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Khadi Extended Documentation

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    KHADI

    TABLE OF CONTENTS

    Introduction 2

    Regions 2

    Producers Communities 2

    Raw Materials 2

    Tools 4

    Production Process 6

    The Existing KhadiSet-Up 13

    Use of the Product 13

    Appendix 14

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    1. Introduction

    Khadi is hand spun and hand woven fabric made largely out of natural fibers like

    wool, cotton and silk. Mahatma Gandhi helped popularize the fabric and made it into

    a potent symbol in Indias freedom struggle. Khadi also became a symbol of the

    resurgence of Indias rural industries. Today, Khadi remains an important cottage

    industry, providing livelihoods to millions, especially in rural areas.

    The hand spun yarn used in Khadi maintains a softness that gives Khadi its

    characteristic feel and comfort. The hand weaving of the fabric interlaces the threads

    in a manner that allows maximum air to permeate through the fibers and thus, Khadi

    is one of the most comfortable fabrics in warm climates. As Khadiis made of natural

    fibers viz. cotton, silk and wool, spun and woven in a natural environment, it can

    boast of being completely natural. Other fabrics from mills or even handlooms,

    receive yarn which is generally blended with some regenerated cellulose fibers.

    Khadi dyed in natural dyes also makes a perfect combination for a green, eco-

    friendly fabric.

    Khadiand handlooms are often confused as being the same, but they are not. Khadi

    is hand spun and hand woven fabric. In other handloom fabrics, the yarn is machine

    spun.

    Recent years has seen additions to the traditional Khadi line-up such as poly-Khadi.

    Poly-Khadifabric uses blended synthetic fibers rather than the traditional handspun

    thread.

    2. Regions

    It is spread across the country. However, this specific documentation is based on the

    Khadiweavers of Rajasthan

    3. Producers Communities

    People involved in weaving are commonly known as bunkar. In Rajasthan, the

    communities mostly involved in the process are Meghwals and Zulahas. The KVIC

    (Khadiand Village Industries Commission) and KhadiSocieties, which produce Khadi

    fabric at a commercial level, have no caste and community bars. Spinning is generally

    done by women, and men usually do the weaving.

    4. Raw Materials

    The main raw materials are cotton, wool and silk. A synthetic fiber called polyester is

    also used to produce poly-Khadibut this fabric is produced on a much smaller scale

    than the traditional Khadi fabrics. As this document is prepared in Rajasthan it

    mainly gives insights on cotton and woolen Khadi.

    4.1 Cotton

    There are different counts of cotton yarn required for the warp and the weft. The

    specifications for these yarns are:

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    For warp: Khadiweaving contains an entire range of fabric so the yarn used ranges

    from 2/20s to 2/40s in the warp. For shirting fabrics 2/20s and 2/32s are used; for

    suiting 2/40s and 2/32s. Twisted yarn is used in the warp to resist the stress during

    weaving. The cost of yarn for the warp ranges from Rs 60 to Rs 200 per kg. (Figures

    as of Jan 2005)

    For weft: In the weft single yarns are used. Counts range from 4s

    to 40s.

    The cost of

    yarn ranges from Rs 80 to Rs 130 per kg. Cotton fiber costs in the range of Rs 20 to Rs

    30 per kg, depends upon the quality and the availability. (Figures as of Jan 2005)

    Pic: Cotton yarn

    4.2 Wool

    In Khadionly handspun yarn is used which is not very even and fine. Local desiwool

    gives a coarser yarn; when imported merino is used, a finer yarn can be obtained. In

    woolen Khadifrom 2nm to 10nm woolen yarn is used.

    The cost of wool depends on whether Indian desiwool is used, or merino imported

    from Australia or New Zealand. Fine desiwool ranges between Rs 90 Rs 110 per kg

    and coarse desistarts from as low as Rs 50 - Rs 60 per kg. On the other hand fine

    merino ranges between Rs200 - Rs 250 per kg and the coarse merino may start from

    Rs 150 per kg. (Figures as of Jan 2005)

    Pic: Hand spun woolen yarn

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    Raw Material Procurement: Raw material for the process is readily available with

    local dealers and the KhadiSocieties. It has to be processed further in order to make

    it suitable for using in the operations of weaving. These operations are stated below.

    5. Tools5.1.Pit Loomor Ground Loom or Horizontal Loom, popularly known as Khadi: On a

    horizontal ground loom, the warp would be strung between two rows of pegs. The

    weaver would have to lean over in order to work, so the pit loom was developed.

