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K a y l e i g h S h o e m a k e r
Des ign Portfo l i o
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Ta b l e o f C o n t e n t s
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Pro jects
Archi tecture
Inter ior Design
Graphic & Product Design
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13
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A r c h i t e c t u r e
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Pro jects
Drawing & Percept ion
Vistor Center for the
Phi l ip Johnson House
Shel ter fo r an Ar t i fac t
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07
11
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D r a w i n g a n d P e r c e p t i o n
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Study of Light & Texture
UmbrellaUmbrella Detail
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Fa l l 05
Transformation
These series of drawings were assignments inarchitecture drawing and perception class. Thegoals of these of drawings are to observe and re-
cord detail and to construct an interesting compo-sition on the page. The Study of Light & Texturefocuses on a glove, egg and crumbled piece ofpaper and how these different objects interact witheach other. The umbrella and umbrella detail seek
to reveal something that usually goes unnoticed inan everyday object. The umbrella was completedfirst and after zeroing in on the form, the umbrelladetail was drawn. Lastly, the transformation draw-
ing aims to not only represent a glove, but showgradual changes to its form as it is altered.
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V i s i t o r s C e n t e r f o r t h e P h i l i p J o h n s o n H o u s e
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New Caanan, CT
Plan
The Visitors Center is designed for the Philip Johnson
House, often referred to as the Glass House. To re-
late the building to the house, the House was studied
extensively and the outstanding design elements were
extracted and focused upon during the design of theVisitors Center. The fenestration of the Visitors Center
resembles that of the Philip Johnson House, but var-ies slightly. The back wall utilizes clerestory windows
only to prevent visitors from immediately discovering
the house, which is situated directly behind the Visi-
tors Center. The structure itself is based on the modu-
larity of the House. Additionally, the path that leadsup to the Center emulates the driveway to the Philip
Johnson House. Inside, the required elements were
an office, information area, model area, sales display
exhibition area, storage area, and restroom.
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Spr ing 06
Site Plan
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V i s i t o r s C e n t e r f o r t h e P h i l i p J o h n s o n H o u s e
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Section AA
Section BB
North Elevation
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Spr ing 06
East Elevation
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S h e l t e r f o r a n A r t i f a c t
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The shelter for an artifact is designed
to hold an important artifact on the Uni-
versity of Tennessee campus. It is to be
placed in the surrounding area of the Art
+ Architecture Building. Because it will
be seen as an extension of the build-
ing, it is important that the shelters de-sign reflect some of the design qualities
present in the building. This was accom-
plished through the use of the truss-like
roof which emulates the truss structure
on the interior of the atrium. Additionally,
the fenestration on each side of the shel-
ter resembles the juxtaposition of smaller
windows and larger-scale windows on
the upper floors of the building. The ten
foot by ten foot shelter is also stronglyinfluenced by the grid in order to reflect
the modularity of the Art + Architecture
Building. The benches within the shelter
provide a rest area and reflection space
for students and other visitors. Axon
University of Tennessee
Art + Architecture Building
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Spr ing 06
Front Elevation
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I n t e r i o r D e s i g n
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Pro jects
Bald Mountat in Soda
Founta in
Lincoln Memoria l
Univers i ty
Larabees F ine Jewel ry
Cancer Treatment Center
Pink Ice Product ions
Skybox
Ivy Biomedical Inc.
Of f ice of the Future
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23
29
35
43
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B a l d M o u n t a i n S o d a F o u n t a i n
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Shop/Residential: 3400 SFEtowah, TN
Inspiration Store Front
Building Section
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Spr ing 07
The Bald Mountain Soda Fountain is designed for a couple who re-
cently moved south from Pennsylvania. Their soda fountain business
is on the lower level. The couple resides in the above loft. The busi-
ness is located on the historic main street of Etowah, TN. This smalltown is interested in the revitalization of the area. Across the street is a
recently restored L&N train depot. Visitors can now go for a steam en-
gine train excursion through the mountains of Tennessee (including
Bald Mountain). This opportunity will attract customers to the soda
fountain. Additionally, in the old train depot, there was a lunch coun-
ter. This inspired the old-fashioned soda fountain concept. Overall,
the Bald Mountain Soda Fountain design is classic and nostalgic, butstill with a fresh twist.
