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Koleksiyon Office Furniture Catalog 2014

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Page 1: Koleksiyon Office Furniture Catalog 2014
Page 2: Koleksiyon Office Furniture Catalog 2014
Page 3: Koleksiyon Office Furniture Catalog 2014

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Coffee TablesNarcissus 353Plinth 357Bremen 361Ova 365

Ar mchairsSofasBotero 279Kardinal 283Laluna 287Dilim 291Flamingo 303İkaros 307Hanedan 315Serdivan 319Hanoba 323Kaffa 327Opera 331Pasenow 337Tamina 343Tellasmar 347

OfficeChairsGala 159Tola 179Anitta 189Tristan 199Dastan 217Miranda 227Asanda 237Helen 249Cantata 255Çelebi 271

Storage SystemsRuba 115 Path 121Song 131Rarum 139Plato 145Space 151

Desk SystemsPartita 09 Calvino 25Barbari 43Lean 59Gazel 69Pera 73Quo Vadis 77Altar 87Swan 91Cantata 99Guamba 105

ContentsPartition SystemsMegaron 371Milonga 385

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Desk Systems

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Designed by Faruk Malhan

Partita

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Partita is a new and boutique approach for the new work habitat. The wooden X-framed

legs present a solid and architectonic language to a high standard. This new offer brings

the idea of “high touch” to the office as opposed to “high tech” presented by the

steel-framed furniture of the past decade. Technology is invisibly incorporated in this design,

where you can find alternative sources to dock in with your mobile phone, pc, laptop etc…

CTHB LAW OFFICE | Salon Architects | 2013

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TBWA | Erginoğlu & Çalışlar Architects | 2012

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The overall design language strikes a fundamental tone by simplifying all expressions,

concealing all details, and serving all contemporary needs without displaying the complexity

of a configuration. It helps to create a calm atmosphere and natural aura; the touch of

naturally treated wood surfaces introducing tactile elements into daily work - a quest for

silent joy.

L : 1400(1680)/1600(1880)/1800(2080) mmD : 1600(2912) mmH : 740 mm

L : 515/615/715/915/1115/1315 mmD : 2 mmH : 536 mm

L : 515/615/715/915/1115/1315 mmD : 2 mmH : 536 mm

TM350

Technical Details

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The desk attachment possibilities are; a) modesty/privacy panel under the desk, b) CPU

holder, c) Selection of vertebrae for vertical cable traffic, d) design of the cable channel

for horizontal cable traffic, e) Waste paper box. Above the desk attachment possibilities

are; a) mini-screen in a special felt upholstery fabric, b) a tray or a small box above the

desk for personal objects (wallet, mobile, cosmetics, medicines, stationery, plants etc…),

c) personalized light fittings; task lamps, d) screen holder attachments, or e) signs, graphics.

L : 1400(1680)/1600(1880)/1800(2080) mmD : 1600(2912) mmH : 740 mm

L : 515/615/715/915/1115/1315 mmD : 2 mmH : 536 mm

L : 515/615/715/915/1115/1315 mmD : 2 mmH : 536 mm

TM350

Technical Details

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A specially designed steel under-frame connecting the legs to the table top is a functional

solution that acts as a track for all IT links above or below the table as well as offering a

horizontal cable dump with a big capacity. These connections can be easily achieved

through centralization of capacity on this beam which can be installed by any service team.

This allows a unique modularity as well as versatility, multiplicity, and easy customization

of the desk system for corporate brands.

TBWA | Erginoğlu & Çalışlar Architects | 2012

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KREATİF ARCHITECTURAL COMPANY | 2010

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Another important design decision is the organization of layout possibilities. The richness

of the available configurations due to the geometrics of the desks is what gives a novel

character to the program and this helps to create new possibilities in space planning.

Due to the shrinking size of screens on any desktop today, the need to re-evaluate the

proportions of the work top in relation to the activity that takes place is becoming even

more crucial.

L : 1400(1680)/1600(1880)/1800(2080) mmD : 1600(2912) mmH : 740 mm

L : 515/615/715/915/1115/1315 mmD : 2 mmH : 536 mm

L : 515/615/715/915/1115/1315 mmD : 2 mmH : 536 mm

TM350

Technical Details

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A critical meeting topography is central to the proposed layout solutions in Partita in

terms of encouraging interaction in the work zones. Interaction between employees is

seen as a critical factor for organisational performance. The exchange of information and

knowledge not only helps to improve organisational learning and teamwork, but also

enhances social cohesion.

TBWA | Erginoğlu & Çalışlar Architects | 2012

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In a more collaborative work culture, it is critical that any table surface is planned and

located to be used for working and/or meeting at the same time. Both producers and

consumers are now enriching their overall product portfolios by feeding them with new

plug-ins and add-ons. This shift from product to process allows a designed piece like

Partita to be adapted over time according to personal needs and tastes.

Within the same design language meeting solutions are also presented. The meeting

table is designed with the same legs as the main design. Depending on the length of the

table, a vertical cable duct is placed at the very centre to carry all necessary wiring from

the floor grommets up to the vertical under-tray which is placed all the way along the

table. Access to the tray and all plugs is easily provided thanks to the flap doors placed

in the centre.

L : 1400(1680)/1600(1880)/1800(2080) mmD : 1600(2912) mmH : 740 mm

L : 515/615/715/915/1115/1315 mmD : 2 mmH : 536 mm

L : 515/615/715/915/1115/1315 mmD : 2 mmH : 536 mm

TM350

Technical Details

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Designed by Studio Kairos

Calvino

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Calvino is designed with the dichotomy in mind that a desk system developed for

everyone can not be personalised in reality. True Systems furniture will never look and feel

personal. However, Calvino aims to invoke a warm empathy, trying to motivate the user

emotionally. In this approach the search for a perfect system is substituted by more

relaxed, unattached, interchangable and independent pieces. The soft curves and thin

edges of Calvino’s simple and naive shapes evoke powerful and raw emotions; more

up-lifting than the use of homogenous sharp and industrial systems design language.

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METLIFE | Sistema Teknolojik Yapı A.Ş. | 2013

The program was developed as a novel concept for companies who have environments

where they want to embrace new ways of working. The brief for the project was to

“erase the industrial memory”. This erasure takes physical form by optically reducing

table top thicknesses and softening the support legs. Instead of the ubiquitous 18-25mm

composite desktop thickness one experiences only an attractive thin line of 4mm of top

surface joining with 2mm of tapering aluminium support frame. The legs are not a

rectangular section with a sharp corner, but tubular limbs that meld seamlessly into the

soft profile of the structural under-frame. All desktop accessories are either self standing

- easily removed at any time with the minimal use of tools - or positioned to the edges of

the table frame on two deliberately thin legs.

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ÇELEBİ HOLDİNG | Yalın Tan & Jeyan Ülkü Architects | 2011

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The design’s inherent qualities can present themselves silently in many colours but even

in the icy absence of colour. Through a play of shades from using matt and gloss white

finishes Calvino creates and presents its aura. This monotone design opportunity can

relate to its surrounding environment silently without representing a competitive or

oppressive tone.

