynton Marsalis. During his career, he has performed on more than 100record albums including seven with The Heath Brothers and twelve as a

leader. He also has written more than 125 compositions, many of which have become jazzstandards and have been recorded by other artists.

Heath is also a respected arranger and is credited with 130 compositions and 12 CDsas a leader. His compositions have been played and recorded by Dizzy Gillespie, Miles Davis,Ahmad Jamal, Cannonball Adderley, Chet Baker, Clark Terry, Dexter Gordon, Milt Jackson,Yusef Lateef, Blue Mitchell, and the Jazz at Lincoln Center Orchestra. Heath is also leader ofthe Jimmy Heath Big Band. In 2003, Heath was named an NEA Jazz Master. Currently, hemaintains an extensive performance schedule and continues to conduct workshops andclinics through the United States, Europe, and Canada.

One of the many young hard-bop revivalists to have arrived on the scenein the late 1970s and early 1980s, Kenny Washington has been indemand by more established musicians, playing with such veterans asLee Konitz, Betty Carter, Johnny Griffin, Dizzy Gillespie, Clark Terry, andTommy Flanagan. He studied with Dizzy Gillespie drummer Rudy Collins,and attended the LaGuardia High School for Music and Art. A prolificfreelancer with an enormous discography, he has a strong interest in jazz

history and has written liner notes for and/or helped prepare classic jazz re-releases by ArtBlakey and Count Basie, among others. He has worked as an announcer at the New Jerseyjazz radio station, WBGO. He has been on the faculty of The Juilliard School since 2008.

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JUILLIARD JAZZ ALUMNI ORCHESTRA

James Burton III, trombonist, composer, arranger and educator, is amonga new wave of musicians hitting the jazz scene with an expressive soundsteeped in the tradition. Burton is a Summa Cum Laude graduate of JackieMcLean’s Institute for Jazz Studies and the Juilliard Jazz Studies ArtistDiploma program. Burton recently completed a Master’s in Jazz Studiesfrom The Juilliard School, studying with trombone icon Steve Turre. Burtonhas performed alongside many great jazz artists, including Illinois Jacquet,

Gerald Wilson, James Moody, Frank Wess, Jimmy Heath, Slide Hampton, Herbie Hancock, JonFaddis, and Eric Alexander. Burton has also performed with the Ray Charles Orchestra, DukeEllington Orchestra, Count Basie Orchestra, Lionel Hampton Orchestra, Dizzy Gillespie All-StarBig Band, Carnegie Hall Jazz Orchestra, Lincoln Center Jazz Orchestra, and the Roy HargroveBig Band. James has played many venues and festivals, including the Litchfield Jazz Festival,Berghausen Jazz Festival (Germany), Spoleto Festival, Tim Festival (Rio de Janeiro), LionelHampton Festival, Avery Fisher Hall, Aaron Davis Hall, Birdland, Iridium, Jazz Standard, Smoke,Rose Theater, Smalls, Scullers, Regatta Bar, B.B. King’s Club, and Tanglewood. Burton iscurrently the Director of Jazz Studies at Snow College in Ephraim,Utah.

While most girls were interested in playing with dolls at the age ofeight, Sharel Cassity was begging for a saxophone. Thankfully, shereceived an old Conn alto for Christmas the following year, and “therest is history,” as she is developing into one of today’s most vibrantjazz saxophonists. After living in New York for two years, Cassityearned a scholarship to the New School of Jazz and ContemporaryMusic to complete her B.A., and it was there that she studied with

saxophonists Vincent Herring and Steve Wilson. In 2005, Cassity gained entry to the JazzStudies program at The Juilliard School and completed her Master’s degree under thedirection of saxophonist Victor Goines. At Juilliard, Cassity formed relationships withclassmates Michael Dease and Thomas Barber, who also appeared on her first solo album,Just for You (DW Records, 2008). Cassity’s mission is “to use the history of blues, swing,bebop, post bop and contemporary jazz to reflect the sound of my generation and thetime we are living.” Cassity’s sophomore release, Relentless (Jazz Legacy Productions), hasbeen described as a testament to her abilities as a performer and writer, and a shiningexample of her poise, song-bird lyricism, and purpose.

Born on the island of Trinidad in 1983, Etienne Charles defies easymusical categorization. Immersed in his father’s vast record collectionand suffused with the sounds of calypso, steel pan, and AfricanShango drumming, Etienne imbibed many of the influences thatpresently constitute the diverse colors of his harmonic palette. Analumnus of The Juilliard School, Charles has received critical acclaim forhis exciting performances, thrilling compositions, and a knack for

connecting with audiences worldwide.In 2006, Charles, won the Jazz Division of the National Trumpet Competition at George

Mason University and released his debut album, Culture Shock, to critical acclaim. In 2009,Etienne, a former Juilliard Morse Fellow and William Schuman Prize Winner releasedFolklore, an enticing album of original music melding jazz improvisation and harmony with

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folk rhythms and chants inspired by the African experience of Trinidad & Tobago. The albumwas named the #6 Jazz Album of 2009 by NPR. In July, Charles will release his third album,Kaiso, on his independent label Culture Shock Music.