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B a l d M o u n t a i n S o d a F o u n t a i n
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Level One Floor Plan: Soda Fountain
Service Counter Display
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Spr ing 07
Booth Seating Area
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B a l d M o u n t a i n S o d a F o u n t a i n
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Level Two Floor Plan: Owners Residence
Master Bath
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Spr ing 07
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B a l d M o u n t a i n S o d a F o u n t a i n
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Living Room View from Kitchen
Kitchen Elevation
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Spr ing 07
Kitchen Bar/Counter
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L i n c o l n M e m o r i a l U n i v e r s i t y
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Education: 18,000 SFHarrogate, TN
Exterior Facade
Student Center Floor Plan
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Fa l l 07
The Lincoln Memorial Univer-sity Student Center consists ofmany different spaces workingtogether in tandem. The spaces
within this facility include thebookstore, dinner theater, and
the recreation space. Addition-al spaces include a post officearea, lounge, meeting rooms,and a small eating area. Be-cause LMU is a small college,many of these spaces are multi-fuctional, such as the dinner the-ater. Since it is used only two or
three times a year, it can also be
used as a dining/meeting space
for students in between class-es. The recreation space alsoserves multiple functions. TheLMU cafeteria serves the middle
school-aged academy students,whose school is on the LMU
campus. They can go to therecreation space after lunch. Italso provides entertainment forthe college students. Becausethis college mostly consists ofcommuter students, the designincorporates numerous gather-ing and seating opportunities to
accommodate students during
the day.
Dinner Theater
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L i n c o l n M e m o r i a l U n i v e r s i t y
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Bookstore
Check-out Plan
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Fa l l 07
Check-out Counter
Check-out Counter Millwork Detials
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L i n c o l n M e m o r i a l U n i v e r s i t y
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Student Center Reflected Ceiling Plan
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Fa l l 07
Building Sections
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L a r a b e e s F i n e J e w e l r y
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Larabees design is classic and timeless, stemming
from the idea of peoples perpetual fascination with
body adornment. Epitomizing this concept is the
luxury cars of the 1930s and 1940s. These cars are
works of art and possess design elements that stand
the test of time. With this in mind, the design for Lar-
abees looks to the past, yet is relevant to todaysconsumer, young or old. Jewelry is something that
crosses all boundaries of time and Larabees reflects
this ideal. Because Larabees is a high-end jewelry
store, glamour and luxury are essential elements to
the design. Many elements of the vintage luxury car
both interior and exterior, were extracted and loosely
translated into the design. The overall inspiration of
the general layout of the store stems from the sweep-
ing curves of the wheel wells present on many of
these cars. That curve is then continued throughout
the sales floor and is also emulated in the jewelrydisplay counters.
Retail: 3000 SF
Inspiration
Larabees Fine Jewelry Floor Plan
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Spr ing 08
View from Front of Store
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L a r a b e e s F i n e J e w e l r y
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View of Lounge and Managers Office
Larabees Reflected Ceiling Plan
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Spr ing 08
In many vintage cars, the color
scheme used is very often light
contrasted with dark, which has
been incorporated into the design
of Larabees. A very important as-
pect of the vintage car is the use
of chrome both on the exterior and
interior. The reflective nature of the
material provides a look of rich-
ness and opulence and is included
in Larabees design for that very
reason. Larabees is a fine jewelry
store that caters to the customer.
Emitting the feeling of a vintage lux-
ury car through its design enables
Larabees to give its customers the
ultimate jewelry purchasing expe-
rience. Jewelry is simply beauti-
ful and should be showcased in a
classic, luxurious setting. That set-
ting is Larabees.
