Kodak Folding Hawk-eye B No 2-2A - ordiecole.com · Folding Cartridge Hawk-Eye as a Fixed Focus...

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Outdoor Exposure Guidefor cameras fitted with the

Hawk-,Eve Lens

Sun;ecrSrop

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Nearby landscapes showing l i t t leor no sky . Nearby sub jec ts inopen f ie ld , park o r garden.Street scenes.

U . S . 8 r /2s

o n e

second

Ordinary landscapes showing sk) ' ,w i fh a p r inc ipa l ob jec t in theforeground.

u .s . 16

Mar ine and beach scenes. d is tan tlahdscapes, mounta ins . Snowscenes r,v i th no prominent darkobjects in the foreground.

u.s . 32

Portrai ts in the open sl iade, notunder t rees or the roo f o f aporch. Shaded nearby scenes.Narrow and sl ight ly shadedst ree ts .

U S 3 2

Moving ob jec ts .When photographing a movingob jec t such as a runner , t ra inor an au tomobi le , the sub jec tshould be travel ing towards oraway f rom the camera a t anang le o f about 45 degrees .

r / so

This exposure table is for the hotrrs from 2)4 hours aftersunrise unt i l 2/z hours before sunset on days when the sunis shining. I f pictures are made earl ier or later in the day,or i f i t is a sl ieht ly cloudy or hazy day, use the next largers top open ing than the one spec i f ied .

The largest stop opening is U.S. 8. The hieher the numberthe smal ler the opening.

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Foldirg Cartridg.Nos. 2 and 2A

P'icture tak'ing up'ith the

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H awk-E\'. CamerasModel B

Hawk-Frre I-ens

EASTMAN KODAK COMPANYRocHBsrER, N. Y.


. .KODAKERY''

rnHIS most interesting ?nd profuselyl- illustrated monthly magazine shows

how to make better pictures, and describesmany novel and unusual methods of makingphotographs. Anyone who buys an Eastmancamera is entit led to 'Kodakerv." free ofcharge.

Return the post card included with thismanual, properly fi l led out, and your namewill be put on the mailing l ist, to receive"Kodakery."

"Kodakery" wil l be sent for six months onthis offer. A post card wil l be enclosed withthe fifth copy; if this post card is filled outand returned to us, it will entitle you to anadditional six months, free of charge. Afterthat the subscription price wil l be sixtycents for one >/ear, or one dollar for twoyears, but you are under no obligation torenew.

Send us the card promptly, and startenjoying "Kodakery" at once. There is nocharge; no obligation.

EASTMAN KODAK COMPANY,RocnBsrBn, N. Y.

P'icture taking w'ith the

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Nos. 2 and 2AFolding Cartridge

Hawk-Eye .CamerasModel B

Hawk-Eye Lens

Published byEASTMAN KODAK COMPANY

RocnBsren, N.Y.


THB CnnrBnR

1-Sliding Lock 6-Shutter2-Locking l-ever and 7-Lens

Support g-Finder

3-Knob on Sl ide Plate 9-Winding K.y4-Lens Standard 1O-BedS-Focusing Scale 1l-Side Arnr Locks

A-Speed Indicator C-Exposure LeverB-Stop Opening Lever D-Cable Release

IMPORTANTT) EFORE taking any pictures with ygurD camera, and before loading it with film,r""a and follow these instructions carefully.Take especial care to learn how to operatethe shutter.

While loading and unloaditg, be verycareful to keep [|e protective paper woundtightly around ths film to prevent lightst?iking it. The camera can be loaded orunload[d in daylight. This should be donein a subdued l i iht, not in direct sunlight'

To Loeo

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Slide back thelock. Take thefront of the cam-era by the edgesand l i f t theend on wh i ch


the lock is fastened,drawing out thatpart of the cameraas i l lustrated.

D r a w o u t t h ewinding key as faras it wil l come, andremove the emptyspool.

