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20. ULUSLARARASI ‹STANBUL KISA F‹LM FEST‹VAL‹

20th ‹STANBUL INTERNATIONAL SHORT FILM FESTIVAL

05 - 12 KASIM/NOVEMBER 2008

Afifl Tasar›m› / Poster Desing

Eylem Arbak ve Baran Gündüzalp

Katalog Tasar›m› / Catalogue Design

Sinan Turan

Web tasar›m / Web Desing

Özgür Arman

Festival Spotu / Festival Spot

Haflmet Topalo¤lu

Stüdyo Sorumlusu / Studio Coordinator

Necip Sevindik

Film Projeksiyon Sorumlular› / Projection Technicians

Bilal ‹ncel, Ayd›n Aras, Süleyman Akflar, Mehmet Aflkar, Enis Aflkar

Ofset Bask› / Offset Print

Çizgi Bas›m Yay›n Ldt. fiti.

Galip Dede Caddesi, No: 77, Beyo¤lu - ‹stanbul

Adres / Address

Uluslararas› ‹stanbul K›sa Film Festivali

Hamalbafl› Cad. No:4 Kat:5 Galatasaray Beyo¤lu ‹stanbul TURKEY

Tel: 90.212.2525700

Fax: 90.212.2493888

[email protected]

http://www.istanbulfilmfestival.com

DÜZENLEME KURULU / ORGANISATION COMMITTEE

Claudia Hahn-Raabe, Fügen U¤ur – Almanya / Germany

Helmut Juritsch, Bengü Abyano¤lu - Avusturya / Austria

Luciano Rispoli, Saadet Ersin - Fransa / France

Daniel Stork, Recep Tuna, - Hollanda / The Netherlands

Ruth Ur, Ceren Erdem – ‹ngiltere / United Kingdom

Antonio Gil de Carrasco, Miguel Grajales Pedrosa– ‹spanya / Spain

Annika Svahnström - ‹sveç / Sweden

Silvana Vassilli, Giovanna Grollo, Gabriella Fortunato, Tanju fiahan - ‹talya / Italy

Maria Szekely, Petronella Molnar – Macaristan / Hungary

Eduardo Buenrostro, Orhun Bafler – Meksika / Mexico

Agnieszka Komosiñska - Latusek, Beata Uzunkaya - Polonya / Poland

Hilmi Etikan, Haflmet Topalo¤lu, Y›ld›z Etikan, Berna Kuleli, Sinan Turan, Duygu Etikan - Türkiye / Turkey

DESTEKLER‹ ‹Ç‹N TEfiEKKÜR EDER‹Z / WE ARE GREATFUL FOR THEIR SUPPORT

T.C. Kültür ve Turizm Bakanl›¤› / The Ministry of Culture and Tourism

Ertu¤rul Günay, ‹smet Y›lmaz, Abdurrahman Çelik, Hüseyin Ülger, Nejat Gökçe, Okan Yüce

Altyaz› Sinema Dergisi

Birgün Gazetesi

Cumhuriyet Gazetesi

Hürriyet Gazetesi

Özlem Kristal

Bennu Y›ld›r›mlar, Nazan K›r›lm›fl Kesal, Natali Yeres, R›za K›raç, Talip Ertürk, Ceylan Özgün Özçelik, Alin

Taflç›yan, Bahar T›rnakç›, Cem Öztüfekçi, Hasan Cevat Özdil, Kadir Beycio¤lu, Meryem Yavuz, Müge Bayraktar,

Nurcan Öztezdo¤an, Oytun Sungu, Ayhan Çetiner - Türkiye / Turkey

Sixpackfilm - Avusturya / Austria

Christine Gendre, UNIFRANCE Short Film Departmant - Fransa / France

British Council - ‹ngiltere / United Kingdom

Marina Diaz López, Instituto Cervantes - ‹spanya / Spain

Mr Petter Mattsson, Swedish Film Institute - ‹sveç / Sweden

Ministry of Foreign Affairs - ‹talya / Italy

Fabrizio Ferrari, RIFF Roma Independent Film Festival - ‹talya / Italy

Hungarian Film Union - Macaristan / Hungary

Secretaria de Relaciones Exteriores de México - Meksika / Mexico

Instituto Mexicano de Cinematografia - Meksika / Mexico

Prof Andrzej Bednarek, Polish National Film –TV and Theatre School - Polonya / Poland

Greek Film Centre, Paola Starakis - Yunanistan / Greece

20 YIL GER‹DE KALIRKEN...

Birçok engellere karfl›n, ülkemizde k›sa film ile ilgili bir etkinli¤i, 20 y›l boyunca aravermeden sürdürmek önemli bir baflar› kuflkusuz. Çünkü k›sa filmin ulusal sinemadakitart›fl›lmaz önemi ne yaz›k ki bugün de tam anlafl›lm›fl de¤il. Ülkenin dört bir taraf›ndadüzenlenen k›sa film festivallerinin say›sal çoklu¤u bizleri yan›ltmas›n. Bu nicel art›fl neyaz›k ki niteli¤in yükselmesine çok da fazla katk› sa¤lam›yor. Bugün de k›sa filmler, on y›lönce oldu¤u gibi yine çok az bütçelerle, yetersiz teknik donan›mlarla ve genellikle amatöroyuncularla kotar›lmaya çal›fl›l›yor.

Dijital teknoloji iflleri biraz yoluna koyar gibi gözükse de, tam bir çözüm getirdi¤inisöylemek olas› de¤il. Eski y›llarda, dijital kameralar›n olmad›¤› dönemde amatör filmkameralar› ile film çekerken ses kayd› yapamazd›k. Filmlerin duyarl›l›¤› o kadar azd› ki,2000 wat ›fl›k ancak 3-4 metre için yeterli olurdu. Kurgu yapmak için film parçalar›n› asetonlabirbirine yap›flt›r›r, her gösteride kopup yok olan karelerin yerine yenisini koyamazd›k.Filmden kopya ç›karamazd›k.

Bütün bu sorunlar›, günümüzün dijital kameralar› ve kurgu setleri ortadan kald›rd›. Amabu geliflmeler tek bafl›na, k›sa film üretiminin niteli¤ini artt›rma da yeterli olam›yor. Çünküfilm üretiminde teknik koflullar iflin sadece bir bölümü. Yönetmenin, senaryosunu iyikoflullarda üretebilmesi, araflt›rma yapabilmesi, profesyonel oyuncularla çal›flabilmesi,kostüm ve dekor giderlerini karfl›layabilmesi, seyahat ve konaklama için harcama yapabilmesi,özgün müzik çal›flmalar› gerçeklefltirebilmesi için de mutlaka parasal deste¤e gereksinimivar. Oysa ülkemizde ne yap›mc›lar, ne televizyon kanallar› ne de sponsor olabilecek kurumlarbu ifli önemsemiyorlar. Arada bir, çok az say›da, o da rastlant›sal olarak oluflmufl destekleretan›k oluyoruz. Sistemlefltirilmifl ve süreklilik kazanm›fl bir iflleyifl yok. Kültür ve TurizmBakanl›¤›m›z›n vermifl oldu¤u destek ise, önemli ama yeterli de¤il. Bu arada y›llardan berisüren “TRT Genç Sinemac›lar” program›n›n yap›c› katk›s›n› da unutmamam›z gerekiyor.

Bizler de, nitelikli filmleri program›m›za alarak bu alana bir katk› sa¤lamaya çal›fl›yoruz.Ticari sinemalarda izlenmesi mümkün olmayan k›sa filmin seçkin örnekleri ile seyirciyibuluflturmay›, film çekmek isteyen genç yönetmenlerimize, dünyan›n dört bir köflesindeüretilmifl baflar›l› k›sa film örneklerini izletmeyi amaçl›yoruz.

Festivalimize bu y›l da yurt içinden ve yurt d›fl›ndan yaklafl›k 600 film baflvurdu. Bu denliönemsenmekten mutluluk duyuyoruz. Programa zaman s›n›rlamas› nedeniyle alamad›¤›m›zdaha birçok baflar›l› film var. Dileriz bu filmlerin yönetmenleri de bizleri anlay›flla karfl›larlarve ba¤›fllarlar.

Çok küçük bir ekibin y›llardan beri, büyük bir özveriyle yaflatmaya çal›flt›¤› bu festival,dünya çap›nda da ülkemizi tan›tan, sayg›nl›kla an›lan bir organizasyon olma yolunda büyükaflamalar kaydediyor.

Tüm katk›s› olanlara teflekkürlerimizi sunuyor ve hepinize keyifli seyirlikler diliyoruz.

Hilmi Etikan

AFTER 20 YEARS...

It is an accomplishment to continue a short film organization in our country for 20 yearsincessantly, in spite of many obstacles we encountered. The inarguable importance of shortfilm in national cinema has unfortunately not been fairly comprehended. We should notbe mistaken by the large number of the short film festivals. This increase in quantity doesnot mean an enhancement in quality as well. Today short films are still produced with toolimited budgets, inadequate technical equipment and usually with amateur actors like tenyears ago.

Although digital technology seems to ease the process, it does not bring a perfect solution.In those years before digital cameras, while we were shooting with amateur cameras, wewould not record sound. Sensitivity of films was very low and 2.000 watt was enough foronly 3-4 meters. For editing we used to paste pieces of film reels to each other with acetoneand we could not replace the frames which were broken during screenings, we could notmake copies of our films.

Digital cameras and editing sets eliminated all these problems. But these developmentscould not be enough to improve the quality of short film production because technicalconditions are only a part of the film production. A director needs financial support to createthe screenplay in good conditions, to afford the costume and décor costs, to be able to makeexpenditure for travel and accommodation and to have a budget for an original score aswell. However neither the producers nor the TV channels and sponsor companies careabout it. We see one or two accidental supports occasionally. Yet there is no systematic andcontinuous procedure. The support of our Ministry of Culture and Tourism is importantbut not sufficient. We should also remember the positive effect of the TV program titled“TRT Young Filmmakers” which has been lasting for years.

We also try to help developing this field by taking noteworthy films into our program.We intend to meet the spectators with the outstanding short films which could not bewatched in commercial movie theatres, show successful short film examples from all aroundthe world to our young directors who want to direct their films.

This year 600 domestic and foreign films applied to our festival this year. We are gladfor this interest. There are many successful films we couldn’t take into our programme dueto time limit. We hope the directors of those films understand and forgive us.

This festival that a very small crew has been trying to keep alive for years is growing intoa globally known and well respected organization.

We like to thank everybody contributing to our festival and hope you will enjoy it.

Hilmi Etikan

Birbirine komflu iki oturma odas›ndaki kanepelerde olanlar› eflzamanl› olarakizleyen bir çizgi film. Kedisiyle bir kad›n ve bir erkek. Duvarlar dünyalar› ay›rabilirmi birbirinden?

An absurd animation which, using parallel sequences shot simultaneously, observesthe events on sofas in two neighbouring living rooms. A woman with a cat and aman - can walls separate worlds?

Yönetmen / Director: Hyekung JungSenaryo / Screenwriter: Hyekung JungKurgu / Editor: Hyekung JungMüzik / Music: Andreas HeyserAnimasyon / Animation: Hyekung JungKamera / Photography: Hyekung JungYap›m / Production: Hyekung Jung

Özgeçmifl: 1970 y›l›nda Kore’de Seul’da do¤du. 1988 y›l›nda liseyi bitirdi. 1996-2003 y›llar› aras›nda Kassel SanatAkademisi’nde animasyon sinemas› e¤itimi ald›.

Biography: Born in Seoul in 1970, 1988 A-Levels, 1996-2003 study of Animation at the Academy of Arts Kassel.

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KANEPESOFA

Canland›rma / Animation, 3’Renkli / Color, 2001

‹stanbul Alman Kültür Merkezi’nin Katk›lar›yla

Almanya / Germanyfiurada ve B

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K›sa ve ‹yi III / Short and Sweet III

Orta yafll› bir çift olan Theresa ve Viktor’un evinin alt›nda bir caz kulübü vard›r.Çift afla¤›dan gelen gürültüden uyuyamaz. Ama belki de kulübün gürültüsü vemüzik tam da ihtiyaçlar› olan meflgaledir onlar için.

Theresa and Viktor, a middle aged couple, live in an apartment above a jazz club.They can’t sleep at night because of the music coming from the club. It may wellbe the welcome distraction into their mundane lives.

Yönetmen / Director: Izabela PlucinskaSenaryo / Screenwriter: Izabela Plucinska, Justyna CeledaKurgu / Editor: Dirk SchreierMüzik / Music: Raz Dwa TrzyAnimasyon / Animation: Izabela PlucinskaKamera / Photography: Izabela PlucinskaYap›m / Production: HFF Hochschule für Film und Fernsehen "Konrad Wolf" Potsdam-Babelsberg

Özgeçmifl: 1974 y›l›nda Polonya’da do¤du, Lodz Sanat Akademisi ve Potsdam-Babelsberg “Konrad Wolf” Film veTelevizyon Okulu’nda e¤itim ald›.

Biography: Born 1974 in Poland, studied at the Lodz Art School and the Film and Television Academy ‘KonradWolf’ Potsdam.

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Almanya / Germany

JAM SESSIONJAM SESSION



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Siz de b›kt›n›z m› eski perdelerinizden? Y›llard›r ayn› hüzünlü görüntüye mibak›yorsunuz? Bitti art›k! Teknolojik geliflmenin sa¤lad›¤› kolayl›klar artt›. Gelece¤inpencereleri: ‹llüzyonlu camlar!

Fed up with your old curtains? Tired of the same dreary view? Improve yourlifestyle with the latest scientific marvel! Install Illusionglass - the window of thefuture!

Yönetmen / Director: Vera LalykoSenaryo / Screenwriter: Vera LalykoKurgu / Editor: Gerrit LucasMüzik / Music: Oskar SalaAnimasyon / Animation: Vera Lalyko, Urte Zintler, Felix Herzog, Gero SchlierkampKamera / Photography: Thomas MüllerYap›m / Production: Kunsthochschule für Medien Köln

Özgeçmifl: Kunsthochschule für Medien Köln’de¤itim ald›. 1998 y›l›ndan bu yana müzik klipleri, reklam, televizyondizileri ve internet projelerinde serbest animasyon sanatç›s› olarak çal›fl›yor.

Biography: Diploma for audiovisual media at the Academy for Media Arts Cologne. Since 1998 she has workedas freelance director and animator for Movie, TV and internet projects.

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MANZARALI PENCEREWINDOW WITH A VIEW




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“Beyaz›n” derinli¤indeki tekdüzelik. Bir tan›ma göre, uzay, insan› engelleyenba¤lar›n olmamas› demektir. Ama tamamen durma noktas›na gelmek ise, ölümdür.

Monotony rules the depths of ‘white’. One definition of space is the absence ofhindering. But a complete standstill is death.

Yönetmen / Director: Florian GroligSenaryo / Screenwriter: Florian GroligKurgu / Editor: Florian GroligMüzik / Music: Tobias BöhmAnimasyon / Animation: Florian GroligKamera / Photography: Florian GroligYap›m / Production: Florian Grolig

Özgeçmifl: 1980 do¤umlu. Tiyatro, film ve medya bilimleri e¤itimi ald›. 2002’de Kassel Sanat Akademisi’ndeanimasyon ve yeni medya e¤itimine bafllad›. O günden bu yana kendi animasyon ve gerçek filmlerini çekiyor.

Biography: Florian Grolig (*1980) studied Media Sciences and later started studying Animation and New Mediaat the School of Arts and Design in Kassel. Since then he realised some animation and live action shorts.

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Almanya / Germany

BEYAZWHITE

Canland›rma / Animation, 5’Siyah-Beyaz / B&W, 2006


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Timsah Gerold, 10 y›l sonra baflkalar›yla paylaflt›¤› evinden at›lmak istenmektedir.Acaba yeni tafl›nan Antilop Ellen’in parma¤› m› vard›r bu iflte? Entrika ya da de¤il-eski ç›lg›n günler hat›ralarda kalm›flt›r art›k.

After ten years in the shared flat, Gerold the Crocodile is about to be evicted. Isthis a conspiracy against him? Does newcomer Ellen the gnu have something todo with it? One thing is for sure - his wild days have become mere distant memories.

Yönetmen / Director: Daniel NockeSenaryo / Screenwriter: Daniel NockeKurgu / Editor: Daniel NockeMüzik / Music: Floridan StudiosAnimasyon / Animation: Anja Perl, Heidi Wittlinger, Volker WillmannKamera / Photography: Daniel NockeYap›m / Production: Thomas Meyer-Hermann

Özgeçmifl: Baden- Württemberg Film Akademisi’nde okudu. Halen Hamburg’ta serbest animasyon filmi yönetmenive senarist olarak çal›fl›yor.

Biography: Daniel Nocke studied at the Film Academy of Baden-Wuerttemberg. Now he works as a scriptwriterand filmmaker for animation.

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GEROLD’A YER YOKNO ROOM FOR GEROLDCanland›rma / Animation, 5’

Renkli / Color, 2006



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Pazar gezileri serisinin ilk bölümü. Bu bölümde sabah flehirde yap›lan bir gezintiyeefllik ediyor ve tuhaf fleylerin fark›na var›yoruz.

The first part of a series of Sunday excursions. In ‘Sunday 1’ we accompany theflaneur through the early-morning city streets and notice oddities.

Yönetmen / Director: Jochen KuhnSenaryo / Screenwriter: Olaf MeltzerKurgu / Editor: Jochen KuhnMüzik / Music: Jochen KuhnAnimasyon / Animation: Jochen KuhnKamera / Photography: Jochen KuhnYap›m / Production: Jochen Kuhn Filmproduktion

Özgeçmifl: 1975-1980 y›llar› aras›nda Hamburg’ta sanat okudu, 1988-89’da Villa Massimo bursu ald›. 1991 y›l›ndanberi Baden-Württemberg Film Akademisi’nde ö¤retim görevlisi olarak görev yap›yor; Akademie der Künste veGerman Film Academy üyesi. Alman Film Ödülü sahibi.

Biography: 1975 to 1980 studies of arts in Hamburg, 1988-89 Villa Massimo-stipend, since 1991 professor atFilmakademie of Baden-Wurrttemberg, member of Akademie der Künste and German Film Academy, Winner ofGerman Film Award.

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Almanya / Germany

PAZAR 1SUNDAY 1



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‹ki kifli damdan düfler. Ancak filmin hikayesi, olacaklar› izlemek için meydandatoplanan insanlard›r.

Two people fall off the roof. However, the story is about gawkers who have gatheredbelow for the unfolding event.

Yönetmen / Director: Peter KabothSenaryo / Screenwriter: Peter KabothKurgu / Editor: Peter KabothMüzik / Music: Ludwig Götz, Karsten ScheunemannAnimasyon / Animation: Peter Kaboth, Maria SpirkoKamera / Photography: Peter KabothYap›m / Production: Pan Kaboth

Özgeçmifl: Potsdam Sinema ve Televizyon Yüksek Okulu ve Medya Sanat Yüksek Okulu’nda e¤itim ald›. Reklamve özel efektlerle ilgili çeflitli yap›mlarda çal›flt›. Son olarak “Lissi und der wilde Kaiser” filminde animasyonyönetmeni olarak görev ald›.

Biography: He studied at HFF Potsdam and at KHM Köln and produced several commercials and special effectsfor films. Recently he worked as animation director for the feature film ‘Lissi und der wilde Kaiser’.

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DÜfiMEKFALLING




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Denizciler Marty ve Ernest fliddetli bir f›rt›na sonras› bir sal›n üzerindedirler. Hayattakalmak için birlikte savafl›rlar. Ancak küçük bir bal›k yakalad›klar›nda gerçekdostlu¤un ne oldu¤u ortaya ç›kar.

Two starved and exhausted castaways, Marty and Ernest are wayward on a raft atsea when a seagull drops a fish into their raft. This is the moment to see what truefriendship is.

Yönetmen / Director: Jan ThüringSenaryo / Screenwriter: Jan ThüringKurgu / Editor: Thomas BergmannMüzik / Music: Marius LangeAnimasyon / Animation: Jan Thüring, Heiko SchermKamera / Photography: Wolfgang WambachYap›m / Production: Filmakademie Baden-Württemberg

Özgeçmifl: 1971 y›l›nda do¤du. Lise e¤itimini takiben çeflitli kurulufllarda staj yapt› ve asistan olarak çal›flt›.Krefeld’de grafik tasar›m› bölümünde ve Baden- Württemberg Film Akademisi’nde görsel iletiflim e¤itimi ald›.2004’ten bu yana ba¤›ms›z rejisör olarak çal›fl›yor ve görsel senaryolar tasarl›yor.

Biography: Born 1971, 1991: High School graduation, 1992-95: Practical courses, 1995: Studies of VisualCommunications, 1997: Studies at Filmakademie of Baden-Wuerttemberg, 2004: working as a freelance directorand storyboard artist.

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Almanya / Germany

SALTHE RAFT



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8 mm’lik filmlerden kareler, büyük bir flehirdeki evlerin pencerelerinin karfl›s›nayerlefltirilir.

Individual frames from 8 millimetre films are placed against window frames in alarge metropolis.

Yönetmen / Director: Bert GottschalkSenaryo / Screenwriter: Bert GottschalkKurgu / Editor: Rudi ZieglmeierMüzik / Music: Franz SchubertAnimasyon / Animation: Bert GottschalkKamera / Photography: Bert GottschalkYap›m / Production: Bert Gottschalk

Özgeçmifl: 1972 y›l›nda Potsdam’da do¤du. 1991-1999 y›llar› aras›nda Potsdam-Babelsberg “Konrad Wolf” Sinemave Televizyon Yüksek Okulu’nda e¤itim ald›. 2001’den bu yana görsel senaryo, illüstrasyon ve animasyonalanlar›nda çal›fl›yor.

Biography: Born in 1972 in Potsdam. From 1991 to 1999 he studied animation at the ‘Konrad Wolf’ Academy ofFilm & Television in Potsdam-Babelsberg. Since 2001 he has been working as a story boarder, illustrator andanimator.

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PENCERE GÖRÜNTÜLER‹WINDOW PICTURES




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“Geri döndü!” mesaj› çeflitli kiflilere iletilir. Mesaj› kimin ald›¤› ve iletti¤ine ba¤l›olarak mesaj›n içeri¤i de¤iflir. Sonunda mesaj›n yorumu hakk›nda tart›flma ç›kar.

The message ‘He is back!’ is passed on to various persons. Depending on whopasses it and who receives it, the message content varies and eventually a quarrelerupts over the meaning of the message

Yönetmen / Director: Raimund KrummeSenaryo / Screenwriter: Heinz BusertKurgu / Editor: Raimund Krumme, Herdis Albrecht, Sara Albrecht, Kris van Asphen, John Foulk, Elke Stoessel,Aygün VölkerMüzik / Music: Rainald HahnAnimasyon / Animation: Raimund Krumme, Herdis Albrecht, Sara Albrecht, Kris van Asphen, John Foulk, ElkeStoessel, Aygün VölkerKamera / Photography: Heinz BusertYap›m / Production: Raimund Krumme & Heinz Busert

Özgeçmifl: 1950 do¤umlu. 1970-75 y›llar› aras›nda Berlin Sanat Akademisi’nde e¤itim ald›. 1976-82 y›llar› aras›ndaBraunschweig Güzel Sanatlar Akademisi’nde ö¤retim görevlisi olarak çal›flt›. 1980’den bu yana serbest çizgi filmyap›mc›s› ve 1994’ten bu yana Amerikan pazar› için reklam ve animasyon filmi yönetmeni olarak çal›fl›yor.

Biography: Born in 1950, 1970-75 studies in Berlin, 1976-82 university lecturer in Braunschweig, Germany, since1980 own production of animation, since 1994 director and animator of commercials for the American market.

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Almanya / Germany

MESAJTHE MESSAGE



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2000 y›ll›k bir mefle a¤ac›n›n kendi a¤z›ndan hayat hikayesi.

A 2000 year-old oak tree tells the story of its own life.

Yönetmen / Director: Vuk JevremovicSenaryo / Screenwriter: Vuk JevremovicKurgu / Editor: Vuk JevremovicMüzik / Music: Sebastian SestanAnimasyon / Animation: Vuk JevremovicKamera / Photography: Bernd WeidnerYap›m / Production: Canvas Productions

Özgeçmifl: 1959’da do¤du. Belgrad’ta mimarl›k okudu. Münih Güzel Sanatlar Akademisi’nde e¤itim ald›. “Mefle”,yönetmenin alt›nc› filmi.

Biography: Born in 1959, Vuk Jevremovic graduated in architecture in Belgrade and at the Academy of Fine Artsin Munich. ‘Quercus’ is his sixth film.

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MEfiEQUERCUS

Canland›rma / Animation, 12’S-B ve Renkli / B&W and Color, 2004



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Vincent kaybolan arkadafllar›n› ararken kendini tuhaf bir panay›rda bulur. Panay›r›nkorkunç bir s›rr› olan sahibiyle tan›fl›r ve sonunda kurtulmas› imkans›z, karmafl›kolaylar›n esiri olur...

Vincent comes across a strange carnival while looking for his friends. The owneris nursing a terrible secret and Vincent suddenly finds himself caught up in a whirlof events from which there is no escape...

Yönetmen / Director: Tine KluthSenaryo / Screenwriter: Carsten KluthKurgu / Editor: Sascha FromeyerMüzik / Music: Thomas MehlhornAnimasyon / Animation: Tine KluthKamera / Photography: Sibylle GrunzeYap›m / Production: Filmakademie Baden-Württemberg

Özgeçmifl: 1973 y›l›nda do¤an Kluth, okuldan sonra tiyatroda ve Heidelberg’te bir çizgi film flirketinde çal›flt›. ‹kiyar›y›l Güzel Sanatlar Yüksek Okulu’na devam etti. 1996-2002 y›llar›nda Baden-Württemberg Film Akademisi’ndeanimasyon e¤itimi ald›. Tina Kluth ayr›ca dans ö¤retmeni ve koreograf olarak çal›fl›yor.

Biography: Born in 1973, 1994-1995 study of free art, 1995-1996 internship at an animation film company inHeidelberg. 1996-2002 study at the Film Academy of Baden-Wuerttemberg, Ludwigsburg. Tine Kluth also worksas a dance teacher and choreographer.

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Almanya / Germany

KORKU TÜNEL‹GHOST RIDE



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Evindeki bütün eflyalar›n üstüne çizgiler çizmeyi saplant› haline getiren adam,yavafl yavafl bu çizgiler boyunca eflyalar› parçalamaya bafllar. Her fleyi paramparçaeder. Bu dürtüsünün esiri olarak baflka flans› kalmam›flt›r: Geriye kalan sa¤lam tekfleyle devam etmek zorundad›r...

A man obsessed with drawing lines on everything in his house eventually startsdestroying them. But even having destroyed everything around himself, he cannot stop. He must continue on with the only thing that seems have remained...

Yönetmen / Director: Hyekung JungSenaryo / Screenwriter: Hyekung JungKurgu / Editor: Hyekung JungMüzik / Music: André StandkeAnimasyon / Animation: Hyekung JungKamera / Photography: Hyekung JungYap›m / Production: Hyekung Jung

Özgeçmifl: 1970’te Seul’da do¤du. 1988 y›l›nda liseyi bitirdi. 1996-2003 y›llar›nda Kassel Sanat Akademisi’ndeanimasyon filmi e¤itimi ald›.

Biography: Born in Seoul in 1970, 1988 A-Levels, 1996-2003 study of Animation at the Academy of Arts Kassel.

19

SINIRLAR Ç‹ZMEKDRAWING THE LINE



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‹spanyol ressam Goya’n›n büyülü resim dünyas›nda bir zaman yolculu¤u. “Birinsan düflünün, bu gravürlerin göndermeler yapt›¤› tarihi olaylardan bihaber,merakl›, amatör biri... Bu insan buna ra¤men, bir beyni oldu¤u için ciddi bir sars›nt›geçirecektir.” (Charles Baudelaire’in 1857’de Goya’n›n gravürleri hakk›ndasöyledikleri).

A time travel into the magical world of paintings of the Spanish painter Goya. ‘Ithink that a person – an inquisitive but an amateurish person with no ideas aboutthe historical backdrop of events depicted in many of these drawings... Nonethelessthis man will be seriously shaken simply because he has a brain.’ (CharlesBeaudelaire on Goya’s gravures, 1857)

Yönetmen / Director: Hanna Nordholt, Fritz SteingrobeSenaryo / Screenwriter: Hanna Nordholt, Fritz SteingrobeKurgu / Editor: Hanna Nordholt, Fritz SteingrobeMüzik / Music: Banda SonoraAnimasyon / Animation: Hanna Nordholt, Fritz SteingrobeKamera / Photography: Hanna Nordholt, Fritz SteingrobeYap›m / Production: Hanna Nordholt, Fritz Steingrobe

Özgeçmifl: Hanna Nordholt Hamburg’ta görsel iletiflim ve animasyon filmi e¤itimi ald›. Fritz Steingrobe Hamburg’tagrafik tasar›m› ve güzel sanatlar okudu. ‹ki sanatç› birlikte animasyon filmcisi ve çizer olarak çal›fl›yor.

Biography: Hanna Nordholt studied Visual Communication and Animation in Hamburg. Fritz Steingrobe studiedGraphic Design and Arts in Hamburg. Now they work together as filmmakers for animation and as drawers.

20

Almanya / Germany

BEN GÖRDÜMI SAW IT

Canland›rma / Animation 15’S-B ve Renklendirilmifl / B&W and Colored, 2003


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Yamac› kraliçe dikifl malzemeleri ve biçki örnekleri aras›nda k›r›k kalpleri dikipbirlefltirir ve bunun için özel bir sayg› görmek ister.

‘The Patchwork Queen’ mends broken hearts in a surreal world of sewing utensilsand patterns, and yearns for a special tribute for this.

Yönetmen / Director: Lars HenkelSenaryo / Screenwriter: Lars HenkelKurgu / Editor: Lars HenkelMüzik / Music: Meret Becker, Ulrike Haage, Buddy SacherAnimasyon / Animation: Lars HenkelKamera / Photography: Lars HenkelYap›m / Production: Lars Henkel

Özgeçmifl: 1973 y›l›nda Roma’da do¤du. 1995-2000 aras›nda Aachen Yüksek Meslek Okulu’nda a¤›rl›kl› olarakillüstrasyon üzerine çal›flt›¤› grafik tasar›m› e¤itimi ald›. 2000-2003: Köln Medya Sanat Akademisi’nde medyatasar›m›, ‹nternet ve animasyon konular›nda çal›flt›.

Biography: Born in 1973, 1995-2000: Design Studies at FH Aachen (focus Illustration), 2000-2003: Studies at KHM

21

YAMACI KRAL‹ÇETHE PATCHWORK QUEEN

Canland›rma / Animation, 2’30”Renkli / Color, 2001


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“Gri”de, bir araba kazas›ndan hat›rlanan kareler, saniyelik kesitlerle estetik olarakizleyicinin önünde ak›yor. Hayattan hat›rlanan anlardan ziyade donmufl kareleriand›ran görüntüler yaflam›n son saniyelerine kiflisel bir yaklafl›m› mümkün k›l›yor.

‘_grau’ neatly orders the fragments of memory from a car crash and lets these splitseconds esthetically float past the viewer. These more sculptural thancinematographic blocks of memory reveal a highly personal view of the finalseconds of someone’s life.

Yönetmen / Director: Robert SeidelSenaryo / Screenwriter: Robert SeidelKurgu / Editor: Robert SeidelMüzik / Music: Heiko Tippelt, Philipp HirschAnimasyon / Animation: Robert SeidelKamera / Photography: Robert SeidelYap›m / Production: Robert Seidel

Özgeçmifl: 1977 y›l›nda Jena’da do¤du. Liseden sonra Jena Friedrich Schiller Üniversitesi’nde biyoloji e¤itiminebafllad›. Weimar Bauhaus Üniversitesi’nde medya tasar›m› dal›nda yüksek lisans yapt›. Halen yönetmen vegazeteci olarak çal›fl›yor.

Biography: Robert Seidel (1977) started studying biology at the Friedrich Schiller University Jena and finishedhis media design diploma at the Bauhaus University Weimar. Besides his personal art he works as a director

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Almanya / Germany

GR‹_GRAU



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“Tamam öyleyse, bacaks›z› sana veriyorum. Ama sen göz kulak olacaks›n ona. Veseneye de kesersin” dedi amcam.

‘Alright, I give you the Runt. But now you will take care of it, and you will slaughterit in one year’s time,’ said my uncle.

Yönetmen / Director: Andreas HykadeSenaryo / Screenwriter: Andreas HykadeKurgu / Editor: Andreas HykadeMüzik / Music: vAnimasyon / Animation: Andreas HykadeKamera / Photography: Andreas HykadeYap›m / Production: Studio Film Bilder

Özgeçmifl: 1968 y›l›nda Bavyera’da do¤du. Stuttgart Sanat Akademisi’ne devam etti. Ludwigsburg Baden-Württemberg Sinema Akademisi’nde animasyon e¤itimi ald›. 1992 y›l›ndan bu yana serbest animasyon filmiyönetmeni olarak çal›fl›yor.

Biography: Born in 1968 in Bavaria, studied design in Stuttgart and animation at the Academy of Film inLudwigsburg. Free lance director and animator.

23

BACAKSIZTHE RUNT



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Walter ve Bayan Siebert iyi komfluluk iliflkileri içinde yaflamaktad›rlar, ta ki birakflam Tanr› oldu¤unu iddia eden dominant biri ortaya ç›kana kadar.

Walter and Mrs. Siebert live next to each other in neighbourly harmony until oneevening when a dominant character appears and claims to be God.

Yönetmen / Director: Claudia ZollerSenaryo / Screenwriter: Claudia ZollerKurgu / Editor: Tobias PfeifferMüzik / Music: Martin Böttcher; Wilhelm Hinsch; Robin PohleAnimasyon / Animation: Bert Gottschalk, Matthias ThiemeKamera / Photography: Claudia ZollerYap›m / Production: Studio Film Bilder

Özgeçmifl: 1983 y›l›ndan beri Berlin’de yafl›yor. 2000 y›l›nda Potsdam-Babelsberg “Konrad Wolf” Sinema veTelevizyon Yüksek Okulu’ndaki animasyon filmi e¤itimini tamamlad›. Claudia Zoller’in yeni ad›, Louis Zoller.Zoller çeflitli flirketlerde yönetmen, senarist ve grafik tasar›mc›s› olarak çal›fl›yor ve kendi yap›mlar›n› yönetiyor.

Biography: She has been living in Berlin since 1983 und completed her studies of Animation at the HFF inBabelsberg. Now, Claudia Zoller is Louis Zoller. He works as a director, scriptwriter and graphic designer innumerous companies and leads his own productions.

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Almanya / Germany

TANRI’NIN CEZASIGREAT IS THE MYSTERY OF GODLINESS



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“Fidan Çocuk”, arzu etti¤i çocu¤u bir saks›da büyüten bir kad›n›n hikayesi. Ancakannenin görünürdeki mutlulu¤unun beklenmedik yan etkileri ç›k›yor ortaya.

‘Offspring’ tells the story of a woman who raises her dream child in a flowerpot.However the apparently perfect maternal joy has unexpected side effects.

Yönetmen / Director: Anne BreymannSenaryo / Screenwriter: Anne BreymannKurgu / Editor: Anne Breymann, Fabian KoppenhöferMüzik / Music: Roman BeilharzAnimasyon / Animation: Anne BreymannKamera / Photography: Fabian KoppenhöferYap›m / Production: Anne Breymann

Özgeçmifl: 1977 y›l›nda Braunschweig’da do¤du. Kassel Sanat Akademisi’nde görsel iletiflim e¤itimi ald›.Breymann,kendi filmlerinin yan› s›ra, baflka filmlere de kukla ve maket yap›yor.

Biography: Born in 1977 in Braunschweig, Germany. She studied Visual Communication at the Academy of Artsin Kassel where she graduated in 2005. Besides directing her own films, Anne Breymann works as a puppetmaker and model maker for film productions.

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F‹DAN ÇOCUKOFFSPRING



Almanya / GermanyR

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Baflka bir perspektiften “Bir Zamanlar Bat›da” ya da, kovboylar›n, bir sine¤in vehayat›n ak›fl›n›n hikayesi

The story of ‘Once upon a time in the West’ from a different perspective or thelife story of cowboys, a fly and how life goes about.

Yönetmen / Director: Angela JedekSenaryo / Screenwriter: Angela JedekKurgu / Editor: Angela JedekMüzik / Music: Sebastian MüllerAnimasyon / Animation: Angela Jedek, Jens Hansen, Martin BreidtKamera / Photography: Frank WursterYap›m / Production: Baden-Württemberg Film Akademisi

Özgeçmifl: Angela Jedek Baden-Württemberg Sanat Akademisi’nde e¤itim ald›. 1996’dan bu yana animasyonyönetmeni ve senarist olarak çal›fl›yor.

Biography: Angela Jedek studied at the Film Academy of Baden-Wuerttemberg. Since 1996 she has worked asan animator and screenwriter.

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Almanya / Germany

FRANK NEREDE?WHERE IS FRANK?



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Antik heykellerin bulundu¤u bir müzede geceleri neler oluyor...?

What happens during the night in a museum of antique sculptures...?

Yönetmen / Director: Vuk JevremovicSenaryo / Screenwriter: Vuk JevremovicKurgu / Editor: Vuk JevremovicMüzik / Music: Goran MikulecAnimasyon / Animation: Vuk JevremovicKamera / Photography: Bernd WeidnerYap›m / Production: Canvas Productions

Özgeçmifl: Vuk Jevremovic Belgrad Mimarl›k Üniversitesi’ni bitirdi ve Münih Güzel Sanatlar Akademisi’nde Kosuthatölyesinde çal›flt›.

Biography: Vuk Jevremovic completed his studies of Architecture in Belgrad and was a master student ofProfessor Kosuth at the Academy of Fine Arts in Munich.

27

YÜZLERFACES



Almanya / GermanyG

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Eski bir kartpostal koleksiyonundan esinlenerek anlat›lan, hayata dair bir hikaye.

A story on life inspired by a collection of old postcards.

Yönetmen / Director: Anna MatysikSenaryo / Screenwriter: Anna MatysikKurgu / Editor: Anna MatysikMüzik / Music: Natalia DittrichAnimasyon / Animation: Anna MatysikKamera / Photography: Anna MatysikYap›m / Production: Baden-Württemberg Film Akademisi

Özgeçmifl: Anna Matysik 1977 y›l›nda Krakow’da (Polonya) do¤du. 1997-2003 y›llar› aras›nda Lodz Devlet Sinema,Televizyon ve Tiyatro Akademisi’nde animasyon filmi e¤itimi ald›. 2002/2003 y›llar›nda ö¤renci de¤iflim program›çerçevesinde Baden-Württemberg Film Akademisi Animasyon Bölümü’ne devam etti.

Biography: Born in 1977 in Krakow, Poland. 1997 - 2003 studies at the Polish National Film School in Lodz (animationdepartment). 2002/2003 exchange student at the Film Academy of Baden-Wuerttemberg, animation department.

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Almanya / Germany

KARTPOSTALPOST CARD



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Yaln›z ve evsiz bir kad›n, so¤uk bir k›fl gecesinde çöp tenekelerini kar›flt›rmaktad›r.Böyle dolan›rken bir çift paten bulur. “Yeni” pateniyle flehrin d›fl›ndaki buz tutmuflnehrin üzerinde dans etmeye bafllar.

A lonely, homeless woman is digging through rubbish bins on a cold winter night.While doing her rounds she finds a pair of ice skates. At the edge of town shedances in her ‘new skates’ on frozen river.

Yönetmen / Director: Alla ChurikovaSenaryo / Screenwriter: Dmitri PopovKurgu / Editor: Stefan UrlassMüzik / Music: Georg KolbAnimasyon / Animation: Alla Churikova, Tatjana SlavinskaKamera / Photography: Heike SandnerYap›m / Production: Balance Film GmbH

Özgeçmifl: Alla Churikova Rusya’da do¤du, Ukrayna’da büyüdü. 2000 y›l›ndan beri Almanya’da yafl›yor. 2000’denbu yana Balance Film, Cartoon Film, Munich Animation ve Animoto gibi yap›m firmalar›nda animasyon yönetmeniolarak çal›fl›yor.

Biography: Alla Churikova was born in Russia, grew up in Ukraine and lives in Germany since 2000. From 1986till 2000 she was an animator at the ‘Ukrainafilm’ Film Studio. Since 2000, Churikova works as an animator andbackground artist at German animation studios like Balance Film, Cartoon-Film, Munich Animation, and Animoto.

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BUZDA YÜZEN KADINTHE ICE BATHER



Almanya / GermanyG


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Hayvan Postlu Prenses, Grimm kardefllerin ayn› adl› masal›ndan uyarlanangerçeküstü bir kukla animasyonu. Gizli fliddetle dolu bir sahnede, bacaklar› olmayanbir k›z, ölü bir geyik ve tilki bafll› bir dansç› bir araya gelirler.

‘Allerleirauh’ is a surrealistic animation with life-sized puppets adapted from thefairytale ‘Allerleirauh’ by the Brothers Grimm. A legless girl, a dead deer and a foxheaded dancer appear in a scenery full of subtle violence.

Yönetmen / Director: Anja StruckSenaryo / Screenwriter: Anja StruckKurgu / Editor: Anja StruckMüzik / Music: Goldfrapp ‘Felt Mountain’Animasyon / Animation: Anja Perl, Anja StruckKamera / Photography: Angela PoschetYap›m / Production: Kunsthochschule für Medien Köln

Özgeçmifl: Anja Struck, Aachen Meslek Yüksek Okulu’ndaki iki y›ll›k tasar›m e¤itimini takiben Köln Medya SanatAkademisi’ne devam etti. 2001’den bu yana kukla animasyonu yap›yor.

Biography: After two years studying graphic design at the School for Applied Science and Design in Aix-la-Chapelle, started studying at the Academy of Media Arts, Cologne. Since 2001 she has been engaged in puppetanimation.

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Almanya / Germany

HAYVAN POSTLU PRENSESALLERLEIRAUH



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Faraday’›n üç güzelleri Optik, Akustik ve Yaz›, kaydedilen ilk insan sesinden yolaç›karak 20. yüzy›l›n çeflitli atölyelerini ziyaret ediyorlar. Bu atölyelerde insanlar,sanatç›- mühendisler olarak, yeni ak›m devrelerini keflfetmek için kendilerinimakinelere ba¤l›yorlar.

The first ever recorded human voice incites the three Faraday sisters Optica, Acusticaand Writing to visit several ateliers of the 20th century. In these workshops humansconnect themselves to machines in order to discover new currents as artists andengineers.

Yönetmen / Director: Hanna Nordholt, Fritz SteingrobeSenaryo / Screenwriter: Hanna Nordholt, Fritz SteingrobeKurgu / Editor: Hanna Nordholt, Fritz SteingrobeMüzik / Music: Giuseppe Gagliano, Imo ToshibaAnimasyon / Animation: Hanna Nordholt, Fritz SteingrobeKamera / Photography: Hanna Nordholt, Fritz SteingrobeYap›m / Production: Hanna Nordholt, Fritz Steingrobe

Özgeçmifl: Hanna Nordholt Hamburg’ta görsel iletiflim ve animasyon filmi e¤itimi ald›. Fritz Steingrobe Hamburg’tagrafik tasar›m› ve güzel sanatlar okudu. ‹ki sanatç› birlikte animasyon filmcisi ve çizer olarak çal›fl›yor.

Biography: Hanna Nordholt studied Visual Communication and Animation in Hamburg. Fritz Steingrobe studiedGraphic Design and Arts in Hamburg. Now they work together as filmmakers for animation and as drawers.

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ÜÇ GÜZELLERTHREE GRACES



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Anlat›c›, “yeni bir yöntemle” (bir çeflit ultrason cihaz›yla) insan›n içindeki resimlerigörüp ve analiz edebilen kad›n bir doktora gider.

The narrator visits a female physician who can see and analyse the pictures insideher patients by empolying a ‘new method’ (by an ultrasonography device).

Yönetmen / Director: Jochen KuhnSenaryo / Screenwriter: Jochen KuhnKurgu / Editor: Olaf MeltzerMüzik / Music: Jochen KuhnAnimasyon / Animation: Jochen KuhnKamera / Photography: Jochen KuhnYap›m / Production: Jochen Kuhn Filmproduktion

Özgeçmifl: 1975-1980 y›llar› aras›nda Hamburg’ta sanat okudu, 1988-89 y›llar›nda Villa Massimo bursu ald›. 1991y›l›ndan bu yana Baden-Württemberg Film Akademisi’nde ö¤retim görevlisi. Sanat Akademisi ve Alman FilmAkademisi üyesi, Alman Film Ödülü sahibi.

Biography: 1975 to 1980 studies of arts in Hamburg, 1988-89 Villa Massimo-stipend, since 1991 professor atFilmakademie of Baden-Wurrttemberg, member of Akademie der Künste and German Film Academy, Winner ofGerman Film Award.

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Almanya / Germany

KISA SÜRE ÖNCE 2SHORT TIME AGO 2

Canland›rma / Animation, 9’Renkli / Color, 2000-2001


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“Ego sum”, boflluktan bir dünyaya f›rlat›l›r ve burada kendi yolunu takip eder.Birey olma vasf› elinden al›nd›¤›nda, yabanc›laflm›fl bir genelli¤in bir parças› halinegelir.

Ego Sum is thrown out of nowhere into a world in which he follows his way inoblivion because it appears the only way possible to him. Being deprived of hisidentity he becomes a part of an alienated collective in the course of his journey.

Yönetmen / Director: Jan-Peter MeierSenaryo / Screenwriter: Jan-Peter MeierKurgu / Editor: Jan-Peter MeierMüzik / Music: Kerim KönigAnimasyon / Animation: Jan-Peter Meier, Michael Best, Florian GroligKamera / Photography: Jan-Peter MeierYap›m / Production: Kassel Sanat Akademisi

Özgeçmifl: 1975 y›l›nda Kehl’de do¤du. Animasyon ve film konular›nda çok say›da staj yapt›. 1997-2005 y›llar›ndaKassel Sanat Akademisi’nde animasyon filmi e¤itimi ald›. Halen serbest animasyon sanatç›s› ve grafiker olarakçal›fl›yor.

Biography: Born 1975 in Kehl; traineeships at companies (animation, film, illustration); 1997 to 2005 study ofanimation at the Academy of Art Kassel; works freelance for companies involved in animation and illustration.

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“HER fiEY‹N BAfiLANGICI VE SONU BEN‹M”EGO SUM ALPHA ET OMEGA



Almanya / GermanyG


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Yafll› bir adam bir sanayi flehrinin kasvetli atmosferinde yaflamakta ve balkonundaküçük bir çiçek yetifltirmektedir. Günün birinde postayla esrarengiz bir kutu gelir.Kutu, adam›n çevresini ciddi flekilde de¤ifltirebilmesine imkan sa¤lar.

An old recluse is living in the shadows of a gloomy industrial town and nurturinga small flower on his balcony. One day he receives a mysterious box which allowshim to substantially alter his surroundings.