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L a r a b e e s F i n e J e w e l r y
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Elevations
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Spr ing 08
Store Front
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C a n c e r T r e a t m e n t C e n t e r
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Healthcare: 36,000 SF
First Floor Floor Plan
Prototype
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Spr ing 08
Patients at this cancer treatmentcenter are encouraged utilize theadditional amenities offered in
this facility. Research has shownthat a combination of tradition-al and complementary care ismore beneficial to patients. Thistreatment facility focuses on amore holistic approach, for thepatients and by the patients.There is also the option of 24-
hour care. The goal of the well-ness center is to stimulate andimprove the mind, body, andspirit during the treatment pro-cess. The complementary treat-ments include art therapy, musictherapy, nutrition classes, fitnessclasses, educational classesabout the cancer treatment pro-
cess for patients and families,
massage therapy, acupuncture,and spiritual opportunities inthe sanctuary. Massage therapyand acupuncture are offeredto help alleviate treatment-re-lated side effects and decrease,stress, anxiety, depression, and
pain. This cancer treatment cen-ter strives to improve the qualityof life for the patient during thetreatment process.
Lobby Furniture & Finishes
Lobby View from Entry
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C a n c e r T r e a t m e n t C e n t e r
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Infusion Room
Infusion Room Furniture & Finishes
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C a n c e r T r e a t m e n t C e n t e r
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Second Level Floor Plan
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Spr ing 08
Classroom & Fitness Facility
Wellness Center Fitness Facility
Wellness Center Furniture & Finishes
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C a n c e r T r e a t m e n t C e n t e r
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Patient Room Furniture & Finishes
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Spr ing 08
Patient Room
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Pink Ice Productions is a record label for and by women inthe hip-hop music industry. Women have had a difficult timebreaking into and gaining respect in this male-dominatedworld. Pink Ice Productions aims to spotlight and empowerwomen to become accepted as artists in the hip-hop arena.The goal of Pink Ice Productions is to promote the emergingnew perspective that is much more receptive to women intothe hip-hop genre.
P i n k I c e P r o d u c t i o n s S k y b o x
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Hospitality: 3000 SF
First Level Floor Plan
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Fa l l 08
Hip-hop music is often associated with a luxurious and lavish life style.The design of the Pink Ice Productions Skybox stems from this idea ofopulence, but with a twist. This luxury is combined with industrial ele-ments, looking back to the urban beginnings of Hip Hop. The name
Pink Ice in itself evokes a sense of richness. Of course the pink isa reference to the woman-centered aspect of the record label and theice comes from the slang term for diamond jewelry.
The colors incorporated into the design are many shades of pink, ofcourse, along with silvers and blacks to accomplish an industrial feel.The scheme is fairly monochromatic in order to maintain a clean andclassic feel, appealing to women. This allows the textures and mate-rials in the design to stand out. Many of the finishes have a pearles-
cent or shimmer effect to them to emulate ice, or diamonds. Thisdiamond shape that is present in the logo is also carried through tothe space layout, as well as to the finishes and materials. This subtlyreinforces the Pink Ice Productions brand.
First Level Lounge & Seating Area
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P i n k I c e P r o d u c t i o n s S k y b o x
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First Level Lighting & Switching Plan
First Level Pendant Fixtures
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Fa l l 08
First Level Furniture & Finishes
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P i n k I c e P r o d u c t i o n s S k y b o x
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Sleep Space Lounge
Second Level Furniture & Finishes
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Fa l l 08
Second Level Floor Plan
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I v y B i o m e d i c a l I n c . O f f i c e o f t h e F u t u r e
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The office of the future is completely wire-less, paperless, voice-activated, kinetical-ly-powered, and health-focused environ-ment. The personal spaces for employees
are smaller, but the areas of collaborationare larger. Many employees are workingfrom home, or telecommuting. Theseemployees cycle in and out of the officeon a schedule and movable pods areavailable for their use. Large collaborationspaces or work areas are also provided.These enable employees to feed off eachothers ideas to find solutions. For smallercollaboration necessities, there are smallinformal meeting areas, which also include
a presentation board, as well as acousti-cal privacy. Personal calls can be taken inthe Cell Cells which are individual spacesprovided for acoustical privacy. Smallermeetings, or brainstorming activities, areencouraged to utilize The Track which en-circles the stacked dens. This promoteshealth of the employee, as well as collabo-ration. There are smartboards in areassurrounding the track as well. Health of theemployee is emphasized for the welfare of
the employees, as well as the productivityof the company. The personal electronicsof the employees are kinetically-powered;therefore the energy to run them is har-nessed by the employees physical activitythroughout the day. This increased activitycreates much higher company morale andproductivity. The manufacturing processhas generally remained the same. The ma- jor change comes to production. Robotsconstruct the product in less time.