Remove the paper band, unfold the endof the protective paper and thread it as far

as ,it w,ill go, intosl i t in the empty

the longer opening of thespod. Each spool has one

4

end slotted and the protective paper mustbe inserted in the empty spool so that theslotted ends are on oppos'ite edges of the paper.The word "TOP" piinted on the protective

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paper must be next to the slotted end ofthe reel. Give the empty spool three orfour turns, enough to bind the paper onthe reel" The paper must draw straight,and the full spool must not loosen.

Place the two spools into the fi lm pocketsat each end of the camera, keeping thepaper taut, 3s shown above.


Important.' The empty spool or reelmust be placed in the winding k"y end ofthe camera with its slotted end, towards thewind'i,ng key.

Push the full spool into the other pocketas f.ar as it wil l go, so that the tensionspring grips it.

Press in and turn the winding k"y unti li t f i ts into the slot in the empty spool orreel.

Af ter the camera is loaded, replace thefront, f irst inserting the end opposite thelock; the edge of the box must f it into thegroove on this end of the front. Pressthe end on which the lock is fastened intoplace, and push over the lock.

Press in and turn the winding k"y andwatch the red window. After a few turns,a warnittg hand will appear, then turn thekey slowly until the figure 1 is in the centerof the window.

The film is now in position for the firstexposure. After each exposure be sure towind the fi lm, bringitg the next numberinto place. This prevents makittg two pic-tures on the same section of film.

I

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OpBxrNG THB Fnoxr oF Cavrpna

Raise the levernear the windingk " y , a n d d r a wdown the bed ofthe camera, unti lt h e s i d e a r m scatch.

Draw out thelens standard bythe knob on theslide plate, to theslot marked 100feet, where it wil ll o c k a u t o m a t i c -al ly. i

A-Speed Indicator C-Exposure Lever

B-Stop Opening Lever D-Cable Release

Instantaneous ExPosurest 'snapshotst t

Move the indicator A to 25 or 50 accord-itrg to the time of Instantaneous Exposurerequired.

Move the lever B to the correct stoPopening, see Exposure Guide on back cover,or table on pages 14 and 1 5.

Press the push-pin of the cable release Dor press the exposure lever C. Th,is makesthe exposure.


Time Exposures

Move the indicator A to the letter "T"(time).

Move the lever B to U.S. 8, 16,32 or 64depending on the time of the exposure andthe nature of the subject. See tables onpages 14 , t5 ,27 ,28 and 32 .

Press the push-pin of the cable release Dor press the exposure lever C. This opensthe shutter. Time the exposure by a watch.Again press the push-pin or the exposurelever. This closes the shutter.

For short time exposures of ten secondsor less, "Bulb" Exposures are recommended.

ttBulbtt Exposures

Move the indicator A to the letter "B"(bulb).

Move the lever B to U.S. 8, t6,32 or 64.See tables on pages 14, 15, 27,28 and 32.

Press the push-pin of the cable release Dor press the exposure lever C, to open theshutter, and release it to close the shutter.This makes the exposure.

IVever make T'ime or "BuIb" Exposureswith the carnera held,'in the hand,s.

Important: Nezter o'il the shutter.

In case of accident, return the camerato your dealer or to us for repairs.

10 LT

To Focus rHE CeupneOn the bed of the camera is a focusing

scale, with slots marked 8,25 and 100 feet.The scale is marked both for feet andmeters and care should be taken not toconfuse the figures.

When the lens standard is drawn outthe slot marked 100 feet, the camera isfocus for anything 100 feet or beyond.

To adjust the focus for subjects at distances nearer than 100 feet, press the springcatch or locking device on the side at thebottom of the lens standard, and draw outthe standard to the slot marked 8 or 25,depending upon the estimated distancebetween the camera and the princ'ipalobject to be photographed, see Depth ofFocus Tables on page 13.