T1228NF / T1232NF

Technical Details

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Calvino layouts are always permeable spaces where concentration is achievable across

many designated workplaces thanks to specialised desktop accessories and cabinets.

Workspace division and designation is refinable due to a selection of different cabinets

and combinations. Many layouts can be softened by the introduction of seating groups

that break up the “factory farm” or “production line” agitations generally created by

workstations. The open approach promotes freedom and communication throughout the

different work functions of the company team, creating more motivational interaction.

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Calvino represents a new proposition for a single desk for the individual. It offers something

personal for a new worker profile with much higher qualities than before, and recognises

that the corporate level between mid-management and operator is slowly blurring.

The program can grow into 2 or 4 person workstations as well as into a bench system.

Calvino proposes a method to create the transformation of a work zone; desks can be

configured as easily as they can be subsequently separated for different work styles.

HERBALIFE HEADQUARTERS | Özkutan Architects | 2013

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Thanks to the structural qualities of Calvino, a seamless bench can be conceived with a

unique aesthetic. The extrusion profiles and injected corners can be the basis of a

6 person bench framed by one extrusion along the full length, as well as offering the

added possibilities to attach any of the systems accessories; shelves, screens, lights or

box files. The cables are carried from the floor box to the table with the vertical power

ducts that also help support the elegant structure.

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For a manager’s workstation Calvino focuses on social relations rather than just

directorial priorities. A new 21st century manager has emerged who is a visionary leader

and relentlessly forges forwards in the battlefields of life together with work comrades.

Emotionally fuelling the team and energising their creative potential.

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Calvino translates and paraphrases the emotional language of furniture, removing and

denying all connotations of the corporeal, rigid world of “the office”. The shapes and

detailing offer an optical, cartoon-like naievity over an intelligent but rigid frame. The soft,

rounded edges of letter trays, and storage boxes open on both sides, the primitive look

of the bent sheet shelf, or the mini-screens that open like japanese geisha fans, all add to

this visual smorgesbord.

Within the boundaries of the unique frame, different finishes of desktop materials can

co-exist defining functional zones in an elegant design.

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Designed by Studio Kairos

Barbari

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Barbari is presented with simple and basic layers in multiple composition possibilities.

The combination of tables, cabinets and panels in this program are all designed in an

integrated language. In collaboration with the soft panels, one can easily find harbours to

hide away and concentrate in, even in an open plan layout.

ALCE ELEKTRİK | Cedetaş Architects | 2012

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Increasing amounts of research has proved that a fully open work area creates greater

stress and limits the ability of employees to concentrate on their own tasks. The Barbari

program presents the option of the system as building blocks that can easily be assembled

and disassembled. These blocks in soft appearance that can be used in combination are

a critical part of the design, and one which will enable the architect to customise the system

with colours and textures to create a strong & unique character.

Technical Details

L : 2800 (1400x2) / 3200 (1600x2) mmD : 1200 mmH : 740 mm

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The design’s inherent qualities are presented through the use of alternative finishes

for screens and frames. As well as expressing the difference of each element of the

structure, unifying all elements with a single colour might also be a Project Design

decision depending on the work culture of a company.

BP | Erginoğlu & Çalışlar Architects | 2013

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Barbari tables are always in rectangular forms with basic geometries. The combinations

can vary from a single desk to two, four or six person bench systems.

Technical Details

L : 2800 (1400x2) / 3200 (1600x2) mmD : 1200 mmH : 740 mm

L : 2800 (1400x2) / 3200 (1600x2) mmD : 1200 mmH : 740 mm

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EREN ELEKTRİK | Cedetaş Architects | 2013

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Barbari is a progression on the idea of the “frame and desktop” relationship that was

initially designed for Calvino. The structure of the system has an expressive language

presenting all typically concealed details as a part of the design’s aesthetic. The desktop,

corner detail and frame profile present a graphic language expressing their symbiotic

relationship despite the available use of different combinations of colour and finish. The

same idea is followed above the desktop which serves both as a division screen and as

a personal storage space through using flat clip-on trays.

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PHILIPS | Sistema Teknolojik Yapı A.Ş. | 2010

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Using the same design language of Barbari, meeting solutions are also available. The

Barbari meeting table is designed with the same legs articulated for the main design,

depending on the length of the table, a vertical cable duct is placed at the very centre to

carry all necessary wiring from the floorbox up through horizontal cable management that

is fitted all the way along the table. Access to the trays (and plug sockets etc) is easily

provided thanks to the flap doors placed in the centre.

Technical Details

L : 2800 (1400x2) / 3200 (1600x2) mmD : 1200 mmH : 740 mm

L : 2800 (1400x2) / 3200 (1600x2) mmD : 1200 mmH : 740 mm

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A solution for management desks is integral to the series by the use of a selection of

typologies that combine a basic model with a side attachment to form an L-shape

desktop, a model with a side storage unit, or a larger desk with an add-on side workspace.

Technical Details

L : 2800 (1400x2) / 3200 (1600x2) mmD : 1200 mmH : 740 mm

L : 2800 (1400x2) / 3200 (1600x2) mmD : 1200 mmH : 740 mm

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IKSV | 2010

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Designed by Faruk Malhan

Lean

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Lean desk is designed with an aim to increase efficiency in office space use.

Lean users enjoy a great sense of freedom thanks to its customisable structure that

caters to different needs in workplaces.

SAP | Yalın Tan & Jeyan Ülkü Architects | 2009

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The thinner edges of Lean’s legs are placed on the corners of the specially designed

table top with a steel section. When walking around Lean, it appears as if its leg

thickness varies, which gives Lean a strong sense of lightness.

D0816RB / D0818RB / D0820RB

L : 1600(1850)/1800(2050)/2000(2250)mmD : 800 (1562) mmH : 740 mm

L : 900/1100 mmD : 25 mmH : 400 mm

APF900/APF1100

A1020NL : 2000 mmD : 1000 mmH : 740 mm

63

Technical Details

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SIEMENS | Seyaş & Net Architects | 2009

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Operational Lean series can be used in diverse settings ranging from individual

workplaces to workstations of two to six people. The series also offer a wide range of

options in meeting tables, including models where ten people can work together.

Lean’s refined look makes it suitable for meeting spaces with different design concepts.

D0816RB / D0818RB / D0820RB

L : 1600(1850)/1800(2050)/2000(2250)mmD : 800 (1562) mmH : 740 mm

L : 900/1100 mmD : 25 mmH : 400 mm

APF900/APF1100

A1020NL : 2000 mmD : 1000 mmH : 740 mm

65

Technical Details

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Desk screens can be added to Lean desks in order to create a more focused work

environment. These desk screens, which enable acoustic isolation, can also be combined

with other workplace accessories.