He has performed and recorded with greats in many genres, including Roberta Flack,Wynton Marsalis, Johnny Mandel, Ralph MacDonald, Maria Schneider, the Count BasieOrchestra as well as Marcus Roberts, Monty Alexander, Gerald Wilson, Frank Foster, ReneMarie, Lord Blakie, and David Rudder. He is currently an Assistant Professor of Jazz Studiesat Michigan State University.

Michael Dease has been recognized as the premier jazz trombonist ofhis generation. Since moving to New York in 2001, Dease has performedand recorded with Roy Hargrove, Jimmy Heath, Illinois Jacquet, WyntonMarsalis, Christian McBride, Nicholas Payton, Claudio Roditi, SlideHampton, Charles Tolliver, Mark Whitfield, the Dizzy Gillespie All-Stars,and a host of others. Dease received the B.M. and M. M. from TheJuilliard School, completing studies with renowned teachers Joseph

Alessi, Victor Goines, Wycliffe Gordon, John Lee, and Steve Turre.As a recording artist for Jazz Legacy Productions, Dease’s fourth CD as a leader, Grace

(JLP, 2010) met with rave reviews across the jazz community. Other releases include Clarity(Bluesback, 2008), Dease Bones (D Clef, 2007), and The Takeover (2005). His other passionsinclude the operation of his record label, D Clef Records, and educational activities as aninstructor at Queens College CUNY, and The New School, NYC. Many of Dease’s formerstudents have won international competitions, gained entrance to the world’s finest musicconservatories, and excelled as professional musicians.

Cleveland native Dominick Farinacci has had a tremendous amount ofsuccess both nationally and worldwide. When Dominick was only 17 yearsold, Wynton Marsalis heard him play in Cleveland and invited him to NewYork City to perform on a special PBS “Live from Lincoln Center” broadcast.Shortly after that, Dominick was one of 18 artists invited to be a part of theinaugural class of the Jazz Studies program at The Juilliard School. Whileattending Juilliard, Dominick balanced his studies with his professional

career, signing a major record contract with a Japanese record label that sky-rocketed his careerthroughout Japan. His CD’s placed #1 on the jazz charts in Japan and garnered him theInternational New Star Award. In America, he was awarded 1st place honors in the CarmineCaruso International Trumpet Competition and the New Star Award from Disney, and hascontinued to make a name for himself touring the country headlining major clubs andfestivals. Last February he released his U.S. debut CD, Lovers, Tales & Dances, collaboratingwith the legendary producer Russ Titleman, who has produced hits for Eric Clapton, JamesTaylor, and many others. He will release his second U.S. CD on July 26th, 2011, Twilight Blue.

Born in Buffalo, NY, Carmen Intorre developed an early interest inmusic and began playing drums at age five. A graduate of the Institutefor Jazz Studies at The Juilliard School, he has already performed andrecorded with numerous musicians such as George Benson, BennyGolson, George Coleman, Bucky Pizzarelli, Dr. Lonnie Smith, LewTabackin, Larry Coryell, Bobby Watson, and many others. Carmen co-produced and recorded on Joey DeFrancesco’s latest CD, Never Can Say

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Goodbye: The Music of Michael Jackson, which received a 2011 Grammy Nomination inThe Best Contemporary Jazz Album of the Year category.

Carmen also performs with Joey DeFrancesco and had the pleasure of performingwith him alongside Dr. Lonnie Smith on the PBS show “Legends of Jazz,” hosted byRamsey Lewis.

Currently, Carmen performs with vocalist Hilary Kole, vibraphonist Joe Locke, andorganist Pat Bianchi. Carmen just completed recording his debut CD as a leader forRandom Act Records. The CD will feature performances by Joey DeFrancesco, Pat Bianchi,John Hart, Jon Irabagon, and Bob Belden, and is scheduled for release in Spring 2011.

Jerome Jennings’ love and respect for the music is undeniable. Hisevident skill and sincere appreciation of music and education ledJerome to Ohio State University on a full music scholarship. In 2002 hetransferred to Rutgers University to complete his Bachelors Degree.Jerome received his Masters Degree from The Juilliard School, in 2007.During his time at Juilliard, Jerome became the first Jazz Studiesrecipient of the Morse Fellowship. In the summer of 2006, he

participated in the National Educators Workshop and was introduced to the aestheticphilosophy and teaching concepts of Maxine Greene. He began his work as a MorseFellow in 2006 and fell in love with teaching.

Currently, Jerome is keeping extremely busy teaching and performing nationally andinternationally. Jerome has performed with Ernestine Anderson, Houston Person, SonnyRollins, Hank Jones, Paula West, Mike “Philly” Phillips, Slide Hampton, Allan Harris, LittleJackie, Benny Golson, Wynton Marsalis, Gerald Wilson, Tim Reis, Bernard Fowler, BennyPowell, The Mingus Big Band, The Count Basie Orchestra, Sean Jones, Ray Charles, RonnieMathews, Curtis Fuller, Johnny O’Neal, and many more.