The distance between the subject andcamera can be estimated without measur-ing, unless the subject is close to the camera;foi instance, if the focus is set at the slotmarked 25 feet (the usual distance for ordi-nary street scenes), everything-from aboutfouiteen feet to about seventy-five feet willbe in good focus. When the camera isfocused-in this manner, it may be used asa regular fixed focus camera' see- page 12'\,Vheh the principal object is nearby or at a

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great distance, the focus should be changedaccordingly.

For distant views, set the indicator inthe slot marked 100 feet, and when thesubject is about eight feet from the lens,set the indicator in the slot marked eightfeet. When the camera is focused for eightfeet, the subject can be about five feet fromthe camera if the smallest stop opening isused, see table on page 13. A time exposurewill be necessary when using the smalleststop opening. The subject can be closerthan five feet to the lens if a Kodak PortraitAttachment is used, see pages 30 and 31.

How to Use the No. 2 or the No. 2AFolding Cartridge Hawk-Eye

as a Fixed Focus Camera

SBr rnB Focus tr 25 FBBI.

MovB Srop Oppxrxc LBvBn ro U.S. 8.UsB SpBBo 25.

When using the camera as a fixed focustype, nearby subjects must be in brightsunlight, to obtain fully exposed negatives.

The range of sharpness when your Hawk-Eye is adjusted as a fixed focus camera 'villbe found in one of the tables on page 13,

. DBPTH OF FOCUS

Depth of focus is the distance from thetreareit to the farthest objects that willappear sharp in the negative or print. Thed-epth of focus of any lens depends upon thesiz-e of the stop opening used. The smallerthe stop opening the greater the depth offocus. See the following tables for the depthof focus or range of sharpness of the Nos. 2and 2A Folding Cartridge Hawk-EYeCameras:

Table for use with the No. 2 Hawk-Eye Carnera

u.s. 16 u.s. 32 u.s. 64Srops U.S. 8

DistanceFocusedUpon

RANGE OF SHARPNESS

100 Ft.25 F t .

u F t .

Srops U.S. 8 u.s. 16 u.s. 32 u.s. 64

DistanceFocusedUpon

100 Ft.25 F t .

8 F t .

RANGE OF SHARPNESS

"Inf." is the abbreviation for Infinity-meaning an unlimiteddis tance f rom the lens.

Srop OpBurNcsThe stop openings regulate the amount

of light passing through the lens. The open-

Ft. I.-t. Ft. Ft.t7 to In f .L l% to In f .6 t o 1 3

13 to In f .9% to ln f .5 )4 to l8

Table for use with the No. 2A Hawk-Eye Camera

t 2


. f

ings are enlarged or reduced by moving thelever B, see page 9.

These stop openings are marked with the"U.S." or Uniform System which is basedon the relation betrn'een the area of the stopand the f ocal, l,ength of the lens. Stop U.S. 8is the largest opening and admits the mostlight. U.S. 16 is half the size of U.S. 8 andadmits just half as much light and so onfor each higher number (smaller stop open-i tg) .

The exposures must be doubled for eachsucceeding higher number (smaller stopopening). For example: If the correct ex-posure using stop U.S. 8 is speed 50, theequivalent exposure using stop U.S. 16will be speed 25. See comparative expo-sures using different stop openings givenon page 27.

U.S. 8-For all ordinary outdoor pictures,such as nearby landscapes showing little orno sky, groups and street scenes, when thesubject is in bright sunlight, use speed 25;for moving objects in bright sunlight, usespeed 50.

U.S. 16-For open views, when the sun-light on the subject is unusually strongand there are no heavy shadows, such as

views at the seashore and on the water,use speed 50; for ordinary landscapes, inbright sunlight, with clear sky overhead,use speed 25; also for Interior Time Expo-sures, the time for which is given in thetable on page 28.

U.S. 32-For instantaneous exposures ofextremely distant landscapes, marines, snowscenes with no prominent dark objects inthe foreground, and clouds only, in brightsunlight, use speed 25; also for portraitsoutdoors, see pages 29 and 30, and otherTime Exposures.