D0816RB / D0818RB / D0820RB

L : 1600(1850)/1800(2050)/2000(2250)mmD : 800 (1562) mmH : 740 mm

L : 900/1100 mmD : 25 mmH : 400 mm

APF900/APF1100

A1020NL : 2000 mmD : 1000 mmH : 740 mm

66

Technical Details

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JOHNSON WAX | Yalın Tan & Jeyan Ülkü Architects | 2011

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Designed by Faruk Malhan

Gazel

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Gazel table stands out by its simple and elegant lines. Designed for executive offices,

Gazel is presented in 3 length alternatives as 240, 300 and 350 cm. The series also

include additional components like storage systems and TV units for executive rooms.

Gazel with its optional hanging pedestals gives the impression of a table standing in the

air through its unique features like thick surface and metal legs positioned behind the

side and front panels. It is also good to combine with Gazel sofa for executive rooms.

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Designed by Faruk Malhan

Pera

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Having thin legs with natural finish, Pera is designed in classical style for executive offices.

Top surface, side panels and fixed hanging pedestal are given in various length

dimensions of 180, 200 and 220 cm. The product family is also composed of waiting

tables, storage systems and TV units.

Pera series stand out through its special patterns that are produced by special laser cut

technique and applied on table top, front panels, sideboards and TV units. They all bring

a fresh approach to conventional culture of working.

Power plugs are easy to access via the sliding wrist pad made of natural leather. Inner

surfaces of pedestals are covered with fabrics to avoid the risk of scratching. These

fabrics also reduce the potential noise caused by the use of drawers.

75

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Designed by Studio Kairos

Quo Vadis

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Quo Vadis, distinguished by its geometric structure and simplicity, bears the stamp of the

Studio Kairos, an all architect design team from Milano.

TOYOTA HEADQUARTERS | 2011

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This archetypal desk consists of a wooden tabletop resting on an aluminium frame of

unique design. Modesty panels and under-desk caisson-drawers may be added on

request. The top surface descends from the legs at the corners like a one-piece tome.

The material thickness at the edges of the desk is well hidden by the smartly designed

details of the aluminium frame and corner connections.

10CM20 / 10CM24

06DR12

Technical Details

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SAYGILI RULMAN | KG Architects | 2013

In principle, Quo Vadis presents a very inviting character, communicating less of a

hierarchical tone but more of a collaborative attitude. Either the executive’s desk or

the meeting tables are all easy to approach from all sides and do not dictate a

volumetric language.

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Upon request a front modesty panel or a set of drawer units can be provided within the

system. The drawer unit can be fitted under either one or both sides. The treatment of

the drawer unit edge detail is in direct correlation with the table.

The simplicity and elegance of the design breathes through all the details in the

programme. Access to cable management is provided by a simple flap on the desktop

which has the same surface finish. The frame is an anodized aluminium finish with the

desktop in walnut or white oak with a natural surface finish.

10CM20 / 10CM24

06DR12

Technical Details

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Designed by Faruk Malhan

Altar

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Altar is a meeting table series presenting various models to fulfill needs of meeting

groups ranging from 4 to 22 participants. Its surface is designed in oval form to enhance

the communication and dialogue of users. Table top covered either by natural wood or

laminate has a 14 mm thickness.

Models with natural finish sustain the natural look and feel on their cable covers as well,

where the covers in laminate covered models are same as the table’s legs that are made

of sheet metal with anthracite epoxy paint. Altar’s cable management system is designed

in a special way to keep cables going peacefully along the inner-legs and particular paths

below top surfaces, so that each user has easy access to power plugs through cable nests.

Technical DetailsL : 1800 mmD : 1800 mmH : 750 mm

Ø : 1800 mmH : 750 mm

L : 1800 mmD : 1800 mmH : 750 mm

Ø : 1800 mmH : 750 mm

88

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Designed by Koray Malhan

Swan

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Swan is a desk designed for inter-office training and presentations. Adding value to

workspaces, Swan combines an elegant structure with practicality. The design can be

used for all corporate work environments as well as public or training areas in universi-

ties, hotels, schools etc...

ECZACIBAŞI INNOVATION CENTER | 2012

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Highly mobile, this system offers flexible mobility in a wide range of configurations. One of

its foremost advantages is that the units are foldable, stackable, and attachable to each

other, which provides for a better use of space in confined areas.

Technical Details

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ÇELEBİ HOLDİNG | Yalın Tan & Jeyan Ülkü Architects | 2011

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Designed by Mustafa Timur, Selçuk Akşit

Cantata

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Cantata is a table and chair family designed for training rooms, shared workplaces,

classrooms, cafes, and waiting areas. Table series in this family consist of cafe and

bistro tables.

SAYGILI RULMAN | KG Architects | 2013

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Koleksiyon holds a patent for Cantata’s special leg design and connection systems,

which stand out for the creative solutions they offer for mounting. Cantata’s table series

include a selection of durable materials that are suitable for use in both indoor and

outdoor areas.

L : 800 mmD : 800 mmH : 740 mm

AMK800

Ø : 800 mmH : 740 mm

AMY800

L : 800 mmD : 800 mmH : 740 mm

AMK800

Ø : 800 mmH : 740 mm

AMY800Technical Details

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Designed by Koray Malhan

Guamba

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Guamba is a coffee table group suitable for middle or side tables and produced in a variety

of sizes. Its steel legs are compatible with either wood or glass table top selections and

come in various epoxy colours. Thanks to its elegant and simple appearance, Guamba is

compatible with all seating groups.

L : 500 mmD : 500 mmH : 500 mm

L : 500 mmD : 500 mmH : 500 mm

Ø : 1200/1290 mmH : 740 mmTechnical Details

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The thin tabletop design adds a fine and elegant appearance to the wood or glass

material. The central support column designated for this table series also contributes to

a dynamic and youthful ambience in any common area.

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110ANADOLU SİGORTA | Erginoğlu & Çalışlar Architects | 2013

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Designed for public places, cafes or dining halls, this table’s characteristics also facilitate

its use for small meetings in office break-out areas. Various frame colours and surface

options are offered, with the table’s diverse measurements and geometric shapes enabling

it to adapt to locations of different sizes.

L : 500 mmD : 500 mmH : 500 mm

L : 500 mmD : 500 mmH : 500 mm

Ø : 1200/1290 mmH : 740 mm

Technical Details

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Storage Systems

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Designed by Faruk Malhan

Ruba

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Ruba is a range composed of a variety of cabinets created to serve all workplace storage

needs, and in different sizes. In this program a wide range of storage units with drawers or

hinged doors are presented. Ruba is constructed with melamine-faced surfaces to provide

practical as well as economical solutions. All the feet have levelling adjustment, accessible

from within, that can help each cabinet to fit any uneven floors.

Technical Details

KSN2B

221

321

421

622

322

422 / 424

KSN2B

221

321

421

622

322

422 / 424

KSN2B

221

321

421

622

322

422 / 424

116

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The Program includes economical solutions with melamine carcasses and handles that are

flush with the outer surface. There are options of drawer height and versions for stationery

and filing solutions, all of which are presented with a central locking mechanism.