Yönetmen / Director: Till NowakSenaryo / Screenwriter: Till NowakKurgu / Editor: Till NowakMüzik / Music: Andreas ve Matthias HornschuhAnimasyon / Animation: Till NowakKamera / Photography: Till NowakYap›m / Production: frameboX digital design

Özgeçmifl: Till Nowak 1980 y›l›nda Mainz’ta do¤du. 1999 y›l›nda kendine ait küçük bir yap›m stüdyosu olan“frameboX”u kurdu. Nowak, burada broflürler, animasyonlar ve di¤er sanat çal›flmalar› dahil olmak üzere yüzlerceproje gerçeklefltirdi. Ço¤unlukla yarat›c› ajanslar için çal›flan sanatç›, sinema ve sanata a¤›rl›k veriyor.

Biography: He was born in 1980 and lives in Mainz, Germany. In 1999 he started his small studio ‘frameboX’.Since then he has produced hundreds of projects like brochures, animations other kinds of artwork. He worksmainly for creative agencies and is now focussing on cinema and art.

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Almanya / Germany

TESL‹MATDELIVERY



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Bir adam, oturma odas›ndaki mobilyalar›n›n baflka bir fleye dönüflme özelliklerisayesinde sanal dünyalara yolculuklar yapar. Sonunda yok olur ve ortaya ç›kan birbaflka oyuncu onun yerini al›r.

A man travels into a virtual world through the metamorphic qualities of his livingroom furniture. Eventually he vanishes into nothingness and a new actor replaceshim.

Yönetmen / Director: Stefan ElingSenaryo / Screenwriter: Stefan ElingKurgu / Editor: Stefan ElingMüzik / Music: Johann Sebastian BachAnimasyon / Animation: Conny Nass, Jurica Saravanja, Stefan ElingKamera / Photography: Udo SteinmetzYap›m / Production: Stefan Eling Moving Pictures

Özgeçmifl: Stefan Eling 1963 y›l›nda Köln’de do¤du. 1986- 1992 y›llar› aras›nda grafik e¤itimi ald›. WDR ve DeutscheWelle için animasyon filmleri ve film spotlar› çeken sanatç›, 1987’den beri Steinmetz Çizgi Film ve Flash-Film’degrafiker ve illüstratör olarak çal›fl›yor.

Biography: Born 1963 in Cologne. 1986 to 1992 study of graphics. He produced animations and film spots forWDR and Deutsche Welle. Since 1987 he works as a graphik artist and illustrator.

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S‹BERCYBER



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‹ki yafll› papa¤an sahiplerinin ö¤len uykusuna yatt›¤› bir anda, hat›ralar›n keyfiniç›karmaktad›r. Ancak bu durum, taraflar için beklenmedik sonuçlar do¤uracakt›r.

While their owner is having his siesta, two old caged parrots rake up memoriesfrom the past. This leads to unexpected consequences for the three of them.

Yönetmen / Director: Gil AlkabetzSenaryo / Screenwriter: Gil AlkabetzKurgu / Editor: Gil Alkabetz, Nurit IsraeliMüzik / Music: Charles Aznavour, Gil AlkabetzAnimasyon / Animation: Gil AlkabetzKamera / Photography: Nurit IsraeliYap›m / Production: Sweet Home Studio

Özgeçmifl: Gil Alkabetz 1957 y›l›nda ‹srail’de do¤du. Kudüs Bezalel Akademisi’nde ald›¤› grafik tasar›m› e¤itimindensonra serbest animasyon sanatç›s› ve illusratör olarak çal›flt›. ‹srail, ABD ve Almanya’da çeflitli akademilerdeö¤retmenlik yapt›. Alkabetz, 2004 y›l›ndan bu yana Potsdam Film ve Televizyon Yüksek Okulu’nda konuk ö¤retimüyesi olarak görev yap›yor.

Biography: Gil Alkabetz was born in Israel in 1957. After studying Graphic Design he worked as an animator andillustrator and gave lectures at art schools in Israel, the USA and Germany. Now he is a visiting professor at HFFPotsdam.

36

Almanya / Germany

AfiKTAN ÖLMEKDYING OF LOVE



Erke

k ve

Kad

›n /

He

and

She


Genç bir k›z olan Annie hayat›nda ilk kez gerçek bir tesadüfle karfl›lafl›r. Erke¤inad› Boo’dur ve Boo daha önce bir k›zla karfl›laflmam›flt›r...

For the first time in her life, teenage girl Annie meets a real coincidence. His nameis Boo, and Boo has never met a girl before...

Yönetmen / Director: Johannes WeilandSenaryo / Screenwriter: Dirk StoppeKurgu / Editor: Johannes WeilandMüzik / Music: Andy Groll, Natalia DittrichAnimasyon / Animation: Johannes WeilandKamera / Photography: Johannes WeilandYap›m / Production: Filmakademie Baden-Württemberg

Özgeçmifl: Johannes Weiland 1977 y›l›nda Freiburg’ta do¤du. 1998- 2003 y›llar› aras›nda Baden-WürttembergFilm Akademisi’nde e¤itim ald›. Ö¤renimi s›ras›nda say›s›z ödül alan ve Ö¤renci Oskar›’na aday gösterilen k›safilmi "Hessi James"i çekti. Weiland 2003 y›l›ndan bu yana Studio Soi (Stuttgart),Studio Aka (Londra) v.b.kurulufllarda çal›fl›yor. “Annie ve Boo“, sanatç›n›n diploma çal›flmas›.

Biography: Born 1977 in Freiburg, Germany, studied from 1998 to 2003 at the Film Academy of Baden-Wuerttemberg.During his studies he directed the animated short ‘Hessi James’, which has won several awards, including aStudent Academy Award nomination. Since 2003 he has been working as a freelancer for Studio Soi (Stuttgart,Germany) and Studio Aka (London, England).Annie & Boo is his graduation film.

37

ANN‹E VE BOOANNIE & BOO



Almanya / GermanyErkek ve K

ad›n / He and She


Kalp ac›lar›n›, bitmek bilmeyen göz yafllar›n› ve onulmaz biçimde kar›flm›fl kafalar›tedavi etmek zordur, ama imkans›z de¤ildir neyse ki.

Pain from the heart, tears that never die and turned around heads are difficult totreat, but fortunately not incurable...

Yönetmen / Director: Spela CadezSenaryo / Screenwriter: Christina ZimmermannKurgu / Editor: Eli Cortiñas HidalgoMüzik / Music: Mateja StaricAnimasyon / Animation: Spela Cadez, Matej Lavrencic, Oliver ThromKamera / Photography: Spela CadezYap›m / Production: Kunsthochschule für Medien Köln

Özgeçmifl: 1977 y›l›nda Slovenya’da do¤du. Lubliyana Üniversitesi’ndeki iletiflim tasar›m› e¤itimini 2002 y›l›ndatamamlad›. 2000/ 2001 y›llar›nda Essen Üniversitesi ‹letiflim Tasar›m› Bölümü’ne konuk ö¤renci olarak devametti. 2002-2007 y›llar› aras›nda Köln Medya Yüksek Okulu’nda animasyon e¤itimi ald›. “Kara Sevda” sanatç›n›nmedya tasar›m› dal›ndaki bitirme çal›flmas›.

Biography: Spela Cadez studied at the Academy of Fine Arts at the University of Ljubljana from 1997-2002. Afterher diploma degree in Visual Communication Design she continued her studies at the Academy of Media Arts,Cologne, department of Media Design. ‘Liebeskrank’ is her graduation film.

38

Almanya / Germany

KARA SEVDALOVES‹CK



Erke

k ve

Kad

›n /

He

and

She


Tutunamayanlar›n prototipi olan genç bir adam 29. do¤um gününde hayat›n›de¤ifltirmeye karar verir ve gerçekten de baflar›r bunu: Tavuk fabrikas›ndaki iflindenayr›l›r, kariyer yapar ve hayat›n›n aflk›yla karfl›lafl›r. Ancak iflin içinde bir sorunvard›r ne yaz›k ki.

A loser from Berlin decides to change his life on his 29th birthday. And in fact,suddenly he manages everything: He quits his factory job, has a great career andmeets the love of his life. Pity it all has one catch.

Yönetmen / Director: Sebastian PetersonSenaryo / Screenwriter: Sebastian PetersonKurgu / Editor: Sebastian PetersonMüzik / Music: Sebastian PetersonAnimasyon / Animation: Sebastian PetersonKamera / Photography: Sebastian PetersonYap›m / Production: Sebastian Peterson

Özgeçmifl: Sebastian Peterson, Potsdam “Konrad Wolf” Film ve Televizyon Yüksek Okulu’nda e¤itimini tamamlad›.Diplomal› kurgucu olan sanatç›, 1999’dan bu yana yönetmen, senarist ve animasyon filmi yönetmeni olarakçal›fl›yor.

Biography: Sebastian Peterson is a cutter and studied at the Academy of Film & Television ‘Konrad Wolf’ in

39

KUSURSUZ B‹R AfiKIN GÜNLÜ⁄ÜDIARY OF A PERFECT LOVE




ad›n / He and She


Modern tek gözlü dev, tehlikeli bir canavar m›, yoksa hassas bir sanatç› m›? Almanbir turist kafilesindekiler bu konuda fikir ayr›l›¤› yafl›yor. Petersen çiftinin de kendifikirleri var bu konuda ve birkaç büyük sürpriz yafl›yorlar.

Is the modern Cyclops a perilous monster or a sensitive artist? The opinions of agroup of travelling Germans differ. The married couple, Petersens have their ownideas about this and experience several major surprises.

Yönetmen / Director: Daniel NockeSenaryo / Screenwriter: Daniel NockeKurgu / Editor: Daniel NockeMüzik / Music: Stefan ZiethenAnimasyon / Animation: Daniel Nocke, Anja Perl, Petra SchröderKamera / Photography: David SchultzYap›m / Production: Studio Film Bilder

Özgeçmifl: Daniel Nocke 1968’de do¤du, Baden-Württemberg Film Akademisi’nde e¤itim ald›. Halen senarist veanimasyon filmi yönetmeni olarak çal›fl›yor.

Biography: Daniel Nocke studied at the Film Academy of Baden-Wuerttemberg. Now he works as an author andfilmmaker for animation.

40

Almanya / Germany

MODERN “TEK GÖZLÜ DEV”THE MODERN CYCLOPSCanland›rma / Animation, 11’



Erke

k ve

Kad

›n /

He

and

She


Ünlü bir Rock star› olan John, bir konser s›ras›nda kaza sonucu ölür ve Nirvana’dauyan›r. John burada istekleri ve yapt›klar›n›n hesab›n› vermek zorundad›r ve bafl›natuhaf fleyler gelir.

John, a famous rock star, di es accidentally during a concert with his band. Hereaches nirvana where he has to face his wishes and deeds... and experiences manystrange things.

Yönetmen / Director: Jan KoesterSenaryo / Screenwriter: Jan KoesterKurgu / Editor: Jan KoesterMüzik / Music: Benjamin DickmannAnimasyon / Animation: Jan KoesterKamera / Photography: Jan KoesterYap›m / Production: HFF Hochschule für Film und Fernsehen ‘Konrad Wolf’ Potsdam-Babelsberg

Özgeçmifl: Jan Koester 1978 y›l›nda Berlin’de do¤du. Potsdam “Konrad Wolf” Film ve Televizyon Yüksek Okulu’ndaanimasyon e¤itimi ald›. “Nirvana’daki Adam›m›z”, sanatç›n›n yüksek lisans çal›flmas›.

Biography: Jan Koester was born 1978 in Berlin. He studied animation at the Film and Television Academy ‘KonradWolf’ Potsdam.

41

N‹RVANA’DAK‹ ADAMIMIZOUR MAN IN NIRVANA




ad›n / He and She


Gökyüzünün mavisi, orman›n karanl›¤› üzerinde as›l› durur. Aç›kl›k bir arazininüstünde bir flimflek çakar. Ay›n beyaz yuvarla¤›n›n üstündeki karanl›k noktalar.Bu üç öneriyle, “Night Sweat” filmi, görsel bir efekti teknik aç›lardan s›nayan birhal al›r.

The sky’s blue hanging above the black of a forest. Lightning flashes over a clearing.And the white ball of the moon with dark spots. These are the three suggestionsthat make ‘Night Sweat’ an examination of a visual effect’s technical aspects.

Yönetmen / Director: Siegfried A. FruhaufTasar›m / Concept: Siegfried A. FruhaufSes / Sound: Jürgen Gruber, Christoph RuschakDa¤›t›m / Distribution: Sixpackfilm Neubaugasse 45/13, P.O Box 197 A-1070 Wien, Austria, Tel: +43 1 526 09 90,Fax: +43 1 526 09 92, [email protected], http://www.sixpackfilm.com

Özgeçmifl: 1976 Grieskirchen do¤umlu (Yukar› Avusturya). Linz ve Heiligenberg’de yafl›yor. Linz SanatÜniversitesi’nde deneysel görsel tasar›m e¤itimi ald›.

Biography: Born 1976 in Grieskirchen (Upper Austria). Lives and works in Linz and Heiligenberg. Studiedexperimental visual desgin at the Art University Linz. Participation in numerous international film festival.

Avusturya / Austria

GECE TERLEMES‹NIGHT SWEAT

Deneysel / Avantgarde/Arts, 10’Renkli / Color, 2008

Avusturya Baflkonsoloslu¤u Kültür Ofisi’nin Katk›lar›yla

Da¤ oldu¤undan iki kat daha statik görünürken, hareketler bir dinamizm ve geçicilikkazan›rlar. Gondollar h›zla uçar gibi geçerler. ‹nsanlar kar›n içinde hayalet gibidururlar. Ay yükselir ve sis duvarlar› aras›nda kaybolur.

While the massif appears to be twice as static, the movements gain in dynamicsand transience. Gondolas whoosh past like flying objects. Humans stand in thesnow like phantoms. The moon rises, and disappears behind walls of fog.

Yönetmen / Director: Elke GroenTasar›m / Concept: Elke GroenSes / Sound: Andreas BertramSes Tasar›m / Sound Desing: Dietmar SchipekDa¤›t›m / Distribution: Sixpackfilm Neubaugasse 45/13, P.O Box 197 A-1070 Wien, Austria, Tel: +43 1 526 09 90,Fax: +43 1 526 09 92, [email protected], http://www.sixpackfilm.com

Özgeçmifl: 1969’da Bad Ischl, Avusturya do¤umlu. Mimarl›k ve foto¤rafç›l›k e¤itimi ald›.

Biography: Born 1969 in Bad Ischl, Austria. Studied architecture and photography.

SAK‹N GECENIGHTSTILL

Deneysel / Avantgarde/Arts, 9’Renkli / Color, 2007


Avusturya / Austria

“Güzellik karfl›s›nda insan›n dili tutulur.” (Paul Valéry)

‘The effect of beauty on a person is that it strikes him dumb’ (Paul Valéry).

Yönetmen / Director: Anna KalusTasar›m / Concept: Anna KalusCanland›rma / Animation: Anna KalusDa¤›t›m / Distribution: Sixpackfilm Neubaugasse 45/13, P.O Box 197 A-1070 Wien, Austria, Tel: +43 1 526 09 90,Fax: +43 1 526 09 92, [email protected], http://www.sixpackfilm.com

Özgeçmifl: 1974 Münih do¤umlu. Görsel ‹letiflim ve Medya Sanat›/Canland›rma Sinemas› e¤itimi ald›. Canland›rmafilmlerde grafik tasar›mc› ve canland›rmac› olarak çal›fl›yor.

Biography: Born in Munich 1974. Studied Visual Communication and Media Art/Animation Film. Works on animatedfilms as a graphic designer and animator.

Avusturya / Austria

DEN‹Z KÖPE⁄‹N‹N SADAKAT‹SEA DOG’S DEVOTION



M›r›lt›lar, karalama sesleri ve m›r›ldan›lan müzikler. Sürekli hareket, dönüflüm,çeflitleme ve hofl bir belirsizlik: Konser salonu mu? Ya da sinema salonu?

Accompanied by murmuring, the sound of scribbling and hummed snatches ofmusic. Constant movement, metamorphosis, variation and pleasant uncertainty:a concert hall? A movie theater?

Yönetmen / Director: Bady MinckSenaryo / Screenwriter: Bady MinckKurgu / Editor: Frédéric FichefetMüzik / Music: Morton FeldmanKamera / Camera: Martin Putz, Eni BrandnerOyuncular / Cast: Beat Furrer, Morton Feldman ve “Klangforum Wien”müzisyenleriDa¤›t›m / Distribution: Sixpackfilm Neubaugasse 45/13, P.O Box 197 A-1070 Wien, Austria, Tel: +43 1 526 09 90,Fax: +43 1 526 09 92, [email protected], http://www.sixpackfilm.com

Özgeçmifl: Lüksemburg do¤umlu, Viyana ve Lüksemburg’da ressam ve sinemac› olarak çal›flan sanatç›, filmlegüzel sanatlar aras›ndaki gerilim alan›n› araflt›r›yor.

Biography: Born in Luxembourg, she works as an artist and filmmaker in Vienna and Luxembourg, where sheexplores the field of tension between film and the fine arts.

ÖYLE GÖRÜNÜYOR G‹B‹SEEMS TO BE



Avusturya / Austria

“Wibbel-Ich + Glück” geleneksel artistik çizim tekniklerine kökten ba¤l› amasanatç› jeste dayal› bu prati¤i sürekli olarak bugüne tafl›yor.

‘Wibbel-Ich + Glück’ is strongly rooted in traditional artistic drawing techniques,yet the artist consistently transfers this gesture-based practice to the present.

Yönetmen / Director: Janina ArendtTasar›m / Concept: Janina ArendtMüzik / Music: A.D. MartinezDa¤›t›m / Distribution: Sixpackfilm Neubaugasse 45/13, P.O Box 197 A-1070 Wien, Austria, Tel: +43 1 526 09 90,Fax: +43 1 526 09 92, [email protected], http://www.sixpackfilm.com

Özgeçmifl: 1987 Münih do¤umlu. Natick’teki Walnut Hill Okulu’nda ve Baltimore’daki Maryland Sanat Enstitüsü’nde(ABD) okudu. 2006’dan beri Viyana’da Güzel Sanatlar Akademisi’nde resim e¤itimi al›yor.

Biography: Born 1987 in Munich, Germany. Studied at the Walnut Hill School, Natick and at the Maryland InstituteCollege of Art, Baltimore, (USA). Since 2006 she has studied painting at the Academy of Fine Arts in Vienna.

Avusturya / Austria

WIBBEl-ICH & GLUCKWIBBEl-ICH & GLUCK

Canland›rma / Animation, 2’52’Renkli / Color, 2007


Bir adam hayattaki en önemli meselelerin üç kelimeyle özetlenebilece¤ini iddiaeder: nas›l, niçin ve ne. Muhtemelen, dünyan›n dört bir yan›nda, ergenlik ça¤›ndakigençlerin hat›ra defterlerindeki en popüler kelime olan üç temel soru.

A man, claims that the most important issues in life can be summed up with threewords: how, why and what three basic questions which are probably the mostpopular words in the autograph books of teenagers around the world.

Yönetmen / Director: Clemens Kogler, Karo SzmitTasar›m / Concept: Clemens Kogler, Karo SzmitSes / Sound: André TschinderDa¤›t›m / Distribution: Sixpackfilm Neubaugasse 45/13, P.O Box 197 A-1070 Wien, Austria, Tel: +43 1 526 09 90,Fax: +43 1 526 09 92, [email protected], http://www.sixpackfilm.com

Özgeçmifl: Avusturya do¤umlu. Klasik resim e¤itimi ald› ve bir dönem reklam ajans›nda ve televizyonda çal›flt›.Ama sonunda kariyerini sinemac›l›k konusunda yapmaya karar verdi.

Biography: Born in Austria. He started studying classical painting and worked sometime in ad agency and for

BÜYÜK DOYUMLE GRAND CONTENT



Avusturya / Austria

“erase-remake”, spontane olarak yarat›lan imajlar› son derece farkl› h›zlanma veyavafllama senaryolar›na maruz b›rakarak, ayr›nt›lara ve mikro-yap›lara dikkatçekiyor.

‘erase remake’ directs attention to detail and micro-structures, subjectingspontaneously generated images to extremely diverse scenarios of accelerationand deceleration.

Yönetmen / Director: Jan Machacek, Martin SiewertTasar›m / Concept: Jan Machacek, Martin SiewertPerformans / Performance: Jan MachacekSes / Sound: Martin SiewertDa¤›t›m / Distribution: Sixpackfilm Neubaugasse 45/13, P.O Box 197 A-1070 Wien, Austria, Tel: +43 1 526 09 90,Fax: +43 1 526 09 92, [email protected], http://www.sixpackfilm.com

Özgeçmifl: Jan Machacek, 1975 Viyana do¤umlu. Viyana ve Karlsruhe’de heykel ve sahne tasar›m› e¤itimi gördü.Sanatç›, kameraman, yönetmen, teknisyen ve oyuncu olarak çal›fl›yor.Martin Siewert 1972 Saarbrücken da do¤du. Viyanad’da yafl›yor. Sinema, tiyatro ve dans üzerine çal›fl›yor.

Biography: Jan Machacek, born 1975 in Vienna, Austria. Study of sculpture and stage-design in Vienna andKarlsruhe. The performer appears as cameraman, director, technician and actor at the same time.Martin Siewert, 1972 in Saarbrücken, lebt und arbeitet in Wien. Musiker und Komponist in akustischen undelektronischen Kontexten, Arbeit im Bereich Film- und Theatermusik, sowie Kompositions-.

Avusturya / Austria

S‹L-YEN‹DEN YAPERASE REMAKE

Performans / Performance, 7’Renkli / Color, 2007


Farkl› manzaralar›n uydu görüntüleri: Yukar›dan yap›lan çekimlerde k›y› fleritlerinive nehirleri alg›layabiliyoruz. Yak›n çekimlerde yapraklar›n› döken a¤açlar›la çamormanlar›n›, patikalarla yollar›, batakl›klarla arazilerle çay›rlar› ay›rt edebiliyoruz.

Satellite images of various landscapes: When taken from higher up, we can recognizecoastlines and follow the courses of rivers. At closer range, we can differentiatebetween deciduous and coniferous forests, paths and roads, marshy meadows andfields.

Yönetmen / Director: Barbara MusilTasar›m / Concept: Barbara MusilMüzik / Music: Arvo PärtDa¤›t›m / Distribution: Sixpackfilm Neubaugasse 45/13, P.O Box 197 A-1070 Wien, Austria, Tel: +43 1 526 09 90,Fax: +43 1 526 09 92, [email protected], http://www.sixpackfilm.com

Özgeçmifl: 1972 Salzburg do¤umlu. 1992-98 y›llar› aras›nda Graz’da t›p e¤itimi ald›. 1998’de Linz Sanat ve Tasar›mÜniversitesi’nde Deneysel Tasar›m master’› yapt›.

Biography: Born in Salzburg in 1972. 1992-98 studied medicine in Graz. 1998 took a master class in ExperimentalDesign at the Linz University of Art and Design.

ALAN DURUMLARIMARKET SENTIMENTS



Avusturya / Austria

Sesin sahibi olan kifli gibi kaeran›n durdu¤u bina da yavafl yavafl görünür. Bina,UFO benzeri Malin malikanesi savafl sonras› Amerikan mimarisinin ikonlar›ndanbir olmufl mimar John Lautner’in 1947’de yapt›¤› Desert Hot Springs motelidir.

Like the person which belongs to the voice, the building at which the camera stopsis revealed gradually. It’s the Desert Hot Springs Motel (built in 1947), which wasdesigned by the architect John Lautner), whose UFO-like Malin Residence is oneof the icons of postwar American architecture.

Yönetmen / Director: Sasha PirkerTasar›m / Concept: Sasha PirkerSes / Sound:Steve LoweDa¤›t›m / Distribution: Sixpackfilm Neubaugasse 45/13, P.O Box 197 A-1070 Wien, Austria, Tel: +43 1 526 09 90,Fax: +43 1 526 09 92, [email protected], http://www.sixpackfilm.com

Özgeçmifl: 1969 Viyana do¤umlu. Dilbilim ve mimari e¤itimi ald›. Sergi organizatörü ve sanatç›.

Biography: Born in Vienna in 1969. Studied Linguistics and Architecture. Exhibition organizer and artist.

Avusturya / Austria

JOHN LAUTNER, THE DESERT HOT SPRINGS MOTELJOHN LAUTNER, THE DESERT HOT SPRINGS MOTEL

Deneme / Essay, 10’34”Renkli / Color, 2007


Askerler bir Burgenland k›fl›n›n ebedi buzunda, video kamera ve cep telefonuylafilm çekmektedir. Birbirlerini s›k›l›rken ve çocukça hareketler yaparken çekerler(Buzullarla kaplanmak da e¤lenceli olabilir).

The soldiers are shooting a film in the eternal ice of a Burgenland winter, withvideo camera and cell phone, making images of each other getting bored and actingchildish (glaciation can be fun too).

Yönetmen / Director: Judith ZdesarKurgu / Editor: Dominique Gromes, Judith ZdesarSes / Sound: Dominique Gromes, Judith ZdesarDa¤›t›m / Distribution: Sixpackfilm Neubaugasse 45/13, P.O Box 197 A-1070 Wien, Austria, Tel: +43 1 526 09 90,Fax: +43 1 526 09 92, [email protected], http://www.sixpackfilm.com

Özgeçmifl: 1980’de Avusturya’n›n Villach kentinde do¤du. Viyana Film Akademisi’nde, 2003’ten beri senaryoyaz›m›, 2005’ten beri yönetmenlik e¤itimi al›yor.

Biography: Born in Villach, Austria, in 1980. Sinse 2003 has studied Screenwriting, since 2005 Direction at Vienna’sFilm Academy.

BEKLEME GÜNLÜ⁄ÜNDEN RES‹MLERIMAGES FROM A DIARY OF WAITING

Belgesel / Documentary, 23’Renkli / Color, 2007


Avusturya / Austria

Genç kad›n evinden, hemen yolun karfl›s›ndaki telefon kulübesini arar. Tan›mad›¤›insanlar yan›t verir.

From her flat, a young woman calls the phone box just in front of her’s. Unknownpeople pick up.

Yönetmen / Director: Manuel SchapiraSenaryo / Screenwriter: Manuel SchapiraKurgu / Editor: Samuel DanésiMüzik / Music: Grand Corps MaladeGörüntü Yönetmeni / Director Of Photography: Antoine MonodOyuncular / Cast: Jacky Ido, Laetitia Spigarelli, Lucia SanchezÖdüller / Awards: Silver Bear Berlin 2007Yap›mc› / Producer: Manuel SchapiraDa¤›t›m / Distribution: [email protected]

52

Fransa / France

TELEFONU AÇPICK-UP

Kurmaca / Fiction, 17’Renkli / Color, 2006

‹stanbul Frans›z Kültür Merkezi’nin Katk›lar›yla

Her ikisi de Rus kökenli olan Sandraine ile Irene teyzesi çay içip ortak atalar›n›anarlar. Sonra Sandrine, 50 y›l önce do¤sa tarihin dönüm noktalar›ndan birindeyaflam›fl olaca¤›n› anlar.

Sandraine and her Aunty Irène, both of Russian origin, drink tea and reminisceabout their mutual ancestors. Sandrine then realizes she could have lived throughone of history’s turning points if she’d been born 50 years earlier.

Yönetmen / Director: Sandrine Stoïanov, Jean-Charles FinckSenaryo / Screenwriter: Sandrine StoianovAnimasyon / Animation: Sandrine StoianovGörüntü Yönetmeni / Director Of Photography: Jean-Charles FinckYap›mc› / Producer: Arnaud DemuynckOrtak Yap›m / Co-production: Les Films du NordDa¤›t›m / Distribution: Les Films du Nord

53

IRINKA VE SANDRINKAIRINKA AND SANDRINKA



Fransa / France

Burgandi’nin k›rsal ve tenha köylerinden birinin merkezinde, orta yafll› bir adamve Ar› Yetifltiricisi olan Balthazar, bu serin Nisan akflam›n›, gençli¤inden beri kuryapt›¤› güzel bir kad›n olan Nanne’yi kimbilir kaç›nc› kez ziyarete gidip ona birkez daha evlenme teklif etmek için f›rsat bilir.

In the heart of an isolated village in rural Burgandy, Balthazar, a middle-aged manand Master Beekeeper, sees this crisp April evening as the ritual occasion to visit,for the nth time, Nanne, a pretty woman he’s been courting since his youth, to askher once again to marry him.

Yönetmen / Director: François BreniauxOyuncular / Cast: Michel Duchaussoy, Didier Bénureau, Arlette Téphany, Francis Perrin, Pierre-Quentin Faesch,Typhaine DuchYap›mc› / Producer: Les Films du CygneDa¤›t›m / Distribution: Les Films du Cygne

54

Fransa / France

BALAYILUNE DE MIEL



Juliette bir sabah sevgilisinin yan›nda yatt›¤›na inanarak uyan›r. Kocas› Simon’unonlar› yakalayaca¤› korkusu içinde onu hemen göndermeye çal›fl›r.

Juliette wakes up one morning, believing she’s lying next to her lover. She urgeshim to leave, fearing that Simon, her husband, will catch them together.

Yönetmen / Director: Alice TaylorSenaryo / Screenwriter: Alice Taylor, Alexia De Oliveira GomesKurgu / Editor: Grégoire SivanMüzik / Music: Grégoire HetzelSes / Sound: Claire-Anne Largeron, Sébastien Pierre, Benjamin ViauAnimasyon / Animation: Grégoire Pont, Alice Taylor, Check-Faï AuCanland›rma Yönetimi / Animation Director: Sébastien DabadieYap›mc› / Producer: Caïmans ProductionsDa¤›t›m / Distribution: Caïmans Product›on 16 Rue Bleue 75009 Paris France

Özgeçmifl: Sinema ve tiyatroda dekor tasar›mc›s› olarak çal›fl›yor. Bu onun ilk k›sa metraj animasyon filmçal›flmas›d›r.

Biography: Alice Taylor, est diplômée de l’Ecole Nationale Supérieure des Arts Décoratifs (ENSAD). Elle a travaillécomme décoratrice pour le théâtre et le cinéma, puis collaboré à des séries d’animation pour la télévision.‘Même en rêve’ est son premier court-métrage.

55

RÜYADA B‹LEMÊME EN RÊVE



Fransa / France

Bir taksi floförü, bir ifl gününe bafllar. K›rkl› yafllarda bir kad›n› belirli bir adresegötürmektedir. Adrese vard›klar›nda floför o mekan›n art›k var olmad›¤›n› hat›rlar.

A taxi driver starts his working day. He is driving a woman in her forties to a specificaddress. When they arrive the driver recalls that the place no longer exists.

Yönetmen / Director: Lola FrederichOyuncular / Cast: Carlo Brandt, Kamalject KaurDa¤›t›m / Distribution: Château-Rouge Production

Özgeçmifl: 1974 do¤umlu Lola Frederich, okuryazarl›k çal›flmalar› konusunda e¤itim ald›. Dans l’ombre d’uneville filmini yönetmeden önce birçok k›sa filmde yönetmen yard›mc›l›¤› yapt›.Biography: Born in 1974, Lola Frederich has a degree in literacy studies. She worked as assistant director formany short films before directing Dans l’ombre d’une ville (2005).

56

Fransa / France

TAKS‹ WALATAXI WALA



On yedi yafl›ndaki Cyril’›n yirmi yedi yafl›ndaki Eva ile özel Frans›zca dersi vard›r.Victor Hugo’nun bir aflk fliirini çal›fl›rlar.

Seventeen-year-old Cyril has a private French lesson with twenty-seven-year-oldÉva. They study a love poem by Victor Hugo.

Yönetmen / Director: Raphaël ChevènementSenaryo / Screenwriter: Cécile Ducrocq, Raphaël ChevènementKurgu / Editor: Serge TurquierSes / Sound: Jean-Claude LaureuxDekor / Decor: Prudence RichardKostüm / Costume: Marine IlharragorryGörüntü Yönetmeni / Director Of Photography: Marc TévanianOyuncular / Cast: Cécile Ducrocq, Raphaël GoldmanYap›mc› / Producer: Jean des Forêts, Les Films du RequinDa¤›t›m / Distribution: Les Films du Requin

57

ÖZEL B‹R DERSUNE LEÇON PART‹CUL‹ÈRE

Kurmaca / Fiction, 10’14”Renkli / Color, 2007


Fransa / France

12 yas›ndaki Lisa futbol oynamay› sever fakat kötü bir oyuncu olmas›n›n yan›s›rasahalardaki tek k›z olmas›ndan dolay› da bunal›r. Bir gün, Lisa kaderini kendi ellerinealma zaman›n›n geldi¤ine karar verir.

12- year old Lisa loves to play football, but she’s bullied for being the only girl onthe field, and a rather poor player as well. One day, Lisa decides it is time to takefate in her own hands.

Yönetmen / Director: Feije RiemersmaYap›mc› / Producer: MARX Film & TV productions (www.marxfilm.com)

58

Hollanda / The Netherlands

KICKENKICKEN


Hollanda Baflkonsoloslu¤u’nun Katk›lar›yla

1962’de bir Rus ailesi tarihi sonsuza kadar de¤istireceklerini bilmeden Amerikarüyalar›n› gerçeklestirmek üzere Bat›’ya seyahat ettiler.

In 1962 a Russian family travelled to the West to realize their American dream,not knowing that they were about to change history forever.

Yönetmen / Director: Eelko FerwerdaYap›mc› / Producer: Cultural Development, Selwyn Film BV(www.culturaldevelopment.nl)Ödüller / Awards: 2006 Hollywood Film Festivali, Keflif Ödülü’nü ald›

59

AMER‹KAN RUYASIAMERICAN DREAMSKurmaca / Fiction, 9’Renkli / Color, 2007



Bir gün alt› yafl›ndaki Asyal› k›z Wing kendi hayalinde kaybolur. Onun dünyas›her zaman ola¤anüstü bazen garip ve korkutucudur. Bu dünyada gerce¤i vekurmacay› tan›mlamak zordur.

One day the six year-old Asian girl Wing gets lost in her imagination. Her worldis always miraculous, sometimes weird and frightening. In this world reality andfiction are hard to define.

Yönetmen / Director: Ricky ReijnekeYap›mc› / Producer: Werkstad Production

60


WINGWING



Zengin ve kariyer sahibi bir k›z, araba h›rs›z› olan bir Arap gencini, lüks arabas›ndaal›koyar. Onlar›n farkettiklerinden daha cok ortak noktalar› vard›r.

A wealthy career girl kidnaps a young Arab car thief in her luxurious car. They havemore in common than they realise.

Yönetmen / Director: Natasja André de la PorteYap›mc› / Producer: Volya Films (www.volyafilms.com)

61

SOUFIANESOUFIANE




‹ngiliz paraflütcü asker bir tarlada kendine gelir. Gökyüzü bir hava harbininiflaretlerini gösteriyordur. Aniden Alman askerleri belirir. Parasütcü asker Almanaskerlerden kaçarken genç bir kad›n taraf›ndan kurtar›l›r. Genç kad›n bu gençlikdolu askerin ani ortaya ç›k›fl›ndan etkilenmez ama asker kad›n›n evinde büyük birkeflifte bulunur.

An English paratrooper awakens in a field. The sky is showing signs of an air-battle.Suddenly, German soldiers appear. On the run from these soldiers, the paratrooperis rescued by a young lady. She is not impressed by the sudden appearance of thisyouthful soldier, but in her house he makes a major discovery.

Yönetmen / Director: Jarno Cordia, Christian Waard, Tony TornYap›mc› / Producer: Avion

62


‘44‘44



Bir konserde dinledi¤i muzikten ald›¤› ilhamla bir kad›n hat›ralar› aras›nda yolculukyapar. Aflk hayat› için cizdi¤i resmin gerçekle eflleflmedi¤ini keflfeder ve böylecekendisi için bir karar alman›n zaman›n›n geldi¤ini farkeder.

Spirited away by the music at a concert, a woman makes an emotional journeythrough her memories. She discovers that the picture she has painted of her lovelife does not match reality. And so she realizes that the time has come for her tomake a decision.

Yönetmen / Director: Eef de GraafYap›mc› / Producer: Filmtree ProductionsDa¤›t›m / Distribution: www.eefdegraaf.nl

63

SIRITMADE GRIJNS




Küçük bir kasaba, büyüyen bir dü¤üm ve kimli¤ini arayan bir k›z.

A small town, a growing knot and a girl searching for her identity.

Yönetmen / Director: Peque VarelaSes Tasar›m / Sound Design: Chu-Li ShewringMüzik / Composer: Natalie HoltCanland›rma / Animators: Kaori Hamilton, R. VetustoYap›mc› / Producer: Gavin HumphriesÖdüller / Awards: 2007 Dresden FilmFest (showcased by British Council); 2007 Festival Internacional de Benicassim(Audience Award category)Da¤›t›m / Distribution: [email protected]

64

‹ngiltere / United Kingdom

19771977


British Council’in Katk›lar›yla

Ö¤retmen ergenlik ça¤›ndaki bir s›n›f dolusu erkek ö¤renciye dünyayla ilgili sorularsormaya çal›fl›rken ö¤renciler kay›ts›zd›r. “Cherries” Amerikan ordusunda bir argokelimedir. Kullan›lmam›fl ve denenmemifl askeri ekipman anlam›na gelmektedir.

‘Cherries’ is an American Army slang term that refers to unused or untried militaryequipment and weaponry. A class of teenage schoolboys are oblivious to theirteacher’s attempts to question them about the wider world.

Yönetmen / Director: Tom HarperSenaryo / Screenwriter: Fiona KissaneFoto¤raf / Photography: Jakob IhreGörüntü Yönetmeni / Director Of Photography: Jack ArnoldOyuncular / Cast: Neil Dudgeon, Sam Spruell, Omari Carter, Alfie AllenYap›mc› / Producer: Lisa WilliamsDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Tom Harper sinema ve televizyon yazar›/yönetmenidir. Dünyada çeflitli festivallerde gösterilen ilkk›sa filmi (CUBS, 2006) büyük bir övgü toplam›fl ve birçok ödül kazanm›flt›r.

Biography: Tom Harper is a Writer / Director of film and television. His first short film (CUBS, 2006) screenedto acclaim at festivals worldwide and won a number of awards. Tom was picked by Screen International in 2006as one of their Stars of Tomorrow.

65

CHERRIESCHERRIES




8 yafl›ndaki Ela’y› hayat›n›n en özel anlar›ndan birinde tan›r›z. Kaybetmeyi ilkyaflad›¤› anda.

We meet 8-year old Ela in a very particular moment of her life. The moment sheexperiences loss for the first time.

Yönetmen / Director: Silvana Aguirre ZegarraTasar›m / Designer: Dan GillKurgu / Editor: Fiona De SouzaSes Kay›t / Sound Recordist: Tk. DurowojuSes Tasar›m / Sound Designer: Ayush AhujaMüzik / Composer: Chris WhiteOyuncular / Cast: Jaime Rakic-Platt, Ruth Gemmell, Trevor Sellers, Jacob Meyers-Belkin, Darren Price, Kai Akinde-Hummel, Shannon WilliamsYap›mc› / Producer: Gavin HumphriesDa¤›t›m / Distribution: [email protected]

66


ELAELA



Penguen Karen’la tart›flan kutup ay›s› John ondan özür diler, sonra çay içip bisküviyer.

John the polar bear apologises to Karen the penguin after an argument they hadand then has some tea and a biscuit.

Yönetmen / Director: Matthew WalkerSenaryo / Screenwriter: Matthew WalkerKurgu / Editor: Ben LoleGörüntü Yönetmeni / Director Of Photography: Yap›m / Producer: Sarah Cox

67

JOHN VE KARENJOHN AND KAREN




Bazen bir fleyin yap›lmas› için tek yol, önce bir sürü baflka fley yapmakt›r.

Sometimes the only way to get something done is to do two-dozen other thingsfirst.

Yönetmen / Director: Johnny KellySes / Sound: Mike WyeldOyuncular / Cast: Bryan Quinn V/OÖdüller / Awards: MA Animation, Royal College of Art 2007Da¤›t›m / Distribution: [email protected]

Özgeçmifl: Johnny Kelly, 1980’de ‹rlanda’n›n Dublin kentinde do¤du. 2004’te DIT Sanat Tasar›m› ve Bask› Okulu’ndagrafik tasar›m bölümünden mezun oldu. Kraliyet Sanat Okulu’nda canland›rma master’› yapt›.

Biography: Johnny Kelly was born in Dublin, Ireland in 1980. Having graduated from DIT School of Art Design &Printing with a degree in graphic design in 2004, he went on to study MA Animation at the Royal College of Art.

68


ERTELEMEPROCRASTINATION



Bir baba gerçeklerle yüzleflme konusundaki korkusunu olabilecek en kötü zamandatekrar keflfeder.

A father rediscovers his fear of confrontation, at the worst possible time.

Yönetmen / Director: Simon EllisOyuncular / Cast: Johnny Phillips, Matthew O’Shea, Michael Socha

Özgeçmifl: 1995’te Nottingham Trent Üniversitesi, Güzel Sanatlar bölümünden foto¤raf konusunda uzmanlaflarakmezun oldu. O döneme dek yaz›p yöentti¤i on alt› k›sa film ve klip uluslararas› festivallerde 400’den fazla kezgösterildi.

Biography: Graduated from Nottingham Trent University (Fine Art BA Hons) in 1995, specialising in stillsphotography. Written and directed sixteen short films and music videos since then, resulting in 400+ screeningson the international festival circuit.

69

YUMUfiAKSOFT




Film, gerçek hayatta, insanlar›n aray›p isimlerini vermeden telefonda her konudaitirafta bulunabildikleri bir “özür hatt›”n›n kurulmas›na dayan›r.

The film is based around the creation of a real-life ‘apology line’ where membersof the public can anonymously confess to absolutely anything, over the telephone.

Yönetmen / Director: James LeesYap›mc› / Producer: James LeesÖdüller / Awards: Winner - Prix UIP Best European Short Film CorkDa¤›t›m / Distribution: [email protected]

70


ÖZÜR D‹LEME HATTITHE APOLOGY LINEKurmaca / Fiction, 10’Renkli / Color, 2007


Adam›n geçmiflte kar›s›yla paylaflt›¤› aflk› ve flevkati flimdi elinden kay›p gitmektedir.

A man’s love and tenderness, which he once shared with his wife, is now slippingaway from him.

Yönetmen / Director: Daniel ElliottSenaryo / Screenwriter: Daniel Elliott Kurgu / Editor: Edd Maggs Ses / Sound: Ben Harvey Görüntü Yönetmeni / Director Of Photography: Rein Kotov Oyuncular / Cast: Man Jerzy Stuhr, Woman Sheila Know, Daughter Sarah Miles Yap›mc› / Producer: Samm Haillay

Özgeçmifl: Daniel 1971 ‹ngiltere do¤umlu. Mezuniyet filmi “Getting There” çok be¤enildi ve çeflitli ödüller kazand›.O dönemden beri hikaye anlat›m›n› araflt›rmas›n› ve gelifltirmesini sa¤layan birçok film yapt›.

Biography: Daniel was born in 1971 in England. His graduation film GETTING THERE was well received picking upseveral awards. He has since made several other films which has allowed him to explore and develop his approachto storytelling.

71

PARÇALAMATHE MAKING OF PARTS




Jim Tokyo’da bir Japon ifl adam› olan Bay Yokomata ile önemli bir ifl ba¤lamayaçal›flan ‹ngiliz bir avukatt›r. Jim’in hayatta en son yapmak isteyece¤i fley anlaflmasonras› kutlamak için içmeye gitmektir. Ama iyi bir avukat olarak daveti kabul ederama gitmeden önce yapmas› gereken bir fley vard›r.

Jim’s an English lawyer in Tokyo finalising a very important deal with Mr Yakamoto- a Japanese businessman. The last thing in the world Jim wants to do is to go fora celebratory post-deal drink. Being a good lawyer however Jim agrees- althoughthere is just one thing he needs to do before they go.

Yönetmen / Director: Jamie Rafn Senaryo / Screenwriter: Jamie Rafn Kurgu / Editor: Kate Owen Görüntü Yönetmeni / Director Of Photography: Federico Alfonzo Oyuncular / Cast: Jim Jim Howick, Mr Yakamoto Eiji Kusuhara, Translator Kinue Kato, Chambermaid You-RiYamanaka Yap›mc› / Producer: Jamie Rafn, Doug Wade

72


TOKYO JIMTOKYO JIM



Frank ve Charlie’nin çeliflkili hikayesi, canland›rma ve gerçek yaflamdan oluflandünyalar›, son ayr›l›k mektubu çevresinde birbiriyle çak›fl›rken, ahlaki de¤erlerifeda edip beklediklerinden fazlas›n› bulmalar›, beklenmeyen dönüflleri olan biraflk hikayesi fleklinde anlat›l›r.

The conflicting story of Frank and Charlie is told as a romance with unexpectedplot twists as they sacrifice their morals to find more than what they bargain forwhen their two worlds of animation and live action collide surrounding the ultimatekiss off letter.

Yönetmen / Director: Osbert ParkerKurgu / Editor: Matthew McKinnonCanland›rma / Key Animators: Laurie Hill, Meghana BisineerCanland›rma Asistan› / Assistant Animator: Yoshika Pitkin, Michael Zaune, Matthew Reay Yap›mc› / Producer: Designer Daniel Newton

73

SAYGILARIMLAYOURS TRULY




Papa’n›n ziyaretinin yeniden gösterimi s›ras›nda Vicente’nin televizyonu bozulur.Çaresiz kalan Vicente, ev yap›m› bir uydu anteni yapmaya karar verir.

During the retransfer of the visit of the Pope, the television of Vicente breaks. Hedesperately decides to construct a homemade satellite dish.

Yönetmen / Director: Xavi SalaSenaryo / Screenwriter: Xavi SalaKurgu / Editor: Jaime Sagi-VelaMüzik / Music: César MolinaGörüntü Yönetmeni / Director Of Photography: Xavi SalaOyuncular / Cast: Martín MújicaDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Xavi Sala, Alacant, ‹spanya do¤umlu. Uzun metraj filmlerde senaryo yazarl›¤› yapt›. Ayr›ca popülerTV dizilerinde ve programlar›nda senaryo yazar› olarak çal›flt› ve ö¤renciler için senaryo atölyeleri organizeetti.

Biography: Xavi Sala was born in Alacant (Spain). He has worked as screenplay writer for feature films. Also, hehas worked as screenwriter in popular tv series and shows and he has organized screenplay labs for students.He directed short films which have participated in many festivals around the world and have won a lot awards.

74

‹spanya / Spain

EV YAPIMI UYDUTHE SATELLITE DISHKurmaca / Fiction, 12’Renkli / Color, 2007

‹stanbul Cervantes Enstitüsü’nün Katk›lar›yla

Otuzlu yafllar›n bafl›nda, çocuksuz, ekonomik sorunu olmayan, art›k birbirlerinesöyleyecek hiçbir fleyi kalmayan bir çift, bitmekte olan iliflkilerini canland›rmakiçin bir yol arar.

Couple in early thirties, without children or economic problems and withoutanything to say each other anymore, looks for a way to re-live their dyingrelationship.

Yönetmen / Director: Elías León SiminianiSenaryo / Screenwriter: Elías León SiminianiOyuncular / Cast: Marta Aledo, Luis Callejo, Antonio Garrido, Belén LópezÖdüller / Awards: Best short film director in Cartagena Cinema Festival 2007Da¤›t›m / Distribution: [email protected]

Özgeçmifl: 1971’de San Sebastian’da do¤du.