Born in Sendai, Japan to two jazz musicians, Mayuko Katakuraseemingly has jazz in her DNA. She began playing piano at age five,and throughout her childhood studied mostly classical music. As shegot older, Thelonious Monk became her main influence. While still astudent at Sezoku Gakuen Junior College, she was invited to join aband with former Berklee faculty member Bob Zung and alumnusMasakiko Osaka. After graduating, Katakura performed with SeiichiNakamura, Kazunori Sawada, and many other notable jazz musicians

in Japan. In 2003, she came to Boston to study at Berklee College of Music. Aftergraduating, Katakura attended The Juilliard School, where she studied with Kenny Barron,Carl Allen, and Ben Wolfe. In 2006, Katakura won the Mary Lou Williams Women in JazzPiano Competition and went on to perform at the 2007 Mary Lou Williams Women in JazzFestival. She was also a semi-finalist in the Thelonious Monk Competition. Currently,Katakura is an active pianist in Japan, and plays with great musicians such as BranfordMarsalis and Tineke Postma. She has released two albums on a major Japanese recordlabel, recorded with Carl Allen, Yasushi Nakamura, and Rodney Whitaker.

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Since his arrival in New York City 10 years ago, jazz trombonist andcomposer Ryan Keberle has been a highly sought-after musician, playingmany different styles including jazz, avant-garde, Latin, classical, and rock.In 2001, Keberle graduated from the Manhattan School of Music, wherehe studied with trombonist Steve Turre and composers Mike Abene andthe late Manny Album. He went on to study with Wycliffe Gordon andDavid Berger as a member of the inaugural class of The Juilliard School’s

Jazz Studies Artist Diploma program. Keberle was named the 2008 Latin Jazz Trombonist ofthe year by the Latin Jazz Corner. In addition to being a regular member of the MariaSchneider Orchestra and several other ensembles, Keberle has performed or recorded withWynton Marsalis and the Lincoln Center Jazz Orchestra, Frank Wess, Jimmy Heath, SlideHampton, Charles McPherson, Percy Heath, Teo Macero, Joe Lovano, Eric Reed, Jon Hendricks,Madeline Peyroux, Justin Timberlake, Beyonce, Mariah Carey, Rihanna, Mary J. Blige, and AliciaKeys. He was also the trombonist for the Broadway musical hit, In the Heights. In April 2007,Keberle’s debut CD, Ryan Keberle Double Quartet, was released to rave reviews worldwide.

Sioux City native and trumpet player Justin Kisor attended the NewSchool for Music at Mannes College and quickly established himself inNew York City. In 2004, he graduated from The Juilliard School andwent on to tour Germany with jazz trombonist Wycliffe Gordon anddrummer Winard Harper. Kisor also toured the United States and Europewith the modern dance company Complexions. He has played with jazzgreats such as the Lincoln Center Jazz Orchestra and Norah Jones. In

2008, Kisor became one of the four trumpet chairs in the U.S. Navy’s Commodores, the jazzensemble of the U.S. Navy Band, composed of about 20 of the Navy’s top jazz and big bandmusicians. Kisor says, “I’m very proud to be representing my country, family, and hometownevery time I put on my uniform and see the proud smiles on the faces in the audience whenwe walk out on stage. It represents something special, bigger than me, which is a goodmentality to have when you are about to attempt to create something new.”

California native Jennifer Krupa is an active trombonist and composerin the Washington, D.C. area. A member of the United States NavyBand Commodores jazz ensemble since 2004, Jen also performsregularly with the Smithsonian Jazz Masterworks Orchestra; SherrieMaricle and the DIVA Jazz Orchestra; and her own group, JLQ, withsaxophonist Leigh Pilzer. Jen has performed with Wynton Marsalis andthe Jazz at Lincoln Center Orchestra, David Berger’s Sultans of Swing,

the Wycliffe Gordon Quintet/Sextet, Joe Lovano, Branford Marsalis, Nancy Wilson, JohnnyMandel, Chris Potter, Bill Watrous, Christian McBride, Eddie Daniels, Arturo Sandoval, andnumerous others. She has performed in Asia, Europe, South America, and extensively inNorth America, and can be heard on recordings by Wycliffe Gordon, Johnny Mandel, AnnHampton Calloway, the Blue Saracens, Brooks Tegler, and Eva Cassidy, as well as severalrecordings by the Navy Band Commodores.

In 2006, Jen conducted the University of Scranton Concert Band and Choir in aperformance of her compositions, commissioned for the 23rd Annual World PremierComposition Series Concert. Jen earned a Bachelor of Music in jazz studies from theUniversity of North Florida, Artist Diploma in Jazz Studies from The Juilliard School, and aMaster of Music in jazz studies from the University of Maryland.

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Brandon Lee was born and raised in Houston, Texas and began playingthe trumpet at age 9. In 2001, he was one of 18 students selected to bea part of the inception of the jazz program at The Juilliard School. In thefall of 2009, Brandon Lee became the youngest to ever join the facultyof The Juilliard School. He has since had the opportunity to conduct theJuilliard Jazz Orchestra at Dizzy’s Club Coca-Cola, Alice Tully Hall, SnowCollege in Utah, and in Osaka, Japan. As a professional jazz trumpeter,

he plays frequently with his own group and as a sideman in several other groups around theNew York Area with artists including Kenny Barron, Christian McBride, Roy Hargrove, andCharles Tolliver. Lee has recorded two albums as a leader, From Within (2007) and Absolute-Lee (2010). He has also recorded with the Jazz at Lincoln Center Orchestra, Eric Reed, CarlAllen and Rodney Whitaker, Jazz Conceptions Orchestra, David Berger Big Band, and Fat CatBig Band. Brandon Lee is currently the Assistant Conductor of the Juilliard Jazz Orchestra andthe Artistic Coordinator for Educational Outreach at Juilliard.