Technical DetailsKSN2B

221

321

421

622

322

422 / 424

KSN2B

221

321

421

622

322

422 / 424

119

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Designed by Koray Malhan

Path

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Path is a storage system designed to meet the requirements of frequent reconfiguration in

the work environment. The frame and intermediate shelves are made of sheet metal, with

melamine coatings available for the doors and rear panels. These cabinets, which come in

various sizes with open-shelf or cupboard options, are of a modular structure, facilitating

desired combinations whilst providing economy of space and at an affordable cost.

SMBC | 2012

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The shelves, side panels and base are produced in steel whereas the top panel, back

and front door panels are in melamine-faced materials. The levelling feet for uneven floors

are concealed in the steel fabricated base.

Technical Details

KSN3P / KSN3B

H1 L1ACD

KSN3P / KSN3B

H1 L1ACD

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The Program includes a mixed use of materials; steel sides and base with melamine-

faced top, back and front panels. Handles are flush with the outer surface. There are

options of cupboard height and versions for stationery and filing solutions, all of which

are presented with a central locking mechanism. Optionally a Professional drawer system

is presented where the rail system is concealed in the structure and the load bearing

weight is up to 35 kg. The front panels in the drawers are also vertically adjustable.

Technical Details

KSN3P / KSN3B

H1 L1ACD

KSN3P / KSN3B

H1 L1ACD

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The design of the series cleverly uses thin steel side panels that conceal the thickness

of the door panels and provide a refined look for the overall frontal image of the cabinet.

With this construction the cabinets are also equally elegant from the side or rear views.

Technical Details

KSN3P / KSN3B

H1 L1ACD

KSN3P / KSN3B

H1 L1ACD

KSN3P / KSN3B

H1 L1ACD

KSN3P / KSN3B

H1 L1ACD

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SMBC | 2012

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Designed by Koray Malhan

Song

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HERBALIFE | Özkutan Architects | 2013

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The Song storage system may be used as independent units or stacked in larger groups

where modules are combined to fit whatever the requirement might be.

L : 800 mmD : 460 mmH : 740 mm

L : 434 mmD : 600 mmH : 628 mm

Technical Details

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Song cabinets also serve as partitions in open spaces while the rear panels contribute to

isolating general noise levels when upholstered with a purpose-specified fabric.

Technical Details

L : 800 mmD : 460 mmH : 740 mm

L : 434 mmD : 600 mmH : 628 mm

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İŞ GYO | Brigitte Weber Architects | 2013

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Designed by Koray Malhan

Rarum

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Rarum boasts of an unusual solution for storage and display requirements and may

either be used in front of a wall or act as a warm partition, heightening the area’s depth.

SARITAŞ ÇELİK | 2012

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Large drawers and racks emerge when Rarum’s closed boxes are opened. Spaces

between the boxes create an additional display area that enriches the atmosphere of any

environment. Offering modular flexibility and easily adapting to its environment, Rarum

adds aesthetic value to storage as much as it does to its display capacity.

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Designed by Faruk Malhan

Plato

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Plato is a design that accommodates the display and storage of books and magazines. It

offers special solution opportunities with its rich accessory, material, and size options,

while making it easier to utilize space more efficiently. Thanks to its potential use as a one

or two-sided design, Plato also divides space effectively.

GEDİZ UNIVERSITY | 2011

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PİRİ REİS UNIVERSITY | Kreatif Architects | 2014

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Designed by Faruk Malhan

Space

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ECZACIBAŞI INNOVATION CENTER | 2012

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Space is a cabinet system to provide the storage needed for work environment. Open, flap

or tambour doors are optional. With adjustable shelves and consoles, they allow good

organisation and individual space in offices.

Space cabinet is made of melamine on the main body and side panels, the bed base and

shelves are made from sheet metal. Space can be used as modular piece on it is own or

side by side in different combinations.

Technical Details

H6 32KPDL : 800 mmD : 460 mmH : 1512 mm

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TURKISH FOOTBALL FEDERATION | 2009

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OfficeChairs

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Designed by Gerhard Reichert, Heinrich Iglseder, Koray Malhan

Gala

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Sketches by Gerhard Reichert

Gala, who was the renowned muse of Paul Eluard and then Salvador Dali has now been

the inspiration for this novel task chair design. The chair’s technically advanced details are

all concealed behind Gala’s overtly feminine sensuality, and its form exudes a seductive

charm from all views.

As the most particular characteristic of the chair, the back frame of Gala, changes its shape

and sectional direction in accordance with the applications of different body-weights and

relative forces. Just as the trees in coastal regions have a different oval-shaped form due

to a continual exposure to gales, the section of the supporting back frame also has an

alternating section throughout its overall structure. Extraneous detail has been sculpted

away by design so that an organic shape results.

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The knitted fabric on the back frame supports the whole of the user’s back but also

elevates Gala’s feminine look and organic aesthetic. The patented fabric mesh has a very

unique structure and high resilience, providing perfect support in the lumbar region by

adapting to the unique shape of the spine of the user. The self-protective structure of the

special fabric, which avoids the expansion of any holes and punctures, even under

pressure, also gives it a unique functional quality.

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The back frame design of Gala allows for the choice of either black or white fabric at the

rear to coordinate with frame colour, although the inner fabric is black as standard. The

choice of the inner fabric, determined by the requirement of the lumbar support and

tensile strength qualities, is available in a limited selection of colours. The outer fabric has

a more decorative style with a unique texture.

Technical Details

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Gala is designed with two parallel attitudes; one looking inward and the other outward.

The inner looking characteristic concerns ergonomic features and personal adaptation to

the human body; the seat, the back and lumbar support, the use of buttons for mechanism

control, and the back support with the mass-compensation synchro-balance mechanism

which automatically adapts to each user’s weigh. The outward characteristic is a design

that complements a diverse set of environments thanks to its organic but refined outlines.

Technical Details

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Gala’s function levers are uniquely located in a visible plastic skirt surrounding the seat

pan. Instead of searching for a set handles under a seat, the user can see and operate

the mechanisms simply. This feature makes it much easier for the user to control the

adjustments.

NETAŞ | Sistema Teknolojik Yapı A.Ş. | 2013

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Adjustable accessories are also available as adaptations to Gala; fixed armrests of

original design, 2-D adjustable armrests, or a headrest option, are available without any

compromise to the integrity of the composition.

Technical Details

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All the parts that form the skeleton of Gala are available in white; so the fixed armrest,

chair adjustment mechanism and frame can be formed from white as well as black. The

5-star bases are presented in aluminium polished finishes as well as glass reinforced

polyamide in black or optionally white finish. Another alternative presented by Gala is the

specially designed castors that rotate around a hollow centre; these special wheels are

only available for polished or white bases.

Technical Details

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A special fabric can be selected for the seat pan which has a unique texture with several

layers that provide for optimum ventilation, providing a healthy alternative for regulating

the changes to temperature and pressure caused by the daily sitting experience.