Biography: Born in San Sebastian in 1971.

75

LUDOTHERAPYLUDOTHERAPY



‹spanya / Spain

Antonio’nun dü¤ünü s›ras›nda, befl kardeflin en büyü¤ü olan babas› kalp krizigeçirir. Dü¤ün yar›da kal›r, bütün aile hastaneye gider.

During the wedding of Antonio, the oldest of a family of five brothers, his fatherhas a heart attack. The wedding is interrupted and the whole family goes to thehospital.

Yönetmen / Director: Daniel Sánchez ArévaloSenaryo / Screenwriter: Daniel Sánchez ArévaloOyuncular / Cast: Héctor Colomé, Javier Pereira, Jorge MonjeÖdüller / Awards: Iberian Cinema Festival of Badajoz (Spain) (2008); best film, best actor, best soundtrack, XXXElche Film Festival (2008); Best short film, Public Special AwardDa¤›t›m / Distribution: [email protected], [email protected]

Özgeçmifl: Daniel Sánchez Arévalo (1970, Madrid do¤umlu) yeni ‹spanyol sinemas›n›n en tan›nm›fl yönetmenlerindenbiri. Kariyerine televizyon dizilerinde senaryo yazarl›¤› yaparak bafllad›. 2000-2001 y›llar› aras›nda New York’taColumbia Üniversitesi’nde sinema master’› yapt›.

Biography: Daniel Sánchez Arévalo (born in Madrid, 1970) is one of the most prominent directors of the newSpanish cinema. He began as screenplays writer in TV serials. He studied a M.A. in cinema at the ColumbiaUniversity in New York in 2000-2001.

76

‹spanya / Spain

TRAVMATOLOJ‹TRAMUATHOLOGYKurmaca / Fiction, 21’Renkli / Color, 2007


Hayat›n›zda hiç yeni y›la arabada girdiniz mi? En büyük, en utand›¤›n›z s›rr›n›z›bir yabanc›ya söylediniz mi? Hangisinin bedeli daha büyüktür, affedilmeyi sitemekmi, affetmek mi?

Have you spent some New Year’s Eve of your life in a car? Have you told to astranger your most confidential secret, the most shameful one? What costs youmore, to ask for forgiveness or forgive?

Yönetmen / Director: Marisa LafuenteSenaryo / Screenwriter: Marisa LafuenteKurgu / Editor: Vanesa L. MarimbertGörüntü Yönetmeni / Director Of Photography: Juan HernándezOyuncular / Cast: Esperanza Pedreño, Mulie JarjuÖdüller / Awards: XIV Short Film Festival Calella de Mar. Best interpretation: Esperanza PedreñoDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1970’te ‹spanya’n›n Madrid flehrinde do¤du. Madrid Complutense Üniversitesi ‹ltiflim Bilimleri (Bas›n)bölümü mezunu. Yazar ve sinemac› olarak k›sa filmlerde ve belgesellerde, özellikle tarihi senaryolar üzerindeçal›fl›yor.

Biography: Born in Madrid (Spain) in 1970. Graduate in Information Science (Press) from Madrid ComplutenseUniversity. As writer and filmmaker she combines the work on short films as well as on documentary, speciallyin historical screenplays.

77

ENGELHINDRANCE



‹spanya / Spain

Bir patenci karanl›k, so¤uk ve hofl olmayan bir buz hokeyi pistine ç›kar. Hokeyoyuncular› ç›karken o çal›flmaya bafllar. Rutin çal›flas›na bafllar, gittikçe h›zlan›r,h›zlan›r. Aniden durur ve farkl› bir boyuta girer. Bir rüyalar alemine.

A figure skater enters a dark, cold and unpleasent ishockey rink. Her practise startsas the hockey players leave. She begins her routine going faster and faster. Suddenlyshe stops and enters a new dimension. A dreamscape.

Yönetmen / Director: Pelle HybbinetteSenaryo / Screenwriter: Pelle HybbinetteKurgu / Editor: Ulrika Rang, Pelle HybbinetteMüzik / Music: Moto BoySes / Sound: Mats LindskogGörüntü Yönetmeni / Director Of Photography: Pelle Hybbinette, Hans Hansson fsfOyuncular / Cast: Maria TaljegårdYap›mc›la / Producers: Pelle Hybbinette, Hans Hansson Produced in co-production with Film i skåne/JoakimStrand, Sveriges Television (SVT)/Ulla Nilsson, PHoto Pelle Hybbinette with support from Swedish FilmInstitute/Anne-Marie Söhrman FermelinYap›m fiirketi / Production Company: PHoto Pelle HybinetteDa¤›t›m / Distribution: Swedish Film Institute, www.sevedishfilm.org

78

‹sveç / Sweden

RÜYALAR ALEM‹DREAMSCAPE

Deneysel / Experimental, 5’Renkli / Color, 2007

‹sveç Baflkonsoloslu¤u’nun Katk›lar›yla

Yalan üzerinde üç tamamen gerçek hikaye. Belgesel röportajlara dayanan üçbölümde, geceleri muhasebecilik yapt›¤›n› iddia eden h›rs›z›; kendi kendini yalansöylerken ve ifllemedi¤i bir suçu itiraf ederken bulan çocu¤u ve tüm hayat› biryalanlar silsilesi olan kad›n› tan›r›z.

Three perfectly true stories about lying. In three episodes based on documentaryinterviews we meet the burglar who, claims to be a moonlighting accountant, theboy who finds himself lying and confessing to a crime he didn’t commit and thewoman whose whole life has been a chain of lies.

Yönetmen / Director: Jonas OdellSenaryo / Screenwriter: Jonas OdellCanland›rma Sanatç›lar› / Animators: Per Helin, Marcus Krupa, David Rylander, Arvid Steen, Jonas Odell, FredrikPerssonMüzik / Music: Martin LandquistSes / Sound: Anders LarssonGörüntü Yönetmeni / Director Of Photography: Per HelinOyuncular / Cast: Lisa Norström, Rebecca Holmbert, Yasmin Rahmani, Sven Segelsson, Tommy Hansson, ChristerFredrikssonSöylefliler / Interviews: Richard Dinter, Tinna JonéYap›m / Producer: Linda HambäckYap›mc› / Producer: Produced by FilmTecknarna F.Animation AB in co-production with Sveriges TelevisionAB/Ulla Nilsson in cooperation with YLE/Sari Volanen with support from Swedish Film Institute/Anne-MarieSöhrman Fermelin, Nordic Film & TV FundDa¤›t›m / Distribution: Swedish Film Institute, www.sevedishfilm.org

79

YALANLARLIES

Canland›rma-Belgesel / Animation-Documentary, 13’Renkli / Color, 2008


‹sveç / Sweden

Karanl›k f›rt›nal› bir gece. Küçük bir k›z evde yaln›z. Gerçekten yaln›z m›?

A dark stormy night. A little girl is home alone, but is she really?

Yönetmen / Director: Erik RosenlundSenaryo / Screenwriter: Erik RosenlundCanland›rma Sanatç›lar› / Animators: Erik Rosenlund, Susanne SturessonSes, Kurgu / Sound, Editor: Erik RosenlundYap›m / Producer: Erik RosenlundYap›mc› / Produced by: Erik Rosenlund with support from Sveriges Television ABYap›m fiirketi / Production Company: Erik RosenlundDa¤›t›m / Distribution: Swedish Film Institute, www.sevedishfilm.org

80

‹sveç / Sweden

AYNALOOKING GLASS

Canland›rma / Animation, 5’Siyah Beyaz / B&W, 2007


Genç k›z, anne babas› evde olmayan erkek arkadafl›n›n evinde güzel bir akflamgeçirecektir. Bisiklete binip kiral›k bir film ve büyük beklentilerle ona gider. Amaifller bekledikleri gibi gitmez.

A young girl is going to spend a nice evening at her boyfriends place, his parentsare not at home. She takes her bike to him with a rented movie and high expectationson the evening. But things don’t really turn out the way they had expected.

Yönetmen / Director: Amanda AdolfssonSenaryo / Screenwriter: Amanda AdolfssonKurgu / Editor: Britta NorellMüzik / Music: Max LinderSes / Sound: Johan IsakssonGörüntü Yönetmeni / Director Of Photography: Christian HaagSanat Yönetmeni / Art Director: Lina ÖstlundhOyuncular / Cast: Natalie Minnevik, Bill Skarsgård, Karin Bjurström, Mats RudalYap›m / Producer: Sandra HarmsYap›mc› / Produced by: Breidablick with support from Swedish Film Institute/Anne-Marie Söhrman Fermelin,Film Stockholm/Ulf Greek, Reaktor Sydost/Pelle HybbinetteDa¤›t›m / Distribution: Swedish Film Institute, www.sevedishfilm.org

81

GECEY‹ GEÇ‹RMEKSPENDING THE NIGHT



‹sveç / Sweden

Stig k›rkl› yafllarda bir adamd›r. Muhtemelen orta s›n›ftand›r, tam gün çal›fl›r, makulbir maafl› vard›r ve güzel, yeni arabas› tan›nm›fl bir Japon markas›d›r. Evlidir vezüppeli¤e kaçmadan iyi giyinir. Ço¤u insa›n ak›ld›fl› olarak niteleyece¤i fleyler yapannormal bir ‹sveçli adamd›r.

Stig is a man in his forties. Probably middle-class, works full-time, gets a decentpaycheck and drives a nice new car from a well-known Japanese brand. He is marriedand dresses well without being a snob. He is a normal Swedish man who performswhat most people would consider totally irrational actions.

Yönetmen / Director: Tomas Norström, Henrik GyllenskiöldSenaryo / Screenwriter: Tomas NorströmKurgu / Editor: Henning MarkMüzik / Music: Nico RöhlckeSes / Sound: Owe Svensson, Quint StarkieGörüntü Yönetmeni / Director Of Photography: Henrik GyllenskiöldOyuncular / Cast: Tomas NorströmYap›mc›lar / Producers: Tomas Norström, Henrik Gyllenskiöld, Martin ÖsterdahlYap›m / Produced by: Norström & Österdahl Filmproduktion with support from Swedish Film Institute/Anne-Marie Söhrman FermelinYap›m fiirketi / Production Company: Pilgrim Films ABDa¤›t›m / Distribution: Swedish Film Institute, www.sevedishfilm.org

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‹sveç / Sweden

STIGSTIG



Pratik bir rehber. Bu kitap model A1’i nas›l kullanaca¤›n›z› gösteriyor. Yüz yirmiüç çizim kullanarak, en umutsuz insan›n bile nas›l film yapabilece¤ini gösteriyor.

A practical guide. This book shows you how to use your model A1. Using onehundred and twenty three illustrations, it shows how even the hopeless can makea film.

Yönetmen / Director: Gunilla Heilborn, Kim Hiorthøy, Mårten NilssonSenaryo / Screenwriter: Kim Hiorthøy, Yngve SætherKurgu / Editor: Mårten NilssonSanat Yönetmeni / Art Director: Katarina WiklundMüçik / Composer: Kim Hiorthøy, Smalltown SupersoundSes / Sound: Stefan WrenfeltGörüntü Yönetmeni / Director Of Photography: Mårten NilssonOyuncular / Cast: Kristiina Viiala, Henrik Vikman, Josefin Peterson, Kim Hiorthøy, Lisa Östberg, Johan Thelander,Örjan Andersson, Jimmy Meurling, Dag Andersson, Mats GarpendalYap›mc›lar / Producers: Mårten Nilsson (GNUFILM), Yngve Sæther (MOTLYS)Yap›m / Produced by: Gnufilm, Motlys AS with support from Swedish Film Institute/Anne-Marie Söhrman-Fermelin,Norwegian Film FundYap›m fiirketi / Production Company: GnufilmDa¤›t›m / Distribution: Swedish Film Institute, www.sevedishfilm.org

83

NE YAPARSINWHAT YOU DO



‹sveç / Sweden

Dört karakter: bir aktör, bir uyuflturucu sat›c›s›, bir bilgisayar delisi, bir hijyenmüfettifli. Birbirlerinden haberleri olmamas› ve günlerini z›t amaçlar do¤rultusundageçirseler de, herbirini trajik bir sona sürükleyecek olan 33 ölümcül saniyeye ayr›ayr› katk› sa¤layacaklard›r.

Four characters: an actor, a drug dealer, a nerd, a hygiene inspector. No one knowsthe others. Each of them lives his/her own day in a different way, with oppositestyles and objectives, but all of them will affect the others fatal 33 seconds timelapse through the ending. The same time for everyone, but yet, different perceptionsof it.

Yönetmen / Director: Massimiliano DavoliKurgu / Editor: Francesco GalliMüzik / Music: Lali Puna, Roger Eno, Luke TrippSet Tasar›m / Set Design: Flavio D’amicoKostüm Tasar›m / Costume Design: Massimiliano DavoliFoto¤raf / Photography: Andrea ArnoneOyuncular / Cast: Massimilaino Davoli, Giulia Troiano, Adriano Giammanco, Mariano Aprea, Giulio PampiglioneYap›mc› / Producer: Massimiliano DavoliDa¤›t›m / Distribution: romefilmmarket.com

Özgeçmifl: Roma’da Silvio D’Amico dramatik sanat akademisine devam eden Massimiliano Davoli, 2003’teLondra’ya yaflamaya bafllar, Peter Greenway’in bir filmine oyuncu olarak seçilir. 33 saniye onun ilk k›sa filmidir.

Biography: Massimiliano Davoli received his formal training as an actor at the National Academy of Drama SilvioD’Amico. In 2003 he moved to London. Here he was casted in a Peter Greenway’s movie.

84

‹talya / Italy

33 SAN‹YE33 SECONDS


‹stanbul ‹talyan Kültür Merkezi’nin Katk›lar›yla

Fede, onun iyili¤ini isteyen tek fleyin köpe¤i Fido oldu¤u gerçe¤i ile yüzleflince birerkek arkadafl bulmak ister. Birgün Fido yak›fl›kl› bir çocu¤a dönüflür ve böyleceFede için bir y›¤›n sorun bafllam›fl olur!!!

Fede would like to find a boyfriend given the fact that the only being truly caringfor her is his faithful dog Fido. One day Fido will turn into a handsome boy andFede will start to have her fare share of troubles!!!

Yönetmen / Director: Max NardariKurgu / Editor: Max NardariSes / Sound: Marco SaittaMüzik / Music: Chiara Iezzi, Stefano VerderiSet Tasar›m / Set Design: Gianni La PortaFoto¤raf / Photography: Marco Gandolfo e Cristina di Paolo AntonioOyuncular / Cast: Solena Nocentini, Silvia TortaroloeYap›mc› / Producer: Max Nardari e Alba CalicchioYap›m / Production: Reset Media

Özgeçmifl: 1999’da Bologna’da Edebiyat ve Felsefe e¤itimi alan Max Nardari Londra’da yönetmenlik ve müzikkonusunda kendini gelifltirir. 2002’de Roma’ya geri döner ve Cinecitta’da reklam-film yönetmenli¤inden mezunolur. 2003’te, müzik klipleri, reklam, film fragmanlar› çekmek için Reset Production’› kurar. Fede&Fido onun ilkk›sa filmidir.

Biography: In 1999 Max Nardari gets his Literature and Philosophy degree in Bologna with a major in Cinema.Living in London he perfected his studies in film directing and music. In 2002 once back in Rome he graduatesin ‘commercial and film clip directing’ at Nuct, Cinecittà. In 2003 he sets up Reset Production, a small productionspecialized in music clips, commercials, movie back stages and trailers, reportages etc. ‘Fede & Fido’ is his firstshort film.

85

FEDE VE FIDOFEDE AND FIDO



‹talya / Italy

Uzun y›llar önce Romanya’dan kaçm›fl olan Erika, Güney Italya’n›n en zengin ayn›zamanda en tart›flmal› bölgesi olan Puglia’da hayat›n› normal bir ev kad›n› gibiyaflamaktad›r. Ama onun hayat› ve geçmifli herhangi bir ev kad›n› gibi de¤ildir.

Erika, fled from Romania many years ago, leads her regular housewife routine lifein Southern Italy. In the richest and at a time most contradictory Adriatic region,Apulia. Yet her life and her past are not one of any ordinary housewife.

Yönetmen / Director: Cesare FragnelliKurgu / Editor: Andrea CostantinoMüzik / Music: Nicola MasciulloSes / Sound: Piero ParisiSet Tasar›m / Set Design: Tommaso DilonardoKostüm Tasar›m / Costume Design: Flavia SantoroFoto¤raf / Photography: Daniele BaldacciOyuncular / Cast: Alessandro Haber, Antonella Bavaro, Elena Di Marco, Michele Sinisi, Alexandru VicuYap›mc› / Producer: Guglielmo NigriYap›m / Production: Cinemasudfilms

Özgeçmifl: Cesare Fragnelli 2002’de sinemada uzmanl›k derecesiyle Roma La Sapienza Üniversitesinden mezunolur. 1999’da Puglia’da Cinema Sud Films ad›nda bir film flirketi kurar. Bir k›sa film yap›mc›s›d›r ve toplumsalyükümlülüklere de¤inen iyi bir yazard›r.

Biography: Cesare Fragnelli gets his Literature Degree in 2002 at University La Sapienza of Rome with a majorin Cinema. In 1999 founds in Apulia a film production named Cinema Sud Films. He is a short movie film makerand author well committed to the social cause.

86

‹talya / Italy

KIRMIZI ALTINL’ORO ROSSO



Birbirine afl›k, sevimli bir kar› koca. Y›ldönümlerini kutlarlar. Kocas› kad›na birhediye verir. Deniz kenar›nda romantik ve ›ss›z bir pansiyon. Herfleyden uzak ikigün birlikte. Ama bu ödül kad›n için korkunç ve son bir randevu haline dönüflebilir.

A man and his beautiful and loving wife. They celebrate their anniversary. A giftfor her. An isolated and romantical seaside mansion. Two days together, awayfrom all the rest. But this gift could turn for the wife into her last, terrible date.

Yönetmen / Director: Andrea ZaccarielloKurgu / Editor: Alessandro SabbioniSet Tasar›m / Set Design: Tonino ZeraKostüm Tasar›m / Costume Design: Nicoletta ErcoleMüzik / Music: reportorioSes / Sound: Remo ugolenelli e maurizio argentieriFoto¤raf / Photography: Fabio ZamarionOyuncular / Cast: Valeria Solarino, Enrico Silvestrin,Remo RemottiYap›mc› / Producer: Neri RiccardoYap›m / Production: Imperium Visio e Lupen Film

Özgeçmifl: Andrea Zaccariello Officina Filmmaster yar›flmas›n› kazand›¤›nda daha 18 yafl›ndad›r. Daha sonra k›safilmleri ve reklamlar› için bir çok ödül daha kazan›r. Bu uzun listeden akl›m›zda kalanlar: “Lacrima, Gioco daVecchi” 1996’da Nastro d’Argento’da en iyi yönetmen seçilmifl.

Biography: Andrea Zaccariello is 18 when he wins the Officina Filmmaster contest. Then he also wins a seriesof prizes for his short films and commercials. Among the shorts we list: Lacrima, Gioco da Vecchi best directorat the Nastro d’argento in 1996.

87

EfiLA MOGLIE



‹talya / Italy

“Appena Giovani” dört karakterden oluflan bir öyküdür: Marco, Laura, Chiara veRoberto. Öyküde, anne-baba ve çocuklar aras›ndaki anlaflmazl›k iliflkisi, ‹talyanokullar›ndaki bulizm, ergenlik dönemindeki kötü yemek al›flkanl›klar›, cinselyaflama olan zor yaklafl›m, zaman›m›z›n gençlerine has kayg› ve s›k›nt› ele al›n›r.

‘Appena Giovani’ is a story about four characters: Marco, Laura, Chiara and Roberto.They face topics such as the conflicting relationship parents-children, bullying inItalian schools, eating disorders among adolescents, the difficult approach tosexuality, distress and anguish of youth typical of our times.

Yönetmen / Director: Tommaso AgneseKurgu / Editor: Laura StelliSet Tasar›m / Set Design: Enzo De CamillisKostüm Tasar›m / Costume Design: Silvana TurchiMüzik / Music: Squadra-ASes / Sound: Sandro Ivessich HostFoto¤raf / Photography: Roberta AllegriniOyuncular / Cast: Alessandro Haber, Carlotta Natoli, Gioele Dix, Edy Angelillo, Luisa Maneri, Amedeo Ricotta,Giulia Amato, Manlio Garrone, Daria StramacciYap›mc› / Producer: Renato VacatelloYap›m / Production: Europroduzione S.r.l.

Özgeçmifl: Tommasso Agnese, 2006’da, Tor Vergata Roma Üniversitesi’nde ‘Tarih, müzik ve Gösteri Bilimleri veTeknikleri’ alan›ndan mezun olur.

Biography: Tommaso Agnese takes his degree in ‘History, sciences and techniques of music and show business’at the Tor Vergata University of Rome in May 2006.

88

‹talya / Italy

YENI YETMELERAPPENA GIOVANI



Gerçek olmayan›n hissi, imkans›zl›k ve sonsuzluk yazar›n aktarmak istedi¤iduygulard›r. Bu sözcükler bu k›sa filmin ilham kayna¤› olan Escer’in resimlerinintarifiyle mükemmel bir flekilde efllefliyor. Dönüflümün simgesi olan su damlas›ndan,beklenmeyen bir uyan›fla giden yol baflrol oyuncusunu bilinçalt›nda yer edendünyalara tafl›yacakt›r.

A sense of unreal, impossibility and infinitive are the sensations that the author wantsto drive. These very words would perfectly fit the description of Escher paintings, themain source of inspiration for this short. Starting from a water drop, symbol of recurringcycles, an unexpected awakening will lead the protagonist through words that inhabithis unconscious.

Yönetmen / Director: Mauro PaceKurgu / Editor: Mauro PaceSet Tasar›m / Set Design: Mauro PaceMüzik / Music: John Surman, Yann TiersenSes / Sound: Sandro Ivessich HostFoto¤raf / Photography: Mauro PaceOyuncular / Cast: Daniela PaceYap›mc› / Producer: Mauro PaceDa¤›t›m / Distribution: romefilmmarket.com

Özgeçmifl: 6 Mart 1983’te Erice’de (Trapani) do¤ar. 2007’de Roma’da Grafik ve Çoklu Proje Tasar›mc›l›¤›ndan iyibir derece ile mezun olur. “Mondi Simultanei” onun ilk k›sa filmidir.

Biography: Born in Erice (Trapani) March 6, 1983. In 2007 he got his glowing report degree in Graphics andMultimedial Progect Planning in Rome. Mondi Simultanei is his first short.

89

EfiZAMANLI DÜNYALARMONDI SIMULTANEIKurmaca / Fiction, 6’

Siyah-Beyaz / B&W, 2007


‹talya / Italy

Personal Disease zaman›nda hastal›klar uyuflturucu gibi sat›n al›nabilir ve iyileflmekiçin J.’nin de içinde bulundu¤u hastal›k ürünlerini tüketen panzehirler temin edilinirdi.Bundan kendine ve mant›kl› gerçe¤e yeni bir bak›fl aç›s› kazan›l›r. Karar vermek yada ölmek...hangisi ölmek için daha iyi bir yoldur.

In the Personal Disease time you can buy sickness as a drug and then you can chooseto get well with the antidote included. J., driven to consume this manufactureddisease, gets a brand new point of view on yourself and on sensitive reality too.Deciding or waiting... which is the best way to die...

Yönetmen / Director: Christian BattiferroKurgu / Editor: Paolo FerrariSet Tasar›m / Set Design: Marco Grassivaro, Loredana Vitale, Pietrina Careddu, Matteo GhediniKostüm Tasar›m / Costume Design: Marco PuggioniMüzik / Music: CarlomargotSes / Sound: Gianluca GalanteFoto¤raf / Photography: Gianmarco RossettiOyuncular / Cast: Giuliano Catani,Sabrina Baruzzi, Elisa BottonYap›mc› / Producer: Mirco SgarziYap›m / Production: Rosebud FilmsDa¤›t›m / Distribution: romefilmmarket.com

Özgeçmifl: Christian Battiferro 2004’te Bologna Dams’dan mezun olur. 2006’dan beri Mei Faenza’da ‹talyanBa¤›ms›z Video Klip Ödülleri (PIVI) organizatörüdür.

Biography: Christian Battiferro takes his degree at the Dams in Bologna in 2004. Since 2006 he is the organizerfor Pivi– Italian Independent Video clip Awards – at the Mei in Faenza.

90

‹talya / Italy

PERSONAL DISEASEPERSONAL DISEASE



Tuna nehrinde bir mavna. Tasas›z bir yaz günü. Tencerede yemek, yan›nda birazflarap ve gazoz. Bunun d›fl›nda her fley tabii ki denizcilik kurallar›na harfiyen uygun.

A barge on the Danube. A carefree summer day. Stew in the pot, and a little wineand soda to wash it off. Other than that, everything is strictly according to theshipping regulations, of course.

Yönetmen / Director: Dániel ErdélyiSenaryo / Screenwriter: Dániel ErdélyiKurgu / Editor: Zoltán KovácsMüzik / Music: Ádám SzekfüSes / Sound: János KöporossyKostüm / Costumes: Sosa JuristovszkyGörüntü Yönetmeni / Director Of Photography: Gergely PohárnokOyuncular / Cast: Zoltán Bezerédi, József Kelemen, Kata Gellén, Péter HorkayYap›m / Production Company: Katapult Film, Duna WorkshopYap›mc› / Producer: Iván Angelusz, György Durst

Özgeçmifl: 1973 Budapeflte do¤umlu. 1995-2000 y›llar› aras›nda Budapeflte’de Macaristan Drama, Sinema veTelevizyon Üniversitesi’nde okudu.

Biography: Born in 1973 in Budapest, Hungary. 1995-2000. Hungarian University of Drama, Film and Television,

91

411-Z411-Z


Macaristan Baflkonsoloslu¤u’nun Katk›lar›yla

Macaristan / Hungary

‹çimizdeki müzikle ilgili bir hikaye. Film biri çocuklu¤unu geride b›rakmakta olaniki kiflinin karfl›laflmas›n› anlat›r. Monotonlu¤un özgürlü¤ü ve özgürlü¤ünmonotonlu¤u.

A story about the music in us. The film is the encounter of two, one is leavingchildhood. It is the monotony of freedom and the freedom of monotony.

Yönetmen / Director: Géza M. TóthSenaryo / Screenwriter: Géza M. TóthKurgu / Editor: Judit CzakóMüzik / Music: Attila PacsaySes / Sound: Imre MadácsiGörsel Tasar›m / Visual Design: Géza M. TóthAnimasyon / Animaton: Árpád Koós, Zoltán Bogdán, Béla Klingl, Gergely KozmaGörüntü Yönetmeni / Director Of Photography: Zoltán BogdánYap›m/ Production Company: Kedd Animation StudiosYap›mc› / Production Manager: Niki KárászYap›mc› / Producer: Géza M. Tóth

Özgeçmifl: 1970 do¤umlu. Macar artist, canland›rma sinemac›s›. Ayr›ca çeflitli canland›rma sinemas› enstitülerindeö¤retmenlik yap›yor.

Biography: Born in 1970. Hungarian artist, animation filmmaker, has been working also as a tutor at severalanimation film institutes.

92


ERGOERGO



Deneysel bir çal›flma.

Film is Experimental.

Yönetmen / Director: Gyula NemesKurgu / Editor: Marek MackovicSes / Sound: Tobias PotocnyGörüntü Yönetmeni / Director Of Photography: Gyula NemesYap›m / Production Company: Absolut Film Studio, Atrakt Art, Duna WorkshopYap›mc› / Producer: Gyula Nemes, Sasa Gojdicova, György Durst

Özgeçmifl: 1974’de Vác’da do¤du. Budapeflte, ELTE’den mezun oldu.

Biography: Born in Vác in 1974. Graduated from ELTE in Budapest. From 2002 studies at FAMU (Prague)documentary film. His debut is short fiction ‘Parrot’ based upon motives by Bohumil Hrabal.

93

KAÇIfiFUGUE

Deneysel / Experimental, 7’Siyah-Beyaz / B&W, 2007



Bo¤ulmakta olan bir denizin ortas›nda sürekli yard›m ister. Etraf›nda bir sürü insanyelken yapar, yüzer ama kimse yard›m etmez. Herkes bencilce kendi sorunlar›ylau¤raflmaktad›r.

A lonely drowner is shouting continously for help in the sea. a lot of people aresailing and swimming around him, but there is no help. Everyone is busy with hisown problems in a selfish manner.

Yönetmen / Director: Ferenc CakóSenaryo / Screenwriter: Ferenc CakóKurgu / Editor: Magda HapMüzik / Music: Zoltán MericskeSes / Sound: Béla ZsebényiGörüntü Yönetmeni / Director Of Photography: Antal KaziGörsel Tasar›m / Visual Design: Ferenc CakóBilgisayar Grafik / Computer Graphics: Csaba PintérYap›m / Production Company: C.A.K.Ó. STÚDIÓYap›mc› / Producer: Ferenc Cakó

Özgeçmifl: 1950 Budapeflte do¤umlu. 1973’te Yarat›c› Sanatlar Okulu’ndan mezun oldu. Heüz okuldayken amatörcanland›rma sinemac›s› olarak çeflitli ödüller kazand›. Onun için kaç›n›lmaz olan yolu izledi, Pannonia FilmStüdyosu’nda 1973-1991 y›llar› aras›nda canland›rmac›, tasar›mc›, yönetmen olarak çal›flt›.

Biography: Born in Budapest in 1950. Graduated from the College for Creative Arts in 1973. While still at collegehe won several prizes as an amateur animation filmmaker.This it was obvious for him to follow, the road PannoniaFilm Studio where he worked as an animator - designer - director from 1973 to 1991.

94


HEY, S.O.S.HEY, S.O.S.



Do¤ru markay› giymek insan› daha h›zl› ve güçlü yapar m›? Bir adam›n folk danskonusundaki tutkusu onu tehlikeli bir hata yapmya iter!

If you wear the right brand can it make you faster and stornger? A man’s passionfor folk dancing causes him to make a dangerous mistake!

Yönetmen / Director: Declan HanniganSenaryo / Screenwriter: Declan HanniganKurgu / Editor: Gábor MarinkásDekor/ Set Design: Adrienn AsztalosKostüm / Costumes: Adrienn AsztalosGörüntü Yönetmeni / Director Of Photography: Gergely PohárnokOyuncular / Cast: Erzsébet Kútvölgyi, Szabolcs GombaYap›m / Production Company: Katapult FilmYap›mc› / Production Manager: Andrea TaschlerYap›mc› / Producer: Iván Angelusz, György Durst, Péter Reich

Özgeçmifl: Declan Avrupa Parlamentosu için bir tan›t›m filmi üzerinde çal›fl›yor ve son olarak Avrupa Uzay Ajans›için bir e¤itim DVD’si haz›rlad›.

Biography: Declan is currently working on a promotional film for the European Parliament and has just finishedan educational DVD for the European Space Agency.

95

VURUfiSLAP




Karn› iyice ac›km›fl olan a¤ustos böce¤i, kar›ncan›n kap›s›n› çalar ve yiyecek ister.

A hungry cicada came to the ant and asked him to share some of his grain.

Yönetmen / Director: László CsákiSenaryo / Screenwriter: László CsákiKurgu / Editor: Károly SzalaiMüzik / Music: János BujdosóDekor / Set Design: Márton ÁghKostüm / Costumes: Manuéla MaráczyGörüntü Yönetmeni / Director Of Photography: Árpád HorváthOyuncular / Cast: László Katona, Zsolt MáthéYap›m / Production Company: Laokoon FilmYap›mc› / Production Manager: Judit StalterYap›mc› / Producer: Gábor Sipos, Gábor Rajna

Özgeçmifl: László Csáki (Budapeflte, 1977). 2002 y›l›nda Budapeflte Uygulamal› Sanatlar Akademisi, Görsel ‹letiflimBölümü’nden mezun oldu.

Biography: László Csáki (Budapest, 1977) graduated from the Hungarian Academy of Applied Arts of Budapest,Department of Visual Communication, in 2002. A member of the Hungarian Independent Film and Video Association(MAFSZ) and Young Artists’ Association.

96


A⁄USTOS BÖCE⁄‹ VE KARINCATHE ANT AND THE CICADA



Yitip giden zaman›n lezzetli bir yeme¤i iki erkek¤i buluflturur. Birbirlerini sözebile gerek kalmadan anlarlar.

A delicious food of vanishing times meets two men. They understand each othereven without words.

Yönetmen / Director: Márton SzirmaiSenaryo / Screenwriter: Márton SzirmaiKurgu / Editor: Márton SzirmaiSes / Sound: János KöporossyGörüntü Yönetmeni / Director Of Photography: Gergely PohárnokOyuncular / Cast: Zsolt Anger, Tamás Ascher, László KáldyYap›m / Production Company: Közgáz Visual Brigade, Instant Filmek MühelyeYap›mc› / Production Manager: Márton SzirmaiYap›mc› / Producer: György Pálos, Csilla Györi, György Czabán

Özgeçmifl: Macaristan do¤umlu yönetmen 1982-1993 y›llar› aras›nda Margit Földessy Tiyatro Stüdyosu’ndaoyunculuk e¤itimi ald›.

Biography: Hungarian born director studied acting at the Drama Studio of Margit Földessy between 1982-1993.Since 2001 he occupied different film related posts (cable boy, sound assistant etc.) He’s been directing his ownfilms since 2006.

97

‹fiKEMBE VE SO⁄ANLARTRIPE AND ONIONSKurmaca / Fiction, 7’Renkli / Color, 2006



Bir ofis görevlisi büyük bir titizlikle gündelik iflini yap›yor. Ve yüzündeki her birufak mimik... ve pencerenin ard›nda bir adam onu bekliyor.

An office clerk meticulously going through her routine. All the little vibrations ofher face. And a man, waiting for her beyond the windows.

Yönetmen / Director: Laszlo NemesSenaryo / Screenwriter: Laszlo NemesSes / Sound: Tamás ZányiDekor / Set Design: László RajkKostüm / Costumes: Gábor Homonnay, Edit SzücsGörüntü Yönetmeni / Director Of Photography: Mátyás ErdélyOyuncular / Cast: Virág Marjai, Attila Menszátor-Héresz, Éva Kelényi, Kálmán Kovács, Endre FerenczyYap›m / Production Company: Inforg Stúdió, Duna Workshop, FilmteamYap›mc› / Production Manager: Andrea TaschlerYap›mc› / Producer: András Muhi

Özgeçmifl: 1977 y›l›nda Budapeflte’de do¤du, Paris’te yetiflti. Tarih, Uluslararas› ‹liflkiler ve Senaryo e¤itimi ald›ktansonra Fransa ve Macaristan’da k›sa ve uzun metrajl› filmlerde yönetmen yard›mc›s› olarak çal›flmaya bafllad›.

Biography: Born 1977 in Budapest, Hungary, he grew up in Paris. After studying History, International Relationsand Screenwriting, he started working as an assistant director in France and Hungary on short and featurefilms.

98


B‹RAZ SABIRWITH A LITTLE PATIENCE



F›rt›nal› bir gece Hoarcio’nun arabas› bozulur. Aç›k bir kafe bulur ve bir aile farkeder, küçük k›zlar› gözünü dikmifl ona bakmaktad›r. Horacio tüm dikkatini k›zaverir.

It’s a night of storm, the Horacio’s car broken down. He finds an open café anddiscovers a family with a little girl that stares at him. Horacio puts all his attentionin this little girl.

Yönetmen / Director: Juan Pablo MiquirraySenaryo / Screenwriter: Juan Pablo MiquirrayOyuncular / Cast: Carlos Cobos, Clarissa Malheiros, Cristina Michaus, Fidel Monroy, Natalia Polgovsky

99

CAPILLUSCAPILLUS


Meksika D›fliflleri Bakanl›¤› ve Büyükelçili¤i’nin Katk›lar›yla

Meksika / Mexico

Fran Alicia’y› bakir bir sahile götürür, ona sürpriz yap›p bir niflan yüzü¤ü vermeyiplanlamaktad›r. Dost canl›s› bir Amerikal› olan Jimmy de orada kalmaktad›r veFran’in romantik evlenme teklifinden çok etkilenerek ne olursa olsun ifle kar›flmayakarar verir.

Fran takes Alicia to a virgin beach, planning to give her an engagement ring as asurprise. Jimmy, a friendly American who is also staying there, is moved by Fran’sromantic proposition and decides to get her involved no matter what.

Yönetmen / Director: Pablo FulgueiraSenaryo / Screenwriter: Pablo FulgueiraKurgu / Editor: Pablo Fulgueira, Natalia LopezMüzik / Music: Liquits / PeligroSes / Sound: Federico SchmuclerSanat Yönetmeni / Art Director: Ruben MirandaGörüntü Yönetmeni / Director Of Photography: Christian RiveraOyuncular / Cast: Martín Altomaro, Irene Azuela, Peter TheisKostüm / Costume: Ursula ArriagaMakyaj / Make Up: Julie Frene

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Meksika / Mexico

ÇOK BAS‹TES MUY FACIL



Rose’un ölümüyle Damian’›n hayat› anlam›n› kaybeder. Rahip Damian, yas tutmapsikolojisinden kurtulmak için kaçmaya karar verir ve Bruno’yla karfl›lafl›r; birüçka¤›tç› olan Bruno rahibe b›rakt›¤› paray› geri istemektedir.

Roses death diminished the meaning Damian had give his own life. To avoid thetrance of mourning, Father Damian decides to flee and is confronted with Bruno,a small time crook who demands the money he had left in the fathers frivolouscare.

Yönetmen / Director: Amir Galván CerveraOyuncular / Cast: Nicole Ansari-Cox, Joaquín Garrido, Cindi Huppel, Gerardo Martínez, Mario ZaragozaDa¤›t›m / Distribution: Consejo Nacional para la Cultura y las Artes

101

KOYUN GEÇ‹D‹PASO DE OVEJAS



Meksika / Mexico

Ramón Chávez’›n televizyonda gördükleri baz› kararlar vermesine neden olur, bukararlar onun hayat›n›n ak›fl›n› de¤ifltirecektir, belki de de¤ifltirmeyecektir.

Ramón Chávez sees situations on the television that cause him to make decisionsthat will change the course of his life, or maybe not.

Yönetmen / Director: Federico SchmuclerSenaryo / Screenwriter: Lucas Damino, Sebastián MenegazKurgu / Editor: Federico SchmucherMüzik / Music: Federico SchmucherSes / Sound: Ivan Ramos, Federico SchmucherSanat Yönetmeni / Art Director: Alberto CampuzanoGörüntü Yönetmeni / Director Of Photography: Maria Jose SeccoOyuncular / Cast: Ricardo Zárraga, Adriana Olvera, Gabino Rodríguez

102

Meksika / Mexico

REALITY PROGRAMIREALITY SHOW



Ana kendini bir kafesin içinde s›k›fl›p kalm›fl gibi hisseder, evlili¤i sona ermektedir.Genç ve yak›fl›kl› bir sevgilisi vard›r ama arad›¤› mutlulu¤u bulamaz.

Ana feels traped inside a cage, her marriage is withering. She has a young andhandsome lover and yet she doesn’t find the happiness she’s longing for.

Yönetmen / Director: Dariela Ludlow DeloyaSenaryo / Screenwriter: Dariela Ludlow DeloyaKurgu / Editor: Paulina del PasoMüzik / Music: Gabriel DiazmercadoSes / Sound: Gabriel DiazmercadoSanat Yönetmeni / Art Director: Marc BellverGörüntü Yönetmeni / Director Of Photography: Dariela Ludlow DeloyaOyuncular / Cast: Dolores Heredia, Agustín Torrestorija, Gabriel Casanova

103

TR3STR3S



Meksika / Mexico

Farkl› sosyal kökenlerden iki çocu¤un, Juan ve Matita’n›n aras›ndaki arkadafll›¤›nhikayesi.

A friendship story about Juan and Matita, two boys of different social.

Yönetmen / Director: Matias MeyerOyuncular / Cast: Iván Gutiérrez, Guillermo LópezDa¤›t›m / Distribution: Centro de Capacitación Cinematográfica (CCC)

104

Meksika / Mexico

YEfi‹LVERDE



Yaln›zl›kla aflk aras›nda içtenlik için bir yer var m›d›r?

In between solitude and love, is there a place for sincerity?

Yönetmen / Director: Jose Iglesias VigilSenaryo / Screenwriter: Jose Iglesias VigilKurgu / Editor: Barbara SnarskaGörüntü Yönetmeni / Director Of Photography: Michal Popiel-MachnickiOyuncular / Cast: Przemyslaw Wasilkowski, Izabela KunaÖdüller / Awards: Filadelfia-Next Frame, Huston-Bronze RemiDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1972’de ‹spanya’n›n Oviedo kentinde do¤du. Polonya Ulusal Sinema Okulu’nda yönetmenlik e¤itimiald›.

Biography: Born in Oviedo, Spain in 1972. Graduate of film direction at Polish National Film School.

105

‹K‹ ARADA B‹R DEREDEIN BETWEEN


Polonya Baflkonsoloslu¤u’nun Katk›lar›yla

Polonya / Poland

Aflk ve mutluluk arayan dört bekar insan›n portresi.

Four portraits of single people who are looking for love and happiness in life.

Yönetmen / Director: Magnus ArnesenSenaryo / Screenwriter: Magnus ArnesenKurgu / Editor: Grzegorz HabrynGörüntü Yönetmeni / Director Of Photography: Roman ChalupnikDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1981 Oslo do¤umlu. Norveç’te grafik tasar›m ve sinema e¤itimi ald›. Halen Polonya Ulusal SinemaOkulu’nda yönetmenlik okuyor.

Biography: Born in Oslo in 1981. Studied graphic design and film in Norway. Now studies film direction at PolishNational Film School.

106

Polonya / Poland

4 TEKL‹F4 PROPOSALS



Çekici ve ba¤›ms›z bir kad›n olan Krystina k›z›n› nir seçmeye götürür. Arabaylailgili beklenmedik bir sorun, uzun zamand›r görmedi¤i bir adamla karfl›laflmas›naneden olur.

Krystyna, an independent attractive woman, is taking her daughter to an audition.An unexpected problem with the car leads to a meeting with a man she hasn’t seenfor a long time.

Yönetmen / Director: Anna Kazejak DawidSenaryo / Screenwriter: Anna Kazejak DawidKurgu / Editor: Maciej PawlinskiMüzik / Music: Jacek Lachowicz, Wojciech BlazejczykGörüntü Yönetmeni / Director Of Photography: Slawomir BerganskiOyuncular / Cast: Agata Kulesza, Marlena Kazimierczak, Janusz ChabiorÖdüller / Awards: Warszawa-Lodzia Po WisleDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1979 y›l›nda Polonya’n›n Bytom kentinde do¤du. Polonya Ulusal Sinema Okulu’nda film teorisi veyönetmenlik e¤itimi ald›.

Biography: Born in 1979 in Bytom in Poland. She studied film theory and then film direction at the Polish NationalFilm School.

107

B‹RKAÇ BAS‹T SÖZA FEW SIMPLE WORDS



Polonya / Poland

Tuttu¤u futbol tak›m›na kendini adayan Tomek tüm dünyaya ultimatom verir: yatak›m› birinci ligde kalacakt›r ya da adaleti kendisi sa¤layacakt›r: birini öldürecektir.

Tomek, a devoted fan of his football team, gives the world his ultimatum: eitherhis team stays in the first league or he will mete out the justice himself – he willkill someone.

Yönetmen / Director: Wojciech KasperskiSenaryo / Screenwriter: Wojciech KasperskiKurgu / Editor: Tymoteusz WiskirskiGörüntü Yönetmeni / Director Of Photography: Michal TywoniukOyuncular / Cast: Eryk Lubos, Wojciech Zolodkowicz, Dariusz KowalskiÖdüller / Awards: Tallin-The Sleepwalkers Festival, Beijing Student Film FestivalDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Gdansk Üniversitesi’nde felsefe, Polonya Ulusal Sinema Okulu’nda yönetmenlik e¤itimi ald›.

Biography: Studied philosophy at Gdansk University and film direction at Polish National Film School.

108

Polonya / Poland

MÜLTEC‹ KENT‹THE REFUGE CITYKurmaca / Fiction, 17’Renkli / Color, 2006


Belgesel halen 2500 civar›nda insan›n göçe olarak yaflad›¤› Sar›keçililer boyundabir ailenin günlük yaflam›n› ele al›r. Bu günlük yaflam içersinde aile bireyleriningörevleri sahip olunan Yörük kültürünün de yap›s› içinde flekillenerek aile içi biruçurumu oluflturur. Bu uçurum Argudur.

This Documentary film is about the daily life of a family, who belongs to a nomadicclan of 2500 people, the Sar›keçililer. The duties of the family members are shapedby their culture, Which creates distance between the family members and the waythey relate. This relational gap is called Argu.

Yönetmen / Director: Ersen Ç›ra, ‹hsan ÖztürkSenaryo / Script: Ersen Ç›ra, ‹hsan ÖztürkKurgu / Editing: Ersen Ç›ra, ‹hsan ÖztürkMüzik / Music: Metin keman KahramanGörüntü Yönetmeni / Director Of Photography: Ersen Ç›ra, ‹hsan ÖztürkÖdüller / Awards: 15. Adana Film Festivali En ‹yi BelgeselDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Ersen Ç›ra, Eskiflehir’de do¤du. ‹lk orta ö¤renimini Eskiflehir’de tamamlad›ktan sonra AnadoluÜniversitesi Sinema Televizyon Bölümü’nde lisans e¤itimine bafllad›. 2008 y›l›nda ayn› bölümünden mezun oldu.‹hsan Öztürk, ‹zmir’de do¤du. ‹lk orta ö¤renimini ‹zmir’de tamamlad›ktan sonra Anadolu Üniversitesi SinemaTelevizyon Bölümü’nde lisans e¤itimine bafllad›. Halen ayn› bölümde e¤itimine devam etmektedir.

Biografi: Ersen Ç›ra, he was born in Turkey. He completed primary and secondary education in Eskiflehir. Hestarted studying Cinema and Television education at Anadolu University. He graduated department of cinemaand television at 2008.‹hsan Öztürk, he was born in Turkey. He completed primary and secondary education in ‹zmir. He started studyingCinema and Television education at Anadolu University. He graduated department of cinema and television at2008.

109

ARGUARGU

Belgesel / Documentary, 24’44”Renkli / Color, 2008

Türkiye / Turkey

Çukurova’da pamuk toplayan, çapa yapan, su tafl›yan, çad›rda kardefline bakançocuklar, gün içinde yaz günefli alt›nda 12 saat boyunca tarlalarda çal›flmaktad›rlar.Çocuklar çal›flmaya gittikleri bölgede içme suyu, tuvalet, banyo, elektrikimkânlar›n›n olmad›¤› çad›rlarda yaflamaktad›rlar. Film, tar›m ifllerinde çal›flan buçocuklar›n çal›flma ve yaflam koflullar›n› çocuklar›n kendi a¤z›ndan anlatmaktad›r.

Children Who brought together cotton, are to hoe, intrested their freternal at tentworks to be effected by summer sun during twelve hours at cotton field. Childrenlives in tents bare of drinking water, toilet, bathroom, electric possibility. Theirworking and life conditions is explained in film by children.