Guitarist Lage Lund was born in Norway. After deciding to pursue acareer in jazz, he attended the Berklee College of Music and The JuilliardSchool, where he was the first electric guitarist in the history of theschool. Since relocating to New York City, Lund has become a fixture injazz clubs such as Smalls, 55bar, Jazz Gallery, as well as larger venuessuch as Jazz at Lincoln Center, Blues Alley, and The Kennedy Center. Hehas worked with great artists such as Wynton Marsalis, Ron Carter,

Mulgrew Miller, Seamus Blake, Carmen Lundy, Aaron Parks, Marcus Strickland, and theMingus Band. In 2005, Lund won the prestigious Thelonious Monk International JazzCompetition. He is currently a member of the David Sanchez Quartet. In February 2010,Lund’s second album of original compositions, Unlikely Stories, (featuring Ed Simon, BenStreet and Bill Stewart) was released for Criss Cross Jazz and has received considerableattention from critics and fans alike.

Saxophonist, composer, and educator Chris Madsen hails from theChicagoland area. After graduating from DePaul University in 2003 witha Bachelor’s in Jazz Studies, he was accepted into The Juilliard School’sJazz Program and moved to New York City, living and performing therefor three years with such artists as Wynton Marsalis, Bobby Short, andBarbara Lea. In 2006, he moved back home and, in addition to leadinghis own groups, also performs regularly with the Rob Parton Big Band,

the Mulligan Mosaics Big Band, and many others. He is the composer of the 2012 IMEA JazzAll-State piece entitled “With Gratitude”. Madsen currently serves as Professor of JazzStudies at Northwestern University in Evanston, IL and Jazz Director at Midwest Young Artistsin Highwood, IL.

Baritone saxophonist Carl Maraghi moved to New York City from hisnative Montreal, Canada. Before receiving his Artist Diploma from TheJuilliard School, Maraghi completed his Bachelor of Fine Arts in MusicPerformance at Concordia University in Montreal. While at Juilliard, hestudied and performed with many jazz greats including Joe Temperley,Victor Goines, Joe Lovano, Benny Golson, Wycliffe Gordon, and WyntonMarsalis. He performs and tours with the Lionel Hampton Celebration

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Band that includes Nicholas Payton, Curtis Fuller, Jason Marsalis, Lew Solof, and singer DianeSchuur. Maraghi is also part of the acclaimed David Berger Jazz Orchestra, which tours andrecords in the U.S. and Europe. He has toured with clarinetist extraordinaire Ken Peplowskiand was part of the late singer/pianist and American legend Bobby Short’s nonet. Maraghiregularly performs on Broadway hits Jersey Boys and Billy Elliot. He also leads and composesfor various projects including film scores, his own Carl Maraghi Sax Ensemble, and theMulligan and More 4tet. His first opus, Blossom, released in 2009, features originalcompositions and arrangements in different jazz settings and has been acclaimed byrenowned jazz musicians and critics.

Bassist Yasushi Nakamura was born in Tokyo and grew up in Seattle.Nakamura studied Jazz at the Berklee College of Music, receiving aBachelor’s degree in Performance in 2003. In 2004, he received a fullscholarship to The Juilliard School and graduated with an Artist Diplomain Jazz Studies. During his short but impressive career, Nakamura hasperformed at the North Sea Jazz Festival, Carnegie Hall, and theMonterey Jazz Festival. He was invited to perform with the 2003 Jazz

Aspen Snowmass Academy led by Christian McBride, the 2004 Ravinia Jazz Festival, and2004 Betty Carter’s Jazz Ahead at Kennedy Center. Nakamura has also performed with jazzstars Victor Goines, Benny Golson, Jon Hendricks, Hank Jones, and Wynton Marsalis.Recently, he has performed at Birdland, the Jazz Standard, the Blue Note, and theAlgonquin Hotel. In 2008, Nakamura performed at Jazz at Lincoln Center’s Allen room forthe Dennis Irwin Benefit with Wynton Marsalis, Jon Hendricks, and David Berger. He alsoplayed at the Lincoln Center Gala backing the Ted Rosenthal group, including JohnPizzarelli, Ann Hampton Callaway, and Eddie Henderson. During summer 2008, Nakamuratoured Asia with the Juilliard All Stars, led by Juilliard Jazz’s Artistic Director, Carl Allen.

Ben Williams, an acoustic and electric bassist, composer, and educator,is a native of Washington, DC now living in New York City. He graduatedfrom Michigan State University with a Bachelor of Music in MusicEducation with an emphasis in Jazz Studies. Recently, Williams receiveda Master’s degree in Jazz Studies from The Juilliard School, where hestudied with Ben Wolfe and Carl Allen. In 2009, Williams won the mostprestigious award in the world for aspiring jazz musicians by placing first

at the Thelonious Monk International Jazz Competition, judged by iconic bassists Ron Carter,Dave Holland, Christian McBride, Charlie Haden, John Patitucci, and Robert Hurst.

Williams is a member of Stefon Harris’ band, Blackout, the Jacky Terrasson Trio, and theMarcus Strickland Quartet. He has had the opportunity to perform with greats such asWynton Marsalis, Pat Metheny, Benny Golson, Terence Blanchard, Nicholas Payton, PaquitoD’Rivera, Christian McBride Big Band, Roy Hargrove, Mulgrew Miller, Cyrus Chestnut, SteveWilson, Robert Glasper, Gretchen Parlato, Hamiet Bluiett, Eric Reed, Edwin Hawkins, SeanJones, Ron Blake, Donald Harrison, Rodney Jones, and Steve Nelson, to name a few. Hisdebut record, State of Art, (Concord Records) will be released in spring 2011.