U.S. 64-For Time Exposures Outdoorson cloudy days, see page 32. For portraitsoutdoors, see pages 29 and 30 ; and for InteriorTime Exposures, see page 27. Neaer forinstantaneous exposur es.

The smaller the stop opening the greaterthe depth of focus, see page 13.

Fa'ilure will result, if stop U.S. 64 is usedf.or instantaneous exposures.

Al1 the exposures given for outdoor sub-jects are for the hours between two and ahalf hours after sunrise and two and a halfhours before sunset. If earlier or later theexposures must be longer. For subjects inthe shadow, under porches or under trees,

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no definite directions canence only can teach theto give.

be given; experi-correct exposure

No. 2 Folding CartridgeHawk-Eye

,^,( ) u.s.8\_/( ) u.s. 16

O us.seO u.s.64C O P Y R T G H T I 9 2 2 B Y

E A S T M A N K O D A K C O .

These circles are the same size as thestop openings of the shutters on the Nos. 2and 2A Folding Cartridge Hawk-EyeCameras, when they are fitted with theHawk-Eye Lens. They show the relativesizes of the stop openings and how theirareas differ.

THB FrunBR

The finder shows what will appear inpicture, but on a much reduced scale.

Haw

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the

ng Cartridgek-Dye

u.s. I

u.s. 16u.s.32u.s.64 -W

Look into the finder from directly overthe center of it and include what is wantedby turning to the right or left, see illustra-tion on page 18.

To make a vertical pic-ture, hold the camera asshown above. The viewincluded will appear in thatpart of the finder repre-sented by the white portionin the diagram.

t 7


When making instantaneous exposuresor snapshots with any camera, hold it firmlyagainst the body as shown. When pressingthe push-pin or the exposure lever, holdthe breath for the instant. If the camerais moved during the exposure, the picturewill be blurred.

To make a horizontalpicture, turn the finder andhold the camera as shownabove. The view includedwill show in that part ofthe finder represented bythe white portion in thediagram.

MerrNG IxsrnNTANEous ExposuRBSOR STV,TPSHOTS

When ordinary instantaneous exposuresor snapshots are made, the subject shouldbe in the broad, open sunlight, but thecamera must not" The sun should be be-hind your back or over the shoulder. If i tshines directly into the lens it wil l blur andfog the picture.

Special instructions for making -portraitsare g iven on pages 27 , 29 ,30 and 31 .

1 8 7 9


Horo rHE CnuBn,t LBvELThe carnera must be held level. If all the

subject cannot be included in the finderwithout t i l t ing the lens upwards, movebackwards until it is all included zv,itlt, th,ecamere, /teld, leztel"

Efect produced by ti,lt'ing the camera.

If the subject is below the normal height,l ike a small child or a dog, the camerashould be held down level with the centerof the subject.

20

Turn the winding keyslowly, a few times, unti lNo. 2 is in the center ofthe red window.

After all the exposureshave been made, turn the

k*y unti l the end of the protective paperpasses the window. The film is now readyfor removal from the camera.

CroslNG THE CevrpnaRelease the spring catch on the lower

part of the lens standard, from the slot inthe focusing scale, and slide back the lensstandard as far as it will go.

Place the cable release around the shut-ter, press the arm locks at each side of thestandard and raise the bed.

Caution: The lens standard must bepushed back as far as ,it zu,ill go, or it willinterfere with the bed when closing.

2 l


RBvrovrNG THE Fruvr

After the last section of f i lm has beenexposed, turn the winding k"y unti l theend of the paper passes the red window.

In a subdued light, remove the front ofthe camera as described on pages 3 and 4.

Hold the end of the paper taut and turnthe k.y unti l all but about an inch of thepaper is on the ro11. If the sticker foldsunder the roll, turn the winding k"y tobring i t up.

Take hold of the ends of the paper andsticker to prevent paper from loosening.Draw out the kev and remove the roll offi lm. Fold under about half-an-inch of theprotective paper, and fasten it with thesticker.