Yönetmen / Director: Kaz›m ‹lkan Kertmen, Remziye KozanSenaryo / Screenwriter: Kaz›m ‹lkan KertmenKurgu / Editor: Kaz›m ‹lkan Kertmen, Remziye KozanGörüntü Yönetmeni / Director Of Photography: Remziye KozanMüzik / Music: Kardefl Türküler (Kalan Müzik)Ödüller / Awards: 2. Alt›n Salk›m Belgesel Film Festivali üçüncülük ödülüDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Kaz›m ‹lkan Kertmen, 1974 y›l›nda ‹skenderun’da do¤du. Azerbaycan Devlet Beden Terbiyesi AkademisiBeden E¤itimi ve Spor Ö¤retmenli¤i Bölümü’nü bitirdi. “Çal›flan Çocuklar Üzerine” ilk k›sa film deneyimi.Remziye Kozan, 1982 y›l›nda Adana’da do¤du. Çukurova Üniversitesi Kimya Bölümü’nü bitirdi. 2005 y›l›nda k›safilm çal›flmalar›na bafllad›. fiuan üç k›sa filmi bulunmakta.

Biography: Kaz›m ‹lkan Kertmen, He was born in 1974 in ‹skenderun. He graduated from department of physicaleducation and games master in a Azerbaijan Physical Education Academy.Remziye Kozan, She was born in 1982 in Adana. She graduated from department of chemistry in a Çukurova

110

Türkiye / Turkey

ÇALIfiAN ÇOCUKLAR ÜZER‹NEON WORKING CHILDREN


Mersin’de denizden “kurtçuk” ç›kartarak geçimini sa¤layanlar›n öyküsü. Sabah›nilk saatlerinde denize bellerine kadar dalarak denizin alt›n› kürekle kaz›yarak kurtç›kart›rlar. Amatör bal›kç›lara oltalar› için bu kurtlar› satarak geçimlerini sa¤larlar.

This is the story of people in Mersin who earn their living by extracting wormsfrom the sea. Early in the morning. They get in the water and extract worms bydigging the bottom of the sea with paddles. They sell these worms to amateurfishman in order to earn their lives.

Yönetmen / Director: ‹brahim Yozo¤luSenaryo / Screenwriter: ‹brahim Yozo¤luKurgu / Editor: ‹brahim Yozo¤luSes / Sound: Erol UysalGörüntü Yönetmeni / Director Of Photography: ‹brahim Yozo¤luDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1983 y›l›nda Konya’da do¤du. 2004 y›l›nda Mersin Üniversitesi ‹letiflim Fakültesi Radyo, Sinema veTelevizyon Bölümünü kazand›. E¤itimine devam etmektedir.

Biography: He was born in Konya in 1983. He attended to Mersin Univercity, Faculty of Communication, Radio,Cinema and Television. He is stil continuing his aducation.

111

EKMEK DEN‹Z‹N D‹B‹NDEEARNING A LIFE FROM THE SEA

Belgesel / Documentary, 11’ 45”Renkli / Color, 2008

Türkiye / Turkey

‹nsano¤lu dil’i neden keflfetti? Logos niye yitti? ‹cat etti¤imiz her tür ifade biçimi,daha iyi anlaflabilmemize hizmet ediyor mu gercekten? Ya da asl›nda yaln›z bira¤›t m› yak›yoruz yitirdi¤imiz Logos’un ard›ndan? Farkl›l›klar›m›z› harmanl›yor(mu) sanat! Peki ya Sinema?

Why human being created the language? Why we missed Logos? Are all the kindsof instruments we create to express really serve the means of understanding eachother better? Or have we been lamenting after the Logos we missed? Is art fusingour differences? What about Cinema?

Yönetmen / Director: Ceren Can Ayd›nGörüntü Yönetmeni / Director Of Photography: Koray KöseYap›m / Produced By: A. Özge Do¤anDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1975 y›l›nda Gaziantep’de do¤du. 2003 y›l›nda Ankara Üniversitesi ‹letiflim Fakültesi Radyo Televizyonve Sinema Bölümü’nü kazand›. 2008 y›l›nda mezun oldu.Biography: ????????????????

112

Türkiye / Turkey

ELEJ‹ELEGY


Belgesel 56 y›ld›r berbelik mesle¤ini yapan Mustafa K›rat’›n günümüz dünyas›nakarfl›t yaflam›n› ele al›r.

This Documentary film is about Mustafa K›rat’s who is working as a berbar from56 years, defiance against now a days life style.

Yönetmen / Director: Ersen Ç›raSenaryo / Screenwriter: Ersen Ç›raKurgu / Editor: Ersen Ç›raMüzik / Music: ‹ncesaz Cengiz OnuralSes / Sound: Ayla Y›ld›r›mGörüntü Yönetmeni / Director Of Photography: Ersen Ç›raÖdüller / Awards: The 3. best documentary Film at Alt›nsafran Documentary Film FestivalDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Eskiflehir’de do¤du. ‹lk ve Orta ö¤renimini Eskiflehir’de tamamlad›ktan sonra Anadolu ÜniversitesiSinema Televizyon Bölümü’nde lisans e¤itimine bafllad›. 2008 y›l›nda ayn› bölümünden mezun oldu.

Biography: He was born in Turkey. He completed primary and secondary education in Eskiflehir. He startedstudying Cinema and Television education at Anadolu University. He graduated department of cinema andtelevision at 2008.

113

Efi‹KTHE THRESHOLD

Belgesel / Documentary, 13’ 41”Renkli / Color, 2008

Türkiye / Turkey

Her sene, dünyan›nçeflitli köflelerinden, evlerinden binlerce kilometre uzaklaraçal›flmaya giden gençlerin hikayesi.

The story of the young who goes abroad to work,as many of them do do all aroudthe world. The documentary tells about the travelling of the students and thierlives in Alaska, which is another part of the world,which is thousands of milesaway from their home...

Yönetmen / Director: Erinç UlusoyKurgu / Editor: Erinç UlusoyMüzik / Music: Suede, FramelessSes / Sound: Erinç UlusoyGörüntü Yönetmeni / Director Of Photography: Erinç UlusoyOyuncular / Cast: Turgay fieviflo¤lu, Darren Pattison, Martin Palenik, Tu¤çe Taflç›, Abdullah Il›kan, SebastianBujakDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1985 Ankara do¤umlu. 2004 y›l›nda Hacettepe Üniversitesi Güzel Sanatlar Fakültesi Heykel Bölümü’negirdi. 2008’de mezun oldu. 2006 y›l›ndan bu yana yapt›¤› k›sa filmler ve belgeseller çeflitli festivallerde gösterimald›. 2006 y›l›nda yaz›p yönetti¤i reklam filmi ile Philips reklam filmi yar›flmas›nda birincilik elde etti. Kurdu¤uKelleKoltukta Ba¤›ms›z Yap›m tayfas› ile çal›flmalar›na devam etmektedir.

Biography: He was born in Ankara in 1985. He attended the faculty of fine arts, department of sculpture inHacettepe University. Graduated in 2008. The short movies and documentaries, he made since 2006, was shownin various festivals. The advertisement which he has written and directed won first price from PhilipsAdvertisement Competition in 2006. KelleKoltukta Ba¤›ms›z Yap›m; the independent filmmaking crew which hefound, continues their activities.

114

Türkiye / Turkey

FISH&CHIPS “B‹R GENÇL‹K H‹KAYES‹”FISH&CHIPS “A STORY OF YOUTH”


Tarihte özellikle Mardin’in k›rsal kesiminde onlarca gezici nalbant varken, flu andayok denecek kadar az olmas› demek, bu zanaat›n yok olmas› demektir. Buna seyircikalmaman›n gerekli¤ine inan›p, küçük bir ad›m atmak bir sorumluluktur.

In history, Mardin had a lot of itinesant smith but nowadays this job is dying. Wepeople shouldnt be only watcher so we have to do something. ‹t is our responsibilty.

Yönetmen / Director: Haydar DemirtaflYönetmen Yard›mc›s› / Director Assistant: Yusuf KurtKurgu / Editor: Cenk ÖrtülüMüzik / Music: Pascal LesportSes / Sound: Ahmet ÇelikGörüntü Yönetmeni / Director Of Photography: Ahmet Bikiç

Özgeçmifl: 1984 Mardin, Ömerli do¤umlu. ‹lkokul, ortaokul ve lise dönemini Mardin de tamamlad›. Dört y›l atletizmbirinci liginde kofltu. ‹lk sinema e¤itimini BBC kanal›ndan ald›. Alt› y›l Habitat ve Gündem 21’le gönüllü çal›flt›.“2005-2006 ‹stanbul Kültür Üniversitesi Kent Film Evleri” atölyesine kat›ld›. Sanat ve tasar›m fakültesi, iletiflimtasar›m› bölümünü %100 burslu okumaya hak kazand›.

Biography: He was born in Mardin at 1984. He studied his education in Mardin till collage. He was a Professionalathletizm runner for four years. He had his first education at BBC. For six years, he was working as a voluntierat Habitat and Gündem 21. ‹n 2005 – 2006, he joint to ‹stanbul Kültür Üniversitesi Kent Film Evleri Project andhe took a chance to be student of art and desing faculty for no fee.

115

GEZ‹C‹ NALBANTITINESANT SMITH


Türkiye / Turkey

Bu projede Mersinde yaflayan Romanlar›n yaflam biçimlerini, hayata bak›fllar›n›müzikle olan s›k› ba¤lar›n› gösterip, do¤ru ya da yanl›fl bildi¤imiz yönlerini anlat›yor.Onlar› tan›mak anlamak, ortak yaflamlarda bir noktada buluflmak ad›na yap›lan birçal›flma. Temelde üç farkl› konu iflleniyor. Evleri y›k›lm›fl Roman halk›n›n içindebulundu¤u durum, müzisyen Romanlar›n müzikle olan iliflkisi ve Roman halk›n›nkendine has kültürel de¤erleri röportaj ve görüntülerle ele al›n›yor.

This Project show to us about their life style, opinions, music and somethings thatwe know true or false. This Project has made for to know them to with togethetwith them. There are three different main subjects. The situation of gypsies whosehouse has disconsolate, musician gipsies and their cultures.

Yönetmen / Director: Sinem KaraçaySenaryo / Screenwriter: Sinem KaraçayKurgu / Editor: Sinem Karaçay, Ercan AtalMüzik / Music: Farfare CiocarliaSes / Sound: Mehmet Ali GündüzGörüntü Yönetmeni / Director Of Photography: Roza YarukDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1982 y›l›nda ‹stanbul’da do¤dum. ‹lk Orta ve Lise e¤itimini ‹stanbul’da tamamlad›m. 2004 Y›l›ndaMersin Üniversitesi ‹letiflim Fakültesi Radyo Sinema ve Televizyon Bölümünü Kazand›m. 2007 y›l›nda Kanal 7’deyay›nlanan “Aman Doktor” adl› televizyon filminde reji asistanl›¤› yapt›m.

Biography: I was born in ‹stanbul in1982.I got primary and high school education in ‹stanbul.I came to Mersin in2004. Now I am studying at Radio, Television and Cinema departmant.as a third class student. I worked on a

116

Türkiye / Turkey

‹LLE DE ROMAN OLSUN!ABSOLUTELY THE ROMAN!Belgesel / Documentary, 14’33”


Amaç hem oyuncaklara hem de çocuklara yönelik oyun sektörünün günümüzdetamam›yla endüstriyelleflmesi ve çocuklar›n oyuncaklar›n›n bir metayadönüflmesine dikkat çekerek onlar›n kendi bafllar›na da yarat›c›l›klar›n› kullan›pneler yapabileceklerini göstermektir.

The purpose is to attract attention to both toys and to entire industrialization oftoys sector in today’s world, as well as to trend which regards children’s toys as acommercial merchandise and in this sense, to prove that children are capable ofmaking their own toys using their creative power all by themselves.

Yönetmen / Director: Engin Y›ld›zSenaryo / Screenwriter: Engin Y›ld›zKurgu / Editor: Dursun YükselMüzik / Music: Serhat ErsözGörüntü Yönetmeni / Director Of Photography: Erdo¤an Y›ld›zOyuncular / Cast: Tayfun Yasin Y›ld›z, Alper Can Y›ld›zDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Engin Y›ld›z, 1973 y›l›nda Artvin Hopa’da do¤du. ‹lk, orta ve lise ö¤renimini Artvin’de tamamlayanY›ld›z 1997 y›l›nda Marmara Üniversitesi ‹letiflim Fakültesi; Radyo TV ve Sinema Bölümü’nü bitirdi. Daha sonraayn› üniversitenin Sosyal Bilimler Enstitüsün’den “1980’den Günümüze Türk Sinemas›’nda Gecekondular›nSunumu” adl› çal›flmas›yla 2004 y›l›nda mezun oldu. Bu çal›flma 2008 y›l›nda Hayalet yay›nlar› taraf›ndan“Gecekondu Sinemas›” ad›yla kitaplaflt›r›ld›. Engin Y›ld›z ayn› zamanda TRT ‹stanbul Radyosuyla Bafllad›¤›televizyonculuk hayat›nda Objektif Haber Program›, 9. kanal, Cine5 ve Expochannel’da görev ald›. 1999-2003y›llar› aras›nda CNNTÜRK televizyonu haber merkezi, 32. gün, 5n1k programlar› ve birçok belgesel projesindekurgucu olarak görev yapt›. Y›ld›z halen 5n1k program› ve “Ordayd›m” belgeselinin yönetmenli¤ini sürdürüyor.

117

OYUNCA⁄IMI ‹NEKLER YEMES‹NDON’T LET COWS EAT MY TOY


Türkiye / Turkey

Birçokfarkl› kültürde görülen irmik helvas›, Anadolu topraklar›nda yaflam›flkültürlerde özellikle, cenazenin ard›ndan yas› paylaflmak amaçl› yap›l›r. Sofran›zfien Olsun kitab›n›n yazar› Takuhi Tovmasyan, bir yandan helva kavururken biryandan da yüzünü hiç görmedi¤i Mardik amcas›n›n öyküsünü anlat›yor.

Semolina halva, which has been seen in many different cultures is made especiallyfor sharing the mourning after a funeral in Anatolian cultures. The author of thebook Cheer your table, Takuhi Tovmasyan tells the story of her Uncle Mardikwhom she never saw, while cooking this well known dessert.

Yönetmen / Director: Ezgi KaplanYönetmen Yard›mc›s› / Director of Asistant: Dilek Ayd›nSenaryo / Screenwriter: Ezgi KaplanKurgu / Editor: Ezgi KaplanSes / Sound: Ezgi Kaplan, Tamer GirayGörüntü Yönetmeni / Director Of Photography: Ezgi Kaplan, Tamer GirayDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1981 y›l›nda ‹stanbul’da do¤du. Bilgi üniversitesi sinema&tv master ö¤rencisidir.

Biography: Ezgi Kaplan (‹stanbul, 1981) lives in ‹stanbul. She is an MA student at ‹stanbul Bilgi University FilmDepartment.

118

Türkiye / Turkey

‹RM‹K HELVASISEMOLINA HALVA


Devletlerin güvenli¤i özgürlü¤e tercih etmeleri nedeniyle, insan haklar›savunuculu¤u bireylere, halklara ve stk’lara kalm›flt›r.

Public and Civil Society Organizations assume of advocating of human rights.Because government prefers security to freedom.

Yönetmen / Director: Arma¤an Pekkaya, Umut KolGenel Koordinatör / General Coordinator: Ülkü ÖzenGörüntü Yönetmeni / Director Of Photography:Yap›mc› / Producer: Arma¤an PekkayaYap›m / Produced By: Türkiye ‹nsan Haklar› Vakf›Da¤›t›m / Distribution: [email protected], [email protected]

Özgeçmifl: 1980 y›l›nda Ankara’da do¤du. Ankara Üniversitesi ‹letiflim Fakültesi, Radyo-Tv ve Sinema Bölümü’ndelisans ö¤renimi gördü. Filmleri ulusal ve uluslararas› festivallerde gösterildi ve çeflitli ödüller ald›. Halen TürkK›z›lay› medya bürosunda prodüktör olarak çal›flan Arma¤an Pekkaya ba¤›ms›z olarak k›sa film ve belgeselçal›flmalar›n› sürdürmektedir.

Biography: Was born in Ankara in 1980. Graduated from Ankara University Communication Faculty, Film Radio-Tv Department. Worked on many independent Projects. His film projects showed in many festival and god variousawards. Stil working on his own short films and documentaries.

119

‹fiKENCEYE SIFIR TOLERANSZERO TOLERANCE TO TORTURE


Türkiye / Turkey

Savafl da bir oyun mudur? “Düzen” kurulduktan sonra yurdundan edilenler buoyunun bir parças› m›d›r? “Bu mübadillerin vatan› neresidir? Niçin burada Rum,orada Türk’türler?” Peki ac›lar ne kadar gerçektir? Bir oyun gibi gelip geçer mi?Yoksa y›llar sonra baflka bir “oyun” sahneye konulurken yaran›n hala kanad›¤› m›fark edilir? O yara hiç iyileflmeyecek biliyor musun, her oyunda can›m›z daha çokyanacak.

Is war a play too? When everything is ‘settled down’, are people who were obligedto leave their countries part of this play? ‘Where is the country of these people?Why are they Greek here and Turkish there?’. What about pains? How much arethey real? Do they pass like a game? After many years, when another ‘play’ is staged,can we realise that the wound is still bleeding? That wound won’t heal anymore,you know? We will be hurt in every play more and more.

Yönetmen / Director: Özge Do¤anKurgu / Editor: Koray KöseGörüntü Yönetmeni / Director Of Photography: Koray KöseYap›m / Produced By: Ceren Can Ayd›nDa¤›t›m / Distribution: [email protected]

120

Türkiye / Turkey

OYUNBOZANKILLJOY


Pembe Hayat Amatör Tiyatro Toplulu¤u’nun sahnelemekte oldu¤u “Pembe Gri”isimli oyundan yola ç›karak Pembe Hayat LGBTT Dayan›flma Derne¤inin oluflumsürecini anlatan film, bir tren yolculu¤u ile bafllar. Bu tren yolculu¤u ayn› zamandatransgender bireylerin yaflamlar›na ve mücadelelerine yap›lan bir yolculuktur.

‘Pink Grey’ is a documentary film about Pink Life LGBTT Solidarity AssociationAnkara and its process of establishment. This process is traced back with the theatreplay ‘Pink Grey’ staged by Pink Life Amateur Theatre Group. Film starts with atrain trip of the theatre players, which turns out to be a voyage of transgenderindividuals lives and struggles within the community.

Yönetmen / Director: Emre Yalg›nKurgu / Editor: Emre Yalg›nMüzik / Music: Kerem UygunGörüntü Yönetmeni / Director Of Photography: Alper fienDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1978 y›l›nda Bursa’da do¤du. Üniversite lisans e¤itimini Orta Do¤u Teknik Üniversitesi, FelsefeBölümü’nde tamamlad›ktan sonra Bilkent Üniversitesi, Grafik ve Tasar›m Bölümü’nde yüksek lisas›n› ald›. Araflt›rmagörevlisi ve ö¤retim görevlisi olarak akademik kariyerini devam ettirdi. Çeflitli televizyon dizilerinde ve filmlerdeyönetmen asistanl›¤›, post-prodüksüyon sorumlusu ve kameraman olarak çal›flt›. Bir çok k›sa filmin ve belgeselinyap›mda rol ald›. Halen Ankara’da bir yap›m flirketinde çal›flmakta ve ba¤›ms›z filmler gerçeklefltirmektedir.

Biography: Emre Yalg›n was born in Bursa, 1978. Graduated from Middle East Technical University, departmentof Philosophy. He has completed his masters degree at Bilkent University, Department of Graphic Design. Hecontinued his academic career as teaching assistant and instructer. He worked in various tv serials and filmsas director assistant, post-production manager, cameraman. Also he worked in many short films anddocumentaries in different roles. Still he works ifln a production company in Ankara and produces independent

121

PEMBE GR‹PINK GREY

Belgesel / Documentary, 27’30”Renkli / Color, 2007-2008

Türkiye / Turkey

Bursa’›n Mudanya ilçesinde yaflayan bal›kç›lar, zamanla deniz kirlili¤inin artmas›ve bilinçsiz avlanma ile birlikte art›k geçim kaynaklar› olan bal›klar› kaybetmektedir.Kimisi inatla bal›kç›l›¤a devam ederken kimisi yeni ifller yaparak geçiminisa¤lamaktad›r. Gelecek bu insanlar›n onünde bir sis gibi belirsizdir.

Fishermen, they live in Mudanya in Bursa. They were losing their mainstay for seapollution and unconscious hunting. Therefore they are migrating to land life andthey working new job. Somebody continue fishing but somebody leaving fishingand start new job, future is unclear for them as like fog.

Yönetmen / Director: Oktay AltunnarSenaryo / Screenwriter: Oktay AltunnarKurgu / Editor: Eral GüvenirMüzik / Music: Silvia Nakkach, Peter BuffetGörüntü Yönetmeni / Director Of Photography: Oktay AltunnarDa¤›t›m / Distribution: Akban K›sa Film Festivali Belgesel dal› mans›yon, Alt›nsalk›m Belgesel Film Festivali KKTCMilli E¤itim ve Kültür Bakanl›¤› Özel ödülü

Özgeçmifl: Oktay Altunnar Ankara’da dogdu. ‹Ikö¤retim ve lise egitimini Ankara’da tamamladlktan sonra, 2000y›l›nda Anadolu Üniversitesi ‹letiflim Bilimleri Fakültesi Sinema ve Tv Bölümü’ne girdi ve 2006 y›l›nda mezunoldu. Ö¤renci de⁄iflim program› ile Çek Cumhuriyeti’nde, Prag Film Akademisi’nde bir dönem egitim ald›. Mezunolduktan sonra Line TV’de 1.5 sene yönetmen olarak görev yapt›. Su s›ralar belgesel film projeleri haz›rlamakta.

Biography: Oktay Altunnar was born in Ankara. He was completed first school and high school in Ankara. Afterthat, he entered the Cinema and Tv department in Communication Sciences Faculty of Anadolu University. Hegraduated that school at 2006. In this period, he was working Anadolu University Television and same periodhe was took film education in Academy of Performing Arts in Prag. After the graduated, he was working LINE

122

Türkiye / Turkey

S‹SFOG


Tinerciler çetesi gibi gösterilip toplumun kanayan bir yaras› haline gelen sokakçocuklar›na yak›ndan bir bak›fl.

A close look to the real life of street children which are shown as a gang of thinnersniffing children and became a bleeding wound of the community.

Yönetmen / Director: Timurtafl OnanKurgu / Editor: Timurtafl OnanGörüntü Yönetmeni / Director Of Photography: Yunus ‹lkinciÖdüller / Awards: Akbank 4. K›sa Film Festivali Belgesel dal› mansiyonDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Bu güne kadar yurtiçi ve yurtd›fl›nda yüzden fazla etkinli¤e kat›lan, ulusal ve uluslararas› yar›flmalardaödüller alan ve jüri üyesi olarak yer alan sanatç›, on sekiz y›ld›r turizm ve endüstri sektörlerinde profesyonelolarak çal›flmakta olup, 2000 y›l›nda FIAP (Uluslararas› Foto¤raf Federasyonu) taraf›ndan “AFIAP – FIAP Sanatç›s›”ünvan› ile ödüllendirilmifltir. Sokak çocuklar› ilk filmidir.

Biography: Until today, Timurtafl Onan has participated in more than a hundred exhibitions and won awardshome and abroad. He has been working in tourism and industry sectors as professional photographer. In 2000the FIAP (Fédération Internationale De L’art Photographique) awarded him the title of AFIAP- Artist of the FIAP.Street children is his first movie.

123

SOKAK ÇOCUKLARISTREET CHILDREN


Türkiye / Turkey

Bir gün gökten bir çocuk düfler ve onu bir aile evlat edinir. Ailece çok güzelgeçirdikleri günlerden sonra çocukta baz› tuhaf davran›fllar belirir.

One day a kid falls from the sky and than a family adopts him. After many beautifuldays spent together some strange behaviours occur from the child.

Yönetmen / Director: Ayce KartalSenaryo / Screenwriter: Ayce KartalKurgu / Editor: Ayce KartalMüzik / Music: Pyotr Ilyich TchaikovskySes / Sound: Ayce KartalGörüntü Yönetmeni / Director Of Photography: Ayce KartalCanland›rma / Animation: Ayce KartalÖdüller / Awards: SONY BMG K›sa Film Festivali “En ‹yi Animasyon” ödülü; KCUO Film Festivali “En ‹yi Animasyon”ödülü; KCUO Film Festivali Animasyon Kategorisi ”En ‹yi Yönetmen” ödülü; 18. Ankara Uluslararas› Film Fetivali“En ‹yi Animasyon” ödülüDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 2000 y›l›nda Eskiflehir Anadolu Üniversitesi Güzel Sanatlar Fakültesi Animasyon Bölümü’nden mezunolan Ayce Kartal 2000-2004 y›llar› aras›nda ayn› fakültede Araflt›rma Görevlisi olarak akademik kariyerinebafllam›flt›r. 2004-2006 y›llar› aras›nda Sydney, Australia NSW Faculty of Fine Arts Time Based Art ContemporaryFim Making Bölümünde Doktora Ön haz›rl›k Program›n› tamamlam›flt›r. 1998 y›l›ndan bu yana ulusal ve uluslararas›bir çok ödül kazanm›fl olan sanatç› hareketli görsel ve plastik sanatlar alan›nda çal›flmalar›n› devam ettirmektedir.

Biography: Ayce Kartal was born in 1977 Turkey and graduated from Anadolu University Fine Arts FacultyAnimation Department in 2000. After the graduation artist started to work as a Reseach Assistant in the samedepartment. In 2006 Ayce Kartal graduated from NSW Time Based Art, Contemporary Film and Digital Arts Pre-PHD Programme in Sydney, Australia. Artist has worked as a Creative and an Art Director in different countries.Kartal has won several awards from national and international competitions and working on films, visual andplastic arts.

124

Türkiye / Turkey

BRAINLESSBRAINLESS


Nedensiz al›flkanlar›nlar›n inada dönüflmesi.

The transformation of causeless habits into taboos.

Yönetmen / Director: Özlem Ak›nSenaryo / Screenwriter: Özlem Ak›nKurgu / Editor: Özlem Ak›nSes / Sound: O¤uzcan fiehiralt›Görüntü Yönetmeni / Director Of Photography: Özlem Ak›nCanland›rma / Animation: Özlem Ak›nDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1986 Adana do¤umlu, Bilgi Üniversitesi Sinema-Tv mezunu. E¤itimine Çek Cumhuriyeti’ndeki FilmSchool Zlin’in animasyon bölümünde devam edecek.

Biography: Born in Adana, 1986. Graduated from Istanbul Bilgi University Film and Television department. Willcontinue her eduation at animation depatment of Film School Zlin, Czech Republic.

125

GEMEINSCHAFTGEMEINSCHAFT


Türkiye / Turkey

Bir günlük flehir hayat›.

City life in a day.

Yönetmen / Director: Ayce KartalSenaryo / Screenwriter: Ayce KartalKurgu / Editor: Francisco BoderaMüzik / Music: Kolija JackerSes / Sound: Kolija JackerGörüntü Yönetmeni / Director Of Photography: Yan KusshamCanland›rma / Animation: Mustafa Kemal Ölmez, Can Talat Uzan›r, Pembe Solmaz, Sinan KocaustaDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 2000 y›l›nda Eskiflehir Anadolu Üniversitesi Güzel Sanatlar Fakültesi Animasyon Bölümü’nden mezunolan Ayce Kartal 2000-2004 y›llar› aras›nda ayn› fakültede Araflt›rma Görevlisi olarak akademik kariyerinebafllam›flt›r. 2004-2006 y›llar› aras›nda Sydney, Australia NSW Faculty of Fine Arts Time Based Art ContemporaryFim Making Bölümünde Doktora Ön haz›rl›k Program›n› tamamlam›flt›r. 1998 y›l›ndan bu yana ulusal ve uluslararas›bir çok ödül kazanm›fl olan sanatç› hareketli görsel ve plastik sanatlar alan›nda çal›flmalar›n› devam ettirmektedir.


126

Türkiye / Turkey

KLON‹STANCLONEOPOLIS


Yefliladam Bayram’›n mavi gizemli bir cisimle karfl›lafl›r ve macera bafllar...

One day Bayram the Greenguy sees a strange blue object on the road and his storybegins...

Yönetmen / Director: Yi¤it KocagözSenaryo / Screenwriter: Yi¤it KocagözKurgu / Editor: Orkan BayramMüzik / Music: Sami DönmezSes / Sound: Berker EsmerGörüntü Yönetmeni / Director Of Photography: Orkan BayramCanland›rma / Animation: Mehtap YücelDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1987 y›l›nda ‹stanbul’da do¤du. Çeflitli k›sa film çal›flmalar›nda bulundu. Bo¤aziçi Üniversitesi MolekülerBiyoloji ve Genetik Bölümü’nde e¤itimini sürdürüyor.

Biography: Born in 1987, in ‹stanbul. He participated in various short-film activities. He is student in Bo¤aziçiUniversity, Molecular Biology and Genetics Department.

127

PEfi‹NDEPURSUIT


Türkiye / Turkey

Bir orman evinde yaflayan, yak›n bir zamanda eflini kaybetmifl, yaln›z ve yafll› biradam›n “stop-motion” tekni¤iyle anlat›lan hikayesidir “tavflan! tavflan!”.Yaln›zl›¤›n›n bir haks›zl›k oldu¤unu düflünen adam, bunun ac›s›n› ormandakitavflanlardan ç›karmak üzeredir. Ancak fark›nda olmadan yapaca¤› eski bir büyüolan “necrabbiticon” hayat›n› bir kabusa çevirecektir.

‘rabbit!rabbit!’ is the ‘stop-motion’ story of a lonely old man, who has recentlylost his wife and is living in a forest cabin. Thinking his loneliness is an unfair trickof fate, he loses control on his anger, starts hunting rabbits. However, heunknowingly casts an ancient spell ‘necrabbiticon’ which will turn his life into atotal nightmare.

Yönetmen / Director: Burak Niyazi Kurt, Münire BozdemirSenaryo / Screenwriter: Burak Niyazi Kurt, Münire BozdemirKurgu / Editor: Burak Niyazi Kurt, Münire BozdemirMüzik / Music: Mine SunkarSes / Sound: Burak Niyazi Kurt, Münire BozdemirGörüntü Yönetmeni / Director Of Photography: Burak Niyazi Kurt, Münire BozdemirCanland›rma / Animation: Burak Niyazi Kurt, Münire BozdemirDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Bo¤aziçi Üniversitesi’nde tan›fl›p birlikte k›sa film projeleri üretmeye bafllayan Burak ve Münire fluan Sabanc› Üniversitesi’nde biri görsel sanatlar di¤eri kültürel çal›flmalar bölümünde olmak üzere burslu olarakyüksek lisanslar›n› yapmaktad›rlar.

Biography: Burak and Münire were born in 1984. They started writing, making short films and animations togetherafter having met in Bo¤aziçi University. At the moment they are studying to get their master’s degree in SabanciUniversity in the departments of Visual Arts and Visual Communication Design (Burak) and Cultural Studies

128

Türkiye / Turkey

TAVfiAN! TAVfiAN!RABBIT! RABBIT!


Yafll› bir çiftin sihirli bir ›fl›¤› ‹sa zannetmesi üzerine dünyada yaflanan ç›lg›n olaylar.

An interesting event surronds the globe because of a magical light which wasmisunderstood by an old couple as the landing of Jesus.

Yönetmen / Director: Ayce KartalSenaryo / Screenwriter: Ayce KartalKurgu / Editor: Ayce KartalMüzik / Music: Ayce Kartal, Murat YasinSes / Sound: Ayce KartalGörüntü Yönetmeni / Director Of Photography: Ayce KartalCanland›rma / Animation: Ayce KartalÖdüller / Awards: 14. Adana Alt›n Koza Film Festivali “En ‹yi Animasyon” ödülüDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 2000 y›l›nda Eskiflehir Anadolu Üniversitesi Güzel Sanatlar Fakültesi Animasyon Bölümü’nden mezunolan Ayce Kartal, 2000-2004 y›llar› aras›nda ayn› fakültede Araflt›rma Görevlisi olarak akademik kariyerinebafllam›flt›r. 2004-2006 y›llar› aras›nda Sydney, Australia NSW Faculty of Fine Arts Time Based Art ContemporaryFim Making Bölümü’nde Doktora Ön Haz›rl›k Program›n› tamamlam›flt›r. 1998 y›l›ndan bu yana ulusal ve uluslararas›bir çok ödül kazanm›fl olan sanatç› hareketli görsel ve plastik sanatlar alan›nda çal›flmalar›n› devam ettirmektedir.


129

THE LANDINGTHE LANDING


Türkiye / Turkey

Lara ad›ndaki genç bir k›z›n 2 y›l süren iliflkisinin aileler taraf›ndan ö¤renilmesi veistenilmemesinin sonucunda Lara’n›n kar›fl›k bilinçalt›n›n rüyalar›na yans›mas›,gerçeklikten kaç›fl› ve bir türlü gerçekli¤e uyanamamas›, rüyalar›nda iliflkisinikurtarma iste¤iyle yan›p tutuflmas›.

The relationship of Lara is learned by the parents and is forbidden by them. As aresult of that, Lara has strange dreams, affected by her sub-conscience. She hasproblems to waking up to reality and insists on staying in her reality.

Yönetmen / Director: Melis BayraktarSenaryo / Screenwriter: Melis BayraktarKurgu / Editor: Andaç Karabeyo¤luMüzik / Music: Amon TobinSes / Sound: Ufuk ÖnenGörüntü Yönetmeni / Director Of Photography: Andaç Krabeyo¤luOyuncular / Cast: Erkan Mert Y›lmaz, Andaç Karabeyo¤lu, Övünç Taner, Melis BayraktarDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1987’de ‹stanbul’da do¤du. Bilken Üniversitesi’ni bitirdi.

Biography: Melis Bayraktar was born in ‹stanbul, 1987. She graduated from Bilkent University.

130

Türkiye / Turkey

BUTTERFLIES UNDER THE RAINBOWBUTTERFLIES UNDER THE RAINBOW

Deneysel / Experimental, 8’02”Renkli / Color, 2008

Günümüzün simyac›s›, iç dünyalar› kullanarak büyüyü ve dile ile iliflkisinin yenidenkeflfi.

A modern day alchemist re-discovers magic and its relation to language and realityvia the iner vistas of the mind.

Yönetmen / Director: Hakan H›s›mKurgu / Editor: Hakan H›s›mCanland›rma / Animation: Hakan H›s›mMüzik / Music: Talpa (with permission)Oyuncular / Cast: Hasan GümenDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Hakan H›s›m 1978 y›l›nda ‹stanbul’da do¤du. Uzun y›llar Avustralya’da yaflad›ktan sonra Türkiye’yedöndü. Genç yaflta, Magritte ve Dali gibi Gerçeküstücülerden, daha sonra ise Utku Varl›k’›n çal›flmalar›ndanetkilendi. ‹stanbul’da lise e¤itimini tamamlad›ktan sonra önce Erdinç Ünlü Atölyesinde daha sonra da SydneyAvustralya’da Southern Sydney Institute of TAFE Güzel Sanatlar Bölümünde resim e¤itimi gördü. Video Art veDeneysel Film çal›flmalar›nda, Jan Svankmajer, Quay Brothers, David Lynch ve Tim Burton gibi Stop-Motionanimatörler ve yönetmenlerden etkilenmifltir. “‹çerdekiler” adl› deneysel Filmi 25. ‹FSAK Ulusal K›sa Film veBelgesel yar›flmas›nda ön elemeyi geçip ‹stanbul 16. K›sa Film Günlerinde gösterildi. Ayn› eser 2. Y›ld›z K›sa FilmFestivalinde Özel Deneysel Ödülünü alarak “Mesih” adl› filmiyle birlikte gösterildi.

Biography: Hakan H›s›m was born in Istanbul 1978. He grew up in various countries around the world, mainlyAustralia and Turkey. At a young age he was attracted by Surreal Artists, namely Magritte and Dali, and waslater influenced by Turkish Artist Utku Varl›k. After Completion of High School in Istanbul, Turkey he StudiedFine Arts in the Southern Sydney Institute of TAFE in Sydney, Australia between 2000 – 2002. He then returnedto Istanbul to study Cinema & Television Production between 2002 – 2004. His Video Art and Experimental workis heavily influenced by Surrealist Stop-Motion animators and directors like: Jan Svankmajer, The Quay Brothers,David Lynch and Tim Burton. His Experimental short film ‘The Insiders’ passed elimination in the 25th IFSAKInternational Short Film & Documentary Festival and received second place in the Experimental Short Filmcategory. Insiders was screened in the Istanbul 16th Short Film Days. ‘The Insiders also won the SpecialExperimental Prize in the 2nd Y›ld›z Short Film & Documentary, and was screened along with his other ExperimentalShort ‘Messiah’.

131

CONTEMPORARY ALCHEMISTCONTEMPORARY ALCHEMISTDeneysel / Experimental, 7’05”


Türkiye / Turkey

Uyan›k m›y›z yoksa de¤il miyiz.. Uyku ile uyan›kl›l›k aras›nda bir rüya filmi.

Are we awake or not.. A short film about a dream.

Yönetmen / Director: Zeynep Çamc›Senaryo / Screenwriter: Zeynep Çamc›Kurgu / Editor: Zeynep Çamc›Görüntü Yönetmeni / Director Of Photography: Zeynep Çamc›Canland›rma / Animation: fiöhret BirolDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Zeynep Çamc› 1986 y›l›nda Bodrum’da do¤du. Bu y›l ‹stanbul Üniversitesi ‹letiflim Fakültesi, Radyo TVve Sinema Bölümü’nden mezun oldu.

Biography: Zeynep Çamc› was born in 1986 in Bodrum. Currently she is graduated at the Department of RadioTV and Cinema, at the Faculty of Communication.

132

Türkiye / Turkey

DER‹N UYKUDEEP SLEEP


Frued zihni 2 bölümde inceler: Bilinç ve bilinçd›fl› olarak. Zihnin yap›salincelenmesinde id (altbenlik), ego (benlik) ve süperego (üstbenlik) kavramlar›n›gelifltirmifltir. ‹d, ruhsal ayg›t›m›z›n en eski ve ilkel parças› oldu¤u kabuledilmektedir. ‹çgüdülerimizi ve do¤ufltan var olan her fleyimizi içerir. ‹d filmiinsanl›¤›n yüzy›llar sonra bilimeyen bir zaman dilimi içerisinde robotlarla birleflmiflbir yaflam› sürdüklerini bize gösterir. Bu robotsu ve insans› hayat›n güdülerinisorgulamaya çal›fl›r. Üstbenliklerin ve egonun unutuldu¤u bu dünyada insans› verobotsu bu organizmalar›n alt kimlik ve basit yaflam özellikleri sembollefltirilerekanlat›lm›flt›r. ‹ç güdülerimiz do¤umdan bu yana yan›m›zda tafl›d›¤›m›z vazgeçilemezvaroluflumuzdur.

Freud analyses mind in two parts: consciousness and unconsciosness. In hisstructural analyze of the mind, he developed concepts of id, ego and superego. Itis accepted that id is our oldest and most primitive part of our spiritual device. Itincludes our insticts and everything natural born. The movie "id" shows usmankind’s incorporated life with robots centruies later in a distant and unknownfuture.

Yönetmen / Director: Simge GökbayrakSenaryo / Screenwriter: Simge Gökbayrak, Tunca Subafl›Kurgu / Editor: Ayhan ÇetinerMüzik / Music: Utku Y›ld›r›mSes / Sound: Cem GönençGörüntü Yönetmeni / Director Of Photography: Cüneyt DenizerOyuncular / Cast: Guido Casaretto, Ad›han fientürk, Selin Sezgin, M. Hakk› Ton¤, Özgür Ceylaner, Yasemin Erez,Nigar Oya Demirsöz, Bar›fl ‹lkhan, Kübra Do¤an, Tolga Subafl›, Y›ld›r›m Alp Alanbay, Ülgen KoruDa¤›t›m / Distribution: [email protected]

133

IDID


Türkiye / Turkey

Bilinmezlik üzerine bir deneme.

An experiment about obscurity.

Yönetmen / Director: Ulafl Günefl KacargilSenaryo / Screenwriter: Ulafl Günefl KacargilKurgu / Editor: Ulafl Günefl KacargilMüzik / Music: Ulafl Günefl KacargilDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1982 y›l›nda ‹zmir’de do¤du. Lisede Antalya Anadolu Güzel Sanatlar Lisesi, Müzik Bölümü’nde, klasikgitar ana dal›nda e¤itim ald›. Y›ld›z Teknik Üniversitesi, Sanat ve Tasar›m Fakültesi, Müzik ve Sahne Sanatlar›Bölümü, Duysal (Ses) Tasar›m› Program›, Kompozisyon Ana dal›ndan 2007 y›l›nda mezun oldu. Halen ‹stanbulBilgi Üniversitesi, Sinema Televizyon Yüksek Lisans Program›nda e¤itim görmektedir. Çeflitli k›sa filmlere vevideolara müzik yapm›fl, özellikle kurmaca olmak üzere çeflitli k›sa metrajl› filmler çekmifltir.

Biography: Ulafl Günefl Kacargil was born in 1982 in ‹zmir. He studied western classical music and classical guitarin Antalya Anatolian High School of Fine Arts. He studied western classical music composition in Y›ld›z TechnicalUniversity, Art Design Faculty, Department of Music and Performing Arts, Audio Design Program. He graduatedfrom university in 2007 and still studying master in ‹stanbul Bilgi University, Film and Television Program. Hemade various short film musics and short films, especially fiction.

134

Türkiye / Turkey

IGNOTUSIGNOTUS


Ay bazen kaçar.

Sometimes moon escapes.

Yönetmen / Director: Ulafl Günefl KacargilSenaryo / Screenwriter: Ulafl Günefl KacargilKurgu / Editor: Ulafl Günefl KacargilDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1982 y›l›nda ‹zmir’de do¤du. Lisede Antalya Anadolu Güzel Sanatlar Lisesi, Müzik Bölümü’nde, klasikgitar ana dal›nda e¤itim ald›. Y›ld›z Teknik Üniversitesi, Sanat ve Tasar›m Fakültesi, Müzik ve Sahne Sanatlar›Bölümü, Duysal (Ses) Tasar›m› Program›, Kompozisyon Ana dal›ndan 2007 y›l›nda mezun oldu. Halen ‹stanbulBilgi Üniversitesi, Sinema Televizyon Yüksek Lisans Program›nda e¤itim görmektedir. Çeflitli k›sa filmlere vevideolara müzik yapm›fl, özellikle kurmaca olmak üzere çeflitli k›sa metrajl› filmler çekmifltir.

Biography: Ulafl Günefl Kacargil was born in 1982 in ‹zmir. He studied western classical music and classical guitarin Antalya Anatolian High School of Fine Arts. He studied western classical music composition in Y›ld›z TechnicalUniversity, Art Design Faculty, Department of Music and Performing Arts, Audio Design Program. He graduatedfrom university in 2007 and still studying master in ‹stanbul Bilgi University, Film and Television Program. Hemade various short film musics and short films, especially fiction.

135

LUXLUX


Türkiye / Turkey

New York’un uykulu hali.

Sleepy New York.

Yönetmen / Director: Cafer GebetaflSenaryo / Screenwriter: Cafer GebetaflKurgu / Editor: Ozan DemirGörüntü Yönetmeni / Director Of Photography: Cafer GebetaflDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1976 Sivas do¤umlu olan Cafer Gebetas, Marmara Üniversitesi Güzel Sanatlar Enstitüsü Sinema-TVBölümü ö¤rencisidir.

Biography: Cafer Gebetafl,born in 1976 in Sivas,Turkey is a student in Marmara University Fine Arts InstituteCinema-TV Department.

136

Türkiye / Turkey

UYKUTHE SLEEP


Film, insano¤lunun en zararl› ve en zarars›z oldu¤u anlar›nda, sembolik olarakuyku ve uyan›kl›k süreçlerinde, yaflad›¤› evrene ve insanl›¤a verdi¤i tahribat› anlat›r.Tüm insanl›¤› sembolize eden karakterin, kendisinin neden oldu¤u savafl, ölüm,açl›k, do¤a tahribat› gibi olaylar karfl›s›nda yaflad›¤› travmalar› ve k›s›r döngüyügözler önüne sermektedir.

The film tells the destruction of human being, in the most harmfull and the mostharmless moments of him during asleep and awake processes as symbolic that heharms to environment and humanity. Also it shows traumas and vicious circlethat the character lives who symbolize all of the humanity, at the end of the eventssuch as death, war, famine and destruction of nature he causes.

Yönetmen / Director: Veysel ÇelikSenaryo / Screenwriter: Veysel ÇelikKurgu / Editor: Veysel ÇelikMüzik / Music: Kubilay TokSes / Sound: Kubilay TokGörüntü Yönetmeni / Director Of Photography: Veysel ÇelikOyuncular / Cast: Halit Sermisakç›Da¤›t›m / Distribution: [email protected]

Özgeçmifl: 1984 y›l›, Batman do¤umlu. Orta ö¤retim ve lise e¤itimini Batman’da tamamlad›. 2002 y›l›nda YeditepeÜniversitesi Plastik Sanatlar Bölümü’nde 1 y›ll›k e¤itimin ard›ndan, 2003 y›l›nda Do¤u Akdeniz Üniversitesi Halkla‹liflkiler ve Reklamc›l›k Bölümü’ne geçifl yapt›. 2005 y›l›nda Marmara Üniversitesi Atatürk E¤itim Fakültesi Resim-‹fl E¤itimi Bölümü’nü kazand›. fiu anda hala ayn› okulda 4. s›n›f Foto¤raf Ana Sanat Dal› ö¤rencisi olarak e¤itiminedevam etmektedir.

Biography: Was born on 1985 Batman. He finished primary school and high school at Batman. On 2002, heattended Yeditepe university plastic arts department for a year, then he passed to East Mediterrian university;People Relationship and Advertiorsial department. On 2005, he started to study at Marmara Universtity AtatürkEducation Faculty Picture-Work education Department.He is stil at the same department’s 4th class Photograph

137

UYUYAN GÜNAH DA ‹fiLEMEZONE WHO SLEEPS DOES NOT SIN


Türkiye / Turkey

Ali 6 y›l hapis yatar. Kardesinin dü¤ününe gitmek icin hapishaneden bir gunluguneizinli ç›kar. Ama ailesinden kimse bu ziyarete sevinmez.

Ali wants to talk to his father about the past. But his sin has separated him fromhis family with no return. A story about guilt, atonement und the pain coursed byan irreversible act.

Yönetmen / Director: Hakan Savas MicanSenaryo / Screenwriter: Max Honert, Hakan Savas MicanKurgu / Editor: Hakan Savas MicanMüzik / Music: Daria MarshininaSes / Sound: Matthias Maier, Suzanne Kaupp, Franziska LehmannGörüntü Yönetmeni / Director Of Photography: Sebastian LempeOyuncular / Cast: Tamer Yigit, Murat Seven, Sema Poyraz, Erden Alkan, Nilam Farooq, Burak YigitDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Hakan Savafl Mican Karadeniz göçmeni bir iflçi ailesinin o¤lu olarak 1978 y›l›nda Berlin’de do¤du.‹lkokulu Giresun’da, liseyi Ankara’da okudu. Berlin’de mimarl›k e¤itimini tamamlad›¤› 2004 y›l›nda Alman FilmTelevizyon Akademisi’nde yönetmenlik e¤itimine bafllad›. Daha önce farkl› festivallerde gösterilen ve NürnbergFilm Festivali’nde en iyi k›sa film ödülünü alan Fremd yönetmenin ilk filmi.