Branford, CTCorporate: 25,000 SF
Translucent Concrete
Metal Foam
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Fa l l 08
View of Dens from Inside of Track
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Fa l l 08
Pendant Fixtures
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G r a p h i c & P r o d u c t D e s i g n
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Pro jects
Movement Explorat ion
Magazine Double
Spreads
Jeld-wen Student
Door Design Compet i t ion
Entangled Ribbons
Cat Condo
Flyover Cof fee Table
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59
61
63
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BMAL
M o v e m e n t E x p l o r a t i o n
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The goal of this project isto investigate the move-ment and relationship ofobjects and text together
on the page. The bar de-
sign on the right was de-signed and decided uponfirst, and the letterformswere designed to reflectthe quality of the bars af-terward.
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M a g a z i n e D o u b l e S p r e a d s
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The goal of this project is to create two spreads of a mag-azine using existing text and images, relating to a specific
architect, and employing the basic grid and formattingtools of InDesign. The requirements include a headline, apull-out quote, captions, body text, and images.
Spread 1
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Fa l l 08
Spread 2
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Front doors make the first impression;they convey the personality of the resi-dent. The front door should be a doorthat makes guests and residents alikefeel comfortable entering. My mission isto create a front door that serves as a fo-cal point, yet is casual enough to moti-
vate homeowners to take advantage ofit. The overall design of this front dooris inspired by the curving silhouette ofa bridge within an urban environment. Itbrings old city style to the average home.The primary materials are wood, glass,and wrought iron. The double doorsopening mimic outstretched arms, draw-
ing one inside the home and embracingthem. This design makes use of glass
because a door should let in light to ap-peal to the residents. Privacy is alsoan important element of the front door,which is accomplished through the useof textured glass. This design allows forpersonal expression as well. The transomabove the door is optional and the home-
owner can choose the woods to be used.Above all, the front door is a reflection ofthe owner and should make a statement.After all, the front door is the gateway into
someones life.
J e l d - w e n S t u d e n t D o o r D e s i g n C o m p e t i t i o n
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Sketches
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Fa l l 07
Final Design
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E n t a n g l e d R i b b o n s C a t C o n d o
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The Entangled Ribbons Cat Condo
was born in response to the Young-
Williams Animal Shelters Barki-tecture event. Architects, contrac-
tors and students in the community
each created a house for either a
dog or a cat, with the ultimate goal
of raising money for the shelter.
With the help of two other interior
design students, Entangled Rib-
bons was designed and built. The
design goal was to create some-thing sculptural that not only a cat
could enjoy, but the owner could
enjoy as well. During the auction,
Entangled Ribbons earned the
highest dollar amount out of all the
designs for the shelter.Newspaper Article
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Spr ing 07
Final Design
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F l y o v e r C o f f e e Ta b l e
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The Flyover Coffee Table was a semester long
project for Furniture Design. The design goa
was to first design a coffee table that is func-tional, and secondly to achieve a light-weight
design with the ability to be taken apart and
flattened, possibly for manufacture and ship-
ping. Although I designed the piece with mass
production in mind, being the immediate con-
sumer, I focused on incorporating elements that
would work for me, such as the magazine racknear the base. During the early stages of de-
sign, the idea of the bridge was highly influen
tial. After completing many iterations, the fina
design evolved into a flyover, or overpass cross
section. The three birch plywood supports werecreated using the CNC cutting process. Thethree cross supports are brushed aluminum
and the 3/8 glass top is inset in the tops of the
three supports for increased stability. There are
24 bolts in the piece.
Inspiration
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fa l l 08
Final Design