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Carl Allen, Artistic DirectorLaurie A. Carter, Executive Director

Benny Golson, Artistic ConsutantChristian McBride, Artist-in-Residence

Benny Green, Visiting Artist

SaxophoneRon BlakeJoe Temperley

TrumpetEddie HendersonChristian JaudesJoseph Wilder

TromboneConrad HerwigSteve Turre

GuitarRodney Jones

PianoKenny BarronFred HerschFrank Kimbrough

BassRon CarterRay DrummondBen Wolfe

DrumsCarl AllenBilly DrummondKenny Washington

Jazz OrchestraBrandon LeeBob Stewart

Jazz EnsemblesCarl AllenKenny BarronRon BlakeRodney Jones

Juilliard JazzFaculty

Rhythm Section ClassKenny Washington

Jazz Improvisation Ray DrummondBen Wolfe

Doubles for DrummersMark Sherman

Doubles for SaxophonistsMark Vinci

Advanced Jazz Composition and ArrangingAndy Farber

Business of JazzCarl AllenLaurie A. CarterAntonio CiaccaGregory Knowles

Ensemble PracticumCarl AllenRodney JonesFrank Kimbrough

Harmony and CounterpointKendall Durelle Briggs

Jazz TheoryBen Wolfe

Jazz HistoryPhil SchaapKenny Washington

Jazz Piano for Non-PianistsXavier DavisFrank Kimbrough

“...the faculty sharesa mutual respect forthe tradition ofgreat jazz artistsstudying and trulyembracing thedepth of what hascome before...”- Benny Green

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Patrick Cornelius Alto Sax ADAdison Evans Baritone Sax BMMorgan Jones Saxophone MMAnthony Lustig Baritone Sax MMAndrew Olson Saxophone BMJordan Pettay Alto Sax BMLucas Pino Tenor Sax MMPeter Reardon-Anderson Tenor Sax MMWilliam Reardon-Anderson Alto Sax MM

Kyle Athayde Trumpet BMMatthew Jodrell Trumpet ADGabriel Medd Trumpet BMPeter Riley Mulherkar Trumpet BMJoseph Boga Trumpet BM

Andrew Clausen Trombone BMNicholas Finzer Trombone MMJoseph McDonough Trombone MMJavier Nero Trombone BM

Graham Keir Guitar MMAdam Moezinia Guitar BMAlex Wintz Guitar MM

Jonathan Batiste Piano MMKristopher Bowers Piano MMLuke Celenza Piano BMJohn Chin Piano ADDavid Lantz Piano BMSamora Pinderhughes Piano BM

David Baron Bass MMJoshua Crumbly Bass BMClovis Nicolas Bass BMRobert Bickley Bass MM

Bryan Carter Drums BMJames Macbride Drums BMReginald Quinerly Drums MMLuca Santaniello Drums ADJoseph Saylor Drums MM

Juilliard JazzStudents 2010-11

“Their jazz program,under the directionof Carl Allen, adedicated pundit,has in just ten yearsbecome one of themost influential jazz programs thatnow exist.”- Benny Golson

The Juilliard Jazz Quintet is the newest Juilliard faculty ensemble.Announced in the fall of 2010, the JJQ will have its New York debut atDizzy’s Club Coca-Cola on May 3-8, 2011.

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Juilliard Jazz Quintet

Juilliard Jazz AdministrationCarl AllenArtistic Director of Jazz Studies

Laurie A. CarterVice President and General Counsel, Executive Director of Jazz Studies

Cecelia Hobbs GardnerPerformance Coordinator, Jazz Studies

Rebekah GilbertAssistant to the Vice President and General Counsel, Executive Director of Jazz Studies

Andrew GutauskasJazz Orchestra Librarian

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Juilliard JAZZ PerformancesSpring 2011

Juilliard Jazz OrchestraTuesday, April 26 at 8 • Alice Tully HallOriginal works by Juilliard Jazz students

Juilliard Jazz EnsemblesMonday, April 11 at 8 • Paul HallArtist Diploma Ensemble featuring Juilliard’s most advanced jazz musiciansFeaturing Sir Ron Carter

At the Blue Note131 West 3rd Street, New York, NY for reservations call (212) 475-8592

Sunday, April 17 • Blue Note Brunch 12:30pm & 2:30pmSunday, May 22 • Blue Note Brunch 12:30pm & 2:30pm

At Dizzy’s Club Coca-ColaApril 12-16 after hours • Juilliard Jazz EnsembleMay 3-8 • Juilliard Jazz QuintetMay 3-7 after hours • Juilliard Jazz EnsembleMay 10-15 • Juilliard Jazz OrchestraMay 16 • Juilliard Jazz Ensemble with Special Guest, Benny Golson

For more information, please contact the Juilliard Patrons’ Desk at (212) 769-7409 ore-mail patronsdesk@juilliard.edu