Biography: Born in 1978 in Berlin as a son of Turkish immigrants, grown up at grandmas house in Turkey, 1995graduation in Ankara, 1997 moved to Berlin for an architecture college, during the college-time Hakan shot alot of experimental short films, 2004 architecture degree, since 2004 student of German Film- and TelevisionAcademy Berlin.

138

Türkiye / Turkey

ADEM’‹N O⁄LUADEM’S SON


8 yafl›nda bir k›z›n televizyonda izledi¤i filmden etkilenerek, kendi hayat›na sonvermesi. Televizyonda izledi¤i bu olay›n çocuklar taraf›ndan bir oyun gibialg›lanmas› üzerine bir k›sa film. Çocuklarda, televizyondaki günlük hayat gibitan›t›lan gerçeklikle, kendi yaflamlar›ndaki gerçekli¤in bir birine geçmesi üzerine,gerçek bir olaydan uyarlanm›fl bir hikayedir.

An eight year old girl kills herself after watching a film on TV. This is a short filmon how an event on TV is perceived as a game by children watching it. The film isbased on a true story and depicts how two perceptions of reality in childreninterferes with each other; the reality presented on TV as everyday life’s realityand the reality of their own real lives.

Yönetmen / Director: Ersin GökSenaryo / Screenwriter: Ersin Gök, Ufuk Çalk›nKurgu / Editor: Emrah KarakurumMüzik / Music: John CageSes / Sound: Ersin GökGörüntü Yönetmeni / Director Of Photography: Ersin GökOyuncular / Cast: Fatma Akda¤, Eren Murat, Nazl›can Yak›nDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1980 ‹stanbul do¤umlu. ‹lk orta ve lise e¤itmini Çorlu’da tamamlad›. fiu an Dokuz Eylül ÜniviversitesiGüzel Sanatlar Fakültesi Foto¤raf Bölümü’nde e¤itimine devam ediyor. ‹zmir’de yafl›yor.

Biography: Ersin Gök was born in ‹stanbul in 1980. He completed primary and secondary education in Çorlu. Hehas been studying photography for three years at the Faculty of Fine Arts, Dokuz Eylül University, ‹zmir. He

139

MELEKANGEL


Türkiye / Turkey

Bir asansör. Birbirini tan›mayan, (ayn› dili bile konuflamayan) dört insan. Dörtdakika.

In an elevator. Four people. they dont know each other. they dont even know eachother’s languages. but they share something. The thing which connects them.

Yönetmen / Director: Özgür ÖnurmeSenaryo / Screenwriter: Özgür Önurme, Erinç UlusoyKurgu / Editor: Erinç Ulusoy, Serkan SökmenMüzik / Music: Oliver GrönewaldSes / Sound: Ersan Tu¤ran, Jason OmerGörüntü Yönetmeni / Director Of Photography: Özgür ÖnurmeOyuncular / Cast: Mohammed Ahmed, Kaan Ekim, Emmanuel Mens, Mareike OttrandDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1985 Sinop. 2004 Gazi Üniversitesi Makine Resim ve Konstüriksiyon Bölümü’ne girdi. Bir sene okudu.2005 Hacettepe Üniversitesi Güzel Sanatlar Fakültesi’ne girdi. Plastik sanatlar ve k›sa filmlerle çeflitli festivallerdeyer ald›. Halen Hacettepe Üniversitesi Güzel Sanatlar Fakültesi’nde okumakta, Antalya’da ikamet etmektedir.

Biography: 1985 Sinop. In 2004, he attented Department of Machine Design and Construction in Gazi University,and studied there for one year.In the same year, he had a part in Ankara Ça¤dafl Sahne. He took part in variousfestivals with both visual arts and movies.He still studies in Hacettepe University Faculty of Fine Arts Departmentof Sculpture.

140

Türkiye / Turkey

ASANSÖRTHE ELEVATOR


Ses tak›nt›s› olan birinin hayat›... Bir insan›n; ritmik seslerin aniden kesilmesineverdi¤i tepkinin hayat›nda yol açt›¤› de¤iflmeler anlat›lmaktad›r.

The life of a person who has a sound obsession... This film tells about someinconvenient situations due to his obsession through his life...

Yönetmen / Director: Özlem GülhanSenaryo / Screenwriter: Özlem GülhanKurgu / Editor: Özlem GülhanGörüntü Yönetmeni / Director Of Photography: Özlem GülhanOyuncular / Cast: Serkan T›nmaz, Ceren Yalazo¤lu, ‹lker AlemdarDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1983 y›l›nda Ankara’da do¤dum. ‹lk ve orta ö¤renimimi Ankara’da tamamlad›ktan sonra lisans ö¤renimiiçin Çanakkale On sekiz Mart Üniversitesi Sinema ve Televizyon Bölümü’ne bafllad›m ve mezun oldum. Bu benimkurmaca dal›nda ikinci k›sa filmim. 2006 yaz›nda okul taraf›ndan Leonardo DA vinci bursu kapsam›nda 92 günsüreyle ‹spanya’da staj yapt›m. 2007 yaz›nda da 25 gün süreyle TRT Ankara Televizyonun da staj yapt›m.

Biography: I was born in Ankara, in 1983. I was graduated from high school in Ankara. I am a senior student inÇanakkale 18 Mart University, Cinema and Television Department. Full Mouth Shout is my second short film. Iattended Leonardo da Vinci internship for television in Spain in summer of 2006. I also worked as an intern inTRT (Turkish Radio Television Company) in summer 2007.

141

AVAZIMIN ÇIKTI⁄IFULL MOUTH SHOUTKurmaca / Fiction, 11’45”


Türkiye / Turkey

Bu cennetten kovulan bir adam›n hikayesidir. Cennetten kovulan ve kovulduktansonra kendi cennetini kuran bir adam›n hikayesi. Babam›n hikayesidir. Hüzünlüve sessiz bir köyde tek bafl›na yaflar. Sabahlar› önce çiçekleri sular. Sonra serçelerinibesler. Baz›lar› yaflarken ölüdür, baz›lar› ölünce dirilirler. En büyük keyfimezarl›klar›n yan›na uzan›p elma yemektir. Ölü olmak ya da yaflamak onun içinhiçbir fleydir. O di¤erlerinin ölü sand›¤› bir “Diri”dir. Kendi cennetindedir.

This is a story of a man who has been expelled from paradise. A man who constructshis own paradise. This is my father’s story. He lives in a lonely and sad village. Hewaters flowers first in the morning. Then feeds birds. Some people are dead whenthey live. Some begin to live when they die. His favourite thing to do is to eat applelying next to graves. Being dead or being alive is not important for him. He is aliving man whom others think that he is dead.

Yönetmen / Director: Cenk ErtürkSenaryo / Screenwriter: Cenk ErtürkKurgu / Editor: fievki Tuna ErtürkSes / Sound: Cenk ErtürkGörüntü Yönetmeni / Director Of Photography: Cenk ErtürkOyuncular / Cast: Aziz ErtürkDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1985 Sivas do¤umlu. Bo¤aziçi Üniversitesi ‹ktisat Bölümü’nden yeni mezun oldu.

Biography: He was born in Sivas in 1985. He has just graduted from Bogazici University, Economics.

142

Türkiye / Turkey

BABAMIN CENNET‹NDEIN MY FATHER’S HEAVEN


Bekleyifl; Uzun ve ac› dolu bir sessizliktir...

When the fate is not on your side, waiting becomes a painful silence.

Yönetmen / Director: Emine Emel Balc›Senaryo / Screenwriter: Emine Emel Balc›Kurgu / Editor: Emine Emel Balc›Müzik / Music: Neflet ErtaflSes / Sound: Hakan DuyarGörüntü Yönetmeni / Director Of Photography: Murat TuncelOyuncular / Cast: Hayrettin Karaaslan, Bedriye KaraaslanDa¤›t›m / Distribution: [email protected], [email protected]

Özgeçmifl: 1984 do¤umlu. MSGÜ Sinema-Tv Bölümü ö¤rencisi. Yazar, yönetmen.

Biography: Born in 20.08.1984, in Turkey in Amasya. Started in the years between 2002-2003 to Mimar SinanFine Arts University Cinema-Tv Department and still student. Worked in feaure film as 1st directors assistant.

143

BEKLEY‹fiTHE WAITING


Türkiye / Turkey

Sevgi ve Selim sonu gelmez bekleyifllerden ibaret, yaln›z bir hayat sürmektedirler.Tek çocuklar› Altan da birkaç y›l önce üniversite okuma bahanesiyle yurt d›fl›nagitti¤inden beri birbirlerinden iyice uzaklaflm›fllard›r. Bir sabah Sevgi, teyzelerininziyarete gelecekleri haberiyle haz›rl›klara bafllar. Bu durum Selim’in can›n› s›kar.

Sevgi and Selim lead lonely lives comprised of endless waitings. Since Altan, theironly son, has gone abroad a couple of years ago under pretense of being at theuniversity there, they have greatly been strangers to each other. A morning, Sevgistarts to make preparations as soon as she is informed that her aunt will visit them.Selim, however, is not pleased by the present case.

Yönetmen / Director: Altan YücelSenaryo / Screenwriter: Altan YücelKurgu / Editor: Altan YücelMüzik / Music: Wolfgang Amadeus Mozart, Maurice Ravel, Domenico Scarlatti, Antonio VivaldiSes / Sound: Altan YücelGörüntü Yönetmeni / Director Of Photography: Altan YücelOyuncular / Cast: Sevgi Yücel, Selim Yücel, Altan YücelDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1984 ‹stanbul do¤umlu. 2006 y›l›nda Marmara Üniversitesi ‹letiflim Fakültesi Radyo, Televizyon veSinema Bölümü’nden mezun oldu. ‹stanbul Bilgi Üniversitesi ‹letiflim Fakültesi Sinema ve Televizyon Bölümü’ndeyüksek lisans ö¤rencisi.

Biography: e was born in ‹stanbul in 1984. He graduated from Marmara University Faculty of CommunicationDepartment of Radio, Television and Cinema in 2006. He is now a master student in ‹stanbul Bilgi University

144

Türkiye / Turkey

BEKLEY‹fiWAITING


Yank›,Mert,Ömer ve Onur üniversitede sinema okuyan dört arkadaflt›r. Bir güneve dönmek için dura¤a geldiklerinde ise k›sa-film yar›flmas›n› fark ederler.Yar›flman›n jüri baflkan›n›n Nuri Bilge Ceylan olmas›ndan dolay› onun tarz›ndabir film çekip yar›flmay› kazanmay› düflünürler. Fakat kazanmak için kendilerinegöre tek engel vard›r “ekipten kimsenin N.B.C hakk›nda bilgisi yoktur”.

Yanki, Mert, Omer and Onur are friends who study Cinema at the university. Oneday, when they walked to a bus stop, they found out about the short-movie contest.Since the head of the jury is Nuri Bilge Ceylan, they think about making the moviein his style. However, according to them, there is only one obstacle to win this;‘no one has any idea about N.B.C.’.

Yönetmen / Director: Onur BilgetaySenaryo / Screenwriter: Onur BilgetayKurgu / Editor: Mertcan KuruSes / Sound: Mert Alt›nbaflGörüntü Yönetmeni / Director Of Photography: Mert Alt›nbaflOyuncular / Cast: Ümit Mutlu, Onur Bilgetay, Bülent Bukan, Mertcan Kuru, Yank› Karaca, Ömer Genç, Ece ErdekÖdüller / Awards: Nokia Nseries K›sa Film Yar›flmas› En ‹yi 10 film; 10. Marmara Ünversitesi K›sa Film Yar›flmas›jüri özel ödülü; 2. Sinepark K›sa Film Festivali En ‹yi Senaryo

Özgeçmifl: 1985 y›l›nda ‹zmir’de do¤du. Ortaokul ve liseyi ‹zmir Özel Türk Koleji’nde bitirdikten sonra EgeÜniversitesi Radyo, Sinema-Tv Bölümün’ü kazand›. Ö¤rencilik döneminde çekti¤i k›sa film ve reklam filmleriyleçeflitli ödüller kazand›.

Biography: He was born in ‹zmir in 1985. He fulfilled elementary and middle school in ‹zmir Özel Türk College

145

B‹R NUR‹ B‹LGE CEYLAN KARES‹ ÇEKMEKTOOK‹NG A NUR‹ B‹LGE CEYLAN SHOOT


Türkiye / Turkey

Ö¤renci ile ö¤retmeni okulun bahçesinde konuflurken ö¤retmen cüzdan›n› düflürür,ancak cüzdan› düflürdü¤ünü farketmez. Ö¤renci cüzdan› yerden alarak geri vermekiçin ö¤retmenin arkas›ndan yürümeye bafllar, fakat yolun yar›s›na geldi¤inde fikrinide¤ifltirip cüzdan› çalar. Bu andan sonra ö¤renci hiç beklemedi¤i bir olaylakarfl›laflacakt›r.

While a student and a professor are having conversation in the school garden,professor drops his wallet, but he is unaware of this. Student takes the wallet andstarts to walk after tprofessor to give his wallet back. But suddenly student changeshis decision and he steals the wallet. After this time, student is going to experiencean unexpected fact.

Yönetmen / Director: Murat ‹ncedemirSenaryo / Screenwriter: Murat ‹ncedemirKurgu / Editor: Murat ‹ncedemirMüzik / Music: Friedrich HandelGörüntü Yönetmeni / Director Of Photography: Tamer GirayOyuncular / Cast: Altan Yücel, Bülent TemelDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1981 y›l›nda ‹zmir’de do¤dum. 2004 y›l›nda Hukuk Fakülresi’nden mezun olduktan sonra 2005 y›l›ndaBilgi Üniversitesi Sinema-Televizyon Yüksek Lisans program›na kaydoldum. Halen ayn› üniversitede yükseklisans yapmaktay›m.

Biography: I have borned in 1981 in ‹zmir. I graduated from Law Faculty in 2004. After i completed my probation,began Bilgi University FTV master program. At the present time i am still FTV master student in Bilgi University.

146

Türkiye / Turkey

B‹ZAT‹H‹ fiEYTHING IN ITSELF


Bu film iflgal alt›ndaki bir Bosna köyünde yaflanan gerçek bir olay› anlatmaktad›r.Genç bir anne ve bir asker ›ss›z bir yolda karfl›lafl›rlar. Tam o s›rada yak›nlardagerflekleflen bir patlaman›n etkisiyle yere düfler ve elindeki silah› da düflürür. Patlamayüzünden korkmufl olan asker, silah›n› yerde unutarak kaçmaya bafllar. Görevidevriye gezen askerleri korumak olan keskin niflanc›, askere silah›n› vermek içinarkas›ndan koflan genç annenin niyetini yanl›fl anlar.

This film is based on a true story, which was lived in a Bosnian village under militaryoccupation. A young mother and a soldier run across each other on a solitary street.The soldier falls on the ground with the impact of an explosion which happenedat the very moment, and he drops his weapon. Frightened with the explosion, thesoldier starts to escape, forgetting his weapon on the ground. The sniper whosemission is to protect the patrolling soldiers misunderstands the young motherwhose intention was to return the frightened soldier his weapon.

Yönetmen / Director: Yalç›n AtaySenaryo / Screenwriter: Yalç›n AtayKurgu / Editor: Yalç›n AtayMüzik / Music: M. Ali ZadeGörüntü Yönetmeni / Director Of Photography: Yücel ÜnlüCanland›rma / Animation: M. Ali ZadeOyuncular / Cast: Caner Yamaç, Umut Güldal, Hatice Erdo¤an, Erdinç MetinDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1943 ‹stanbul Bak›rköy do¤umlu olan ATAY, ‹stanbul Üniversitesi ‹ktisat Bölümü mezunudur. Evli veiki çocuk babas›d›r. fiubat 2007’den beri hobi olarak k›sa film yapmaktad›r.

Biography: Born in ‹stanbul, Bak›rköy in 1943, ATAY is graduated from Economy department of ‹stanbul University.He is married and father of a son and daughter. ATAY started his interest in short films as hoby in February2007.

147

BOSNA YA DA ÖYLE B‹R YER...BOSNIA OR SOMEWHERE ELSE...


Türkiye / Turkey

Fast Food kültürünün günlük hayat›m›za etkisiyle ilgili üç k›sa hikaye.

Three short stories about effects of fast food culture to our daily life.

Yönetmen / Director: Berker BerkiSenaryo / Screenwriter: Berker BerkiKurgu / Editor: Bar›fl KonbalMüzik / Music: Kev›n MooreSes / Sound: Onur Burak SabuncuGörüntü Yönetmeni / Director Of Photography: Bar›fl KonbalOyuncular / Cast: Esra Uzun, Nazl› Çelebi, Ali Suavi Eröz, Berker BerkiDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1988 y›l›nda ‹stanbul’da do¤du.Tiyatro ve sinema e¤itimi ald›. ‹stanbul Üniversitesi ‹letiflim FakültesiRadyo Televizyon Sinema Bölümü’nde e¤itimini sürdürmektedir. Pek çok k›sa film ve belgeselde görev ald›.

Biography: He was born in 1988 in ‹stanbul. He has studied about drama and cinema. He’s still studying in ‹stanbulUnivercity Communication Faculty Radio Television and Cinema department. He has worked many short filmsand documantary films.

148

Türkiye / Turkey

BURGER THINKBURGER THINK


Do¤um yapan bir kad›n›n yeni hayat›na yabanc›laflmas›, yaflad›¤› s›k›nt›lar.

The difficulties and depression a woman goes through after giving birth.

Yönetmen / Director: Burcu Aykar fiirin, Uygar fiirinSenaryo / Screenwriter: Burcu Aykar fiirin, Uygar fiirinKurgu / Editor: Osman Bayraktaro¤luSes / Sound: Orçin ‹nceo¤luGörüntü Yönetmeni / Director Of Photography: Meryem YavuzOyuncular / Cast: Gülçin Sant›rc›o¤lu, Aliye Uzunata¤an, Ekim Naz›m Kaya, Elife Metin, Senem Aytaç, fiule Demirel,Tülin ÖzenDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Burcu Aykar fiirin, 1977, ‹stanbul do¤umlu. Özel Üsküdar Amerikan K›z Lisesi ve Bo¤aziçi ÜniversitesiPsikoloji Bölümü’nden mezun olduktan sonra ‹ngiltere’de Southampton Üniversitesi’nde sinema üzerine yükseklisans yapt›. Sinema dergisinde yaz› iflleri kadrosunda yer ald›. S›r Film ile film da¤›t›mc›l›¤› yapt›. Eylül 2006 –Eylül 2008 aras›nda Total Film adl› sinema dergisinin editörlü¤ünü yapt›.Uygar fiirin, 1972’de do¤du. Galatasaray Lisesi ve Bo¤aziçi Üniversitesi ‹flletme Bölümü’nü bitirdi. Sinema yazarl›¤›na1993 y›l›nda Antrakt’da bafllad›. Sinema, DVD+ dergilerine devam etti. 1997’den bu yana reklam yazarl›¤›ylau¤rafl›yor. Tamer Baran’la birlikte yazd›¤› “Kar›fl›k Pizza” adl› senaryo 1996’da filme al›nd›. ‹lk roman› “Anne TutElimi” 2004’te, ikinci roman› “Büyük Deniz Yükseliyor” ise 2006’da yay›mland›.

Biography: Burcu Aykar fiirin graduated from in the psychology department of Bosphorus Univercity, got hermaster’s degree in film studies at the Univercity of Southampton. She worked as an editor of the film magazine‘Sinema’. She started her own company and worked as a film distributor. She was the editor in chief of TotalFilm Turkey from 2006 to September 2008.Uygar fiirin has been a film critic since 1993 and has written for ‘Antrakt’, ‘Sinema’ and ‘Film+’ and ‘DVD+’ moviemagazines. He has been working for as a copywriter since 1997, has published two novels and one film script.

149

DO⁄UMBIRTH


Türkiye / Turkey

Necef yak›nlar›ndaki bir köyde geçen bir öykü.

The story of village which grand Necef.

Yönetmen / Director: Caner ErzincanKurgu / Editor: Mehmet AtanMüzik / Music: Kayhan KalhorSes / Sound: Handan BostanDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Caner Erzincan, Selçuk Üniversitesi’nden bu y›l mezun olmufltur.

Biography: Caner Erzincan graduated from Selcuk University in this year.

150

Türkiye / Turkey

FERYATTHE LAMENTATION


Salih, hapisten ç›kar. Evden giden kar›s› Zeynep’i ve çocu¤unu bulmak için yoladüfler. Kar›s›n›n ve birlikte gitti¤i adam›n izini sürer ve onlar› ‹stanbul’un izbe birmahallesinde bulur. Adam, kad›n ve iki çocuk ile mutlu bir aile tablosu ç›karkarfl›s›na...

Salih gets out of the jail and sets off to find his child and his wife Zeynep who hadleft the house years ago with a man. He traces them and finds them in a damp anddirty quarter of ‹stanbul but what appears is a happy family picture with a man, awoman and two kids.

Yönetmen / Director: L. Rezan YeflilbaflSenaryo / Screenwriter: L. Rezan YeflilbaflKurgu / Editor: Natalin Solako¤luSes / Sound: ‹smail KaradaflGörüntü Yönetmeni / Director Of Photography: Meryem YavuzOyuncular / Cast: Yüksel Ar›c›. Nazan Kesal. Cengiz BozkurtDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1977 do¤umlu. Marmara Üniversitesi Güzel Sanatlar Fakültesi’nden bu y›l mezun oldu.

Biography: Born in 1977, graduated from Marmara University, Faculty of Fine Arts, Department of Film&Tv in2008.

151

HÜKÜMJUDGMENT


Türkiye / Turkey

“Kabil’in çocuklar›” isimli k›sa film bir ak›l hastas›n›n bunal›ma girip kar›s›n›öldürmeden önceki zihinsel bunal›m›n› öykülefltirmektedir.

The short film ‘The Children of Cain’ fictionalizes the crisis of a mentally ill manbefore he goes insane and kills his wife.

Yönetmen / Director: Ceyhun KonakSenaryo / Screenwriter: Ceyhun KonakKurgu / Editor: Ayd›n Ketena¤Müzik / Music: Gökhan K›rdarSes / Sound: Tamer SuerdemGörüntü Yönetmeni / Director Of Photography: Ayd›n Ketena¤Canland›rma / Animation: U¤ur ErbaflOyuncular / Cast: Nuri Karadeniz, Gonca Çelik, Gökhan Çolak, Fedora Tomaili, Zuhal Ergen, Ufuk Aflar, TanerBüyükarmanDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1980 y›l›nda Trabzon’da do¤du. 1999’da, Mimar Sinan Üniversitesi, Güzel Sanatlar Fakültesi, HeykelBölümü, lisans program›na girdi. Buradan 2004 y›l›nda mezun oldu. Ayn› y›l, Mimar Sinan Üniversitesi, SosyalBilimler Enstitüsü, Heykel Bölümü, yüksek lisans program›na giren Konak, buradan da, 2006 y›l›nda “Rastlant›Ve Olas›l›k Kavramlar›n›n Modern Sanat Ölçe¤inde Ele Al›n›p Yorumlanmas›” isimli tezini vererek mezun oldu.Biography: He was born in 1980 in Trabzon / Turkey. He entered the bachelor’s degree program of sculpturedepartment of the fine arts faculty, Mimar Sinan University in 1999 and graduated in 2004. In the same year, heentered the master’s degree program of sculpture department of the social science institute, Mimar SinanUniversity and graduated after submitting his thesis titled ‘the interpretation of the concepts; coincidence andpossibility in the scale of modern art.’

152

Türkiye / Turkey

KAB‹L’‹N ÇOCUKLARITHE CHILDREN OF CAINKurmaca / Fiction, 136’30”


Uzun y›llar hapiste yatm›fl Çetin, özgürlü¤üne kavuflup d›flar› ç›kt›kt›g› ilk gün,eski mahallesini ve sevdiklerini aramak üzere yola ç›kar. Fakat y›llar içinde b›rakt›g›flehir ve insan iliflkileri de¤iflmifltir. Eski yaflant›s›n›n yerini ac›mas›z bir dünyaalm›flt›r...

Çetin, who had been in prision for many years, hits the road to find his oldneighbourhood and beloved ones on the very first day of his release for freedom.But years after, the city and the relationships are no longer in the way they usedto be. His former life is replaced by a straitened world...

Yönetmen / Director: Erdem TepegözSenaryo / Screenwriter: Erdem TepegözKurgu / Editor: Erdem TepegözGörüntü Yönetmeni / Director Of Photography: Volkan KurtOyuncular / Cast: Sencar Sa¤d›ç, Cuma K›rb›y›k, Serdar Erdemir, fiahin Taner, Ezgi Sa¤d›çDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1982 Kars do¤umlu; Dokuz Eylül Üniversitesi, ‹ktisat Bölümü mezunudur. Asistan olarak bafllad›¤›sinema sektöründe, 2000 y›l›ndan itibaren belgesel ve k›sa film çekip; tan›t›m ve reklam filmleri alan›nda çal›fl›yor.

Biography: Born in 1982 Kars, Turkey. He was graduated at Dokuz Eylül University of Economy. Until 2000, hebegined as a director asistant in cinema after that take on position in many project as a director and directorof photography.

153

KAFESCAGE


Türkiye / Turkey

Kesiflen yollar farkl› hayatlar› bir araya getirir. O hayatlar ki sonra kendi yollar›nagideceklerdir. Ama hayat bir kesiflmeler zinciridir.

Crossing ways bring together different lifes. These lifes will go to their waysomehow but in the end life is a chain of crossings.

Yönetmen / Director: Hasan GündüzYönetmen Yard›mc›s› / Director of Asistant: Selahattin Budako¤luSenaryo / Screenwriter: Hasan Gündüz, Selahattin Budako¤luKurgu / Editor: Hasan Gündüz, Selahattin Budako¤luGörüntü Yönetmeni / Director Of Photography: Hasan GündüzOyuncular / Cast: Burak Tamdo¤an, fievket Kahraman, Ayfle Tülü, Hüseyin KastratYap›m / Produced By: Hasan Gündüz, Selahattin Budako¤luDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1981 y›l›nda Gaziantep’te do¤du. “La Yürümüyor” ilk k›sa filmidir. 2006 y›l›nda “Beynelmilel” adl›sinema filminde cast asistanl›¤›, “Gewok” adl› belgeselde yönetmen yard›mc›l›¤› 2007’de Türk Telekom Lig Areklam›nda yap›m asistanl›¤› yapm›fl, tekrar 2007’de “DÖNGÜ” isimli k›sa filmi çekmifltir.

Biography: He was born in Gaziantep in 1981. His first narrow film was ‘La Yürümüyor’. In 2006, he was a castassistant in a movie named ‘Beynelmilel’ and an assistant director in a documentary film named ‘Gewok’. In2007 he worked as a producer assistant for Turk Telekom Lig A advertisement.

154

Türkiye / Turkey

KES‹fiMEINTERSECTION


2029 y›l›nda yaklafl›k 2 milyar insan hayat›n› kaybeder.

In 2029, approximately 2 billion people died.

Yönetmen / Director: Enis ManazSenaryo / Screenwriter: Enis ManazKurgu / Editor: Enis ManazGörüntü Yönetmeni / Director Of Photography: Enis ManazOyuncular / Cast: Ça¤atay Kunaç, Bo¤açhan Olgun, Duygu Kasap, Hüseyin fiahin, Erkan Okalan, Ahmet Yi¤itTuncer, Özgür ErtürÖdüller / Awards: 1’den 5’e K›sa Film Yar›flmas›, Jüri Özel ÖdülüDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1986 y›l›nda Ankara’da do¤du. ‹zmir Ekonomi Üniversitesi’nde Uluslararas› ‹liflkiler okuyor. ‹lginçsenaryolar yazmay› ve de¤iflik kamera aç›lar› kullanmay› seviyor. Ayr›ca görsel efektlerle ve 3 Boyutlu animasyonlailgileniyor. Arkadafllar›n›n projelerinde görüntü yönetmeni, kurgucu olarak yer al›yor.

Biography: He was born in in 1986 in Ankara. He studies international relations at ‹zmir University of Economics.He likes writing interesting scripts and using different camera angles. He is also interested in 3D animation andvisual effects. He takes a place in projects of friends as director of photography and movie editor.

155

KONSOL 7KONSOL 7


Türkiye / Turkey

Teskeresini alm›fl evine dönen bir askerin sosyal yaflama uyum sa¤lama u¤rafl› veaskerden gitmeden önce afl›k oldu¤u k›zla buluflma hayali.

A young man just come back from soldiery and trying to orientate himself to theworld again, dreams to find a girl which he was in love before he went to nationalservice.

Yönetmen / Director: Savafl BaykalSenaryo / Screenwriter: Savafl BaykalKurgu / Editor: Savafl BaykalMüzik / Music: Taner Mustafao¤lu, Zeynep Dedeo¤lu, Savafl Baykal, Elit ÇamSes / Sound: Savafl BaykalGörüntü Yönetmeni / Director Of Photography: Savafl BaykalOyuncular / Cast: ‹brahim Arslan, Hatice Arslan, Mehmet Arslan, Kamber Arslan, Berkan Arslan, U¤ur Arslan,Ufuk Arslan, Emin Öztürk, Arif KoçDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 14.04.1978, Diyarbak›r’da do¤du. Orta ö¤retim ve Liseyi Ankara’da tamamlad›. Hacettepe ÜniversitesiGüzel Sanatlar Fakültesi Resim Bölümünü’nden mezun oldu. Almanya’n›n Dressden flehrinde (FILM und KUNST)Film ve sanat akademisinde e¤itim gördü.

Biography: Savas Baykal was born in Diyarbakir in 14.04.1978. He finished his secondary and high school educationin Ankara. He graduated from Hacettepe University Faculty of Fine Arts. He has continued his education at theAcademy of Film and Kunst (Film and Arts) in Dresden (Germany).

156

Türkiye / Turkey

KURfiUN ASKERTHE BULLET SOLDIERKurmaca / Fiction, 19’54”


MacGuffin, bir hikayenin içinde aniden beliren mekanik bir objedir... Bu filmse“hiçbir fley” hakk›nda küçük bir hikayedir...

It is the mechanical element that usually crops up in any story... And this film is alittle story about ‘nothing’ at all...

Yönetmen / Director: Murat Emir ErenSenaryo / Screenwriter: Murat Emir ErenKurgu / Editor: Çiçek KahramanSes / Sound: Emrah Y›ld›r›mGörüntü Yönetmeni / Director Of Photography: Meryem YavuzOyuncular / Cast: Aziz Kedi, Rüya Önal, Ali P›nar, Burçin Ekici, Ömer ÜstDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1982 y›l›nda ‹stanbul’da do¤du. 2002-2005 y›llar› aras›nda Vatan Gazetesi, Haftal›k Dergisi’nde sinemayaz›lar› yazd›. 2006 y›l›n›n Eylül ay›ndan itibaren, ilk sinema yaz›lar›n›n da yay›nlad›¤› Sinema Dergisi’nde editörolarak çal›flmaya bafllad›. Daha önce 2002 y›l›nda “Kum” adl› bir k›sa film yapt›.

Biography: Born in 1982, Murat Emir Eren is a student at the Bilgi University Faculty of Communications. From2002-2005, he wrote on film for the national daily newspaper Vatan Gazetesi and weekly magazine Haftal›kDergisi. Since September 2006, he has had a job as editor and writer for the magazine Sinema Dergisi wherehe had his first articles published. He directed a short movie named ‘Kum’ in 2002.

157

MACGUFFINMACGUFFIN


Türkiye / Turkey

Büyük bir sigorta flirketinin sahibi olan Demir Kara, birgün arabas›na binerkentan›mad›¤› biri taraf›ndan rehin al›n›r...

Demir Kara owns a huge insuarance company.One day while entering his car heis taken out of pledge...

Yönetmen / Director: Memet AslanSenaryo / Screenwriter: Memet AslanKurgu / Editor: Haydar Deniz Y›ld›r›mMüzik / Music: Burak ÇambelSes / Sound: Nadim Güç, Cem UluGörüntü Yönetmeni / Director Of Photography: Bekir ToplarOyuncular / Cast: F›rat Tan›fl, Muhammet UzunerDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Pera Güzel Sanatlar Tiyatro Bölümü’nden mezun oldu. Tiyatro Pera’da oyunculuk yapmakta.

Biography: He graduated from Pera Fine Arts Theatre Department. Currently he is playing at Theatre Pera.

158

Türkiye / Turkey

NEDEN BEN?WHY ME?


Zeka özürlü olan 14 yafl›ndaki Erhan do¤arken annesi ölmüfltür. Bu nedenle Babas›Hasan onu suçlamakta ve ona kötü davranmaktad›r. Erhan’a destek olan tek kifliamcas›d›r. Bir gün amcas› dere kenar›nda Erhan’a sandal boyamay› gösterir. Boyayapmak Erhan’›n hofluna gider ve gece olunca ah›rlar›ndaki ine¤i boyar.

Erhan is a 14 year old, mentally disabled guy and his mother died while she wasgiving birth to him. So his father blames Erhan because of his mother’s death andabuses him. Only Erhan’s uncle supports and helps him. One day his uncle teacheshim to paint and he likes it. And that night he paints the cow in their cowhouse.

Yönetmen / Director: Onur GürsoySenaryo / Screenwriter: Onur GürsoyKurgu / Editor: Gökhan ÖzdemirMüzik / Music: Utku F›rat ÜnsalSes / Sound: Gökhan ÖzdemirGörüntü Yönetmeni / Director Of Photography: Salvador Ferrando PerisOyuncular / Cast: Aykut Oray, Bar›fl Yener, Hilmi ÖzçelikDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 11 May›s 1980 Tekirda¤ do¤umlu. 2006’da Marmara Üniversitesi Güzel Sanatlar Fakültesi Sinema-TvBölümü’nden mezun oldu. 2006’da “Eve Giden Yol”, 2007 ve 2008’de “Nefes” adl› sinema filmlerinde rol ald›.

Biography: He was born in 11.05.1980 in Tekirda¤. He was graduated from the Cinema Television Department ofFine Arts Faculty of Marmara University. He played roles in movies called ‘Eve Giden Yol’ (2006) and ‘Nefes’(2008).

159

PEMBE ‹NEKTHE PINK COW


Türkiye / Turkey

Yatmadan önce televizyonunuzu kapatmay› unutmay›n.

Don’t forget to turn your TV off before you go to bed.

Yönetmen / Director: Hemi BehmoarasSenaryo / Screenwriter: Hemi BehmoarasKurgu / Editor: Selçuk AydemirMüzik / Music: Sakatat & ChopinSes / Sound: Fatih fiahinkaya, Kerem Çak›ro¤luGörüntü Yönetmeni / Director Of Photography: Ömer Faruk ÖzcanOyuncular / Cast: Ekim Ma¤denÖdüller / Awards: Sinepark K›sa Film Festivali “En iyi Kurgu” ÖdülüDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 19.05.1986’da ‹stanbul’da do¤du. 2006’dan beri uzun metraj ve reklam filmlerinde çal›flmakta.Yönetmenin 2 adet k›sa filmi bulunmakta. “Razor” yönetmenin 2. filmi.

Biography: Born on 19.05.1986 in Istanbul, Turkey. He is working in cinema industry since 2006. He written anddirected 2 short films. ‘Razor’ is his second movie.

160

Türkiye / Turkey

RAZORRAZOR


Üç kiflinin kaderleri bir tramvay dura¤›nda kesiflir. Turist bir ailenin annesi ve 20’liyafllar›nda bir çift. Bir çarp›flman›n sonucunda, anne d›flar›da kal›rken kocas› vek›z› tramvay›n içinde uzaklafl›rlar. Herfley bir tesadüf mü yoksa en ince detay›nakadar planlanm›fl m›d›r? Hayat›m›za kim müdahele edebilir, fiah kim? Bilsek debilmesek de asl›nda hepimiz birer piyon muyuz?

Three people’s destinies intersect in a tram stop. The mother of a tourist familyand two young people at the end of their 20’s. As the consequence of a coincidentalbump, the mother gets locked out while her family leaves with the tram. Iseverything a coincidence, or planned to the smallest detail? Who could interruptour lives, who is the King? Are we all pawns whether we know it or not?

Yönetmen / Director: S›la ÜnlüSenaryo / Screenwriter: S›la ÜnlüKurgu / Editor: S›la ÜnlüMüzik / Music: Steven RoySes / Sound: S›la ÜnlüGörüntü Yönetmeni / Director Of Photography: Andy FabrykantOyuncular / Cast: Veronika Bellova, Lukas Burian, Michelle HanksDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1982 y›l›nda ‹zmir’de do¤du. Sabanc› Üniversitesi Görsel Sanatlar ve Görsel ‹letiflim Tasar›m› bölümündelisans e¤itimini tamamlad›. ‹ki sene grafik tasar›mc› olarak çal›flt›ktan sonra Prag’a gitti ve FAMU’da (Film & TVSchool of the Academy of Performing Arts in Prague) yönetmenlik okudu. K›sa film yaz›p yönetmenin yan›s›ra,son olarak 13. Nürnberg Türk Alman Film Festival’inde genç jüri üyeli¤i yapt›. Halen Prag’da çal›flmalar›na devamediyor.

Biography: Born in 1982 in Izmir, Turkey. She had her undergrad degree on Visual Arts and Visual CommunicationDesign at Sabanc› University in Istanbul. After two years of working as graphic designer, she moved to Prague;where she recently completed the directing program in FAMU (Film & TV School of the Academy of PerformingArts in Prague).

161

fiAH MATCHECKMATE


Türkiye / Turkey

“‹srafil melek oldu¤una inanan bir deli midir, yoksa gerçekten bir melek midir?”

‘Is Israfil a mad who supposes that he is an angel (archangel), or is he really an angel(archangel)?’

Yönetmen / Director: Fatma Yalç›nSenaryo / Screenwriter: Fatma Yalç›nKurgu / Editor: Aytekin BirkonGörüntü Yönetmeni / Director Of Photography: Hakan OkumuflOyuncular / Cast: Hakan BoyavDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Marmara Üniversitesi GSF Sinema Tv 4. s›n›f ö¤rencisi.

Biography: Fatma Yalç›n, Marmara University The Faculty of Fine Arts, Cinema-TV Branch, Fourth Grader.

162

Türkiye / Turkey

SAH‹B-‹ KARNSAH‹B-‹ KARN


fiiddetin nedenselli¤i.

The causality of violence.

Yönetmen / Director: F›rat MançuhanSenaryo / Screenwriter: F›rat MançuhanKurgu / Editor: F›rat MançuhanMüzik / Music: RAKISes / Sound: Ak›n And›r›n, Orçin ‹nceo¤luGörüntü Yönetmeni / Director Of Photography: Meryem YavuzOyuncular / Cast: Bülent Emin Yarar, Kaya Akkaya, P›nar Sesveren, Mert TrenovaDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1981 Ankara do¤umlu. Halen Marmara Üniversitesi G.S.F Sinema-Tv Bölümü’nde okumakta.

Biography: Born 1981, Ankara. Still studying at the Cinema-Tv Department of the Marmara University Faculty ofArts.

163

SAPAKSAPAK


Türkiye / Turkey

Bir taflra hastahanesi hizmetlisinin bir iflgününden yola ç›karak insano¤lununyaflam›na bir bak›fl.

A sharp look at humankind’s marathon of a life, from the perspective of a suburbanhospital’s janitor.

Yönetmen / Director: Mehmet Can Merto¤luSenaryo / Screenwriter: Mehmet Can Merto¤luKurgu / Editor: Mehmet Can Merto¤lu, Orkan BayramSes / Sound: ‹smail KaradaflGörüntü Yönetmeni / Director Of Photography: Ersan ÇapanOyuncular / Cast: Feridun KoçÖdüller / Awards: 62. Edinburgh Film Festivali resmi seçimi; 15. Valdivia Film Festivali resmi seçimi; Porto RikoFilm Festivali “Cinefiesta” 2008 resmi seçimiDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Mehmet Can Merto¤lu, 1988’de Akhisar’da do¤du. ‹lk ö¤retimini Akhisar’da, orta ö¤retimini ‹zmirAtatürk Lisesi’nde tamamlam›fl olup e¤itim hayat›na Bo¤aziçi Üniversitesi Türk Dili ve Edebiyat› Bölümü’ndedevam etmektedir. Ayn› zamanda, Bo¤aziçi Üniversitesi Mithat Alam Film Merkezi bünyesinde faaliyet gösterenSinefil dergisinin editörlü¤ünü sürdürmekte olup bir dönem Alt›nc› Adam basketbol dergisi için “AvrupaBasketbolu” hakk›nda makaleler yazm›flt›r. “Yokufl” ilk k›sa metrajl› filmidir.

Biography: Mehmet Can Merto¤lu was born in Akhisar, Turkey, 1988. He studies Turkish Literature at BagoziciUnivrsity, ‹stanbul. ‘The Slope’ is his first film. He is the editor of cinema magazine ‘Cinephile’ and also wrotefor a while ‘European Basketball’ articles for a sport magazine ‘Sixth Man’.

164

Türkiye / Turkey

YOKUfiSLOPE


Y›llard›r oynanan bir strippoker karfl›laflmas›..

A strippoker which is played for years..

Yönetmen / Director: Emel Keleflo¤luSenaryo / Screenwriter: Emel Keleflo¤luKurgu / Editor: Zahide ÖztürkMüzik / Music: Demir Baran KutluGörüntü Yönetmeni / Director Of Photography: Gürkan SevinçOyuncular / Cast: Aykut Engin, Deniz Özdemir, Burcu Gürel, Merve Serengil, Semra BravoÖdüller / Awards: Avrupa Birli¤i Kültürler Aras› Diyalog Konulu K›sa film yar›flmas› finalistDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1983 ‹stanbul do¤umlu. Strippoker 3. k›sa filmi.

Biography: Born to 1983 in ‹stanbul. Stripoker is third short film.

165

STR‹PPOKERSTRIPPOKER


Türkiye / Turkey

“Tek Notal›k Adam”, hiç fark edilmeden ve takdir görmeden bir orkestran›n hepen arkas›nda çalan bir perküsyonistin hayat›ndan bir kesittir. Perküsyonistinseyriciler aras›dan bulunan bir k›z›n dikkatini çekmek için çalaca¤› tek notas› vard›r.

‘The One Note Man’ is a fragment of life of a percussionist who always plays at thevery end of the symphonic orchestra without been noticed and appreciate by theothers. The percussionist has only one note to play with his cymbals and he triesto get the attention of women among audience with his one note music.

Yönetmen / Director: Da¤han CelayirSenaryo / Screenwriter: Öktem Baflol, Da¤han CelayirKurgu / Editor: Erhan AcarMüzik / Music: DvorakGörüntü Yönetmeni / Director Of Photography: Hasan GerginOyuncular / Cast: fiehsuvar Aktafl, Sanem Öge, Naci ÖzgüçDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1978’de ‹stanbul’da do¤du.1997’de Galatasaray Lisesi’ni, 2003’de Bahçeflehir Üniversitesi GörselSanatlar ve Görsel ‹letiflim Tasar›m Bölümü’nü burslu olarak bitirdi. Bitirme projesi olan “Makinelerin ‹syan›”,“fiehri Unutanlar” ve son projesi olan “Adadan Ç›kmayan Adam” adl› k›sa filmleriyle birçok k›sa film festivalindeödül ald› ve çeflitli uluslararas› festivallerinde gösterildi. Televizyon kanallar› için program yönetmenli¤i veeditörlü¤ü yapt›. Birçok video-art ve k›sa film çal›flmas›nda bulundu. Burslu olarak devam etti¤i ‹stanbul BilgiÜniversitesi’nde Sinema-TV Bölümü’nde yüksek lisans e¤itimini 2008 itibariyle bitirmifltir. Konak Medya’da videove film departman› genel koordinatörü olarak çal›flmaktad›r.

Biography: Born in 1978, ‹stanbul. After graduating from Lycee de Galatasaray he finished its studies in visualarts and visual communication design in Bahceflehir University, ‹stanbul, Turkey, with full scholarship. His thesisproject ‘Rebellion of the machines’ (short film) and ‘Those who forgot the city’ received many awards and

166

Türkiye / Turkey

TEK NOTALIK ADAMTHE ONE NOTE MAN


Umutsuzluk yol kesen bir gulyabani, acz ve çaresizlik düflünceleri ise ruhu öldürenbirer hastal›kt›r. Tarihte yol alanlar, hep inançla, ümitle yol alm›flt›r...

Disapear is an ogre, which waylays people, the through of inability and helplessnesare diseases which kill soul, the people who progress in history, always did thatwith faith and hope.

Yönetmen / Director: Mehmet Bahad›r ErKurgu / Editor: Nevzat Difliaç›kSes / Sound: Erkan TafldelenGörüntü Yönetmeni / Director Of Photography: Murat TuncelOyuncular / Cast: Hasan Cirito¤lu, S›ddk Arslan, Emre Özdür, Batuhan Ener, Mustafa Tuna, fiener Savafl, BurakSar›mola, Di¤ba EnerDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Mehmet Bahad›r Er, Mehmet’ten olma Gülflen’den do¤ma. 1982 Kocaeli as›ll› Türk yönetmen senaristgörüntü yönetmeni. 01251003 kay›t numaras›ya halen M.S.G.S.Ü Sinema Tv ö¤rencisi. Karak›rm›z› film grubuüyesi.

Biography: Still study at msgsu-stm. member of karakirmizi film group.

167

UMUTUMUT


Türkiye / Turkey

Vampirlerle ilgili belgesel yapan bir film ekibi, uzun y›llard›r ‹stanbul’da yaflayanbir vampirin önderli¤inde flehirdeki vampirlerin hayatlar›na, beklentilerine, dejenereolmufl geleneklerine do¤ru bir yolculu¤a ç›kacakt›r. Film, belgesel ekibinin çekti¤igörüntüleri kurgulanmam›fl, en gerçekçi haliyle izliyiciye sunmaktad›r.

Following around a vampire who’s been living in Istanbul for a long time, a crewof documentarists will take a journey to the lives and degenerate traditions of thevampires in the city. The film shows the unedited raw material in the most realisticway imaginable.

Yönetmen / Director: Efe Can ErdalSenaryo / Screenwriter: Efe Can ErdalKurgu / Editor: Efe Can Erdal, A. Mert ErdemSes / Sound: Ece Aktafl, Ceylan ToromanGörüntü Yönetmeni / Director Of Photography: Efe Can ErdalOyuncular / Cast: Can Bonomo, Efe C. Erdal, Ece Aktafl, Ceylan Toraman, Gözde Koyuncu, A. Mert Erdem, Rag›pMetin Okutay, Sibil Çekmen, Ege Yaflar, Meysi Rasier, Nil Ertürk, Tuna ErdemDa¤›t›m / Distribution: [email protected]

Özgeçmifl: ‹stanbul Bilgi Üniversitesi Sinema-TV 4. s›n›f ö¤rencisi. Efe C. Erdal, amatör yönetmenlik ve senaristlikd›fl›nda profesyonel sahne ve kamera oyunculu¤u da yapmaktad›r. Oyunculuk ve senaristlik dal›nda ödülleribulunan yönetmenin bu filmi yaz›p-yönetti¤i 11. filmidir.