Technical Details

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NETAŞ | Sistema Teknolojik Yapı A.Ş. | 2013

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TBWA | Erginoğlu & Çalışlar Architects | 2012

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Designed by F/P Design

Tola

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Tola is a fresh proposition for a democratic work habitat where the distinctions between

the executive, management and working teams are fading. The basic idea for this new

chair platform is best presented in designer’s own words;

Human’s environment mirrors their personality, and people with character need equivalent

furniture. The design of Tola chair started with thinking about the people who would sit in.

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We imagined people, that are individual, flexible and liberal, who are more interested in a

chair, that becomes a lifelong friend, than in a purely imposing piece of furniture.

Technical Details

EXECUTIVE TASK CHAIR

OPERATIONAL TASK CHAIR

VISITOR CHAIR

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İŞ GYO | Brigitte Weber Architects | 2012

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The image of Tola with its overlapping shells found the balance between modern and

classical shapes between past and future, so to say. Beyond this the modularity of the

back shells offers a wide range of applications, from low back conference chair to high

back executive, as well as team meetings, mid management and bench seating.

Technical DetailsEXECUTIVE TASK CHAIR

OPERATIONAL TASK CHAIR

VISITOR CHAIR

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Designed by Faruk Malhan

Anitta

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Anitta is a chair family designed for executive, meeting, and conference spaces. Anitta’s

office chairs have a synchronous mechanism and they offer different height options for the

backrest. Anitta has four different complementary models: visitor chairs, meeting chairs,

conference chairs and chairs with fixed starbase legs. Upholstery options are fabric,

genuine or artificial leather. Anitta meeting chairs’ seat and backrest parts form one piece

from top to bottom. They have the same backrest height with Anitta office chairs.

Meeting chairs come with the options of fixed legs or on casters.

START OR FINISH CHAIR LEG

START OR FINISH CHAIR LEG

Technical Details

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Anitta visitor chair series bear the family’s defining characteristics, with the seat and

backrest parts being one piece from top to bottom. Visitor chairs have the same backrest

height with executive chairs. Visitor chairs come with the options of fixed legs or on casters.

Visitor chairs with fixed, star-based legs offer two height alternatives for backrest, just like

the executive chairs. Anitta can return to its original position after swiveling 180 degrees

left and right thanks to its position protector mechanism. At the same time, it can return

to its original height once the sitter stands up.

START OR FINISH CHAIR LEG

Technical Details

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EUREKO SİGORTA | Sistema Teknolojik Yapı A.Ş. | 2012

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Anitta conference chair has a special mechanism that keeps the seat closed when it is

not in use. Two juxtaposed conference chairs stand on three legs at the starting, middle,

and end points. These legs can be mounted on floors as well as on platforms.

Conference chairs have an optional writing tablet component. Genuine leather, artificial

leather or fabric is used in conference chairs’ upholstery.

Technical Details

START OR FINISH CHAIR LEGSTART OR FINISH CHAIR LEG

START OR FINISH CHAIR LEG

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Designed by Gerhard Reichert, Eckhard Hansen

Tristan

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L : 670 mmD : 560 mmBH: 1150 (1280) mmSH: 435 (565) mm

63

L : 630 mmD : 490 mmBH: 945 (1075) mmSH: 435 (565) mm

35 N / 35 K

L : 630 mmD : 530 mmBH: 980 (1100) mmSH: 435 (565) mm

52

L : 567 mmD : 540 mmBH: 845 mmSH: 480 mm

16 V

L : 567 mmD : 540 mmBH: 845 mmSH: 480 mm

16 YTRV

L : 567 mmD : 540 mmBH: 835 mmSH: 480 mm

16 AV

26 V

L : 600 mmD : 560 mmBH: 865 mmSH: 475 mm

L : 600 mmD : 560 mmBH: 860 mmSH: 470 mm

24 V

Tristan’s operational series have fixed backrest height. Armrests come with fixed or 2D

movable armrest options. The series feature permanent operator mechanism, along with

synchronous mechanism alternative. Tristan, which stands out for its innovative style,

was designed by Gerhard Reichert and Eckhard Hansen in 2000. Designed to meet the

various needs of different work cultures, Tristan is a large family consisting of operational,

manager, executive and visitor armchairs as well as meeting and seminar models. It gives

a characteristic look to communal spaces in workplaces.

Technical Details

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SARITAŞ ÇELİK | 2010

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L : 670 mmD : 560 mmBH: 1150 (1280) mmSH: 435 (565) mm

63

L : 630 mmD : 490 mmBH: 945 (1075) mmSH: 435 (565) mm

35 N / 35 K

L : 630 mmD : 530 mmBH: 980 (1100) mmSH: 435 (565) mm

52

L : 567 mmD : 540 mmBH: 845 mmSH: 480 mm

16 V

L : 567 mmD : 540 mmBH: 845 mmSH: 480 mm

16 YTRV

L : 567 mmD : 540 mmBH: 835 mmSH: 480 mm

16 AV

26 V

L : 600 mmD : 560 mmBH: 865 mmSH: 475 mm

L : 600 mmD : 560 mmBH: 860 mmSH: 470 mm

24 V

Tristan groups come with mesh, upholstered, and polypropylene backrest options. Tristan’s

leg design also offers a variety of choices. Users can choose between 4 fixed legs, wheels

and runner legs depending on their needs. All series have seat depth adjustment feature.

Manager and executive series have synchronized mechanisms. Backrest height can be

adjusted in 5 different levels.

Technical Details

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MERIDIAN TOUR | 2012

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Technical Details

L : 670 mmD : 560 mmBH: 1150 (1280) mmSH: 435 (565) mm

63

L : 630 mmD : 490 mmBH: 945 (1075) mmSH: 435 (565) mm

35 N / 35 K

L : 630 mmD : 530 mmBH: 980 (1100) mmSH: 435 (565) mm

52

L : 567 mmD : 540 mmBH: 845 mmSH: 480 mm

16 V

L : 567 mmD : 540 mmBH: 845 mmSH: 480 mm

16 YTRV

L : 567 mmD : 540 mmBH: 835 mmSH: 480 mm

16 AV

26 V

L : 600 mmD : 560 mmBH: 865 mmSH: 475 mm

L : 600 mmD : 560 mmBH: 860 mmSH: 470 mm

24 V

In visitor series, 9 different model alternatives can be found. In working series, the front

side is upholstered and backrest comes either fully upholstered or in.