    With the warp strung over a pit, the weaver could now sit with his or her legs

    underneath, thus being on level with the loom. The horizontal loom is the oldest and

    simplest weaving set, made of wood or metal. Wooden frames are fixed on the

    ground by metallic nails, which are used as halter and mooring devices. The nails can

    be taken off and the loom transferred to another place. . Small rugs and thick

    blankets are woven on these looms. The horizontal loom costs between Rs 4,000 and

    Rs 6,000 (Figures as of Jan 2005) and many Khadiweavers use it.

    5.2. Frame Loom or Vertical Loom: Frame looms basically follow the same principles

    as ground looms. The loom is constructed out of sticks and boards attached at right

    angles (producing a box-like shape), which means that it is portable and can even be

    held on the weaver's lap. Beams of the loom are called roblers and the foot pedals

    at the bottom of the loom for controlling the operation of the heddle harness is

    known as treadles.

    Pic: Wooden Frame Loom

    A frame loom costs between Rs 12000 to Rs 14000 with iron angles, and Rs 15000 to

    Rs 16000(dated 26th

    Jan, 05) with wooden angles. Most of the Khadiweavers using

    frame looms use iron angles, as they require less maintenance.

    5.3. Charkha and Takali: Transformation of fiber into yarn is done with the help of

    takalior hand operated Gandhi Charkha. The Khadi& Village Industries Commission

    has also approved a modified hand operated charkha called theAmbar Charkha with

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    better output particularly with cotton. A charkha is also used for making rolls or

    bundles of yarn for the weft on bobbin.

    Pic: Charkha

    5.4. Bobbin: A bobbin is a small wooden stick, on which the yarn is rolled,to be used

    on the loom for weaving.

    Pic: Bobbins

    5.5. Scissors: Scissors are used for finishing that is to remove the protruding fibers

    from the final fabric.

    Pic: Scissor

    http://localhost/var/www/apps/conversion/tmp/scratch_7/khadiphoto/Scissor.jpghttp://localhost/var/www/apps/conversion/tmp/scratch_7/khadiphoto/Scissor.jpghttp://localhost/var/www/apps/conversion/tmp/scratch_7/khadiphoto/Scissor.jpg
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    6. Production Process

    The spinning of the thread on the charkha precedes the weaving ofKhadi. After this

    the yarn goes to the bobbin winder, warper, sizer and finally to the weaver. Spinning

    is mostly done by the girls and women in the villages, while weaving is done by men.

    Because of the labor involved, the price of Khadicloth when it reaches the shops is

    more than that of other fabrics.

    The production process of Khadi fabric can be widely categorized in three steps

    spinning, dyeing and weaving. The fabric is hand spun and hand woven. In a broader

    sense the production of Khadi includes cotton growing, picking, ginning, cleaning,

    carding, slivering, spinning, sizing, dyeing, preparing the warp and woof, weaving and

    winding. These, with the exception of dyeing, are essential processes every one of

    which can be effectively handled in the villages.

    Pic: Charkha

    Carding:It is a process in which the fiber that is in loose state, is opened, separated

    and made free of external matter if any. Basically combing of fiber is called carding,

    which is done by bows. This operation makes the fibers straight and aligned. The

    yarn at this stage is called web. Now the fiber is ready to be converted into yarn.

    6.1 Spinning

    The carded fiber is taken and bursted with the help of a hand-operated charkha, to

    produce yarn of various thickness and counts. The process is called hand spinning. It

    is done on the takali, Gandhi charkha orAmbar charkha. The thread is then wound

    on a small stick called a bobbin. In Khadiproduction, spinners supported by KVIC or

    other KhadiSocieties generally do the spinning.

    http://localhost/var/www/apps/conversion/tmp/scratch_7/khadiphoto/Charkha%201.jpghttp://localhost/var/www/apps/conversion/tmp/scratch_7/khadiphoto/Charkha%20n%20Loom/Picture%20008.jpghttp://localhost/var/www/apps/conversion/tmp/scratch_7/khadiphoto/Charkha%20n%20Loom/Picture%20008.jpghttp://localhost/var/www/apps/conversion/tmp/scratch_7/khadiphoto/Charkha%201.jpg
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    Pic: Spinning

    6.1.1. Silk

    Making yarn from silk fibers involves various techniques. There are three processes

    to cater for the three types of fiber obtained from different parts of the single

    cocoon. The rough outer layer of fiber is pulled off the cocoon and accumulated to

    create a bundle that can be hung overhead and pulled down to be twisted by a drop

    spindle. The inner filament is reeled off the cocoon by hand and spun on the thigh,

    before it is twisted onto a reel. Between 6 and 12 cocoon filaments are plied

    together creating a fine thread suitable for weaving. The remaining fiber comes from

    the peduncle, which attaches the cocoon to the tree. This tough material is soaked in

    water and then pounded before spinning by drop spindle. The resulting yarn iscoarser and darker than the others. The silk cost to the weavers is Rs 1400 to Rs 1600

    per kg, and is made available to them mostly by the KhadiSocieties with which these

    weavers are usually associated.