Juilliard Jazz Summer Touring 2011Juilliard Jazz Ensemble on the Queen Mary 2

April 26-May 4 • Artist Diploma Ensemble With Ben Wolfe

May 17-26

June 10-17

July 20-27

August 15-22

August 22-29

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Juilliard JAZZSummer 2011

Juilliard Jazz Summer Residencies,Camps, and Workshops June 13-17 • Bak Middle School of the Arts (West Palm Beach, FL)

June 13-17 • Georgia Academy for the Blind (Macon, GA)

June 17-24 • Colombia, South America

June 20-24 • North Atlanta High School (Atlanta, GA)

June 28 • Wequassett Resort (MA)

July 1-9 • Melbourne, Australia

July 10-16 • Juilliard Jazz Residency at Snow College (Ephraim, UT)

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Membership in the Jazz Notables directly supports the students of the Jazz Studiesprogram. Members enjoy access to Juilliard Jazz performances as well as invitations

to master classes and exclusive, behind-the-scenes events that showcase the students’artistic process. The contributions we receive from our generous jazz patrons ensure thatour young artists receive the training they need to become tomorrow’s jazz legends.

Most recently, Jazz Notables have:

• observed private master classes and rehearsals with luminaries such as Tommy LiPuma,Branford Marsalis, John Clayton, Terence Blanchard, Jon Faddis, and Robin Eubanks

• experienced behind-the-scenes events with Juilliard students, faculty, and alumnihighlighting various aspects of jazz including touring, recording, composition,improvisation, and ensemble work

• enjoyed VIP ticket access to Juilliard performances by telephone or e-mail with noservice charge

• received personalized booking services to arrange for a performance by Jazz Studiesstudents at a private party or corporate function

Make a Jazz Notables membership contribution after the Juilliard Jazz at 10 –Swingin’ Alumni Reunion concert and receive an additional gift of music. A pair of freedownloads from Juilliard Jazz’s recent release, Goin’ Up!, is available for members todownload at www.juilliard.edu/Jazzat10.

Support Tomorrow’s Jazz LegendsJoin the Juilliard Jazz Notables

Juilliard Jazz NotablesMembership Levels

• Apprentice $500

• Sideman $1,000

• Co-Leader $2,500

• Bandleader $5,000

• Promoter $10,000

To join the Jazz Notablesor renew your membership:

Visit www.juilliard.edu/jazznotables

E-mail development@juilliard.edu

Call (212) 769-7409

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We Gratefully Acknowledge these Juilliard Jazz Notables

Promoter $10,000 and moreMary H. Vinton*Joan and Tom Moran*

Bandleader $5,000 - $9,999Leslie and Mitchell Nelson

Co-Leader $2,500 - $4,999Candace and John Frawley*Cecil M. Yarbrough and Ron S. Csuha

Sideman $1,000 - $2,499Sanem AlkanBootsie BarthTrudy and Julius BrownElma and Howard KanefieldNorman J. LewisAmy and Joseph PerellaPaul Sherrington and Joanne WuenschAnthony and Elaine Viola

* Jazz Notables members for 10+ years

Jazz Scholarship Makes the Difference

In the Juilliard Jazz Studies program, admission has always been based on talent anddedication alone. We believe that no student should be denied a Juilliard education forwant of funds. With 90 percent of our students typically eligible for financial assistance,every newly created scholarship represents important progress towards Juilliard’s goal ofsecuring the resources required to meet their needs. All contributions to The JuilliardSchool for Jazz scholarships are fully tax-deductible.

Juilliard Jazz Scholarship Donors

Louis Armstrong Education FoundationBarbara and Gary Brandt Family Jazz ScholarshipDr. Pamela DavisDr. and Mrs. Bernard T. FerrariLuther Henderson ScholarshipSamuel L. Jackson, Jr. ScholarshipIllinois Jacquet Foundation

Dr. Gregory KnowlesPeggy Lee EnterprisesClement Meadmore Scholarship in JazzMs. Carol ScherickMr. and Mrs. Michael TunnicliffeMary H. Vinton ScholarshipMr. and Mrs. Paul Vinton

Juilliard gratefully acknowledges the Talented Students in the Arts Initiative, a collaborationof the Doris Duke Charitable Foundation and the Surdna Foundation; the Edward JohnNoble Foundation; and the Winston Foundation for their generous support.

Additional support is provided by the Muriel Gluck Production Fund.

Juilliard Jazz is a WBGO/Jazz 88 arts partner.

It takes many people behind the scenes, from many Juilliard departmentsto make this special evening, and its global live stream, swing.Juilliard Jazz would like to acknowledge the following departments and staff.

RecordingAudio Mix Robert TaibbiCameras Daniel Gengenbach,

Gregory Knowles, Shane MathewsVideo Switching Michael PiasioPre-Concert Panel Audio Mix Yvonne YedibalianAudio A-2 Weixiong WangVideo Director Christian Jaudes

IT and WebsiteChief Technology Officer Tunde GiwaManager, Music & Educational Technology Christopher DownesWebsite Ira Rosenblum, Lance Wakeling

Media Relations Gloria Gottschalk

Print & Website Design Donald Giordano

ProductionDirector Carolyn HaasProduction Manager J.B. BarrickloAssistant Production Manager Bruce HooverBusiness & Operations Manager Jean BerekProduction Stage Manager/Event Coordinator Phil Gutierrez