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TOYOTA | KG Architects | 2009

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L : 670 mmD : 560 mmBH: 1150 (1280) mmSH: 435 (565) mm

63

L : 630 mmD : 490 mmBH: 945 (1075) mmSH: 435 (565) mm

35 N / 35 K

L : 630 mmD : 530 mmBH: 980 (1100) mmSH: 435 (565) mm

52

L : 567 mmD : 540 mmBH: 845 mmSH: 480 mm

16 V

L : 567 mmD : 540 mmBH: 845 mmSH: 480 mm

16 YTRV

L : 567 mmD : 540 mmBH: 835 mmSH: 480 mm

16 AV

26 V

L : 600 mmD : 560 mmBH: 865 mmSH: 475 mm

L : 600 mmD : 560 mmBH: 860 mmSH: 470 mm

24 V

Seminar group comes with an optional writing tablet. Seminar chairs without writing tablets

only come in polypropylene backrest. These series are designed without writing tablets

for ensuring easy stacking of chairs. Series that have writing tablets have the upholstered

backrest option. Writing tablet can be on either side of the chair. Since writing tablets are

anti-panic, they fold and drop to the side of the chair in an emergency situation. As the

writing tablets are movable, they can be removed after use, making it easy to stack the

chairs. Seminar chairs come with a carrying trolley to ensure easy transport after stacking.

Technical Details

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Technical Details

L : 670 mmD : 560 mmBH: 1150 (1280) mmSH: 435 (565) mm

63

L : 630 mmD : 490 mmBH: 945 (1075) mmSH: 435 (565) mm

35 N / 35 K

L : 630 mmD : 530 mmBH: 980 (1100) mmSH: 435 (565) mm

52

L : 567 mmD : 540 mmBH: 845 mmSH: 480 mm

16 V

L : 567 mmD : 540 mmBH: 845 mmSH: 480 mm

16 YTRV

L : 567 mmD : 540 mmBH: 835 mmSH: 480 mm

16 AV

26 V

L : 600 mmD : 560 mmBH: 865 mmSH: 475 mm

L : 600 mmD : 560 mmBH: 860 mmSH: 470 mm

24 V

Tristan’s one of the most prominent characteristics is its slotted backrest design inspired

by seashells. Tristan’s simple and coherent look and its thin backrest inspired by the

curled look of seashells bring together aesthetics and ergonomics. The backrest does

not fully touch the sitter’s back and enables airflow, which in turn helps avoid sweating.

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Designed by Faruk Malhan

Dastan

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Standing out for its simple look, Dastan is an office chair family that is designed to offer

practical solutions for working and meeting spaces. Taking its name from the Persian

Prince, Dastan is designed for senior management, management and operations teams.

YEMEKSEPETI.COM | Erginoğlu & Çalışlar Architects | 2012

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Dastan’s ergonomic mesh backrest adjusts to the sitter’s position and supports the sitter’s

body, thus ensuring comfort. Its operational, management, and senior management series

have the synchronous mechanism. The members of this family are grouped based on their

backrest height. Managers’ chairs come with either stable backrests or height adjustable

backrests with seven different position options.

L : 685 mmD : 673 mmH : 1245 mm

50

L : 621 mmD : 672 mmH : 868 mm

17 MIS K0T1

L : 597 mmD : 672 mmH : 868 mm

21 MIS K1P1

L : 685 mmD : 673 mmH : 1030 mm

40

Technical Details

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All products in this family feature the synchronous mechanism. Senior management

chairs also have adjustable seat depth. To meet different needs, the series offer fixed and

2D armrest alternatives.

L : 685 mmD : 673 mmH : 1245 mm

50

L : 621 mmD : 672 mmH : 868 mm

17 MIS K0T1

L : 597 mmD : 672 mmH : 868 mm

21 MIS K1P1

L : 685 mmD : 673 mmH : 1030 mm

40Technical Details

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Dastan’s visitor and meeting chair series offer four different combination options based

on the caster and fixed leg alternatives as well as the optional armrest. Dastan’s visitor

chairs have mesh or upholstered backrest alternatives. With its elegantly simple style,

Dastan is an economical choice that can easily suit different office spaces designed with

distinct concepts.

Technical Details L : 685 mmD : 673 mmH : 1245 mm

50

L : 621 mmD : 672 mmH : 868 mm

17 MIS K0T1

L : 597 mmD : 672 mmH : 868 mm

21 MIS K1P1

L : 685 mmD : 673 mmH : 1030 mm

40

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Designed by Faruk Malhan

Miranda

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TBWA | Erginoğlu & Çalışlar Architects | 2012

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Technical Details

Miranda is specially designed for meeting rooms and waiting areas. With its exquisite

form, Miranda supports the sitter’s back and conforms to its shape. To complement its

sophisticated style, Miranda chair family offers four different leg options as well as a

selection of upholstery in fabric, natural leather, and artificial leather.

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ANADOLU SİGORTA | Erginoğlu & Çalışlar Architects | 2013

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Miranda with an immovable, star-shaped base contains the position protector mechanism

which returns the chair to its original position after swiveling 180 degrees left and right. The

same mechanism returns the chair to its original height once the sitter stands up.

Technical Details

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Miranda’s four different leg options make it versatile in its use. With its comfort and

elegance, Miranda is undoubtedly an ideal choice for a workplace.

Technical Details

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Designed by Faruk Malhan

Asanda

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Asanda chairs, which are specially designed for communal areas such as airports,

hospitals, and waiting lounges can be ganged to each other thanks to their special leg

structure patented by Koleksiyon. This patented leg design enables ganging the chairs or

separating them from each other without using an additional apparatus.

THE CLUB HOUSE | SHH Architects | 2013

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Asanda’s skeleton is manufactured as one single part. The chairs are stackable which

offers a practical solution for storage. Asanda’s legs are bright chrome plated and its body

comes with the options of fabric, artificial leather, and genuine leather.

Technical Details

SH 30

SH 60

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Foldable writing tablets can be added to Asanda and shelves for storing books and bags

can be added under the seat. Additionally, juxtaposed Asanda chairs can be combined

with Asanda coffee tables, thanks to its specially designed legs. Asanda chairs, besides

having the ganging option, can also be mounted on the floor individually without making

any changes on the product thanks to their special connection modules.

Technical Details

SH 30

SH 60

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Asanda coffee table is used in communal areas such as airports, hospitals, and waiting

rooms. Asanda coffee table is usually matched with Asanda chairs. Koleksiyon’s

patented leg design, which enables ganging the chairs, is also featured on the coffee

table, giving the users the opportunity to create a variety of combinations with Asanda.

Technical DetailsSH 30

SH 60

SH 30

SH 60

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FLORENCE NIGHTINGALE | Zoom Architects | 2013

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Designed by Studio Kairos

Helen

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ANADOLU SİGORTA | Erginoğlu & Çalışlar Architects | 2013

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Helen has a light and soft design. The chair is ideal for café and bistro areas as well as

informal breakout spaces. Helen is available in various options, with four legs it can

accommodate stacking, a sled base, high bar chair, additional armrests and various

upholstery options for the different models. The seat shell is injected in PPGF15 (Glass

Reinforced Polypropylene), and is available in soft white and soft grey colours.

SB 10

SG 10

SB 10

SG 10

Technical Details

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Cantata

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PİRİ REİS UNIVERSITY | Kreatif Architects | 2014

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Koleksiyon holds a patent for Cantata’s special leg design and connection systems,

which stand out for the creative solutions they offer for mounting. Cantata’s table series

include a selection of durable materials that are suitable for use in both indoor and

outdoor areas.