    6.1.2 Cotton

    Mostly women are involved in the time-consuming spinning process. Cotton spinning

    is done with the help oftakalior hand operated Gandhi Charkha. The Khadi& Village

    Industries Commission has also approved a modified hand operated charkha called

    the Ambar Charkha with better output particularly with cotton. No scouring is

    required in cotton as this is cellulose fiber, which contains no protein and grease.

    6.1.3 Wool

    Well-carded wool is bursted with the help of a hand-operated charkha and given the

    required twisting to get the appropriate thickness and count.

    6.2 Garneting

    To remove the impurities from the woolen fiber it is treated in a solution of H2SO4 +

    HNO3 before scouring.

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    6.3 Scouring

    It is a chemical process and the objective of the scouring is to remove the natural

    and acquired adventitious impurities, present in the woolen yarn. The natural

    grease, wool wax and dried perspiration are natural impurities present in the yarn;

    dust, dirt, oil etc are acquired impurities. These are all removed in the scouring

    process. Generally an alkali free, neutral soap along with a small quantity of soda ash

    is used in this process. Scouring makes the yarn clean, smooth, white and more

    receptive to dyes. All these process is then followed by drying and oiling to remove

    the friction from the fiber.

    6.4 Designing

    In most of the cases designs are provided by the agencies placing the order with the

    weavers as per the current trend. Often they are inspired by the weavers

    themselves, based on traditional designs found in the region.

    6.5 DyeingDyeing can be carried out at any of the following stages:

    The fibers can be dyed before they are spun. Fiber dyeing provides a deep

    penetration of the dye into the fiber, giving even color and excellent color-fastness.

    The yarn can also be dyed after spinning but before the product is woven or

    otherwise fabricated. This is calledpackage dyeing.

    Before the fabric is finished, it can be dyed in lengths (piece dyeing). This process

    allows manufacturers the opportunity to produce fabrics in their natural colors, and

    then dye them to order.

    In cross-dyeing (cotton and wool) fabrics of two or more fibers can be dyed so that

    each fiber accepts a different dyestuff and becomes a different color, through the

    use of appropriate dyestuffs for each fiber.

    Khadiweavers employ both the process of dyeing vegetable dyes and Chemical dyes

    to color yarn, fiber or fabric but in Rajasthan mostly Vegetable dyeing is being

    practiced.

    6.5.1 Natural DyesNatural dyes are mainly obtained from animal or vegetative materials with no or very

    little chemical processing. The coloring matter is taken from the roots stems, barks,

    leaves or flowers of bushes, herbs or shrubs.

    Types of Vegetable Dyes Used: On the basis of the method of application, vegetable

    dyes can be classified into two categories, viz

    Substantive Dyes: They dye the fiber without any additive e.g.: turmeric (haldi),

    Babool chilka, Pomegranate peels (Anarchilka), Henna (Mehandi), Catachu (Katha)

    etc.

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    Mordant Dyes: Some vegetable dyes have no direct affinity for the fiber; they adhere

    to the fiber only with the help of a mordant which is generally a metal salt. The

    mordant may be added to the dye in the dyebath (kundi) itself or applied

    separately. Madder (Majith), Indigo (Neel), Hararh are examples of the mordant

    dyes.

    The weavers use tanks and big vessels for dyeing. Dyes which they use commonly are

    turmeric (haldi), Babool chilka, Pomegranate peels (Anar chilka), Henna (Mehandi),

    Catachu (Katha), Madder (Majith), Indigo (Neel), Hararh, Marigold, Onions, Walnut

    Husks, etc. The mordants required by them are Alum, Copper Sulphate, Chrome, Tin,

    Oxalic Acid, Tartar, Acetic Acid, etc.

    Pic: Chart of vegetable dyes

    Vat dyeing is the simplest form of dyeing; material is immersed in dye and gradually

    brought to a boil. Alternatively the fiber is allowed to sit and soak for several hours

    or days. During this period, agitation is necessary to allow full penetration of the

    fiber by the dyestuff. Depending on the type of fabric and dyestuff used, certain salts

    or acids are added to assist absorption of the dye.