Electrics Shop Supervisor Emily StorkAssistant Electrics Shop Supervisor Jennifer WilcoxMaster Electrician, Peter Jay Sharp Theater Jason LucasChief Audio Engineer Marc WaitheAudio Technicians Christopher Schardin, Tercio Bretas

Properties Shop Supervisor Kate DaleAssistant Properties Shop Supervisor Mary ReiserStock Manager Jessica NelsonProperties Carpenter/Artisan Arianna ZindlerProperties Artisans Alexandra Geiger,* Patricia Kalil*

Technical Director Guerry HoodAssistant Technical Director/Shop Foreman Chris BessetteForeman, Peter Jay Sharp Theater David PowellAssistant Foreman, Peter Jay Sharp Theater/Carpenter Kevin Orzechowski

* Member, Professional Intern Program

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Juilliard Jazz at 10 Swingin’ Alumni ReunionEvent Staff

DLA Piper and Anthony Williamscongratulate

Juilliard Jazz At 10during their

Swingin’ Alumni Reunion.

Everything matters

DLA Piper is a global law firm with 70 offices across 29 countries and

over 3,500 lawyers. It is one of the ten largest law firms in the world.

DLA Piper’s clients range from multinational, Global 1,000 and

Fortune 500 enterprises to emerging high-tech companies and start-

ups, for which it operates a dedicated division for venture-capital

placements. Ranked 39th in the 2010 Vault Law 50 UK prestige

rankings ]and 53rd in the 2011 Vault Law 100 U.S. prestige rankings,

DLA Piper recently received the "Best Management of Risk" award

at the MPF European Practice Management Awards 2010. DLA

Piper law partner Anthony Williams is based in New York City.

The Music Sales Group andG Schirmer Inc. Salute Juilliard Jazz

in its 10th Anniversary Season

The Music Sales Group is an international organization. Based inLondon and New York, it is active in many music-related fields

and has offices worldwide. Music Sales principally owns, managesand exploits more than 200,000 music copyrights. It is also one ofthe world’s largest printed music publishers, distributing productsworldwide from centers in the UK, the USA, Australia, Japan andEurope. Founded in 1935 by the Wise Family, chiefly producingclassical and tutorial material, today the US company is a majorcopyright holder in both popular and classical music. Thepromotion and publication of this vast G Schirmer/AMP musiccatalogue with its many eminent composers that include JohnAdams, Samuel Barber, Elliott Carter, John Corigliano, Tan Dun,and Gian Carlo Menotti is based in New York City.

www.musicsales.com www.schirmer.com

The Anastasio Groupproudly supports Juilliard Jazz andthe Swingin’ Alumni Reunion.

The Anastasio Group core operating companies include New Haven

National Rail & Transportation Company providing shipping, freight

& rail warehousing, Anastasio Trucking Company, St. Joseph’s Wood

Products Company, Circle of Life Transfer Station, and waste logistics

and management, including bio-fuel development. The company has

diversified its holdings to include; a commercial and residential real

estate development division, a restaurant division, an agricultural

division and a mass transit ground transportation division.

www.anastasiogroup.com

WASHINGTON SQUARE HOTELPROUD SPONSOR OFJUILLIARD JAZZ AT 10SWINGIN’ ALUMNI REUNION

Located in the heart of New York City’s Greenwich Village, theWashington Square Hotel was built in 1902 as Greenwich Village was

becoming the center of New York’s Bohemian counterculture reflected bythe Beat generation who gravitated to the coffee houses and jazz clubs.The hotel became an attractive address for struggling artists, actors,writers and musicians. Ernest Hemingway, Dylan Thomas, Joan Baez,Bob Dylan, Barbara Streisand, and Bill Cosby are among the celebritieswho’ve made their home at the hotel. Until his recent death, Bo Didleywas a regular fixture at the hotel. The Washington Square Hotel continuesto be an international haven in NYC in partnership with its neighbors inthe historic Washington Square, and landmark neighborhood with manyhistoric jazz bars. The Washington Square Hotel provided its hotelaccommodations and services for the Swingin’ Alumni Reunion.

www.washingtonsquarehotel.com

THE WILMA AND HOWARD KAYE CHARITABLE FUND

congratulates

JUILLIARD JAZZ

on their 10th Anniversary.

Come Join theJAM Master Class and ConcertApril 7, 2011

Workshop 5:00 PM – 6:00 PM Latin Jazz percussion workshop with NEA Jazz Master Candido Camero

Concert 7:00 PM – 8:30 PMArturo O’Farrill in concert with featured guest Candido.

Brooklyn Public Library, Grand Army PlazaFree

http://www.brooklynpubliclibrary.org/events/culturearts/

Special Thanks

Juilliard Jazz 10th Anniversary CommitteeEdward Johnson

Lisa BroderickBillie Allen Henderson

Alexander Smalls

• • •

Event Production Dianna Guadagnino and Conversus Group Entertainment

Guest Artist Relations John Lee and Jazz Legacy Productions

Graphics Editing Frank Moten and Ourgig.com

Title Sponsor Relations Jason Auerbach and First Choice Bank

Media Relations Jordy Freed and DL Media

Additional Support Miriam Haskell

Streaming SupportRachel Jones and MediaHUE

• • •

Juilliard Jazz CollaboratorsSnow College

Centro Colombo Americano de MedellinCentro Colombo Americano de Manizales

Centro Cultural Costarricense NorteamericanoKeystone Music International

•

Special thanks to Lisa Broderick for her time, vision and generosity.