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PİRİ REİS UNIVERSITY | Kreatif Architects | 2014

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Designed for communal areas, Cantata chairs come with three different colour options to

suit diverse design concepts. Cantata chair family, which also includes a bar stool,

attracts attention with its simple yet distinctive design. Offering smart solutions for

different reception areas and workplaces, Cantata family products display an elegant and

neat look when matched together.

Technical Details

L : 550 mmD : 553 mmH : 850 mm

CHAIR

L : 530 mmD : 593 mmH : 1134 mm

BAR STOOL

L : 529 mmD : 540 mmH : 859 mm

SEMINAR CHAIRSS\DYT\R\PF\T

L : 700 mmD : 500 mmH : 740 mm

SEMINAR DESK

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SAYGILI RULMAN | KG Architects | 2013

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Cantata chair series present a wide array of functional options as well as material and

colour choices. Designed for training and seminar rooms, Cantata seminar chair comes

also with casters, enabling easy movement. The chair’s specially patented writing tablet

can be rotated around its body. This makes it very practical for the sitter, who no longer

has to choose between the side where the writing tablet should be positioned.

Additionally, Cantata seminar chair also offers the sitter a storage solution with a basket

placed under the seat.

Technical Details

L : 550 mmD : 553 mmH : 850 mm

CHAIR

L : 530 mmD : 593 mmH : 1134 mm

BAR STOOL

L : 529 mmD : 540 mmH : 859 mm

SEMINAR CHAIRSS\DYT\R\PF\T

L : 700 mmD : 500 mmH : 740 mm

SEMINAR DESK

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Cantata’s single desks are designed to create practical solutions for the education sector.

Cantata desk has a shelf for books which is perforated on the front surface and a purse

hook to create an orderly work environment. Especially useful for narrow spaces, this

option ensures a comfortable and smart work environment.

Technical Details

L : 550 mmD : 553 mmH : 850 mm

CHAIR

L : 530 mmD : 593 mmH : 1134 mm

BAR STOOL

L : 529 mmD : 540 mmH : 859 mm

SEMINAR CHAIRSS\DYT\R\PF\T

L : 700 mmD : 500 mmH : 740 mm

SEMINAR DESK

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SAYGILI RULMAN | KG Architects | 2013

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Çelebi

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PİRİ REİS UNIVERSITY | Kreatif Architects | 2014

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Çelebi chairs are designed for areas like lecture theatres, classrooms, and training rooms.

It can be alternatively arranged for the use of two or three people. Thanks to its modular

structure, Çelebi can be used on floor surfaces with or without platforms. Its beginning,

middle, and end modules help form a seat for the intended number of people. Its comfortable

backrest and seat are made using polypropylene to resist the harms of extensive use. When

not in use, the chair’s seat base automatically closes, providing a larger space for movement.

Technical Details

TRIPLE OCCUPANCY STARTING MODULEFOR PLATFORMED FLOOR

L : 1735 mmD : 545 mmH : 830 mm

TRIPLE OCCUPANCY FINISHING MODULEFOR PLATFORMED FLOOR

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Armchairs& Sofas

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Designed by Faruk Malhan

Botero

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Botero armchair has a soft curved aesthetic. The single seat is ideal for reception,

common areas as well executive offices and meeting rooms.

HERBALIFE HEADQUARTERS | Özkutan Architects | 2013

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Designed by Faruk Malhan

Kardinal

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Kardinal is designed for workplaces and recreational spaces such as communal areas,

waiting rooms, cafeterias, and manager rooms. With its round body form, Kardinal

supports the sitter’s back and conforms to its shape. Kardinal offers alternative low and

high backrests and comes with a separate seating cushion. Its armrests have a graceful

style to suit the seating cushion’s upholstery, which comes in fabric only.

After swiveling 180 degrees left and right, Kardinal can return to its original position

thanks to its position protector mechanism. Kardinal’s spacious frame and backrest

height characterize it as a modern armchair that re-interprets seating in the workplace.

Technical Details

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Designed by Faruk Malhan

Laluna

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Laluna is designed for the reception areas in waiting rooms, cafes, and executive rooms.

Laluna comes in fabric, natural leather, and artificial leather. With its cubical form, it

supports the sitter’s back. The chair stands out for its body design with sharp edges and

its legs are positioned to form a circular shape. Laluna’s 180 degree swivel system stops

after returning to its original position, thanks to its position protector mechanism.

METLIFE | Sistema Teknolojik Yapı A.Ş. | 2013

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Designed by Gernot Oberfell, Jan Wertel

Dilim

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Dilim is a modular sofa or single chair designed for offices, bars, hotels and waiting

areas, and is offered in a way that allows Designers to explore the avilable combinations

of coloured fabrics.

ALCE ELEKTRİK | Cedetaş Architects | 2012

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A Dilim sofa can satisfy different demands with the different sizes and options it presents.

The back-to-back version, for example, might be used in offices or various waiting areas,

or matched in with other furniture systems.

ADS210L : 2100 mmD : 758 mmH : 766 mm

COMP_ADS175L : 2429 mmD : 1950 mmH : 745 mm

ADS210L : 2100 mmD : 758 mmH : 766 mm

COMP_ADS175L : 2429 mmD : 1950 mmH : 745 mm

Technical Details

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PİRİ REİS UNIVERSITY | Kreatif Architects | 2014

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GOOGLE | Swake & Hyden Architects | 2012

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ADS210L : 2100 mmD : 758 mmH : 766 mm

COMP_ADS175L : 2429 mmD : 1950 mmH : 745 mm

ADS210L : 2100 mmD : 758 mmH : 766 mm

COMP_ADS175L : 2429 mmD : 1950 mmH : 745 mm

The high-back version can be used to create a cellular environment for meetings and

working or for reading and resting within common areas. The upholtered surface of the

high back sofa assists in helping to isolate noise which might otherwise be a critical

problem in open office layouts.

Technical Details

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ANADOLU SİGORTA | Erginoğlu & Çalışlar Architects | 2013

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Designed by Faruk Malhan

Flamingo

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Flamingo is a seating family designed for waiting areas or breakout zones. The design

presents a one piece solution to its seat and back. The thin and elegant arms and back

provide a great layout advantage in terms of space saving.

SAYGILI RULMAN | KG Architects | 2013

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Designed by Koray Malhan

Ikaros

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Ikaros is a sofa designed as an alternative to a desk and to serve the needs of any work

environment. The design can be placed in the middle of any work zone or at breakout

areas to bring people together for chance or formal encounters, or to enhance cross

fertilization of ideas and discussions in a work area.

SAHIBINDEN.COM | Erginoğlu & Çalışlar Architects | 2013

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The extension wing in the rear is at table height, where it can be used as a worktop whilst

sitting on a chair. This feature allows the seating unit to be used simultaneously from

inside and outside, providing the users with a collaborative use for more casual work.