    Pic: Dyed cotton

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    i) Cotton: VAT DYEING

    ii) Dyeing Process (wool) - ACIDIC (fabric) DYEING

    Yarn

    Wetting

    Coloring matter in 80 C water + VAT dyes

    Roll

    Bleaching & scouring (for impurity)

    Drying

    In cold Water

    Fabric wetted in cold water

    80 C water + Glaubs Salt + Chemicals

    Wet clothes one at a time

    Spinner (centrifuge)

    Wash in cold water

    Drying

    Stirring

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    iii) Dyeing Process (wool)- ACIDIC (yarn) DYEING

    Yarn (15 kg.) wetted in cold water (3 quintals) + 100 g. Isapol +100 g. soda

    80 C water + 500 g. Glaubs Salt + 1 kg. acid + 250 g. acetic acid

    Dyeing (200 g. in 3 liters water)

    Washing & Drying

    Wash in cold water

    Drying

    Stirring

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    iv) Dyeing Process (wool) - METAL COMPLEX DYEING

    Some other processes of dyeing which are practiced by the weavers are mentioned

    above. Prior to the dyeing process, the weavers usually test the prepared dyes on

    their hands to check the shade of the color.

    6.6 Weaving

    The fabric formation from the yarn is known as weaving. It is the interlacement of

    warp and weft. Warp is length-wise or longitudinal yarn (taana) and weft is breadth-

    wise or horizontal yarn (baana). The process of weaving is done on manually

    operated looms to produce Khadifabric. In practice, the basic purpose of the loom is

    to hold the warp threads under tension to facilitate the interweaving of the weft

    threads.

    The first step in weaving is to stretch the warp yarns, which must be very strong. The

    process is called beaming. The weft or woof filling crosses the warp, binding the

    warp threads at either side to form the selvage. The three essential steps after the

    warp is stretched are: shedding, or raising every alternate warp yarn or set of yarns

    to receive the weft; picking, or inserting the weft; and battening, or pressing home

    the weft to make the fabric compact. In Khadi weaving all these operations are

    performed by hand.

    Washing fabric (to remove impurity)

    Washing

    Dyeing (with metal complex dyes)

    Milling

    Stunting (drying)

    Finishing

    Pressing

    Scouring

    http://www.apparelsearch.com/Definitions/Miscellaneous/warp_definition.htmhttp://en.wikipedia.org/wiki/Tensionhttp://en.wikipedia.org/wiki/Tensionhttp://www.apparelsearch.com/Definitions/Miscellaneous/warp_definition.htm
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    6.7 Washing and Finishing

    After the weaving on the loom, the fabric that comes out is known as gray fabric.

    Gray fabric contains some impurities and requires treatments like washing,

    calendaring, finishing, etc. Finishing is usually done at some nearby finishing plants.

    Pic: Gray cloth

    7. The existing Khadiset-up

    The KhadiSocieties procure wool / cotton / silk fiber and distribute it to the women

    spinners at the village centers. These women spin the fiber into yarn in their homes

    on traditional or modern spinning machines. The yarn is then passed on to the

    weavers for weaving on handlooms. Both fabric and yarn dyeing are done. Finishingof the fabric is done at a finishing plant usually in a small town. For stitched products

    like garments or small furnishing items, stitching is done in house at the Society. The

    finished product is packed and sent to rural and urban marketing outlets of Khadi

    Societies.

    The major chunk of marketing is done by various outlets of the Khadi Societies

    spread across the country. As the fabric is a fashion statement nowadays

    It is also used by renowned designers and marketed by designer Boutiques and

    export houses as well.

    8. Use of the Product

    Khadi fabrics and their products come in a wide variety. While the fabrics are

    available, finished products are also marketed. Mahatma Gandhi turned Khadiinto a

    symbol of the National Struggle. The legacy is still visible in the white Khadi kurtas

    worn by the political leadership in the country. Khadiis also considered a fabric that

    embodies purity and simplicity in India. Of late, Khadi has been used by leading

    fashion designers, and is coming to be seen as a fashion statement. The same

    versatility of the fabric also lends itself for use as furnishings. For apparel as well as

    furnishings,Khadi

    has a small but discerning export market as well.

    http://localhost/var/www/apps/conversion/tmp/scratch_7/khadiphoto/Gray%20Cloth.jpghttp://localhost/var/www/apps/conversion/tmp/scratch_7/khadiphoto/Gray%20Cloth.jpg
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    8.1 Woolen: Furnishing fabrics, cushions, blankets, throw, bags, shawls,

    8.2 Cotton: Upholstery, shirting, bedspreads, curtains, table linen and kitchen linen

    8.3 Silk: Saris, shirting, dress material

    9. Appendix

    Report from Textile Committee

    Reports from Khadi Society Ajmer, Rajasthan

    Reports from Rajasthan State Handloom Development Corporation (RSHDC)

    http://www.ruda.org.in/

    www.indiamart.com


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