2 2

"Cinch" Marks: After removitrg thefilm from the camera, do not wind it tightlywith a twisting motion, or the fi lm mightbe scratched.

Wrap up the exposed film. It is nowready for development. This rnay be doneby a photo finisher, or by yourself. If thelatter is desired, you may write to ourService Department, mentioning the sizeof the pictures made with your camera,and we will send you a list of the necess arymaterials which Can be ordered from yo,rtdealer.

Important: Film should be developedas soon as possible after exposure. Thequality of the image on all sensiti zed prod-ucts is retained by prompt developmentafter exposure.

2s

#*'Enr','n


Remove the empty spool and place it inthe winding end of the camera.

Replace the front of the camera as de-scribed on page 6.

The camera is now ready for reloading.It is a good plan to reload the camera as

soon as an exposed film has been removed,to be ready for the next pictures. Load withKodak Film.

TluB ExposuREs-f NDooRSOpen the front of the camera as described

on page 8. For time exposures the cameramust always be placed on a firm supportl ike a tripod, Optipod, table or ihair,neaer hold it in the hands. It has two tripodsockets for use with a tripod or an Optipod.

Place the camera iq such a position thatthe finder wil l include the view desired.The above diagram shows three positionsfor the camera. It should not be pointedat a window as the glare of l ight wil l blur

the picture. If all the windows can not beavoided, draw the shades of those withinrange of the lens.

If the camera is placed on a table, usethe locking lever 2, as a support. Thecamera must not be more than two or threeinches from the edge of the table.

For horizontal pictures, turn the camerafinder and locking leve r 2, as on page 26.

Focus the camera as described on pagesn and 12 .

Adjust the shutter for a time exposure,see page 10.

All being ready, press the push-pin orthe exposure lever carefully, once to open,

2 4 2 5


time the exposure by apress the push-pin or theclose the shutter.

watch, and againexposure lever to

sures are to be made, adjust the shutter foran instantaneous exposure, see page 9.

Another method of making time expo-sures is to hold the hand or a card close tcrthe shutter, open the shutter and take thehand away for the length of exposure re-quired, return the hand and close the shutter.See il lustration at bottorn of page 26.

Caution: Be careful not to touch thelens with the hand or it will leave a mark.

Exposure Table for Interiors

The table on page 28 gives suitable ex-posures for varying conditions of l ight,when using stop t l .S. 16.

*:'in ":o u:3: '\"rY' il;:1"'( ' IJ .S. 64, t ' four t imes

the exposures given in the table.

The smaller the stop opening the greaterthe depth of focus, see page 13. Stop u.S . 16gives the best average results for Interiors.

To MarB a FonrRArT

The subject should be seated in a chairpartly facing the l ight with the body turnedslightly away from, and the face turnedtowards the camera which should be alitt le higher than an ordinary table. Thesubject should look at an object level with

After making a time exposure, turn thewinding key unti l the next number appearsin the red window. If no more tims e*po-

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the lens, or directly at the lens. Composethe picture in the finder. For a three-quarter figure the camera should be abouteight feet from the subject; and for a full-length figure about ten feet. When thesubject is ten feet from the camera, placethe focusing indicator in the slot markedeight feet and use stop U.S. 16, see tableson page 13. The background should form acontrast with the subject; a light backgroundusually gives a better effect than a dark one.

To get a good lighton the face, follow thearrangement shownin the diagram. Areflector helps to getdetail in the shadedpart of the face. Awhite towel or table-cloth held by anassistant or thrownover a screen orother high piece offurniture will make

a suitable reflector; it should be at an angleand in the position indicated in the diagram.