This design combines work with pleasure and relaxation, with the sofa doubling as an writing

tablet and a table at the same time. All horizontal surfaces may be used as service areas.

Technical Details

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PHARMACEUTICAL BUILDING - BASEL | Ruggero Tropeano | 2013

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Designed by Faruk Malhan

Hanedan

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Hanedan is designed for executive areas, with a solid wood framing of the sofa all around

the edges. The seat can be covered in a special choice of leather or by fabrics that

emphasise the charm of the design. The sides and back surfaces are all covered with the

same style as the wood frame; this enables the sofa to be exposed from all angles when

placed in any zone.

SAYGILI RULMAN | KG Architects | 2013

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Designed by Faruk Malhan

Serdivan

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Serdivan from the Babil family gets the inspiration from the patterns of 500 year-old Babil

civilisations which symbolizes the “meeting” concept. The sofa attracts the attention by

the curves on it’s legs. The aesthetics of the ancient time meet today’s modernism.

Babil Serdivan sofa with alternative coverings of fabric, velvet, quilted, comes into our

lives as a very successful mixture of modernism and classicism. Along with modest and

clear-cut lines as a timeless design object, it provides convenience ofv use in different

locations of offices.

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Designed by Faruk Malhan

Hanoba

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Hanoba is an economical seating group designed for senior management. Hanoba

attracts attention with its cubical form. Its backrest has a tufted upholstery, which makes

it ergonomic as well as appealing. Hanoba’s body stands on its special chrome plated

legs. With armchair, two or three seaters sofa options, Hanoba is especially suitable for

offices using different design styles.

Technical Details

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Designed by Faruk Malhan

Kaffa

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Kaffa incorporates a sophisticated design, aiming to serve non-residential environments

such as restaurants or cafes. Kaffa is designed to be higher than a standard sofa so that

it can match dining tables. Kaffa has the size of a chair, but the comfort of a sofa. This is

why, unlike the standard seating units, it has a straight backrest. Kaffa offers low and

high backrest alternatives. Its modular structure allows it to be combined in groups of

two, three, or four, enabling it to meet with diverse needs in different spaces.

SAHIBINDEN.COM | Erginoğlu & Çalışlar Architects | 2012

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Designed by Studio Kairos

Opera

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The Opera seating program offers a flexible alternative to satisfying demanding space

requirements. Combined units form different compositions depending on the arrangement

of the open and closed types.

The sculpture-like body supported by thin metal legs and enhanced by the combination

of these curvaceous units placed side-by-side conveys an exceptionally dynamic design.

ECZACIBAŞI INNOVATION CENTER | 2011

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The unique design of the sofa presents a different currency as well; a one-and-a-half seater’s

experience for every single user. This special measure provides an extra comfort for each

user in the waiting areas, without promoting the invasion of a user’s personal space.

SAYGILI RULMAN | KG Architects | 2013

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Designed by Studio Kairos

Pasenow

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Pasenow is an armchair and sofa series offering rich composition opportunities with its

modular units. The design may also be used as a single unit, depending on both layout

requirements and possibilities. With a variety of materials and colours, Pasenow easily

creates diverse spaces. The angle formed at the arm and back connection is the mark of

Pasenow’s design identity.

BRITISH AMERICAN TOBACCO | Yalın Tan & Jeyan Ülkü Architects | 2009

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GÜZEL SANATLAR | Erginoğlu & Çalışlar Architects | 2004

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Designed by Faruk Malhan

Tamina

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Tamina is designed to bring an economical option for comfortable offices and workplaces.

Besides its modules for single, double and three seaters, Tamina also has models with

radius. Tamina looks very light because of its thin body structure gracefully standing on

its legs. Tamina is an ideal choice for offices with distinct design concepts.

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Designed by Faruk Malhan

Tellasmar

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Tellasmar is a seating group designed for waiting zones or as welcoming units in work

areas. The design presents its purity and comfort with its concealed angle in the seat and

a soft back. The sculpted arms and back provides a great advantage in layouts in terms

of space saving. Produced in different sizes, Tellesmar’s elegant bearing structure with

chrome plating is consistent with its thin lines.

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CoffeeTables

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Designed by Koray Malhan

Narcissus

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Narcissus is a coffee table designed for use with executive groups; for waiting, welcoming

and lounge zones. With its marble, glass, or wooden tabletop options and its special leg

design, Narcissus offers solutions that meet the needs of various executive levels.

CTHB LAW OFFICE | Salon Architects | 2013

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Designed by Koray Malhan

Plinth

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Plinth is an side table designed with work and common areas in mind.

The combination of two different units in veneer or glass gives this design a natural

warmth. Plinth accommodates a service area at equal height with any surrounding

seating arrangements.

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Designed by Faruk Malhan

Bremen

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Bremen table can easily be used in waiting halls or multiple working areas and also could

be an alternative for narrow places. It has three differently shaped trays, but all have same

metal supported legs and can be stacked into each other. Bremen tables are easy to use

as subsidiary units and their stackable feature helps to save space in offices.

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Designed by Faruk Malhan

Ova

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Matching the minimalist appearance, Ova table attracts the attention with natural

covering on the surface. It has alternatives in square, rectangular, round and oval. Ova

table can be considered particularly for managers or waiting halls.

Apart from square, rectangular, ellipse designs, glass surface comes as an option. It can

turn round 360 degrees and becomes a functional alternative to reach to the whole

surface. Ova table can be produced in different dimensions in order to be used in the

middle or at side and it features a unique leg design.

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Partition Systems

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Designed by Studio Kairos

Megaron

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Megaron is designed as an abstract way of defining space in the open layout. The series

is designed around the principles of “open work” where designers can organise the layout,

height, composition as well as the colours & textures of each single panel.

Technical Details

L : 2500 mmD : 850 mmH : 1625 mm

H4_U02

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Megaron’s mainframe is constructed with a very light inner metal core structure;

aluminium extruded covers, and vertical steel tubes. This structure is then covered by

individually upholstered panels. Each single tile can be planned in a different colour, and

the tiles can be configured either in a vertical line or in a brick tile pattern.

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İŞ GYO | Brigitte Weber Architects | 2013

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Designed by Studio Kairos

Milonga

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Milonga is a very light and innovative system to create transparent division of space in

work zones. The detailing of the system allows a very simple and slim system to frame

meters of seamless glass panels without any vertical interruption.

Milonga is designed in the puritan’s view where any ornament is avoided, but all joints are

presented as themselves. Within the same language, door systems with hinges and

sliding mechanisms are introduced.

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PHOTOGRAPHSCemal EmdenÖmer ÇiçekGürkan AkayOnur KolkırLevent KuğuFaruk KurtuluşAli BekmanBüşra YeltekinSerdar ŞamlıThomas Mayer

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Orgatec 2014, October 21-25

Koleksiyon© All intellectual property rights, such as trade marks, patents and copyrights are reserved. Nothing contained in this brochure may be reproduced without written permission.

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