Biography: ‹stanbul Bilgi University Film-TV senior student Efe C. Erdal does professional stage and cameraacting in addition to amateur directing and scriptwriting. The director, who has several awards for acting andscriptwriting, has directed 11 short films so far.

168

Türkiye / Turkey

VAMPYR “B‹R VAMP‹R‹ ANLAMAK”VAMPYR “UNDERSTANDING A VAMPIRE”


New York’un kalabal›k meydan› Union Square’de bir k›z erkek arkadafl›n›beklemektedir. Oralarda Irak Savafl› Protestosunun yap›ld›¤› bir yerde bir erkek dek›z arkadafl›n› aramaktad›r. Sonuçta erkek baflkas›n› bekleyen k›za saat sorarakonunla yeni bir iliflkiye bafllar.

There are many girls and boys waiting for their friends at the Union Square.Everybody is waiting for his or her boy/girl friends. After they meet, they leavefrom the location.

Yönetmen / Director: Faysal SoysalSenaryo / Screenwriter: Faysal SoysalKurgu / Editor: Faysal SoysalMüzik / Music: J.S Bach, Andante, Bwv 1049Ses / Sound: Haris Karlin, Caner ÖzgülGörüntü Yönetmeni / Director Of Photography: Bar›fl GünalOyuncular / Cast: Feyyaz Duman, Betul AlgatanayDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1979 Batman do¤umlu olup sanat ile iliflkisi fliir dolay›s›yla bafllar. CerrahpaflaT›p Fakültesi’ni 2000’deterkedip 2003 Eczac›l›k Fakültesi mezunu olan Faysal Soysal’›n 2001’de “Düfle ya¤malanan hayal kuyusu” adl›fliir kitab› bas›l›r. Bunun yan›s›ra çeflitli edebiyat ve sinema dergilerinde fliirleri, modern fliir ve ‹ran Sinemas›üzerine makaleleri yay›nlan›r. Van Yüzüncüy›l üniversitesi’nde “Yeni Türk Edebiyat›” bölümünde ve Tahran Sanatüniversitesi “Sinema” bölümünde 2003-2006 y›llar› aras›nda yüksek lisans yapm›fl olan yönetmen fliirsel sinemaüslubuna ba¤l› kalarak gerek akademik gerekse de sinema yönetmenli¤i çal›flmalar›na ‹stanbul’da devametmektedir.

Biography: He was born in 1979 Batman, Turkey. He has published a book of poetry in Turkish. He studied ModernTurkish Poetry and Iranian Cinema. His poems and articles on film and literature criticism have appeared inseveral magazines. He has two Master Degrees. One of them is from Cinema from Tehran Art Univercity, Iranand the other one is from Modern Turkish Literature from Van Yuzuncuyil Univercity, Turkey. He wrote anddirected several short films at New York Film Academy, US. He now resides in ‹stanbul.

169

SAAT KAÇ?WHAT TIME IS IT?


Türkiye / Turkey

ERAY MERT *

K›sa film sizce nedir?K›sa film hem s›n›rs›z bir alan hem de sineman›n abc’si. Böyle olunca hayat›n›zdagördü¤ünüz en iyi ve en kötü film bir k›sa film olabilir. Ben k›sa filmin her türlüyorumlan›fl›na karfl› aç›¤›m. Ancak kendi filmlerimde genel tercihim fliirsel biranlat›mdan yana.

Uluslararas› iliflkiler okudunuz. Daha sonra sinema okumaya karar verdinizbu süreci anlat›r m›s›n›z?Üniversiteyi okudu¤um yerde tek salonlu kocaman bir sinema vard›. Haftada biryeni film gelirdi. Ben her filmi en az iki defa izlerdim. Küçük yerlerde hâkim olan“ baflka yapacak ifl yok ki” psikolojisinin faydas›n›, art›k hikâyesini bildi¤im filmleridaha detayl› inceleyerek, gördüm. Okul bittikten sonra üniversite s›navlar›nahaz›rlanmadan, üstelik de tek tercih yap›p Ankara Üniversitesi ‹letiflim FakültesiRadyo Televizyon Sinema Bölümü'ne girdim. Tek tercih yap›p girmemdekikararl›l›k 3. s›n›fa gelene kadar çok defa sekteye u¤rad›. Okulu b›rakmay› defalarcadüflündüm. 3. s›n›fta Ö¤r. Gör. Bülent Özkam hocam›z›n dersini al›p ilk kez filmçekmem ve bu filmin de Ankara Film Festivali'nde ödül almas› okulu bitirmemgerekti¤ini, Mütereddit adl› filmin görece baflar›l› olmas›, sonras›ndaki di¤er filmlerde bu ifli yapmam gerekti¤i konusunda beni biraz olsun ikna etti. Birçok insan filmçekmek ister bu çok normal, ben de inan›n çok istiyorum. Ama iflin bir de di¤eryönü var. Film çekebiliyor musunuz ? Benim burada ne iflim var, dedi¤iniz yerde,sadece iste¤in yetmedi¤i, kabaca genellersek; seyircinin de sizi ikna etmesi gerekti¤inidüflünüyorum.

170

Eray Mert Toplu Gösterimi / Retrospective Screening of Films By Eray Mert

K›sa film, uzun metraja geçmek için sizce bir basamak m›?Bu bir flikâyet konusu de¤il bir ön koflul olmal› asl›nda. Yani keflke uzun film çekmiflher yönetmen önce birkaç tane k›sa film çekmifl olsa. Kendini aynada bir görse...Yapabileceklerini, yapamayacaklar›n› bilse. K›sa film ba¤›ms›z bir tür. Ama uzunfilm çekenlerin k›sa film çekmifllerden, çekenlerden ç›kmas› bana gurur verir. K›safilm ticarileflemedi¤i sürece kimse uzun filme geçiflte k›sa filmi basamak olarakkulland› diye suçlanmamal›. K›sa film ticarileflirse de k›sa filmin kendine özgülü¤üzarar görebilir. Baflta da söyledi¤im gibi, bu iflin abc’si k›sa film. Elinizde kal›n birkitap varsa ister onu okursunuz isterseniz üstüne ç›k›p ampul de¤ifltirirsiniz. Uzunfilm çekecekler sadece o kitab› okuduktan sonra üstüne ç›kmal›lar.

Geçen y›l çekti¤iniz birçok filmin var. 2008 itibariyle kaç film oldu, buüretkenli¤i neye ba¤l›yorsunuz ?‹çinde sanat›n oldu¤u u¤rafl alanlar›n›n hepsinde nitelik nicelikten önce gelir. Oyüzden benden çok üreten k›sa filmci var m› yok mu bilemem, bilinemez de... Herhangi birisinin üretti¤i tek bir film benim çekti¤im onca filmden “çok” olabilir.Ben sadece kendime karfl› ac›mas›z›m. Hatalar›m› görüyorum. Ama bunlar› filmçektikçe görüyorum. Bu yüzden hatalar› telafi etmek için daha çok film çekiyorum.Daha çok çektikçe daha çok hata yap›yorum. Bu paradoksal durum da daha çokfilm çekmemi sa¤l›yor san›r›m.Koflullar› zorlay›p elimden geldi¤ince bütün projelerihayata geçirmek istiyorum. Çekemedi¤im bir film kafamda durdukça bana ac›veriyor. Daimi oyuncular›m Erdinç Ba¤c› ve Özay Erol'un da programlar› uydu¤usürece bu yaz hiç bofl durmak istemiyorum. Çok geç bafllad›¤›m bu u¤raflta birazdaha h›zl› koflmak gerekti¤inin, ama fazla h›z›n da hatalar› artt›raca¤›n›n fark›nday›m.

(*) Bu yaz› Natali Yeres’in “Mega Movie” sinema dergisindeki yaz›s›ndan al›nm›flt›r.

171


22 Nisan’da ailesinden çok sevdi¤i birini kaybedece¤ini ö¤renen Umut, 23 NisanUlusal Egemenlik ve Çocuk Bayram›’nda sembolik olarak da olsaCumhurbaflkan›'n›n koltu¤una bir günlü¤üne oturtulacak çocuktur.Umut k›sasürecek sembolik iktidar›n› bir çocu¤un hassasl›¤› ve masumiyetiyle kullanmakister.

Umut who will be sitting on President’s chair symbolically on 23 April NationalSovereignty and Children's Day, loses one of his family members who he reallyloves on 22 April. Umut wants to use his symbolic power with a child’s sensitivityand innocence.

Yönetmen / Director: Eray MertYönetim yard›mc›s› / Director Of Asistant: Alper ÖzlüSenaryo / Screenwriter: Eray MertKurgu / Editor: Alper ÖzlüMüzik / Music: Umut Asil, Bar›fl K›r›mflelio¤luKamera / Camera: Eray MertKamera Asistan› / Camera of Asistant: Eray Erk›l›ç, Nazl› GünerOyuncular / Cast: R›za Özüm Karaca, Erdinç Ba¤c›, Özay Erol, Veysi Arslantafl, Hale Karakafl, Biran Harmandar,Eray Ba¤c›Yap›m / Produced by: Erdinç Ba¤c›

Özgeçmifl: Eray Mert, Ankara'da do¤du. Ankara Üniversitesi ‹letiflim Fakültesi'nde Radyo, Televizyon ve SinemaBölümü 4. s›n›f ö¤rencisidir.

Biography: Eray Mert was born in Ankara. He is in the fourth year of Faculty of Communication in AnkaraUniversity.

172


Y‹RM‹ ÜÇ N‹SANAPRIL TWENTY THIRDKurmaca / Fiction, 9’19”


Cahit S›tk› Taranc›’n›n bir fliirinin ça¤r›flt›rd›klar›...

The things Cahit S›tk› Taranc›’s poem brought to my mind...

Yönetmen / Director: Eray MertSenaryo / Screenwriter: Eray MertKurgu / Editor: Ethem Onur Sevim, Eray MertKamera / Camera: Eray MertYap›m / Produced by: Erdinç Ba¤c›



173

AH AKLIMDAN ÖLÜMÜM GEÇERMY DEATH CROSSES THROUGH MY MIND



Bafl›n›za gelen kötü bir olay, bir baflkas›n›n bafl›na gelebilecek potansiyel bir kötüolayd›r...

A butterflies first state is a caterpillar. you can't understand what it will be likein the future just looking to a caterpillar. You have to examine it till it becomes abutterfly.

Yönetmen / Director: Eray MertYönetim yard›mc›s› / Director Of Asistant: Alper ÖzlüSenaryo / Screenwriter: Eray MertKurgu / Editor: Eray MertKamera / Camera: Eray MertKamera Asistan› / Camera of Asistant: Cemil DemiralpOyuncular / Cast: Erdinç Ba¤c›, Özay Erol, Veysi Arslankalp, Erkan Y›ld›zYap›m / Produced by: Erdinç Ba¤c›



174


B‹R KELEK ETK‹S‹CATERPILLAR EFFECT


Darbeler bazen farkl› hallerde olur.

Strokes be in different conditions.

Yönetmen / Director: Eray MertYönetim yard›mc›s› / Director Of Asistant: Alper ÖzlüSenaryo / Screenwriter: Eray MertKurgu / Editor: Eray MertSes / Sound: Alper ÖzlüKamera / Camera: Eray MertKamera Asistan› / Camera of Asistant: Cemil Demiralp, Nazl› Güner, ‹smail fientürkOyuncular / Cast: Erdinç Ba¤c›, Özay Erol, Veysi AslantaflYap›m / Produced by: Erdinç Ba¤c›



175

DARBESTROKE



Gerçe¤i saklamak, güçtür.

It’s hard to hide the truth.

Yönetmen / Director: Eray MertSenaryo / Screenwriter: Eray MertHikaye / Story by: Zeynep YenigülKurgu / Editor: Alper ÖzlüKamera / Camera: Eray MertKamera Asistan› / Camera of Asistant: Eray MertOyuncular / Cast: Özay Erol, Erdo¤an Ba¤c›, Aygül Ba¤c›Yap›m / Produced by: Erdinç Ba¤c›



176


EVLAD‹YEHERITAGE


‹nsan-l›k: ‹çine insan konan fley.

Humanity: The thing which you put people inside.

Yönetmen / Director: Eray MertYönetim yard›mc›s› / Director Of Asistant: Alper ÖzlüSenaryo / Screenwriter: Eray MertKurgu / Editor: Eray MertKamera / Camera: Eray MertOyuncular / Cast: Erdinç Ba¤c›Yap›m / Produced by: Erdinç Ba¤c›



177

‹NSAN-LIKHUMANITY



‹nsan çevresiyle bir bütündür. Tüm çevreyi de¤il sadece de¤er verdiklerimizi yada kendi iflimize gelenleri korumak çevreyi korumak demek de¤ildir.

Human always think in a pragmatical way. We only do the things what is neededat that time. Environmental disasters are not the facts to be prevented in only asingle day...

Yönetmen / Director: Eray MertYönetim yard›mc›s› / Director Of Asistant: Alper ÖzlüSenaryo / Screenwriter: Eray MertKurgu / Editor: Alper ÖzlüKamera / Camera: Eray MertOyuncular / Cast: Erdinç Ba¤c›Yap›m / Produced by: Erdinç Ba¤c›



178


KÜRESEL ISINMAYA KARfiI ALINAN BEfi ÖNLEMFIVE PRECAUTIONS AGAINST GLOBAL WARMING


San›r›m o benim...

I guess it’s me…

Yönetmen / Director: Eray MertSenaryo / Screenwriter: Eray MertKurgu / Editor: Eray MertKamera / Camera: Eray MertOyuncular / Cast: Erdinç Ba¤c›Yap›m / Produced by: Erdinç Ba¤c›



179

SANAT DÜfiMANIENEMY OF ART



Bir adam bir kap›n›n önünde gece gündüz bekçilik etmek zorundad›r. Adam kap›n›narkas›nda ne oldu¤unu bilmez. Bilmek de istemez. Bu onun için sadece yeni birifltir.

A man has to watch a door day and night. He doesn’t know what’s behind it. Andhe doesn’t want to know it. For him, it’s just a new job.

Yönetmen / Director: Cédric PetitcollinSenaryo / Screenwriter: Cédric PetitcollinKurgu / Editor: EKLA-ProductionGörüntü Yönetmeni / Director Of Photography: Guillaume Le GrontecOyuncular / Cast: Stéphane Schoukroun, David Cuvelier, Denis Diefenthal, Eve BitounDa¤›t›m / Distribution: [email protected]

180

Özel Seçki / Special Choice

144144


Yorgunluktan yorgun düflmüfl bir adam. Yaflamda bir an vard›r, insan kendisinesorar, hangi kap›lar aç›kt›, hangileri kapal› kald›, ve hangileri hiçbir zamanaç›lmayacak.

A disillusioned man is tired. Tired being tired. Times come in a man’s life, whenone wonders which doors were opened, which remain closed, and those irreversiblylocked.

Yönetmen / Director: Nuno CostaSenaryo / Screenwriter: Nuno CostaKurgu / Editor: Nuno CostaMüzik / Music: Joe ZeitlinSes / Sound: joe Zeitlin, Mike WyeldGörüntü Yönetmeni / Director Of Photography: Nuno CostaDa¤›t›m / Distribution: [email protected]

181

20 SORUTWENTY QUESTIONS



Dünya, pamuk yetifltirmenin ekonomik nedenlerle afl›r› artmas›n›n çölleflmenintemel sebebi oldu¤u uçsuz bucaks›z kuru bir gezegen haline dönüflmüfltür. Tuzlubir çöl, garip tuz a¤açlar›n›n görüldü¤ü hektarlarca kuru alan› kaplam›flt›r.

The world has become a vast dried out planet, where the growing of cotton, overexploited for economical reasons is the main cause of desertification. A salinedesert covers acres of dried out land where strange salt trees appear.

Yönetmen / Director: Momoko SetoSenaryo / Screenwriter: Momoko SetoKurgu / Editor: Momoko SetoMüzik / Music: Yann LeguayGörüntü Yönetmeni / Director Of Photography: Jean René Lorand, Momoko SetoAnimasyon / Animation: Brice Bignami & Mihai GrecuDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1980 y›l›nda Tokyo'da do¤du. Tokyo'da ve Fransa'da Marsilya Güzel Sanatlar okulunda e¤itim ald›. LeFresnoy Ulusal Ça¤dafl Sanatlar Stüdyosu'nda fahri ö¤rencidir.

Biography: Born in 1980 in Tokyo. Studied in Tokyo and Fine Arts school of Marseille, France.Fellowship studentat Le Fresnoy, Studio National des Arts Contemporains.

182


A GEZEGEN‹PLANET A


Sapa bir manast›rda rahibeler internet ba¤latmaya karar verirler.

In a distant convent nuns decide to install a broadband internet.

Yönetmen / Director: Slobodan MaksimovicSenaryo / Screenwriter: Slobodan MaksimovicKurgu / Editor: Jurij MoskonMüzik / Music: Sasa LosicGörüntü Yönetmeni / Director Of Photography: Sven PepeonikOyuncular / Cast: Nina Ivanisin, Vladimir Vlaskalic, Stefka Drolc...Ödüller / Awards: Special Jury Mention ‘Agape’ Kratkofil Banja Luka 2008; Prix du Jury ‘Agap’ 6th. MediterraneanShort Film Festival Of Tangier, Morocco, 2008Da¤›t›m / Distribution: [email protected]

Özgeçmifl: 1975’te Saraybosna’da do¤du. 2003 y›l›nda Ljubljana’da Tiyatro, Sinema, Radyo ve Film Akademisi’nekabul edildi.

Biography: Slobodan Maksimoviç was born in 1975 in Sarajevo, BiH. In 2003 he got accepted to the Theatre,Movie, Radio and Film Academy in Ljubljana.

183

AGAPEAGAPE



Bu film foto¤raf sanatç›s› Gregory Crewdson’dan esinlenilerek gerçeklefltirilmifltir.Bu film, yüksek burjuva bir ailenin abart›lm›fl umutlar›na ve grotesk durumunabir göz atmad›r.

The shortfilm was inspired by the photographer Gregory Crewdson. ‘The Familykeeps it all’ throws an hopeless, exaggerated and partly grotesque glance at thesituattion of ‘the family’ in the upper middle. classes.

Yönetmen / Director: Chris CalimanSenaryo / Screenwriter: Chris CalimanKurgu / Editor: Chris CalimanMüzik / Music: Flo PeilGörüntü Yönetmeni / Director Of Photography: Chris CalimanOyuncular / Cast: Aljosha Horvat, Axel Siefer, Miriam FiordepontiDa¤›t›m / Distribution: [email protected]

184


A‹LE ARASINDATHE FAMILY KEEPS IT ALL

Kurmaca / Fiction, 14’Renkli / Color, 2007-2008

Her pazar Alice, bir psikiyatri klini¤inde yaflayan annesi Giulia’y› ziyarete gider:hikaye ilerledikçe Giulia’n›n, Alice’in annesi olmad›¤›n› ve Alice’in de klinikteziyaretççi olmad›¤›n› anlar›z.

Every Sunday, Alice goes to visit, her mother Giulia, who lives in a psychiatricclinic: as the story unfolds we discover that Giulia is not Alice’s mother and Aliceis indeed not a visitor in the clinic.

Yönetmen / Director: Stefano AnselmiSenaryo / Screenwriter: Stefano AnselmiKurgu / Editor: Shara SpinellaMüzik / Music: Mauro ButtafavaGörüntü Yönetmeni / Director Of Photography: Daniele BaldacciOyuncular / Cast: Isabella Ragonese, Mariella ValentiniDa¤›t›m / Distribution: [email protected]

Özgeçmifl:Stefano Anselmi 1974 Milan do¤umlu. Yazd›¤› denemeler, Patchwork Due’daki Il Castoro yay›nevi veUn’invisibile presenzataraf›ndan yay›mland› (1999). Milan’daki Civica Scuola of Cinema’dan mezun.

Biography: Stefano Anselmi was born in Milan in 1974. He wrote essays published by the publishing house IlCastoro in Patchwork Due and Un’invisibile presenza (1999). He graduated from the Civica Scuola of Cinema inMilan.

185

ALICEALICE



Dört yafl›ndaki bir k›z çocu¤uyla anne babas› aras›ndaki bir oyun, bir yolculuk halinial›r.

A game between a four year old girl and her parents. Becomes a journey.

Yönetmen / Director: Emmanuel SaadaSenaryo / Screenwriter: Emmanuel SaadaKurgu / Editor: Vincent ZuffranieriMüzik / Music: MascagniOyuncular / Cast: A. Petroff, P. Vincent, B. VeisbergDa¤›t›m / Distribution: [email protected]

186


ALICE SEYAHAT‹ALICE JOURNEY


Anna’n›n k›z› kaza sonucu bo¤ulmufltur. O günden sonra hayat› çok garipleflir.

Anna’s daughter drowned accidentally. Since then her daily life has become strange.

Yönetmen / Director: Sandrine CohenSenaryo / Screenwriter: Sandrine CohenKurgu / Editor: JP. Husson, E. Lacombe, X. Barthélémy, C. CohenMüzik / Music: Christophe BoutinGörüntü Yönetmeni / Director Of Photography: Olivier GalloisOyuncular / Cast: Sandrine Cohen, Emmanuel CurtilDa¤›t›m / Distribution: [email protected]

187

ANNAANNA



Bir annenin asker o¤lu için etti¤i dualar.

A mother prays her combatant son.

Yönetmen / Director: Samad Eskandari KalasoorKurgu / Editor: Rasool QurankhanMüzik / Music: Samad Eskandari KalasoorÖdüller / Awards: The best film of The 5th 100 film festival-TehranDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Samad Eskandari Kalasour. ‹ran, Tebriz’de, 1973 y›l›nda do¤dum. Güzel Sanatlar ö¤rencisiyim (TebrizAzad Üniversitesi).

Biography: Samad Eskandari Kalasour. I was born in Iran-Tabriz 1973. I am a student of Fine Arts (Tabriz AzadUniversity).

188


ANNEN‹N DUASITHE MOTHER’S PRAY


Bu, her zamanki anlay›fl ve hoflgörü yoksunlu¤undan kültürler aras› iletiflim aray›fl›nabir yolculuktur.

It’s a travel to the search of the communication between cultures, from alwayshinge lacking understanding and tolerance.

Yönetmen / Director: Daniele BalboniSenaryo / Screenwriter: Daniele Balboni, ‹rene CaselliKurgu / Editor:Francesco BonaMüzik / Music: Pericle OdiernaGörüntü Yönetmeni / Director Of Photography: Giovanni FaviaAnimasyon / Animaton: Andrea SimonciniOyuncular / Cast: S.H. Kish, Giampietro GuerrieriÖdüller / Awards: Best Italian Short at festival del cinema di Specchia; Best italian Short at festival Zerotrenta;Best Italian Short at Festival PollywoodDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Daniele Balboni, 26 yafl›nda, organizasyon teknisyenli¤i kariyerini ve flirketi b›rak›p kendisini audiovisualprodüksiyon alan›na adar. Tek tek ya da ya da kar›fl›k olarak yo¤un aktiviteler yönetir; klip, spot reklam, belgeselve k›sa metraj.

Biography: Daniele Balboni leaves the career of organizing technician/of company the age of 26 years in orderto dedicate itself to the field of the audiovisual production. At the same time he produces he directs intenseactivities in own or on a commission basis, which: videoclip, spot advertising, documentary and cortometraggi.

189

ASADEASADE



Manon’un elbisesi kald›r›mda bir lekeden ibarettir, bisikletinin tekerli¤i amaçs›zcahavada döner.

Manon’s dres is just a spot on the pavement, the Wheel of her bike turningfruitlseely in the air.

Yönetmen / Director: Elizabeth Marre, Olivier PontSenaryo / Screenwriter: Elizabeth Marre, Olivier PontKurgu / Editor: Marcela FigueroaMüzik / Music: Christophe JulienGörüntü Yönetmeni / Director Of Photography: Pierric Gantelmi D’IlleOyuncular / Cast: Aude Léger, Bastien Ehouzan, Xavier Biffier, Edouard Raix, Michele Leger, Elirzabeth Marre,Yves Lecoz, Yasmeen El Marsi, Samuel LahuÖdüller / Awards: Prix Coup de Coeur Junior (Cine-Bocage); Emergingig Filmmakers Award (Abu Dhabi); BestInternational short film (Porto Rico); Best Live-Action Short (Toronto); Prix du Public (Bordeaux)Da¤›t›m / Distribution: [email protected]

190


ASFALTA YAPIfiAN MANONMANON ON THE ASPHALT


Sosyeteden genç bir Türk kad›n› olan Ceyda sevdi¤i adamla birlikte yaflamak üzereFransa’ya gelir. Ama çok k›sa bir süre sonra, beklenmedik bir yaln›zl›kla karfl› karfl›yakal›r. Ta ki yan binadaki inflaat alan›nda, kendisine yak›n bir dili konufltu¤u ortayaç›kan yafll›, Asyal› bir adamla tan›flana kadar...

Ceyda, a young Turkish woman from a high social class, arrives in France to livewith the man she loves. But very soon, she has to face an unexpected loneliness.Until when she meets, on the construction site next door, an old Asian man, whoturns out to speak a language close to hers...

Yönetmen / Director: Ça¤la Zencirci, Guillaume GiovanettiSenaryo / Screenwriter: Ça¤la Zencirci, Guillaume GiovanettiKurgu / Editor: Tristan MeunierMüzik / Music: Alireza MortazaviGörüntü Yönetmeni / Director Of Photography: David ChizalletOyuncular / Cast: Ceyda Bakbafla, Ahatcan Ali, Eric FreydefrontÖdüller / Awards: Best Short Film ‘Créteil Women Film Festival’, France; Fresnes Award ‘Créteil Women FilmFestival’, France; Special Prize of the Jury ‘Montpellier Film Festival’, France; Audience Award ‘Con-Can TokyoFilm Festival’, Japan; Prize of the Public ‘Fuji All Shorts Festival’, Paris, France; Ciné Cinéma Award ‘Contis FilmFestival’, FranceDa¤›t›m / Distribution: [email protected]

191

ATAATA



16 yafl›ndaki Solène, küçük bir kasabada birbirinden uzak evlerde geçen çaresizyaz tatillerine sinir olmaktad›r. Bu nedenle 40 yafl›ndaki Antoine büyükmotosikletiyle kasabaya gelince Solène’in kafas› kar›fl›r.

Desperate summer holidays in the detached houses of a small town, really get onthe nerves of Solène, 16 years old teanage. Therfore, when 40 years old Antoineturns up, with his big motocar, Solène becomes troubled...

Yönetmen / Director: Marie Baptiste RochesSenaryo / Screenwriter: Marie Baptiste RochesKurgu / Editor: Damein MaestraggiMüzik / Music: Pierre ChevrierGörüntü Yönetmeni / Director Of Photography: Nathanaël LouvetOyuncular / Cast: Cindy Colpaert, Bruno Boulzaguet, Valerie Crouzet, Baptiste Bertin, Guénolé LoterieDa¤›t›m / Distribution: [email protected]

192


BAHÇEDEK‹ ÇEK‹RGEA GRASSHOPPER IN THE GARDEN


Jakob yüzdü¤ü gölden ç›kar. Köpe¤i gitmifltir. Evinin banyosunda su akmaktad›rama kimse dufl almamaktad›r. Kar›s› ve o¤lu ortadan yok olmufltur. Bütün kentölmüfltür sanki. Bir rüya m›d›r bu? Ama Jacob uyanmaz.

Jakob leaves the swimming lake. His dog is gone. The water at home is runningbut nobody is taking a shower. His wife and his son disappeared. The whole cityseems dead. A dream? But Jakob does not wake up.

Yönetmen / Director: Philipp BatereauSenaryo / Screenwriter: Philipp BatereauKurgu / Editor: Katrin SuhrenMüzik / Music: Joachim SteffenhagenGörüntü Yönetmeni / Director Of Photography: Marlen SchlawinOyuncular / Cast: Harry Balnk, Bela Batereau, Antje MönningÖdüller / Awards: Best Int. Short Film, Roma Independent Film FestivalDa¤›t›m / Distribution: [email protected]

193

BANYOBATHING



Yunan kökenli bir ‹sveçli olan Alex büyük s›rr›n› aç›klamaya karar vermifltir: o birgeydir. Bunu ailesine söylemek feci olacakt›r.

Alex - a Swedish man of Greek ancestry - has decided to reveal his great secret:that he is gay. Telling his family would be disastrous.

Yönetmen / Director: Nicolas KolovosSenaryo / Screenwriter: Nicolas KolovosKurgu / Editor: Carl JavérMüzik / Music: Dav›d FlairGörüntü Yönetmeni / Director Of Photography: Andreas LennartssonAnimasyon / Animation: Hampus Hedberg HankellOyuncular / Cast: Charlotta MillerDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Nicolas Kolovos, 1973 y›l›nda ‹sveç, Jönköping’de do¤du. Di¤er konular›n yan› s›ra, Stocholm’de,üniversitenin Film, Radyo, Televizyon ve Tiyatro bölümünde interaktif medya prodüksiyonu ve Gothenburg’da‹sveç Televizyon Okulu’nda yönetmenlik e¤itimi ald›.

Biography: Nicolas Kolovos, born in 1973 in Jönköping, Sweden. Studied among other things, interactive mediaproduction at the University College of Film, Radio, Television and Theatre in Stockholm and directing at theSwedish School of Television in Gothenburg.

194


BEN GEY‹MI AM GAY


Çok flaflal› ve luks bir flölen s›ras›nda, onbir davetli, garip bir tören havas› içindeyemeklerini yemektedirler. Bu kaba ve garip ortam içinde, peflpefle meydana gelenolaylar, bu bolluk senfonisi kesintiye u¤ratacakt›r.

During an opulent and luxurious banquet, complete with hordes of servers andvalets, eleven pampered guests participate in what appears to be a ritualisticgastronomic carnage. In this absurd and grotesque universe, an unexpected sequenceof events destabilises the endless symphony of abundance.

Yönetmen / Director: Denis VilleneuveOrijinal Konsept / Original Concept: Phoebe GreenbergSenaryo / Screenwriter: Jacques DavidtsKamera / Cinematography: Nicolas BolducKurgu / Editor: Sophie LeblondGörsel Efekt / Visuel Effects: Sylvain ThérouxSanat Yönetmeni / Art Direction: Jean-Marc RenaudKostüm / Costume Designer: Renata MoralesSes / Sound: Sylvain Bellemare, Bernard GariépyYap›m / Produced by: Phoebe GreenbergYap›mc› / Producer: Karen Murphy, Penny Mancuso, Maxence Bradley

Özgeçmifl: Denis Villeneuve, güçlü ve özgün sinematografik sesini sergileyen filmleriyle, hem izleyicilerin hemde elefltirmenlerin dikkatini çekmeyi h›zla baflard›. ‹lk iki uzun metrajl› filmi “Un 32 août sur terre” ve “Maelström”birçok uluslararas› festivalde elefltirmenlerin övgüsünü kazand›.

Biography: Denis Villeneuve has rapidly achieved both public and critical attention for films showcasing hispowerful and distinctive cinematic voice. His first two feature films ‘Un 32 août sur terre’ and ‘Maelström’ werescreened to critical acclaim at many international festivals.

195

B‹R ALT KATNEXT FLOOR



Genç hemflire düflkünlerevinde ölümü bekleyen hastalara bakmaktad›r. Bir adamyata¤›n›n üstündeki tavana mavi, bulutlu bir gökyüzü çizdirmek ister. Bir kad›ngeçmiflte ve geçmifl y›llar›n›n an›lar›nda yaflar... Her biri gözden kaybolurlar.

Young nurse takes care of deathly sick patients in hospice. One man wants to painta blue, cloudy sky onto a ceiling above he's bad. One woman lives in the past andmemories of her earlier years...each one of them fades out.

Yönetmen / Director: Kuba CzekajSenaryo / Screenwriter: Kuba CzekajKurgu / Editor: Daniel GasiorowskiMüzik / Music: Daniel GasiorowskiGörüntü Yönetmeni / Director Of Photography: Adam PalentaOyuncular / Cast: Malgorzata Galkowska, Emilia Stachurska, Artur Barcis, Lidia Duda, Ewa Dalkowska, MalgorzataKaledkiewicz, Andrzej Dopierala, Joanna Janiszewska, Amelia Iwan, Boguslawa Jantos, Joanna Pokojska, AndrzejWarcaba, Halina Smiela - JacobsonDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1984 y›l›nda Polonya, Wroclaw’da do¤du. fiu anda Polonya, Katovçe’de Krzysztof Kieslowski’nin ad›n›tafl›yan Radyo ve Televizyon Bölümü’nde yönetmelik ö¤rencisi.

Biography: Born 1984 in Wroclaw, Poland. Currently a graduate student of direction at the Radio and TelevisionDepartament of Krzysztof Kieslowski’s name in Katowice, Poland.

196


B‹R PARÇA CENNETPIECE OF HEAVEN


Eski bir dostu, bir gizli ajanla, 18 y›ld›r görmedi¤i k›z›n› bulmak için ba¤lant› kurar.

A secret agent is contacted by an old friend to find the daughter he hasn’t seen for18 years.

Yönetmen / Director: Louie Salto, Jesse SaltoSenaryo / Screenwriter: Louie Salto, Jesse SaltoKurgu / Editor: Louie Salto, Jesse SaltoMüzik / Music: Sébastien GalianaGörüntü Yönetmeni / Director Of Photography: Jacques BallardOyuncular / Cast: Robert Dauney, Gabriella Wright, Terence Bulley, Dany VerissimoDa¤›t›m / Distribution: [email protected]

197

BULMAKFINDING



fiehrin sakinleri ac›mas›z bombard›manlar›n alt›nda mücadele ederken, yaln›zcatek bir fley oray› ayakta tutar: mahzende unutulmufl bir adam›n sars›lmaz kararl›l›¤›...

As the residents struggle under relentless bombardments, only one thing holdsthe place upright: the unwavering determination of an old man forgotten in thecellar...

Yönetmen / Director: David BirnbaumSenaryo / Screenwriter: David BirnbaumKurgu / Editor: Ross BirchallMüzik / Music: Michael-Paul EllaGörüntü Yönetmeni / Director Of Photography: Adam Marsden, c.s.c.Oyuncular / Cast: Ross W. Richards, Bianca Pisciola, Tara Smylie, Emanuele Galea, Dov MickelsonÖdüller / Awards: Best Film, Imaginaria International Film Festival 2008 Conversano, Italy; Best Short DramaticCinematography, Canadian Society of Cinematographers 2008 Toronto, CanadaDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Montreal’de do¤du ve büyüdü. Concordia Üniversitesi’nde felsefe e¤itimi ald›. Vancouver’da GastownTiyatro Sanatlar› program›ndan mezun olmadan önce Bilgisayar Sistemleri Analisti ve profesyonel bateristolarak çal›flt›.

Biography: Born and raised in Montreal. Studied philosophy at Concordia U. Computer Systems Analyst andprofessional drummer before graduating from Gastown’s Theatre Arts program in Vancouver.

198


BULUNAN NESNELERFOUND OBJECTS


Kahve bofltur, Çakmak k›r›kt›r ve bunlar›n d›fl›ndaki her fley Patron Toad taraf›ndaun ufak edilmifltir. O gün Linus Moffskowsi’ye pek bir fley getiremez...

The Coffee is empty, the Lighter is broken and above all getting crapped on by theBoss-Toad. That day couldn’t get much worth for Linus Moffskowsi...

Yönetmen / Director: Björn UllrichSenaryo / Screenwriter: Björn UllrichKurgu / Editor: Björn UllrichGörüntü Yönetmeni / Director Of Photography: Björn UllrichAnimasyon / Animation: Bernhard Schmitt, Leo Nicholson, Björn UllrichÖdüller / Awards: Nominee, Hessischer Filmpreis, Short-Film, 2008Da¤›t›m / Distribution: [email protected]

Özgeçmifl: Björn Ullrich, 1977’de Frankfurt/Main’da do¤ru. 1998 y›l›ndan bu yana Film on different Film, Television-and Animation adl› prodüksiyon flirketinde çal›fl›yor. 2001 y›l›ndan bu yana HfG-Offenbach: Görsel ‹letiflim/Film,Canland›rma bölümünde e¤itimini sürdürüyor.

Biography: Björn Ullrich, 1977 in Frankfurt/Main. Since 1998 working for Film on different Film, Television-andAnimationproductions. Since 2001 studying at the HfG-Offenbach: Visuelle Communication/Film, Animation.

199

CARABOU – PROLOGCARABOU – PROLOGUE



Harry kufla¤›n›n en iyi cokeyidir. Önemli bir at yar›fl›ndan önce bask› alt›ndad›r.Yan›ndaki personel sinirine dokunmaktad›r ve onun tutkusunun çok uza¤›ndaolan para ödüllerine art›k doymufltur.

Harry is the best jockey of his generation. He is under pressure before an importanthorse race. His closed staff gets on his nerves and he is fed up with all the moneystakes that are so far from his passion...

Yönetmen / Director: Jérome FanstenSenaryo / Screenwriter: Jérome FanstenKurgu / Editor: Nadège KintzingerGörüntü Yönetmeni / Director Of Photography: Jérome PeyrebruneOyuncular / Cast: Florent Guyot, Bruno Paviot, Christophe JeanDa¤›t›m / Distribution: [email protected]

200


COKEYTHE JOCKEY


Stjepan, iflini kaybedince kendisinin yapt›¤› bir bomba s›¤›na¤›na saklanm›fl eskibir H›rvat askeridir. Annesi onu oradan ç›karmaya çal›fl›r ama baflar›s›z olur; kardefliise durumla ilgilenmez. Stjepan’a bir mektup gelmesi durumu daha da kötülefltirir.

Stjepan is a Croatian veteran who hid himself in a self-made bomb shelter whenhe loses his job. His mother is trying to call him out of it but without success, andhis brother is not interested in the situation. Delivery of a letter addressed toStjepan, make situation worst.

Yönetmen / Director: Marko SantiçSenaryo / Screenwriter: Marko SantiçKurgu / Editor: Jurij MoskonMüzik / Music: Marjan MlakarGörüntü Yönetmeni / Director Of Photography: Jure CernecOyuncular / Cast: Leon Lucev, Rakan Rushaidat, Bozidarka Frajt, Sasa TabakoviçÖdüller / Awards: Special mention (2007, 13. Sarajevo Film Festival); Best European Student Film (2008, Mostradelle scuole Europee di cinema, Bolognia); One of Equal Award Student Jury (2007, Young Cinema Art - WorldStudent Film festival)Da¤›t›m / Distribution: [email protected]

Özgeçmifl: Marko Santiç 1983’te Split’te do¤du. 2002 y›l›nda Ljubljana’daki Tiyatro, Radyo ve Sinema Akademisi’ninSinema ve Televizyon kursuna kabul edildi.

Biography: Marko ·antiç was born in 1983 in Split. He was accepted to the Theatre, Movie, Radio and Film Academyin Ljubljana in 2002, in the course of Film and TV Directing.

201

ÇUKURTHE HOLE



Gururlu anne babalar›n, anlay›fll› ö¤retmenlerin, çal›nt› çerezlerin ve rüzgara uçanöpücüklerin dünyas›nda büyüyen küçük çocuklar›n k›sa bir hikayesi.

A short story of little people growing up in a world of proud parents, understandingteachers, stolen snacks and kisses blown to the wind.

Yönetmen / Director: Massimo CappelliSenaryo / Screenwriter: Federica PontremoliKurgu / Editor: Fabio NunziataMüzik / Music: Giuliano TavianiGörüntü Yönetmeni / Director Of Photography: Raoul TorresiOyuncular / Cast: Fabio Troiano, Chiara Francini, Edoardo De Gennaro, Martina LombardiÖdüller / Awards: Awards Short Film ‘Natural Born Bully’Da¤›t›m / Distribution: [email protected]

Özgeçmifl: Ascoli Piceno’da do¤an Massimo Cappelli, Juridprudence’de üniversite e¤itimini tamamlad›ktan sonraRoma’ya tafl›nd›. 2001 fiubat’›nda ‘Ampio, luminoso, vicino metro’ adl› yüksek çözünürlüklü k›sa filmininprodüksiyonuyla ‘Cinecittà Digital 2000’ ödülünü kazand›.

Biography: Massimo Cappelli, born in Ascoli Piceno, moved to Rome after a university degree in Jurisprudence.In February 2001 he won the ‘Cinecittà Digital 2000’ prize for the script production of a high-definition shortentitled ‘Ampio, luminoso, vicino metro’.

202


DO⁄UfiTAN KABADAYINATURAL BORN BULLY


K›rsal bir bölgede, kar›s› Hélène ve k›z› Laura’yla birlikte yaflayan, k›rkl› yafllar›n›nortas›ndaki Andrea’n›n evinin kap›s›n›, yirmili yafllar›n›n sonundaki Ines adl› birk›z çalar. Andrea ve Ines birbirlerini on yedi y›ld›r görmemifllerdir. Ines’inziyaretinin, bu ailenin uyumunu tehlikeye ataca¤›n› çok çabuk bir flekilde anlar›z.

Andrea, in his mid forties, lives with his wife Hélène and his daughter Laura in aresidential area when Ines, a girl in her late twenties, rings at the doorbell of theirhouse. Andrea and Ines haven’t seen each other for seventeen years. Very quicklywe realize that Ines’s visit is going to jeopardize the harmony of this family.

Yönetmen / Director: Bosilka SimonovitchSenaryo / Screenwriter: Bosilka SimonovitchKurgu / Editor: Damien MaestraggiMüzik / Music: Maxence CyrinGörüntü Yönetmeni / Director Of Photography: Elin KirschfinkOyuncular / Cast: Amélie Daure, Jean Marie Lamour, Valérie MaesDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1977 Paris’de do¤du.

Biography: Born in Paris in 1977.

203

DOMUZPIG



O ö¤leden sonra Partice ve Magalie ilk kez karfl›laflt›lar. ‹lk kez seviflmek üzereler.Ama Magalie her fleyi söylemedi. Partice de henüz her fleyi görmedi.

On this very afternoon, Patrice and Magalie meet for the first time. For the firsttime, they are about to make love. But Magalie has not said everything. And Patricehas not seen anything yet.

Yönetmen / Director: Thomas PerrierSenaryo / Screenwriter: Thomas PerrierKurgu / Editor: Jenny FrenckGörüntü Yönetmeni / Director Of Photography: Steeven PetittevilleOyuncular / Cast: Pascal Vincent, Anne CharrierÖdüller / Awards: Best short film in the Alpes d’Huez 2008 festivalDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Thomas Perrier 2001 y›l›ndan bu yana televizyon için yaz›yor. 2004’te k›sa filmler yönetmeye bafllad›.

Biography: Since 2001, Thomas Perrier is a writter for télévision. In 2004 he starts to directed short films.

204


DURACAKSTOP REQUESTEDKurmaca / Fiction, 11’Renkli / Color, 2007

Küçük bir aile üyelerini, hayvanlarla karfl›laflt›rarak tan›t›yor.

A little girl is introducing her family members, comparing them with animals.

Yönetmen / Director: Maryam KashkooliniaSenaryo / Screenwriter: Maryam KashkooliniaKurgu / Editor: Maryam KashkooliniaMüzik / Music: Hami HaghighiGörüntü Yönetmeni / Director Of Photography: Maryam KashkooliniaAnimasyon / Animation: Maryam KashkooliniaDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1966’da do¤du. Sanat Üniversitesi’nin grafik bölümünden mezun olduktan sonra canland›rma dal›ndamaster yapt›. Afifl tasar›mc›s›, kitap kapa¤› tasar›mc›s› vs. olarak 12 y›ll›k tecrübesi vard›r.

Biography: She was born in 1966. She is a graduate of graphics (B.A.) and animation (M.A.) from Art Univesity.She has a 12 year experience as: poster designer, book cover designer, etc.

205

EV‹M‹ZDEIN OUR HOME



Birbiri için mükemmel olan ve sürekli yollar› kesiflen ama hiç tan›flmayan iki insan›nneredeyse gerçekleflecek aflk hikayesi...

Almost a love story of two people perfect for each who often cross tracks and stillnever meet...

Yönetmen / Director: Basak DemirSenaryo / Screenwriter: Basak DemirKurgu / Editor: Basak DemirMüzik / Music: Heidi Happy, Pascal CommeladeGörüntü Yönetmeni / Director Of Photography: Chris CalimanAnimasyon / Animation: Thomas SchmidlOyuncular / Cast: Emily Behr, Nicolas Solar Lozier, Melnaie Blocksdorf, Roman RussoDa¤›t›m / Distribution: [email protected], [email protected]

Özgeçmifl: 1978, Tunceli do¤umlu. 1997-2001 y›llar› aras›nda Ankara Üniversitesi’nde iletiflim, sinema ve televizyone¤itimi ald›. 2002-2007 y›llar› aras›nda Köln Medya Sanatlar› Akademisi’nde sinema ve televizyon okudu. “EnPassan” mezuniyet filmi.

Biography: Born 1978 in Tunceli/Turkey. 1997-2001 Studies of communication studies, film & television at theUniversity of Ankara. 2002-2007 Studies in film and television at the Academy of Media Arts Cologne. ‘En Passant’is her diploma work.

206


GEL‹P GEÇENEN PASSANT


fians›z genç bir adam, hiç bitmeyen bir torba alt›n para karfl›l›¤›nda gizemli birbeyefendiye gölgesini satar. Bu gerçek genç adam›n korkunç zorluklar yaflamas›naneden olur.

A young man without luck sells his shadow to a mysterious gentleman in exchangefor an eternal bag of gold coins. This fact will cause the young man terrible hardships.

Yönetmen / Director: José Esteban AlendaSenaryo / Screenwriter: José Esteban AlendaKurgu / Editor: César Esteban AlendaMüzik / Music: Aday Rodríguez ToledoAnimasyon / Animation: Juan RubioOyuncular / Cast: Jesús Rodríguez LópezDa¤›t›m / Distribution: [email protected]

Özgeçmifl: César Esteban Alenda, Mimarl›k e¤itimini, Grafik Tasar›m ve Film Yönetmenli¤i gibi di¤er sanatsaldisiplinlerle birlefltiriyor.

Biography: César Esteban Alenda combines his degree on Architecture with other artistic disciplines such asGraphic Design and Film Director.

207

GÖLGES‹Z ADAMTHE MAN WITHOUT A SHADOW



Bir hapisane görüflü süresince bir erkek ve kad›n için mahremiyeti aramak ve bulmakhiç de kolay de¤ildir.

Seeking and finding intimacy is no easy thing for a man and a woman during aprison visit.

Yönetmen / Director: Marie VernaldeSenaryo / Screenwriter: Marie VernaldeKurgu / Editor: Marie Vernalde, Fred MassiotMüzik / Music: Charles CourtGörüntü Yönetmeni / Director Of Photography: Yves LafayeOyuncular / Cast: Marie Vernalde, Patrick CatalifoÖdüller / Awards: Special Mention Youth Jury in Huesca, SpainDa¤›t›m / Distribution: [email protected]

208


GÖRÜfi ODASITHE VISITING ROOMKurmaca / Fiction, 11’Renkli / Color, 2007

- “SÜLEYMAN benden daha m› uzun?!”- diye merak eder SÜLEYMAN’›n babas›, 32 yafl›ndaki o¤lu SÜLEYMAN onuziyarete geldi¤inde.