Making Portraits Outdoors

When making portraits outdoors, withthe sun shining brightly, the subject shouldbe in the shadow of a building or a large

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tree, but with clear and unobstructed skyoverhead. Place the camera on a tripod orother steady support, use stop U.S. 32 orU.S. 64 and make a "Bulb" Exposure ofabout one or two seconds. By followingthis rule unpleasant and distorting shadowson the face will be avoided.,

Kodak Portrait Attachment

The Kodak Portrait Attachment makeshead and shoulder portraits. It can also beused for photographing flowers and similarsubjects.

Place the Attachment over the lens andcompose the picture in the finder.

The subject must be at one of the dis-tances from the camera, given in the tablebelow. Measure the distance carefully fromthe lens to the face, and place the focusingindicator according to the table:

DISTANCE BETWEEN THE FOCUSINGSUBJECT AND LENS INDICATOR

MUST BE MUST BE SET AT

2 feet 9 inches 8 feet3 t ' 9 " 2 5 "4 " 2 " 1 0 0 ' '

When making portraits, the most pleas-ing results are obtained with the subjectfour feet two inches from the lens and thefocus set at 100 feet. For flowers and simi-lar subjects the shorter distances will bemore satisfactory.

30

The exposure when using the Attachmentis the same as without it.

I-Ise Kodak Portra'it Attachment IVo.8 withthe No. 2 Folding Cartridge Hawk-Eye,and use IVo. 3 with the No. 2A FoldingCartridge Hawk-Eye Camera.

Kodak Diffusion Portrait AttachmentThe Kodak Diffusion Portrait Attach-

ment is a supplementary lens used in thesame manner as the regular Kodak PortraitAttachment. It produces a true, soft-focuseffect.

Ilse Kodak D'ifusion Portra'it Attachme:ntNo. 8 with the No. 2 Folding Cartridge

.Hawk-Eye, and use -ly'o. 3 with the No. 24,Folding Cartridge Hawk-Eye Camera.

"Ar HouE wrrq rrrB KooAK" is a book-let containing many diagrams and illustra-tions showing various lighting effects. Itgives suggestions for making pictures, inand around the home.

"Prctune Ter<rNc AT NIGHT" is a book-let that describes in detail the methods ofmaking flash-light exposures, camp firescenes, f i reworks, l ightning, moonl ighteffects. silhouettes and other novel andunusual pictures.

These two booklets are free, and copiesof them will be sent upon request to ourService Department.

i


Trprp ExposunBs-OutDooRs

When the smaller stop openings (U.S. 32or U.S. 64) are used, the l ight passingthrough the lens is so much reduced thatvery short time exposures outdoors maybe made.

For short time exposures as describedbelow, use the "Bulb" Exposure, see page 10.

With Light Clouds-From one to threeseconds will be sufficient.

With Heavy Clouds-Four seconds toeight seconds will be required.

With Sunshine-Time and "Bulb"Exposures should not be made.

CrBaN tnNsBs

These pictures illustrate the differencebetween results with a dirty and clean lens.

?6tu:trk"@@

Madewith Dirty Lens. Mad.ewith Clean Lens.

Lenses should be cleaned as follows:Remove the front of the camera. see

pages 3 and 4, then open the front as de-

scribed on page 8. Wipe the front and backof the lens with a clean handkerchief. Neverunscrew the lens.

Keep Dust Out of the Camera

Wipe the inside of the camera andbellows, occasionally, with a slightly dampcloth, especially if the camera has not beenused for some time.


Pnrcp LrsrKooar< Frru CInTRIDGE, No. 120, 2/a x3/,

s i x e x p o s u r e s . . . . . . . . $Kon.q.r Frr.u CanTRIDGE, No. 116, 2% x4%,

twelve exposuresSix exposures. . .

CennvrNc Cesn for the No. 2 Folding Car-tridge Hawk-Eye Camera

CennvrNc Cese for the No. 24' FoldingCartridge Hawk-trye Camera. . . . . :. . . . .