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BOARD OF TRUSTEES

Bruce Kovner, ChairmanKatheryn C. Patterson, Vice Chairman

Sarah Adriance, Dance DivisionJamée Ard, National Advancement and Alumni RelationsCourtney Blackwell, Career ServicesDonna Bost-White, Educational OutreachWilliam Buse, Counseling ServicesCaryn G. Doktor, Human ResourcesKatherine Gertson, RegistrarDonald Giordano, Creative ServicesTunde Giwa, Information TechnologyTina Gonzalez, Financial AidCarolyn Haas, ProductionScott Adair Holden, Office ServicesKatherine Hood, Drama DivisionDanielle La Senna, Evening DivisionEkaterina Lawson, Pre-College DivisionDavid Marcus, InvestmentsAbigail Mohlin, Annual GivingLori Bierly Padua, Planned GivingAmanita Pleasant-Heird, Special Events

ADMINISTRATORS

Andrew T. BednarJulie Anne ChoiPamela DaleyKenneth S. DavidsonSanford B. EhrenkranzBernard T. Ferrari, M.D.Barbara G. FleischmanJudi S. Flom

Keith R. GollustMary GrahamMary Rodgers GuettelJoan W. HarrisBradley H. JackEdward E. Johnson, Jr.Sidney R. KnafelJ. Christopher Kojima

June Noble LarkinKaren M. LevyLaura LinneyVincent A. MaiJames S. MarcusNancy A. MarksWynton MarsalisStephanie Palmer McClelland

Elizabeth J. McCormackLester S. Morse, Jr.Joseph W. PolisiSusan W. RoseArthur T. ShorinJoan S. Steinberg

Karen M. Levy, ChairBarbara BrandtHarry EdelsonGordon D. Henderson

Harold P. Hope IIIYounghee Kim-WaitJ. Christopher KojimaUte I. Krayenbuehl

Jean-Hugues J. MonierLeslie M. NelsonPamela J. NewmanJohn G. Popp

Grace E. RichardsonDeborah ShearJeremy T. Smith

Joseph W. Polisi, PresidentAra Guzelimian, Provost and DeanKaren Wagner, Vice President and Dean of Academic AffairsLaurie A. Carter, Vice President and General Counsel, Executive Director of Jazz StudiesJon Rosenhein, Vice President and Chief Operating OfficerJane Gottlieb, Vice President for Library and Information ResourcesRiccardo Salmona, Vice President for Development and Public AffairsJoan D. Warren, Vice President for Enrollment ManagementJoseph Mastrangelo, Vice President for Facilities ManagementChristine Todd, Vice President for Finance and Controller

Lawrence Rhodes, Artistic Director of the Dance DivisionJames Houghton, Richard Rodgers Director of the Drama DivisionBrian Zeger, Artistic Director of the Ellen and James S. Marcus Institute for Vocal ArtsCarl Allen, Artistic Director of Jazz StudiesYoheved Kaplinsky, Artistic Director of the Pre-College DivisionMonica Huggett, Artistic Director of Historical Performance

Christopher Mossey, Associate Vice President for Artistic and Strategic InitiativesJanet Kessin, Associate Vice President for CommunicationsAlison Scott-Williams, Associate Vice President for Diversity and Campus LifeTricia Ross, Associate Vice President for Executive ProjectsLee Cioppa, Associate Dean for AdmissionsBärli Nugent, Assistant Dean, Director of Chamber MusicRichard Feldman, Associate Director of the Drama DivisionRisa Steinberg, Associate Director of the Dance DivisionAdam Meyer, Associate Dean for Administration

Stephen Clapp, Dean Emeritus

CHAIRMEN EMERITI

Mary Ellin BarrettAnna E. Crouse

Lawrence P. Fraiberg John J. Roberts

Richard D. Spizzirri

TRUSTEES EMERITI

JUILLIARD COUNCIL

EXECUTIVE OFFICERS

Mary Rodgers Guettel June Noble Larkin

Patrick Posey, Orchestral Activities and PlanningHoward Rosenberg, Health ServicesIra Rosenblum, PublicationsRobert Ross, Pre-College DivisionNicholas Saunders, Concert OperationsJacqueline Schmidt, Ellen and James S. Marcus Institute

for Vocal ArtsNona Shengelaia, International AdvisementEdward Sien, Foundation and Corporate RelationsBenjamin D. Sosland, Historical PerformanceMartha Sterner, Executive Assistant to the PresidentTina Swiek, MerchandisingRobert Taibbi, RecordingSabrina Tanbara, Student AffairsHelen Taynton, Intern Program and Master CalendarBeth Techow, Health and Counseling ServicesJoanna K. Trebelhorn, Orchestral and Ensemble OperationsVanessa J. Wise, Development

THE JUILLIARD SCHOOL

The Parkinson Alliancecongratulates Juilliard Jazz at 10and are proud sponsors of the

Swingin’ Alumni Reunion.

The Princeton, NJ-based Parkinson Alliance is a national non-profit organization dedicated to raising funds to help finance the

most promising research to find the cause and cure for Parkinson’sdisease. Through the generous support of The Tuchman Foundation andour numerous partnerships, we are in the unique position to guarantee

that 100% of all individual donations and all net proceedsfrom all events go directly to research.

Cover photos by Hiroyuki Ito