- ‘Is SOLIMAN taller ?!’- and so wondered SOLIMAN’S father when his 32 years old son SOLIMANvisited him .

Yönetmen / Director: Sherif ElbendarySenaryo / Screenwriter: Sherif ElbendaryKurgu / Editor: Amr SaiedMüzik / Music: Tamer KarawanGörüntü Yönetmeni / Director Of Photography: Sherif GalalOyuncular / Cast: Salah Marie, Basem Samra, Seham Abd ElsalamÖdüller / Awards: Best Short Film in Noah’s Ark International Film Festival, Russia 2008Da¤›t›m / Distribution: [email protected]

209

GÜNLER‹N SONUNDAAT DAY’S END



Ramiro gerçekli¤e odaklanan ya da odaklanmayan gözlükler takar ve böylece hiçbirsürprizin yer almad›¤› sakin bir hayat sürdürebilir.

Ramiro wears glasses that focus or unfocus reality so that he can live a calm lifewith no surprises.

Yönetmen / Director: César Esteban AlendaSenaryo / Screenwriter: César Esteban AlendaKurgu / Editor: Iván RodríguezMüzik / Music: Sergio de la PuenteGörüntü Yönetmeni / Director Of Photography: Tom ConnoleOyuncular / Cast: Roger Alvarez, Manuela PasoDa¤›t›m / Distribution: [email protected]

Özgeçmifl: César Esteban Alenda Mimarl›k dal›ndaki e¤itimini, Grafik Tasar›m ve Film Yönetmenli¤i gibi di¤ersanatsal disiplinlerle birlefltiriyor.

Biography: César Esteban Alenda combines his degree on Architecture with other artistic disciplines such asGraphic Design and Film Director.

210


HA‹N ISLIKWHISTLE PERFIDIAKurmaca / Fiction, 16’Renkli / Color, 2008

Mario ve Tom iki serseridir, sorun ç›karmad›klar› zamanlarda para bulmaya çal›fl›rlar.Banka soymak için plan yaparlar, arkadafllar›n›n kar›s›n›n ameilyat olmas›gerekmektedir.

Mario and Tom are two lunk-heads who are looking for money when they aren’tlooking for trouble. They concoct a plan to rob a bank, their friend’s wife needs anoperation.

Yönetmen / Director: Nicolas DaenensSenaryo / Screenwriter: Nicolas DaenensKurgu / Editor: Frank Van LooyMüzik / Music: Rye JehuGörüntü Yönetmeni / Director Of Photography: Lieven van BaelenOyuncular / Cast: Johan Heldenberghs, Sam Lowyck, Mustapha EmranÖdüller / Awards: Prix de la Critique, Festival du Court Métrage de Bruxelles (2008); Golden Bear & AudienceAward, Festival der Nationen, Oostenrijk (2008); Best International Short Film, Independent Producers InternationalFilm Festival, Roemenië (2008); MediaBridge Youthfest Audience Award, Chicago (2008); Best Foreign Short FilmAward, Moondance Filmfestival, USA (2008); Best Short, Strasbourg International Film Festival, Frankrijk (2008);Audience Choice, NYC Shorts, USA (2008)Da¤›t›m / Distribution: [email protected]

211

HAYATTAN B‹R GÜNA DAY IN A LIFE



‹nekler birer birer mezbahaya getiriliyor. Yafll› kad›n›n ve s›¤›rlar› tafl›yan kamyonunfloförünün gözetiminde, çocuklar hayvanlardan uzak tutulmaya çal›fl›l›yor. O birgün ineklere bakanlardan biri olaca¤›na yemin ediyor...

One by one, the cows are led to the slaughterhouse. Under the watch of the oldwoman and of the cattletruck driver, the kid tries to hold back the animals. Heswears that one day he will be the one who will take care of the cows...

Yönetmen / Director: Mickaël RagotSenaryo / Screenwriter: Mickaël RagotKurgu / Editor: Mael KermalegenMüzik / Music: Philippe OnfraySes / Sound: Pierre Albert Vivet, Raphaël BigaudOyuncular / Cast: Joséphine Guenegues, Bob SimonÖdüller / Awards: Special Prize of the 15th Lama European Film Festival and rural world (Corse - 2008)

Özgeçmifl: Mickaël Ragot profesyonel bir montajc›. “Shutdown” onun ilk k›sa filmi. Film Brest Avrupa K›sa FilmFestivali’nin düzenledi¤i ESTRAN yar›flmas›nda 2006 y›l› ödülünü kazand›.

Biography: Mickaël Ragot is a professional editor. ‘Shutdown’ is his first short film. It is the 2006 Prize-winnerof ESTRAN competition, organized by Brest European Short Film Festival.

212


‹FLASSHUTDOWN


Yaz›n kör edici ›fl›¤›nda bir çift tan›fl›p afl›k olur. Kad›n Nepal’i keflfeder, dinseltörenlerini ve sessiz müzelerini. Adam volkan›n kurak yamaçlar›n› filme al›r.Canland›rmac›’n›n Stüdyo Koleksiyonu (bir aktör hakk›nda, onun sinematografisiçevresinde kurulmufl bir film) havas›nda olan ‹sveçli Kad›n, ünlü bir Hollywoodaktrisiyle bir “misyoner” film yönetmeni Ingrid Bergman ile Roberto Rosselliniaras›ndaki imkans›z oldu¤u kadar tart›flmal› da olan bir karfl›laflmaya göndermeyapar. Nicolas Liguori’nin karakalem çizimleri, Marc Perrone’nin akordeonuyla veSpilliart, Hopper gibi büyük sanatç›lardan esinlenen ›fl›k ve gölgelerle canlan›yor.

A couple meet and fall in love in the blinding light of summer. She discovers Naples,its religious processions and silent museums. He films the arid slopes of the volcano.In the spirit of the Animator’s Studio Collection (a film about an actor built aroundhis cinematography), The Swedish Woman pays a moving tribute to IngridBergman and Roberto Rossellini in the encounter, as improbable as it is explosive,between a famous Hollywood actress and a ‘missionary’ film director. Withaccordion music by Marc Perrone, this film in charcoal drawings by Nicolas Liguoriis brought to life by light and shadow inspired by great artists such as Spilliaertand Hopper.

Yönetmen / Director: Nicolas LiguoriSenaryo / Screenwriter: Nicolas LiguoriKurgu / Editor: Nicolas LiguoriMüzik / Music: Marc PerroneGörüntü Yönetmeni / Director Of Photography: Nicolas LiguoriAnimasyon / Animation: Nicolas Liguori, Anne Laure Totaro

213

‹SVEÇL‹ KADINTHE SWEDISH WOMAN



Ulduz, karanl›k bir gelece¤in efli¤inde oldu¤unu hisseder.

Ulduz feels that she is at the beginning of a dark fortune.

Yönetmen / Director: Amin BahojbSenaryo / Screenwriter: Amin BahojbKurgu / Editor: Amin BahojbGörüntü Yönetmeni / Director Of Photography: Hamid MehrafruzOyuncular / Cast: Bahar ‹smeilpur, Mohemmed PurabdullahDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1978 y›l›nda Teriz do¤du.

Biography: Born 1978 Iran Tabriz.

214


IfiIKLIGHT


Otto ve Lola iki kabare sanatç›s›d›r, yaflamlar›n› tutkunu olduklar› oyunculukladoldururlar.

Otto and Lola, two cabaret artists, fill their lives with their passion: acting.

Yönetmen / Director: Marc Riba, Anna SolanasSenaryo / Screenwriter: Marc Riba, Anna SolanasKurgu / Editor: Sergi MartíMüzik / Music: Natalia Miró do NascimentoGörüntü Yönetmeni / Director Of Photography: Anna MolinsAnimasyon / Animation: Núria RibaDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Marc Riba ve Anna Solanas ilk kukla animasyon filmeri olan “Black is the colour of the gods” filmlerinimezuniyet projeleri olarak 2002 y›l›nda çektiler. Bu film ‹spanya’daki Goya Ödülleri’ne aday oldu ve dünyan›nbirçok festivalinden ödülle döndü.

Biography: Marc Riba and Anna Solanas shooted their first puppet animation short film ‘Black is the colour ofthe gods’ (35mm, 2002) as a graduation film. It was nominated for the Goya Awards (the Spanish Academy ofCinema Awards) and won different awards in festivals all over the world.

215

KABARE KADNECABARET KADNE



Withindoors, paranoya ve hastal›¤›n›n bir sonucu olarak endiflenin tetikledi¤i aç›kolan korkusu olan Lewis adl› genç bir adam üstündeki etkileri temas› çevresindekotar›lan huzursuz bir atmosfere sahip bir film. K›z arkadafl›n›n terk etmesi, onuyeniden kazanmak üzere evinden d›flar› ç›kmaya kalk›flmas›n› teflvik ediyor.

Withindoors is an edgy atmospheric piece steeped around the theme of paranoiaand its effect on Lewis, a young man with agoraphobia crippled by anxiety as aresult of his disorder. His girlfriend leaves him which spurs him to attempt to leavehis house in order to win her back.

Yönetmen / Director: Russell WebberSenaryo / Screenwriter: Russell WebberKurgu / Editor: Russell WebberMüzik / Music: Simon RichardsonGörüntü Yönetmeni / Director Of Photography: Leo LeighOyuncular / Cast: Micheal Dixon, Megan MazckoDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Kathryn Bigelows'un Ürdün'ün çöl ortam›nda geçen en son prodüksiyonu “The Hurt Locker”da videoasistan› olarak edindi¤i tecrübelerin teflvik etti¤i Russell Webber, Londra Metropolitan Film Okulu’nda, gelecektekiyönetmenlik mesle¤ine ad›n› yazd›rd›. K›sa filmi “withindoors” Cannes K›sa Film Bölümü’nde gösterilmifl bulunuyor.

Biography: Spurred on by his experiences working as the video assistant on Kathryn Bigelows newest production‘The Hurt Locker‘ in the Jordanian desert landscape, Russell Webber enrolled at the Metropolitan Film Schoolin London to further his directing craft. His first short film ‘withindoors’ has already been screened at the CannesShort Film Corner.

216


KAPILARIN ‹Ç‹NDEWITHINDOORS


On üç yafl›ndaki Josh ile dokuz yafl›ndaki kardefli Alex aras›nda zarars›z bir e¤lenceolarak bafllayan fley, k›sa bir süre sonra Alex’in yaflam› için mücadele etti¤i bir güçmücadelesine dönüflür.

What starts off as harmless fun between thirteen-year-old Josh and his nine-year-old brother Alex soon turns into a power struggle in which Alex is eventuallyforced to fight for his life.

Yönetmen / Director: Lars KreyßigKurgu / Editor: Jenny van AppeldornMüzik / Music: Georg RohbeckSes Tasar›m› / Sound Desing: artaudioMakyaj/ Make Up: Maria ReppnowSanat Yönetmeni/ Art Director: Jost Brand – HübnerGörüntü Yönetmeni / Director Of Photography: Sebastian HöhnOyuncular / Cast: Vincent Krüger, Richie König, Tom Jahn, Anna BöttcherDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1981 y›l›nda Almanya, Leipzig’de do¤an Lars Kreyßig, 2001 y›l›ndan 2002 y›l›na kadar Danimarka’daAvrupa Film Okulu’na devam etti. Baden-Württemberg Film Akademisi’nde (2002-2004) geçirdi¤i iki y›ldan sonra,ö¤renimini 2007 y›l›nda, Köln’deki Medya Sanatlar› Akademisi’nde tamamlad›.

Biography: Born in 1981 in Leipzig, Germany, Lars Kreyßig attended the European Film College in Denmark from2001 until 2002. After two years at the Filmakademie Baden-Württemberg (2002-2004), he completed his degreeat the Academy of Media Arts in Cologne in 2007. He has directed several short films and documentaries andalso works as a photographer and illustrator. ‘Brother, Brother’ is his diploma project.

217

KARDEfi, KARDEfiBROTHER, BROTHER



Baz›lar› farkl› olduklar› için, sizden ayr› olduklar› için size aittirler. Bu bir bedenede¤il, içeride bir ba¤a sahip olmakt›r.

Someone belongs to you because they’re different, seperate from you.It’s notpossessing a body, it’s possessing a bond inside.

Yönetmen / Director: Licia EminentiSenaryo / Screenwriter: Licia EminentiKurgu / Editor: Yannick CoutheronMüzik / Music: Yannick CoutheronGörüntü Yönetmeni / Director Of Photography: Nicolas RideauOyuncular / Cast: Agathe Dronne, Cedric Grimoin, Lorelei Ares, Gautier Van Lieshout, Lola Giovannetti

218


KARDEfiL‹KBROTHERHOOD


Baz›lar› delili¤e ya da sa¤duyuya uygun olarak balonlar›n› uçmaya b›rak›rlar amabu tür herhangi bir giriflimin sonucu sistematik olarak baflar›zl›kt›r.

Some, in a fit of madness or lucidity try to make their balloon fly away, but anysuch attempt is systematically doomed to failure.

Yönetmen / Director: Claude WeissSenaryo / Screenwriter: Claude WeissMüzik / Music: Claude WeissGörüntü Yönetmeni / Director Of Photography: Claude WeissAnimasyon / Animation: Claude Weiss, Patrick Cohen, Sarah Van Den Boom, Eric BouilletteDa¤›t›m / Distribution: [email protected]

219

KEND‹ KAFES‹N‹ TAfiIYAN TEK KUfi ‹NSANDIRMAN IS THE ONLY BIRD THAT CARRIES HIS OWN CAGE



Gelecekteki bir dünyada emektar “kiral›k dost” Betelgez, kay›p k›z› Celestinearamaktad›r. Bir yandan da gizemli bir virüs nedeniyle eli kula¤›nda olan ölümüylebafla ç›kmaya çal›flmak zorundad›r.

In a future world, Betelgez, a veteran ‘friend for hire’, is searching for his missingdaughter, Celestine, while he has to cope with his imminent death from amysterious virus.

Yönetmen / Director: Dimitris EmmanouilidisSenaryo / Screenwriter: Dimitris EmmanouilidisKurgu / Editor: Kenan AkkawiMüzik / Music: Coti K, Bad Mathematics, Vishy MoghanGörüntü Yönetmeni / Director Of Photography: Vassilis KlotsotirasOyuncular / Cast: Vangelis MourikisÖdüller / Awards: Drama International Short Film, Festival (Greece, 2007); Best Production Design; ThessalonikiInternational Film Festival (Greece, 2007); Greek Ministry of Culture Special Quality Prize; Athens Fantastic FilmFestival (Greece, 2008): Best Sci-Fi Screenplay, Best Production Design, Best Supporting Actress, Best OriginalSoundtrackDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Thessaloniki’de (1976) do¤ru ve kuzey Yunanistan’daki Drama’da büyüdü. Sosyoloji ve film yönetmenli¤ie¤itimi ald›. Sinema ve televizyon için senaryo yazar› olarak çal›flt›. Uzun metraj senaryosu gelifltirme alan›ndabir Avrupa e¤itim program› olan MFI Senaryo Atölyeleri için Program Koordinatör Yard›mc›l›¤› yap›yor.

Biography: Born in Thessaloniki (1976) & raised in Drama, northern Greece. He has studied sociology and filmdirecting. He has worked as a screenwriter for film and TV, and he is Program Assistant Co-ordinator for MFIScript Workshops, a European training activity in the field of feature script development.

220


K‹RALIK OMUZSHOULDER FOR HIRE


Sicilya, 1960’lar. Rebecca bir bal›kç› olan Pietro’ya afl›kt›r. Adam denize aç›ld›¤›nda,k›sa dalga telsizden onun sesini dinler.

Sicily, 1960’s. Rebecca is in love with pietro, a fisherman. When he leaves for thesea, she listens to her voice on the short waves radio.

Yönetmen / Director: Simone CataniaSenaryo / Screenwriter: Giulia ManelliKurgu / Editor: Alessandro CerquettiMüzik / Music: Giovanna CucinottaGörüntü Yönetmeni / Director Of Photography: Paolo FerrariOyuncular / Cast: Maria Grazia CucinottaDa¤›t›m / Distribution: [email protected]

221

KISA DALGALARSHORT WAVES



Güvenlik görevlisi Becker, genç bir kad›n› süper markette h›rs›zl›k yaparken yakalarama kad›nla ilgili bir fleyler ola¤an iflini yapmay›p, daha önce hiç yapmad›¤› bir fleyyapmas›na neden olur. Kad›n›n gitmesine izin verir. Ancak ertesi gün kad›n yinesüper markete gelir.

The security guy Becker caught a young woman stealing in a supermarket, butsomething about her lets him leave his routine and do something he never didbefore. He lets her go. But on the next day she is standing again in the supermarket.

Yönetmen / Director: Lars HenningSenaryo / Screenwriter: Lars HenningKurgu / Editor: Nikolai HartmannMüzik / Music: SmogGörüntü Yönetmeni / Director Of Photography: Carol Burandt von KamekeOyuncular / Cast: Peter Kurth, Suzana RozkosnyÖdüller / Awards: 16 Awards, 125 FestivalsDa¤›t›m / Distribution: [email protected]

222


KORUMASECURITY


Bir adam ve o¤lu, d›fl dünyaya tek eriflimin (köprü) tahrip oldu¤u sarp bir zirvenintepesinde soyutlanm›fl bir flekilde yafl›yordu. Bir akflam çocuk uzaklarda, renkli›fl›klar› olan bir kasaba fark etti. Yafl› ilerledikçe, babas›n›n onu korumaya çal›flt›¤›,afla¤›daki bu insan yaflam›yla büyülendi. Ancak hayat›n ak›fl›n› zapt edemezsiniz...

A man and his son live isolated on the top of a craggy peak whose only access tothe outside world (the bridge) is destroyed. One evening, the child notices a townwith coloured lights in the distance. The older he gets, the more he is fascinatedby this human life below from which his father is trying to protect him. But youcan not hold back the course of life...

Yönetmen / Director: Vincent BierrewaertsSenaryo / Screenwriter: Vincent BierrewaertsGörüntü Yönetmeni / Director Of Photography: Da¤›t›m / Distribution: [email protected]

223

KÖPRÜTHE BRIDGE



Elinde çanta tutan, insan bafll› difli bir at, gözlerini r›ht›mda açar. Yük gemileriyolculu¤a haz›r bir flekilde beklemektedirler. Bir anda yar›fl bafllar.

The eye of the centaur opens up onto the port.. A female centaur, carries a suitcase.Suddenly the race is on.

Yönetmen / Director: Camille Galle, Manolo BezSenaryo / Screenwriter: Camille Galle, Manolo BezMüzik / Music: Christian BoisselOyuncular / Cast: Camille ve GraalDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Kuruldu¤u 1989 y›l›ndan bu yana, “Théâtre du Centaure” gösteri toplulu¤u ütopik bir macera peflindedir.Gerçeküstü bir oyuncu, insan bafll› bir at yaratmak. Camille & Manolo flirketlerini bu amaçla yönetmektedirler.

Biography: Since being founded in 1989, the Théâtre du Centaure has been living a utopian adventure: creatinga surrealistic actor, the centaur. Camille & Manolo direct the company with this objective; the actor-centaur isthe fruit of their research in common.

224


MARS‹LYAMARSEILLE

Deneysel / Experimental, 9’Siyah-Beyaz / B&W, 2007

Yedi yafl›ndaki Milos s›n›f arkadafl› Anna’ya afl›kt›r. K›z onu öpmeyi reddederken,o k›z› kendisini öpmesi ve 20 yafl›nda sevgilisi olmas› konusunda söz vermesi içinzorlar. Tam yirmi y›l sonra Milos, Anna’n›n hayat›na tekrar girer ve bu sözü tutmas›için ›srar eder...

The 7-year-old Milos is in love with his classmate Anna. While she rejects to kisshim, he wrenches the promise from her, to kiss him and to be his girl in 20 years.Excatly two-decades later steps Milos in Anna’s life again and insists on thepromise...

Yönetmen / Director: Arne KohlweyerSenaryo / Screenwriter: Arne KohlweyerKurgu / Editor: Arne KohlweyerMüzik / Music: G. KrylowaGörüntü Yönetmeni / Director Of Photography: Ales NemecOyuncular / Cast: Petr Vancura, Barbara Humel, Jakub GottwaldDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Arne Kohlweyer 11 Haziran 1981’de, Almanya, Wolgast’ta do¤du ve Berlin’de büyüdü. 2004 y›l›nda, ilksergilerini de açt›¤› Avusturya, Graz’daki Uygulamal› Foto¤raf Akademisi’nde fotorafç›l›k ö¤renimini tamamlad›.

Biography: Arne Kohlweyer was born on June 11th, 1981 in Wolgast/ Germany and grew up in Berlin. In 2004 hecompleted his degree in photography at Academy of Applied Photography in Graz/ Austria, where he also hadhis first exhibitions.

225

MILOS LASKA’NIN TATLI AMA B‹RAZ DA ACI BALADITHE SWEET BUT SOMEHOW ALSO BITTER BALLAD OF MILOS LASKA



10 yafl›nda bir k›z olan Elle hasta numaras› yapar ve okula gitmeyip evde kalmas›gerekti¤ine annesini inand›r›r. Bir süre sonra bu yenilik de eskir ve Elle kendisinican› s›k›lm›fl ve yaln›z bulur...

Elle, a 10 year old girl pretends to be sick, convincing her Mum that she must stayhome from school. The novelty soon wears off and Elle finds herself bored andalone...

Yönetmen / Director: Anna FraserSenaryo / Screenwriter: Anna FraserKurgu / Editor: Ceinwen BerryMüzik / Music: Christopher O’YoungGörüntü Yönetmeni / Director Of Photography: Bonnie ElliottOyuncular / Cast: Lily Fraser, Jasmine Hoy, Lucy BellDa¤›t›m / Distribution: [email protected]

226


NEREDEYSE ONB‹RALMOST ELEVEN


Bir güvenlik görevlisi gününü, gizli gizli afl›k oldu¤u genç bir kitapevi tezgahtar›dahil olmak üzere baflkalar›n› gözleyerek geçirir. Genç k›z› dükkan›n video izlemesisteminden izler ve paylaflt›klar› iletiflim hatt›ndan onunla ba¤lant› kurman›nyollar›n› arar. Genç k›z bir akflam trende bir baflka adamla karfl›s›na ç›kar...

A department security guard spends his days observing others, including a youngbookstore clerk with whom he is secretely in love. He watches her via the store’svideo monitoring system and looks for ways to connect with her on the commutingline they share. Then one evening she appears on the train with another guy...

Yönetmen / Director: Reto CaffiSenaryo / Screenwriter: Reto Caffi, Phlippe ZweifelKurgu / Editor: Thomas BachmannMüzik / Music: Ivo UbezioGörüntü Yönetmeni / Director Of Photography: Piotr RosoloskiOyuncular / Cast: Roeland Wiesnekker, Catherine JankeÖdüller / Awards: CinemaJove Valencia ‘Luna de Valencia de plata’, Spain, 2008; Krakow Int’l Filmfestival, prizeof the student jury, Poland, 2008; Babelsberg Media Award (best German student film, cat. fiction) 2008; KinofestLünen, ‘audience award’, Germany, 2007; FICA Algarve Int’l Filmfestival ‘best fiction film’, Portugal, 2008; TorunFilmfestival, ‘best fiction shortfilm’, Croatia, 2008Da¤›t›m / Distribution: [email protected], [email protected]

Özgeçmifl: 28.10.1971, ‹svçire, Bern’de büyüdü. 1992-98 y›llar› aras›nda Fribourg Üniversitesi ‹ngiliz edebiyat› vegazetecilik bölümünde e¤itim gördü.

Biography: 28.10.1971, grew up in Bern, Switzerland. 1992-98 Studies of English literature and journalism at theuniversity of Fribourg, Switzerland. After graduation several years of work as filmjournalist for print, radio andfor Swiss National Television SFTV (2001-04). Work as scriptwriter (‘Oeschenen’, TV-Movie SFTV, 2004) anddirector. His shortfilms have won over 30 awards at festivals and were shown in cinemas and on television.2004-07 postgraduate Studies at the Academy of Media Arts Cologne. ‘On the line’ is his diploma film.

227

O HATTAON THE LINE



A¤laman›n ve koflman›n yasak oldu¤u bir kasaba. Heryerde gözetleme kameralar›var. Bir kad›n sürekli a¤l›yor, bir göçmen kofluyor. Bir çat›. Bir vaftiz.

A town where crying and running are forbidden. Surveillance cameras areeverywhere. A woman cries incessantly. An immigrant runs. A rooftop, Achristening.

Yönetmen / Director: Maria MagkanariSenaryo / Screenwriter: Maria MagkanariKurgu / Editor: Bonita PapastathiSinematografi / Cinematography: Odysseas PavlopoulosDekor / Sets: Thalia IstikopoulouKostüm / Costumes: Thalia IstikopoulouSes / Sound: Xenophontas KontopoulosSanat Yönetmeni / Artistic Director: Yannis LeontarisOyuncular / Cast: Maria Kechayaglou, Camilo Bentancor, Yannis Dalianis, Giorgos Moroyannis, Syrmo Keke,Aphroditi Teleli, Elli FotiuYap›mc› / Producer: Dimitris KalaitzisOrtak Yap›m / Co-production: Panayotis Petropoulos, Maria Magkanari

Özgeçmifl: Atina da do¤an ve Ionnina Üniversitesi Edebiyat bölümünü ve Veakis Dramatic Sanatlar› bitiren vehalen Selanik Üniversitesi Dramatik sanatlarda doktora yapan sanatç› ayn› zamanda aktrislik te yapmaktad›r.

Biography: Born in Athens, she is graduate of the University of Ionnina School of Literature as well as the theVeakis Drama School. She is presently working on her doctorate at the University of Thessaloniki School ofDramatic Art. She works as an actress.

228


ÖLDÜRÜLÜRKEN A⁄LAMAKCRYING WHILE BEING KILLED


We are greatful for their support

Roger Pauline’le tan›fl›nca, yeni baflyap›t›n›n divas›n› buldu¤u düflüncesi, fetifl filmiHitchcock’un Vertigo’nunu bafltan çekme fikrini teflvik eder.

When Roger meets Pauline, the perspective to have finally found his nextmasterpieces’diva incites him to consider the remake of his fetich movie, ‘Vertigo’by Hitchcock.

Yönetmen / Director: Alain BassoSenaryo / Screenwriter: Alain BassoKurgu / Editor: Alain BassoMüzik / Music: Bernard Herrmann, Maxime Le ForrestierGörüntü Yönetmeni / Director Of Photography: Gilles Daubeuf, Thomas LavorelOyuncular / Cast: Patricia Recanati, Pierre-Jean BuissonÖdüller / Awards: Bronze Remi Award, Worldfest Houston, USA; Winner Independent Short, Festival of FantasticFilms, Manchester, England; 3rd Place, Twin River Media Festival, Asheville, USADa¤›t›m / Distribution: [email protected]

Özgeçmifl: Sanat filmlerine tutkuyla ba¤l›d›r, daha sonralar› modern ya da deneysel filmlerle ilgilenir, sesiniçindeki kendi besteci aray›fl›yla benzerlikler saptar. Filmlerle ilgilenmektedir ve Paris’te ESEC’te sinema vevideo okur.

Biography: Passionately found of art house films, he has been interested later to modern or experimentalfilmmakers, detecting similaries with his own composer’s research into sound. He get involved in moving imagesand studied film and video art at the ESEC (Paris).

229

ÖLÜLER ARASINDAAMONG THE DEAD



Bir adam her fleyini kaybetti¤i yere geri döner. Sadece son bir bak›fl bulmakistemektedir. Bu onun son flans›d›r.

A man comes back at the place he lose everything. He just want to find a last glance.It’s his last chance.

Yönetmen / Director: Grégoire GraesslinSenaryo / Screenwriter: Grégoire GraesslinKurgu / Editor: Alan JobartMüzik / Music: Julien RuizGörüntü Yönetmeni / Director Of Photography: François-Xavier Le ResteOyuncular / Cast: Eric Chevaleyre, Douceline DerrealDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Grégoire Graesslin, 11 Eylül 1985’te Fransa’da do¤du. Paris Üniversitesi 8’in sinema bölümünden mezunoldu. Bir prodüksiyon flirketinde çal›fl›yor.

Biography: Grégoire Graesslin was born September 11, 1985, in France. Graduated in cinema at the UniversityParis 8. Work in production company.

230


PARMAKLARININ ARASINDABETWEEN HIS FINGERS


Bask bölgesinin yerlisi olan Benoit, Paris'e henüz tafl›nm›flt›r. Yaln›zl›¤›na sonvermek ve dostlar edinmek niyetiyle Benoit bir parti vermeye karar verir.

Benoit, native of the Basque Country, has recently moved to Paris. Determined toend his solitude and make friends, he decides to give a party.

Yönetmen / Director: Gautier AboutSenaryo / Screenwriter: Gautier AboutKurgu / Editor: Camile ToubkisMüzik / Music: Flemming NordkrogGörüntü Yönetmeni / Director Of Photography: Loic Savoure Oyuncular / Cast: Gautier About, Alain Fromager, Emmenuelle Destremau, Renaud BechetÖdüller / Awards: Gold luna de joveDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Gautier About, sinema tarihi e¤itimi almak üzere New York Üniversitesi'ne girdi ve yönetmen olarakilk ad›mlar›n› at›yor.

Biography: Gautier About entered New York University where he studied the history of film and made his firststeps as a director.

231

RAHATINA BAKMAKE YOURSELF AT HOME



Bir çift hafta sonunu Uruguay, Colonia del Sacramento’da geçirmeye karar verirler.Orada kald›klar› sürenin tad›n› sokaklarda gezerek ve tur yaparak ç›kar›lar. Çözümsüzbir sorunla karfl›laflana ve onlar› ay›rana kadar, her fley iyi gider. Birbirinden ayr›lançift, sadece birkaç yerlinin bildi¤i gizli bir s›rr› keflfederler.

A couple decides to spend a weekend in Colonia del Sacramento, Uruguay. Theyenjoy their stay strolling through the streets and making the tour. Everything isgoing fine, until a problem unresolved confront and separates them. Missing fromeach other, they discover a hidden secret that only a few inhabitants know.

Yönetmen / Director: Nicolás Leóm TannchenSenaryo / Screenwriter: Nicolás Leóm TannchenKurgu / Editor: Marcos PastorMüzik / Music: Gonzalo MernesGörüntü Yönetmeni / Director Of Photography: Emiliano PenelasOyuncular / Cast: Gabriela Rodriguez, Jorge Gentile, Martín CañásDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Nicolás Léon Tannchen, 8 Eylül 1974’te Arjantin, Buenos Aires’te do¤du. Buenos Aires’te büyüdü ve1993’te k›sa filmlerini yapt›¤› O.R.T. Teknik Medya ‹letiflim Okulu’ndan mezun oldu. 1997 boyunca, Arjantin, Uruguay,Brezilya ve fiili televizyonlar›nda yay›nlanan “Chiquititas” adl› kurgu program›n ortak senaryo yazar› olarakçal›flt›.

Biography: Nicolás Léon Tannchen was born on September 8th 1974 in Buenos Aires Argentina. He was raisedin Buenos Aires and in 1993 was graduated from O.R.T. Technical Media Communication School, where he madehis first short films. During 1997 he worked as script co-writer of a fiction television program called ‘Chiquititas’

232


SACRAMENTOSACRAMENTO


Prokalo kaderin do¤as›n› inceleyen, zengin bir flekilde dokunmufl, çok katmanl›,deneysel bir korku filmi. Film, ahlaks›z ve güçlü bir tacirin, onurlu sa¤ kolu olanKostas’›n hikayesini anlat›yor. Haks›z yere cinayetle suçlanan, özgürlü¤ü ve niflanl›s›elinden al›nan Kostas, e¤er kendisini kimin ve niye hapse att›rd›¤›n› ö¤renmekistiyorsa, intikam ve akl›selim aras›nda bir seçim yapmak zorunda.

Prokalo is a richly textured, multi-layered experimental thriller that probes thenature of destiny. It tells the story of Kostas, the honour-bound right-hand manof a corrupt and powerful merchant. Framed for murder, robbed of his liberty andhis fiancée, he must choose between vengeance and reason if he is to find out whowanted him put away and why.

Yönetmen / Director: Adrian WestbrookSenaryo / Screenwriter: Adrian WestbrookKurgu / Editor: Khaled SalemGörüntü Yönetmeni / Director Of Photography: Scott HillierOyuncular / Cast: Alexandre Boussat, Florian Cadiou, Katya Nachi, Jean-Pierre Bernard, Christian VadimDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Adrian Westbrook do¤du, belki e¤itim ald›, do¤du¤undan beri tafl›n›yor ve flu anda s›k s›k yaflad›¤›yerde ikamet ediyor. Büyük ölçüde anlams›z jargonun huzursuz edici flifreli parçalar›n› paylaflmad›¤› zamanlarda,yaz›yor ve yönetiyor da ya da bazen sadece yönetiyor veya s›rf nadir filmler izliyor.

Biography: Adrian Westbrook was born, may have been educated, has since moved and currently resides, wherehe often does frequently. When not doing he is often found to be, and for the time being he is, unless he hasdone. When not parcelling out irritatingly cryptic morsels of largely meaningless jargon he also writes and

233

SEBEP BEN‹MPROKALO



On dokuz yafl›ndaki Sid’in akl› inançlarla ve hayallerle doludur. Art›k genç birdelikanl› de¤ildir, ama yetiflkin bir insan da de¤ildir. Kentin liman bölgesinidenetlemekle görevlidir.

Sid is nineteen years old, his mind is full of convictions and dreams. He is notanymore a teenager not yet a man.

Yönetmen / Director: Nolwenn LemesleSenaryo / Screenwriter: Nolwenn LemesleKurgu / Editor: Emmanuelle PencaletMüzik / Music: Nicolas MéheustGörüntü Yönetmeni / Director Of Photography: Fabien LamotteOyuncular / Cast: Thomas Dumerchez, Fabio Zenoni, Eric Poulain, Guilvic Le CamDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1978 y›l›nda Rennes’de do¤du. Paris’te Sorbon Üniversitesi’nde Sinema ve Audio Visual derslerialm›flt›r.

Biography: Nolwenn Lemesle was born in 1978, in Rennes. She follows a programme ‘Arts du spectacle’ at theUniversity in Rennes, then obtains Master’s degree ‘Etudes cinématographiques et audiovisuelles’ in specialityscenario to the University Paris 1.

234


SIDSID


Bekliyor. Bir araban›n gelece¤ini biliyor. Ne yapmas› gerekti¤ini biliyor.

He is waiting. He knows a car will come. He knows what he must do.

Yönetmen / Director: Pascal MieszalaSenaryo / Screenwriter: Pascal MieszalaKurgu / Editor: Emmanuel JambuMüzik / Music: Richard EscolaGörüntü Yönetmeni / Director Of Photography: Eric WeberOyuncular / Cast: Gautier Van Lieshout, Valerie Blanchon, Eric Chevalyre, Laurence Roy,Jean-François GarreaudÖdüller / Awards: Best Sreenplay Award, Villeurbanne, France 2007; Press award, Pontault-Combault, France2007Da¤›t›m / Distribution: [email protected]

Özgeçmifl: Sanat tarihi e¤itimi ald› ve Sorbonne Üniversitesi’nde sinema master› yapt›.

Biography: He Studied history of art and has a masters in cinema at the Sorbonne University.

235

SINIR TAfiINDAK‹ ÇOCUKTHE OUTER LIMITS CHILD



On üç yafl›nda bir k›z olan Clara’n›n gözünden, küçük kardefli Sofia’n›n dünyas›n›keflfediyoruz. Sofia konuflmuyor, nesneleri bedeninin uzant›lar› gibi ve onlar›nseslerini bir dil yaratmakta kullan›yor. Clara, çocuklu¤un bitti¤i ve yetiflkinli¤inhenüz gelmedi¤i gölgeli çizgisinde. ‹ki farkl› dünya karfl›laflt›r›l›yor. Birbirlerineasla temas etmeyecek kadar yak›nlar.

Trough the eyes of Clara, a thirtenn years old girl, we found the Sofia’s world, herlittle sister. Sofia doesn’t talk and uses things as extensions of her body and usingtheir sound creates a language. Clara is in that shadow line where childhood isfinished and adolescence is still to come. Two different world put in comparison.So close that they could never touch.

Yönetmen / Director: Carlo SironiSenaryo / Screenwriter: Giulia MoriggiKurgu / Editor: Andrea MaguoloMüzik / Music: Giovanni PiccardiGörüntü Yönetmeni / Director Of Photography: Michele D’AttanasioOyuncular / Cast: Blu Yoshimi, Elena BizzagliaDa¤›t›m / Distribution: [email protected]

236


SOFIASOFIA


‹flverenlerinin hayat›n› tüketti¤i bir koruma kendi kimli¤ini yeniden oluflturmayaçal›fl›r.

A bodyguard whose life is consumed by this employers, tries to reconstruct hisown identity.

Yönetmen / Director: Ron DyensKurgu / Editor: Ron Dyens, Nicolas SarkissianMüzik / Music: Jean-Luc Teton, Françoise CuomoDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1970 do¤umlu. Ron Dynes kariyerine ressam ve yazar olarak bafllad›. 1999 y›l›nda yönetmenli¤e geçti.

Biography: Born the 1970. Ron Dyens began his career as a painter and writer. He moved to directing in 1999.

237

TATB‹KATRECONSTRUCTIONKurmaca / Fiction, 13’Renkli / Color, 2007


Otuzlu yafllardaki iki arkadafl, Irene ve Bruno, bir parti bitiminde bafl bafla kal›rlar.Irene ayr›lmaya çal›flsa da, Bruno onu orada tutmay› baflar›r ve onu tuhaf oyunlaroynamaya davet eder.

Irene and Bruno, two long-time friends in their mid-thirties, end up alone togetherat the end of a party. As Irene tries to leave, Bruno manages to keep her there andinvites her to play strange games...

Yönetmen / Director: Anne Zinn-JustinSenaryo / Screenwriter: Anne Zinn-JustinKurgu / Editor: Jonathan KleinMüzik / Music: Olivier CalmelGörüntü Yönetmeni / Director Of Photography: Mathias RaaflaubOyuncular / Cast: Adrien De Van, Ludmila RuosoDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Anne Zinn-Justin tiyatrooyunculu¤u yapt›. Slawomie Mrozek’in bir oyununu yönetti ve ilk k›sa metrajl›filmini 2003 y›l›nda çekti. Senaryo yaz›m›n› ‘La Fémis’ Frans›z Film Okulu’nda, oyuncu yönetimini de oyunculuke¤itmeni Jack Waltzer’den ö¤rendi. Halen senaryo yazar› e¤itmeni olarak çal›flmaktad›r.

Biography: Anne Zinn-Justin played in theatre plays, and directed a play by Slawomir Mrozek. She then directedher first short film ‘Soeurs de sang’. She learned script writing in French Film School ‘La Fémis’, and actordirecting with Actor Studio Coach Jack Waltzer. Anne is writing her first feature film script and works as a scriptwriting coach. She previously spent a few years working in research in genetics.

238


TEK BAfiINASOLITAIRE


“Muazzam bir y›k›c› gücü aktif hale getirece¤iz; bu nedenle lütfen herkesolabildi¤ince temiz duygular beslesin.”

‘We will activate an immense force of destruction, and therefore I want to askeverybody to release in themselves the purest intentions possible.’

Yönetmen / Director: Igor Buharov, Ivan BuharovSenaryo / Screenwriter: Igor Buharov, Ivan BuharovKurgu / Editor: Igor Buharov, Ivan BuharovDekor / Set Design: Igor Buharov, Ivan BuharovKostüm / Costumes: Igor Buharov, Ivan BuharovSes / Sound: Balázs BarnaMüzik / Music: Ivan BuharovYap›m / Production Company: Kép-ÁrnyékYap›mc› / Producer: György Durst

239

TEK KEL‹MEL‹K KORUMAONE HEAD WORD PROTECTION



Simone, Jacky ve k›zlar› Claire büyükanneleriyle birlikte ç›kt›klar› tatilden sonraeve dönmektedirler. Büyükanne arabada ölür.

Simone, Jacky and their daughter Claire come home after their holiday with theGrand mother. The ancestor dies in the car.

Yönetmen / Director: Philippe DufauxSenaryo / Screenwriter: Philippe DufauxKurgu / Editor: Said HajiouiMüzik / Music: Gérald YonGörüntü Yönetmeni / Director Of Photography: Connie OttOyuncular / Cast: Anne Ronmanoff, Joél LefrançoisDa¤›t›m / Distribution: [email protected]

240


TEK YÖNLÜ DÖNÜfiONE WAY RETURN


Tony ola¤anüstü fiziksel bir özelli¤e sahip, 28 yafl›nda bekar bir gençtir. Ailesindekidi¤er bireyler gibi çok büyük kulaklar› vard›r. seslere karfl› duydu¤u afl›r› duyarl›l›kona ac› çektirmektedir. O¤ullar›n›n tam aksine, ailesi “fazlaca büyük” kulaklar›ndangurur duymaktad›rlar.

Tony is a single 28-year-old who has inherited a remarkable physical deformity.Like the rest of his family, he has very big ears and suffers from extreme sensitivityto the slightest noise.

Yönetmen / Director: Valentin PotierSenaryo / Screenwriter: Valentin PotierKurgu / Editor: Nini RanaivoarivonyMüzik / Music: François Roy, Jean-Jacques HertzGörüntü Yönetmeni / Director Of Photography: Vincent WarinOyuncular / Cast: Nicolas Clerc, Audrey MarnayÖdüller / Awards: Prague Short Film Festival: MAIN PRIZe (November 2007, Czech Republic); Valloire Film Festival:JURY PRIZE & AUDIENCE AWARD (January 2008, France); Clermont-Ferrand International Short Film Festival:JURY MENTION & CANAL+ PRIZE (Febuary 2008, France); Aubagne International Film Festival: HUMOR MENTION(March 2008, France); Valenciennes International Film Festival: MAIN PRIZE (March 2008, France); MamersEuropean Film Festival: YOUNG JURY (March 2008, France); ‘Youth In Action’ Film Festival of Sosnowiec: MAINPRIZE (March/April 2008, Poland); Independent Film festival of Boston: AUDIENCE AWARD (May 2008, France);Réunion International Film festival: JURY AWARD JURY AWARD (June 2008, La Réunion); Rome InternationalFestival of Shorts Film & New Images (Arcipelago): BEST FILM (June 2008, Italy); Cape d’Agle Film festival (LesHeraults): MAIN PRIZE (June/July 2008, France);Da¤›t›m / Distribution: [email protected]

Özgeçmifl: Valentin Potier 1982 y›l›nda Paris’te do¤du. ESRA Sinema Okulu’ndan mezun oldu.

Biography: Born in 1982 in Paris. A graduate of the ESRA school of cinema, he wrote and directed his first shortfilm, ‘Tony Zear,’ and is currently working on a full-length feature.

241

TONY ZEARTONY ZEAR



‹ki kad›n ve yafll› bir adam ürkütücü bir k›rsal bölgede kaybolurlar. Hayatta kalmaihtiyaçlar› vahfli güdülerini uyand›r›r.

Two women and an old man lost in a forbidding countryside. Their need for survivalawakes wild instincts.

Yönetmen / Director: Yiannis GaitanidisSenaryo / Screenwriter: Dimitris Emmanouilidis, Yiannis GaitanidisKurgu / Editor: Yiannis HalkiadakisGörüntü Yönetmeni / Director Of Photography: Dionnisis EfthimiopoulosOyuncular / Cast: Marisha Triantafillidou, Maria Sideri, Yorgos Simeonidis, Stratos SarrikosÖdüller / Awards: Best Short Film Orpheus Award - 2nd Los Angeles Greek Film Festival, USA, 2008; BestPhotography award -5th Naoussa International Short Film and Video Festival, Greece, 2008; Special honorarydistinction for short film from the Greek ministry of culture, National film Awards, Greece, 2007.Da¤›t›m / Distribution: [email protected]

Özgeçmifl: Atina'da yafl›yor ve çal›fl›yor. Televizyon reklamlar›nda yönetmen olarak çal›flt›, tiyatro ve televizyondakitek bölümlük diziler için video çal›flmalar› yapt›.

Biography: He lives and works in Athens. He has worked as a director in TV commercials, video work for theatreand television one-episodes series.

242


TRANS‹TTRANSIT


Ashok yeni bir hayata bafllamak için Paris'te yaflayan genç bir Sri Lanka'l›d›r. Birlokantada çal›flmakta ve k›sa bir sür sonra çal›flma izni için gereken belgeleri alaca¤›n›ummaktad›r. Bir gece do¤du¤u aday› Tsunami'nin vurdu¤unu ö¤renir.

Ashok is a young Sri Lankan living in Paris to start a new life. He works in a restaurantand hopes that he will soon get his papers for his working permit. He learns onenight that his island has been struck by the Tsunami.

Yönetmen / Director: Nicolas MilletSenaryo / Screenwriter: Nicolas MilletKurgu / Editor: Tristan MeunierMüzik / Music: Camille DelafonGörüntü Yönetmeni / Director Of Photography: Jacques BallardOyuncular / Cast: Sudeera Perera, Chamara RupaningalDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Nicolas Millet, Tahiti ve Singapur'da geçirdi¤i çocuklu¤undan sonra, tarih dal›nda e¤itimini tamamlamaküzere Fransa'ya döndü. Kendisi yönetmen ve kameraman olarak 15'den fazla filme imza att›.

Biography: After a childhood spent in Tahiti and Singapore, Nicolas Millet returns to France in order to finishhis education and degree in history. Nicolas Millet has done more than 15 films as film director and cameraman.

243

TSUNAM‹TSUNAMI



Küçük bir k›z yuvalete gitmek ister...

A little girl wants to go to the toilet...

Yönetmen / Director: João Rodrigues, Soetkin VerstegenSenaryo / Screenwriter: João RodriguesKurgu / Editor: João Rodrigues, Soetkin VerstegenGörüntü Yönetmeni / Director Of Photography: João Rodrigues, Soetkin VerstegenAnimasyon / Animation: João Rodrigues, Soetkin VerstegenDa¤›t›m / Distribution: [email protected]

Özgeçmifl: João Rodrigues, Portekiz Katolik Üniversitesi'nde “Ses ve Görüntü” e¤itimi ald›. ‹lk filmi “siyah-beyaz”dünyan›n dört bir yan›nda 20'den fazla film festivalinde yar›flmalara kat›ld›. “The Tile-Jail-Toilet-Tale” ilkcanland›rma filmi.Soetkin Verstegen, Brüksel Sint-Lukas Yüksekokulu'nda “Görsel ‹flitsel Sanatlar” e¤itimi ald›. ‹lk canland›rmafilmi “café”, H›rvatistan “1 dakika fil festivali”nde ve Belçika'da “kortgeknipt” büyük ödül ald›. Son olarakcanland›rma filmi “The Tile-Jail-Toilet-Tale”i bitirdi.

Biography: João Rodrigues, Studied ‘Sound and image’ at UCP. His first film ‘black&white’ was on competitionin over 20 film festivals around the world. Since then he has made a second documentary: ‘Alexandrino’ andrecently his first animation ‘The Tile-Jail-Toilet-Tale’.Soetkin Verstegen, Studied ‘Audiovisual Arts’ at Sint-Lukas Brussels. Her first animation ‘café’ won the mainaward at ‘1 minute film festival’ Croatia and ‘kortgeknipt’ in Belgium. Recently she finished the animation film‘The Tile-Jail-Toilet-Tale’.