Kooer< Ponrnert ArrecnuBNr, No. 8, forthe No. 2 Folding Cartridge Hawk-EyeCamera

No. 3, for the No. 24, Folding CartridgeHawk-Eye Camera

Kooar< Drrr'usrox Ponrnart AttAcuueNr,N o . 8

N o . 3Kooer< Sr<v FrrrBn, No. 8. . . .

N o . 3Kooar< Cor,on Fu,ten, No. 8

N o . 3Kooar< Morar, Tnrroo, No. 0

No. 1No. 2

Lrernen CannvrNc Cese, for Kodak MetalTripod Nos. 0, I or 2

Oetteoo, for attaching camera to the edge ofa table, chair , fence, etc. . .

Kooeroo, for attaching camera to a tree,fence or similar rough surface

Koler< SBrr Trlrpn. fits on the cable releaseand automatically presses the push-pinenabling the photographer to be included.

Kooar Nrcerrvo ALnuu, to hold 1002% * 3/ or smal ler negat ives $ 1.25

Koonr< NBcerrvs Ar-BuM, to hold 1002% x 4/ , or smal ler negat ives 1.25

Kooar< Tnrlrurnc Boenl No. 2, capacity7 x 7 i n c h e s . . . .

i Koonx Dnv MouwrrNc Trssue, 2% x 3%I or 2% x 4/, three dozen sheets .10

I R"ooBs Ar-euxr, flexible leather cover, size7 x 11, loose- leaf , 50 black leaves. 2.75

Cloth cover, s ize 7 x 11. . 1.25

Verox TnawspenpNr \,VarBn Colon SrAues,booklet of twelve colors .50

' VBrox Waron Colon Ournlt, consisting of

Art is t 's Mix ing Palet te, three Camel 'sHair Brushes and one book of Velox Trans-parent Water Color Stamps (twelve colors) 1.00

r "How ro MaxB Gooo PICTUnES," an i l lus-r,- n trated book of helpful suggestions. It

describes various methods of making ex-posures, developing, printing, enlarging,coloring., making lantern slides, and otherinteresting subjects .50

All brices subject lo change withou.t notice.

EASTMAN KODAK COMPANY,RocuBsrpn, NBw Yonx.

. 25

.60

.30

1 .50

1.60

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. 7 5

1 .251 .25

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1 . 1 5. / J

1 . 1 52 . 7 54 .505.00

2 . 7 0

1 . 2 5

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1 .25


SERVICEDEPARTMENT

AnnruoNer- AssrsrANcE FoRMerrxc BBrrBn Prcrunps

A LTHOUGH we give in this manual.( \ the essential directions for using thecamera it accompanies, there are amateurswho wish for further knowledge of photog-raphy.

The Service Department is at theirservice, your service.

Do not hesitate to call on us for infor-mation on any photographic subject.

We are at your seraice, writeto us-there,is no charge,

no obligation.

Address all Communications

SERVICE DEPARTMENTL]ASTMAN KODAK COMPANY

RocnnsrER, N. Y., U. S. A.

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IMPORTANTRead this manual thoroughly before you make

any pictures.

While loading and unloading the camera, be verycareful to keep the protective paper wound tightlyaround the fi lm to prevent l ight striking it.

Before making an exposure be sure that theshutter is adjusted properly, using the correct stopopening and speed. The camera must be focused andan unexposed section of fi lm in position.

The sun must be behind your back or over theshoulder. I f the sun shines di rect ly into the lensit will blur and fog the picture.

Hold the camera level.Hold the camera steady when making instanta-

neous exposures or snapshots. The camera shouldbe held firmly against the body and when pressingthe push:pin or the exposure lever, hold the breathfor the instant. If the camera is noved during theexposure, the picture will be blurred.

Turn a new section of fi lm into position immedi-ately after making an exposure. This will preventmaking two pictures on the same section of fi lm.

Never oil the shutter.Keep the lens and inside of the camera clean.Instructions for making time txposures, indoors

and outdoors, are included in this manual.

EASTMAN KODAK COMPANY,RocunsrBn, N. Y.

6-29- KI'-40


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