244


TUVALET H‹KAYES‹THE TILE-JAIL TOILET-TALECanland›rma / Animation, 4’50”


Üniformalar›n gölgesindeki totaliter bir dünyada, bir polis büyüden kurtulur; vehayaller olmaks›z›n, uyuflturucu kurbanlar›n› avalam üzere genç ekip arkadafl›n›e¤itmek zorunda kal›r.

In a totalitarian world with shade of grey, a policeman disenchanted and withoutillusion, must train his young team mate in order to hunt junkis.

Yönetmen / Director: Patrick HernandezSenaryo / Screenwriter: Mathieu Gabella, Patrick Hernandez Görüntü Yönetmeni / Director Of Photography: Laurent Perez Del NarOyuncular / Cast: Laurent Olmedo, Alexandre Fogelmann, Bénédicte DelmasDa¤›t›m / Distribution: [email protected]

245

UYUMSUZLUKLA DISCORDANCEKurmaca / Fiction, 16’Renkli / Color, 2007


12 yafl›nda bir çocuk babas›n› etkilemek için mahallesindeki bir çocu¤u öldürmeyeçal›fl›r.

A child of 12 tries to kill a boy from his neigborhood to impress his father.

Yönetmen / Director: Jean-Bernard Marlin, Benoît RambourgSenaryo / Screenwriter: Jean-Bernard Marlin, Benoît RambourgKurgu / Editor: Julien LacherayGörüntü Yönetmeni / Director Of Photography: Yves AgostiniOyuncular / Cast: Laurent Lunes, Thierry De Perett›Ödüller / Awards: Golden Gate Award Best Narrative Short (San Francisco F›lm festival (2008); Prize of the juryNenzing Film festival 2008; Best Short Grasse film festival 2008; Special prize of the jury, Best young actorGrenoble Film Festival 2008Da¤›t›m / Distribution: [email protected], [email protected]

Özgeçmifl: 18 Kas›m 1979 do¤umlu / 18 Ekim 1981 do¤umlu. Her ikisi de Louis Lumière Sinema Okulu’ndan mezun.

Biography: Born on the 18th November 1979 / Born on the 18th October 1981. Both graduated from Louis LumièreFilm School.

246


VURDUMDUYMAZTHICK-SKINNED

Kurmaca / Fiction, 14’Renkli / Color, 2007-2008

Genç bir k›z ö¤renci, evli bir adama s›r›ls›klam afl›k olur, adam›n genç bir k›zö¤renciyle k›sa bir iliflkisi olmufltur...

A young student girl falls deeply in love with a married man who has a shortrelationship with a young student girl...

Yönetmen / Director: Christophe FustiniSenaryo / Screenwriter: Christophe FustiniKurgu / Editor: Vanessa BozzaMüzik / Music: Marisa SanniaGörüntü Yönetmeni / Director Of Photography: Martin De ChabaneixOyuncular / Cast: Alice Pol, Fabio Zenoni, Sandie Boizard, Vanessa GuideDa¤›t›m / Distribution: [email protected]

Özgeçmifl: Marsilya’da do¤du. 199’da sinematografik kariyerine prodüksiyon asistan› olarak bafllad›. 7 y›l boyuncaprodüksiyon amiri veya yönetmen yard›mc›s› olarak çal›flt›.

Biography: Born in Marseille. In 1999, he begins his cinematographic career as production assistant. He worksduring 7 years as unit manager, production manager or assistant director.

247

YA HEP YA H‹ÇALL OR NOTHING

Kurmaca / Fiction, 21’Siyah-Beyaz / B&W, 2008


O bir Çinli kad›n ve yasa d›fl› göçmendir. Frans›zca konuflamayan kad›n, Paris’invarofllar›nda kaybolur. Kar›s›na ç›kan adam mutsuz bir yaflam sürmektedir.Karfl›laflt›klar›nda, adam›n hayal k›r›kl›klar› ve kad›n›n korunmaya olan gereksinimi,onlar› birbirlerine do¤ru iter.

She is a Chinese woman and an illegal immigrant. Unable to speak French, she islost in the outskirts of Paris. He lives a life that doesn’t satisfy him. When theymeet, his frustration and the young woman’s need for protection draw themtogether.

Yönetmen / Director: Naël MarandinSenaryo / Screenwriter: Naël MarandinKurgu / Editor: Damien MaestragiMüzik / Music: ExsonvaldesGörüntü Yönetmeni / Director Of Photography: Colin HoubenOyuncular / Cast: Huang Liting, Carlos LealÖdüller / Awards: Cittadella del Corto, Rome, Italy, Best Film; Festival Travelling Rennes, Best Film; Rencontresdu Film Court de Dunkerque, Best FilmDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1981 y›l›nda Paris’te do¤du. Naël Marandin gençlik ça¤›nda oyunculu¤a bafllad›. Politik Bilimlerbölümünden mezun olduktan sonra, bir sene Çin’de ve Tibet’te yaflad›.

Biography: Born in Paris in 1981, Naël Marandin started acting while still a teenager. After finishing studies inpolitical science, he travelled over a year in China and Tibet. Foreign Bodies is his first short movie. He alsodirected a documentary.

248


YABANCI BEDENLERFOREIGN BODIES


Bir yol. Bir kamyon. Bir mülteci kamp›. Bir yard›msever olan Barou mültecileribar›na¤a geri getirmeye çal›fl›yor.

One road.One truck. One refugee camp.Every day, Barou, a humanitarian, sets outto bring back the refugees to shelter.

Yönetmen / Director: Adama RoambaSenaryo / Screenwriter: Adama RoambaKurgu / Editor: Noemi De FouchierMüzik / Music: Oumou SangareGörüntü Yönetmeni / Director Of Photography: Paul DjiblaOyuncular / Cast: Issiaka Sawadogo, Aiche Ouedraogo, Fatou TraoreÖdüller / Awards: Fespaco 2007, Special Prize-Health and Security at work, Prix des VaudaisDa¤›t›m / Distribution: [email protected]

Özgeçmifl: FILMS 21 adl› flirkette prodüktör.

Biography: Cinema producer with the company FILMS 21.

249

YARDIMSEVERTHE HUMANITARIANKurmaca / Fiction, 16’Renkli / Color, 2007


Mário kaçakt›r. Siyasi polis onu köfleye s›k›flt›rm›flt›r, ülkeden kaçacakt›r. Ertesigün, kurtuluflu için umutsuzca ihtiyaç duydu¤u pasaport olabilecek bir buluflmaayarlanm›flt›r. Ve her fley normale dönecektir.

Mário is on the run. The political police is cornering him into fleeing the country.An encounter scheduled for tomorrow, can be the passport for the salvation, heso desperately needs. And everything will go back to normal.

Yönetmen / Director: Luis Galvão TelesSenaryo / Screenwriter: Gonçalo Galvão Teles, based on the novel by Mário de CarvalhoKurgu / Editor: Pedro RibeiroMüzik / Music: Bernardo SassettiGörüntü Yönetmeni / Director Of Photography: André SzankowskiOyuncular / Cast: Filipe Duarte, Beatriz Batarda, Adriano Luz, Joaquim Leitão, Albano JerónimoDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1973’te do¤du. Senaryo yazar›, yönetmen ve prodüktör. Hukuk ve senaryo yazarl›¤› mezunu. FadoFilmes’in proje bölümünden sorumlu.

Biography: Born in 1973. Scriptwriter, director and producer, graduated in law and script writing, is responsiblefor the projects department of Fado Filmes.

250


YARINDAN ÖNCEBEFORE TOMORROWKurmaca / Fiction, 16’Renkli / Color, 2007

“Nereye bak›yoruz ve kimin izledi¤ine ba¤l› olarak nas›l hareket ediyoruz.” Biryar›fl pistinde, zamana ve harekete farkl› bir bak›fl yöntemi.

‘Where we are going and how we move depend on who’s watching’. A differentway of looking at time and movement at a racingtrack.

Yönetmen / Director: Peter MagnussonSenaryo / Screenwriter: Peter MagnussonKurgu / Editor: Peter MagnussonMüzik / Music: Thomas ÖbergGörüntü Yönetmeni / Director Of Photography: Dan Sandqvist, Ewa CederstamAnimasyon / Animation: Gunnar FernlundDa¤›t›m / Distribution: [email protected]

Özgeçmifl: 1965 y›l›nda ‹sveç, Göteborg’da do¤du. 199598 y›llar› aras›nda Göteborg’daki Film Yönetmenli¤iOkulu’nda sinema e¤itimi ald›.

Biography: Born 1965 in Göteborg, Sweden. Filmstudies at The school of filmdirecting 1995-98, Göteborg Sweden.

251

YARIfi P‹ST‹SPEEDWAY



Bir flair, arabac›n›n biri kap›s›n› çal›p kendisini izlemek üzere onu ça¤›rd›¤›nda,masas›nda oturmufl fliir yazmaktad›r. fiair için son dizesini yazman›n zaman›gelmifltir.

The poet is at his writing desk when a coachman knocks at his window and inviteshim to follow him.The time has come for the poet to write his last verse.

Yönetmen / Director: Arnaud Demuynck, Christophe GautrySenaryo / Screenwriter: Arnaud DemuynckMüzik / Music: Michel DeruterAnimasyon / Animation: Christophe GautryDa¤›t›m / Distribution: [email protected]

252


YEN‹ HAYATLA VITA NUOVA


Bir taksi floförü gecenin geç bir saatinde yafll› bir kad›n› evinden al›r ve onunlabirlikte beklenmedik bir hat›rat ve yeniden keflif yolculu¤una ç›kar.

A taxi driver picks up an old woman late in the night and joins her on an unexpectedjourney of remembrance and rediscovery.

Yönetmen / Director: Green ZengSenaryo / Screenwriter: Green Zeng, June ChuaKurgu / Editor: Sam YapMüzik / Music: Richard CooperGörüntü Yönetmeni / Director Of Photography: Amandi WongOyuncular / Cast: Tan Mui Kwang, Vincent TeeÖdüller / Awards: Excellence Award, JVC Tokyo Video Festival, Japan 2007; Incentive Award, Akira KurosawaMemorial Short Film Festival, Japan 2006Da¤›t›m / Distribution: [email protected]

Özgeçmifl: Gren Zeng çeflitli sanat disiplinleri üzerinde çal›fl›yor ve aktif olarak yerel film ve sahne sanat›ylailgileniyor. Son filmi Passenger, Tokyo 2006’da Akira Kurosawa’y› Anma K›sa Film Yar›flmas›’nda Teflvik Ödülükazand›.

Biography: Green Zeng works in various art disciplines and is actively involved in the local film and art scene.His interest in filmmaking started with experimental videos and has since expanded to include narrative films.He has written and directed many short films such as the crowd favourite, Blackboard Whiteshoes, which wasofficially selected for the prestigious Cannes Film Festival in 2006. His most recent film, Passenger, won theIncentive Prize at the Akira Kurosawa Memorial Short Film Competition in Tokyo 2006.

253

YOLCUPASSENGER


Özel Seçki/Special Choice

K›sa film ve belgesel üretiminin en önemli ve ne yaz›k ki en çok zorluk çekilennoktalar›ndan biri de ses kayd›.

Ses, filmin sadece temel gereksinimleri aç›s›ndan de¤il ayn› zamanda öyküye yada do¤al ortama derinlik katmak için de yaflamsal bir unsur.

Alman ses ve kurgu uzman› Andreas Zöellner, k›sa filmden belgesele uzanan biryelpazede ses kayd›n›n kurallar›n›, dikkat edilmesi gereken önemli noktalar›aktaracak ve kiflisel deneyimlerinden yola ç›karak pratik öneriler sunacak. Çal›flmadahangi teknik ekipmanin ne tür kullan›mlarda verimli olaca¤› da konuflulacak. Zöellner ayn› zamanda kurguda ve filmin atmosferini olusturmada sesin nas›lkullan›labilece¤ine dair örnekler verecek. Kat›l›mc›lar daha sonra düzenleneceksoru-yan›t seans›nda ‘ses' üzerine merak ettiklerini, kendi gereksinimleri içinçözmek zorunda olduklar› sorunlar› Zöellner'e sorabilcekler.

254

Söylefliler / Conversations

ANDREAS ZÖLLNER’LE “SES KULLANIMI” ÜZERINEABOUT ‘USING AUDIO’ WITH ANDREAS ZÖLLNER

Özgeçmifl: Andreas Zöllner 1982'de Almanya'da Münih yak›nlar›nda do¤du. 2002 – 2005 y›llar› aras›nda MedyaTasar›mc›s› olarak Bayerischer Rundfunk'ta e¤itim gördü (Bayerischer Rundfunk Almanya'nin devlettelevizyonunun bir parçasidir.) Ifl›k Tasar›m›, profesyonel çekim ve film montaji ö¤renmenin yan›s›ra ses kay›tetmeyi ve ses tasar›m›n›özel konu olarak seçti. Bu dönemde müzik, radyo oyunlar› ve birçok k›sa filmin sesinikaydetmeye, montaj›n› ve ses tasar›m›n› yapmaya bafllad›. E¤itimini, ticaret odas› tarafindan verilen diplomayla2005'te birinci olarak bitirdi. Andreas Zöllner 2005'te Istanbul'a geldi ve ARD'nin Istanbul'daki bürosundaçal›flmaya bafllad›. Ayr›ca belgesel filmler için ses kayd› ve ses tasar›m› yapt›, seslendirme kaydetti ve miksyapt›. May›s 2008'de 'Studio Istanbul' flirketini kurdu. fiu anda genelde yabanc› televizyon kanallar› için filmmontaji, ses kay›t ve ses tasar›m› gibi profesyonel hizmetler veriyor. ARD, ZDF, arte, DW-TV gibi büyük devletkanallar›; özel Alman, Frans›z, Isveç radyo ve televizyon kanallar› için çal›fl›yor.

Biography: Andreas Zöllner was born in 1982 near Munich, Germany. From 2002 till 2005 he was trained as aMediadesigner at Bayerischer Rundfunk München, part of Germany's first public television channel ARD. Besidesgaining skills like light design, shooting with professional cameras and editing, he specialized in sound recordingand editing for radio and tv. In this period he recorded and edited music and radio plays as well as the soundof several scenic short films. He finished his training with diploma of the chamber of commerce as best in 2005.Andreas Zöllner came to Istanbul in 2005 and started working at the Istanbul office of ARD. During this time hedid sound recording and sound design as well as voice over and mixing for several documentaries. Since May2008 he is the owner of "Studio Istanbul" which provides professional services like editing, sound recordingan sound design to mostly foreign television channels. He works for many big public and private german, frenchand swiss radio-stations and tv channels including ARD, ZDF, arte, DW-TV and many more and is experienced instudio recordings as well as outside recordings under rough conditions between -20 up to 40°C.

255

Söylefliler / Conversations

144. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1801977 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64_GRAU. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22‘44 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6233 SECONDS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 844 PROPOSALS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106411-Z . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

A DAY IN A LIFE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211A FEW SIMPLE WORDS . . . . . . . . . . . . . . . . . . . . . . . . 107A GRASSHOPPER IN THE GARDEN . . . . . . . . . . . . . . . 192ABSOLUTELY THE ROMAN! . . . . . . . . . . . . . . . . . . . . . 116ADEM’S SON . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138AGAPE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183ALICE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185ALICE JOURNEY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186ALL OR NOTHING . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247ALLERLEIRAUH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30ALMOST ELEVEN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226AMERICAN DREAMS . . . . . . . . . . . . . . . . . . . . . . . . . . . 59AMONG THE DEAD. . . . . . . . . . . . . . . . . . . . . . . . . . . . 229ANGEL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139ANNA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187ANNIE & BOO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37APPENA GIOVANI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88APRIL TWENTY THIRD . . . . . . . . . . . . . . . . . . . . . . . . . 172ARGU. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109ASADE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189AT DAY’S END . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209ATA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

BALLAD OF MILOS LASKA . . . . . . . . . . . . . . . . . . . . . 225BATHING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193BEFORE TOMORROW . . . . . . . . . . . . . . . . . . . . . . . . . 250BETWEEN HIS FINGERS . . . . . . . . . . . . . . . . . . . . . . . 230BIRTH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149BOSNIA OR SOMEWHERE ELSE... . . . . . . . . . . . . . . . . 147BRAINLESS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124BROTHER, BROTHER . . . . . . . . . . . . . . . . . . . . . . . . . . 217BROTHERHOOD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218BURGER THINK. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148BUTTERFLIES UNDER THE RAINBOW. . . . . . . . . . . . . 130

CABARET KADNE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215CAGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153CAPILLUS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99CARABOU – PROLOGUE. . . . . . . . . . . . . . . . . . . . . . . . 199CATERPILLAR EFFECT . . . . . . . . . . . . . . . . . . . . . . . . . 174CHECKMATE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161CHERRIES. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65CLONEOPOLIS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126CONTEMPORARY ALCHEMIST . . . . . . . . . . . . . . . . . . . 131CRYING WHILE BEING KILLED . . . . . . . . . . . . . . . . . . 228CYBER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

DE GRIJNS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63DEEP SLEEP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132DELIVERY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34DIARY OF A PERFECT LOVE . . . . . . . . . . . . . . . . . . . . . 39DON’T LET COWS EAT MY TOY . . . . . . . . . . . . . . . . . . 117DRAWING THE LINE . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19DREAMSCAPE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78DYING OF LOVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

EARNING A LIFE FROM THE SEA . . . . . . . . . . . . . . . . . 111EGO SUM ALPHA ET OMEGA . . . . . . . . . . . . . . . . . . . . 33ELA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66ELEGY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112EN PASSANT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206ENEMY OF ART. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179ERASE REMAKE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48ERGO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92ES MUY FACIL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

FACES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27FALLING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13FEDE AND FIDO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85FINDING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197FISH&CHIPS “A STORY OF YOUTH” . . . . . . . . . . . . . . 114FIVE PRECAUTIONS AGAINST GLOBAL WARMING . . 178FOG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122FOREIGN BODIES. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248FOUND OBJECTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198FUGUE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93FULL MOUTH SHOUT . . . . . . . . . . . . . . . . . . . . . . . . . . 141

GEMEINSCHAFT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125GHOST RIDE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18GREAT IS THE MYSTERY OF GODLINESS . . . . . . . . . . 24

HERITAGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176HEY, S.O.S. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94HINDRANCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77HIS OWN CAGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219HUMANITY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177

I AM GAY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194I SAW IT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20ID . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133IGNOTUS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134IMAGES FROM A DIARY OF WAITING . . . . . . . . . . . . . . 51IN BETWEEN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105IN MY FATHER’S HEAVEN . . . . . . . . . . . . . . . . . . . . . . 142IN OUR HOME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205INTERSECTION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154IRINKA AND SANDRINKA . . . . . . . . . . . . . . . . . . . . . . . 53ITINESANT SMITH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

JAM SESSION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

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JOHN AND KAREN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67JOHN LAUTNER, THE DESERT HOT SPRINGS . . . . . . . . JUDGMENT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151

KICKEN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58KILLJOY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120KONSOL 7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

L’ORO ROSSO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86LA DISCORDANCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245LA MOGLIE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87LA VITA NUOVA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252LE GRAND CONTENT . . . . . . . . . . . . . . . . . . . . . . . . . . . 47LIES. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79LIGHT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214LOOKING GLASS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80LOVES‹CK. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38LUDOTHERAPY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75LUNE DE MIEL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54LUX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

MACGUFFIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157MAKE YOURSELF AT HOME. . . . . . . . . . . . . . . . . . . . . 231MAN IS THE ONLY BIRD THAT CARRIES . . . . . . . . . . . . . MANON ON THE ASPHALT . . . . . . . . . . . . . . . . . . . . . 190MARKET SENTIMENTS . . . . . . . . . . . . . . . . . . . . . . . . . 49MARSEILLE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224MÊME EN RÊVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55MONDI SIMULTANEI . . . . . . . . . . . . . . . . . . . . . . . . . . . 89MOTEL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50MY DEATH CROSSES THROUGH MY MIND . . . . . . . . . 173

NATURAL BORN BULLY . . . . . . . . . . . . . . . . . . . . . . . 202NEXT FLOOR. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195NIGHT SWEAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42NIGHTSTILL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43NO ROOM FOR GEROLD . . . . . . . . . . . . . . . . . . . . . . . . . 11

OFFSPRING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25ON THE LINE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227ON WORKING CHILDREN . . . . . . . . . . . . . . . . . . . . . . . 110ONE HEAD WORD PROTECTION . . . . . . . . . . . . . . . . . 239ONE WAY RETURN . . . . . . . . . . . . . . . . . . . . . . . . . . . 240ONE WHO SLEEPS DOES NOT SIN. . . . . . . . . . . . . . . . 137OUR MAN IN NIRVANA. . . . . . . . . . . . . . . . . . . . . . . . . . 41

PASO DE OVEJAS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101PASSENGER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253PERSONAL DISEASE . . . . . . . . . . . . . . . . . . . . . . . . . . . 90PICK-UP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52PIECE OF HEAVEN . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196PIG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203PINK GREY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121PLANET A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

POST CARD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28PROCRASTINATION. . . . . . . . . . . . . . . . . . . . . . . . . . . . 68PROKALO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233PURSUIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

QUERCUS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

RABBIT! RABBIT! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128RAZOR. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160REALITY SHOW. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102RECONSTRUCTION . . . . . . . . . . . . . . . . . . . . . . . . . . . 237

SACRAMENTO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232SAH‹B-‹ KARN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162SAPAK. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163SEA DOG’S DEVOTION . . . . . . . . . . . . . . . . . . . . . . . . . 44SECURITY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222SEEMS TO BE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45SEMOLINA HALVA . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118SHORT TIME AGO 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32SHORT WAVES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221SHOULDER FOR HIRE . . . . . . . . . . . . . . . . . . . . . . . . . 220SHUTDOWN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212SID . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234SLAP. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95SLOPE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164SOFA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7SOFIA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236SOFT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69SOLITAIRE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238SOUFIANE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61SPEEDWAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251SPENDING THE NIGHT . . . . . . . . . . . . . . . . . . . . . . . . . . 81STIG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82STOP REQUESTED. . . . . . . . . . . . . . . . . . . . . . . . . . . . 204STREET CHILDREN . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123STRIPPOKER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165STROKE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175SUNDAY 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

TAXI WALA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56THE ANT AND THE CICADA . . . . . . . . . . . . . . . . . . . . . 96THE APOLOGY LINE . . . . . . . . . . . . . . . . . . . . . . . . . . . 70THE BRIDGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223THE BULLET SOLDIER . . . . . . . . . . . . . . . . . . . . . . . . . 156THE CHILDREN OF CAIN . . . . . . . . . . . . . . . . . . . . . . . 152THE ELEVATOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140THE FAMILY KEEPS IT ALL . . . . . . . . . . . . . . . . . . . . . 184THE HOLE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201THE HUMANITARIAN. . . . . . . . . . . . . . . . . . . . . . . . . . 249THE ICE BATHER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29THE JOCKEY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200THE LAMENTATION . . . . . . . . . . . . . . . . . . . . . . . . . . . 150THE LANDING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129

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THE MAKING OF PARTS . . . . . . . . . . . . . . . . . . . . . . . . . 71THE MAN WITHOUT A SHADOW. . . . . . . . . . . . . . . . . 207THE MESSAGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16THE MODERN CYCLOPS . . . . . . . . . . . . . . . . . . . . . . . . 40THE MOTHER’S PRAY . . . . . . . . . . . . . . . . . . . . . . . . . 188THE ONE NOTE MAN . . . . . . . . . . . . . . . . . . . . . . . . . . 166THE OUTER LIMITS CHILD . . . . . . . . . . . . . . . . . . . . . 235THE PATCHWORK QUEEN . . . . . . . . . . . . . . . . . . . . . . . 21THE PINK COW . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159THE RAFT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14THE REFUGE CITY . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108THE RUNT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23THE SATELLITE DISH . . . . . . . . . . . . . . . . . . . . . . . . . . 74THE SLEEP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136THE SWEDISH WOMAN. . . . . . . . . . . . . . . . . . . . . . . . . 213THE SWEET BUT SOMEHOW ALSO BITTER . . . . . . . . . . . THE THRESHOLD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113THE TILE-JAIL TOILET-TALE . . . . . . . . . . . . . . . . . . . 244THE VISITING ROOM . . . . . . . . . . . . . . . . . . . . . . . . . . 208THE WAITING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143THICK-SKINNED. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246THING IN ITSELF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146THREE GRACES. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31TOKYO JIM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72TONY ZEAR. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241TOOK‹NG A NUR‹ B‹LGE CEYLAN SHOOT. . . . . . . . . . 145TR3S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103TRAMUATHOLOGY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

TRANSIT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242TRIPE AND ONIONS. . . . . . . . . . . . . . . . . . . . . . . . . . . . 97TSUNAMI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243TWENTY QUESTIONS . . . . . . . . . . . . . . . . . . . . . . . . . . 181

UMUT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167UNE LEÇON PART‹CUL‹ÈRE . . . . . . . . . . . . . . . . . . . . . 57

VAMPYR “UNDERSTANDING A VAMPIRE”. . . . . . . . . 168VERDE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

WAITING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144WHAT TIME IS IT? . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169WHAT YOU DO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83WHERE IS FRANK? . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26WHISTLE PERFIDIA . . . . . . . . . . . . . . . . . . . . . . . . . . . 210WHITE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10WHY ME? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158WIBBEl-ICH & GLUCK . . . . . . . . . . . . . . . . . . . . . . . . . . 46WINDOW PICTURES . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15WINDOW WITH A VIEW . . . . . . . . . . . . . . . . . . . . . . . . . . 9WING. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60WITH A LITTLE PATIENCE. . . . . . . . . . . . . . . . . . . . . . . 98WITHINDOORS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216

YOURS TRULY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73ZERO TOLERANCE TO TORTURE . . . . . . . . . . . . . . . . . 119

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144. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1801977 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64‘44 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6220 SORU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18133 SAN‹YE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 844 TEKL‹F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106411-Z . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

A GEZEGEN‹ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182A‹LE ARASINDA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184A⁄USTOS BÖCE⁄‹ VE KARINCA . . . . . . . . . . . . . . . . . . 96ADEM’‹N O⁄LU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138AfiKTAN ÖLMEK. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36AGAPE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183AH AKLIMDAN ÖLÜMÜM GEÇER . . . . . . . . . . . . . . . . . 173ALAN DURUMLARI . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49ALICE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185ALICE SEYAHAT‹ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186AMER‹KAN RUYASI . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59ANN‹E VE BOO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37ANNA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187ANNEN‹N DUASI. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188ARGU. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109ASADE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189ASANSÖR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140ASFALTA YAPIfiAN MANON . . . . . . . . . . . . . . . . . . . . 190ATA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191AVAZIMIN ÇIKTI⁄I. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141AYNA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

B‹R ALT KAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195B‹R KELEK ETK‹S‹. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174B‹R NUR‹ B‹LGE CEYLAN KARES‹ ÇEKMEK . . . . . . . . 145B‹R PARÇA CENNET. . . . . . . . . . . . . . . . . . . . . . . . . . . 196B‹RAZ SABIR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98B‹RKAÇ BAS‹T SÖZ . . . . . . . . . . . . . . . . . . . . . . . . . . . 107B‹ZAT‹H‹ fiEY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146BABAMIN CENNET‹NDE . . . . . . . . . . . . . . . . . . . . . . . . 142BACAKSIZ. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23BAHÇEDEK‹ ÇEK‹RGE . . . . . . . . . . . . . . . . . . . . . . . . . . 192BALAYI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54BANYO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193BEKLEME GÜNLÜ⁄ÜNDEN RES‹MLER. . . . . . . . . . . . . . 51BEKLEY‹fi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143BEKLEY‹fi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144BEN GEY‹M . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194BEN GÖRDÜM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20BEYAZ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10BOSNA YA DA ÖYLE B‹R YER... . . . . . . . . . . . . . . . . . . 147BRAINLESS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124BULMAK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197BULUNAN NESNELER . . . . . . . . . . . . . . . . . . . . . . . . . 198BURGER THINK. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148BUTTERFLIES UNDER THE RAINBOW. . . . . . . . . . . . . 130

BUZDA YÜZEN KADIN . . . . . . . . . . . . . . . . . . . . . . . . . . 29BÜYÜK DOYUM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

CAPILLUS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99CARABOU – PROLOG . . . . . . . . . . . . . . . . . . . . . . . . . . 199CHERRIES. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65COKEY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200CONTEMPORARY ALCHEMIST . . . . . . . . . . . . . . . . . . . 131ÇALIfiAN ÇOCUKLAR ÜZER‹NE . . . . . . . . . . . . . . . . . . 110ÇOK BAS‹T . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100ÇUKUR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201

DARBE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175DEN‹Z KÖPE⁄‹N‹N SADAKAT‹. . . . . . . . . . . . . . . . . . . . 44DER‹N UYKU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132DO⁄UfiTAN KABADAYI . . . . . . . . . . . . . . . . . . . . . . . . 202DO⁄UM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149DOMUZ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203DURACAK. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204DÜfiMEK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Efi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87Efi‹K . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113EfiZAMANLI DÜNYALAR . . . . . . . . . . . . . . . . . . . . . . . . 89EKMEK DEN‹Z‹N D‹B‹NDE . . . . . . . . . . . . . . . . . . . . . . . 111ELA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66ELEJ‹ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112ENGEL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77ERGO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92ERTELEME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68EV YAPIMI UYDU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74EV‹M‹ZDE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205EVLAD‹YE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176

F‹DAN ÇOCUK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25FEDE VE FIDO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85FERYAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150FISH&CHIPS “B‹R GENÇL‹K H‹KAYES‹” . . . . . . . . . . . . 114FRANK NEREDE? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

GECE TERLEMES‹. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42GECEY‹ GEÇ‹RMEK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81GEL‹P GEÇEN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206GEMEINSCHAFT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125GEROLD’A YER YOK . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11GEZ‹C‹ NALBANT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115GÖLGES‹Z ADAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207GÖRÜfi ODASI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208GR‹ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22GÜNLER‹N SONUNDA . . . . . . . . . . . . . . . . . . . . . . . . . 209

“HER fiEY‹N BAfiLANGICI VE SONU BEN‹M” . . . . . . . . 33HA‹N ISLIK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210HAYATTAN B‹R GÜN . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

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HAYVAN POSTLU PRENSES . . . . . . . . . . . . . . . . . . . . . 30HEY, S.O.S. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94HÜKÜM. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151

ID . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133IGNOTUS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134IRINKA VE SANDRINKA. . . . . . . . . . . . . . . . . . . . . . . . . 53IfiIK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214‹FLAS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212‹K‹ ARADA B‹R DEREDE . . . . . . . . . . . . . . . . . . . . . . . . 105‹LLE DE ROMAN OLSUN!. . . . . . . . . . . . . . . . . . . . . . . . 116‹NSAN-LIK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177‹RM‹K HELVASI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118‹SVEÇL‹ KADIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213‹fiKEMBE VE SO⁄ANLAR . . . . . . . . . . . . . . . . . . . . . . . . 97‹fiKENCEYE SIFIR TOLERANS. . . . . . . . . . . . . . . . . . . . 119

JAM SESSION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8JOHN LAUTNER, THE DESERT HOT SPRINGS MOTEL 50JOHN VE KAREN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

K‹RALIK OMUZ. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220KAB‹L’‹N ÇOCUKLARI. . . . . . . . . . . . . . . . . . . . . . . . . . 152KABARE KADNE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215KAÇIfi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93KAFES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153KANEPE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7KAPILARIN ‹Ç‹NDE . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216KARA SEVDA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38KARDEfi, KARDEfi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217KARDEfiL‹K . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218KARTPOSTAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28KEND‹ KAFES‹N‹ TAfiIYAN TEK KUfi ‹NSANDIR . . . . . 219KES‹fiME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154KICKEN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58KIRMIZI ALTIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86KISA DALGALAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221KISA SÜRE ÖNCE 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32KLON‹STAN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126KONSOL 7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155KORKU TÜNEL‹ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18KORUMA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222KOYUN GEÇ‹D‹ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101KÖPRÜ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223KURfiUN ASKER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156KUSURSUZ B‹R AfiKIN GÜNLÜ⁄Ü . . . . . . . . . . . . . . . . 39KÜRESEL ISINMAYA KARfiI ALINAN BEfi ÖNLEM . . . 178

LUDOTHERAPY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75LUX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

MACGUFFIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157MANZARALI PENCERE . . . . . . . . . . . . . . . . . . . . . . . . . . 9MARS‹LYA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224

MEfiE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17MELEK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139MESAJ. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16MILOS LASKA’NIN TATLI AMA B‹RAZ DA ACI BALADI225MODERN “TEK GÖZLÜ DEV”. . . . . . . . . . . . . . . . . . . . . 40MÜLTEC‹ KENT‹ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

N‹RVANA’DAK‹ ADAMIMIZ. . . . . . . . . . . . . . . . . . . . . . . 41NE YAPARSIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83NEDEN BEN?. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158NEREDEYSE ONB‹R . . . . . . . . . . . . . . . . . . . . . . . . . . . 226

O HATTA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227OYUNBOZAN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120OYUNCA⁄IMI ‹NEKLER YEMES‹N . . . . . . . . . . . . . . . . . 117ÖLDÜRÜLÜRKEN A⁄LAMAK . . . . . . . . . . . . . . . . . . . . 228ÖLÜLER ARASINDA . . . . . . . . . . . . . . . . . . . . . . . . . . . 229ÖYLEGÖRÜNÜYOR G‹B‹. . . . . . . . . . . . . . . . . . . . . . . . . 45ÖZEL B‹R DERS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57ÖZÜR D‹LEME HATTI . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

PARÇALAMA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71PARMAKLARININ ARASINDA . . . . . . . . . . . . . . . . . . . 230PAZAR 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12PEfi‹NDE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127PEMBE ‹NEK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159PEMBE GR‹. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121PENCERE GÖRÜNTÜLER‹ . . . . . . . . . . . . . . . . . . . . . . . . 15PERSONAL DISEASE . . . . . . . . . . . . . . . . . . . . . . . . . . . 90RAHATINA BAK. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231RAZOR. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160REALITY PROGRAMI . . . . . . . . . . . . . . . . . . . . . . . . . . 102RÜYADA B‹LE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55RÜYALAR ALEM‹ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

S‹BER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35S‹L-YEN‹DEN YAP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48S‹S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122SAAT KAÇ? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169SACRAMENTO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232SAH‹B-‹ KARN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162SAK‹N GECE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43SAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14SANAT DÜfiMANI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179SAPAK. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163SAYGILARIMLA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73SEBEP BEN‹M. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233SID . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234SINIR TAfiINDAK‹ ÇOCUK . . . . . . . . . . . . . . . . . . . . . . 235SINIRLAR Ç‹ZMEK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19SIRITMA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63SOFIA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236SOKAK ÇOCUKLARI . . . . . . . . . . . . . . . . . . . . . . . . . . . 123SOUFIANE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

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STIG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82STR‹PPOKER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

fiAH MAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

TAKS‹ WALA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56TANRI’NIN CEZASI. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24TATB‹KAT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237TAVfiAN! TAVfiAN! . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128TEK BAfiINA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238TEK KEL‹MEL‹K KORUMA . . . . . . . . . . . . . . . . . . . . . . 239TEK NOTALIK ADAM . . . . . . . . . . . . . . . . . . . . . . . . . . 166TEK YÖNLÜ DÖNÜfi. . . . . . . . . . . . . . . . . . . . . . . . . . . 240TELEFONU AÇ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52TESL‹MAT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34THE LANDING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129TOKYO JIM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72TONY ZEAR. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241TR3S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103TRANS‹T. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242TRAVMATOLOJ‹. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76TSUNAM‹ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243TUVALET H‹KAYES‹. . . . . . . . . . . . . . . . . . . . . . . . . . . 244

UMUT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167UYKU. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

UYUMSUZLUK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245UYUYAN GÜNAH DA ‹fiLEMEZ. . . . . . . . . . . . . . . . . . . 137ÜÇ GÜZELLER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

VAMPYR “B‹R VAMP‹R‹ ANLAMAK” . . . . . . . . . . . . . . 168VURDUMDUYMAZ . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246VURUfi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

WIBBEl-ICH & GLUCK . . . . . . . . . . . . . . . . . . . . . . . . . . 46WING. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Y‹RM‹ ÜÇ N‹SAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172YA HEP YA H‹Ç . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247YABANCI BEDENLER. . . . . . . . . . . . . . . . . . . . . . . . . . 248YALANLAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79YAMACI KRAL‹ÇE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21YARDIMSEVER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249YARIfi P‹ST‹ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251YARINDAN ÖNCE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250YEfi‹L. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104YEN‹ HAYAT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252YENI YETMELER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88YOKUfi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164YOLCU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253YUMUfiAK. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69YÜZLER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

261

Film Dizini

Adama Roamba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249Adrian Westbrook . . . . . . . . . . . . . . . . . . . . . . . . . . . 233Alain Basso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229Alice Taylor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55Alla Churikova . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29Altan Yücel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144Amanda Adolfsson . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81Amin Bahojb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214Amir Galván Cervera . . . . . . . . . . . . . . . . . . . . . . . . . 101Andrea Zaccariello . . . . . . . . . . . . . . . . . . . . . . . . . . . 87Andreas Hykade. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23Angela Jedek . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26Anja Struck . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30Anna Fraser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226Anna Kalus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44Anna Kazejak Dawid. . . . . . . . . . . . . . . . . . . . . . . . . . 107Anna Matysik . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28Anna Solanas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215Anne Breymann . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25Anne Zinn-Justin . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238Arma¤an Pekkaya . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119Arnaud Demuynck . . . . . . . . . . . . . . . . . . . . . . . . . . . 252Arne Kohlweyer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225Ayce Kartal. . . . . . . . . . . . . . . . . . . . . . . . . . 124, 126, 129

Bady Minck . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45Barbara Musil . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49Basak Demir . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206Benoît Rambourg . . . . . . . . . . . . . . . . . . . . . . . . . . . 246Berker Berki . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148Bert Gottschalk. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15Björn Ullrich . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199Bosilka Simonovitch . . . . . . . . . . . . . . . . . . . . . . . . . 203Burak Niyazi Kurt . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128Burcu Aykar fiirin . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149

Cafer Gebetafl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136Camille Galle. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224Caner Erzincan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150Carlo Sironi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236Cédric Petitcollin . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180Cenk Ertürk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142Ceren Can Ayd›n . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112César Esteban Alenda . . . . . . . . . . . . . . . . . . . . . . . . 210Cesare Fragnelli. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86Ceyhun Konak . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152Chris Caliman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184Christian Battiferro. . . . . . . . . . . . . . . . . . . . . . . . . . . 90Christian Waard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62Christophe Fustini . . . . . . . . . . . . . . . . . . . . . . . . . . . 247Christophe Gautry . . . . . . . . . . . . . . . . . . . . . . . . . . . 252Claude Weiss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219Claudia Zoller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24Clemens Kogler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Ça¤la Zencirci . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Da¤han Celayir . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166Daniel Elliott . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71Dániel Erdélyi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91Daniel Nocke . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11. 40Daniel Sánchez Arévalo . . . . . . . . . . . . . . . . . . . . . . . 76Daniele Balboni. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189Dariela Ludlow Deloya. . . . . . . . . . . . . . . . . . . . . . . . 103David Birnbaum . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198Declan Hannigan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95Denis Villeneuve. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195Dimitris Emmanouilidis . . . . . . . . . . . . . . . . . . . . . . 220

Eef de Graaf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63Eelko Ferwerda . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59Efe Can Erdal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168Elías León Siminiani . . . . . . . . . . . . . . . . . . . . . . . . . . 75Elizabeth Marre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190Elke Groen. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43Emel Keleflo¤lu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165Emine Emel Balc› . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143Emmanuel Saada . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186Emre Yalg›n . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121Engin Y›ld›z. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117Enis Manaz. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155Eray Mert. . . . . . . . . 172, 173, 174, 175, 176, 177, 178, 179Erdem Tepegöz. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153Erik Rosenlund. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Erinç Ulusoy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114Ersen Ç›ra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109, 113Ersin Gök . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139Ezgi Kaplan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

F›rat Mançuhan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163Fatma Yalç›n . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162Faysal Soysal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169Federico Schmucler. . . . . . . . . . . . . . . . . . . . . . . . . . 102Feije Riemersma . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58Ferenc Cakó . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94Florian Grolig . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10François Breniaux . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54Fritz Steingrobe . . . . . . . . . . . . . . . . . . . . . . . . . . . 20, 31

Gautier About . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231Géza M. Tóth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92Gil Alkabetz. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36Green Zeng . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253Grégoire Graesslin . . . . . . . . . . . . . . . . . . . . . . . . . . 230Guillaume Giovanetti . . . . . . . . . . . . . . . . . . . . . . . . . 191Gunilla Heilborn, Kim . . . . . . . . . . . . . . . . . . . . . . . . . 83Gyula Nemes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Hakan H›s›m . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

262

Yönetmenler Dizini / Index of Directors

Hakan Savas Mican . . . . . . . . . . . . . . . . . . . . . . . . . . 138Hanna Nordholt . . . . . . . . . . . . . . . . . . . . . . . . . . . 20, 31Hasan Gündüz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154Haydar Demirtafl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115Hemi Behmoaras . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160Henrik Gyllenskiöld . . . . . . . . . . . . . . . . . . . . . . . . . . . 82Hyekung Jung. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7, 19

Igor Buharov . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239Ivan Buharov . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239Izabela Plucinska. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8‹hsan Öztürk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109‹brahim Yozo¤lu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

James Lees. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70Jamie Rafn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72Jan Koester . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41Jan Machacek . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48Jan Thüring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14Janina Arendt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46Jan-Peter Meier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33Jarno Cordia. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62Jean-Bernard Marlin. . . . . . . . . . . . . . . . . . . . . . . . . 246Jean-Charles Finck . . . . . . . . . . . . . . . . . . . . . . . . . . . 53Jérome Fansten . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200Jesse Salto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197João Rodrigues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244Jochen Kuhn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12, 32Johannes Weiland . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37Johnny Kelly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68Jonas Odell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79José Esteban Alenda . . . . . . . . . . . . . . . . . . . . . . . . 207Jose Iglesias Vigil . . . . . . . . . . . . . . . . . . . . . . . . . . . 105Juan Pablo Miquirray . . . . . . . . . . . . . . . . . . . . . . . . . 99Judith Zdesar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Karo Szmit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47Kaz›m ‹lkan Kertmen . . . . . . . . . . . . . . . . . . . . . . . . . 110Kim Hiorthøy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83Kuba Czekaj. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196

L. Rezan Yeflilba¤ . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151Lars Henkel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21Lars Henning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222Lars Kreyßig . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217László Csáki . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96Laszlo Nemes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98Licia Eminenti . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218Lola Frederich . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56Louie Salto. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197Luis Galvão Teles. . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

Magnus Arnesen. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106Manolo Bez . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224

Manuel Schapira . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52Marc Riba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215Maria Magkanari . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228Marie Baptiste Roches. . . . . . . . . . . . . . . . . . . . . . . . 192Marie Vernalde . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208Marisa Lafuente . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77Marko Santiç . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201Mårten Nilsson . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83Martin Siewert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48Márton Szirmai. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97Maryam Kashkoolinia . . . . . . . . . . . . . . . . . . . . . . . . 205Massimiliano Davoli . . . . . . . . . . . . . . . . . . . . . . . . . . 84Massimo Cappelli. . . . . . . . . . . . . . . . . . . . . . . . . . . . 202Matias Meyer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104Matthew Walker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67Mauro Pace. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89Max Nardari . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85Mehmet Bahad›r Er . . . . . . . . . . . . . . . . . . . . . . . . . . 167Mehmet Can Merto¤lu . . . . . . . . . . . . . . . . . . . . . . . . 164Melis Bayraktar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130Memet Aslan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158Mickaël Ragot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212Momoko Seto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182Murat ‹ncedemir. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146Murat Emir Eren . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157Münire Bozdemir . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128

Naël Marandin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248Natasja André de la Porte. . . . . . . . . . . . . . . . . . . . . . 61Nicolas Daenens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211Nicolas Kolovos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194Nicolás Leóm Tannchen . . . . . . . . . . . . . . . . . . . . . . 232Nicolas Liguori . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213Nicolas Millet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243Nolwenn Lemesle . . . . . . . . . . . . . . . . . . . . . . . . . . . 234Nuno Costa. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181

Oktay Altunnar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122Olivier Pont . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190Onur Bilgetay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145Onur Gürsoy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159Osbert Parker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73Özge Do¤an . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120Özgür Önurme . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140Özlem Ak›n. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125Özlem Gülhan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141

Pablo Fulgueira . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100Pascal Mieszala . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235Patrick Hernandez . . . . . . . . . . . . . . . . . . . . . . . . . . 245Pelle Hybbinette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78Peque Varela . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64Peter Kaboth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13Peter Magnusson . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251

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Philipp Batereau. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193Philippe Dufaux . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240

Raimund Krumme. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16Raphaël Chevènement . . . . . . . . . . . . . . . . . . . . . . . . 57Remziye Kozan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110Reto Caffi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227Ricky Reijneke . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60Robert Seidel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22Ron Dyens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237Russell Webber . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216

S›la Ünlü . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161Samad Eskandari Kalasoor. . . . . . . . . . . . . . . . . . . . 188Sandrine Cohen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187Sandrine Stoïanov. . . . . . . . . . . . . . . . . . . . . . . . . . . . 53Sasha Pirker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50Savafl Baykal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156Sebastian Peterson. . . . . . . . . . . . . . . . . . . . . . . . . . . 39Selahattin Budako¤lu . . . . . . . . . . . . . . . . . . . . . . . . 154Sherif Elbendary . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209Siegfried A. Fruhauf . . . . . . . . . . . . . . . . . . . . . . . . . . 42Silvana Aguirre Zegarra. . . . . . . . . . . . . . . . . . . . . . . 66Simge Gökbayrak . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133Simon Ellis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69Simone Catania. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221Sinem Karaçay. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116Slobodan Maksimovic . . . . . . . . . . . . . . . . . . . . . . . . 183Soetkin Verstegen. . . . . . . . . . . . . . . . . . . . . . . . . . . 244Spela Cadez . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38Stefan Eling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Stefano Anselmi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

Thomas Perrier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204Till Nowak . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34Timurtafl Onan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123Tine Kluth. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18Tom Harper. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65Tomas Norström . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82Tommaso Agnese . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88Tony Torn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Ulafl Günefl Kacargil . . . . . . . . . . . . . . . . . . . . . . 134, 135Umut Kol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119Uygar fiirin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149

Valentin Potier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241Vera Lalyko. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9Veysel Çelik . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137Vincent Bierrewaerts . . . . . . . . . . . . . . . . . . . . . . . . 223Vuk Jevremovic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17Vuk Jevremovic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Wojciech Kasperski . . . . . . . . . . . . . . . . . . . . . . . . . . 108Xavi Sala . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Yalç›n Atay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147Yi¤it Kocagöz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127Yiannis Gaitanidis . . . . . . . . . . . . . . . . . . . . . . . . . . . 242Yusuf Kurt. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Zeynep Çamc› . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132

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